#like Sokka was Zuko’s first male friend his age who had the same interests (or even similar past) as him

[fanfic-gremlin-ft-trauma]

Hugs bc these boys deserve one

[canonconspiracy]

Preview: Frozen (Zuko x Fem!Reader)

Fandom: Avatar The Last Airbender AND My Hero Academia Pairing(s): Zuko/Fem!Reader, Shoto/Fem!Reader AO3: @rmorningstar21​  Aged Up AU: [Reader and Class 1-A are all in their 20′s, same with Zuko, Sokka, etc.] Warnings: Possible Mature Content coming, violence, slowburn, angst, under heavy editing Quirk: Natural Disaster AN: This is currently an AO3 exclusive, and will be moved under my wattpad account (rmorningstar21) once I get further in the editing process.  Please read the first chapter’s information page for more information on my crossover.

As she struggled to take her first breaths in this new world, y/e/c orbs landed upon amber ones, adorning a scar on one side of the male's face.  Struggling in her first moments, she could not help thinking, Shoto? as she stared into those eyes.  Vision blurred at first, she blinked once more to allow it to form into her view.  It couldn't be.  Her hand, for a brisk, second movement struggled to touch the face of her savior, a careful thumb gently caressing the man's cheekbone as a smile made its way to her face.    

She over-estimated the male's patience as he let a huff escape his lips, practically dropping the woman who had just woken up in this new world.  "She's probably useless, Uncle," he muttered as he began walking away from her.  "Clearly not the Avatar." 

"She holds incredible power," an elder male countered quickly.  "You don't know who or what she is." 

Finally dropping the woman back upon the ice below, he crossed his arms as his lips tightened.  "I don't believe the Avatar would be this naive," he spat coldly, walking away from the woman and towards the elder male.  "Let's go." 

"Even if she is not the Avatar," Iroh chided, walking over towards the woman who had still looked dumbfounded upon the ice, "She could be a valuable ally.  We also can't just leave a woman in the middle of the ocean." 

"What we need is to find the Avatar," the younger male countered shortly.  "Not to take in some stray, Uncle." 

The elder man moved into the woman's line of vision, a smile stretched across his wrinkled face.  "Please excuse my nephew's manners," he said kindly, reaching a hand out for you to take.  "What's your name?" 

Y/N blinked for a moment before taking the man's hand, clearly noticing the red garms the male adorned.  Y/e/c orbs simply stared before she finally parted her lips, her voice hoarse from being unused in so long.  "Y/N," she said finally, her voice cracking as she spoke.  "I was once known as Natural Disaster, but I'm sure the world has changed."  Standing to her feet, her voice still cracked and hoarse, she shifted her vision from the kind elder man to the rest of the world, her y/e/c orbs widened at the scene before her.  She could feel a set of salted tears attempt to well in her y/e/c eyes that she held back as she noticed the differences of this world alone.  "The quirk war...it's over." 

A large hand moved to the woman's back as the elder male guided the woman onto a ship, clearly a war ship, though it was a great deal different than anything she had ever seen.  In a kind tone, he said, "Let's get you some jasmine tea.  That should help with your throat.  It cures all ailment- well, not entirely, but." 

"How long was I frozen for?" She murmured, half to herself as she was led into the ship before her.  Her heart pounded in her chest as she admired the wall scrolls showing the fire nation.  Slender fingers trailed the symbol as she slowly made her way in.  "What is this symbol?" 

"She doesn't even know what the Fire Nation is?" The younger male voice called out with a scoff following as the two walked into the main room of the ship.  "Talk about useless." 

"Nation-," she started, her voice still hoarse, though shock was evident in her tone.  "Are you saying that you both have a fire quirk?  That there's a nation of fire quirks, just like Endeavor...or the cremation quirk of Dabi?" 

The elder man held out a cup of tea for her to take, which she did with a silent thank you as she sat beside the male.  Sipping it carefully, she listened to the elder man speak, her heart breaking more with every word that escaped his lips.  Y/e/c orbs fixated upon another fire nation symbol she had found in the room.  

"We are fire benders, yes," the elder male stated.  "My nephew is Prince Zuko, and I am Iroh.  What you're speaking of made the history books, but…" 

"But?" She questioned, her y/e/c eyes glancing over to him with an eyebrow raised.  

Iroh cleared his throat, an uncomfortable look against his features.  "What you're talking about is not well known," he continued.  "And dates back over a thousand years." 

Y/N's face dropped at the male's words, though she sipped her tea more to hide it.  The scratchiness in her throat began subsiding from the hot, calming liquid, though her heart felt constricted.  "I see," she murmured.  "Did anyone say who won the war?" 

"It is unfortunately unknown," Iroh replied, shrugging nonchalantly.  "At least, the history books didn't write that portion in."  

Y/N found herself laughing, her hand moving to her face to cover her lips as she laughed.  As it subsided, she spoke, "My purpose in this world was to protect those people, the heroes, the civilians, my family and friends.  Everyone wished to create a better world, even the villains who simply had a different view.  What I'm seeing now, it seems, is that we destroyed ours." 

"You speak from the view of a soldier," the male she learned as Zuko said, his attention drawn back over to her.  Amber orbs suddenly looked interested in her existence, be it just a tool in his own quest.  "Maybe you can be an asset." 

"An asset," she mused, before allowing a chuckle to escape her lips.  It was that of a hollow chuckle, a woman who had lost everything in the span of a few moments.  Someone hardened by war to not allow her tears to shed in the presence of people she was unsure of their trustworthiness, she nodded in reply.  "Surely," she spoke with a shrug.  "I create the elements, ie, Natural Disaster.  The heroes would typically rely upon my abilities in the form of hurricanes, but my abilities range to wildfire, tornado, flood, and earthquake as well." 

"Uncle, are you sure this isn't the Avatar?" Zuko directed towards the elder man who sat beside her, his visible eyebrow cocked at the male.  

Iroh nodded solemnly.  "The Avatar has only been missing for one hundred years," he stated dully.  "This woman has been frozen for at least a thousand." 

"I'm willing to do anything that provides a service to you two," she finally said, her y/e/c orbs shifting between the two.  "You two freed me, and everyone I loved is long passed.  I'm indebted to the two of you." 

As amber orbs met her y/e/c gaze, she could almost see the bit of pity that flickered in them.  "Very well," Zuko replied dully.  "If anyone asks, you're simply a fire bender.  Uncle, find her a uniform." 

"Understood," she replied with a soft smile, one that held back all the pain choking at her heart.  After all, she knew she was indebted to the two males that made up the room.  As someone who would have been considered significantly different from this time period, she was not inept to the idea of being used for the wrong reasons.  Though she could not trust the males yet, she had no other options. 

[zukoshotleafjuice]

The funniest thing about june teasing katara and zuko about being a couple is that she just sees a pretty girl and an attractive guy, both looking almost the same age which immediately makes her go "you two must be a couple" and it just reminds me of zvtara shippers, you know what i mean? I'm convinced one of the reasons a lot of ppl ship them is bc of their looks. katara being the female protagonist and also a pretty, smart and powerful girl & zuko, despite not being the male protagonist, being the most attractive guy in the gaang. Boom, a "bomb ass ship". It is worth to recall that "people ship zutara bc they projected onto katara and had a crush on zuko". And if they say they don't ship them for that reason, then it's bc they read too much between the lines in every interaction they have. So, back to june, she didn't even care if they had chemistry or if they were friends or anything, she just straight up teased them about being a couple lmao. Because in all honesty zvtara can be an appealing ship in anyone's eyes but THAT'S IT, it doesn't go further than that. I can be testimony of that😅Before even watching the show i was like june, one day i saw a zk fanart and was like "wow aren't those zuko and katara from atla? They look so good, she's gorgeous and he's hot" i already knew kataang was endgame and that mai was zuko's love interest but seeing zuko and katara together was pleasing to my eyes. However once i watched the show for the first time (2 months ago i think) i realized there was really no romantic chemistry between them, nothing, literally nothing, i mean, i wasn't even waiting for the zvtara content in the show that made ppl ship them so much, i was actually very neutral about ships, i couldn't care less about them, but i still realized nothing was happenig between them and that it was obvious since book 1 ep 1 that kataang was endgame. Zuko and katara were two teenagers from opposite sides of a war that tried to kill each other multiple times and when zuko changed sides they developed a completely platonic relationship. As i said, people either ship them because it's an appealing and aesthetically pleasing ship (water/fire, enemies to lovers, opposites attract, the common red & blue ship) or they just love reading too much between the lines, OR BOTH, because they were so thirsty about it they ended up convincing themselves there was romantic tension between them, that they liked each other and that zvtara was scrapped when it was never planned in the first place. Not to mention the reasons why they claim zvtara should've been endgame are based only on symbolism and things they have in common that are just so ??? Random. e.g. (i saw these on a post on facebook and the comment section was hilarious, it was full of ppl being sarcastic about it & making fun of it) saying they should've been canon bc:

1. "They both lost their mothers at a young age" (?)

2. "katara was good but had rage in her heart and zuko was bad but had good in his heart so it was like yin and yang, and that was the main purpose/topic of the show" (?)

3. "they both had alter egos (painted lady and blue spirit)" (???) this one sounds like saying maiko was canon bc zuko worked in a tea shop and mai worked in a flower shop😂

4. "Zuko was the only one who supported katara in taking revenge on her mom's assassin" (?) if you ask me, that just proves zuko is not right for katara, he led her to do something she was gonna regret later (not trying to hate on zuko, i love him, and since i love him i acknowledge his flaws. I understand why he thought it was the best thing to do, he's an impulsive and resentful boy (he would've done the same if it was his mom) and he noticed how thirsty katara was for revenge, ofc he wanted to help her + he wanted her to accept him and thought it was the right thing to do in order to gain her trust, but it wasn't) unlike zuko, aang tried to make katara come to her senses and do the thing that was best for her: forgive and let go, and it was basically what she did at the end. She didn't do what zuko expected her to do. She did what aang expected her to do. She didn't forgive her mom's assassin, but she forgave zuko, and she didn't do THAT thing she (and aang) knew would regret later. Aang knew katara and what was the best thing for her to do.

5. and the most ridiculous one, "they both saved each other's lives in the final agni kai"(???????) and the funniest part is that it was followed by "WHAT MORE PROOFS DO YOU WANT???". Honestly wtf did ppl expect? Did they expect zuko to stand there and watch katara die? Did they expect katara to just stand there and watch zuko lay on the floor & die? And this has been said a million times and i am going to join and say it once again: zuko would've done that for ANYONE from the gaang, he would've done the same for toph, sokka, suki and aang. Because he learned to care about them. As for katara, she would've done that for anyone too wtf she healed aang once too and even brought him back to life. (I wouldn't be surprised if zk shippers used that as a parallel for romantic zvtara proof bc they're just like that💀)

There were more "reasons" but they're just so stupid and taken out of context like "they care for each other" & "katara was the one who encouraged him to talk to his uncle" like yeah that's what friends do. Basically all zvtara shippers do is REACH.

Also, i just can't see it happening. I like the enemies to lovers trope, maybe if the writers really intended to make it canon, i would have been down for the ship, it would've been interesting to see how it developed, but,, they didn't, and later i came to the realization that if it would've really happened, it would've been so... weird. Time to bring up the "colonized and colonizer ship" and how some ppl feel uncomfortable about it. Besides the fact that a relationship between zuko and katara wouldn't have worked (they're incompatible af, katara is a girl with a strong character and zuko is a guy with anger issues that takes everything personal, they'd be at each other's throats 99% of the time) it's just weird to think that katara would choose to marry a man from the fire nation, the nation that caused a big war that traumatized her, the nation that took her mother away from her. Imagine katara ruling along with zuko a nation she despised for years. Fire lady katara doesn't sit right with me, and i'm sure it doesn't sit right with a lot of ppl as well. I don't see katara doing that, and yes, i know she forgave zuko, but still, she would've never done that 🤦🏽‍♀️ i think it would've been so OOC tbh.

Another thing i laugh my ass off at is when they say "zuko should've chosen katara instead of mai" as if they were ever in a relationship for zuko to say "ok imma choose katara i wanna be with her". As if katara was EVER an option for him. They never showed interest in each other, what's not clicking?????? And zuko only had eyes for mai, not to mention that despite zuko and mai had a rough relationship, no girl would've dealed with zuko's bs better than mai. Can you imagine katara dealing with zuko blowing up over everything? Because i can't. Also people saying things like "zuko deserves someone who is always there for him and listens to him" (and ofc they're talking about katara) like, ok, you hate that katara is aang's "therapist" but you want her to be zuko's therapist. Logic? Where? And I do remember mai being a supportive gf and trying to cheer him up multiple times. Did they watch the same show as me?

Zvtarians try to play the victims about how they were "robbed" bc some voice actors shipped them and from what i've read people who worked for the show suggested to go for zk, but that's stupid, it doesn't count as "they planned it but scrapped it, we were robbed". The only word that counts are the creators' voice and they have stated they were always rooting for kataang, so no, you were not robbed.

People are just so in love with the idea of zuko and katara together they really convinced themselves it was likely to happen. Honestly zvtara it's a fine ship as fanon but ppl ruined it for me and what i hate the most is when they ship it and hate on aang and mai at the same time and make them look SO bad to invalidate kataang and maiko. Saying aang is abusive and mai is toxic is complete ✨bullshit✨ and lastly, it's ridiculous when they say the creators were cowards for not making it canon. They're cowards for not fulfilling your greatest childhood wish? Something they never planned? It is THEIR show. If you hate sm how things turned out then quit atla once and for all and go find another show that you know is gonna give you what you expect,,, it's tiring that they've been crying about it for 15 yrs , like, i joined the fandom recently but i can imagine how tired old atla fans must be of this.

OK so I have a lot of thoughts about this and firstly,,,anon I appreciate the dedication that it took for you to write  this, and I agree with many of your points. However, the attitude I have on this blog towards Avatar ships is far more neutral than what you’re saying.

Ultimately, romance is not and never was the focus of Avatar. Romantic development was always secondary or tertiary plot, and the entire show was far more focused on platonic relationship development. My attitude towards shippers on here - including Zutara shippers - is that people can ship what they want, as long as they’re respectful of each other and of the other characters that “interfere” with their ship. End of the day, shipping is irrelevant to the core of the show. 

People shipping something because they find it aesthetically appealing is honestly,,,fine. Personally, I think it’s reductionist, but I don’t care if you do because everyone has the right to enjoy media however they want to. 

That being said, we absolutely should call out racist or problematic tropes that we see, including ‘fire lady katara”. I also agree that it’s upsetting when people bash other characters in order to further their ship, as much of the bashing is also pretty racist and/or misogynistic. Calling that out, however, is separate from calling out every single person who happens to enjoy certain ships. 

“She didn't do what zuko expected her to do. She did what aang expected her to do. She didn't forgive her mom's assassin, but she forgave zuko, and she didn't do THAT thing she (and aang) knew would regret later. Aang knew katara and what was the best thing for her to do.”

I understand where you’re coming from, but I honestly disagree with this take. Both Aang and Zuko were approaching the situations from their own life experiences, but Katara didn’t do what either of the boys wanted. She chose her own path, by both sparing Yon Rha’s life but also refusing to forgive him. The episode is about Katara and her personal trauma and its focus should not be on her relationships with either Zuko or Aang. 

When I make posts such as this, it’s less about hating Z*tara and more about how this fandom focuses all its attention on romance and shipping, to the point where if you acknowledge a relationship’s importance it’s assumed you pair the two romantically. I don’t read Zuko and Katara’s relationship as romantic (for reasons that it would take too long to explain here), but their relationship development is extremely important, the two of them share tons of parallels and the final Agni Kai marks the culmination of both of their character arcs. Yes, Zuko would have taken the lightning for any of the characters, but it’s thematically important that it was Katara. None of this inherently means it’s romantic, but refusing to acknowledge the significance of the relationship between them is equally reductionist. 

This isn’t an attack on you, anon, and you’re 100% allowed to have negative feelings about a ship. But at the end of the day, it’s not worth getting this worked up over. If I were you I’d focus more on creating/consuming content for a ship you like than bashing ships you don’t!

[low-budget-korra]

The first text I made was over 2,000 words so I’ll try to summarize it.

First I'm going to talk about what I think is Bury Your Gays and poor writing of minorities.

For me, Bury your gays is when certain productions kill the lgbt character for the sake of shock value, often in the most stupid ways possible. A famous example of this was what happened to Lexa in the 100. When it feels like the character only died because he is gay.

And for me, poor writing for minorities (poc, lgbt, people with disabilities ...) can be characterized as:

1. Productions that want to portray the image of progressives and put a poc or lgbt character (which are the most common cases) without personality, unimportant, without development ... Character that are just there for decoration

2. When they even create an interesting character but soon create a reason to kill him to shock the audience. Kill them because they are poc.

And for me having a poc or lgbt character (since these are the boxes where I identify with) interesting, important ... this is the word: Important! whether it is important directly in the plot as a protagonist who carries the story or a supporting role with a good role on the story and a good development, it is much more significant than a character forced only for certain productions not to be accused of racism, sexism or lgbtphobia.

Of course, each case is different. I will now comment briefly on Atomic Blonde, The Last of Us part II and The Legend of Korra.

In Atomic Blonde we have the death of Delphine, a lgbt character who has generated some discussions about being a "bury your gays". I don't particularly agree because I believe that if she were a man or straight, she would die anyway. Since the protagonist's other love interest had died in the beginning and he was a heterosexual white man, and because the character of Delphine, despite being a spy, did not belong in that work or life style . Something even commented by herself. She was an inexperienced agent in the worst possible scenario to be one . But i now understand and why some people still think It was bury your gays.

In The Last of Us part II I saw many people complaining about the death of Jesse, Yara and how Lev was just a supporting character. The Last of Us part II .... a game that is not afraid to kill loved characters without any ceremony simply because in that world, one mistake can cost your life. Regardless of gender, sexuality, age, skin color ...

Jesse and Yara played Asian American characters and died. Mel, Joel, Owen ... were Caucasian, cishet characters who died too. None of them die because they are asian american or caucasian, they die cuz that world is fucking ruthless.

And about Lev not being important just because he is an supporting character... First that he is for Abby what Dina is for Ellie, both of them are extremely important support for the protagonists and Interesting characters with their own internal struggles and development. I think it is very unfair to throw this away with the argument like: "ah, but he is not the protagonist so it is not important"

And still about The Last of Us part II we are talking about a game and for those who do not know the gamer community is toxic, full of sexism, racism, lgbtphobia ... And the game developers had the balls for not only make two protagonists women outside the steryotype of femme fatalle or defenseless love interest(still very present in games) and one of them a lesbian, but also introducing an important trans character in a mainstream high-budget game.

People, until recently the only image we had of women in games was that of a busty model running around, made purely to please male players, good and important black, asian and lgbt characters was really rare or just didnt exist at all.

And today we have characters like Ellie, Lev, Kassandra (AC Odyssey), Jill Valentine and Claire Redfield who were reimagined more humanely in the remakes of Resident Evil, Lara Croft herself in the 2013 Tomb Raider remake, Max and Chloe(Life is Strange), Lee and Clementine(TWD from telltale), Marcus (Detroit Become Humam ), Connor (AC3) ... I know, there is still a long way to go until we have achieved the equality and representativeness that we want in the world of games but we are advancing. They may be a baby step but they still are steps forward. We should continue to support this initiatives and demand better representation.

Now about The Legend of Korra ... Reading the comments in the post i get the feeling that people were much more angry with Bryke for being cishet than with questions related to the narrative.

It bothers me the fact that it seems that whoever made the posts (originally from twitter) did not watch avatar or simply watched without paying attention. It was NEVER about Korra needed suffering but about finding Meaning in suffering. And yes, they are two different things.

When in the end Korra is talking to Tenzin, about understand the why she had to go through all that , for them be abble to be more compassionate of others. That shit is real. When you have a panic attack , for exemple, you become more abble to help someone who also suffers from that. Or when some people lose someone for a disease or acident and choose to become a doctor to help others, wanting no other person had to go through that pain... In this case, the person didnt have to lose someone to be a doctor but maybe after saw all the fight that the doctors put in to save someone and the pain of losing someone may have made the person spend the rest of his life saving people. Get It?

And in Avatar, both TLA and TLOK, people have suffer.

Aang: Cast aside by his friends when people discover he was the Avatar. Runaway and lose all of his people. Had to see the devastation for himself and find the bones of his friend and possible father figure. Almost die a few times. For many years had the weight of been the last of his people. And in a part of the journey, lost Appa.

Sokka and Katara: Lost their mother. Their dad leave to fight and possible die in the war. Sokka was only a teen when he was the man responsable for his tribe. Katara had the weight of being the only waterbender of her tribe and be the only one that could calm Aang once he was in Avatar State.

Toph: as a blind kid, her parents think of her as someone unable to do anything. Had to choose between save Appa or save the others in some point of their journey

Zuko: When i start with him?

Azula: oh Boy...

Iroh: Lose is only son. Had to see his brother burn Zuko's face. And Zuko betrayed him, kind of, in the end of book2.

Asami: Her mom was murdered , maybe even in front of her. Her dad was a evil genius. She probably suffered with Korra in those 3 years.

Mako and Bolin: They grow up as orphans on the streets...

I could go on and on, dude, even the cabbage man had suffer from losing his cabbages over and over.

But all of the sudden, Korra now had to have plot armor or else Bryke is wrong and are terrible people.

Everybody loves to talk about how perfect Zuko's arc and development is. Zuko, who was one of the characters who most have suffered in the show. But for him all was necessary, had meaning, perfect storytelling and structure but with Korra.... "She cant suffer cuz she is brown"

And its not like Bryke was making something up outta nowhere just to torture the character. All she face it was a consequence direct or indirect of her actions and actions of other people.

Amon and the Equalists? Aang didnt kill Yakone nor put him in prison for life, just took his bending. Yakone was a terrible father, and one of the reason Amon hate bending (even himself been a waterbender) so much to the point of him do what he did. The same to Tarrlok. He turn his sons into monsters. And the triads only help them, because they use their bending to rob the non benders.

Vaatu? Look up The Beginning epsodes because this one is more complex.

Unalaq? Look, the worst villain of Avatar. But he took advantage of things that happen as consequences of the ending of book1

Zaheer? Direct consequence of that happen in the finale of book 2.

Kuvira? Direct consequence of things that happen in book 3

Again, i could go on and on and go deeper on all that. But this is already getting to big.

But what pissed me off most is ... Look im years in this fandom. As a Brazilian i saw and read stuff from the fandom here in my country and the fandom here in Tumblr. And in those years i read so much about how Korra journey help people overcome their struggles with ptsd, anxiety, depression...myself included. How much Korra was important to lesbians and bissexuals girls, especially girls of color.

And them we have those few people throw shit on all this and "cancel" you for not agree with them...

The Legend of Korra ended 2014, 6 years ago and still is so loved, so important to so many people, for the most diverse reasons.

For a cishet, Bryke did a amazing job creating this amazingly beautiful universe. With the most diverse inspirations, coming from places that are forgotten on western media. But i guess its easier criticize, and cancel them and the show than do what they did.

I know that sometimes we just wanted a scape from our difficult reality but seriously, if you Just want a movie/tv show/book...100% happy, rainbow and sunshine with no suffering at all, stick with the fanfics because even romcons sometimes have their among of "i you make you cry and suffer" kind of shit.

Suffer is present in our life and what a lot of movies/tv shows/games/books...try to do is bring our struggles and our suffering into them. Why? Its easier have simpathy for characters who look like us, characters who had been through the same stuff as us.

Is so difficult talk those things in another language. I always feel like i didnt express myself right. And im really sorry if i offended anyone, it wasnt my intention.

[mysterylover123]

Maiko + Tropes

Back to Avatar the Last Airbender, where it all started. It’s time to do tropes for my ATLA OTP: Zuko/Mai. Prepare for some teenage grouchiness. (Sourced from TVTropes.) Also, Spoilers

1. ADORKABLE

Mai:  Mai is not normally very adorkable, but around Zuko she gets all giggly and blushy. They express their love in very awkward and adorable ways. The B-story in "Nightmares and Daydreams" is a good example.

Zuko: All of his attempts to be a normal and friendly guy end up charming failures. Notably, he practices an apology to a frog, then proceeds to demand an answer.

2. ANTI-VILLAIN

Mai: Though not to the extent of Ty Lee (what with being a Jerk with a Heart of Gold instead of a straight-on Nice Girl), she is still only going up against the good guys because she works under someone who is evil.

Zuko:  An early episode contrasts him with Zhao, who only wants to find the Avatar to bring himself glory while Zuko was only even there is to complete a mission so his father will love him.

3. BETA COUPLE

Mai:  With Zuko. 

Zuko: With Mai. While Aang and Katara dance around the issue, they're snuggling and watching sunsets. Flipped on its head in the comics, where Zuko and Mai go through a bad breakup while Aang and Katara are relatively stable Sickeningly Sweethearts.

4. BIRDS OF A FEATHER

Mai: With Zuko. They're both perpetually frowning Emo Teens with some kind of family issuewho are from the Fire Nation and use bladed weapons.

Zuko: With Mai. They're both perpetually frowning Emo Teens with some kind of family issue who are from the Fire Nation and use bladed weaponsWith Katara. They're both willful, compassionate, and emotional individuals who lost their respective mothers at a young age and are about equal in terms of bending abilities.

5. BROKEN BIRD

Mai: Her mother treated her like a liability instead of a daughter, was not allowed hobbies or even to speak unless spoken to, and her only friends were Ty Lee and Azula. No wonder Mai is so cynical and bitter.

Zuko: A rare male example; any innocence he had was lost between his father's and sister's abuse.

6. BROODING BOY, GENTLE GIRL

Mai: Zig zagged with Zuko — Both manage to be both with each other. For the brooding part, they both come from a dysfunctional family which led to them becoming Broken Birds but in different ways (Zuko having anger issues and Mai suppressing her emotions). As for the gentle part, both encourage one another to express themselves in healthier, non-problematic ways.

Zuko: Zig zagged with Mai — Both manage to be both with each other. For the brooding part, they both come from a dysfunctional family which led to them becoming Broken Birds but in different ways (Zuko having anger issues and Mai suppressing her emotions). As for the gentle part, both encourage one another to express themselves in healthier, non-problematic ways.Katara is the gentle girl to Zuko's brooding boy - they are a platonic variation of this trope, despite the Ship Tease.There's a very brief moment of this with Toph and Zuko - in "The Ember Island Players", Toph comforts Zuko while he's angsting over his Uncle. They go back to being Like Brother and Sister, though, when she punches him and informs him that "That's how I show affection."

7. CHARLES ATLAS SUPERPOWER

Mai: While turning her back on Azula at the Boiling Rock, she managed to consistently pin several guards onto solid metal architecture, using the same knives with which she attacks everything and everyone else. More passively, she's on even footing with the average elite bender, such as Early-Season-2 Katara and half the Terra Team sent to attack The Drill.

Zuko: While one of the most visibly muscular characters, he once punches a person across a room, and is seen shattering iron, steel, and wood with his kicks. All that training has served him well. Might be a result of Iroh's training: even among the Fire Nation, Iroh and Zuko are the only ones to display superhuman strength unrelated to bending.

8. CHILDHOOD FRIEND  ROMANCE

Mai: In a flashback, we see her admiring Zuko from afar as kids.

Zuko: With Mai. There's a flashback to Puppy Love.

9. DEADPAN SNARKER

Mai: Has a very dry sense of humor.

Zuko: Since Zuko's the most ill-tempered character in the show, this is a given. He's actually a lot like Katara in that respect: particularly sarcastic in books one and two, less so for a part of book three, and then more so for the other half.For instance, after some random kids threw an egg at Earth Kingdom soldiers, they blame Zuko, who continually denies it. It eventually leads to this exchange:Gow: The egg had to come from somewhere! Zuko: Maybe a chicken flew over.He also manages to get in a few good ones at Sokka, of all people:Zuko: I think I'm a little past your level, Sokka. Why don't you practice with the Duke or something. Sokka: The Duke? But he's, like, eight years old! Zuko: He should be a good match for you, then.Even eight-year-old Zuko gets in on the action.Azula : You waste all your time playing with knives. You're not even good! Zuko : Put an apple on your head and we'll find out how good I am!

10. DEFROSTING ICE KING/QUEEN

Mai: Much like her boyfriend, except it takes her longer to thaw.

Zuko:  It takes two and a half seasons, but he thaws with The Power of Friendship.

11. DUDE/CHICK MAGNET

Mai: Besides Zuko, another teen flirted with her in "The Beach", and Kei Lo admits to genuinely liking her.

Zuko: Sometimes in a relationship with Mai. He has loads of Ship Tease with Katara and a temporary love interest in the one-off character of Jin. The comics also have him being ship teased with Suki. Has almost as much onscreen romance as Sokka, plus a fan club and a bunch of random girls that swoon over him at the beach.

12. EERIE PALE SKINNED BRUNETTE

Mai: Emphasizing her emo personality.

Zuko: During the first season, where he has chalk-white skin coupled with a black ponytail. It later evens out slightly; sometimes his hair is dark brown instead of straight black, and he adopts a very slight tan that takes the edge off the eerie. That said, cutting off the ponytail and growing his hair out properly probably also helped.

13. HIDDEN DEPTHS

Mai: The gloomy knife thrower is a Cool Big Sis after off-screen Character Development.

Zuko: Badass, Determinator, Evil Prince -turned- The Atoner, is also a Momma's Boy and a lover of Turtleducks. In the "Ember Island Players", he gives hints that he likes theater, but just dislikes that specific group because while they have great special effects, they tend to butcher their stories. He admits to Toph that he's been doing Angst? What Angst? for some time, but the play is opening some hidden wounds.Toph: "Oh come on. Lighten up. They're just having fun." Zuko: "Fun? Of course you (Toph) like it. They made you a big buff guy! But to me... they're taking all the mistakes I made and throwing them right back in my face."His Uncle has indicated numerous times Zuko is also skilled with the fictional Tsungi horn.

14. JERK WITH A HEART OF GOLD

Mai: Generally quite a jerk but she has a soft spot for Zuko.

Zuko: He's Hot-Blooded and can still be quite rude, but Zuko is a good hearted person.

15. KICK THE DOG

Mai: In her first appearance, she turns down a hostage deal for her own infant brother.In the comics she dishes out a lot of emotional abuse against Zuko, although she still claims to care for him. She jokes about his death, his choice of friends after meeting Aang, and talks about how awful he is in general to Kei Lo.

Zuko: Often when he was in danger of becoming too nice, at least until his formal Heel–Face Turn in Book 3.

16. LONELY RICH KID

Mai: She has no friends other Ty-Lee and Azula, and they were off at the circus or war.

Zuko: He is the banished prince of the Fire Nation, but you can literally count the people who genuinely care for him on one hand (Iroh, Mai and Ursa). Eventually subverted when he makes his Heel–Face Turn, after which he becomes part of Aang's True Companions.

17. LOVE REDEEMS

Mai:  She follows Zuko in Heel–Face Turn because of his turn and her love for him.

Zuko: Averted with Mai. He leaves her before switching to the good side and the two don't reconcile their relationship until after the final battle. Instead it was familial love for Iroh, whom he acknowledges as his true father figure and role model, that redeems him. The shame he feels for betraying his uncle's trust is part of what compels him to make his Heel–Face Turn. He also influenced Mai to follow suit and betray Azula.

18. THE MASOCHISM TANGO

Mai: Her relationship with Zuko is not healthy. The two love each other but their conflicting morals and lack of communication leads to countless fights and their constant break-ups. She spends pages in Avatar: The Last Airbender – Smoke and Shadow describing what a horrible boyfriend Zuko is and how badly a relationship with him had hurt her. This leads to her making harsh jokes at his expense and she expresses the need for her to "move on" by dating Kei Lo.

Zuko: Has this type of relationship with Mai. They love each other but constantly fight, do not understand each other, have different morals and are always breaking up only to get back together again. Mai tells Kei Lo about how miserable Zuko makes her feel and she later says it to Zuko's face about how much of an idiot she was to date him.

19. MEANINGFUL NAME

Mai: Mai is the Cantonese pronunciation of 袂 meaning "sleeve of a robe", which is where Mai conceals her weapons.Her name is phonetically similar to the Japanese mei (冥, めい), meaning "dark", which is relatable to her gloomy personality.

Zuko: Zuko's name is written in Chinese characters which read as "ancestor's robber". It may or may not be intentional, but Zuko is an actual name in a Filipino dialect. Its meaning? "Madness" or "Angry." And he spends a lot of time angry in the show...

20. MUGGLE-MAGE ROMANCE

Mai:  In a relationship with Zuko.

Zuko: In a relationship with non-bender Mai.

21. NEW OLD FLAME

Mai: She and Zuko are a textbook "skip all the boring foreplay and get right to the intensity." Contrast with the heroic Official Couple, who were in the foreplay stage for fifty episodes. In this case we see a flashback of them as Childhood Friends before the reunion.

Zuko: Zuko and Mai are a textbook "skip all the boring foreplay and get right to the intensity." Contrast with the heroic Official Couple, who were in the foreplay stage for fifty episodes. In this case, we see a flashback of them as Childhood Friends before the reunion.

22. NOBLE DEMON

Mai: She may be on Azula's side, but she's not evil.

Zuko: Character Development for him in Season 1. He goes from burning down the Kyoshi Warriors' village in his pursuit of Aang to abandoning a later pursuit to keep his soldiers safe. Even right from the start, he threatens the South Pole villagers to get information on the Avatar but when Aang promises to come quietly if he leaves the Water tribe alone, Zuko agrees (and keeps his word).

23. OPPOSITES ATTRACT

Mai: She and Zuko somehow manage to be this and Birds of a Feather. Despite their apparent similarities, their temperaments are completely opposite: Zuko is a Hot-Blooded Determinator, whereas Mai is an emotionless Defrosting Ice Queen.

Zuko:  He and Mai somehow manage to be this and Birds of a Feather. Despite their apparent similarities, their temperaments are completely opposite: Zuko is a Hot-Blooded Determinator, whereas Mai is an emotionless Defrosting Ice Queen.

24. PERPETUAL FROWNER

Mai: Even when she's cuddling with her boyfriend she's frowning.

Zuko: "I'm never happy." Though it is averted around Mai, and after he joins Team Avatar.

25. RED ONI, BLUE ONI

Mai: The blue to Ty Lee's red. Or, since Ty Lee describes Mai's aura as grey, and hers as pink, Mai's the Grey Oni to Ty Lee's Pink Oni.

Zuko: The emotional, easily angered Red Oni to his sister's calculating, eerily calm Blue Oni, though it's reversed after her Villainous Breakdown. This is enforced by the colors of the Flames they produce; Zuko's flames are red/orange, while Azula's are blue.The hot-tempered, loud Red Oni to Aang's positive, peace-loving Blue Oni, which is visualized through their facial markings (red scar vs. blue tattoos)

26. RELATIONSHIP REVOLVING DOOR

Mai: She is in a constant on-off relationship with Zuko. It's unstable to say the least. They get together only to break things off a few months later. They make up but then decide to call it quits again. It is supposed to be a contrast to Aang and Katara's solid relationship.

Zuko:  His relationship with Mai is complicated and...unstable to say the least. They break up at least twice in the series and once again in the comics.

27. SOUR OUTSIDE SAD INSIDE

Mai: Like Zuko, she acts cold as a result of her past.

Zuko: He may act abrasive, but knowing his past, it's not hard to see why.

28. TALL DARK AND SNARKY

Mai: A raven-haired Snark Knight. It's a trait she shares with Zuko.

Zuko: Tallest teenager in the series with raven hair and a cynical attitude.

29. TOOK A LEVEL IN BADASS

Mai: Mai already established herself as a badass (but quiet and knife obsessed) Lady of War took a level in badass in the episode "The Boiling Rock, Part 2". Mai took out 13 prison guards and freed the gondola line to help Zuko and company escape the boiling rock prison...and Princess Azula. Although this could just be a case of Mai being Not So Stoic.

Zuko: He gradually improves throughout the series, but he makes dramatic improvements in season 3. It's then he learns to redirect the most powerful of lightning, holds his own against his sister, casually raise a huge fire tunnel that engulfs an entire hallway, and most importantly, firebends without relying on rage.

30. UNDYING LOYALTY

Mai: To Zuko. Even when their relationship is on the rocks, she remains loyal. Two instances: the Boiling Rock encounter where Zuko explains his treason and desertion and inspires her to defy Azula herself, and again in the "Rebound" free comic day issue where she discovers her father wants to use her as an insider against Zuko in a bid to put Ozai back on the throne.

Zuko: This is Zuko's greatest weakness and greatest strength. Loyalty kept Zuko on the side of his father and sister long after he stopped seeing things their way, but when he finally made up his mind to join Aang, he took a lot of punishment from them without complaint to win their trust, and he protected them over and over. In the sequel, Zuko abdicated the throne, naming his daughter Fire Lord, so that he could travel the world after Aang's death, to keep their dream alive while the Avatar could not.

31. WHEN HE/SHE SMILES

Mai: Just like her boyfriend, she frowns so often that she looks really cute when she smiles genuinely.

Zuko:  The poor guy is frowning so often (and for good reason), the few times he gives a genuine smile are really heartwarming.

32. WELL, EXCUSE ME PRINCESS

Mai: To Zuko. She doesn't put up with his angsting.

Zuko: Something of a male version of this trope in regards to Mai. She doesn't put up with his brooding and temperamental nature, instead encouraging him to lighten up.

[consmcchill]

Avatar the Last Airbender movie FIXED

I did it. TLDR: I fixed the movie The Last Airbender. Feel free to skip this rambling intro and scroll down to the good stuff.

For the rest of you, my name is Conor McCahill, I’m an actor and wannabee screenwriter living in Chicago.

I wanted to post this on the internet for three reasons:

One: Avatar the Last Airbender means a lot to me. My high school friends would meet every week at my house to watch each premier live. Those memories are among my happiest. I was beyond excited for the movie, but, everything I found out about it pushed me further from it and when it finally came out I resolved never to see it. And I didn’t, until I was in a show with Francis Guinan, who played Master Pakku, and when he told me he was in it, I thought, “Hey, why not?” Watching this movie was one of the most disappointing experiences of my life. Fast forward to now and I’m reading Save The Cat, which is a book about screenwriting and one of the homework pieces is to fix a bad movie and make it a good movie. Obviously, the worst movie I can think of is The Last Airbender, so I chose it to fix it.

Two: Fans scare me. True deeply loving fans are like tiger mothers. You have high standards, and good for you! I can’t think of anyone who would enjoy this project more than a diehard fan and my goal is to impress you.

Three: Though I started this before the Netflix announcement of the Avatar the Last Airbender live action series, I’d still like to think that this could help get the movie remade. However, even if it doesn’t, maybe this can help you find closure that in some universe, a better movie exists.

I wrote this as if it was a wikipedia article describing the movie. I tried to avoid dialogue as much as possible, but sometimes, it’s just clearer. I used screenshots from the show to aid the reader though sometimes the pictures aren’t perfect, and other times I used real pictures or art. I linked to the websites where I did that.

The process:

I watched all of season one again, with an eye for character and story development. It was a real treat and I graphed each character’s development over the season, who was the main character of each episode, and how they grew in each episode. I painted a picture of tracking information about the characters, which characters know it, and when it is revealed to a character or the audience. I also tracked tokens, my word for props of importance like Aang’s staff and the water scroll. Adapting this cartoon to a movie was a huge challenge that I was not fully prepared for. The biggest challenge faced is reduction of the source material into roughly an hour and a half to two hours. Season one is very filler heavy, we get to meet our characters and watch them interact, and the first season takes its time and lets the characters be kids in a really nice way. Each episode is roughly twenty-two minutes long, making the season about seven and a half hours long which means inevitably something is going to be lost in translation because we’re losing six hours of content. Episodically is a great way to tell a story with lots of characters with multiple plot lines and over longer periods of time. Movies are better equipped to tell stories as an immediate chronological sequence of events with few characters. This just comes down to time and how much we have to tell the story and how the audience processes a story in “real time.” If you want the movie to be exactly the same story, well, that’s impossible and you should just watch the cartoon. It’s gonna change, there’s no way around it. After finishing the cartoon, I decided it would be a good idea to at least watch the movie again.

Overall and if you squint, Shyamalan got the story of the first season in the movie pretty accurately. His movie goes, southern water tribe, southern air temple, earth kingdom, northern air temple, and northern water tribe. The problem is that we don’t really get to enjoy any one thing for too long because we’re being whisked off to the next one. I didn’t want to make the same mistake, so I chose to limit my main settings to the number of my acts, for simplicity. I picked the southern water tribe, the southern air temple, and the northern water tribe capital.

Shyamalan decided to write each movie one at a time and I really think that doomed the project. I think he decided to do it that way, Nickelodeon went along with it, and by the time he realized his mistake, production has already started, and he couldn’t hold it up because it’s millions of dollars and our young actors are rapidly aging. Any kind of delay will hurt a project starring kids more than other movies. If you want to do it right, you need to be ready to pump out each movie so the kids can age naturally and not suddenly be adults, (see: Harry Potter.) Keeping his decision in mind, I decided to approach this project as if it were a trilogy. That helped me eliminate characters and plotlines for movie one, because they can appear later. I whittled my main characters down to seven, which is more than plenty; Aang, Katara, Sokka, Zhao, Zuko, Iroh, and Yue.

Let’s talk about Yue. Her sacrifice is the emotional apex of the first season of ATLA and is therefore the most important part of the movie. We need to care about Yue because the more we care, the more effective her sacrifice is and the more satisfying the emotional catharsis. In visual media, the way we make you care is we give you screen time. In the show, she gets three full episodes, but the development of her relationship with Sokka feels rushed. It still feels better than the Shyamalan movie, where she comes in at the last thirty minutes, and by all accounts gets half as much time as the cartoon. Considering her sacrifice, Yue needs to come into the movie early. Save the Cat talks about act two as the love act. Often in movies, it is when our protagonists meet a new character(s) who will nurture them through the end. It does not have to be true love or romantic love, it is often friend love. That seems like a perfect place for Yue.

I didn’t want to change the canon, but I had to get Yue into contact with Katara, Sokka, and Aang. I decided that the most important thing, at least in adapting, is not necessarily what happens to our characters, but that they grow in the same way. That freed me up to consider other, more exciting possibilities. Like, what if we bring Yue to the south, on a quest? Aside from Yue, the most necessary element of the north is the spirit oasis, so Zhao can kill the moon. So, I thought to place the spirit oasis in the ruins of the southern tribe capital, so we’re not suddenly robbed of a whole world crossing adventure where lots of stuff must happen. We can grow with our characters (Aang, Katara, and Sokka) in the illusion of real time, and not cut to weeks later at the northern tribe. That evolved into a portal to the northern water tribe, something heavily plot relevant, canon from The Legend of Korra, and it gives something new to longtime fans.

The Yue I came up with differs from the show Yue in very exciting ways. I develop her relationships with Aang and Katara and give Sokka a stronger interest, a love that could actually be returned and is hopeful. The best part is, I make her more active instead of passive. Since this will be her only movie, she should be there more, not to mention there are five main males and only one main female without her. All my own changes made me sympathetic to the way Shyamalan had to alter the plot and characters and it was the choice to boost Yue’s role that really lead to this entire piece.

Thanks to Bryan Konietzko and Michael Dante DiMartino for their work that continues to inspire me to this day. Thank you to all the long-time fans who run the Avatar the Last Airbender wiki. Your work was essential. I lifted some passages directly from the episode descriptions that match what I see as the movie, but where I did, I tried to mark with a *. Also, I used some art and photos and I provided a link to those artists. And, I dunno, thanks to Jim Henson who thought it was important and healthy for children to feel fear.

How I would open the movie:

Open on the fire nation palace: an imposing tower of red crowned with gold spires slices a sunny blue sky in two and looms over a vast courtyard. The front doors are open and we zoom into the darkness. Inside the palace, the air is thick and stuffy and ornate tapestries line every wall lit by braziers that fume and pop and crackle.

In a gallery filled with portraits of proud and angry men and women cloaked in red and holding fire in their bare hands, a teenage boy sits at a table, playing a tile game with an older man.

The boy squirms, agonizing over his next move. The older man is toying with him, but plants seeds of wisdom on how defeat a superior opponent. The boy tentatively places a tile, lingering his finger on the it before whipping it away. The old man examines the board.

With one decisive move, he places a lotus tile in the center of the field, winning the game leaving the young man in disbelief. The older man laughs as the younger man passionately demands a rematch, but they are interrupted by the sound of footsteps and they stiffen. A messenger comes. He bows low, and begs forgiveness from Prince Zuko for interrupting him, but he has come to escort General Iroh to a war meeting. The older man smirks and asks the younger man if he forgives the messenger. Zuko rolls his eyes and says he does but asks his uncle if he can join him in the war meeting. His uncle denies him, but the young prince pleads. He wants to be a good king someday, why not learn as soon as possible? Iroh relents and warns Zuko not to speak out of turn.

Iroh leads Zuko into the hall before the throne room. As the firebending generals go in, each makes a flame in their hand and adds it to a fiery bowl on a pedestal in the center of the hall. Iroh explains to Zuko, as he follows suit, that the ritual serves to show that no firebender will use fire bending in the throne room or face extreme consequences. Even the fire lord is honor bound to uphold his promise, he just never has to symbolically prove himself. Iroh puts his fire in the bowl. Zuko steps up after him and does the same, his face lit up by the flames.

The inside of the throne room is darker than the rest of the palace. Zuko is both frightened and exhilarated. As a particularly old and decrepit general drones on, Zuko admires the long war table, painted to display the entire world and littered with pieces that make war seem like a big game. This will all be his someday. His eyes draw him down past the far end of the table, to the wall of fire beyond which a dark figure, the fire lord, sits on an ornate throne obscured by the dancing smoke.

Zuko stares at the man beyond the flames and their crackle fills his ears. He feels the eyes of his father staring back. Zuko snaps to attention, just as the old infirm general outlines a plan to send fresh recruits into combat against a heavily garrisoned earth kingdom fort. The prince asks the general how he expects the recruits to survive, his interruption sending a wave of murmurs down the table. The general clarifies, he doesn’t. Their sacrifice will be enough to weaken the earth kingdom army, so they can be wiped out by a second wave of more seasoned elite fire nation soldiers. The mutters of agreement wash over the room. The prince is horrified. He cannot believe what he is hearing and stands and speaks, in defense of the new recruits and their lives. To send loyal soldiers to their doom is nothing short of treasonous. The color drains from Iroh’s face as the wall of flames flares up. He clutches Zuko’s robes and advises Zuko to apologize or be honor bound to settle the matter in an Agni Kai.

Zuko sizes up the old general. What could this old man, so near to death, possibly do to him? His uncle hisses at him to be quick, but Zuko is not afraid and accepts the fire duel. The wall of fire burns high beyond him.

High above the Agni Kai arena, the crowd that lines the stands chant ceremoniously. Zuko kneels, his back to his opponent and the chanting ends. He breathes deep, spins and rises, and throws off his cloak to face… his father, the fire lord.

Zuko doesn’t understand, the general he spoke against is in the audience, smirking, next to a teenage girl and his uncle.

The Firelord fumes at him, it was his plan Zuko spoke against and it was he, the fire lord, Zuko disrespected. His booming voice echoes in the vast chamber. Zuko falls to his knees, he won’t fight his father. The fire lord demands that he stand and fight, but Zuko refuses. The fire lord will give him one more chance but Zuko bows further, touching his forehead to the hard stone floor. The Firelord calls upon the crowd to witness his son’s cowardly refusal to fight. Only a permanent lesson is appropriate for such shameful weakness, he growls as he approaches his grovelling son.

Slowly, Zuko lifts his head and begs his father for mercy, but there is none.

In the reflection of his left eye, a fireball heads towards Zuko’s tear-stricken face. A girl’s voiceover begins. “Long ago the four nations lived together in harmony, then, everything changed when the fire nation attacked.” The fireball grows larger and larger in his eye until the whole frame is filled with fire.

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The fire in Zuko’s eyes becomes a campfire in a yurt. “Only the Avatar, master of all four elements, could stop them, but when the world needed him most, he vanished.”

Reveal, a pretty and bright water tribe girl, Katara, telling the story of the Avatar to the young children she babysits.

The kids beg Katara to waterbend for them. She’s not supposed to, and they moan and whine. To appease them, she waterbends the soup in the pot in a swirl. They beg for more and, though it is difficult for her, she manages to suspend an undulating ball of steaming water in the air. It is a magical moment, even for Katara, and they all watch in awe until she lowers it back down. The kids go nuts and all take turns trying to waterbend the soup, but it soon becomes clear that she’s the only one who can. As she watches them all around her, there is a sense of how lonely and isolated she really is. 

The flaps fly open and a teenage boy on the brink of manhood barges in and asks what the ruckus is about. Katara blurts out Sokka’s name in surprise and passes the commotion off as just childish playing. She turns the conversation to his hunt. He pretends to be downcast, then reveals three small fish triumphantly. Katara squeals with joy and embraces him.

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Later, as the sun sets, the fish roast over the fire. Katara, Sokka, and an older woman, their grandmother, eat with appreciation as if a feast as meager as this is rare. Sokka finishes first and as he gets up, he rips his pants, again. He criticizes Katara, her stitching is still terrible, and since Grangran can’t do it anymore, it’s up to her. He reaches for his other pair of pants but stops when Katara admits that she hasn’t mended them yet. Sokka gets cross with her for not finishing her chores. Katara retorts that if he wasn’t so clumsy, he wouldn’t tear his pants. Sokka scolds Katara for just playing around and waterbending. Their grandmother drops her bowl. Quickly, Katara denies waterbending, but Sokka saw her. Grangran comes down on Katara: It is forbidden, but Katara can’t forbid who she is! Grangran snaps that waterbending will get them all killed. There is silence. Sokka brings the pants over to Katara. He puts food on the table, the least she could do is contribute. Defeated, Katara fetches her needle and thread but hesitates before she begins to work. She’s about to speak when Sokka pushes that his pants aren’t going to mend themselves.

Katara pops off that he can repair his own stupid pants and throws them in Sokka’s face and storms out into the night. Sokka sticks his head out and calls after her but Katara breaks into a sprint. She runs past her neighbors, out of the village and runs and runs and runs until she can run no more, collapsing at the top of a snow-white cliff, overlooking a frozen bay.

The cold light of the nearly full moon beams down upon her. She looks up, with tears in her eyes and screams out her frustration. She pounds her fists to the ground. The ice cracks inches from her fists and shatter the side of the icy cliff down down down into the middle of the bay. The ground shakes and Katara is avalanched over with the side of the cliff and is buried in the ice and snow.

She pushes a mound of snow off her with her waterbending. As she cleans herself off, she notices a soft glow emanating from the fissure in the ice. As she investigates, the light intensifies, rising, until the source, a glowing ice sphere, bursts through the floe before her.

Cracks splinter throughout the sphere causing the light inside to escape. The light is too much and Katara shields her eyes. The sphere goes dark for a second then a pillar of light erupts out the top.

Back in the village, Sokka mutters to himself as he struggles with a needle and thread. The light rips through the night sky and through the flap of the tent. His eyes widen. He whispers Katara’s name and grabs his spear.

A dazzling aurora fills the sky. The broken bay has frozen again by some mysterious power, leaving the landscape jagged and strange. A cloud of snow and swirling mists ebb and flow about the remains of the sphere. Katara approaches and sees in the remains a boy tattooed with arrows and a white six-legged bison, both fast asleep. She kneels beside the tattooed boy and touches his face. He dreamily opens his eyes and then closes them again as he mutters about how beautiful she is.

Katara is amused. The boy snaps awake, he’s not dreaming. He jumps out of Katara’s arms and admires his surroundings. With his hands on his hips, he announces that he has made it to the south pole as planned and immediately requests a snowball fight and before Katara can protest she’s pelted as he laughs. She pulls the snow off as the boy exclaims that she’s a waterbender, and that it is officially on! Katara puts on her game face and snowballs begin to fly back and forth. Katara hides behind a snowbank. She peeks out and sees the boy scooping snow into a ball, she turns back and uses her bending to mold her own. She peeks out again, but he has disappeared. Out of nowhere he lands behind her and unleashes an impossible number of snowballs. Katara screams as she’s hit. Sokka hears her scream and breaks into a sprint. He yells her name and runs towards the boy with his spear who dodges the thrust and the following swing. Katara, covered in snow, tries in vain to stop Sokka. Sokka thrusts again. The boy lands on the spearhead, faceplanting Sokka into the snow and bringing him to his knees. Katara, wipes the snow from her eyes and gets a full view of Sokka’s undercarriage. She shrieks, “Where are your pants!?” The boy helps him up. Sokka didn’t have time to put on pants, he thought she was in trouble. Katara is touched.

https://www.deviantart.com/akreon/art/Appa-132703919

A low grumble escapes the large, furry, six-legged creature lying motionless nearby. The boy climbs onto it and enthusiastically rouses it. Sokka asks, unsure, what the thing is, and the boy replies that it is Appa, his flying bison. Sokka expresses disbelief over the purported ability of the large bison to fly. The boy, looking around at his surroundings, asks if they live nearby, which triggers Sokka to tell Katara not to answer, as he is convinced that the mystery boy is a Fire Nation spy, a notion that Katara rejects sarcastically. The boy introduces himself as Aang, an airbender. Sokka tells him no one has seen an airbender in a hundred years. Aang laughs, they are very good at hiding. *

Aang offers to fly them back to their village if he can get shelter for the night. Katara happily agrees and climbs on with Aang, while Sokka refuses, convinced that Aang and Katara are crazy. Aang says, "Yip-yip!", and Appa leaps into the air, though immediately comes crashing down, while Sokka crows sarcastically about Appa's inability to fly, Aang decides Appa is still too tired to fly just yet. He looks over his shoulder and leans out to stare at Katara with a huge smile on his face, causing her, after a few long, awkward seconds, to ask, "Why are you smiling at me like that?" He replies, "Oh, I was smiling?" Sokka lifts his head back, groaning, while Katara, at first smiling at Aang's response, frowns back at Sokka. *

In the moonlight, they walk back to the village. A curious Katara asks Aang if he knows the fate of the Avatar; being an airbender, she knows that the Avatar was supposed to be an Air Nomad. Aang awkwardly states that he knew people that knew the Avatar but did not know the actual Avatar himself. A disappointed Katara drops the subject, leaving Aang looking guilty. *

Underneath the setting sun, a scout blows a horn atop a fire nation fort located at the foot of the southern air temple mount. The commander of the base, a fierce looking full-grown man, greets Iroh and Zuko in the courtyard, he makes sure to highlight Zuko’s scar to confirm that it’s him. Iroh shows his respect to Admiral Zhao, who asks what brings the exiled prince and his uncle before him.

Zuko demands access south, to the Antarctic seas, Zhao’s domain. This amuses Zhao and arouses his interest. Even if he had seen or heard any sign of the Avatar, he wouldn’t tell Zuko. Iroh reasons with him, then, that there would be no harm in letting them search. Zhao deflects and muses if Zuko’s quest to restore his honor will ever truly end. He continues that when he marries Zuko’s sister, Princess Azula, they will let him come live in the palace dungeon. Zuko retorts that Zhao is a fool if he thinks he can ask the fire lord for Azula’s hand in marriage. Zhao is confident, that when his mission is complete, the fire lord will offer his daughter’s hand. He denies Zuko’s request, his mission is too important, and sends Zuko back to his ship.

Later that night, Iroh finds Zuko glowering over the vast southern sea. He presses the prince to sleep, telling him that if he doesn't rest, he will, like his ancestors, fail to capture the Avatar even if they do find him. The prince refuses to his uncle’s wisdom, he will succeed because he seeks to regain his honor through the endeavor, a trait none of his ancestors shared with him. Iroh casts doubt on Zuko’s assumption that the avatar is in the southern water tribe. Zuko reveals his logic, that the old airbender has likely died, and a young waterbender would be next in line to be the avatar. If it was a northern child, the proud northerners would have announced it, like they did their runaway princess. Iroh still doubts, Zuko snaps at him if he has a better idea. The night sky lights up, the same pillar of light from when Aang was released, and the aurora casts a green glow all on the southern hemisphere. *

Zuko observes it through the end of his telescope, his eyes narrow.

From high above the fire nation fort, on a cliff side, a mysterious figure in leather armor watches Zuko’s ship leave and turn south in the dead of night. The figure stands, a beautiful young woman who’s white hair shimmers in the moonlight.

Back in the village, Katara leads Aang into a stable. They don’t have much room, so he’ll have to sleep in here with Appa. She gets him a blanket. As she hands it to him, there is a moment where they share eye contact. Katara breaks it off and leaves, but not before stealing one last glance at Aang.

That night, Aang has a dream that he and Appa fly through a terrible storm. They are buffeted by the full fury of the gale, struggle in vain to escape and eventually are forced under the waves. *

In his dream, Aang’s eyes and tattoos began to glow and he creates a giant bubble around himself and Appa. The bubble freezes over, encasing their figures in light which grows brighter and brighter.

In his sleep, Aang stirs and his tattoos dance luminously. The lights wax and wane in the slit of the stable door casting a strange light on the sleeping village.

The sun rises over an icy expanse the next morning. Aang throws open the flap to the yurt, but it is empty. Sokka and Katara and Grangran are already doing their duties. As he explores, the elderly villagers look upon him with suspicion. Aang bows to the villagers respectfully, eliciting a response of fear from them, and they hurriedly take a few steps away from the airbender. *

He hears Katara calling his name. Eager to impress her, he jumps high in the air and lands in front of her and her wards. The kids go nuts. They goad him into showing off, which he obliges.

Aang attracts quite a crowd, almost the entire village. He finishes his trick. Everyone is stunned. One villager erupts in applause, the others glare her into silence. The kids tackle Aang and climb all over him. His airbending is even cooler than Katara’s waterbending.

A stir in the crowd. Katara is a waterbender? Katara feels the eyes of the villagers on her. Grangran assures the other villagers that Katara is not a waterbender, as the crowd whisper amongst themselves and go about their business. She gives the younger children the evil eye and they scamper off screaming and grabs Katara and Aang to throw them both into the tent. She looks Aang square in the face and tells him that it would be uncustomary to kick him out without breakfast but that the airbender is no longer welcome here. She goes to find Sokka. There is quiet. Aang timidly asks Katara why she refuses to waterbend. She tells him it is forbidden. Aang doesn’t understand why. The waterbenders get taken away, by firebenders. There’s a war. Aang didn’t know of any war.

Just then, Grangran and Sokka return. Sokka has checked the morning traps and has brought oysters. He passes them out, they each pry them open and slurp theirs down, except Aang, who holds it awkwardly. Sokka apologizes and opens it for him. Aang makes a face, “Do you have anything vegetarian?” he asks. Sokka aghast, scoots away from him. Aang realizes he’s made a faux pas. He corrects himself. “Can I please have something vegetarian?” Grangran and Katara share a glance. Sokka doesn’t have any vegetarian options except for sea prunes for Grangran and they are nasty.

Grangran throws a shell at Sokka and thrusts a bowl of sea prunes into Aang’s hands. His stomach growls, and he eats one. He likes them!

Sokka does not get Aang. He and Katara share a look of disgust as Aang gorges himself. Katara leans over to Sokka and whispers in his ear that Aang doesn’t know about the war. Sokka asks how that is possible: the war has been going on for a hundred years.

Meanwhile, Zuko spies the village through a telescope. Everything is going according to plan. Just then, from around an iceberg, an armada of three of Zhao’s fastest destroyers cut Zuko’s Battleship off and he is forced to change course to avoid them.

Zhao boards Zuko’s ship. Zuko greets him, amazed he found the time to chase him and hopes his all-important mission wasn't jeopardized by this detour. Zhao admits it was easy to catch up with them, the battleship was built like a tank to hold a fully realized Avatar, which makes it slow, but necessary for his capture, which is why Zhao is commandeering Zuko’s ship. Zuko protests, the Avatar is his. Zhao reminds Zuko that he ignored a direct order and is trespassing in his domain. Zuko spits out that he doesn't take orders from anyone, especially a low born upstart rat like Zhao. Zhao's smile fades as he orders his men to take the prince into custody. Two guards grab Zuko arms, but he throws them off easily. He points at Zhao and challenges him to an Agni Kai, winner gets the ship. Zhao laughs, and asks how Zuko plans to survive stranded on an iceberg without a ship, doesn't he remember the last time he did an Agni Kai? Zuko will never forget.  

Outside their village, Grangran leads Appa with a rope as Aang, Katara, and Sokka head out with her. Aang tells them that it was very nice to meet them, and he’ll come visit the South Pole again soon. Sokka explains to Aang they aren’t actually in the south pole, they are much further north, less than a day to the southern air temple. Katara extrapolates: There’s nothing left at the south pole.

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https://www.masterfile.com/image/en/679-07608205/moon-rising-over-trees-and-buildings-at-night

The tribes used to be connected by the moon gate.

Under the light of the full moon, the portal would open and northerners and southerners could walk between the poles via the spirit world to mingle and trade and visit family and make the pilgrimage to the spirit oasis. The moon gate connected the north and south cultures. Until the fire nation destroyed everything in south and the portal was destroyed.

Flashback: Fiery projectiles rain down on the southern capital and reduce it to rubble.

Everybody who was trapped in the south had no choice but to move away from the ruins because there was no food. The north pole is floating ice, and the waterbenders can fish beneath the ice year-round, but south pole is above frozen ground and there you can’t grow food in frozen ground. Grangran interrupts and tells the airbender that it’s time for him to go. As he turns to leave, Aang asks if they are sure the south pole is really destroyed. Sokka assures him sarcastically, that yeah, they're sure, and glares at Aang. Aang posits that the monks at the southern air temple would have told him, they tell him a lot of things, after all, they told him that he was the- he doesn’t finish his sentence. He climbs on Appa and they trot off. Katara calls for him to wait. As she approaches, she tells him the only thing they have at the southern air temple anymore is a fire nation fort. Aang looks at her with a twinkle in his eye and assures her, there are air nomad monks.

He extends his hand to her. Grangran yells that she’s taking too long and though Katara takes a breath, she doesn’t look back as she takes Aang’s hand and climbs aboard. Grangran pushes Sokka to stop her. Katara wraps her arms around Aang as he tells her to hang on. “Appa, Yip yip!” Appa grumbles and begins to move just as Sokka reaches them. He grabs Appa’s fur and tries to pull them back but ends up getting pulled himself and has to run to keep up. Aang leads them straight towards the edge of the cliff and Sokka screams that they are all going to die! He shuts his eyes and holds tight as Appa leaps and they disappear over the edge. Grangran cries out for them and falls to her knees. Appa and the gang reappear, flying. Sokka freaks as he clutches Appa's fur. Aang tells Sokka that when he says let go, to let go. Sokka protests but Aang leads Appa into a barrel roll and yells at Sokka to let go which he does out of instinct. The momentum flips Sokka up and over and plomp, directly seated behind Katara on Appa’s back. The daring move has made Katara cling to Aang close and she blushes.

Aang cheers and Grangran watches as they fly towards the sun.

The sun is directly overhead as the Agni Kai begins.

Admiral Zhao and Prince Zuko crouch, back to back on the deck of the battleship. Shedding their capes, they turn to face each other. Iroh counsels Zuko to remember his basics, as they are his greatest assets, but Zuko seems not to heed his uncle's wisdom, instead stating, simply and forcefully, that he will not allow himself to lose. As he assumes his stance, Zhao, doing the same, taunts Zuko, saying: "This will be over quickly." *

The two opponents stare fiercely into each other's unblinking eyes for a brief moment, waiting for the other to strike; it is Zuko who begins the duel with a series of fire blasts from his hands and feet. *

Zhao seems more than a match for Zuko, effortlessly avoiding and nullifying all of his fire blasts. As the prince catches his breath, Iroh continues to advise Zuko to remember his basics. Zhao throws his own volley of fire blasts; Zuko is able to block each attack, but he is slowly forced back with every parry he makes. For the final blast, Zhao, using both fists, sends a ball of fire that connects solidly with Zuko, knocking him to the ground. Pressing his advantage, Zhao leaps into the air, covers the distance separating him and Zuko, and prepares a finishing blast aimed directly for the prince's exposed face. An instant before contact, Zuko rolls out of the way, rises with a kicking flourish, and knocks Zhao out of his stance. *

With new-found vigor, Zuko releases a series of low attacks that cause Zhao to retreat, finishing him with a jet of fire from a full body kick. Prone, Zhao tells Zuko to do it, to give him a scar like his own, but Zuko aims beside his face instead. As the victorious prince walks away, a beaten and furious Zhao sends a jet of fire at Zuko's back. Iroh intervenes, however, stopping the attack with his bare hand and throwing the admiral to the ground. As Iroh stands over Zhao, Zuko tries to attack Zhao once more, but his uncle tells him not to taint his victory by retaliating. Iroh lectures Zhao about the dishonor he has brought upon himself through his actions and states that his nephew, even in exile, has proven himself to be more honorable.  *

From the crow's nest, a scout shouts. They all crane their necks to see a flying bison with a water tribe girl and boy and air nomad fly far above them.

Up on Appa, Sokka refuses to open his eyes as he clutches Katara's garments. Katara lets him know that he's missing the sights. Aang spies the fire navy ships below. The fear deep inside him grows. He’s never seen fire navy ships this far south.

Both Zhao and Zuko blink in their telescopes. Iroh suggests they try working together as the bison disappears into the clouds.

Aang and Sokka and Katara fly through clouds and above mists and fog. Sokka asks if they are they yet. Aang spots the temple at the top of a mountain and they fly closer. Katara remarks on how beautiful it is.

From a window, the white-haired girl watches them all land in a sky bison pen and jump off. She disappears into the shadows. Appa grazes happily.

Sokka wishes he could eat, that ride took longer than he thought. Katara shushes him. Aang calls out to his people, but nobody answers. The temple appears to be abandoned. They walk up the temple steps. Sokka asks Aang if the airbenders have any food and is berated by Katara for being one of the first outsiders to see an airbender temple and he can only think with his stomach. She apologizes for Sokka. Aang insists the airbenders are simply hiding. There are lots of hiding places. They walk through a large archway into a great hall beyond. In the rafters above, the white-haired girl shifts into position. As Aang, Katara, and Sokka pass beneath her, she drops a net down upon them. The girl lands and knocks them off their feet and they fall to the ground in a pile.

She brandishes a staff at the subdued trio. “Are you firebenders?” She barks. They tell her they are not.  “That’s just what a firebender would say!” They assure her they are not firebenders. They are water tribe, and Aang is an airbender. She releases them and introduces herself as Princess Yue of the northern water tribe. Sokka is impressed and bows, “your majesty,” Katara does a stiff movement she would call a curtsey. Aang recognizes the staff and grabs it but Yue holds fast. It’s a sacred air nomad staff, it’s not to be touched by outsiders. Yue is nonplussed. Sokka tells Aang that he can’t speak to a princess like that. Aang takes a deep breath and bellows, “LET IT GO!” His voice echoes in the halls. Yue lets go of the staff.  Aang apologizes for yelling and inspects the staff. Yue never got the names of the other two, Sokka and Katara. Yue is incredulous, “You are Sokka and Katara!? Your father saved my life! Hakoda’s ship arrived at our capital a year ago and he was granted audience before me and my father. My father refused to help, and, I had to make a choice. I ran away and boarded your father’s ship in secret with the moon scroll.”

“We’re going to reopen the moon portal!”

But where is their father now? “He was taken prisoner by the fire nation. The last thing he said was he’d be a boomerang, but, I never got to ask him what that means.” “Means he’ll be back,” Sokka explains. He shows her the boomerang his father gave him when he left. Aang asks her how she got here. Yue continues, “I was found by a fisherman and made my way south. I got marooned here about a month ago after my ship sank. Been looking for a way off ever since, but there’s so many fire nation... We could fly to the south pole on a sky bison, though.” Someone’s stomach growls. Katara admonishes Sokka. It wasn’t him, it was Aang! Yue calculates that there is enough time to eat.

https://www.mostphotos.com/fi-fi/2720912/plum-orchard

The air temple orchard is overgrown, though a thousand years of tending have given a sense of order to the older trees. Aang hopes they like mountain peaches as he hops high in the air and grabs one. He lands and hands a peach to Katara and jumps back into the air. Sokka, asks her for it, salivating, and Katara licks it all over, much to Sokka’s chagrin. Aang lands with an armful of peaches and one in his mouth. He hands them out. They sit and enjoy a moment of peace.

Yue asks how the boomerang works. Sokka hands it to her and instructs her how to throw it. She does her best, but it is a terrible throw. She puts her hands up to her mouth and yells “Come back!” Sokka offers to go get it, but she should, she threw it, and they both end up going together. When they find it, Sokka throws it to demonstrate. Yue commends him on the throw. Sokka smiles goofily and gets lost in her eyes. They smile at each other and the boomerang runs smack into the side of Sokka’s head and he yelps in pain. Aang and Katara come running. Though he’s bleeding and wincing, Yue laughs and says it’s nothing a waterbender couldn’t heal. Katara isn’t sure what she means. Yue furthers, waterbenders can heal, she thought everybody knew that, especially waterbenders.

Yue pours some water into Katara’s hands. Katara is unsure what to do so she waterbends the water onto Sokka’s cut. Nothing happens. She closes her eyes and concentrates. The water releases a soft glow. Katara gasps and her eyes pop open. The wound has closed and there is no scar. Yue tells Katara that she just did some high-level bending. Aang lights up, he knows where the airbenders are.

Aang leads them to an intricately carved door. If the airbenders are hiding, it will be here. They have storerooms and water reserves deep in the temple. It’s his last hope. Only high level airbending can open this door, he reveals, and he bends two focused currents of air into the large doors' ornate locking mechanism, and a strange hauntingly beautiful tone resonates. The locks disengage, and the doors open slowly. Aang walks into the darkened room as Katara, Sokka, and Yue follow him.

Aang calls out to the airbenders. The room is pitch black and his footsteps echo. Katap. Katap. Katap. Skrit. He steps on something. It is a wooden medallion. He picks it up and flashes back to a happy looking older airbender monk: Gyatso, wearing medallion on a necklace.

Monk Gyatso is Aang’s sensei. Aang in the flashback has no tattoos yet and runs up to him calling his name and they embrace. Gyatso leads Aang out of the wind lock doors and onto the terrace before it.

Flying bison of all sizes fill the sky above. Gyatso tells Aang to call to him. “Appa!” Aang yells. Appa roars and dives down to Aang leaving his siblings and his much larger mother behind. Appa nuzzles and licks Aang as he laughs and laughs and laughs.

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The memory fades as Aang’s eyes adjust to the shadows. He sees a sky bison skull among bones and piles of soot and ashes, all over the room. Firebenders were here. Katara gasps. “Oh no.”

Aang falls to his knees. He is not alright. His eyes and tattoos light up. Wind begins to circle around him. Sokka freaks, “Is he glowing? How is he glowing?!” Katara calls for Aang. The winds get faster and faster, lifting Aang into the air. Yue makes them take cover. The soot and bones in the room get caught up in the whirlwind, disintegrating into brown and black dust and debris. Aang’s eyes, emanating white light, widen. The swirling blackness closes in on him. He shuts his eyes and pushes the darkness away, forcing all the ashes out the temple. Aang stops glowing and he drifts to the ground.

Outside, the ash cloud drifts away.

Yue, Katara, and Sokka cough around the corner. Katara runs to Aang and takes him into her lap. He stirs. It really has been one hundred years. She cradles his head and opens up to him that she and Sokka lost their mother to the fire nation. Even though his people are gone, he has found a new family: herself and Sokka. He looks Katara in the eyes and tells her with conviction that he will never firebend. Never ever. He sits up and hugs Katara as she mulls his statement.

From their ships, the firebenders notice the ash cloud drifting down from the temple as they pull into the harbor of the fort. Something must be going on. They form a squad of male and female fire nation soldiers fresh from the base. Zhao tells Iroh that he is too old and slow for this mission and Zuko is free to stay behind as well, if he doesn’t think he can make the climb. Zuko is ready. Iroh warns Zuko that Zhao is not to be trusted. Zuko assures his uncle, he can handle Zhao. From the battlements, Iroh watches the troops begin the hike. He puts on a cloak and sneaks out after them.

Later, the sun sets over the mountain peaks. Aang and the others bring flowers to a stone alter. The medallion sits in the middle of it. They pile the flowers around it. Aang sets a peach down with the flowers and steps back. Peaches were Gyatso’s favorite, he tells them. He closes his eyes. They all do. Aang gives the airbender prayer of mourning. The sound of wings. They open their eyes and a winged lemur eats the peach on the altar.

Aang laughs, a long clear laugh as he takes the lemur, lazily eating the peach, into his hands and names him Momo. The wind blows through the flowers.

Night falls. In a clearing in the orchard, Aang strokes the sleeping lemur as Sokka builds a fire and Yue puts peaches on the ends of sticks. She pokes fun at his fire building technique. Sokka has been building fires his whole life. Yue retorts that she’s only been doing it for the last year and she’s already better then him. They race to light the fire and Yue wins, but just barely. “Best two out of three?” Yue asks Sokka with a cheeky smile.  Katara returns with a bucket filled with well water.

The peaches roast on the sticks as the fire casts an amber yellow on the kids’ faces. “So, are we going to talk about what happened?” Sokka asks. Yue and Katara avoid his line of questioning. Sokka extrapolates, “Aang was glowing. I haven’t heard of a glowing person before.” Aang is silent. Yue speaks up, “I have.”

“When I was born I was very sick and very weak. Most babies cry when they're born, but I was born as if I was asleep, my eyes closed. They told my mother and father I was going to die. That night, beneath the full moon, he brought me to the spirit oasis and placed me in the pond and pleaded with the spirits to save me. I began to glow and my hair turned white. I opened my eyes and began to cry, and they knew I would live. That's why my mother named me Yue. For the moon.”

Yue explains that Aang must be filled with immense spiritual power. Aang is silent. Sokka pipes up that it was the same light from when Aang came out of the iceberg. Still Aang is silent. Katara scoots closer to him and prods him why he told her he would never firebend. She asks him if he is the avatar. Aang stands, surprising the lemur and it scurries away. He never wanted to be the Avatar. He only ever wanted to be normal and play airball with the other kids. He didn't ask to be the avatar! They were going to send him away, to the eastern temple where he would be safer. Which means he was in danger.  Avatars aren't supposed to know they are the avatar until they are 16 because: what if they told you, you were supposed to save the world at twelve years old? That’s why he ran away. He was going to come back but ran into a storm and somehow he lost 100 years.

Sokka is confused, if he's the avatar, how come he can’t bend the other elements? Aang doesn't know how yet.

Yue smiles. Out of her pack she produces the moon scroll.

In it is more than just how to open the moon gate, but also advanced waterbender techniques as well. She gives it to Aang and suggests Katara give him his first lesson. Sheepishly, Katara unravels the scroll. There’s writing, but she doesn't know how to read. Aang and Yue are taken aback by this, but Sokka doesn’t know how to read either. They have chores all day, there wouldn't be any time for reading, even if they had books. Yue sadly remarks that everyone in the Northern tribe knows how to read and apologizes that life in the south has gotten so hard. Aang comes closer and reads the scroll to Katara. Water is the element of versatility. It is a liquid, a solid, a gas. Gifted waterbenders can even be healers. He smiles and Katara blushes and Sokka touches his head where the wound would have been. Water is Tui and La, Push and Pull, and the earliest waterbenders learned how to push and pull the ocean like the moon with its tides. The moon is the source of power for all waterbenders and they are strongest when the moon is full.

They look up at the moon above. Aang remarks that they will be really strong tonight. Yue informs Aang, it's almost full. It's waxing, it will be full tomorrow. Katara admits that from studying the drawings, she doesn't know any of these moves. Aang asks her what she does know. She smiles. She takes him by the hand down to the well. Katara thrusts her hand out over the edge of the well and instructs Aang to do the same. She moves her hand up and down. Aang isn't sure but she tells him to feel the water, even though it’s not attached to his body. Splashes echo out of the deep. Katara says “Ok, I'll pull it and you push it.” Splash. “Ok, now you pull it and I push it.” Splishy splash. He feels it!  Katara asks Aang to pull the water up with her. Aang is surprised on how it's almost like air, but heavy.

Together, they lift a large ball of water high into the air. Aang chuckles and starts pushing it over Katara's head, he lets go. Katara closes her eyes and shrieks but opens them when she realizes she's holding up the water by herself.

She celebrates and loses her concentration and drops the water and gets soaked. Aang laughs and she douses him with the puddle around her. Aang laughs again and dries himself off with a whirlwind. Katara, drenched, asks if he could dry her off too. He tries. Her hair is swept back and poofs out. They both laugh. They gaze into each other’s eyes. Between their faces, the light of the campfire sparkles in the distance.

The campfire suddenly flares up a pillar of fire 10 feet high. Sokka yelps. Aang and Katara turn to face the flames. A rustle behind them. Fire nation soldiers! They throw their spears. Aang whisks Katara down behind the well with him. Katara begins to panic. Aang tells her to use the water.

They lift a spout out of the well and repel the foot soldiers. They run towards the campsite. Yue and Sokka are held captive by elite firebenders while Zhao taunts her. He’s been looking for the princess’s hiding place. Zuko concludes she’s the reason he’s locked down the southern sea. Zhao nods.

Katara and Aang come running to a stop. Zhao is immediately taken by the air nomad boy. Where did he come from? Where are the other air nomads? Zuko wastes no time in taking Katara prisoner. He advises her not to struggle. Zhao stares at Aang while confirming with Zuko that the girl is indeed the Avatar. She's the one from the village, the one waterbender in all the south, therefore, she must be the avatar. Aang shouts that she's not the avatar. Zuko sizes up the air nomad boy. Then who is? Katara tries to stop him but Aang tells them that he is. Zuko retorts that he couldn't possibly be the avatar, he’s just a child! Zhao isn't so sure. The avatar would be over a hundred years old, Zuko reminds Zhao, they have the princess, they have the avatar, but if he wants to waste his time with an air nomad liar, he is welcome to. Zhao willing to be convinced, leaves Aang.

Soldiers take Katara, Yue and Sokka and form ranks.  

Aang drops out of the sky in front of the squadron. He declares himself the avatar and points his staff at the firebenders. They laugh at him. He calls for Appa. From above, Appa roars, then dives and the solders duck and cower. Aang makes an air scooter and zips through all the solders like a pinball. Appa lands where Aang was standing and charges the soldiers with his horns, they scramble to their feet to fend off Appa. Some run. The distraction gives Yue the chance to escape. She knocks her captor in the gut and off of her and throws him into Sokka's guard. Aang takes out the bender holding Katara, and they struggle to get the chains off.

Zhao calls for the men to form rank. Someone yells, “the prisoners are escaping!” Zuko and Zhao leap into the chaos. They arrive to hear Aang give up on getting the chains off of Katara and that they need get to Appa to escape. Zhao is a clever man, he turns and runs to Appa, manifesting a fiery whip in each hand. Zuko fire charges into the group and separates Katara from the rest. Aang spins in and spins Katara out into Yue and Sokka’s arms. Aang and Zuko duel. Katara won’t leave Aang so Sokka picks her up and puts her over his shoulder. Katara begs Sokka to stop, but then changes her mind and tells Sokka to take her to the well. Yue tells them she will get the key to the shackles and joins Aang against Zuko. Appa runs about the courtyard chasing a hapless soldier in circles until Zhao faces off against the beast.

Aang dodges Zuko’s fireball as Appa wails in fear from afar. In his distracted moment Zuko gets past Aang but runs right into Yue. Aang is torn, does he run to help Appa or Yue? Yue tells him that she’s got this, and he goes to rescue Appa from Zhao’s torment. Yue gets in close, Zuko is on the defensive. He dodges past her, and she doesn’t follow. She has pickpocketed the key.

Sokka and Katara are at the well and Katara is bringing up all the water she can with her hands behind her back. Zuko comes racing towards them. Sokka screams and Katara throws the water at Zuko, and completely misses him. Katara asks if she got him. Zuko didn’t even get wet. Sokka throws the boomerang and Zuko has to duck. Zuko rises to his feet and the boomerang comes back knocking Zuko’s helmet. The water pools by Zuko’s feet as he fixes his helmet and with menacing rage makes fire daggers in his hands. Katara closes her eyes. She spreads her fingers then clenches her fists with a quick breath out and the water freezes and Zuko feet are frozen to the ground. Yue slides by Zuko on the ice twirling the key on her finger.

Yue unlocks Katara’s shackles as, in the distance, a blast of fire. Appa roars and flees into the air. Aang screams his name as he runs after him, but Appa won’t come back.

Zhao turns to Aang with a sadistic look in his eyes and a fiery whip in each hand. Katara, Sokka, and Yue come running. They try to convince Aang he has no other choice, he has to run. If he’s captured, who will save them? Fire nation soldiers begin to compose themselves surrounding the group. Zuko, fuming melts his feet. Aang pops the wings out of the staff. It’s also is a glider. He runs and takes flight on the orchard path. Zhao barks a command and all the firebending infantry call out and punch the sky sending fireballs into the air above and beyond and all around Aang. The fireballs arc in the sky and land all over the temple. The peach trees left and right burn and Aang lands among them. The sight of temple burning sends him into a rage. Aang glows. The wind picks up and blows all the fires out. Zhao and Zuko see. He is the avatar. With the fires out, the avatar spirit leaves Aang and the light of his tattoos fade and he lands. Zhao and Zuko race towards him; the chase is on.

http://kidskunst.info/linked/history-of-stairs-ancient-stairs-686973746f7279.htm

Aang runs through a large archway and into a great stone rotunda with a corkscrew staircase in the center. He runs at the speed of wind up the staircase to the top. Zuko and Zhao are hot on his heels. At the top of the stairs there’s a hallway and at the end of the hallway Aang finds the door to the jump room locked. Zhao leisurely jogs, beast like, up the stairs. Zuko fire leaps up the sides to just beneath the top.  Zuko grabs the edge of the top with the tips of his fingers. He pulls himself up. Desperate, Aang hits the lock with the staff and it breaks open. The door swings off the hinges to a launch pad at the top of the mountain just above the tree line. With freedom before him, he turns around and faces Zuko as the prince rises to his feet.

Zuko promises Aang that if he comes with Zuko now, he and his friends will be unharmed. Aang asks how he can trust Zuko. The fire nation invaded and killed his people. Zuko retorts it was the airbenders’ aggression and illegal settlements on Fire nation land that brought this upon them. Aang claims the airbenders are pacifist. Zuko clarifies then, that Aang won’t just windblast him off and takes a step forward. Aang also takes a step forward. The people who lived here were mostly children. He accuses the fire nation of genocide. Zuko doesn’t want to believe it, but Aang’s conviction has awoken what he knows to be true, and he falters. Aang is still very vulnerable and emotional. His tattoos light up, his eyes glow, the wind rustles around his clothing: the avatar state emerges.

Zhao comes around the corner, not even out of breath. He sees Aang’s glow and smiles his crazy smile and charges Aang. Under the state of the Avatar, Aang is stiffer, more confident. He sends a blast of air with his staff down the hallway at Zhao, knocking him off the stairs. Zuko jumps after him and catches Zhao’s hand and saves him from falling. Zhao glares menacingly at Zuko as he pulls him up. The Avatar spirit fades as Aang realizes he just attempted murder. His actions horrify and confuse him. Tears stream down his face.

Zhao kneels, winded from the air blast. Aang turns to flee. Zuko takes off after him. Aang activates his glider and throws it out the window and leaps out after it, catching it and the wind. For a second, it seems like he’ll get away but then Zuko jumps after him at full speed and grabs hold of his legs, causing them to spiral and crash in the clearing below. Zhao approaches the edge and looks down. He jumps off. Aang and Zuko lie in a crumple before him. Aang tries to get up, but he can’t. Zuko is also injured. Zhao gags Aang and shackles his hands and feet. He goes to Zuko and helps him up. Zhao compliments him on his willingness to sacrifice everything, maybe they aren’t so different. Zhao throws Zuko towards the edge of the cliff and fireballs him off. 

Aang watches, in a daze, as Zuko disappears into the forest below. From afar, Iroh is lit up by the light of the fireball. Zhao lumbers back from the edge and picks Aang up and over his shoulder as Aang passes out. Darkness.

A knock on a heavy iron battleship door. Iroh opens it and stands in the doorway. A messenger tells Iroh to hurry, there’s been an accident with the Prince. Iroh pushes through the crowd to the deck of the boat where Zhao meets him. Zhao proclaims to Iroh that the avatar threw the prince off a cliff. A search party is to be sent immediately to find his body for proper burial. Iroh spits and claims he never liked the sullen prince who had no respect for his elders and they can leave the body on the mountain for all he cares. He asks if the Avatar is in custody. Aang, gagged and bound, is carried by two large soldiers. Iroh leads them into the bowels of the ship. The battleship is a marvel of engineering and the prison for the avatar is state of the art. Even so, Zhao expected more. Iroh states that it’s mobile, self-sufficient, heavily guarded, and the safest place for the avatar to be.  

In the avatar’s cell, Zhao has Aang’s arms chained up and his legs chained down. Iroh gets into Aang’s face, “So this is the great Avatar. Master of all the elements. I don't know how you've managed to elude the Fire Nation for a hundred years, but your little game of hide and seek is over.”

Zhao ungags Aang and asks him how it feels to be the only airbender left. “Do you miss your people? Don't worry, you won't be killed like they were.” Zhao turns to leave. Aang takes a deep inhale and breath blasts Zhao, knocking him to the floor. Zhao is triggered, and fiery. Iroh helps bring him under control. Zhao tells Aang, “Blow all the wind you want, but your situation is futile. See, if you die you will just be reborn and the Fire Nation would have to start searching all over again. So, I'll keep you alive, but just barely.” Zhao leaves in a huff. Uncle Iroh glares at the remaining guards and asks for a minute alone with the thing that killed his nephew. They oblige.

Iroh approaches Aang. Aang shies away, but Iroh lays a gentle hand on his shoulder and assures him he is not like the others. He reveals that he knows Aang didn't kill Zuko but that it doesn't matter because no one will believe Aang anyway. Aang asks what's going to happen to him. Iroh assures Aang that when the time comes, he will help Aang escape, but first, he needs Aang's help. He needs to know about the waterbending girl.

In the prison hold, Katara sits comforting Grangran. Grangran is babbling on about how the fire nation came not long after they left and rounded up the villagers onto their ships but Katara's eyes fix on Sokka. He’s worried about Yue. Katara thinks they should be worried about all of them. A guard rattles the door and tells them to shut up. Iroh enters, carrying a bucket of water. The guard tries to stop him from entering the cell but Iroh tells him the orders are from Zhao. The prisoners haven’t been watered all day. Besides, Iroh asks the guard if he thinks the dragon of the west can’t handle one young waterbending girl. The guard apologizes and opens the door. Iroh enters the cell, kneels, and takes out a ladle and invites the villagers to drink. They do not move. He drinks some water himself. Sokka takes the bucket and gently helps Katara quench their grandmother’s thirst. The bucket is passed around and Katara brings the empty bucket and the ladle to Iroh. He tells her, “Katara, I have spoken with Aang.  He needs you to come with me.”

Iroh takes Katara into his cabin. On the bed, Zuko lies suffering, his stomach wrapped in bandages from Zhao’s fireball. Iroh asks Katara to heal him. Katara doesn’t want to, Zuko put shackles on her and he is after Aang. Iroh understands why she wouldn’t want to. Zuko attacked her, he’s an angry young man, he’s fire nation, but he’s the only good thing in Iroh’s life. Maybe she can see past the anger and the pain and see that he has suffered at the hands of the fire nation, too. Katara eyes the scar on Zuko’s face.

Reluctantly, Katara dips her hand in a bucket by the bedside. Water clings to her hands and she brings them to Zuko’s bandages. The water glows for a few moments and Zuko is soothed. Katara asks to be taken back to the cell. Iroh sneaks Katara through the ship. He takes her back into the prison hold and in with the rest of the villagers. As he locks them in, Sokka asks him about Yue. Iroh tells him, she is with Zhao.

In Zuko’s former quarters, Zhao sits beneath a rack of twin swords, eating a feast alone. Yue is escorted in. She has been bathed and dressed in her gown from the night she left the north. She is seated in front of Zhao. He invites her to eat. He tells her about the captain who found the dress of the northern water tribe princess on a water tribe boat headed for the south pole. Yue asks what Zhao wants. Zhao wants peace, a permanent peace with the water nation. The southerners have wasted their land, like the earthbending savages and the airbenders before them. The north will be safe, it’s water, the fire nation doesn’t want water. The southerners can move to the north. Yue doesn’t understand. Zhao tells her, he’s going to help her open the moon gate. Isn’t that what she wants? Yue asks about the avatar. Zhao tells her she can either leave here and return home with her people or join him in prison. Yue wants to know where her people are. Zhao will take her there.

The prison hold door is flung open. Zhao leads Yue to the southern people. She sees them locked in a crowded cell. She announces that they will all be taken to the North Pole as her new subjects. Zhao will allow them to open the moon gate to let the water tribe members through to their sister tribe. However, the southerners will never return to the south. This news is upsetting, the south is their home. Yue assures them, this is their only option. Zhao tells the Princess its time for her to return, Yue asks to stay. Zhao locks her up in with the rest of the tribe. A soldier enters the hold and tells Zhao they have the beast.

On the deck of the ship, fire nation soldiers struggle to restrain Appa with ropes. Zhao appears. Appa wails and struggles harder. Zhao delights in his fear and what a fine present Appa will be for his bride to be. They take Appa below deck and set sail. Momo watches from the walls of the fort. He glides down and reaches the battleship and crawls through a vent in the side of the ship. He hears familiar voices, Sokka and Yue huddled close. Sokka asks her what the north is like. Yue tells him that it’s different. She has responsibilities, she’s betrothed. Sokka doesn’t understand she’s to be married.

Yue asks if she can do something she’s wanted to do since she first saw Sokka. He nods and she kisses him. She curls into his little spoon as he holds her. Momo gags and continues through the vents.

Momo passes by Iroh and Zuko in his cabin. Zuko is feeling much better after being healed. Iroh tells Zuko that Zhao captured the bison and maybe they can use him to gain the Avatar’s trust. Zuko bets that if the Avatar escapes under Zhao’s command, it will be a huge blow to his plans. There is a knock at the door. Zuko hides in the closet. Iroh answers, it is Zhao. Zhao wants Iroh to know that he grieves for the prince and they will want to get word to the fire lord, but first, Iroh is invited to the north pole, as Zhao’s advisor. Iroh asks if Zhao meant the south pole and Zhao smiles and leaves. Zuko peeks out of the closet as Iroh shuts the door.

Momo continues on through the vents. Finally, he finds Aang’s cell. Aang is delighted to see Momo. Momo gnaws at the shackles at Aang’s feet, to no avail. He curls up around Aang’s neck, giving him comfort deep in the bowels of the battleship.

https://www.popularmechanics.com/adventure/outdoors/a19228/ice-breakers-coast-guard-great-lakes/

Late day, over the icy seas, icebreaker ships take the battleship as far south as they can. The firebenders load sleds and snowmobiles with their prisoners for the south pole. Katara is lead out, the only prisoner in full shackles and even a muzzle. Iroh walks down the gangplank after the last of the prisoners. He passes a soldier, there is a familiar scar beneath the helm. The two nod to each other and Iroh joins Zhao on his sled. The fire nation troops take off, roaring into the distance.

On the ship, a soldier stands guard outside of Zuko’s former room. There is a clanging at the end of the hallway. The soldier investigates and is incapacitated by a masked man. The man enters Zuko’s old quarters and stares at the twin swords on the mantle. The door is left ajar and the swords above the mantle are gone.

Down in the prison hold, four guards play a game in front of Appa’s cell. One of them asks why they need so many men to guard this beast. Another guard tells him, that he’s a gift for Princess Azula from Zhao just as Aang will be a gift to the fire lord. There is a bang down the hall. The guards all jump at the noise.

The helmet of a Fire Nation soldier rolls down the hallway toward them. When one guard investigates alone, the other three suddenly see a flame erupt from the hallway and hear the muffled sounds of combat and of chains being strung up. When two more guards follow after him, they find their companion strung up with his hands to the ceiling. The masked man, clinging to the ceiling, wraps a chain around a hand of each guard and drops down, simultaneously pulling the guards up. The last guard standing in front of Appa’s cell, having heard the scuffle, takes his horn to sound the alarm, though before he could blow the instrument, it is knocked out of his hands by a well-aimed knife. Noticing a figure running toward him, he firebends, though the masked man extinguishes the fire by throwing water and proceeds to sweep the legs from underneath the guard with the bucket. *

Appa groans in interest as the masked man offers him some hay.

Inside his cell, Aang hears a commotion and eyes the door with apprehension. Momo hisses at the door as the lock is being turned. Aang gasps as a masked figure enters with dual broadswords. Momo attacks the figure and is easily subdued when the figure reveals Appa in the hallway. The man unlocks Aang’s chains and retreats to Appa without saying a word. Aang asks him who he is, what is going on, and wonders if the man is there to rescue him. The figure does not respond, and they are interrupted by the sound of the alarm. He signals for the Avatar to follow him. *

Aang, Momo, and the masked figure ride Appa through the halls of the ship. They burst through the door to the deck and are surrounded by soldiers. The masked man draws his swords but Aang yells, “yip-yip,” and they take to the sky. Firebenders all around them shoot projectiles the sky bison dodges or are deflected by the swords. The soldiers’ last hope is artillery that they point at the escapees. FIRE! A rocket heads directly towards the bison. The masked figure taps Aang on the shoulder, but Aang is concentrating. The figure shakes him. Aang sees the rocket but doesn’t know what it is. The figure unsheathes his swords and throws them at the rocket causing it to explode and sending the riders tumbling through the sky in the resulting shockwave. The firebenders below argue about who’s idea it was to shoot the rocket. Gaining his senses after the blast, Aang whirlwinds himself onto Appa’s back. They dive and catch the masked man in Aang’s arms. Momo lands on Aang’s shoulders as the mask falls off the man, revealing him to be an unconscious prince Zuko.

At the south pole, the ruins of the former southern capital are jagged and jut harshly from the surrounding icy waste. Zhao investigates the moon scroll as firebenders race to cut blocks of ice. They stack ice block onto ice block to rebuild the portal according to the scroll. When it is finished, it looks like a tunnel that leads into the side of a wall.

Aang lands Appa on the icy terrain. The tracks of snowmobiles run deep and are easy to follow, but that’s not his issue. Zuko lies motionless on the ground. Aang’s gaze follows the tracks into the distance, then returns to the unconscious Zuko. He can’t just leave him here.

At the south pole, Zhao watches the sun set. He orders Princess Yue to open the moon gate. She can’t. Only a waterbender can. All eyes turn towards Katara. They unshackle and unmuzzle her.

Katara approaches the rebuilt portal. It looks rough and raw in the twilight. She waves her hands over the ice. No change. She does again, but nothing happens. Zhao’s face darkens. He barks an order. The water tribe villagers are pushed to their knees as firebender soldiers brandish flames at them. She tries again and again to use her powers on the portal, but still, it does not respond.

Katara cowers. Zhao approaches her, his fury palpable. He suggests she try again. She doesn’t know if she can open the portal. He sneers that he hopes, for her family’s sake, that she is wrong. He snaps his fingers twice and Grangran is dragged forward. Zhao commands her to open the gate, and though Katara tries, she still can’t do it. Zhao scowls. He looks over at the villagers and spies Sokka. He orders Grangran returned to the others and Sokka to be dragged forward next. Katara begs Zhao. He orders her to open the gate. Sokka tells her that it’s okay, and that he loves her. Grangran yells that she believes in Katara. Yue joins them. The whole village shouts encouragements. The sun disappears over the horizon. The light of the moon is the only light in the sky. Katara closes her eyes and waves her hands once again. Nothing happens. Zhao makes a fireball in his fist and approaches Sokka.

A villager shouts and Zhao turns. A soft light creeps over each ice block until the entire arch is shining. The shining abruptly stops and the blocks have fused together. Zhao investigates.

In the darkness of the tunnel, one can see the moon, hanging in blackness, illuminating a path to a distant archway. Zhao laughs, an evil laugh. Yue stands and bids the southerners to follow her to the north, but Zhao stops them. Elite firebenders take hold of Yue, while others put Katara back into shackles and muzzle and lump her in with the villagers. Yue spits at Zhao for turning against his word. Zhao takes her personally into custody and leaves the rest of the water tribe with the elite guard as he and a small team, including Iroh, lead Yue through the portal.

As they walk the moon’s path, Admiral Zhao sinisterly tells General Iroh that they are in the process of writing history, as they will be destroying the last of the Water Tribe civilization. Yue is aghast at Zhao’s machinations, and Zhao has her gagged. Iroh warns Zhao that history is not always kind to its subjects, Zhao condescendingly assures him that this will not be like Iroh's legendary failure at Ba Sing Se; Iroh ominously tells Zhao he hopes not, for Zhao's sake. The firebenders and Yue reach the end of the path and find themselves in the throne room of the northern water tribe. *

Iroh confirms their location and inquires if it is wise to attack during the full moon, as waterbenders draw strength from the moon. Zhao states that he is aware of the problem, and that he is working on a solution. As he reveals a secret door behind the throne, Zhao explains that years earlier, while serving as a young officer in the Earth Kingdom, he stumbled on the secret of the Moon and Ocean Spirit's mortal forms in an underground library. When he declares it is his destiny to kill the moon spirit, Iroh angrily informs him that the spirits are not to be trifled with. Condescendingly, Zhao tells Iroh he has heard tales of his journey into the Spirit World and assures him that the Moon and Ocean Spirits, having made the decision to give up their immortality to be part of the human world, will face the consequences of that decision. *

They descend down the passageway behind the throne to the spirit oasis: a small bamboo forested pool in a glacial atrium. A low voice is heard up ahead. Zhao puts his fingers to his lips and the firebenders sneak in the shadows. Chief Arnook, Yue’s father, prays to the moon for his daughter and his people. The light of the full moon shines brightly above. When he finishes, he asks an older man, Master Pakku, to escort him back. Zhao reveals himself and his prisoner, Princess Yue. Pakku squares up but Arnook orders him to stand down.

Zhao commends the chief for his wisdom and releases Yue to him. Arnook ungags her and Yue tells him that Zhao means to destroy the water tribe by killing the moon spirit. Arnook and Pakku share a look.

Arnook is incredulous that Zhao could kill the moon, whose bed is the sky and the horizon, but Zhao assures him confidently, that the spirits are close, closer than he thinks. He gestures to the pool, two koi fish swim around each other. Yue is in disbelief that Zhao thinks the fish are the spirits, but Arnook and Pakku are silent with secret knowledge.

Meanwhile, at the south pole, Katara breaths through her muzzle, now hoary with frost. A firebender yelps and points at the sky, it’s Aang riding Appa. The firebenders form a defensive perimeter. Katara takes her chance, she ices the locks to the point that they break and she frees herself from her bonds. She begins taking out firebenders as Aang does the same. The firebenders run to their snowmobiles and sleds and retreat. Katara throws off the muzzle and hugs Aang as Sokka inspects the gate. He runs through it, after Yue. The rest of the southerners follow with trepidation. In the palace, Sokka begins to call out. He sees the door ajar behind the throne. Sokka finds it out of place and passes through it. Katara and Aang ensure all the remaining southerners go through the portal. Aang shows her Zuko on Appa and they decide to leave him in the south.

Suddenly, as if he had been conscious for a while, Zuko makes his move and attacks. Katara trounces him. She freezes him in a block of ice and she and Aang and Momo try to pull Appa through the moon portal. Appa resists; after being cooped up in the ship, he is not interested in going through a small door again.

Sokka sneaks down the path to the spirit oasis. Zhao arrogantly applauds his own efforts to fulfill his "destiny", speculating as to which names by which future generations will call him. From the shadows, Sokka makes eye contact with Yue. He retreats to get help.

A water tribe scout on an ice tower watches the fire navy ship’s blockade. It’s nothing unusual.

Katara and Aang desperately pull Appa with a rope onto the moon path. Zuko the ice block begins to steam.

Zhao takes a burlap sack and charges into the water. After a moment, he rises with the fish in the bag. As he hoists it over his head in triumph, the full moon above transforms, turning from white to blood-red. *

The scout sees the red moon. His waterbender comrade in arms reacts: he can no longer waterbend.

On the moon path, the moon and path are red in the blackness. Katara feels weak. She collapses. Aang releases Appa’s rope and helps her up. Appa pulls back into the open air on the south side. Aang hobbles Katara over to the north side and lays her down in the throne room. He tells Momo to watch over her, he has to go back for Appa. The path beneath him cracks and Katara tells him to hurry. Aang runs through the gate to the other side. Before he can make it to the south, a shadow appears in the doorway and fireblasts him back. Prince Zuko who corners Aang in the disintegrating moon path.

Yue begs Zhao to release the moon spirit. The chief holds her and comforts her. Iroh pleads with Zhao to consider his actions: they will bring harm to all, not just those in the Water Tribe. Reinforcing the point, Iroh promises Zhao, "Whatever you do to that spirit, I'll unleash on you ten-fold." Zhao confirms what he knew all along, that Iroh is a traitor. To save the moon spirit, Arnook offers Zhao the unconditional surrender of the northern water tribe.

Water tribe warriors swarm into the throne room and surround the villagers coming through the portal. Sokka appears in the door behind the throne and bids them to follow him. The arch of the moon gate begins to crack and Katara yells for Aang. Zuko’s firebending keeps Aang on the pathway guarding the south door as it splinters here and there.

Zhao confirms with Arnook, that he has his unconditional surrender and releases the fish back into the water. The moon turns white. Everyone, the water tribe scouts, fire navy sailors, Sokka, Katara, Aang, Iroh, and even Zuko is relieved. The floor beneath Aang and Zuko solidifies again and Zuko takes a defensive stance.

Zhao watches the fish swim. Something dark and unsatisfied crosses his mind. Without a hesitation, he fire blasts the white fish.

Iroh watches the fire bolt hit the moon spirit in horror.

On the moon path, the full moon above Aang goes out like a light. The path beneath Aang and Zuko disappears and Aang falls into darkness. Zuko jumps to the southern portal and pulls himself through as the pathway vanishes behind him leaving an empty black tunnel.

Katara yells for Aang, and approaches the portal, but the portal in the north now ends in an icy wall.  Momo scratches desperately at the wall.

The scout blinks in the darkness. He is at a loss. One by one, on the horizon, the fire navy blockade lights their trebuchets. They fling fiery projectiles in waves. The scout blows his horn.

Appa huffs at the gate. Zuko tries again and again to jump through the threshold, but without the moon, the gate is shut. Zuko lights the sky up with his fire blasts.

Iroh bellows and lunges on Zhao. The elite squad do their best to protect Zhao but are subdued by Iroh’s fury. Zhao realizes he might be in trouble and flees up the ice wall, his fingers sinking like molten rods into the ice to climb his way out through the opening above. Iroh falls to his knees and mourns the spirit with the chief and Pakku and Yue. Sokka returns with warriors and villagers. The first round of trebuchet projectiles hit the palace and bits of icy debris fall from the ceiling. Grangran pulls Katara wailing for Aang to the safety of the path to the spirit oasis and down to join the others. The northern water tribe capital is in chaos. The dead white fish is prodded by the living black fish.

Aang floats in darkness thick as water. A giant black koi fish finds him and swallows him.

Katara clutches Momo as a ripple in the water breaks the stillness of the spirit oasis. Aang rises out of the water in the avatar state.

Katara is filled with joy, but Aang does not respond. He rises into the sky. Ice and snow from the land and sky begin to swirl around him and envelope him the form of a giant snow-white koi fish. The fish swims through the air out over the bay and dives into the water between fire navy ships. They are hit with a minor wave, but the sailors braced themselves. The snow fish becomes slush and the fish shape decompresses, filling the seas. Then the shape recollects and rises pulling all the water with it. The ships try to flee but are caught up in the gargantuan shape. The rocky bay beneath is revealed as some ships are beached on the seafloor. The water pillar takes a vaguely humanoid fish shape.

It collapses, and the navy ships are tsunamied away.

Back at the spirit oasis, Iroh notices, with astonishment, that Yue has been touched by the Moon Spirit, and that as a result, some of its life force is within her; Yue affirms the conjecture, then decides that she should try to restore the spirit to life by giving hers to it. Her father, upset by this idea, protests, but she is unmoved by him. Sokka takes her hands into his own and assures her there has to be another way. She calmly replies, "I have to try," and places her hands on the dead fish. *

The fish glows as Yue’s spirit leaves her body, she closes her eyes, exhales one last time, and collapses into Sokka's arms, dead. *

Moments later, Yue's body evaporates, and the fish, suddenly filled with life, swims into the oasis, looking for its partner. Floating, Yue appears above the water as a spirit, clothed in a flowing white dress. She tells Sokka that she will always be with him, kissing him one last time before disappearing; as she vanishes, the moon reappears in the sky, restoring the waterbenders' abilities. *

On the walls of the palace, Zhao sees the moon’s return and screams his frustration.

Aang fused with the Ocean spirit, in the meantime, has laid waste to the Fire Nation's navy but ceases as the moon reappears. The Ocean Spirit acknowledges the moon's restoration and, ending its violent vendetta, places Aang atop the outer wall of the city as it melts into the ocean water. *

Zhao finds a hole in the ceiling of the palace as jumps down. He has no choice but to escape through the moon portal. Except a figure blocks his way, Prince Zuko. They begin to fight. Iroh returns to the throne room and catches their duel. As Zhao and Zuko weave in and out of moonbeams let in by breaks in the ceiling. The beams seem to bend and sway as if attracted to Zhao. They wrap around him like a web of fine hair and he is stuck. Tentacles of light pull him into the air. Zuko, forgetting the duel, tries to help Zhao, reaching out a hand to him, but Zhao stubbornly refuses to take it, and he is pulled through the hole in the roof, where he vanishes in the light of the moon. Iroh puts his arm around Zuko and leads the teen back through the moon portal to the south.

Zuko is already planning, they will camp in the south and wait for the Avatar to return for his bison. Iroh looks at him sadly as Zuko begins to make camp with Appa tied up nearby. With a decisive move, Iroh unleashes a fireball that destroys the moon portal in the south. Zuko is speechless as Iroh retrieves Appa and mounts him and pulls Zuko aboard. Zuko says “uh… yip-yip” and the three lift off.

Back in the north, a drained Aang makes his way to the throne room as the rest return as well. Aang looks distraught at the closed portal’s dead end and whispers Appa’s name. The water tribe surrounds and embraces him as a group, with Katara, Sokka, Grangran, Arnook and Pakku in the center. The fire navy ships retreat out of the north and the moon glows high in the sky.

Post credit scene

In the Fire Nation, Fire Lord Ozai imparts the knowledge of Iroh's treasonous behavior and Zuko's failure to his daughter, Azula, and entrusts her with a special task as she looks up at him, a smile on her face. *

[mazarinrouge]

Let’s Read The Promise: Part 1

Everyone hears that the Avatar: The Last Airbender comics are bad. And they super fucking are. I tried to give it a chance, and I found that The Promise is probably the worst of them that I’ve skimmed. The Search is eh. But OHHH MANNN The Promise. It’s perhaps one of the most ridiculous things I’ve ever read, and is in general a complete trainwreck. I’m not posting each page as an image because that’s tedious and you can go look them up on your own, but there will be some snippets here and there. Without further ado, a play by play of ATLA: The Promise.

In brief, this comic is about Aang and Zuko working together to remove the Fire Nation’s colonies and their culture from the Earth Kingdom shore. Surprisingly, it handles this sort of situation in a really dumb way. /s You would think Aang and Zuko together would be able to come to some reasonable conclusions, but you know. I’ll get to that later. It opens with the same intro from the shows narrated by Katara, except this time it’s different. Because it’s after the war and all.

But I believed Aang could save the world. And you know what? I was right. With the help of his friends, Aang defeated Fire Lord Ozai and ended the hundred year war. Zuko, Ozai’s son and our ally, became the new Fire Lord. Together, with Earth King Kuei, Aang and Zuko promised to restore the four nations to harmony.

Except didn’t he run away to travel the world with his bear? If he did go back to Ba Sing Se after the war, we’d have to assume he didn’t die out in the wilderness or get captured at any point in time. We’d also have to assume that the people saw him and just LET him back into power, despite being the puppet for the Dai Li. And do the Dai Li still exist? They do in Korra, but I can’t see them here. Inconsistencies, oh well, who cares?

There are about eight fire nation colonies on the shore. Zuko decides to help Kuei “remove those colonies by doing whatever it takes”. This is very vague and already sounds like a bad idea. Cough cough. Sokka names the movement to remove them the Harmony Restoration Movement while Toph suddenly learns Invisibility Bending.

Then they go to Iroh’s shop cause why not. And we suddenly travel ~back in time~ to the Season 3 finale and see Katara and Aang smooching. Which apparently Sokka steps in on. It feels sort of like a sitcom. And Sokka’s like blehhh kissing! Katara and Sokka fight about it and you can really feel the tension in their dialogue. Gotta give mad credit to the writers here. /s/s/s/s

Then they’re on their way to a festival right after the war ended, and it’s going to be great it’s got fireworks and everything and

Oh my god. This is the angstiest thing I have ever seen. First off, why would Zuko be asking Aang this? Why not ask Katara? She clearly hated you (lol). Aang’s whole thing was how much he didn’t want to kill Ozai. Even IF Zuko started “becoming” his father, how would he expect Aang to be the one to murder him?

I also understand this is a natural emotion for people. Like, if you had an abusive father you probably wouldn’t want to turn out like him. But I imagine it’s somewhat different if your father and all his fathers before him committed mass genocide. If you’re raised to think that’s pretty wrong, hell, he even thought it intrinsically as a lil boy, then you probably won’t kill a lot of people. I don’t know just food for thought .And as an added fact, all the Fire Lords had their dads alive when they were conditioned to kill everyone. So I really don’t think Zuko would make any decisions as bad as his father’s. Maybe bad decisions, he’s hotheaded, but he’s not a murder. He wouldn’t even touch Zhao because it reminded him TOO MUCH of what Zuko’s dad did to him. It just seems out of character. But not as out of character as Aang KILLING Zuko.

Katara seems to be cool with it, though.

It timeskips to a year later and we see that Zuko is worried about rebel Fire Nation peoples to try to assassinate him. This I can agree with. There would have to be some people who oppose Ozai’s imprisonment. And it’s very sudden for a 16-17-ish year old boy to become your new ruler. He wakes up one night thinking someone will assassinate him, and guess what he was right. And would you guess who it is???

A teenage girl! Got to keep all the cast the same age. Wouldn’t want a hired hitman or anything. This teenage girl is so rebellious. She came all the way from the west coast of the Earth Kingdom to kill Zuko. She’s from the oldest Fire Nation colony and she’s here to take revenge, because apparently....the Restoration Movement is going to destroy all the colonies?

There was never any indication as to what this “movement” would consist of until now besides “remove them”. I didn’t imagine removing them would mean removing the culture or the people? You see, the rational thing to do would be to remove the government so the Earth Kingdom could control the land. There could be an intermingling of cultures and it may be interesting, but definitely not bothersome. That’s why some of France looks like Germany. They moved in and then the land went back to France and now they just all hang out there. There’s no concrete explanation to the reader of what this movement does. So really I still can’t say it would really destroy all the buildings and evac. all the people but Hell. It might.

Isn’t vague writing cool?

So Zuko sends this girl back to her home colony in cuffs. Her dad finds her and it turns out her dad is the mayor. Now I can understand their trouble. He may worry he might not have any position of power in the colony anymore, but hey, that might not happen. It’d be ridiculous to install an Earth Kingdom specific mayor, maybe even a little racist? It could happen though, so you understand your distress--

except NO! It’s not about that at all. Apparently the Restoration Movement is now Confirmed to Remove All Fire Nation People. Great. This went downhill fast.

Then this guy says hey your father wouldn’t be proud of your actions and Zuko attacks him.

Sheesh.

Then it cuts to Aang forcibly removing everyone from their homes and putting them into a new and confusing country. Cool. But suddenly when they get there a soldier tells them that they all need to leave! Because Zuko has stopped supporting the Restoration Movement! So that means that all Fire Nation Colonials are barred from entering the country??????

??????????????????????????????????????????

I don’t think i have to even explain why this is one of the worst ideas ever. Why forcibly remove or never allow in? Why not the middleground? The gray area? That whole part of the damn original show that was toted around so gloriously. How extremes are bad and not everything should be taken far this way or the other. But whatever. Fuck the show. Let’s do this instead.

It cuts to Toph’s metalbending academy and we learn that Zuko has holed himself up in Yu Dao. No one is allowed in or out. Toph says he’s becoming like Ozai. Aang is meditating and talking to Roku, who thinks Aang will be a good guy if he kills Zuko. This could just be a dumb rehash of the show where none of the other Avatars give Aang the answers he wants. Maybe the Lion Turtle will come back too and give Aang some Complacency Bending to fix Zuko.

I like this though. Aang is set on his own motivations and protecting Zuko as his friend. He’s not even looking Roku in the eye. Their worldviews are so different. Neat.

They arrive at Yu Dao to confront Zuko. The walls are barred and Aang and Katara decide to go in themselves, scaling up the wall to get past the gaurds. This comic site has custom annotations like old Youtube videos by the way, and I just thought I’d show you this.

Typically the rule with pet names is if your partner says one you don’t immediately say it back. But OK. I guess ‘babe’ was too adult for the demographic. I just can’t see these two really using pet names at all. Like Aang would respect his girlfriend so much he’d probably be happy enough just getting to say her real name so often.

We also learn here when he gets inside the walls that “Flameo, Hotman” is actually spelled “Flamio Hotmen”. I cannot accept this.

Aang enters and bows to the General and they start attacking him and Katara.

If they’re both trespassers why are they only attacking Aang and not Katara? How is Aang that close to the fire and he’s not got a Zuko burn yet? These important questions and more brought to you by me.

lol

Katara gets fed up with these people burning Aang and does a Dr. Crocker-esque panel by panel of her saying

“Stop. Trying. To. Set. My.

Reminds me of something else....something....even more awkward to say while attacking people....hm...

“Stay away from my dad’s ex-girlfriend!”

Oh well. I must have forgotten what it was. (coughKorraDoesntExistcough)

Then Zuko comes in and grabs Katara in a weird and compromising position. She says stop you’re hurting me oh no. And Zuko says not until you stop hurting my guards. Which she didn’t really hurt any of them. She demobilized them like Aang would, but they’re all still ok. She did throw ice shards, like pointy ones, Not sure what happened to that poor guy.

Aang gets mad at Zuko and they start fighting. Aang tries to talk to him while they are fighting and it’s kind of like a Naruto battle. And then....

God dammit.

But it’s ok because Katara does what she always does and just walks inside Aang’s killer air puncture ball no problem and touches his face to bring him out of the Avatar State. Which is sweet and I always like it when she did that. But how did she get inside the Aang ball?

Then Zuko says ok fine we can all calm down and talk. By the way, Zuko is growing incredibly weird cheekbones here. I think it’s a part of Bryke’s direction, because if you look at Korra almost every single male (except Bolin) has killer cheekbones. Like really really skinny face cheekbones. And now Zuko has them here.

Maybe they’re trying to represent Zuko becoming his father. Because Ozai had cheekbones too. But how does one get cheekbones like this in a year? Earlier in the comics, he didn’t have a face like this. He looks like a little skeleton man. Maybe it’s supposed to portray his aging due to stress like Lincoln or something. But man. It just doesn’t look like Zuko anymore. It looks like cheekbonko. That’s his new name.

Zuko had a change of heart after talking to the family in Yu Dao he met.

(gee maybe you should let the government be in control of the towns but let the people stay there because it is an old colony. Or let the colony stay so long as they don’t harass the Earth people. Or set up a joint government sort of thing with a council to rule these specific colony towns. Or anything but this dumb plot. ALSO LOOK AT ZUKO’S WEIRDASS HEXAGON FACE CHEEKBONES FUKC)

Also Katara doesn’t say anything she just stands there looking sad and confused. But just to make sure she does say something she says maybe Yu Dao should be the exception and only they can stay. Why is no one smart in this universe. But anyway, she decides to have another meeting with the Earth king.

It cuts to Zuko. The Kyoshi Warriors are his new bodygaurds. He gets up in the night to get water, but really he goes to see his father and DUN DUN DUN.

Well that was anticlimactic. Just seventy pages of UGH....THIS IS SO INFURIATING. But you know that’s fine.

This has been Part 1 of The Promise.

My predictions are Aang will not kill Zuko. (hes in the other comics) And they will remove everyone from their homes. Everyone will be happy despite that fact and Aang will get a kiss from his ‘sweetie’ the end.

But who knows?

[headquartersforlievmuses]

► Sooka

Sokka was a Water Tribe warrior of the Southern Water Tribe and the son of Chief Hakoda and Kya. Following the death of his mother and his father's leave for war, Sokka was raised by his grandmother Kanna along with his younger sister Katara.

Hakoda left along with all of the other men in his tribe to fight the Fire Nation when Sokka was a young boy. Despite his desire to join his father, Sokka was not permitted to accompany the men on the mission and was left behind.[8] As there were no other teenage boys in the tribe, Sokka was the oldest male in the South Pole and, therefore, left as the leader of the tribe. He assumed responsibility for the tribe, haplessly training children to be future warriors, until his sister discovered an Air Nomad named Aang frozen in an iceberg.[8] When he learned that Aang was the Avatar,[9] he was at first skeptical that a child could really save the world. As he and his sister helped Aang on his quest, he began to believe that Aang really was the only hope for peace in the world.

Despite his inability to bend, Sokka became the strategist of the group, constantly trying to prove himself to be a great warrior like his father. He attempted to train the younger children of the Southern Water Tribe in fighting. Sokka was also the "matter of fact" guy in the group and did not believe in spirit magic, as he openly mocked it. His leadership skills improved during his travels with the Avatar, culminating with his masterminding the plan for the invasion of the Fire Nation on the Day of Black Sun. His humor and his ability to organize and plan became imperative to the group on their travels. By the conclusion of the Hundred Year War, Sokka became a master swordsman and a great warrior like his father.

After Aang and Zuko formed the United Republic of Nations, Sokka became the representative for the Southern Water Tribe and he also became the United Republic Council chairman.

Sokka was born at the South Pole to Chief Hakoda and Kya in 84 AG. Growing up as part of a minor tribe that lived in the remains of the Southern Water Tribe's ruined capital, Sokka was raised from a young age to be a warrior and possessed much knowledge of Water Tribe weapons and tactics. When he was ten, Sokka witnessed one of the last major Fire Nation raids on his tribe, during which his mother was targeted and killed, leaving him with great hatred for the Fire Nation.

When his father left with the other men of the tribe to fight in the Hundred Year War, Sokka was put under his Gran Gran's care and became his tribe's last defense. He took the task seriously, building a number of snow watchtowers around the village and even "training" the young children of the village as soldiers. Although Sokka had the spirit of a warrior and the courage to stand up to any enemy, he initially lacked the skills and techniques that would make him a formidable opponent. That would not stop him from trying, though, especially if his friends needed help. He was protective of his younger sister[8][16] and treasured the boomerang given to him by his father.

During his travels with Aang, Sokka improved his skills significantly, and had evolved into a skilled fighter with a sword forged from meteorite, a true leader, and a cunning strategic planner.

During the year immediately subsequent to the Hundred Year War, Sokka joined Katara and Aang in the "Harmony Restoration Movement" to disassemble the Fire Nation colonies in service of Earth King Kuei.

When Sokka was heading to Ba Sing Se with Team Avatar to inform Earth King Kuei about Yu Dao's situation, he decided to leave with Toph to her metalbending academy in order to avoid his "oogies" at Aang and Katara's relationship. The earthbender grabbed Sokka and jumped from Appa as they both made their way to the academy. Sokka inquired Toph about her initiative to start the school, getting a response he identified as a lie and proceeded to guess her real motive. When they caught the metalbending students leaving the academy, Toph stopped them and introduced them to Sokka. The students informed their sifu that they had been kicked out of the school by Kunyo, whom Toph went to face and demand her school back. However, Sokka interrupted before they could fight, stating that it would be a better idea to give the place to the most effective school thus letting the students fight. He made everyone agree to a "match to the sit", which consisted in the win of the team who could force the other one sit down first, and start it in three days.

When Sokka noticed Toph's students still were unable to metalbend, he offered to help them by being a "motivational bender". He began giving them a speech about metal and trying to make them bend metal coins, but unsuccessfully. After another disastrous attempt to inspire the three pupils by making them get emotional and scaring them with a metal monster Sokka made Toph bend, the earthbending instructor told her friend about her feeling of failure as she was expecting her students to become something they were not. The day of the battle, Sokka observed how Toph was surrendering at Kunyo and his students' arrival but was stopped by Ho Tun, Penga, and The Dark One, who demonstrated their ability to metalbend and defeated the firebending team with metal coins thrown by the Water Tribe warrior. He, impressed, congratulated the team for their successful result that lead to their final consolidation as metalbending students.

Sokka stayed with Toph at the metalbending academy until the day of the battle for Yu Dao, when Suki arrived in a hot air balloon. She greeted Toph and Sokka, telling them that she had found them through a complaint from Kunyo about a "dirt girl" and a "snow savage" taking over his school. Suki climbed back into her balloon, explaining that she needed their help with preventing Zuko from starting another war. Landing the balloon near the Fire Nation battle procession, Sokka began to formulate their plan of action. On his command, Toph earthbent a tunnel that led to one of the tundra tanks. With the aid of the girl's metalbending abilities, the trio hijacked one of the tanks. Inside, Sokka decided upon their next move. He ordered Suki to pull up alongside as many tanks as she could, so Toph could loosen the screws on the tank's wheels with metalbending. When the Fire Nation Army reached Yu Dao, Suki drove their tundra tank to Aang and Katara, who were standing with the Avatar's Yu Dao fan club members outside the walls. 

Aang and his fans prepared to attack the tank, but stopped when Toph and Sokka clambered out of the machine. Sokka expressed his frustration at Katara and Aang for not coming back to get him like they had promised, and Toph explained that they had been trying to slow the Fire Nation Army down. When Katara questioned this, as the army had still reached Yu Dao, Sokka commanded Toph to put the next phase of their plan into action. The earthbender struck the ground, creating tremors that rendered the tundra tanks useless by causing the screws in the wheels to pop out. While the tanks had been disabled, Zuko ordered the rest of his soldiers to attack General How's. Aang and Katara retreated to the top of the wall, and Toph, Suki, and Sokka followed suit with the aid of Toph's bending, where they decided to split up. Sokka agreed to deal with Smellerbee and the rest of the protesters. After the battle was over, he was seen running back to Aang and Katara, rejoining Team Avatar.[

Some time after the battle for Yu Dao, Sokka attended a meeting together with his friends and several government officials at the home of the governor of Yu Dao to discuss the future of the city. A professor gave a lecture on ancient Earth Kingdom philosophies regarding the four nations, though it was of little interest to him. Sokka was complaining about it to Aang, who also could not be captivated by the professor. The two friends were soon shushed by Katara who did want to pay attention. Sokka retorted however, that he was not surprised that his "boring sister" liked "boring lecture guy", earning him a waterbending-generated snowball to the face from Katara.

Meanwhile, Zuko had snapped back to attention when the professor had made a comparison between how one treats their family and how one rules. He took the comment seriously, thus Sokka tried to lighten his mood by stating that the professor was a "blowhard", who was only liked by people like Katara, earning himself another snowball to the face.

A week later, Sokka traveled to the Fire Nation Royal Palace together with Aang and Katara upon Zuko's inquiry. Upon arrival, they were delightfully surprised when they discovered Iroh there as well. Zuko explained that Iroh was there to act as interim Fire Lord while he would be gone, looking for Ursa, a journey on which he invited them all to accompany him. However, the amicable atmosphere quickly changed when Azula emerged from behind Zuko. Katara attacked the princess, with Aang and Sokka preparing to do the same. While Aang warned Azula to stay back as he did not want to hurt her, Sokka made it clear that he did not share the same sentiment, though his threat was met with laughter, as Azula did not perceive his boomerang as a danger. Before the conflict could escalate any further, they were halted by Suki and Ty Lee, who implored them to let Zuko explain the situation. While the Fire Lord did so, Sokka passionately reunited with Suki. As Zuko mentioned, however, that Azula was to come with them, Sokka called him out to be a "bad decision lord", though later complied regardless.

The following day, Sokka readily volunteered to take the first watch over Azula, much to Zuko's worry. He confidently walked over to the Fire Nation princess and threatened her again with his boomerang, though Azula shot the weapon out of his hands with a small lightning bolt, knocking him on his behind. As the princess was quickly overpowered by his friends and tensions calmed down again, he casually stated that it was perhaps better that someone else took the first watch instead of him.

Airborne, Sokka commented how the adventure felt like "old times", though much to his annoyance, Aang stated that it was better than old times since he could now kiss Katara whenever, something he deftly demonstrated. Aang suddenly had a gruesome expression on his face, caused by the presence of a spirit, causing Sokka to exclaim that it was already by enough that they had one passenger who stared "with crazy eyes" at them, referring to Azula who had a minor psychotic breakdown moments before. The Water Tribe warrior continued to mock the Avatar's expression, only to be stopped when Katara waterbent a snowball to his face. Their playful antics suddenly became serious when Azula dived off Appa and set fire to Aang's glider, who had swooped down to save her from plummeting to her death, subsequently sending him crashing down on the ground. As they landed, Sokka and Katara quickly jumped off to tend to the downed airbender, while Zuko went after his sister.

Sokka, Katara, and Aang caught up with the two firebenders at a nearby river, right when they were about to fight one another. Katara cut the battle short, encasing Azula in ice. The princess subsequently insulted Katara, though froze in horror mid-sentence as the wolf spirit appeared behind an unknowing Sokka, as he thought Azula's fearful look was caused by his boomerang. Sokka nearly evaded getting his head bitten off by the spirit and ran to safety. When the spirit snapped at Aang who was trying to reason with it, Sokka threw his boomerang at the creature, though the full hit on its head did not even faze it. He was taken aback by the spirit's ability to swallow Zuko's fire blast, burp, and eventually throw up moth wasps, deeming the creature to be the "grossest spirit ever". The spirit insects attacked the group, covering Sokka's arm in such density that he could not even see it anymore. They were eventually saved when Azula shot a lightning bolt away from them all, drawing the moths and the wolf spirit with it.

After the arrival of the Mother of Faces, he tried to prevent Azula's escape after she learned about her mother's new identity. He went after her, along with Zuko, taking a shortcut back to Noren's home. While Zuko went inside he stayed outside to defend the home. Eventually he ended up crashing through the roof of the home while battling Azula. After the battle he reunited with Katara and Aang, questioning Azula's motives for leaving the letter behind.

Sometime later, Sokka and Suki visited Seashell San's House of Shells in a Fire Nation marketplace, telling Suki that he had wanted to collect seashells since he was a little boy. He compared the sounds in the shells to a "teeny-tiny" Aang airbending and asked San how much they were worth. Being told they were worth fifteen ban for one but at a special of two for thirty, he grew excited, but quickly realized what the vendor was doing and grew annoyed. Suki called the warrior a goof, but he asked if she meant "handsome warrior with formidable biceps". After a girl, Giya, entered the store and San discouraged her from buying shells because she appeared to be a fake collector, Suki confronted him and his assistant, Jojan. Sokka tried to warn the men to not put their hands on her, unfazed by the vendor's order for the couple to leave. As Suki began taking down the men, Sokka asked if she needed help; he was told sweetly she did not though was thanked for the offer and kissed on the cheek. After the men were defeated, the couple left, with Sokka warning them their shells had been set on fire by San's firebending because of the lacquer that was on them.

When the peace talks in Yu Dao came to an end, Sokka and the rest of Team Avatar returned there to witness the introduction of the city's new coalition government. Although having witnessed a historic moment, he was more excited about the subsequent celebration banquet, during which he raved about the turtle duck dish, trying to get the vegetarian Yee-Li to try it too. When Toph informed everyone that her metalbending academy was doing so well that she was in need of expansion but lacked the necessary funds, Sokka suggested to charge her students tuition, figuring that she would end up being richer than the Earth King, though she rejected the idea. When Aang joined their table and announced that they were all going on a field trip the following day, Sokka was not immediately fond of the idea as he had hoped to peruse the local markets for a new bag.

Team Avatar later traveled to Ba Sing Se, but soon after, as Sokka and Katara prepared to return to the South Pole for the first time since the end of the Hundred Year War, Aang received a summons from Zuko, who requested his aid against dark spirit attacks in the Fire Nation. Agreeing to meet up with Aang later, Sokka and Katara took a ship back home.

When their ship finally arrived at the Southern Water Tribe, Sokka woke Katara from her bittersweet dream. Upon disembarking, they spotted a bunch of kids sliding down a slope on otter penguins, reminding Katara of when they first met Aang, to which Sokka claimed she thought him to be a Fire Nation spy. Soon after, they went penguin sledding themselves, only to slide right into a construction site. After conversing with a group of kids who snowballed Sokka in the face, they are accosted by a trio of construction workers who admonished the children for trespassing. The two waterbenders refused Katara's suggestion of peace and attacked but were defeated by her superior waterbending, much to Sokka's amusement.

Sokka and Katara soon arrived home and were shocked to see that their village had been transformed into a bustling city. Spotted by Aunt Ashuna, Sokka got to taste her seal jerky once more before being hailed as heroes by the entire tribe. Kanna appeared soon after, prompting her grandchildren to embrace her, before learning that she and Pakku had married. Upon learning that Pakku had started a school for waterbenders, Sokka offered to provide his so-called "motivational bending".

Verses

tba