#life is just one thing after another

[onsecondandfirstplace]

to that person who wrote the post about life being just one thing after another, I think about your post almost everyday, when I am so tired in the evening and the chores are still not done, i remember that life is just one thing after another and when i have to read another text for university and when i walk to uni and when i do grocery shopping and when i unload the dishwasher, it’s all never-ending

[turtleblogatlast]

I like to think that Leo one day decides to really play around with his portaling and teleportation abilities and see the full extent of them.

Like - continuously throwing one sword and teleporting to it while throwing the next one immediately and repeating this as long as he can to see how far he can keep it up without stopping.

Making little portals in the air that lead right up against the ground so he could potentially just stand on the portal in the middle of the sky.

Ultimate storage system - anything anywhere at any time is available if he knows where to get it (personally my headcanon for why he goes from two satchels to one in the movie.)

Phasing to avoid attacks - like, he could lightly toss a sword a single centimeter and teleport to it, and in that short amount of time he can completely avoid hits.

If they ever do go to space and end up on different planets, with enough training he can just…go there, whenever. Not only would this be great for being well traveled and having more places to go in general, but this also opens up more room for connections and allies that could assist them the next time they need help against a grand foe.

Leo can easily remove injured team members from a fight and get them help without having to account for transportation times.

On that note - Leo’s teleportation in particular acts on a particle level. It’s quite literally breaking him down into particles and remaking him every time he uses it. Both for him and for anyone he uses it on. Who’s to say it can’t be used for healing? At least for basic wounds.

None of this even touches upon the offensive potential of both portals and teleportation. Leo’s abilities flourish more as a support main, but that doesn’t mean those abilities can’t easily be used as weapons - and I don’t think I need to get into how exactly they can be. Portal chopping alone can take on a very different meaning…

Furthermore, I gotta wonder if he’ll always need the swords for this, or if he could one day be able to achieve the same results without them.

My point being - teleportation and portals are super OP. Even with the abilities Leo has in present they are so unbelievably adaptable and so fun to think about in terms of basic mechanics.

[wrixie]

After a long, well-lived life, Booger's time has come </3

[clambuoyance]

Roxy’s goodbye (clambuoyance’s version)

[disposal-blueeee]

stuff i never finished and why

hello and good night . i'm just gonna ramble about stuff so yeah

swings

oh man i really loved this drawing . but it was a PAIN IN THE ASS .

i had a bunch of problems with this one . i spent an embarrassing amount of time doing the line . then after i started painting it on Ibis paint i realized that i should've done the line with a textured brush .

then the background . i really couldn't make it look nice even if i tried . i spent so long just trying stuff and searching for references but i just couldn't get it right . the colors and the lightning kept looking weird .

and just when it was looking decent , oh no the file is corrupted !!! and if i wanted it back i would have to go through a speedpaint of a drawing that took me 28 hours ( i actually tried it 😭😭 but it was taking so long and after some time the app crashed )

so , i decided to just give up . i was already fed up with it . maybe some day i'll try to redraw it or something

edit : oh wait a second . this drawing makes no sense without the background . edgar looks like that because there's supposed to be a puddle under scriabin's swing and he's trying to get edgar wet with it

otgw x chapter 20 / 21

i just said i loved the other one but THIS ONE . this one is SO PRETTY and i was so excited to try some new brushes and overall just finish this . excited enough to start painting edgar without even finishing scriabin's line .

i was using a small tablet my friend let me borrow . it was actually so helpful because i could draw on my phone with it !! i used to work on this when i was at school .

then i started having problems with the background . again

then my friend told me that his mom didn't agree with him giving me the tablet and that he should give it to his sister instead so i had to give it back . great . at that point i didn't feel like finishing it so

random reference i found in pinterest

this is like a month old maybe ???? i just thought " oh this would be such a fire pfp " and after finishing the sketch i was like " alright i'll finish this tomorrow " ( i never finished it )

mostly didn't finish it because i didn't have any idea to make it look lifeless and tragic . oh well . maybe i'll try it someday i still think it's cool

papa's cheeseria

this one isn't really unfinished . i just wanted to make a doodle sheet but never drew anything else so now he's just there . alone in a blank space . poor guy .

so yeah . everytime i play papa louie's games i always make the workers look like edgar and scriabin . i thought this default outfit looked pretty cool so so i had to draw it

[quarks-pussy]

So I know we here at Startrekfandom love that "came back wrong but from the pov of the wrong" thing and apply it to many different characters and canon situations and I am far from trying to complain about it (I'm "came out wrong" trope myself so I was always gonna obsess over it) but having recently watched a very important episode (you'll know which one) for the first time I think there's a character who hits both tropes mentioned but llike, intertwined, opposite and subverted, and whom I wanna talk about.

Julian Bashir.

From his parents' pov he's "came out wrong but we got him help and he came back better" while from his own pov it's "came out 'insufficient', was destroyed for it, came back wrong and only later slowly came to terms with his new self tho never the process (justifiably so)" and it's heartbreaking because in a way, he's right! Jules Bashir died! His parents had an intellectually disabled child and decided to eugenics him! Julian is not the person he used to be and while I do love the person he is now, that doesn't bring back who he was! Part of me wishes we could've gotten to see Jules at least once and part of me hopes we never do because my heart would shatter.

This isn't a good comparison but nonetheless one I can't help drawing: it's giving similar vibes to anti-vaxxers. "I'd rather risk having a child who is dead than one who's autistic". Obviously this doesn't map over since Julian is still autistic and the procedure his parents subjected him to specifically targeted his intellectual disability and if any folks with id wanna comment on this I definitely recommend you listen to them over me, but it's a similarity I, as an autistic who has encountered anti-vaxxers again and again, can't help but point out. "Give me a normal child or give them death."

This may have been written about already but there needs to be stories about teenage Julian (after finding out and rediscovering who he was) practicing some good ol' recognition of the self through media. I need to hear about how he would encounter a story about someone who came back wrong (I'm gonna assume there's plenty of "wrong" pov stories floating around by the 24th century) and absolutely weep. I need to see Julian mourning Jules, taking years and years to process his feelings, experiencing guilt about how he, the imposter, didn't deserve to live Jules' life.

Came back wrong from the returned's pov but it wasn't an accident. It was done to you deliberately by the people who claim to love you. And now you are here, piloting the corpse of your predecessor.

Jules Bashir is dead. Long live Julian Bashir.

[tinesleftnipple]

*novel spoilers*

There's a recurring theme of separation in the original novel that the drama hasn't really had time to portray. Xiao bao's name is wei li li, and "li" means to separate. I think this was the first instance that priest introduces this idea to the readers.

Then WQ's stepdad and mom dies, marking the first separation in the novel.

There's another character called Ma zi who lives with his mom running a breakfast stall by the side of the road. In an accident, the pot of hot dough-frying oil tumbles over the mom and she loses an arm and a leg. Ma zi, who is desperate for money for his mom's treatment, resorts to selling drugs for Le ge and is shot dead by police. Another separation of life and death.

Over at WQ's, Xiao bao's grandmother from the stepdad's side shows up and ends up living with them. She has a stroke a few years later and becomes incontinent and increasingly reliant on the kids for everyday tasks.

Grandma and Ma zi's mom end up leaving to wander off together in the winter because they didn't want to be a burden for the kids anymore. Ma zi's mom leaves a note that says, we didn't die, we just left.

There a chinese saying of "生离死别". 生离 is separation in life and 死别 is separation by death. WQ has experienced plenty of both. The novel ends with a quote: from now on we won't have 生离, only 死别. Only death will separate us.

[linusbenjamin]

I chose the island… over her.

[polysyndetonaddictsupportgroup]

Shirayuki: some spineless bitch doubted my moral conviction and tried to use my lack of title to manipulate you so I immediately threw myself off the building to prove a point

Obi: I jumped off after her no context no questions asked

Zen: I have to kiss someone on the mouth about this immediately

[identityquest]

lizzie get two wolves 👍

[concert-bflat]

Thinks about how. Gloreth only starts looking at Nimona differently/strangely when her parents call her a "monster". Just throws that label with such a negative connotation on her. Gloreth fucking fights for Nimona immediately in the beginning saying that she's her friend and never once looks at her with ridicule until her mom just holds her by the shoulders and tells her she's a monster, straight in the eye, straight in the face. And just the word is enough to cause the change.

Nimona's getting fucking attacked and prodded and Gloreth doesn't even feel sorry for her just because she's now re-contextualizing everything around her but with that word. I'm so sick. She looks not in hesitance but at disbelief before she runs away. She sees Nimona trying to defend herself from literal Danger in any way she can (she's just a kid and she's fighting with people who won't listen, never will, people that she can't get through) but just sees that as more proof of her being violent, monstrous. She sees her friend all alone, with the odds and the world stacked against her despite them being. so similar but just tells her to go back to the shadows.

And like. Of course she believes those words calling Nimona a monster and takes them to heart. Her parents, the ones she would probably trust most are the ones that told her that. And she's young, she doesn't know much about the world or much better. And of course, her parents and the whole village don't know any better. They didn't see what she saw. They don't know or feel the need to know much more than the definition of the word "monster". But it hurts. God it hurts. It's wrong. It's not fair. It's really not fair.

And it causes this whole legend that will stay with Nimona to ridicule her for generations and generations and birth this system that she's trapped by and causes everyone to be so brainwashed. The one that makes people scared and build walls. That births unecessary distrust.

God. Even in the scroll illustrating Nimona and Gloreth, Nimona is portrayed as such a bigger and scarier threat than she ever could be or would be, until Nimona internalized and gave into those images and despair of course. It's not fucking fair.

Thinking about how when the villagers saw Nimona as a "normal" person they were happy for her just living her life and playing with her friend, she was just another kid being happy like she and every ("normal", apparently) person deserves to be, and they were allowing her to be happy then when they find out what she really is they hate her. They call her a monster and drive her out immediately. They don't look into the details that contradict the stigma, they just feel betrayal when they weren't even the ones who were betrayed (Nimona couldn't fucking help being who or what she was. And she was her own person. She was still. A someone. Why do things have to be different now?). I'm so sickkk.

Thinks about how Nimona feels so hopeless as to just. Accept and yield to that label. That label that was passed down to Gloreth. To the whole world. Such simple but awful words. Aughhhhhhhhhhh

Another post I saw talks about how this is a movie about how hate is taught. And oh my god it is. Hate it taught. It's done so simply yet so, painfully effectively. So devastatingly. And that hate teaches people to hate the world back. God I fucking loooove this movie

Also Nimona's such a Creature /pos /affectionate she's so relatable I fucking love her and I'm insane okay that's the post bye

[rainymoodlet]

Kiss Me in Komorebi+ 🌸

[Ep. Eight] Date at the Museum!

Congratulations to our first surprise winner, Josiah Bolton! Based on my own visit to a natural history museum in Japan, Daniel took Josiah out for a day at the Rekishi no Kioku Museum of Komorebi History!

They spent the first half of the day exploring the small museum’s many offerings, enjoying healthy debates about the use of ancient tools, judgement of the décor, and held so many deep conversations that they tarried on for hours!

@retro-plasma

[ Part 1/2 ] 🌹

[chandralia]

“SO BASICALLY THIS KID GETS HIS POWERS BY SAVING HIS CHILDHOOD FRIEND AND FORMS A COMPLEX RIVALRY WITH HIM DESPITE THEIR BAD HISTORY WHICH LEADS THEM TO CONSTANTLY STRIVE TO OUT-DO EACH OTHER IN THE PRESTIGIOUS HERO SCHOOL BUT THEIR OBSESSION WITH THE OTHER NARRATIVELY COMES OFF AS ROMANTIC SINCE THEIR DYNAMIC HAS AN OVERWHELMING AMOUNT OF PARALLELS TO OTHER CANON COUPLES THROUGHOUT HISTORY AND—“

[bradshawsbaby]

I’m sorry that I haven’t been very present around here lately. It feels like my sanity has been hanging on by the thinnest of threads, and the truth is that I just haven’t had the energy for much beyond some occasional reblogs.

I’d like to say that things will change soon, but I have a ton of work that’s scheduled to be done in my house next week, so I’m sure that will just make things even more chaotic. Just know that I’m here if you ever feel like reaching out and chatting—but also, please accept my apology in advance if I’m slow to reply 😅

[biblicalhorror]

[deus-ex-mona]

series i’m gatekeeping from my family vs series i’m ✨ok✨ with my family knowing i’m into: