Too Hard
Woop part 2 of the trip inside Jamil's head.
Part 1 here.
The next time Jamil caught sight of you on campus, his first instinct was to turn around on his heel.
What a stupid thought to have because of you.
Besides, that would only make him more conspicuous, not less.
So, when your eyes met his, Jamil gave you a short nod in greeting. He would’ve left it at that and kept on his way, had you not walked up to him.
“Hi Jamil! How’s it going?” you said with that impossibly disarming smile of yours.
Why was it so difficult to look at you like he normally would? You had no right to make him feel so stiff, so unnatural.
On autopilot, Jamil exchanged a few pleasantries with you - those lessons from his parents had been instilled too deep in him for him to falter too badly in a simple exchange such as this. Still, Jamil quickly excused himself by telling you he still had to find Kalim before his next class.
Jamil didn’t miss the way your smile faltered. Had you hoped to get something out of him?
“Oh, okay. I’ll see you two later, then.”
Something about that irked him, though Jamil did not allow himself to dwell on it further.
His heart really had no business still racing as it did when he walked away, unaware of the frown on his face.
Just act normal. That’s all he needed to do.
After all, he had no time for dwelling in silly fancies.
If Jamil had been acutely aware of you before, it only seemed to worsen now that he was making a conscious effort to not act any differently with you. In fact, the harder he tried to keep you out, the more you invaded his thoughts, unsettling him.
The most innocuous words from you looped in his mind, and even the simplest actions caught his eye. For goodness's sake, he’d found himself staring at you while you were queueing up in the cafeteria the other day, not even doing anything other than standing around and looking bored!
For once, Jamil found himself grateful for all his duties. At least they provided him with something else to occupy himself with.
After all, if he was busy enough, it was difficult to think about those bright eyes of yours, your sweet laugh, or the way you bit your lip while thinking.
Still, sometimes it felt like no matter which way he turned, you were there, ready to throw him off-kilter. Not like it was his fault that often the most convenient route to class intersected with your daily routines. Or that your face seemed to jump out from any crowd, catching his attention.
Which certainly did not help his basketball performance. Jamil certainly did not recall you having such an interest in sports before, yet suddenly you were always there, distracting him. What had changed?
Could you possibly-
Jamil scoffed to himself, forcing his thoughts back on track for the nth time that day.
He picked up the tray of food and started taking it to Kalim. After dinner, he’d need to help Kalim with his homework, there were some housewarden tasks that would need dealing with, not to mention the preparations for the next-
Jamil froze in his tracks.
The voice he heard was quiet, but it was unmistakably you.
Really, it should not have come as such a surprise to him. You had become a rather frequent visitor to Scarabia, and Kalim often invited you to stay for meals. In fact, Jamil had started planning the dorm’s meal prep with your tastes and dietary restrictions in mind, just in case.
Jamil rounded the corner with strange exhilaration, his heart fluttering needlessly.
Yet, his mood evaporated when he saw you.
Why did you stop talking and look so guilty as soon as you caught sight of Jamil?
Jamil knew that look you gave to Kalim, had used it himself a thousand times. The one telling Kalim to keep quiet about something.
What could there possibly be that you would be comfortable sharing with Kalim, but not with him? That would give Kalim reason to sit so close to you, a comforting hand on your shoulder?
Jamil's mind raced with possibilities, yet could not settle for any single explanation.
He’d have to ask Kalim about it later.
Jamil gave you a short, polite greeting, his eyes lingering on you in an attempt to read what you were hiding.
“If I’d known you were coming over, I would’ve prepared something for you to eat as well,” Jamil said, already thinking about which parts of the dorm’s dinner to spruce up for you.
“Oh, no need, just figured I’d pop by. I’ll get out of your hair soon enough,” you said, something sheepish about your expression.
As expected, Kalim asked you to stay and dine with them, and with just a bit more persuasion you agreed - though not before telling Jamil that he should join you too and have himself a breather.
And since Kalim agreed with you, Jamil soon found himself sharing a meal with you and Kalim. Yet, even as he sat down with the food, his mind raced.
Had you been getting particularly close to Kalim lately? But surely Jamil would’ve noticed such a thing. Maybe someone from the dorm had been giving you trouble? But if that was the case, then surely you could let Jamil know about it, too. Unless for some reason you did not want to? But if it was something that concerned Kalim, then sooner or later it was bound to concern Jamil, too.
All the while, Kalim was talking to you about this and that, the latest topic being the animals kept on the Asim estate.
“I’ve got some pictures, let me show you!” Kalim said with an excited grin.
Only, a thorough patting of his pockets and a look around confirmed that Kalim’s phone was nowhere to be seen.
Jamil pinched the bridge of his nose. Where had Kalim left it this time?
Before Jamil even had the chance to say that he would handle it, Kalim sprinted off. Jamil hesitated for a moment, automatically halfway up from his seat, before he decided that leaving a guest unattended would be a worse offense than not helping out his master.
Jamil slumped back down with a sigh, mentally tracing the path Kalim took today, trying to recall the last time he saw Kalim handle his phone.
“Breathe. He’ll manage,” you said. There was the faintest of smiles on your lips, and Jamil could not decide if it was knowing or amused. Perhaps both.
Somehow, despite his frustration, Jamil’s own lips wanted to curl up too.
“Hmm. Maybe he will.”
Sure, Jamil could’ve called Kalim’s phone, to make it easier to find, but it was not that urgent, was it?
Jamil took another bite of his food, keeping an eye on you from the corner of his eye.
How was his mind so empty and so buzzing at the same time?
“You know-”
“So-”
You looked at each other, both just as surprised that the other had spoken up at the same time.
Even your surprised look was so-
“You first,” Jamil said. The way you bit your lip... Jamil had to raise a cup to his lips, slowly sipping his drink.
“Just… Feels like it’s been quite a while since I’ve seen you be still, you know. Or exchanged more than two words with you,” you said. You were attempting a light, joking tone, yet it was quite clear there was more to it.
“You say that like it would be unusual for me to be busy.”
He was not prepared for the way your soft sigh tugged at his heartstrings.
“No. It is not.”
You were both quiet after, poking at your meals. Normally, Jamil would’ve cherished such a moment of peace, yet this particular silence between you two was decidedly awkward.
Where was your usual chatter? Why weren’t you looking at him like you usually did?
“If you’re worried about me, don’t. I’m fine,” Jamil said, some softness creeping into his tone despite his best intentions.
“That's what Kalim said too,” you said. Yet the way you looked at Jamil made it clear you were still skeptical.
Wait.
Had you clammed up earlier because it had been Jamil you had been talking about with Kalim? That Kalim had comforted you about?
The thought twisted his stomach into knots.
Eta: you can find part 3 here, part 4 here, and finally part 5 here.
Hasdhfsdf the way I fought with that last scene I swear. I don't even want to know how many versions I went through, trying to figure out how to say what I wanted without rubbing it into your face or making it too veiled. The joys of trying to convey things through a limited pov. Hopefully it came out reasonably balanced in the end.
Rip to all those sentences that were lovely on their own but didn’t work for the whole. Hopefully I can rehome y’all one day.
I do have thoughts for part 3 and part x (might be some chapters between those two as well, who knows at this point), so maybe we'll see those at some point, too.
Tag list:
@colliope @crystallizsch @diodellet @jamilsimpno69 @jamilvapologist @twstgo
If you'd like to be tagged for future works, let me know! (Just be aware that sometimes I do also write nsfw, though you can certainly ask to be tagged only for particular kinds of works.)
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So I saw this screencap earlier
And I thought it was a great chance to talk about something.
A lot of progressive folks are familiar with the fact that right wing circles use feminine as a derogatory term and that there's a real cost to that for women.
What people are less familiar with is how it hurts men - queer and straight, cis and trans.
And I'm not shocked given how common it is in left leaning spaces to be reactionary (read: dismissive or outright harass) when men try to talk about these what these issues look like for them.
When men talk about how they've experienced toxic masculinity and anti-feminine bias, in addition to the usual right wing responses, I'm starting to see a bunch of supposed feminists and trans/queer allies harass them as well - saying they're hurting women/feminine presenting folks by "centering men", dismissing their concerns as made up (even when there's research to back it up), "why aren't you talking about what this is like for cis and trans women instead??".
I've seen trans men accused of being TERFs or being liars (by other trans people even - wtf) when they talk about their experiences of allies actively excluding them from trans spaces or harassing them for using T4T tags. I've seen men be accused of lying about publicly accessible clinical research that shows men make up 75%-77% of suicide cases - or worse suggest they deserve it. I see posts about how men's complaints "aren't unique to them" and dismiss them because women also suffer things those authors assume are the same (even when the research contradicts this).
And here's the thing:
When you assume feminine=good/safe/gentle and masculine=bad/unsafe/enemy - you're parroting a conservative talking point.
There is no way around this fact.
A big part of what underpins child rearing being "the woman's domain" in conservatism, is the idea that men are inherently dangerous and therefore shouldn't really be around children without women present.
The reason why they blame women for abuse and rape - because they believe men are inherently dangerous and if a woman trusted them then it's her fault.
Part of why women have been effectively banned from many trades and careers for so long is the assumption that being around that many men presents an inherent danger to a woman.
"But!" you might be saying, "This person is clearly talking about men engaging in open conflict as good here!"
Yeah because conservatives see politics as an inherently male/dangerous/toxic sphere and uphold it as such.
I could go on and on really.
All of this is to say - please be more thoughtful in what you consume, comment, and reblog.
There are experiences specific to being masculine. Erasing that is one, a dick move, but two, particularly violent toward those talking about trans masculine, minority masculine, disabled masculine, and queer masculine experiences.
All privilege comes at a cost. Listening when people talk about that cost is key building a new more fair reality. Seeing the privilege is not worth the cost makes fervent allies. Want more allies? Don't be a dick to people having that realization.
Push back against the assumption of woman=good and man=bad when you see it - especially in community spaces. The amount of times I've seen domestic violence services only available to women is insane...
Do not let identarian politics blind you to the fact we're all human and working toward our own liberation should not come at the oppression of another. Believe me, those with real power would much rather you stay raging out at men in a similar class with you than directing your efforts at them.
The right wing wants you to believe it's either/or. Fuck that - it's both/and.
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How are you feeling about S17? I'm getting reaaal worried that it's going to be terrible. No Glenn in the writers room? A crossover episode?? Rob's gradual transformation into pondslime??? Help
Pondslime 😭Lmfao
I'm feeling more than fine about 17, really truly. I don't think anyone should be worried at all.
I think sometimes my interactions with Glenn come off a little more serious or abrasive than they really happened in real life (because we have to shout due to how loud it is in the bars), and my immediate transcription is just to get people *information*, which really doesn't convey tone.
For example, reporting that Glenn said "you don't want to know" in response to me asking for any teasers (as to plots this season) was met with a lot of "oh so this season is gonna suck" on Twitter, and that could not be further than the truth (sorry to the people I split-react blocked for saying that lol). In hindsight I get the reaction, because written out it's a response that can be easily misinterpreted and reads as potentially concerning, but know that when Glenn said "you don't want to know" he looked like this:
And when I was genuinely just asking for script information (regarding writers of individual scripts after he mentioned they had broken already) and mentioned Nina (Inflates) and Ross (DTAMHD), he gushed about both of them and then said, transcribed word for word, "It's been a good room, I'll say this it's been a great room. It's been an all-star room, it's been...like, breaking the stories this year has been really fun. [Me: Yeah?] Yeah. [That's great, that is great to hear.] It's been really fun."
So the idea of "no Glenn in the writers room" is really much more akin to Season 16 than 13/14. He was there to break stories (meaning he was in the room when they were brainstorming plot ideas and when they settled on which plots would be turned into scripts) but Rob and Charlie are taking the brunt of writing their (RCG's) scripts because of Sirens. This is the same thing that happened with The Gang Goes Bowling. Glenn's name is on the script, but Rob and Charlie wrote the majority of it while Glenn was shooting Blackberry. (I remember originally being convinced it was a mistake Glenn was listed as a writer for Bowling, lmfao). And Glenn is definitely still contributing, will be on revisions for the non-RCG scripts, and will classically change or improv whatever he thinks is best for Dennis when he's on set (see: the Risk E. Rats script).
Also, I know the crossover is concerning to a lot of people just given the nature of it, but as of what we know right now it's only on Abbott, so it's really just as if this season's The Gang Cracks the Liberty Bell or The Janitor Always Mops Twice took place on a different show instead of ours...
I promise promise promise Glenn was clearly holding his tongue for good things coming up, and Friday night very much restored my confidence that Season 17 will be good. (But..if you don't think Glenn has good contributions to Sunny or understands the agenda, then sorry this response probably sucks lmfao)
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Hello, if you still have Nico di Angelo thoughts, I have a curiosity. How likely do you think it would be for Nico to express some of that internalized homophobia (that he got over way too quickly imo) towards others too?
Not violent homophobia, but little comments that make others go "huh, something about what you said feels off"
Nico doesn't mean harm by them, but he has views that are accurate to the time he was born and raised and I don't think there've been many opportunities for those views to be challenged enough for them to change (at least from what we've seen in canon, TSATS dni)
(Of course I know this is a sensitive topic so if you're uncomfortable with it feel free to ignore the ask)
I actually do have a very specific thought about this! Thank you for asking - So my take on it is I don't think Nico would have his internalized homophobia externalize at others - he's a very tolerant character in general and it's implied Maria generally raised him to be very tolerant. I think the majority of his internalized homophobia manifests mostly as a subset of his self-loathing more than anything, because he is actually very assured in his identity in general! Most of his problems with his own identity aren't actually grappling with any specific identity itself, but his concerns with how other people perceive him about said identity (being gay, son of Hades, etc). (I do agree though that in canon he moved on from that WAY too quickly.)
That being said I do think people around him would mistakenly assume he's homophobic at first, LOL.
A.) I think his language is VERY outdated, because he probably has never had the opportunity to educate himself on English queer terminology back in the day, and absolutely has never had the opportunity to educate himself on modern queer topics/terminology, nor would he probably be brave enough to do so on his own. If he's had any brushes with modern English queer stuff it'd probably be the kids at Westover saying slurs and Nico internally quietly going ("??? is that the word for it?") He knows it's considered crude but he can't tell if it's because it's impolite terminology or just general homophobia and he's too afraid to ask, so he just awkwardly avoids saying anything at all or just VEEEERRRY SLOWLY starts letting out the most hesitant "...f-?" until his friends cover his mouth going "no no no no, don't say that-"
(Nico di Angelo voted most likely to say "Is he... yknow... [gestures vaguely]...?")
B.) Nico kind of goes deer-in-the-headlights about queer topics in HoH and I imagine that would be something that continues for a bit until he learns that he's in a safe space for it. Like anybody starts mentioning queer stuff and he just freezes up a little bit and starts awkwardly trying to read for what reaction he should be having based on everybody else while remaining polite as possible, but also he can't tell if they're being sarcastic or not so he's just trying to leave just in case someone starts being homophobic, and also he's very confused anyways because he's not caught up on the terminology. But everyone else just reads that as "oh, queer topics make Nico DEEPLY uncomfortable. Is he homophobic but like, trying to be nice about it?" (cause the majority of camp probably still thinks Nico has a crush on Annabeth and has no reason to believe he likes guys, or anyone for that matter). And then people find out he's from the 1930s and proceed to filter his behavior through that lens and just assume "Oh, it must just be him being from the 1930s" and leave it at that.
Also its just REALLY funny to me to have the dynamic of Will looking at Nico, mistakenly assuming he must just be mildly homophobic, and going "I CAN FIX HIM-" while there is Nothing To Fix he's just old, gay, closeted, and confused.
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https://www.tumblr.com/louisupdates/754934426217152513/goodbye-faith-in-the-future-world-tour-272024?source=share
did he or did he not lose fans then?
I will answer this because this anon actually brings a concrete question to the table rather than just "hurhur but you're a larrie??" (tell me you can't actually refute any of our points…). Anyway this post shows the decrease in Louis instagram followers between the screenshots taken directly after the release of Faith in the Future in Nov '22, when he changed his bio to promote that album and the tour tickets, and now, when he changed it again to mention the current release. But I'm putting that response under a cut because I'm tired of the actual POINT of all this nonsense getting lost in a sea of made up things people insist are important:
There is no rational argument you can make to say that Louis has less fans now than he did 2, 4, or 6 years ago. You don't need a spreadsheet of details you need to USE YOUR EYES! He has gone from filling theaters to filling arenas and stadiums. His second album made a higher chart position than his first album. His festival has doubled in size EVERY year of its existence. And for that matter: his insta post engagement numbers remain about the same (despite the fact that older posts should have way MORE likes due to having been there longer, even aside from follower counts.) SO WHO FUCKING CARES ABOUT HIS INSTA FOLLOWER NUMBER???? Serious question: what does the word "fans" mean if these things aren't what matters? ALL of this quibbling about what he should do to make things better and people can't even see that THINGS AREN'T BAD.
Anyway to address the specific question- (con't......)
NO- HE DID NOT LOSE FANS. HE LOST SOME INSTA FOLLOWERS. THESE ARE NOT THE SAME THING. As I said above, literally what does it mean to lose fans if that number change coincides with him having higher sales, more audience members, and higher engagement than ever before? Whatever he lost ISN'T FANS. I wouldn't be surprised if a significant factor was something like a bot purge, but also yes: I'm sure a lot of casuals followed him around the time of his big album release and later unfollowed him. That's extremely normal because that's how casual engagement works, and why the definition of fan really matters. Louis and his team understand this and have referenced it repeatedly, talking about how lucky he is to have *us* specifically, to have the kind of dedicated fanbase he has, to have the KIND of fans he does who will allow him to do what HE wants. @dogsliampaynedoesntinstagram named the issue of depth vs breadth with regard to fans a long time ago, and pointed out why having DEPTH is so much more important. It's like this- artists who are on top 40 radio have more numbers on things like insta follows, and for a time on sales and tickets. But those aren't FANS- they're people with a casual interest. And as soon as that person isn't being forced in their ears 10x a day, those people lose interest and stop supporting them, stop buying stuff and unfollow, and those artists end up doing the 'opener on the jingle ball' circuit rather than their own tours. One Direction as a whole, and Louis maybe most of all or near to at this point, have something MUCH MORE VALUABLE than that- DEPTH FANS. Louis has fans who will support him even if he takes years to release music, or stops parading around with a pretend girlfriend to stay in the headlines at least once a month, or completely changes his image and genre, and that is UNHEARD OF. It's ASTONISHING and worth SO MUCH MORE. And they get that! THAT is why he always bragging about us, why industry people he works with are always so agog about us, why he will do anything for US- not for randos. He is also growing his breadth- and it's OBVIOUSLY WORKING whatever his follower counts are, but that is always going to be secondary to doing things for THE FANDOM because that is his sustainable business model. That is what keeps him onstage and reaching number one. And not coincidentally, the things they do are also working to grow that- much more valuable- commodity. So the fact that that's exactly what these chuckleheads complain about- that he does things that are just fandom facing or serving rather than everything being aimed at recruiting casual fans- does nothing but betray how completely they, unlike Louis and his team, misunderstand the actual drivers of his (actual, existing, happening) success. Luckily for Louis, he and his team rely on their own data harvesting (they do a LOT of it) and growth metrics (they're off the charts) rather than the smug assumptions of random (mostly quite new to this) fans and the few bitter people leading the complaining about everything Louis does.
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melyzard replied to this post:
You know, given that P&P was published in 1813 before the 1696 window tax was repealed, she might just be admiring both the outdoors AND the expansive and numerous windows themselves. I mean, good windows really were a big sign of wealth and consequence until 1851 when the tax was finally repealed.
But yeah,also,yeah, she's definitely more interested in the outdoors than the Great Chimney Places of the Wealthy
It's true that windows were a major status symbol at the time and long before, but I don't think Elizabeth much cares about that, in all honesty! That is the relevant historical context for Mr Collins's rhapsodies over Rosings' windows, for instance:
she could not be in such raptures as Mr Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh
He's silly but he's not mistaken in identifying the windows as a significant status symbol (which without that cultural context can seem like just another Mr Collins absurdity). But Elizabeth specifically, as a person, is consistently not very interested in these kinds of status symbols (though she knows they're there and understands what they signify). She is attracted to natural beauty and unassuming elegance, which is the overwhelming note at Pemberley:
She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.
Even when it does come to Pemberley's expensive interior, she focuses on the aesthetic dissimilarity to Rosings and, even more, about what is suggested about Darcy's relationships to other people dependent on him (Elizabeth's takeaway from the pretty interior decorating project for Georgiana is "He is certainly a good brother" and not how much disposable income this represents, say).
The fuller quote when she first approaches the window is pretty clear about what Elizabeth is focusing on, IMO:
Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.
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