#like i said before. love the headcanons and interpretations of him. hate him as a character

[heal2ninjagogirl]

So I saw this one post about morro theorizing that he most likely died from starvation (well technically its not really a theory cause how else would he have died from when he was literally stuck in a cave with absolutely nothing to help him survive????) and I just want to say to that post WOAAAH because to me that is really dark cause in a sense, he was always hungry for something as in physically and metaphorically. Physically as in before Wu took him in we literally see morro having to resort to eating scraps from garbage in order to feed his hungerness and he doesn't even escape from it in the end as that causes his inevitable death as a human.

Metaphorically as in how much he desired and craved to be the green ninja so bad even when he's a ghost that hunger to be the green ninja before still plagues him and never leaves him which once again, causes his second(?? Idk what to call it...) death as a ghost.

Or maybe I'm just looking too deep into this let me calm myself down and remind myself this is a kids show....

(Btw kindaasrikal made the post I was talking about credit to them :33)

[dizzy-n-busy]

[can (and most likely will) contain SOME poly hcs!]

« Shaw Pack headcanons »

° • ° • ↓ • ° • °

Younger David and Darlin' had a 'platonic confession' - as Milo and Asher put it - with each other (they confessed that they were besties for the first time)

Younger Darlin' was hella touch starved and tried avoiding it at all costs bc it made them feel weird; Darlin' now is constantly being touched and completely immune to it

Angel and Asher are VERY touchy feely, love language of physical touch havin asses

David and Baaabe are the cooks of the pack - Baaabe also makes snacks for pack meetings bc David's too preoccupied (Milo and Sam are good sous-chefs !!)

Sweetheart loves buying things and going to expensive ass restaurants with the pack (they're restricted for special occasions bc the pack doesn't want them going broke)

Angel and Baaabe met each other in college but never found out each other's names till later

Everyone is immensely protective over Sam (esp during pack meetings)

Sam and Darlin' stay getting cuddled and clinged onto bc they think that they're outcasts

Milo learned how to stitch at a young age so he could personally tailor some of his clothes shorter; he was embarrassed to get them done professionally

Angel likes wearing short clothes/bottoms so when their shoes untie, the pack's literally dolphin diving tying it for them so they don't have to bend down

David gets called 'mama duck' and he literally hates it

Someone always records whenever they all hangout for memories (I'd say Baaabe, David or Sweetheart)

Darlin' and Sweetheart are menaces when it comes to pissy chrissy, they love intimidating him (Darlin' looms over him and Sweetheart jumpscares him with cloaking)

Milo has a daily skin care/shower routine which is oddly complex

Angel spams the gc with David smiling when they catch him in a photo or to lighten the mood - everyone loves it

Angel got Asher hooked on cheek kisses (or vice versa)

Movie nights or sleepovers/camping go crazy

The pack has, at some point in time, all fallen asleep on or next to Sam (he's too comforting for his own good)

It's always Milo vs Asher till you bring Darlin' into the picture (2 against 1 and they still lose lmao)

Baaabe literally obliterates everyone at arcade games

David has his last name tattooed on the back of his neck; he says how they'll be his demise /j

Sweetheart stress cleans (twinninem)

Baaabe gives fantastic pep talks

Darlin' takes Angel out whenever they struggle with sleeping and don't wanna bother David (Asher sometimes goes too)

Sweetheart is the go to for missing stuff, they always manage to find it somehow

Sam lets the pack play with his hair

Angel got David to match fits ONCE and they were literally vibrating in excitement

The amount of 'embarrassing' old pack photos and videos that David hides is FEDERAL

Darlin' gives really nice hugs

The werewolves all shift and form a cuddle party, it's very cute (many photos for evidence)

Angel likes riling Darlin' up when their shifted and gets chased like a bat outta hell - they have literally mounted the rest of the pack tryna get away

Sweetheart always gives the pack's shifted forms head kisses before and after rubbing their heads

David won't admit it but he loves hanging out with Sam on the sidelines while everyone else is playing around (shifted)

Darlin' got assorted matching piercing with the listener mates (angel bites for Angel, gages for Baaabe and either a tongue piercing or snake bites for Sweetheart)

Milo gets picked up a lot for some reason - it only slightly pisses him off

They were all matching for the Summit, I might draw it to show what I mean

Sweetheart and Milo LOVE making and holding eye contact, they like how it flusters ppl (they always win staring contests/j)

Angel's super into interior designing, they interpret it thru minecraft bc I said so

Group therapy goes crazy/lh

I have so many thoughts abt them, I might have ta make a pt2 💪💪

• ° • ° ↑ ° • ° •

[saturnniidae]

More dragon rider disability headcanons for disability pride month!

(Ones specifically abt Hiccup are here)

Ruffnut has hypermobile EDS (when the twins were doing some bit that was basically Guinness book of world records she said smth abt 'worlds stretchiest skin' and my mom made a joke and said 'ruff has eds!' And it stuck)

A joke Ruffnut loves to make is saying Tuff is so insufferable she should just run away to join a circus and become a contortionist. She thinks it's the funniest thing ever

Hiccup also has some weird hypermobility stuff going on, when Ruff learns this she calls him a fellow circus freak (affectionate) and offers to let him come with her when she runs away. The response she got was "I'd rather stick my hand in Fenrir's mouth."

Tuff is visually impaired in his right eye from a childhood injury (another joke taken seriously)

All the riders are neurodivergent!

Snotlout has a frequently irregular heartbeat as well as memory issues due to how many times he's been struck by lightning. His whole book he wrote in that one episode isn't the only writing he does, he keeps a notebook to help keep track of minor things he might forget.

Astrid tries to make Hiccup breakfast in bed when he's having bad pain days and is too tired to do it himself. She almost burns the house down every time, so Toothless will go and get the other riders to help out while Astrid is kicked out of the kitchen and sent back to bed

Hiccup can be really fucking mean sometimes! Usually it's intentional bc he's in a bad mood and wants to be left alone. If it's seemingly unprovoked though, the others know it as a sign he's likely in pain and needs to be left alone (he still insists on getting work done but usually Toothless annoys him into resting)

Astrid has aches in her leg from when she got shot with that arrow, it being poisoned with dragon root did something to mess up the healing process so its worse than other old injuries (Dragon root isn't poisonous to humans but still having it in your blood stream isn't a good idea). She's also very mean when she's in pain, especially because it ruins her schedule since she can't train. Eventually her and Hiccup come to an agreement when they're having bad pain days they'll meet up in one of their huts and just. Sit together enjoying the others comforting presence but rarely talking

This is because Hiccup and Astrid both hate being in pain in front of people, they both share that almost extreme fear of vulnerability and the best they can do is take comfort in each other

Hiccup and Fishlegs are hyperfixation buddies! Fishlegs is the only one who doesn't get mad (it's just fond exasperation) when Hiccup wakes him up in the middle of the night to infodump, they just bounce off each other talking about dragons until woah suddenly the sun is rising and that is when Fishlegs gets upset because he values his sleep

All the riders have burn scars of varying severity. They literally work with dragons there's no way they wouldn't. And they all deal with their pain in different ways, but are unwavering supportive of each other when they can be

I've said it before and I'll say it again, a lot of characters should be disabled.

I know, cartoon logic and all, but the things that happen to these guys are things that should affect them for the rest of their lives. And watching characters struggle with permanent change like that, the realization you can never go back to how things were, and eventually healing and learning that's okay! You can still find happiness and be happy and it doesn't make your pain any less valid! It's so important to me and that's obviously reflected in my interpretations of my favorite characters lmao

[tartrat]

More digital art practice (this time with Talia)

Kapyy gets a break lol

This is basically an attempt to make an avatar. I hated doing the camouflage so i just got rid of her jacket all together.

Also below is a crappy attempt at an alternative avatar. I originally wanted to try and base it off of the Midnights bodysuit but have it be sort of Speak now themed. Then i just gave up and made a weird rendition of her outfit from the final chorus of IKYWT, with a glitter brush that i had made in procreate. Eyes probably look a bit weird but just ignore that, this is really just a practice. I did not bother detailing the shoes.

Yes i reused the background from my last post

just really practice nothing much to it. I did actually do a few pages in my school art sketch book on Just Dance costume design, more on how songs are interpreted and made and oc based on the avatars. This reminded me of that.

My brother recently played through persona 4 golden, a game where they go into tvs, for the first time and the other day i realised that that’s what Talia does in the map for IKYWT. Basically Talia Sway is the Persona 4 Golden.

I headcanon that she has always been able to control tvs and project memories onto them. If she decided to channel those skills she’d probably be able to broadcast other’s memories as well as her own to a farther range. What says revenge on your ex by showing the country how shitty they are. The Wake me up coach deserves no peace.

They should do a remake of womaniser but it’s Talia, the One kiss coach and all the others that the WMU coach possibly cheated on hunting him down. Like Alex Newell’s performance of the song from glee. (Yes i think that the WMU coach has already cheated on the One kiss coach, that being if that’s who he cheated on Talia with)

Still trying to develop the headcanon that she and Kapyy are twins who were separated at birth. So far i have their mother as the giddy on up coach and that the dad would be from Cyberfunk but don’t know who he should be. I realised that the women in the family always have to deal with some bloke in Wasterra cheating on them so i think it would be funny if Talia tells Kapyy that if he wants to date a guy, to not date a guy in Wasterra, he takes her advice and quickly falls in love with a guy that he knows. I still imagine the two meeting shortly after IKYWT but i also imagine that their meeting also takes place at the same time as the events from Majesty, so these two weirdos in the junkyard are talking whilst everyone else is getting turned into Night Swan’s army. Can’t remember if i said that last part in my last post. I know that i want to include a few other coaches into this family drama but all i have is Si’ha Nova’s guard and Mothigan

Now how long is it before i draw Kapyy in the midnights bodysuit doing the vigilante shit performance? (I’ve already done a thumbnail sketch but need to adjust it a bit)

Also have this work in progress screen shot where Talia is missing half her face. The way i do hair is a bit weird though.

I’ll probably post the first drawing on twitter as i like it more than whatever i tried to do with the alternate version.

[jessicalprice]

all hail her excellent braids

Christians: omg first century Judaism was soooo misogynistic but Jesus was like the first feminist because he treated women like people

Jews: what

Christians: like, Jewish men would cross to the other side of the street to avoid having to be too close to women

Jews: hang on do you think there were, like, sidewalks in first-century Jerusalem?

Christians: and Jewish women weren't supposed to be seen in public

Jews: that's not how--

Christians: and men weren't even supposed to talk to women, but Jesus had female followers <3

Jews: first-century Jewish women owned their own businesses and represented themselves in court and, like, how are you imagining business got done if they weren't allowed to talk?

President Jimmy fucking Carter: first century Jews were basically the Taliban

A bazillion seminary textbooks: yup, the Pharisees were obsessed with ritual purity and viewed women as inherently unclean and Jesus upended all that Pharisaic hatred of women and that's why they wanted him dead

Shlomtzion, aka Salome Alexandra, has entered the chat.

Ahem, let me tell you about the Pharisee Queen.

So back in the day, the Pharisees were a tiny, persecuted movement because the King of Judah, Alexander Jannaeus hated them. He straight-up massacred 6,000 of them when they pelted him with fruit after he mocked them by performing a Sukkot ritual incorrectly, which kicked off a whole civil war. He won the war, and slaughtered the wives and children of 800 of the surviving Pharisees as entertainment at his victory feast before crucifying the men. The remaining Pharisees went into hiding.

Just a charming dude.

Alexander Jannaeus was married to Salome Alexandra (Shlomtzion, in Hebrew).

Her brother was Shimon ben Shetach, the leader of the Pharisees. (If you're getting Esther vibes here, that's probably not accidental.

She doesn't seem to have had much power while Alexander Jannaeus was alive, but she managed to help hide and protect the surviving Pharisees.

This doesn't seem to have negatively impacted her relationship with her husband, because he named her--rather than any of his sons--his heir while he was on his deathbed.

He was in the middle of conducting a siege of Ragaba when he died, so like the incredible badass she was, became queen--and would be both only the second queen regnant of Judah and the last sovereign Jewish monarch--on the battlefield, in the midst of hostilities.

She had to conceal her husband's death until she'd won the day.

As soon as she made his death public, she reached out to the Pharisees to make peace between them and the throne, avoiding a popular uprising at his funeral. The funeral went off smoothly, and she immediately began settling other political disputes and enmities.

She also hung out and studied with the Pharisees. We know this because Josephus, an ardent misogynist, absolutely hated that she did this, just like he absolutely hated that she had ruled Judah, and wrote about it.

Josephus had been a Sadducee (main opposing party to the Pharisees), but switched to the Pharisees later in life for political expediency. He never seemed to actually like them, though.

He tells on himself so much.

"Oh, people love the Pharisees because they are humane and flexible interpreters of the law and practice what they preach and this is a BAD THING!"

Literally, on Shlomtzion: "Woman though she was, she established her authority by her reputation for piety."

Like, everyone respected her and did what she said because she actually gave a shit about ethics and somehow this is a BAD thing.

She averted war with Egypt by buddying up to Cleopatra (I am so headcanoning them as pen pals, writing each other to vent about all the men they have to deal with) and somehow this is a BAD thing.

So she takes the throne and manages to keep things running pretty smoothly in a precarious time because she's good at organizing AND military strategy AND diplomacy and here's Josephus on her relationship with the Pharisees:

"She paid too great heed to them, and they, availing themselves more and more of the simplicity of the woman, ended by becoming the effective rulers of the state... "

Ah yes, FlavJo, she sounds very "simple," what with the incredible military and diplomatic skills.

While she wasn't averse to fighting when she needed to, she mostly averted possible battles by fortifying and provisioning cities so well that neighboring monarchs opted not to attack them, so she was also just slaying at project management. She ended a bunch of the foreign wars her asshole husband started, and scrupulously kept to the terms of any treaties Judah was party to.

Her reign was possibly the most prosperous and peaceful period in Judah's history.

She gave the Sadducees (her husband's party) their own fortified cities so they'd stop feuding with the Pharisees, and took the Pharisees from a small, persecuted populist movement in hiding to one of the major political parties.

She set up a system of universal public education, putting the responsibility for educating the kids on the government, not families, to make sure it wasn't just rich kids getting a solid education. She re-established the Sanhedrin (the Supreme Court, basically) and made sure every town under her rule had access to judges.

And then one of her asshole sons, who apparently took after his asshole dad, decided HE would be a better ruler than she was, and DECLARED WAR ON HIS OWN MOM. She died, apparently of an illness, in her 70s.

She died as the last free Jewish ruler.

So then that asshole son went after the other asshole son, and they turned to the Romans for help.

(You want to get occupied? This is how you get occupied.)

Yes, that's right, they committed one of the classic blunders: inviting the Romans in.

THE ROMANS ARE LIKE VAMPIRES. DO NOT INVITE THEM IN.

Anyway, we all know how THAT turned out.

In rabbinic literature, she's almost a fertility goddess figure, or a personification the land itself, or a monarch beloved by G-d possibly moreso than any other, since the rest of them all screwed up and the Jews got punished with war or exile or famine or disease: legend claims that during her reign, rain only fell on Shabbat, so people didn't have to work in the rain. Grains of wheat grew to the size of kidneys, and lentils were the size of gold denarii. The people knew joy like we've never known since and were healthy and prosperous and at peace.

She was praised by contemporaries such as Josephus as having greater intelligence, political skill, and military acumen than the men around her (although Josephus, an ardent misogynist, later decided that it was inappropriate for her to rule), and the stories of Esther, Judith, and Susanna may have been written (or in the case of Esther, edited and codified) in her honor. 

​Anyway, the Pharisees' teachings remained especially popular among women, and the person who saved them (and thus, by extension, Judaism, when they were the ones to preserve it in exile) and brought them to power and was their beloved patron was a woman, and maaaaaaybe Christians don't know the first thing about women in first-century Judaea or the Pharisees and women and should shut up, idk.

All hail Shlomtzion and her most excellent braids.

[icedragonlizard]

What if dream friends had dialogue in Star Allies?

I suppose it could've been a lot of unnecessary work for HAL to do, but I still think it could be highly fun and imaginative to think about.

How cool would it be if the game's plot actually acknowledged the existence of the dream friends? The things they'd say in-game, etc...

I think it would be especially fun to think about what all the different dream friends might saying during the mage sister fights. Like, y'know, the points of the game where there's dialogue. What they all might say to the mage sisters in response to their words....

... I'm not going to go over what I think every dream friend would say in these moments, but I think I'd like to focus on ones such as Susie, Magolor, Marx, Taranza and Daroach. Why these ones in particular? Because I think they'd probably be the more entertaining ones in what they'd have to say in their dialogue during the mage battles.

How funny would it be that Marx and Magolor just troll the shit out of the mages? How funny would it be that Susie acts condescending when talking to them? How funny would it be that Taranza joke-flirts with them, he doesn't actually mean it as he's just doing it to get them riled up? How funny would it be that Daroach tells them to watch out before he steals from them? This stuff is fanfiction-worthy! Heck, this might be the biggest reason why I might attempt my adaptation of Star Allies into a fanfiction in the future, although I've got many other fics planned beforehand so it'd be a long while.

But still! There could be endless potential when thinking about this.

Let me demonstrate an example. First, let's look at the part where the game first introduces Flamberge, and she's really angry.

"HEY, YOU! Stubby little...pink thing! Yes, YOU! I have a buuuurning question for you! You're the one who was so rude to sweet Francisca, aren't you?! Don't you dare try to deny it!"

"Ohohohohohohoho! We sure put that crazy blue lady in her place! What are you gonna do about it? Throw a temper tantrum? Go so berserk that you lose control and we can easily beat you?"

Wanna guess who said that? Hahahaha... the purple text probably made it obvious. In this interpretation, it's Marx who said that. There's no way he wouldn't just totally mock them and rub it in their faces. At the very least in my interpretation of Marx, it'd be like him to do that.

And by the way, I'm one that actually headcanons Marx becoming friends with the mage sisters post-HiAD because he loves how chaotic they are, and loves that they're willing to join him in doing insane shit (especially Francisca). But during Star Allies when the mages were the enemy? I bet he totally mocked the shit out of them!

Magolor, too. Here's a good example of Magolor having dialogue against one of the mages:

"Bonjam. I am Zan Partizanne, the eldest of the three generals of magic."

"Woah... Zan what? I didn't hear that thoroughly! I think I'll call you Zan Parmesan Cheese, though!"

".... I absolutely HATE that you ended up getting my name more right than a lot of other fools have."

It'd be hilarious to see a lot of dream friends trying to say her name. All the different ways they could say it wrong.

Here's a Taranza example:

"This must be the fiery flames of fate at work! Ooooh yeaaaah! My flames and I are fully stoked now!"

"Golly, you're really hot, good ma'am!" with a trollish look on his face.

"... Excuse me? EXCUSE ME?"

"Hahahahahaha! Am I making you overheat too much, fool?"

I think Taranza deserves to be depicted as silly sometimes.

A Daroach example:

"We wish to assemble the dark Jamba Heart pieces that were scattered across the universe."

"Woah... you want them all? That's a big bummer! What if I want to steal some of them? Maybe I'll still do it out of spite, teehee!"

I hate the limited amount of colors allowed for tumblr posts. To make it clear, for this example, the blue text is Francisca while the red text is Daroach. While, of course, Flamberge was the red text in the examples with Marx and Taranza, while Magolor was the blue text in the example with Zan.

And now, let me demonstrate a couple examples with Susie. I think she'd delightfully fire off on them like the feisty cheeky woman she is.

"I shall now turn this pink ball of nice into a frozen block of ice!"

"No you won't. This 'pink ball of nice' is a force of pure destruction, and you're going to defrost by daring to harm the universe with all of this insolent nonsense. You must be destroyed!"

"... Very well. But I won't go down without a fight, so you best watch out that you all might become ice sculptures this time. I can more than make sure of it!"

"We will more than make sure to obliterate you, just like the rest of your barbaric cult! Let's put her in her place, Pinky!"

Susie example with Zan:

"I did not expect you to survive your visit to Jambastion."

"You thought that would've gotten us? Pfft! We've all been through worse than that. You're going to have to try harder than that if you really want to eliminate us for good."

"Really, you survived worse? Well, that doesn't matter, because your luck has run out."

"No. Your luck has run out. We're going to exterminate all of you like the savages you are!"

This works out well with my interpretation that Susie's Japanese SA pause description containing the words "exterminate the savages!" is referring to the Jambastion cult when they were still the enemy. I headcanon that she's slowly in the process of unpacking baggage, and "savages" is just a thing she calls people she views as enemies.

And uh... to be honest, the cult kind of deserved to be called words like that during Star Allies when they were threatening everything.

I've done a lot of examples of a few dream friends having dialogue during the mage battles. But what about when confronting Hyness?

I think all the dream friends would be horrified at the moments that Hyness knocks Zan out of the way, weaponize all three mage sisters' bodies in his second phase of the fight, and then sacrificing them and himself to Void Termina. It would make them just flabbergasted.

Although I bet Marx would probably laugh at how unhinged he is.

"It seems... we do not have enough energy... to revive our Dark Lord... Must we... allow ourselves... to fall... into oblivion?"

"Yes, you should do that!"

"No."

"Yes."

"NO!"

"YES!"

"No no no no no!"

"Yes yes yes yes yes!"

"*goes on his giant unhinged rant*"

"*laughs hysterically* Look at you go off! It's hilarious!"

Marx is just... lmao.

Sorry that I don't have examples with every dream friend having dialogue in this post. But you get the general idea! Perhaps if you have ideas as to what the other dream friends could say in these moments, feel free to mention them in the notes!

Although I'll leave you here with a King Dedede example, just cuz:

"For what you've done, I'll scorch you to such a degree that... that... even tasty, toasty marshmallows will seem like ice cubes compared to you!"

"You ain't gonna be scorchin' any of us, ya hot fiery slimeball! We'll put you in your place like we did to the blue look-a-like of ya!"

Hahaha... ha... I interpret southern accent Dedede. Sue me.

Thanks for reading the post if you did! Let me know about more ideas of dream friend dialogue you have in the notes. I'd be curious what else you think in this broad, interesting concept.

[aipilosse]

Now I am really really curious and want to know more about your theory of C&C and M&M not being close anymore in Beleriand and why you don't buy their super duper close relationship. I noticed that as well as the fact that C&C are the feanorians often linked not just to Aredhel but to the three Arafinweans, especially Orodreth and Angrod who in the many versions are actually close to C&C which honestly is pretty interesting and such cool thing.

oooh yeah sure, I'll talk about this! This is more contrarian headcanon-not-contradicted-by-canon than anything I came to organically, but it's now become my preferred way of thinking about them.

Anyway, first, I will clarify that my theory is not Celegorm & Curufin and Maedhros & Maglor not being close in Beleriand; it is that they were NEVER close, even in Aman. We know from the story that Fëanor's sons were fiercely devoted to him, but it's never said that they were especially close with each other. And with a father who was likely demanding, played clear favorites, and had piles of charisma, I could easily see the brothers' relationships being marked by jealousy and simmering resentment, but not in an 'every brother for himself' way. It seems M&M have a strong relationship and C&C do too. Caranthir is the odd one out where it seems like none of his brothers are too attached, and honestly there's so little about Amras & Amrod but from what's there they form another obvious pair. But yeah, C&C definitely have a lot connections to the rest of the family! And it seems like those friendships were created before the Darkening and the Flight, and then renewed after Maedhros' rescue.

After Fëanor's death, Maedhros leads his brothers, but here I don't think that's because of any especial familial love or 'big brother Maedhros protective power uwu', and more because as Princes of the Noldor descended from Fëanor they are a *political* unit.

Sidebar: I think the 'family' part of the family politics of the House of Finwë is super overemphasized and the 'politics' part languishes. Like, Maedhros' brothers owe some sort of political allegiance to him (I'd say fealty... but I feel like someone with more historical knowledge will jump out of the woodwork and 'well ackshually' me) -- they are not a normal modern family!!

Now, I think the common fandom interpretation of suffocatingly close and devoted sons of Fëanor is a reasonable conclusion to reach from reading 'Of the Return of the Noldor' and I don't think my 'brothers at odds' theory is more canon; it's more that I don't think close and devoted take is the only reasonable conclusion. I have in fact seen people discard an obvious interpretation of events off hand because of the fact that all of the sons of Fëanor were soooo obviously devoted to each other, any time they didn't seek each other out there must be *something* preventing them from joining their brothers.

I really must disagree -- while C&C seem very close as do M&M, I think it's just as likely that when they're all together they're an acrimonious bitter mess, and that Maedhros staked out lands for them out east not just to keep the peace with Fingolfin & Finrod, but also to reduce fighting between his brothers. Also, them being an acrimonious bitter mess together does not mean they aren't charming, fun even, apart. Finrod is friends with all three pairs (sorry Caranthir); there's the other aforementioned C&C Arafinwean friendships and Aredhel friendship; Maedhros is friends with Fingolfin and Fingon. They even form alliances with non-elves apart, with Curufin befriending some dwarvish groups independently, and different brothers forming different mannish alliances. And I haven't even mentioned Amrod & Amras and the green elves. This all points to the brothers being reasonable, personable people when separated, capable of forming friendships and political alliances both, and perhaps to some degree hating each other's guts when together.

Food for thought! I welcome any and all enjoyers of my 'the sons of Fëanor would rather not be in a room together ever again' theory.

[sixlane]

any regulily headcanons if you ship them :D

hello lovely anon! ok sooooo i do not personally ship regulily im sorry to disappoint, but i think the way they interact is soooo interesting and very much worth exploring so i will use this as my opportunity to rant about them. also disclaimer: most of this is pulled straight from my conversations with renn @malchai so this is as much their post as it is mine.

so lily and reg seem to be parallels in a lot of ways. both younger siblings who feel left behind or neglected or hated by their older siblings. both very good at hiding their emotions. both have had roles assigned to them by others that they suffocate under. but the spaces they occupy in their lives are very different.

where regulus will always be less than, lily will be more than. lily has this angelic larger than life image. she gets the things she wants. regulus has never gotten anything he’s wanted in his life. <- the implications with james!!! regulus cannot stand to see jily together because he harbors these secret forbidden feelings for james that he will never act on because he thinks he’ll never be good enough. he thinks james looks at him and sees sirius’ little brother or sees a blood purist or whatever. if he ever wanted to be with james he would have to work for it. and lily just has him. just like that. and all she had to do was be lily. and this goes for other things too! lily gets good grades easily and reg has to study to stay at the top of his class. lily has friends because they like her. reg has friends because he grew up with them. (i also must add that almost all of this is reg being an unreliable narrator. a lot of this stuff is not actually true. (i see lily as someone who does have to work hard to maintain her perfect girl image. reg’s friends do actually like him regardless of whether they grew up together or not. james being with lily is 100% about james and not about lily at all.)) then there’s lily’s thoughts about reg. “while she has to work to be taken seriously because she’s muggleborn, regulus already has status simply because he’s a black, so she’s incredibly jealous of that. there are people who consider her lesser just for existing while regulus will never experience this. people expect regulus to succeed, while lily has to be perfect to be deserving of a place” (renn, our dm’s). and then there’s everything with sirius. “depending on interpretation of canon, if sirius wanted regulus to come with him and regulus refused, lily probably wouldn’t understand that either, because here is his older brother wanting him and regulus turning his back on him. if lily had gotten that from petuntia, she wouldn’t have hesitated. all she ever wanted was to be acknowledged by petuntia” (renn, our dm’s). and then you turn it around and regulus does want sirius, he just doesn’t know how to reconcile that with sirius leaving, so he looks at lily who is a gryffindor and is part of this new family that sirius chose instead of him! (<- more stuff from the rane dm’s). all this to say, their relationship is complicated! i think i’ve said this before but their like or dislike for each other doesn’t have much to do with the other but more to do with themselves.

[aghostnamedcalamity]

Hi Calamity! Got a few questions that pertain to your awesome fanfic. Firstly, how exactly did Joey end up working with Mordecai in the first place. Secondly, how do you think Nicodeme and Serafine would react if they found out that Mordecai has a son. Thirdly, do you think you'll write anymore fanfics with Mordecai and Benjamin.

Helloo! I’m glad to hear you’ve enjoyed the fic! I do hate that it doesn’t have more of the headcanon lore explained in it, at the time it was just a fun little thing I made thinking it wouldn’t garner much attention. But to answer your questions:

1. Joey met him again while working some shifts at Marigold and sort of forced his way into an “friendship”, if you can call it that. After a raid shook him up real good, he left bartending behind but needed money and kept nagging Mordecai to let him borrow some cash. Being in debt to Mordecai, Mordecai forced him to watch Benjamin when the whole mess initially unraveled as repayment. What was supposed to be a temporary arrangement turned into a prolonged one after Mordecai got a bit attached.

2. Ooof how do I think the Savoys will react? I think there is always an air of opportunism within the business they all work in. Knowing that sensitive of information about Mordecai is certainly giving them the upper hand…but I also think they are able to draw the line at an innocent child. Perhaps pester Mordecai about this new information to get him to comply but they would never actually do anything because it’s a bebé c:

3. I have a couple of drafts I wrote last year around the same time as the posted fanfic, but I never got around the posting them. Mostly because I realize now that in my attempt to keep Mordecai in-character, I think I might have made him come off as mean and uncaring to Benjamin and that was not my intention. So while I know what my intention was, I think the audience might not interpret that so I’d love to go through it and rewrite it with my “Mordecai cares despite his sociopathy” more clear. I added a little snippet of one under the cut for you, though! Hopefully you enjoy! It’s a bit of a silly slice of life one set before the main fic when Benjamin is much younger. Sorry for any mistakes!

“Fine, Benjamin,” he said as he lifted the pillow off his face. “You can sleep here tonight. And only tonight.”

“I can sleep here?!” Ben said happily as he scrambled onto his feet. “I can stay with you?!”

“Yes,” Mordecai sighed as he slapped the side of the bed closest to Benjamin. “But you have to stay on that side of the bed.”

The child inhaled in excitement as he began to try and pull himself onto the bed. He was relatively small, even for his age, so he struggled to push himself off the floor. It didn’t help that Mordecai had a particularly tall mattress, something he’d chosen purely for comfort reasons, but made it difficult for the child to climb in by himself. For a moment, Ben hung from wads of the fitted sheet he had grasped in his paws, using his feet to try and push his upper body over the top.

Mordecai’s eyes widened when he suddenly lost sight of the child and he heard a loud thud as something hit the floor. He leaned to look over the edge of the bed and at the boy sitting on the floor again.

Ben dusted his paws together as he whispered a small ouch to himself. He looked up at Mordecai and showed him the palms of his hurt paws.

“I fell down,” he said matter-of-factly.

“Yes, I’ve discerned that much,” Mordecai replied. With a tired sigh he reached down and pulled the boy up with him, sitting him on the bed.

Another clap of thunder shook the wall behind them, accompanied by a bright flash of light that illuminated part of the room. Benjamin looked at Mordecai in horror and quickly covered his ears.

“I don’t like that!” he said with concern.

“You’re fine,” Mordecai exasperated. He pointed to the center of the design on the headboard with one of his claws. “Do you see this point here? This is the center of the bed. You need to stay on that side of it, alright? I don’t want you squirming your way onto my side. Understand?”

Benjamin nodded eagerly and patted the bed sheets beside him. “Don’t touch my side, dad!”

Mordecai frowned at the boy.

“Just lay down and go to sleep, will you?”

“But I don’t have a pillow!”

Mordecai sighed and rubbed his eyes with the palm of his paws. He used to have two pillows. But he only used one when he slept and so at some point he’d decided that keeping a single pillow in the middle of the bed felt much more beneficial to the spacial harmony of the area than two did.

“Here,” he said as he pushed his pillow to the child. He then turned onto his left side, facing away from Ben with his arms folded across himself.

“Thank you,” Benjamin told him, taking the pillow and making himself comfortable. He looked at the older feline expectantly. “Daddy, I said thank you!”

“You’re welcome.”

The boy rolled around for a couple of seconds before settling in on his back, holding his hands together on his chest. After a brief pause of silence, the young boy turned to look at Mordecai’s back.

“Dad?”

Mordecai was staring straight ahead of himself; dead, emotionless eyes looking at nothing in particular and yet somehow appearing tired and drained.

“Why must you call me that?” Mordecai asked the darkness between them. “I’ve asked you so many times not to. My name is Mordecai.”

Benjamin thought about it for a second before shaking his head. “Your name is Mord.”

“No…it’s not,” Mordecai sighed. “That’s just what Joseph calls me, for whatever reason. He can’t even be bothered to struggle through anything more than one syllable. It’s no wonder his life sporadically just falls into shambles.”

“Joey calls me Benny Boy.”

“And I don’t like that, either,” Mordecai said bitterly. “What are you, some mascot for a laundry detergent?! I detest nicknames. They’re nothing more than a reflection of laziness and lack of discipline.”

Benjamin laughed. “My name is Benjamin Heller!”

“Yes...I suppose it is.”

The rain continued to knock against the window, creating a constant, soothing rhythm in the room. Ben yawned and rubbed his eyes with small fists before once again turning to look at the older cat.

“Dad, I have to go to the bathroom.”

Mordecai rolled back over to stare at the boy with a frown.

“Then go. What are you telling me for? I don’t need to know everything that goes on in your body.”

Ben had sat up and was watching the older feline while he picked at his claws nervously.

“I’m scared…”

“I’ve already told you, you will be fine! I’m confident you can handle this.”

“I don’t want to go alone.”

“You are being immeasurably annoying right now, Benjamin,” Mordecai said, seething at the child. “You are the youngest and somehow the most domineering person in my life. Why do we always have to do what you want?!”

“You can come with me really fast!” Benjamin continued as he motioned with his hand. “It’s really fast, daddy!”

“I did not spend all that time teaching you to go to the bathroom for you to do this to me.”

“You can hold my hand and I won’t be scared, I promise.”

“Does it ever occur to you that maybe I don’t want to hold your hand? Go to the bathroom!”

The young kitten shriveled into himself, squeezing his legs together and holding his paws between them, grimacing as he tried to hold it in. He bounced a little on his knees and looked at Mordecai anxiously.

Mordecai very roughly slapped his paw over his own face before aggressively kicking his feet around to throw off the blanket, getting up with an angry snarl.

“Come on,” he said forcefully as he yanked the boy off the bed and unceremoniously carried him under one arm, grabbing his glasses on the way out.

He made his way down the hall and to the doorway of the bathroom, clicking the light on to illuminate the facility. Then, he plopped the boy down at the entrance and pointed sternly into the room with one paw.

“Go.”

Benjamin danced foot to foot as he hesitated to go in. He turned and grabbed Mordecai’s other paw to try and pull him into the room with him, trying to gain himself the extra security.

Mordecai shook his head furiously and yanked his hand back.

“I am not going in there with you. The absolute best I can offer you at this moment is for me to stand outside this door until you’re done and that is it. So go!”

The older cat used his paws to push the child from behind and forced him into the bathroom, closing the door behind him. He sighed and leaned his back against the wall, doing as he promised and waiting until the boy was finished. Finally, the sound of the toilet flushing and running water could be heard over the patter of the rain overhead.

“I’m done!” Benjamin exclaimed as he made his way out of the room, drying his small paws against his nightshirt.

“Did you wash up exactly the way I showed you?”

The small child nodded eagerly and held his paws up for Mordecai to see.

“I washed with soap! You can smell if you want, it’s like a flower.”

“I would not like to do that, thank you,” Mordecai replied flatly as he watched the boy smell his own paws with a grimace. “Stop doing that. Now come on, I’d like to get to sleep at some point today.”

The older feline then clicked off the bathroom light and turned to start making his way back to his room. Benjamin scuttled after him, looking around himself to ensure nothing scary was following them. He held onto the fabric of Mordecai’s sleeping pants tightly, unintentionally pulling them as he struggled to keep his strides even with Mordecai’s longer legs.

The black cat noted this with displeasure, thinking perhaps the child would tear the silk of his nightwear with his claws. He was young and still not fully conscious of them it seemed, occasionally snagging soft fabrics he fiddled with. The last thing this night needed was one of his favorite pajama pants getting a rip through them.

He let out an exhausted sigh before reaching down and grabbing the arm that was clinging to him as close to the shoulder as he could, pulling him high to catch him in his other arm. Sometimes, things were not worth the confrontation. Especially when he yearned for sleep more than he desired to correct behavior in that moment.

Benjamin reveled in this decisions that seemed mostly in his favor, grinning happily at Mordecai now that he was at his same eye level.

“What’s that?” he asked Mordecai, pointing very closely at the glasses sitting on Mordecai’s nose.

Mordecai pulled his face away from the finger. “Don’t do that.”

“Okay…what is it?”

“They’re my glasses,” Mordecai said in mild annoyance. “You’ve seen them before.”

Benjamin continued to stare at them intently. “But why do you put them on your face every time?”

“Because I need them to see,” Mordecai sighed, finally arriving at the room. He let the child slide out of his arms and onto his designated side of the bed, dusting the sleeve of his nightshirt after. “I’ve had a condition called myopia since I was young. It makes it difficult for me to see certain things so I need to wear them most of the time.”

“I like them!” Benjamin said as he watched Mordecai place them on his bedside table in awe. “I wish I had one of those.”

“Well, I suppose that’s good. You’ll likely need them in a couple of years,” Mordecai said as he got into his bed, letting his entire body relax as he enveloped himself in the comfort of his linens. “Unless your eyesight takes after that woman. But it has been a fairly dominant gene in the family so far. At the very least, it’ll be interesting to see if you manage to evade what no other Heller has.”

“You’re a Heller feller!”

Mordecai looked at the boy in visible confusion, who smiled back at him as he, too, let himself fall onto his back.

“Joey said that,” the boy explained.

“Of course he did,” Mordecai said as he shook his head in disapproval. “Can you please go to sleep now? I’m tired of talking to you.”

“Okay, I will,” Benjamin responded as he burrowed himself deeper into the covers, eyes squeezing shut as he let go of a large yawn. “Goodnight…”

[funnycreatortimetravel]

It has to be said.

Discussing Chara's character on Twitter/Reddit is so fucking draining. A lot of people on there are so obsessed with them to the point where they'll get UPSET when people have different headcanons, which is weird because Chara's character and personality are meant to be purposefully vague (not necessarily for self insertion, but yes, Chara is supposed to be somewhat aligned with the player.)

Any discussion about Chara on Twitter automatically goes either 1 of 2 ways, Chara HAS to be portrayed as a reflection of the player without any nuance, or fuck that, here are some things about Chara's character that spawned into existence that have to be there because Chara is an innocent angel who did no wrong.

It's literally along the lines of:

Person on Twitter: "I hate how (insert fan creation of Undertale media) portrayed Chara!"

Other Person: "Really? Why do you say that?"

Og Person: "Because Chara was being mean to Asriel and that was never shown explicitly! Just because Asriel said they weren't the best person doesn't mean that Chara was ever mean or anything!"

Like...you realize there's this thing called nuance? It's literally gone from "I dislike that Chara is being portrayed as the one responsible for genocide when canonically the game calls out the player for what they did directly," to, "Ah man, you got this interpretation of a character who's supposed to be very vague wrong even though it's implied that it was the case in game."

I'm not saying that Chara was straight-up abusive toward Asriel or anything, I know for a fact that they loved him, but it's implied that Chara hurt him in a multitude of ways that affected him even after his death and his descent into madness. Their hatred of others rubbed off on Asriel indirectly, regardless of their true intentions.

It's almost concerning the level of just...defensiveness of Chara's character that people will be willing to go to, and I completely get loving a character to the point of obsession, but there's a difference between loving a character and wanting to talk about them to completely shutting down any conversation of said character because you believe it to "not be accurate," when all it was was just differing headcanons and nothing was too seriously different from the lore.

And I know this is because of the dreaded Undertale Reconciliation/Overcorrection that happened as of late where people got tired of everyone portraying Chara as this evil demon who killed everyone (and I did too), but holy shit, the pendulum swung to the other side entirely.

No, Chara is not solely responsible for the genocide route, no, Chara isn't an evil demon who deserves hell, no, Chara isn't to blame for the player's actions, yes Chara is a young child, and yes, it's implied they were mistreated/abused by humans, which also may be connected to Chara's inexplicit sui*ide attempt and yes, Chara did what they did because they believed it to be the right thing (or at least for revenge/justice), not because they're inherently evil.

However, Chara still got themselves and Asriel killed and Chara still wanted to kill the humans of the village while knowing that Asriel did not want to, which goes beyond being able to avoid accountability. Yes, Chara was aggressive toward Asriel and caused him indirect harm by instilling a negative viewpoint of the world due to their hurt. Chara has had hatred already embedded into them that was then acted upon by the player in the genocide route, and Chara knows this. Hurt people hurt people, and that's the case here.

"Kill or be killed," is the mentality that Chara instilled into Asriel before they both died. Chara could've walked away from the human village at any time and saved before themselves and Asriel, but because Chara wanted to hurt the villagers, it cost both of them their lives. Chara had no qualms about dying for the sake of their goal, but their biggest mistake was looping Asriel into it even when he was struggling against them.

Undertale's lesson, of course, is not Kill or be killed, it's way more nuanced and morally grey than that. The entire point of the game was to go against the mentality that Flowey believed, that Chara indirectly stood for. No matter how you spin it, Chara trying to use their full power against villagers was morally wrong and Asriel had to suffer due to his hesitation to hurt all of those people. If Frisk/Player is morally wrong for the genocide route, then Chara was morally wrong at that moment for trying to kill those villagers, regardless of their intentions to free the monsters. Of course, it is Asgore's fault for putting so much stress on such a young child as the singular hope for the monsters, and I know the humans were wrong for killing Asriel/Chara, but Chara was fully prepared to take seven lives once they reached the surface, therefore making the humans' reactions fully justified.

Asgore killed humans who ended up in his land and there's an argument for that, but then the same can be said for the villagers killing the Asriel/Chara alamgatation that undeniably was going to harm them. If anything, the humans were MORE justified in their reaction than Asgore killing those six children.

Chara's hatred for humanity was always stressed even more than their desire for monsters to be free. Whether or not Chara wants to "punish the player for what they've done to monsters" has always seemed very disingenuous to me because Chara (not the player) finishes off the remainder of the world at the end of the genocide routes. Yes, Chara is meant to be a sort of retribution for the player for their heinous actions, but specifically because they care about Monsterkind? Eh, I never really bought that.

Chara is heavily implied to be the narrator sure, but that alone doesn't make or break other people's headcanons. The game, while it is caused by Chara's actions for better or worse, doesn't have to be all about them. No, you can't blame Chara for the genocide route, but you also, by the same logic, have to give the player credit for the Pacifist route.

Screaming, "No, no, it's the PLAYER'S FAULT," for the 100th time shuts down any room to talk about Chara's moral greyness. Yes, we know it was the player, but that's...kind of the point. The player isn't an inherently evil entity, it depends entirely on the route and your actions. Almost like...Chara? (You picking up what I'm trying to put down?)

So here's everything we know about Chara in the most unbiased way I can put it. Chara was a child who was implied to have been abused or otherwise alienated from their village and for reasons that may be related to that, caused their hatred for humanity and their heavily implied suicide attempt. Instead of dying like they probably expected, they were founded by the Prince of the Monsters Asriel Dreemurr, and taken into the Dreemurr family where they became a part of the family at the beginning of 201x.

As depicted in Temmie Chang's concept art, Chara enjoyed their time with the family as evidenced by their depiction.

Chara is stated to have the ability to make a "creepy face," and is heavily implied to be a bit of a prankster toward Asriel. Chara and Asriel continued to bond and it's heavily noted that Asriel likes seeing Chara smile, and they smile quite easily around Asriel. Chara filled the Underground with a sense of hope during their stay, and it's stated that Asgore applied that expectation to them for better or worse. After Chara and Asriel tried making a pie using buttercup flowers not knowing it was poisonous, they unknowingly made Asgore incredibly sick to which Chara laughed it off. Whether or not it was a sadist laugh or a nervous laugh is up for debate, however, it's clear the buttercups making Asgore sick was a sort of revelation for Chara.

Chara developed a plan to obtain human souls, and it's implied they pressured Asriel into said plan. They had the sense enough to know that they didn't want the details of the plan on VHS as evident when they tell Asriel to stop recording. They purposely ingested buttercups knowing it would kill them, alluding again to their more suicidal/sacrificial nature, and then had Asriel absorb their soul. It's stated they wished to see the flowers of their village once again, but whether or not it was a ploy to make it seem as though Asriel killed them is, again, up for debate.

Chara wanted to attack the villagers and use their full power to obtain the souls. Whether or not they actually wanted to free the monsters or not, or it was moreso for revenge of how the village treated them isn't entirely clear, but regardless, their hatred of humanity has been heavily stressed up to this point. Asriel, of course, didn't want to kill the villagers which caused both of them to be killed, instilling the "kill or be killed," mentality that Flowey lives by.

It's clear that Flowey regrets his decision to not attack the humans as whenever Frisk aborts a genocide route, Flowey admonishes them by saying they "almost had it," clearly paralleled to the fact that he feels as though he aborted the original plan for massacre onto that village.

Flowey blames himself for what happened to him and Chara and it's clear his being soulless has ruined or at least changed his perception of morality as he no longer cares about what was right, but his sole survival. He also acknowledges that Chara was the reason behind his philosophical change even after death. After the Pacifist route in which Chara, if them being the narrator during all routes is true, has gone through philosophical changes themselves following the events of the game in which the "kill or be killed," mentality is uprooted by Frisk, the player and their friends.

After the pacifist route, Asriel acknowleges the fact that Chara wasn't the greatest person and says that Frisk is the type of friend he wished he had back then, showcasing that a lot his positive and negative feelings toward Chara were self projected. He also acknowledges that a lot of Chara's behavior came from a place of hatred and unhappiness before they fell, hinting at mistreatment. Chara's actions were what kick started a large portion of the story and in their wake, they left a lot of unresolved threads and hurt feelings and miscommunication. But they also left a large sense of hope that the monsters clearly still feel.

It's clear that Asriel did not want to kill anyone regardless of his desire to free the monsters. Chara is fine with, or at the very least, isn't all too conflicted about killing others for the "sake of the greater good," but whether or not they were doing it solely to free monsters is purposely left vague. Chara has no qualms about killing themselves for the sake of a plan, killing others while using their brother's body, or going against what their brother wants for the sake of their goal. Chara likely knew that Asriel was hesitant, but because they were too caught up, was willing to overlook it or was hoping that Asriel would do what he needed to once the time arose.

Chara and Asriel are both children. One had to go through indescribable pain and the other wanted to ease that pain, even if it meant they would have to take the lives of people when they didn't want to. Chara, more than their love for monsters, felt a burning hatred for humans and was willing to take said hatred out on an entire village rather than just killing the seven people and living. Asriel's hesitation to commit a massacre is understandable, especially given that he is a child and hasn't experienced the same mistreatment as Chara.

Following that, Asriel and them both die to which Asriel takes an interesting stance and blames himself rather than blaming Chara for trying to destroy the village when their original plan was just to get seven souls, even as Flowey. He almost has a kinship with Chara, calling themselves monsters of sorts, but in reality, he's just self-projecting his negative feelings.

During the events of the Pacifist route, Frisk and the Player essentially have to undo the mistakes of Chara and Asriel to save Asriel from the unfortunate circumstance that he was put into, both figuratively and literally saving his soul and putting Chara to rest.

However, during the genocide route, we instead reinforce the idea that killing is morally right to Chara. I know a lot of people say that Chara was only influenced by the player in the genocide route, but I believe that all the player did was simply reinforce the belief that was already instilled into Chara. Chara never had any qualms about killing even without the player influencing them, and now, without their soul, all the player has done is feed the fire of Chara's hatred and animosity for not only humanity but life itself. The hatred and leaning toward killing has always existed within Chara, it's just up to the player whether or not we want to follow and reinforce those beliefs or show the traumatized children that there's a different way.

[a-dope-fiend]

finally sharing my own personal headcanons for medic. keep in mind this is just my own interpretation of him.

-the story about him yoinking a guy's skeleton is one of the many he tells when someone asks him why he lost his license. he changes it up to a different one every single time and no one really knows which one is true.

-he is an excellent storyteller. he's good with words, has an endless array of things he could speak about and the obvious one, he loves to talk. though most of the stories are pretty morbid and his dark humour does not appeal to most people.

-he has other qualifications besides medicine and science. there was a brief period of time when he worked as a mortician and would harvest the organs of corpses for experiments. shockingly enough, he's also a licensed psychiatrist. nobody believes him though.

-i feel like he would be a good artist. he does very detailed anatomy studies but he also has many little sketches of his doves. it calms his nerves when he gets manic.

-i also think he'd be a big fan of junji ito's work. they have a similiar jovial and goofy nature while simultaneously creating the most horrifying shit.

-he and spy go way back before either of them were hired by mann co. they both fought in ww2 as members of a resistance group, which medic joined after fleeing from germany.

-he has low affective empathy but pretty good cognitive empathy. he often words things wrong when attempting to comfort someone but if you brought it to his attention, he'd be like "oh, i never thought of it that way! i apologize!"

-he is generally polite to people as long as they don't undermine him or his work. treat him with respect and he'll extend the same courtesy to you. that being said, he is absolutely not a pushover, as we've seen multiple times. he knows his worth and when someone steps on his tail like cheavy did, he will retaliate tenfold.

-alot of people say he hates children which i do not agree with at all. i think he has a soft spot for them and he secretly always wanted to be a father. his paternal side occassionally comes out when he's interacting with his birds. if he ever had a kid of his own, he would pamper them and carry them around in his arms everywhere.

-another unpopular opinion but i think he is more understanding than people give him credit for. he would try to reassure someone if they were scared to undergo surgery for whatever reason and make jokes in an attempt to ease the tension. he's not always particularly successful at it but it's the thought that counts.

-he is very passionate and feels all of his emotions strongly with little to no inbetween. it's either extreme love or extreme spite.

-he is quite observant and endlessly fascinated by human behaviour. he enjoys interacting with people so he gets to dissect (often quite literally) and pick their brains. though his observations come across as very clinical which unnerves most people.

-i think he is more gentle with women than he is with men. i mean, just look at how he talks to miss pauling.

-he plays up his evilness so people will think he's just a one track mind lunatic. he enjoys catching people by surprise when he gets serious.

-while i personally don't think he would outright hate any animal, i think he gets nervous if a cat is in the vicinity of his birds.

[action-index]

New essay out, because I feel the need to write this into words. This is a personal headcanon I have for the Gus Van Sant 2003 movie Elephant, that I don't believe I've really given a full explanation for, mainly about the IMPLIED relationship between main characters Alex and John.

Please note that this is based on mainly implication and how I myself see the movie. You can even call it borderline fanfiction if you want to. I will not imply nor directly say that this is the way the movie is, since a piece of art's meaning is subjective or dynamic and differs from each person's interpretation. If anybody would like to discuss this theory or send me some feedback on my writing, I'm open to it. :)

Until It's Only Me and You: The Alex x John Propaganda Essay

(AKA Why I think Alex does his decisions in the movie and my theory about his one-sided crush for John.)

Love. Love is a bittersweet thing. It can create opportunities, the want to be with someone, to hold someone. But it can also corrupt and consume others. Although he may not seem like the type to let something like love consume his thoughts, Alex Frost's similarly-named character in Elephant is an example of one.

Since Elephant is very loosey-goosey and not very showing with details before or after the shooting, this essay will be purely what I think would've led this moment; a personal headcanon. Do take with a grain of salt.

To talk about their IMPLIED relationship, however, first we must discuss their personalities.

CHAPTER I: PERSONALITY

If you've seen the movie, you obviously know that Alex is an outward, more bitter character. His actions are very upfront, and when he feels the need to truly show his anger, he does. However, he is prone to definitely close himself off from others. He's a very more eager and strangely passionate character though, and from his last kiss with Eric to the slaying of his own classmates, we can clearly see that he's one who dives into something he's committed to. It's clear that he isn't the type to get along with most people.

John, on the other hand, is a much more timid character. He usually does not like confrontation, but he is definitely sociable enough to get along with people in his class. Unlike Alex though, he is less of an eager character. He is a more mellow, more shy person, but as a result of that and his more pacifistic and more positive outlook, he isn't the type to really hate on others or lay judgment.

Seeing John's less-judging and peaceful personality, it makes sense why he would try to befriend Alex.

CHAPTER II: MY THEORY; JOHN AND ALEX'S RELATIONSHIP

My theory about Alex and John's relationship suggests that they did know each other before the shooting. The way John talks to Alex and Eric, is delivered in a way as if he knew the both of them, as if he's recognized them. Alex talks the same way too, even if both haven't really said each other's names. My belief is that Alex and John did know each other as friends, with John being more open to lend a hand out to someone he wants to befriend and Alex being more open to befriend someone who wouldn't necessarily judge him.

Knowing Alex's in-movie attraction to other guys, however, my belief is that Alex at some point did gain a crush for John. Finally, someone who would not judge him for the way he really acted, even if it was to the detriment of John's popularity or friend groups.

However, as all friends do, John and Alex do drift apart. Elias and John start hanging with each other, and Alex begins to grow animosity towards Elias as a result; he feels as though he's the wedge who drifted him and John apart in the first place. As a result, he starts isolating from John, still feeling love for him but detesting the thought of him hanging out with Elias. As he becomes more isolated from everyone else, he starts to become more nihilistic and ends up planning the events of Elephant, his constant teasing and bullying and his believed broken relationship with John being the things he cites. He starts writing a list. Elias McConnell's name is on the top, above even most of the bullies who taunt him daily.

CHAPTER III: MY THEORY CONTINUED, EVENTS IN THE MOVIE

In his search to make more friends, he ends up connecting with Eric, the one who he'd commit his massacre with. As a result, they do become lovers, but I believe that in the end, this didn't stop his feelings for John. Although he loved him, he still couldn't stop thinking of John and despising those who John talked to. Even during the infamous shower scene, he still wished it would've been John with him instead of Eric.

This is when he starts to plan his massacre, to kill those who did taunt him and tease him, but also in his sick view of romance, try and kill those who he felt were responsible for drifting him apart from John. Alex luckily gains the trust of Eric, and has him tag along so that he could commit his atrocity.

Obviously during the day of the incident, but in the library scene, he specifically chooses to look at Elias first before everyone else in the room, his eyes clearly fixed on him even as he takes a picture. If it weren't for Michelle being there at the wrong time, he would've likely shot Elias first before opening fire on everyone else.

As he starts to indiscriminately kill or injure everyone in his path, he then settles down near the cafeteria, in the infamous scene of him taking a sip after brutally killing his peers and mentors. As he meets up with Eric, he starts to realize something, that even though the wedge between Alex and John was possibly severed when he murdered Elias, he still felt there was one more in the way: Eric. Despite trusting him and being by his side, Eric is shot by who he saw as his lover.

This then leads to the ending where it is unknown what happens next.

CHAPTER IV: EXPLANATION

Although there is little evidence for any of the claims I've made here, which I do recognize and will admit is mainly based on speculation. I still would like to dwell on details that make this theory make more sense.

EXHIBIT A: the delivery of both Alex and John's lines when they meet during the incident clearly give the impression that they do recognize each other. John clearly sees them pass and he easily recognizes them as they carry instruments of death in their bags, a confused "Hey, what are you guys doing?" showing his concern for Alex and Eric, who would've both been fairly late for the beginning of class that day at the time of the shooting. Alex's bitter warning shows that even despite his cold, calculated plan to kill him and John's peers, he snaps at him so that he clearly knows that shit will go down that could get him hurt.

EXHIBIT B: John's personality and his less judgmental nature would make him more open to friendships, even with Alex. There would be no reason to shoot him since for one, they obviously recognized each other, and for two, Alex would not have a reason to kill someone like John especially if he knew him as much as it is implied. Real criminals and killers usually warn others that they trust before they end up getting caught in the crossfire, or they plan not to kill certain people.

And finally, EXHIBIT C: it finally gives an answer as to why Alex decided to kill his own partner in cold blood, and then passing him aside as if he was nothing before searching the kitchens. Although Van Sant gave no answer for why this happened, the implication is definitely there even without John being a factor; he saw him as a roadblock to his goal in the end. Alex's goal to kill not only those who wronged HIM, but those who set a roadblock from the boy who he loved the most: John McFarland.

CHAPTER V: CONCLUSION.

Now I shall remind you, this theory is again purely speculation based on loosey-goosey evidence. You do not have to believe me, but I will thank you for seeing this to the end and letting me say my piece. Truly I thank you. Also need I remind you that this is NOT meant to be an excuse for the atrocity in the story. This is a theory about a piece of art only, and is not supportive of the acts committed in the fiction itself.

Now, in conclusion, I believe Alex and John's relationship is very important to the story. He clearly chose and planned to let John go, and the first thing he did when walking into the library was notice Elias, the boy who he felt wronged him more than even some of the bullies just for the fact that he believed he drifted him away from his crush, or his soulmate. Other Van Sant works, such as his work for the 2006 anthology film "Paris, Je T'aime", most specifically, his segment "Le Marais", which also starred Elias McConnell, touched on finding soulmates and was about love. However, Elephant is different in that front. While Le Marais has a message about finding a soulmate through a loving connection, Elephant's message is about the dangers of chasing love and using violence by killing those closest to them or those who only held them back from finding true love.

Thank you for reading. Feedback appreciated.

[spiders-scare-me]

noir hcs

(these are hcs, not actual canon so these are things that are made up and NOT based off the comics)

hc him as 19 yrs old.

joined the spider society because he thought he maybe could do some good by helping others, only to regret it later. genuinely thinks Miguel is kinda a facist.

he also doesn’t regret joining the society because he got to spend time with Ham, Gwen, Peni, Hobie etc.

he and hobie bonded over similar views, became best friends for the last four ish months before Noir quit.

quit because he generally had a bad feeling about miguel, but got worse when he referred to robbie’s death as a canon event.( https://www.tumblr.com/lildoodlenoodle/720268522059612160/if-spider-noir-wasnt-kicked-off-the-elite-spider ) (based off of)

taught hobie how to pickpocket/steal things in different places/shops before he quit. especially shops in Noirs dimension where it was easier to put something in your pocket and leave without anybody noticing.

( https://www.tumblr.com/butevrythinggoesaway/719504366077345792/i-kind-of-headcanon-noir-as-having-kelptomania-so ) (inspired)

Miguel hates him, probably because Noir rivals him in size and also questions the way Miguel runs things around the spider society.

(Miguel is canonically 6’9 and i hc Noir as around 6’5)

Miguel once asked (very rudely) in front of hobie, if Noir only dated Hobie because he was similar to Robbie. You can only IMAGINE what Noir almost did (aka assassinate Miguel) before he was stopped by most spider people who are loyal to Miguel. Basically, Noir went even more crazy because of that since Miguel uses Robbie as a way to get to him.

Noir in fact didn’t want to date anyone because of some stuff that happened, but when he met Hobie and got to know him, he instantly fell in love.

Miguel simply hates Noir, but can’t fire him or kick him out for no reason so Miguel picks on him until he snaps.

he acts like Peni’s older brother, being protective of her. she became depressed after he quit the spider society because she really cared about him.

most likely smokes, Peni hates it and always takes his cigarette from him to put it out. has dumped water on him multiple times. Hobie also puts out Noirs cigarette when he sees him smoking.

humor is his coping mechanism, example (my interpretation of the scenes):

when miles said his uncle was the prowler, Noir responded with “this is a pretty hardcore origin story” which sounds like he’s trying to make the situation a bit lighter by joking a bit.

as well as when aunt may asked if they could fight doc ock outside, he replied with “We don’t pick the ballroom, we just dance”

another one: when he, peni and ham met gwen, miles and peter for the first time, peter asked noir how they got there and he answered with “it’s a long story” only to say right after “maybe not that long”

(I INTERPRET THIS AS HUMOR FIGHT ME)

Hobie paints Noirs nails from time to time because it seems to relax him.

used to wear glasses because he had such bad eyes but now that he sees better because of the whole spider thing, he wears them cuz they’re cool.

his favorite color is purple because of robbie. (angst obvi) ( https://www.tumblr.com/lildoodlenoodle/721163033344425984/me-watching-everyone-on-tumblrtiktok-say-spider )

(based off of)

his relationship with aunt may is so wholesome. she’s against him killing facists etc, but still loves him more than anything.

his style is absolutely IMMACULATE. ( https://www.tumblr.com/spiders-scare-me/723947203857694720/tried-to-find-references-for-30s-mens-fashion-and ) (based off my own post) ( https://www.tumblr.com/spiders-scare-me/723996134618628096/no-stfu-im-so-fucking-obsessed )

i tried :,) don’t bully me

i’ll post more later if it’s wanted obvi

credits to @lildoodlenoodle and @butevrythinggoesaway for the posts i linked <3

[inkdemonapologist]

What are your thoughts on the characterization of the ink demon himself?

In BatDR? Ehhhhh…….

There’s plenty of room for interesting headcanons, especially what with the Ink Demon and Bendy behaving so differently. A lot of folks have imagined it as a Jekyll & Hyde type situation, which is neat, or just an internal Venom-esque “the souls of the innocent/two bagels” dynamic. Or there’s the interpretation that the Ink Demon deep down wants the love and acceptance he gets as Baby Bendy; he’s the same guy, but his emotions have been messed with and he’s being treated differently so he reacts differently, which is a take I actually really like.

Just looking at the Ink Demon on his own, it’s SO easy to read him as a teenager, thinking he’s so cool and edgy talking about his Dark Kingdom, not looking like Bendy anymore b/c hes decided wanting to look like Bendy is cringy and he’s TOUGH AND POINTY NOW – then making The Dumbest Mistake at the end by letting Audrey possess him because he thinks it’ll make him more powerful, and having no idea how to fix it, but still trying to act cool. The idea of BatIM’s Ink Demon being the equivalent of a frustrated child lashing out, and BatDR’s Ink Demon being a teenager who has internalised that he’ll be harmed if he’s not powerful and has embraced being evil and violent and hated as a shield, is an interpretation that makes sense to me. There was this GREAT fanart I vaguely recall but cannot find again of the Ink Demon with a symbolic birdcage in the middle of his chest where the little Bendy rocked peacefully on a swing – Bendy as the piece of him that’s scared and hurt, a piece he’s pushed from sight more and more in favour of making himself more sharp and cruel, but now can’t always hide, is a REALLY INTERESTING thematic concept.

But the truth is that we didn’t get any of those things --

Bendy and the Ink Demon being the same creature is a really interesting development that is literally never touched on beyond explaining how and why it happened. What does Bendy think of the Ink Demon form? What does the Ink Demon think of the Bendy form? Are they two consciousnesses, or the same guy? Really obvious questions that you’d think would be inherently guaranteed to come up due to the premise, but they don’t! Audrey discovers that Baby Bendy and the Ink Demon are the same entity and seems to feel exactly nothing about this? She still supports ending the Ink Demon, even though he’s the little cartoon devil she made friends with and said she didn’t want to hurt… it just seems like there should at least be a conflicted feeling somewhere. The Ink Demon himself is portrayed as Just Evil, and nothing challenges that, to a level that’s so bizarre that it really feels like the NARRATIVE ITSELF is baffled by the idea that anyone might question the basic idea of "Scary Demon Bad, Cute Bendy Good". And I’ve talked before about how strange Joey’s final speech comes across once you notice this, as he brushes the Demon off as an “evil face” while telling Audrey how special and perfect and loved she is, and the whole moment is framed as though we’re meant to be encouraged by Joey, and not wincing at the way he disregards the demon he mistreated and abandoned.

The Ink Demon has been regarded as a soulless, monstrous mistake by various characters throughout this whole series, locked up and now literally, unambiguously tortured because of it, and it’s easy to imagine the story that assertion suggests – one where the Ink Demon’s cruelty is the result of him being cast out and treated with disgust by humans, like Mewtwo or some kind of inky Frankenstein. But in BatDR, we never see any hint that the initial reading of “monstrous mistake” is incorrect. As if locking him up was the correct, smart thing to do, and creating Baby Bendy to trap him and cause him pain was a good move, and the only problem is that it can’t be made permanent.

I think the closest we get to seeing something more from the Demon is his line to Audrey about being a mistake and a monster, “like me.” I really like his speech in that scene… He could simply be trying to manipulate her, but it’s so easy to read as projection, as if the only way the Ink Demon could reveal his own betrayed feelings is by accusing someone else of them. And then… nothing really comes of it. Everyone continues regarding the Demon as a purely evil monster. When the Ink Demon lashes out at Joey, it’s not framed as a reaction to being rejected so explicitly, it’s just… trying to stop him because Joey’s getting through to the Demon’s intended prey (with bonus points for "the wretch is mine" making him feel particularly scummy). You can still imagine he’s motivated by those things, but I really feel like you have to come into the story with that assumption in order to see it there.

This isn’t saying that the Demon has to not be a bad guy for his characterisation to be compelling – like, for example, Audrey could just have a short moment of realising that if Bendy IS the Ink Demon, there must be more to the Demon than we can see – but decide he’s too dangerous to risk giving up the chance to stop him (WHICH SURE WOULD BE INTERESTING GIVEN THE TRAJECTORY OF HER FATHER’S LIFE, HUH). He can still be a violent monster who is creepy at Audrey, tries to kill her, lies to her, and then eats(???) her. He doesn’t have to behave sympathetically for the narrative to acknowledge that he’s been treated unfairly, and the other characters don’t have to give him a chance at redemption in order to be believably good people. But it feels weird that…. the narrative never seems to notice??? Anywhere???? ESPECIALLY AFTER MENTIONING THE TORTURE EXPERIMENTS??? I think Malice’s writing in this game was incoherent, but the narrative’s treatment of her was humane; she’s violent and cruel and has to be stopped, but the character who keeps having to drive a sword through her torso still feels for her and notices her pain. It’s bafflingly wild that Audrey never really gets a moment like this for the demon.

[toytle]

Hi! I love your art style it's like. Breathtaking. And your hcs on barry are some of my favourites of all time?

What do you think of "The Ballad of Barry Allen by Jim's Big Ego as an analysis of Barry's character?

are you asking or are you telling me 🤨 lol THANK YOU i put all my headcanon power into him <3

for the ballad, i love their song stress, and this isn’t bad at all as far as fansongs go. but there’s a reason i don’t include it in my barry playlist, and it’s ultimately bc it doesn’t fit my narrative haha

the song was made in 2003 and i haven’t read many comics before then, so idk how well it aligns w barry’s characterization prior to flashpoint, but i’m basing my playlist off post-flashpoint, so that’s where a lot of the differences will lie

for starters, the song only includes one half of barry’s relationship to his superspeed, and it’s important to me that a barry interpretation includes both sides of that coin. instead, it’s playing on the idea of the dark side of the hero fantasy, an inherently optimistic genre. which, fair, being a superhero sounds like a nightmare, but that angle is less novel to me when that’s the extent of the analysis (and i’m a little over the whole “i hate being a superhero” storyline in general, personally). the song is basically abt how much it would suck to have superspeed bc the world slows to a crawl and you’re left behind bc no one else can keep up w you. and it’s true, that is a very real setback! especially for someone like barry who’s already prone to self-isolation and time management issues! but what does the song actually have to say abt him as a character?

the thing is, barry isn’t a “i wish i wasn’t a hero” kind of guy. he’s a “could i be so strong [to give up the flash]? or do i love the thrill of these powers too much?” kind of guy. he’s a “knowing what i know now… if i could go back in time… maybe i would’ve been somewhere else the day lightning struck my lab and electrified those chemicals, ready and willing to forfeit a life of dodging deathtraps and battling villains… who am i kidding? there’s no going back. no do-overs. like everyone else, superheroes can only follow the path destiny has laid out for them, whatever lies ahead.” kind of guy. yes, barry is caged by his superspeed, but it would be misleading to not present it first and foremost as the very thing that frees him. it’s a double-edged sword that gives him purpose, and that freedom in obligation is what motivates him to keep going. as a wise man once said, “all you can do is go forward.” (“thanks.” “superman is pretty smart isn’t he.” “hm.”)

i think the real kicker for me was this lyric: “i’ve got time to think about the past… how my life was so exciting before i got this way.” my sincerest apologies to mr. allen, but he does not feel complete to me without his mother’s death or his father’s false imprisonment. this backstory contextualizes everything for me. his life was NOT exciting before his superspeed, it was lonely and full of escapism, either in his sci-fi/comics or his dedication to finding justice. i am of the belief that barry didn’t truly start living until he got his superspeed, over 2 decades of waiting around before he rly understood freedom and what it meant to live for himself. i get what they’re trying to do here, but this is what i mean when i say it feels like the song characterizes barry around the concept of his speed rather than how barry’s speed defines him as a person

ik i can’t expect a 4min song to include every aspect of a character’s timeline/development/nuance (esp before some of that even existed lol), but my issue isn’t that it doesn’t cover enough ground—it’s not bad that they had a theme and stuck by it, i actually love the lyrics from a speedster perspective. my issue is that i don’t think this is a good framing for barry’s character as a whole. for all his regrets and suffering, barry is optimistic to the point of denial. choosing this to be The theme to represent barry just. doesn’t feel like barry to me. it’s more like barry is the placeholder subject as an excuse to sing abt superspeed

if this was somehow less overtly a “BARRY ALLEN FANSONG” and maybe more metaphorical or even non-fandom, then it would be a dif situation and i might have dif opinions. at the end of the day, this has more to do w my pickiness than the quality of the song, and the fact that it even exists is so exciting for me as a barry allen enjoyer first, human second. but if you’re going to call smth a character study, i Will be getting my hopes up

[icedragonlizard]

I'm probably going to be obliterated for this, but I'm bold enough.

I think it eventually deserves to be said, anyways.

Consider this the follow-up to a post I wrote a few days ago.

For clarification, I'm not at all trying to say that the whole Mecha Knight thing in Planet Robobot wasn't messed up. Overall, it was messed up. Yes, what Susie did to Meta Knight was indeed quite bad.

But it's very clear that the Kirby fandom has absolutely blatant double standards when it comes to this sort of thing.

While it's understandable to find enjoyment in milking angst out of such an incident, I believe that people exaggerate Mecha Knight.

Some people love to go on about how Meta Knight suffers from horrible medical trauma after Planet Robobot. About how much he hates Susie's guts, will never ever forgive her, and wants her to die. About how this was basically the worst thing to ever happen to him.

But if I'm being honest, I don't think Mecha Knight was that much different from all the times that King Dedede has been possessed.

Where's all the talk about Dedede being traumatized from all his possession incidents? Hello?!?!? Do people just act like he's not that traumatized or that he easily toughs out his possession incidents while Meta Knight was just messed up so darn bad by being a robot?

Actually, I have seen people talk about Dedede being traumatized by Dark Matter, but it's absolutely nothing like talk about Mecha Knight. Still double standards.

To be fair, I can somewhat understand the big discrepancy of how Mecha Knight is treated compared to Dedede's possessions. After all, Meta Knight is quite literally the Kirby's fandom blorbo (aside from Magolor, I guess) and turning someone into a robot against their will can very much indeed be a lot more nerve-striking in comparison.

But was Mecha Knight really truly so much worse than Dedede's possessions? Does it really deserve to be treated like it's such an unfathomable, unspeakable, harrowing tragedy... compared to Dedede's incidents being treated like they're no big deal at all?

... In my opinion, no.

Meta Knight shook off roboticization pretty quickly after the second Mecha Knight fight. He's then quick to get on top of the Halberd while the rest of his crew gets it up and flying. Funny how it's that instead of him just sitting there crippled and helpless after the robot armor breaks off of him. I dunno about you guys, but he looks fine!

While I myself do imagine that he'd certainly have been somewhat messed up and traumatized by being a robot, and while I do imagine he would be mad at Susie over it for a while, I sincerely don't agree to the extent of how some people depict it. It didn't ruin his life like some people think. It hurt him, but not ruin him. He's been through bad stuff before. If you ask me, it's more like a "regular Tuesday" for him instead of being the absolute total life-ruining experience for him. He's been able to heal from the incident and is doing just fine.

And for the record, I don't buy into the "Meta Knight hates Susie SO MUCH and wants her dead" headcanon. I don't necessarily headcanon them being friends, and I think he was initially angry at her, but his anger at her slowly fades in my opinion.

Can we please not overlook some of Dedede's possession incidents? Let's not pretend that Taranza is an innocent little guy and that he hasn't hurt Dedede before. Although I believe that being used like a puppet by Taranza was far from Dedede's worst possession incident.

I like to imagine that Dedede suffered from true traumatization from 2 out of the 3 times he's been possessed by Dark Matter, as well as the time he's been possessed by Fecto Forgo during Forgotten Land.

He's been able to heal and get better, but it did hurt him at first.

Dark Matter lowkey turned his stomach into a set of jaws, and then formed a giant unnerving eyeball onto his stomach. That had to hurt, methinks. It also wouldn't help if one were to interpret that Dark Matter was preying on Dedede's flaws, making him easy to possess.

When Dedede was possessed by Fecto Forgo, he was ordered to hurt his own waddle dees. He couldn't have felt good about that afterwards, especially with how much he's shown to care about his waddle dees to the point he goes out of his way to save one singular waddle dee from the stampeding Beast Pack after he's been freed.

In my opinion, if Meta Knight has been messed up by Susie, then I think that there's no way Dedede hasn't been a little messed up one way or another by the Dark Matter and Fecto Forgo possessions as well. While I certainly believe he's been able to heal and overcome them, I think he was hurt over them initially after they were over. For me, it's basically the same of how Meta Knight had a phase of being traumatized by what Susie did to him until he's come around to heal.

I prefer to think that the incidents are similar instead of just "OMMGG poor meta knight was screwed up so darn bad, and dedede's possessions weren't really a big deal, they were much much less bad."

And I don't at all call for anyone to hate on Taranza, Dark Matter, Fecto Forgo, Yin Yarn or anyone else that has possessed Dedede. They don't deserve that, in my opinion. Just like how I think Susie is honestly not deserving of the level of hate she's received for Mecha Knight.

Was Mecha Knight a messed up incident? Yes. But let's not pretend that some of Dedede's possessions weren't messed up as well. Mecha Knight is certainly more nerve-striking... but from an objective standpoint, it's not significantly worse. And I think Dedede has overall faced more trauma than Meta Knight has, since the former has been possessed much more times. Sorry, but I don't think one robot incident outweighs multiple possession incidents. I just don't.

HAL doesn't at all appear to treat Mecha Knight like it's so much worse than all of the times that King Dedede has been possessed.

Oh wow, this is getting a bit long, but yeah that's basically it. I just felt like it needed to be said that it's almost absurd that Meta Knight being turned into a robot once is all it takes for the fandom to metaphorically riot on the streets while ignoring Dedede's possession incidents.

I'm well aware that I might be playing with fire while writing this. But I'm bold. I'm gonna brace myself for however some people react to this. Not sure if it'll get to the point where I'll be forced to delete this.

The double standards in this fandom gets on my nerves.