the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
transcript below the cut arranged into stanzas to help show where the rhymes are:
“that’s why they brought gem in? as a failsafe?” as a pawn.
we were told to point her at whoever we need gone
“gem won’t hurt her allies. …yet.” the curse she carries will
it’s had its eye on her since she lost the other eye
she was specially selected for her hunting skill
it’s quite the high honor. “wow. how generous.” we try
think about it: why does almost no one fight the curse?
“given how fast scott killed skizz last season, i can guess.”
[“any pain you spare your friends, you’ll have to suffer worse”?]
it’s designed to shut down higher reasoning with stress
Do you ever just think about how the headboard on Kevin's bed on the Nest doesn't budge. Of all the hints about what his life there was like that's the one that gets to me the most because it's so deliberate. Because even though he's probably physically stronger than Riko or at least evenly matched, Kevin wouldn't fight back. But he wasn't given the choice to anyway
honestly i think putting neil in kevin’s side of the room is such a telling choice during the castle evermore scenes. we spend so much of the first and second book hearing about how much kevin fears his so-called family, their haunting of the narrative as bloodthirsty hounds who can sniff out his fear, and when we actually get to finding out why that is we see it from someone who was immediately shoved into kevin’s old place. riko wasn’t just hurting neil because he wanted to (“i’m going to enjoy hurting you just as much as i enjoyed hurting kevin”), he was making sure neil knew he was inferior by putting him in direct contact with the roles kevin and jean played in the nest, using him as a substitute for the one that got away. neil gets a speedrun of some of the worst moments of kevin’s life, and he gets not a single breathing moment for it before he has to be shoved back into exy, like kevin was
i wouldn’t dare presume nora sakavic’s intentions on anything at this point, but i like the idea that neil’s stay at evermore was supposed to tell us all we needed to know about kevin’s time there, without kevin ever having to actually recount the years (he wouldn’t, even if he could): that it was horrifying, and that being in his shoes will never be as glamorous as neil previously thought. i like the breaking of neil’s expectations for kevin; i like how it makes neil realize the life kevin led was not better. and that’s the point, isn’t it? when neil is lying in kevin’s bed, handcuffed to kevin’s headboard, his legs pinned under kevin’s only friend, getting hurt by kevin’s brother, that’s what neil realizes: this is not better. it might be different than life on the run, but it is not better.
Currently thinking of an Angel AU where Sanji is one of Cupid's angels for the past 800 years. He makes people fall in love. And for angels of love to ascend, reincarnate or reborn they're given specific clients that he needs to fall in love.
But he has a problem. A mold problem. He only has one client left that he needs to fall in love. And it's the lone wandering swordsman with an odd memorable green hair. And no matter what Sanji does. No matter who he matches the swordsman with as every new lifetime pass, the man just never falls.
And so, as Sanji begrudgingly stands on the swordsman's grave alone, he swore that on the man's next life (11th) he will make him fall in love by hook or by crook.
today i offer you the beginning of sweet pool. crazy how nitro chiral started off their omegaverse gore cannibalism yaoi game set in a catholic school with the bible verse of God telling humans to reproduce
Ahahaaaa oh my goddd can you not make "ADHD undereating" and "ADHD overeating" into a competition of who has it worse and who has nothing to complain about, that'd be awesome
their family situation is very complicated but if you're interested:
nico was an oopsie when their mom was young. she got married and then quickly divorced nico's dad. coco looks up to her brother a lot. he's the kindest, most generous person you'll ever meet (gives you the shirt off his back kinda guy) and he loves coco so much, but he has an intellectual disability as a result of a complicated birth and he was never given the support he needed. he's had problems with substance abuse for a long time. growing up, coco always wanted to be around him, and unfortunately he didn't always do a good job of sheltering her. even though she doesn't blame him, he'll always blame himself for exposing her to his lifestyle.
when coco's mom met her dad, she didn't want to ruin things by getting married again. nevertheless, coco was planned. she was supposed to be the last baby (hence the cute matching names: nico and nicole).
monica came along so quick after coco that they were basically raised like twins, but coco was still very much a protective big sister to her because monica started losing her eyesight as a toddler. by middle school, she could only see light & shapes. she continued to go to the same school as coco, but she didn't get much in the way of accommodations, so coco was the one who helped her the most. she made sure monica never fell behind or felt different – she learned from nico that if she didn't support monica, no one would. they're the only 2 that share both the same birth parents, though monica always got along better with their dad than coco. oh also she's the sister that used to listen to danny's music fjkjsds
jazzy was from their mom's 2nd marriage which didn't last long. she spent summers with her dad in indiana, which made coco so jealous until she actually visited indiana herself lol. she goes to college at purdue so coco doesn't see her much. it also makes coco feel weird that they both started college at the same time though coco is 5 years older. she wants to be the big sister giving advice and helping jazzy through college, but jazzy has her life together more at 18 than coco ever has. she won't admit it, but she does judge coco for her life choices, and she has a lot of valid reasons for doing so. sadly jazzy had a front row seat to some of coco's worst moments. neither of them really know how to move on from that.
their mom is still married to amir's dad. he's the only kid still living with their mom. coco actually spends quite a lot of time with amir; he likes to stay at her apartment when he needs a break from his step siblings (who coco barely knows, since they moved in after she moved out). they also like to get out of the city and go exploring together / hiking
xena is....... complicated. she's the only one here that doesn't have the same birth mom and that's really all i can say. (btw i'm not bringing back the 2018 extreme red blush, the poor thing just has eczema)
He is so baby-faced. He hasn't changed at all since he was 22, to when he died of "old age" at 40
(Old age? With a face like that? 40 years old?? Gimme that kind of youth and hotness Shinomori-)
He has tiny eyebrows. Like a puppy's (rottweiler's, for example). So cute and tiny and fuffy
He naturally frowns. Look at him and his mouth and his lil nose
He has a thing about keeping his arms near his chest. He sits with his arms crossed, introduces himself with his hands over his torso, and even walks with his arms crossed toward Midoriya
He has such clear skin for someone who lived the rest of his life in a forest??? Why do Hikage and Yoichi have such nice skin despite living in terrible environments? (forest and vault + abandoned streets respectively)
Is easily scared
They knew their Quirks could be used, but Shinomori got scared of it when it happened. Even though he gave Midoriya his support and access to his Quirk beforehand. Depending on the translation; "it startled me", "you scared me", "it surprised me"
I'm not going to hold running from AFO against him because he knew he was running for his life. Who wouldn't run for their life when it's in danger? Shinomori was being chased by the strongest person in the country (and likely the world)
His sense of self-preservation is probably heightened by the nature of his Quirk to keep him out of danger too. Which makes him all the more sensitive and jumpy to danger and anything that startles him, especially when he has no warning
He's actually extremely tall, but is so socially inept and jumpy it's adorable. He's taller than Bruce.
Bruce is as tall as a vault door that the 2m AFO used.
(Meanwhile Kudo is down there-)
He has such a bad sense of humor that it's cute (his puns off Danger Sense)
It's also adorable how Shinomori just doesn't understand social conventions sometimes. He lived in a forest, so it made sense, but also— Midoriya shows up in the void to the vestige platform for the first time. He has no mouth, no clothes—and Shinomori's first idea is to stand in front of him menacingly and go: "I shall explain. I am Shinomori Hikage." SIRRRR
This.
His Ability is basically like glorified anxiety. What if something is coming to hurt him? If something can hurt him? What if that tree falls while he's under it? And the ideas come so hard they hurt (although yes, it does detect ill intent and that's what sets it off)
He talks weirdly. Formal? Old-fashioned? Listening to him speak Japanese compared to others, it just sounds a bit different. (Translated subs don't show it very well, it's the voice itself methinks)
"This too, is destiny." *about Midoriya having OFA*
Kinda wise or sage-y. He did spend his life in solitude in the forests so he definitely spent a lot of time with his own thoughts. Maybe he found the meaning of life in a centipede or something one day
For someone so cute, he is also such. A fine. Specimen???
Well, it's been a hell of a couple of weeks, and one of many things that happened is that I ended up coming home from Urgent Care looking rather like fruit being packed up for long distance shipping.
I got pretty scraped up when I fell while hiking nearly a month ago. Then I got significantly better... and then I got a whole lot worse.
If you would like to avoid some truly disgusting and painful wounds, you should know that you are likely to develop an allergy to Neosporin if you use it for multiple weeks (and probably the same goes for other brands of over-the-counter antibiotic ointments, I'm guessing).
this is your reminder that 99.9% of employers care more about money than you and even if they are kind and fair now they WILL at the end of the day put profits over your well being so absolutely do not sacrifice your life for them.