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#like specifically that “que cette” why is that there
skellowmare · 1 year
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been learning french for 10ish years (actively or not) and sentences like this are still beyond my comprehension
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BPP, it's good to see you back. I have missed you and your insights.
I have been Stan twitter for a while and I have always noticed how the so called fans treat Jimin. At first I assumed it was because of shipping business but I have since come to realise it's so much more that that. I have seen Taekookers hate on him, but I have also seen most of the members if not all of the members solo stan hating on him. I have also noticed other fandoms targetting him. I fail to see why. I have been watching BTS religiously and he comes across the most sorted one in the group to me. He comes across as someone who is fully aware of who he is as a person. I find him the most genuine one in the group. That's not to say I find the others fake but there is something about him. Even now, I have come from twitter and he is being hated on for just existing. What is this all about? I have been to their concert and honestly at the concerts, he gets the loudest cheers, like much louder than the rest of the members so it really confuses me. Is it like a trendy thing to do or do people actually dislike him that much? I have noticed that his content views are lower too even though he seems to be one that everyone seems to talk about. I find myself really confused with the whole thing.
**
Hi Anon, 💜
My very first 'post' on this blog was about hate. I've dug it up and reposted it here just so I can reference it for your ask. It's really long, but please take the time to read it because the meat of what I want to say is in that post (in the second section). I'll say a couple more things specific to Jimin since that's why you're here, but if you’re interested, you can send a follow up ask or DM me for some general examples that I hope show the wider context, beyond BTS.
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(Je prie pour que la maquilleuse de Jimin se réveille avec des croissants fraîchement cuits tous les jours)
*
I want to say I sincerely think that contrary to popular belief, Jimin doesn't get that much hate compared to other members. The hate he gets is a bit peculiar in how vulgar and graphic it is and I think there's factors driving that. Perhaps he gets the most of it, but I don't think some other members are so far behind. Not that this is a competition, but I think there's this perception that Jimin is hated everywhere by a massive wide margin compared to the rest of BTS (or others in k-pop for that matter), when instead it's possible the group as a whole is hated and anybody deemed to be the face of the group, is persona non grata. And if his abs reveal during debut era didn't immortalize him as a face of Bangtan, he certainly accomplished it with Blood, Sweat & Tears in 2016. BTS would be nothing without any of the members, especially Jimin, so if you want to come at BTS, you come at Jimin.
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(J'aime bien cette photo de lui. The new ARMY recruit sent it to me. She's Jimin biased.)
Let's also get the obvious out of the way: a lot of people don't need a reason to hate. Some people genuinely enjoy hating other people, especially hating someone who is loved by a huge amount of people. And it's no secret that even in 2022, people are homophobic, racist, and generally disgusting towards other people at the slightest provocation - and this is where Jimin's perceived gender presentation and orientation, perhaps influences (or compounds) the hate directed at him - he could be perceived by the lowest sort of people, to be some kind of acceptable target.
Jimin is a man who to many people, looks like a woman. He is objectively drop dead gorgeous and sometimes cute. But the flip side is a lot of the hate directed at him is misogynistic in tone, and nasty in the way only the violating sort of hate directed towards women is nasty. I've noticed a similar thing with hate directed at Yoongi as well.
Another big reason is that k-pop is extremely and dysfunctionally competitive. Participants in k-pop spaces take the worst of internet culture and weaponize that against any perceived threats. They will use racist, sexist, disgusting and dehumanizing language at the slightest opportunity, as soon as they pick a target or identify a threat.
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(Je vous promets à tous, cet homme n'en a rien à foutre.)
Now, I've not said this anywhere before, but I think the most threatening person in k-pop is Park Jimin.
Well, yeah.
I won't get into the 'all of k-pop' comparison in this post, but within BTS, if you're watching a BTS performance and anything impressively acrobatic or virtuosic is happening, chances are Jimin is the reason. His vocals are stratosphere high - one would be lying if they said they cannot hear Jimin on a track he's on. If he sings, you will hear him, you will know it is him, and you will react to his voice. That's what his voice is designed to do. Whether that reaction is positive or negative is irrelevant imo, what matters is that his voice causes people to instinctively react. Spend anytime watching him and if his wit doesn't get your attention, it's likely his eye-smile, laugh or good manners hiding a sardonic sense of humour is what eventually does it. Or so I've been told (lol). It's impossible to not notice him. Anon, around the time I got your ask, I received another ask wondering why Jimin stands out not just in BTS but in k-pop. All the above are reasons why, and these reasons are identical to those for why people hate Jimin. I said before BTS would be nowhere without him. The thing is everybody knows it, **especially** many people who hate him.
This is a summary of how many solo stans (and some ARMYs) perceive his conflicts with their goals/faves in BTS:
Namjoon - General popularity vs perceived contribution to discography
Seokjin - Vocals, Visual
Yoongi - General popularity vs perceived contribution to discography
Hoseok - Dance, "most caring member"
Taehyung - Vocals, Dance, Visual
Jungkook - Vocals, Dance, Visual
Any discrepancies with views could be due to algorithms discounting his views (he trends too easily), or due to solo stans and their diet versions. K-pop is competitive and there's no referee - this is unavoidable context for anything that happens in this space.
*
The short answer to the question of why so many hate him, is that Jimin is special. In my humble opinion. He's special to his team, to most everyone around him, he is special compared to the general male population in- and out-side Korea, he is special in every way.
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(I miss the bowl cut days)
Anon, I rambled a lot in this post, but I think it's important to remember that Jimin seems to be fairly insulated from all of this. It's easy to get sucked in to fandom and think the reality here aligns with the one out there, but that's not necessarily true. In the real world Jimin of BTS is a respected virtuoso and master of his craft, he laughs with his friends and drinks with Jungkook et al, he gives to his old/former school and invests in real estate, he travels the world and makes music with pretty dope (and now viral) music producers and works hard on his solo debut album. He comes online occasionally to laugh with ARMYs. He said recently that he's happy. I say let's celebrate that and him more, rather than worry or wonder about why losers are the way they are.
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sophsicle · 3 years
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Hi, hello, how are you. I love your writing and I love choices and I think you’re really cool. So the one scene when they give Reg veritaserum and then Sirius starts asking him all these questions and Regulus says he’s drowning… I was just curious why there isn’t any follow up to that? Reg just walked out and Sirius didn’t try to reach out to him after and talk about it. I know James mentions it the next day and it doesn’t go well with Regulus, so is that why Sirius doesn’t make an attempt? Because he knows Reg will refuse to talk about it? Or is there some other reason you didn’t pursue that? (Thank you)
Hello lovely!
So they do actually talk about it. Sirius doesn't specifically search Regulus out because I don't think he knows how (he says it's because it never felt like the right time but the truth is he's scared). I've said this before but Sirius kind of builds these narratives around Regulus to protect himself from how much it hurt to have Regulus abandon him - because I do think Sirius feels just as abandoned by Regulus as Regulus feels abandoned by Sirius. And I think he is very hesitant to reconstruct those narratives because, again, they protect him (we see him struggling with this when Remus comes to him in the shack in chapter 35). But they do talk about it, Chapter 30, right at the end:
He looks so small,
says the annoying voice in Sirius's head.
He looks so lost.
“You said you felt like you were drowning,” the words come out of him before he’s even really decided to say them. They’ve been on his mind since the Veritaserum. He’d been meaning to find Regulus, to ask him about them, but it just somehow never felt like the right time.
“Not now—we’re not doing this now,” Regulus mutters. He’s still shaking from earlier and for a moment Sirius wonders if he’s crying, but when Regulus drops his hands his eyes are dry.
“I know what it’s like,” Sirius says, watching his brother warily, “to be alone in that house.”
Regulus shoots him a sharp look, the first since Mary left. “You weren’t alone. You had me.”
Sirius is surprised by the conviction in his brother’s voice. Surprised by how much he means that. “Did I?” Sirius asks, not even in an attempt to be confrontational but just…honest. “Because I don’t remember you ever being there Reg, not when it counted, not when I needed you.”
Silence.
Sirius sighs, running a hand through his hair. “Bella, that day, the last one, she wanted you to torture me, you remember?”
After a brief pause Regulus nods.
“Would you have? If dad hadn’t stepped in? Would you have done it?”
His brother is looking at him with his real face. Maybe that doesn’t make any sense, but it’s true. Most of the time when Sirius sees Regulus he’s walking around with this expression of distain that is far too similar to their mother’s. But here, now, he looks like Reg. Looks like the kid who used to follow Sirius everywhere, used to beg him to read stories and build snow forts. Who used to crawl into his bed at night when he was scared—not their parents bed, but his.
He’d always felt more like a parent than a brother to Regulus, maybe that’s why it hurt so much. That when things started to get bad, really bad, Regulus disappeared. He may not have chosen their parents, but he certainly didn’t choose Sirius either. Instead he’d gone and made himself as small and quiet as possible. As though hoping the world would simply overlook him. Never forcing him to make up his mind.
Eventually Regulus sighs, running a hand over his face before meeting Sirius’s stare.
“Yes.”
Sirius closes his eyes for a second. It hurts. But only a little. After all, it’s not as though he hadn’t been expecting it.
“See?” he says, opening his eyes again. “Alone.”
Regulus only looks away, back down at his knees, and Sirius realizes that he doesn’t even feel angry anymore, just…sad.
“Joyeux Noel Reg,” he says dryly, "J'espère que cette année tu apprendras à nager." He walks away before his brother’s silence can get too loud.
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mali-umkin · 3 years
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French words from the North of France (Nord et Nord-Pas-de-Calais)
I have no idea why, but today I have noticed more local words in my conversations with people - so here is a list of the words you would most likely hear in the Nord and not elsewhere, and/or that originated here. Many of them, however, are used in other regions or at least known to most people.
1. Dracher. Ex : Il va dracher toute la journée ! This means that it will rain heavily. Fun fact, in Scots, Dreich means wet, dull, gloomy, dreary, or any combination of these. Though it is likely there are no common roots (dracher certainly comes from draschen in Flamish), I love that the feeling you get from both words is somewhat similar. Miserable and wet weather.
2. Babache. Ex : Mais t'es babache ou quoi ? It means stupid, slow. It is not very insulting. It is more often used as an adjective.
3. Wassingue. Ex : C'est trempé, passe-moi la wassingue. A mop.
4. Braire. Ex : Arrête de braire ! To cry (loudly), as the primary meaning of the word is the sound made by donkeys.
5. Targniole. Ex : Arrête de braire ou tu vas te prendre une targniole ! A slap, to get brutally slapped in the face.
6. Je te dis quoi. Ex : Attend qu'il nous appelle puis on te dit quoi ! It can be literally translated as 'I tell you what', but here the what isn't asking for more information/expressing interrogation, it means 'what will happen/how things will go'. This is often the reason for quiprocos between nordistes and parisians.
7. Caboche. Ex : Mais t'as rien dans la caboche ? (Don't you have anything in the head?) Caboche alone means head (J'ai mal à la caboche). Having nothing in the caboche means you are not very bright.
8. Petit pain. Ex : Prends-moi deux petits pains à la boulangerie. It means pain au chocolat. An alternative that I have sometimes heard is petit pain au chocolat.
9. Carabistouilles. Ex : Elle ne raconte que des carabistouilles. It basically means that something is nonsense/harmless lies (bêtises, balivernes). My grandmother always says tarabistouilles and even though she may have invented it, I think it's very nice. In Ch'ti: carabistoulles.
10. Crayon de bois. Ex : Il me faut un crayon de bois pour le cours d'arts-plastiques. A pencil.
Now onto the words/expressions I have always used but didn't know they were specifically from the North:
11. Vingt(e). The number 20 but we pronounce the t. I have actually always felt not pronouncing the t made you sound less serious.
12. Être à pied de chaussettes. Ex : Dans cette maison, on est tous à pied de chaussettes. To wear only socks.
13. A toute Berzingue. Ex : Ce fou furieux roulait à toute berzingue. At full speed.
14. Décarocher. Ex : Le pauvre homme, il décaroche complètement. To lose one's mind. There is this idea of slowly losing grip on things, falling. It is often used in a humorous/emphatic way but the primary meaning remains too.
15. Nonoche. Ex : T'es complètement nonoche ou quoi ? Simpleton.
16. Si ça tombe. Ex : Si ça tombe il s'est perdu et ne nous trouvera pas. Maybe/perhaps/if things are like they could be/if anything. It really is hard to translate the connotation here. It comes from the expression "Si ça se trouve", which refers to a possibility or eventuality that is less likely to happen than 'maybe', and I would argue that the former is a bit more fatalist/serious (tomber is more brutal).
17. Tout partout. Ex : Il a fait tomber la farine, y'en a tout partout ! Everywhere; you are insisting on the fact it really is all everywhere.
18. A c't'heure. Ex : Y'a plus rien d'ouvert à c't'heure. At this time of the day, literally at this hour. More often used by older generations (40+) but not exclusively.
Quand on vient dans le Nord on braie 2 fois : quand on arrive et quand on repart !
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art-for-art-s-sake · 3 years
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Andy Warhol, Silkscreen of Botticelli's Renaissance painting The Birth of Venus, (c.1984)
2/6
(English Translation)
One of the only things I find incredibly compelling about this work is it’s medium. But a few other things should be taken into account when reviewing this work.
1– The subject; Warhol is mostly known for his soup cans and animals. I find this work to be particularly amusing; I visited Chicago, America for the Noel of 2019, and was exposed to a large traveling exhibit there of his work. I’m not so much a huge fan of his work, but I do find the way he strayed off from his normal style interesting.
2– Venus is an ancient Roman god of love and beauty. Botticelli’s Venus is a defined masterpiece by the art world— it is currently housed in the Uffizi Gallery, in Florence, one of the largest, most lovely collections of works in the world. Some people may argue on its meaning, but it’s broadly interpreted as Botticelli’s representation of the Neoplatonic idea of divine love, as so represented by Venus, in all nude.
(Traduction Français)
L'une des seules choses que je trouve incroyablement convaincantes à propos de ce travail est son médium. Mais quelques autres éléments doivent être pris en compte lors de l'examen de ce travail.
1– Le sujet ; Warhol est surtout connu pour ses boîtes de soupe et ses animaux. Je trouve ce travail particulièrement amusant ; J'ai visité Chicago, en Amérique pour le Noël de 2019, et j'y ai été exposé à une grande exposition itinérante de son travail. Je ne suis pas tellement un grand fan de son travail, mais je trouve la façon dont il s'est éloigné de son style normal intéressante.
2– Vénus est un ancien dieu romain de l'amour et de la beauté. La Vénus de Botticelli est un chef-d'œuvre défini par le monde de l'art - elle est actuellement conservée à la Galerie des Offices, à Florence, l'une des plus grandes et des plus belles collections d'œuvres au monde. Certaines personnes peuvent discuter de sa signification, mais il est largement interprété comme la représentation de Botticelli de l'idée néoplatonicienne de l'amour divin, telle que représentée par Vénus, entièrement nue.
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The Birth of Venus, Botticelli (c.1485-1486)
(English Translation)
This concept is fascinating in regards to Warhol, as he was an outwardly gay artist in the (prominent) 1960s, 1970s, and 1980s art world.
I’d like to ponder on why he chose this specific work to reproduce; his own queerness was the subject of many of his works, such as The Chelsea Girls, a 1967 film he directed, or Torso, c. 1982, silkscreen print. He also has a few male penises depicted, such as Male Genitals, c. 1950s. Botticelli has hardly a depiction of queerness in his art, as his works (and most works of the Renaissance era) are for and based around the church. The sense of freedom present in Warhol’s art is something I have yet to seen completely captured by another artist; he did not care, and that is some thing of art itself.
(Traduction Français)
Ce concept est fascinant en ce qui concerne Warhol, car il était un artiste gay dans le monde de l'art (éminent) des années 1960, 1970 et 1980.
J'aimerais réfléchir aux raisons pour lesquelles il a choisi de reproduire cette œuvre spécifique; sa propre étrangeté a fait l'objet de plusieurs de ses œuvres, telles que The Chelsea Girls, un film qu'il a réalisé en 1967, ou Torso, c. 1982, sérigraphie. Il a également quelques pénis masculins représentés, tels que les organes génitaux masculins, c. années 1950. Botticelli a à peine une représentation de l'homosexualité dans son art, car ses œuvres (et la plupart des œuvres de l'époque de la Renaissance) sont pour et basées autour de l'église. Le sentiment de liberté présent dans l'art de Warhol est quelque chose que je n'ai pas encore vu complètement capturé par un autre artiste ; il s'en fichait, et c'est quelque chose de l'art lui-même.
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synteis · 4 years
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2.1.9-L'inattendu
The opening of this chapter almost feels like the POV from the group with these giant men on these giant horses. We get a lot more numbers here and they're specific to the one. It also includes descriptions of their armour.
This chapter is a lot more clear than the previous one and conveys movement where the previous conveyed stillness. After got those more close up views of them that are basically close up shots we've down gone to a wide lens which follows them over the landscape. In doing so, Hugo says explicitely what he has just conveyed: “Il semblait que cette masse était devenue monstre et n'eût qu'une âme. Chaque escadron ondulait et se gonflait comme un anneau du polype.” I think this works very well to show how certain victory seems, how in control Napoleon feels that he is but also what he has inflicted on these men.
We get several more classical allusions in this chapter which have been present throughout the Waterloo sections, especially with regards to Napoleon. Although because of the revolutionary laws, several people have classical names, Enjolras is the principle other character that I can think of with these classical allusions.
And then this monster hits the "chemin creux d'Ohain" and it causes complete chaos for the horses. Nothing else that they've faced has but this does.
[L]a force acquise pour écraser les Anglais écrasa les Français, le ravin inexorable ne pouvait se rendre que comblé, cavaliers et chevaux y roulèrent pêle-mêle se broyant les uns sur les autres, ne faisant qu'une chair dans ce gouffre, et, quand cette fosse fut pleine d'hommes vivants, on marcha dessus et le reste passa.
This feels like the whole point of the book really. An imagine of society which is now crushing itself as it hits this inexorable ravine. If they'd known about it, they could have taken it slower and not crushed themselves but now that they have, the only way to go over it is literally using the bodies to fill it up. No wonder France as a whole is now losing.
And now we meet Hugo's god directly for the first time in this book. We had met many signs of God before and in the second chapter, we saw the chapel at Hougomont with Jesus but here we meet his God in a moment of power and learn a great deal in the process about how the magic system works.
Était-il possible que Napoléon gagnât cette bataille? Nous répondons non. Pourquoi? À cause de Wellington? à cause de Blü-cher? Non. À cause de Dieu. […] L'excessive pesanteur de cet homme dans la destinée humaine troublait l'équilibre. [...] Le moment était venu pour l'incorruptible équité suprême d'aviser. Probablement les principes et les éléments, d'où dépendent les gravitations régulières dans l'ordre moral comme dans l'ordre matériel, se plaignaient. Le sang qui fume, le trop-plein des cimetières, les mères en larmes, ce sont des plaidoyers redoutables. Il y a, quand la terre souffre d'une surcharge, de mystérieux gémissements de l'ombre, que l'abîme entend.
I feel like this ties into all the classical allusions that Hugo was making before, that Napoleon belonged to the age of classical heroes (and monsters) and not to the 19th C. This makes me wonder whether then the same can be said of Enjolras and Grantaire and Les Amis? Is this why their revolution doesn't succeed and can only be the inspiration for future ones?
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Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itsDemon Slayer the Movie: Mugen Train.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13] Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14] Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15] 🔮 ADAPTATION 🔮 Sarah Paulson is my top choice, yet this film isn’t her best. I trusted that months for this will come out and I’m left asking why I was so energized. The trailer parted with everything. You knew the entire story before it even began. There was practically zero character improvement and everything just felt like it was 0–100 with no pacing at all. Likewise, the cosmetics office for Sarah’s last look-the hellfire would you say you were folks on when you thought of this? I really snickered when I saw her. It was an alright film. One that you’d be pissed on the off chance that you burned through cash on. Nothing new, normal, worn out acting. Additionally, no one realizes the proper behavior an asthma assault. This film had so many plot openings that it seemed like a parody. The mother can simply take an infant from the clinic? She harms her little girl for quite a long time and no specialist actually sees this during her regular visits? How did she manage the postal carrier’s vehicle? No one minded the postal carrier was absent? For what reason did the girl never get one of the numerous sharp or gruff articles around her and hit her mother? The mother leaves all her significant reports in a container sitting out and marked? For what reason would she tie up her girl’s wheel seat and not her girl? This is the means by which the entire film goes. The main redeemable nature of the film was Sarah Paulson’s very frightening acting. Likewise, this story has been done so often. I would not burn through my time watching this. Run is unsurprising and not extraordinary. The acting is phenomenal, while the story is fair. The story makes a magnificent showing of being exciting, yet it chiefly doesn’t go anyplace. I knew all that planned to happen despite the fact that I knew nothing. Nonetheless, There was one scene I appreciated where Clare says, “you need me.” The acting was only exceptional in that particular scene. In general, it’s a one time watch that you’ll most likely fail to remember. This is another film on Hulu by Aneesh Chaganty (and co-composed by Sev Ohanian), following up their realistic presentation Searching (2018) with a spine chiller including a mother and her 17-year-old little girl brought into the world with a few confusions (arrhythmia, hemochromatosis, asthma, diabetes, and most effectively loss of motion). I will say that it’s conceivable this film is superior to I preferred it, yet in the event that so it would be for its coordinating and acting, and less so about the composition. I felt like there were openings all over the place, and maybe an excess of is tossed at us too early for us to appropriately think about the characters and their circumstance. This sort of film has been done previously, absent a lot of new added to the table short the wheelchair perspective. There were a ton of components set up for what might have given a more grounded finishing conveyance and punch, yet the greater part of those beats were one-note and spent prior in the film as opposed to associating a solid inward weaving as Searching had the option to do. I went in visually impaired, and it’s possible better that I did given that the trailer is fairly uncovering. I don’t think it had a sufficiently high roof in any case to overshadow any wild absence of desires I previously had. My solitary desire was in the possession of the makers, and the most saving grace this film will probably have on crowds is I expectation they become mindful of Searching and see it sooner or later… which is the thing that I expectation the greater part of all of you can detract from this. That was my #1 film of 2018, and Run will tumble to the wayside as fairly convincing yet totally forgettable. The story and pre-assembled relationship just needed more squeeze once the credits rolled. This film was average, best case scenario. Try not to accept individuals giving it 8 or 9. The plot has been seen ordinarily, it was excessively unreasonable, and the closure failed. They attempted to showcase it as a loathsomeness/spine chiller however nothing about it is exciting. It’s a dramatization completely. I will say however, the entertainers did astounding with what they were given. Sarah Paulson was her standard sDemon Slayer the Movie: Mugen Train, great, not honor commendable. Be that as it may, Kiera Allen truly captured everyone’s attention. She made the film (which delayed for what seemed like 2 hours) watchable. In the event that you appreciated The Act or have nothing else to watch, give it a go. What’s the point of messing with this poop. It resembles a low lease endeavor at a spine chiller yet you definitely know the closure. The faltering endeavors at tension are more irritating than anything. It’s a terrible lifetime film to be straightforward. Furthermore, I like lifetime motion pictures! It’s additionally excessively coordinated, the music is exhausted and the acting isn’t incredible
2 notes · View notes
intouchables2011 · 4 years
Text
[Intouchables] (2011)HD Film Complet Streaming VF en Français
Regarder Intouchables Film Complet Streaming VF En Français — HD 2011 Voir Intouchables 2011 Film Complet En Français, Voir Intouchables 2011 Film Entier En Français, Voir Intouchables 2011 Film En Français, Voir Intouchables 2011 Film Complet, Voir Intouchables 2011 Film Complet VF, Voir Intouchables 2011 Film Complet Streaming, Voir Intouchables 2011 Film Entier, Intouchables 2011 Film Entier VF, Voir Intouchables 2011 Film Entier Streaming, Voir Intouchables 2011 Film Streaming VF, Voir Intouchables 2011 voir en streaming gratuit,
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⭐⭐⭐⭐⭐⭐⭐
Intouchables 2011
8.3/10 de 13137 utilisateurs À la suite d’un accident de parapente, Philippe, riche aristocrate, engage comme aide à domicile Driss, un jeune de banlieue tout juste sorti de prison… Bref la personne la moins adaptée pour le job. Ensemble ils vont faire cohabiter Vivaldi et Earth Wind and Fire, le verbe et la vanne, les costumes et les bas de survêtement… Deux univers vont se téléscoper, s’apprivoiser, pour donner naissance à une amitié aussi dingue, drôle et forte qu’inattendue, une relation unique qui fera des étincelles et qui les rendra… Intouchables.
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🎬 VISIT THIS LINK : https://t.co/k10juwiLYX?amp=1
Sortie: 2011-11-02 Durée: 112 minutes Genre: Drame, Comédie Etoiles: François Cluzet, Omar Sy, Audrey Fleurot, Anne Le Ny, Clotilde Mollet Directeur: Olivia Bloch-Lainé, François Emmanuelli, Jean Goudier, Jean-Paul Hurier, Mathieu Vadepied
Il y a de cela fort longtemps, au royaume imaginaire de Kumandra, humains et dragons vivaient en harmonie. Mais un jour, une force maléfique s’abattit sur le royaume et les dragons se sacrifièrent pour sauver l’humanité. Lorsque cette force réapparait cinq siècles plus tard, Raya, une guerrière solitaire, se met en quête du légendaire dernier dragon pour restaurer l’harmonie sur la terre de Kumandra, au sein d’un peuple désormais divisé. Commence pour elle un long voyage au cours duquel elle découvrira qu’il lui faudra bien plus qu’un dragon pour sauver le monde, et que la confiance et l’entraide seront essentiels pour conduire au succès cette périlleuse mission. 31 mars 2011 / Animation, Fantastique, Aventure De Don Hall, Carlos Lopez Estrada, Paul Briggs … Avec Kelly Marie Tran, Awkwafina Nationalité Américain Intouchables Intouchables vf Intouchables grand rex Intouchables sortie france Intouchables youtube Intouchables telecharger Intouchables age Intouchables durée Intouchables bande annonce Intouchables casting Intouchables sortie Intouchables au grand rex Intouchables affiche Intouchables à partir de quel age Intouchables avis Intouchables avant premiere Intouchables au cinema Intouchables age minimum Intouchables a telecharger Intouchables age conseillé Intouchables âge Intouchables bande annonce youtube
🎬 VISIT THIS LINK : https://t.co/k10juwiLYX?amp=1
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🔮 THE STORY 🔮 Sci-fi is like dream, aside from stories in this classification utilize logical arrangement to explain the universe that it requires place in. It for the most part incorporates or is focused on the assumed impacts or repercussions of PCs or machines; travel through space, time or imaginary worlds; outsider living things; hereditary designing; or other such things. The science or innovation utilized may or probably won’t be completely explained on; stories whose logical components are sensibly point by point, well-informed and viewed as generally conceivable given current information and innovation are regularly known as hard sci-fi. Writing that objectives posses, criminal associations that give a degree of association, and assets that help a lot bigger and more specialized criminal exchanges than an individual criminal could accomplish. Criminals will be the subject of a few motion pictures, especially from the period somewhere in the range of 1930 and 1960. A restoration of criminal sort films happened since the 1990s with the blast of hip-jump culture. Dissimilar to the sooner hoodlum films, the more current movies share comparative components to the more established movies yet is more in a hip-bounce metropolitan setting. An experience story is around a hero who excursions to epic or removed spots to perform something. It could have a considerable number of other classification factors included inside it, since it is an open type. The hero incorporates a mission and faces hindrances to get to their objective. Additionally, experience stories as a rule incorporate obscure settings and characters with valued properties or highlights. At first proposed as a classification by the makers of the pretending game Children of daylight, dieselpunk alludes to fiction propelled by mid-century mash stories, predicated on the style of the interbellum period through World War II (c. 1920–45). Like steampunk however especially observed as a the ascent of oil power and technocratic discernment, fusing neo-noir factors and sharing subjects more clearly with cyberpunk than steampunk. Despite the fact that the striking quality of dieselpunk as a classification isn’t totally uncontested, portions which range from the retro-advanced film Sky Captain and the World of Tomorrow to the 2001 Activision computer game Return to Castle Wolfenstein have been recommended as quintessential dieselpunk works of fiction. A style when an entertainer acts before a live crowd, talking straightforwardly to them. The entertainer is generally alluded to as a comic, professional comedian, professional comic or simply a hold up. In stand-up parody the entertainer ordinarily discusses a relentless progression of amusing stories, short jokes called “pieces”, and jokes, which comprise what’s regularly called a discourse, routine or act. Some professional comics use props, music or sorcery stunts to improve their demonstrations. Stand-up satire is regularly acted in parody clubs, bars, neo-vaudevilles, schools, and theaters. Outside of live execution, stand-up is typically circulated monetarily by means of TV, DVD, and the web. like customary activity; instead of utilizing hand drawn pictures, stop movement films are made with little puppets or different articles which have their image taken regularly over a grouping of little developments to make liveliness outlines. Models are The Nightmare Before Christmas, Coraline, and Corpse Bride. 🔮 COPYRIGHT CONTENT 🔮 Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itsDemon Slayer the Movie: Mugen Train.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13] Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14] Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15] 🔮 ADAPTATION 🔮 Sarah Paulson is my top choice, yet this film isn’t her best. I trusted that months for this will come out and I’m left asking why I was so energized. The trailer parted with everything. You knew the entire story before it even began. There was practically zero character improvement and everything just felt like it was 0–100 with no pacing at all. Likewise, the cosmetics office for Sarah’s last look-the hellfire would you say you were folks on when you thought of this? I really snickered when I saw her. It was an alright film. One that you’d be pissed on the off chance that you burned through cash on. Nothing new, normal, worn out acting. Additionally, no one realizes the proper behavior an asthma assault. This film had so many plot openings that it seemed like a parody. The mother can simply take an infant from the clinic? She harms her little girl for quite a long time and no specialist actually sees this during her regular visits? How did she manage the postal carrier’s vehicle? No one minded the postal carrier was absent? For what reason did the girl never get one of the numerous sharp or gruff articles around her and hit her mother? The mother leaves all her significant reports in a container sitting out and marked? For what reason would she tie up her girl’s wheel seat and not her girl? This is the means by which the entire film goes. The main redeemable nature of the film was Sarah Paulson’s very frightening acting. Likewise, this story has been done so often. I would not burn through my time watching this. Run is unsurprising and not extraordinary. The acting is phenomenal, while the story is fair. The story makes a magnificent showing of being exciting, yet it chiefly doesn’t go anyplace. I knew all that planned to happen despite the fact that I knew nothing. Nonetheless, There was one scene I appreciated where Clare says, “you need me.” The acting was only exceptional in that particular scene. In general, it’s a one time watch that you’ll most likely fail to remember. This is another film on Hulu by Aneesh Chaganty (and co-composed by Sev Ohanian), following up their realistic presentation Searching (2018) with a spine chiller including a mother and her 17-year-old little girl brought into the world with a few confusions (arrhythmia, hemochromatosis, asthma, diabetes, and most effectively loss of motion). I will say that it’s conceivable this film is superior to I preferred it, yet in the event that so it would be for its coordinating and acting, and less so about the composition. I felt like there were openings all over the place, and maybe an excess of is tossed at us too early for us to appropriately think about the characters and their circumstance. This sort of film has been done previously, absent a lot of new added to the table short the wheelchair perspective. There were a ton of components set up for what might have given a more grounded finishing conveyance and punch, yet the greater part of those beats were one-note and spent prior in the film as opposed to associating a solid inward weaving as Searching had the option to do. I went in visually impaired, and it’s possible better that I did given that the trailer is fairly uncovering. I don’t think it had a sufficiently high roof in any case to overshadow any wild absence of desires I previously had. My solitary desire was in the possession of the makers, and the most saving grace this film will probably have on crowds is I expectation they become mindful of Searching and see it sooner or later… which is the thing that I expectation the greater part of all of you can detract from this. That was my #1 film of 2018, and Run will tumble to the wayside as fairly convincing yet totally forgettable. The story and pre-assembled relationship just needed more squeeze once the credits rolled. This film was average, best case scenario. Try not to accept individuals giving it 8 or 9. The plot has been seen ordinarily, it was excessively unreasonable, and the closure failed. They attempted to showcase it as a loathsomeness/spine chiller however nothing about it is exciting. It’s a dramatization completely. I will say however, the entertainers did astounding with what they were given. Sarah Paulson was her standard sDemon Slayer the Movie: Mugen Train, great, not honor commendable. Be that as it may, Kiera Allen truly captured everyone’s attention. She made the film (which delayed for what seemed like 2 hours) watchable. In the event that you appreciated The Act or have nothing else to watch, give it a go. What’s the point of messing with this poop. It resembles a low lease endeavor at a spine chiller yet you definitely know the closure. The faltering endeavors at tension are more irritating than anything. It’s a terrible lifetime film to be straightforward. Furthermore, I like lifetime motion pictures! It’s additionally excessively coordinated, the music is exhausted and the acting isn’t incredible
1 note · View note
rayaetledernier2021 · 4 years
Text
【™FILM'COMPLET】RAYA ET LE DERNIER DRAGON (2021)-HD Streaming VF en Français
Regarder RAYA ET LE DERNIER DRAGON Film Complet Streaming VF En Français — HD 2021 Voir RAYA ET LE DERNIER DRAGON 2021 Film Complet En Français, Voir RAYA ET LE DERNIER DRAGON 2021 Film Entier En Français, Voir RAYA ET LE DERNIER DRAGON 2021 Film En Français, Voir RAYA ET LE DERNIER DRAGON 2021 Film Complet, Voir RAYA ET LE DERNIER DRAGON 2021 Film Complet VF, Voir RAYA ET LE DERNIER DRAGON 2021 Film Complet Streaming, Voir RAYA ET LE DERNIER DRAGON 2021 Film Entier, RAYA ET LE DERNIER DRAGON 2021 Film Entier VF, Voir RAYA ET LE DERNIER DRAGON 2021 Film Entier Streaming, Voir RAYA ET LE DERNIER DRAGON 2021 Film Streaming VF, Voir RAYA ET LE DERNIER DRAGON 2021 voir en streaming gratuit, Image for post
RAYA ET LE DERNIER DRAGON 2021
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VOIR: ▶️▶️https://tinyurl.com/3za3wv6b
8.6/10 de 1042 utilisateurs Il y a de cela fort longtemps, au royaume imaginaire de Kumandra, humains et dragons vivaient en harmonie. Mais un jour, une force maléfique s’abattit sur le royaume et les dragons se sacrifièrent pour sauver l’humanité. Lorsque cette force réapparait cinq siècles plus tard, Raya, une guerrière solitaire, se met en quête du légendaire dernier dragon pour restaurer l’harmonie sur la terre de Kumandra, au sein d’un peuple désormais divisé. Commence pour elle un long voyage au cours duquel elle découvrira qu’il lui faudra bien plus qu’un dragon pour sauver le monde, et que la confiance et l’entraide seront essentiels pour conduire au succès cette périlleuse mission.
Sortie: 2021-03-03 Durée: 114 minutes Genre: Animation, Aventure, Fantastique, Familial, Action Etoiles: Kelly Marie Tran, Awkwafina, Izaac Wang, Gemma Chan, Daniel Dae Kim Directeur: James Newton Howard, Fabienne Rawley, Peter Del Vecho, Paul A. Felix, Jamie Sparer Roberts
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REGARDER : ▶️▶️https://tinyurl.com/3za3wv6b
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Il y a de cela fort longtemps, au royaume imaginaire de Kumandra, humains et dragons vivaient en harmonie. Mais un jour, une force maléfique s’abattit sur le royaume et les dragons se sacrifièrent pour sauver l’humanité. Lorsque cette force réapparait cinq siècles plus tard, Raya, une guerrière solitaire, se met en quête du légendaire dernier dragon pour restaurer l’harmonie sur la terre de Kumandra, au sein d’un peuple désormais divisé. Commence pour elle un long voyage au cours duquel elle découvrira qu’il lui faudra bien plus qu’un dragon pour sauver le monde, et que la confiance et l’entraide seront essentiels pour conduire au succès cette périlleuse mission. 31 mars 2021 / Animation, Fantastique, Aventure De Don Hall, Carlos Lopez Estrada, Paul Briggs … Avec Kelly Marie Tran, Awkwafina Nationalité Américain RAYA ET LE DERNIER DRAGON RAYA ET LE DERNIER DRAGON vf RAYA ET LE DERNIER DRAGON grand rex RAYA ET LE DERNIER DRAGON sortie france RAYA ET LE DERNIER DRAGON youtube RAYA ET LE DERNIER DRAGON telecharger RAYA ET LE DERNIER DRAGON age RAYA ET LE DERNIER DRAGON durée RAYA ET LE DERNIER DRAGON bande annonce RAYA ET LE DERNIER DRAGON casting RAYA ET LE DERNIER DRAGON sortie RAYA ET LE DERNIER DRAGON au grand rex RAYA ET LE DERNIER DRAGON affiche RAYA ET LE DERNIER DRAGON à partir de quel age RAYA ET LE DERNIER DRAGON avis RAYA ET LE DERNIER DRAGON avant premiere RAYA ET LE DERNIER DRAGON au cinema RAYA ET LE DERNIER DRAGON age minimum RAYA ET LE DERNIER DRAGON a telecharger RAYA ET LE DERNIER DRAGON age conseillé RAYA ET LE DERNIER DRAGON âge RAYA ET LE DERNIER DRAGON bande annonce youtube 🔮 THE STORY 🔮 Sci-fi is like dream, aside from stories in this classification utilize logical arrangement to explain the universe that it requires place in. It for the most part incorporates or is focused on the assumed impacts or repercussions of PCs or machines; travel through space, time or imaginary worlds; outsider living things; hereditary designing; or other such things. The science or innovation utilized may or probably won’t be completely explained on; stories whose logical components are sensibly point by point, well-informed and viewed as generally conceivable given current information and innovation are regularly known as hard sci-fi. Writing that objectives posses, criminal associations that give a degree of association, and assets that help a lot bigger and more specialized criminal exchanges than an individual criminal could accomplish. Criminals will be the subject of a few motion pictures, especially from the period somewhere in the range of 1930 and 1960. A restoration of criminal sort films happened since the 1990s with the blast of hip-jump culture. Dissimilar to the sooner hoodlum films, the more current movies share comparative components to the more established movies yet is more in a hip-bounce metropolitan setting. An experience story is around a hero who excursions to epic or removed spots to perform something. It could have a considerable number of other classification factors included inside it, since it is an open type. The hero incorporates a mission and faces hindrances to get to their objective. Additionally, experience stories as a rule incorporate obscure settings and characters with valued properties or highlights. At first proposed as a classification by the makers of the pretending game Children of daylight, dieselpunk alludes to fiction propelled by mid-century mash stories, predicated on the style of the interbellum period through World War II (c. 1920–45). Like steampunk however especially observed as a the ascent of oil power and technocratic discernment, fusing neo-noir factors and sharing subjects more clearly with cyberpunk than steampunk. Despite the fact that the striking quality of dieselpunk as a classification isn’t totally uncontested, portions which range from the retro-advanced film Sky Captain and the World of Tomorrow to the 2001 Activision computer game Return to Castle Wolfenstein have been recommended as quintessential dieselpunk works of fiction. A style when an entertainer acts before a live crowd, talking straightforwardly to them. The entertainer is generally alluded to as a comic, professional comedian, professional comic or simply a hold up. In stand-up parody the entertainer ordinarily discusses a relentless progression of amusing stories, short jokes called “pieces”, and jokes, which comprise what’s regularly called a discourse, routine or act. Some professional comics use props, music or sorcery stunts to improve their demonstrations. Stand-up satire is regularly acted in parody clubs, bars, neo-vaudevilles, schools, and theaters. Outside of live execution, stand-up is typically circulated monetarily by means of TV, DVD, and the web. like customary activity; instead of utilizing hand drawn pictures, stop movement films are made with little puppets or different articles which have their image taken regularly over a grouping of little developments to make liveliness outlines. Models are The Nightmare Before Christmas, Coraline, and Corpse Bride. 🔮 COPYRIGHT CONTENT 🔮 Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itsDemon Slayer the Movie: Mugen Train.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13] Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14] Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15] 🔮 ADAPTATION 🔮 Sarah Paulson is my top choice, yet this film isn’t her best. I trusted that months for this will come out and I’m left asking why I was so energized. The trailer parted with everything. You knew the entire story before it even began. There was practically zero character improvement and everything just felt like it was 0–100 with no pacing at all. Likewise, the cosmetics office for Sarah’s last look-the hellfire would you say you were folks on when you thought of this? I really snickered when I saw her. It was an alright film. One that you’d be pissed on the off chance that you burned through cash on. Nothing new, normal, worn out acting. Additionally, no one realizes the proper behavior an asthma assault. This film had so many plot openings that it seemed like a parody. The mother can simply take an infant from the clinic? She harms her little girl for quite a long time and no specialist actually sees this during her regular visits? How did she manage the postal carrier’s vehicle? No one minded the postal carrier was absent? For what reason did the girl never get one of the numerous sharp or gruff articles around her and hit her mother? The mother leaves all her significant reports in a container sitting out and marked? For what reason would she tie up her girl’s wheel seat and not her girl? This is the means by which the entire film goes. The main redeemable nature of the film was Sarah Paulson’s very frightening acting. Likewise, this story has been done so often. I would not burn through my time watching this. Run is unsurprising and not extraordinary. The acting is phenomenal, while the story is fair. The story makes a magnificent showing of being exciting, yet it chiefly doesn’t go anyplace. I knew all that planned to happen despite the fact that I knew nothing. Nonetheless, There was one scene I appreciated where Clare says, “you need me.” The acting was only exceptional in that particular scene. In general, it’s a one time watch that you’ll most likely fail to remember. This is another film on Hulu by Aneesh Chaganty (and co-composed by Sev Ohanian), following up their realistic presentation Searching (2018) with a spine chiller including a mother and her 17-year-old little girl brought into the world with a few confusions (arrhythmia, hemochromatosis, asthma, diabetes, and most effectively loss of motion). I will say that it’s conceivable this film is superior to I preferred it, yet in the event that so it would be for its coordinating and acting, and less so about the composition. I felt like there were openings all over the place, and maybe an excess of is tossed at us too early for us to appropriately think about the characters and their circumstance. This sort of film has been done previously, absent a lot of new added to the table short the wheelchair perspective. There were a ton of components set up for what might have given a more grounded finishing conveyance and punch, yet the greater part of those beats were one-note and spent prior in the film as opposed to associating a solid inward weaving as Searching had the option to do. I went in visually impaired, and it’s possible better that I did given that the trailer is fairly uncovering. I don’t think it had a sufficiently high roof in any case to overshadow any wild absence of desires I previously had. My solitary desire was in the possession of the makers, and the most saving grace this film will probably have on crowds is I expectation they become mindful of Searching and see it sooner or later… which is the thing that I expectation the greater part of all of you can detract from this. That was my #1 film of 2018, and Run will tumble to the wayside as fairly convincing yet totally forgettable. The story and pre-assembled relationship just needed more squeeze once the credits rolled. This film was average, best case scenario. Try not to accept individuals giving it 8 or 9. The plot has been seen ordinarily, it was excessively unreasonable, and the closure failed. They attempted to showcase it as a loathsomeness/spine chiller however nothing about it is exciting. It’s a dramatization completely. I will say however, the entertainers did astounding with what they were given. Sarah Paulson was her standard sDemon Slayer the Movie: Mugen Train, great, not honor commendable. Be that as it may, Kiera Allen truly captured everyone’s attention. She made the film (which delayed for what seemed like 2 hours) watchable. In the event that you appreciated The Act or have nothing else to watch, give it a go. What’s the point of messing with this poop. It resembles a low lease endeavor at a spine chiller yet you definitely know the closure. The faltering endeavors at tension are more irritating than anything. It’s a terrible lifetime film to be straightforward. Furthermore, I like lifetime motion pictures! It’s additionally excessively coordinated, the music is exhausted and the acting isn’t incredible
1 note · View note
rayaetledernier · 4 years
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[RAYA ET LE DERNIER DRAGON] (2021)HD Film Complet Streaming VF en Français
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RAYA ET LE DERNIER DRAGON 2021
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REGARDER : ▶️▶️https://tinyurl.com/3za3wv6b
8.6/10 de 1042 utilisateurs Il y a de cela fort longtemps, au royaume imaginaire de Kumandra, humains et dragons vivaient en harmonie. Mais un jour, une force maléfique s’abattit sur le royaume et les dragons se sacrifièrent pour sauver l’humanité. Lorsque cette force réapparait cinq siècles plus tard, Raya, une guerrière solitaire, se met en quête du légendaire dernier dragon pour restaurer l’harmonie sur la terre de Kumandra, au sein d’un peuple désormais divisé. Commence pour elle un long voyage au cours duquel elle découvrira qu’il lui faudra bien plus qu’un dragon pour sauver le monde, et que la confiance et l’entraide seront essentiels pour conduire au succès cette périlleuse mission.
Sortie: 2021-03-03 Durée: 114 minutes Genre: Animation, Aventure, Fantastique, Familial, Action Etoiles: Kelly Marie Tran, Awkwafina, Izaac Wang, Gemma Chan, Daniel Dae Kim Directeur: James Newton Howard, Fabienne Rawley, Peter Del Vecho, Paul A. Felix, Jamie Sparer Roberts
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VOIR: ▶️▶️ RAYA ET LE DERNIER DRAGON 2021
Il y a de cela fort longtemps, au royaume imaginaire de Kumandra, humains et dragons vivaient en harmonie. Mais un jour, une force maléfique s’abattit sur le royaume et les dragons se sacrifièrent pour sauver l’humanité. Lorsque cette force réapparait cinq siècles plus tard, Raya, une guerrière solitaire, se met en quête du légendaire dernier dragon pour restaurer l’harmonie sur la terre de Kumandra, au sein d’un peuple désormais divisé. Commence pour elle un long voyage au cours duquel elle découvrira qu’il lui faudra bien plus qu’un dragon pour sauver le monde, et que la confiance et l’entraide seront essentiels pour conduire au succès cette périlleuse mission. 31 mars 2021 / Animation, Fantastique, Aventure De Don Hall, Carlos Lopez Estrada, Paul Briggs … Avec Kelly Marie Tran, Awkwafina Nationalité Américain RAYA ET LE DERNIER DRAGON RAYA ET LE DERNIER DRAGON vf RAYA ET LE DERNIER DRAGON grand rex RAYA ET LE DERNIER DRAGON sortie france RAYA ET LE DERNIER DRAGON youtube RAYA ET LE DERNIER DRAGON telecharger RAYA ET LE DERNIER DRAGON age RAYA ET LE DERNIER DRAGON durée RAYA ET LE DERNIER DRAGON bande annonce RAYA ET LE DERNIER DRAGON casting RAYA ET LE DERNIER DRAGON sortie RAYA ET LE DERNIER DRAGON au grand rex RAYA ET LE DERNIER DRAGON affiche RAYA ET LE DERNIER DRAGON à partir de quel age RAYA ET LE DERNIER DRAGON avis RAYA ET LE DERNIER DRAGON avant premiere RAYA ET LE DERNIER DRAGON au cinema RAYA ET LE DERNIER DRAGON age minimum RAYA ET LE DERNIER DRAGON a telecharger RAYA ET LE DERNIER DRAGON age conseillé RAYA ET LE DERNIER DRAGON âge RAYA ET LE DERNIER DRAGON bande annonce youtube 🔮 THE STORY 🔮 Sci-fi is like dream, aside from stories in this classification utilize logical arrangement to explain the universe that it requires place in. It for the most part incorporates or is focused on the assumed impacts or repercussions of PCs or machines; travel through space, time or imaginary worlds; outsider living things; hereditary designing; or other such things. The science or innovation utilized may or probably won’t be completely explained on; stories whose logical components are sensibly point by point, well-informed and viewed as generally conceivable given current information and innovation are regularly known as hard sci-fi. Writing that objectives posses, criminal associations that give a degree of association, and assets that help a lot bigger and more specialized criminal exchanges than an individual criminal could accomplish. Criminals will be the subject of a few motion pictures, especially from the period somewhere in the range of 1930 and 1960. A restoration of criminal sort films happened since the 1990s with the blast of hip-jump culture. Dissimilar to the sooner hoodlum films, the more current movies share comparative components to the more established movies yet is more in a hip-bounce metropolitan setting. An experience story is around a hero who excursions to epic or removed spots to perform something. It could have a considerable number of other classification factors included inside it, since it is an open type. The hero incorporates a mission and faces hindrances to get to their objective. Additionally, experience stories as a rule incorporate obscure settings and characters with valued properties or highlights. At first proposed as a classification by the makers of the pretending game Children of daylight, dieselpunk alludes to fiction propelled by mid-century mash stories, predicated on the style of the interbellum period through World War II (c. 1920–45). Like steampunk however especially observed as a the ascent of oil power and technocratic discernment, fusing neo-noir factors and sharing subjects more clearly with cyberpunk than steampunk. Despite the fact that the striking quality of dieselpunk as a classification isn’t totally uncontested, portions which range from the retro-advanced film Sky Captain and the World of Tomorrow to the 2001 Activision computer game Return to Castle Wolfenstein have been recommended as quintessential dieselpunk works of fiction. A style when an entertainer acts before a live crowd, talking straightforwardly to them. The entertainer is generally alluded to as a comic, professional comedian, professional comic or simply a hold up. In stand-up parody the entertainer ordinarily discusses a relentless progression of amusing stories, short jokes called “pieces”, and jokes, which comprise what’s regularly called a discourse, routine or act. Some professional comics use props, music or sorcery stunts to improve their demonstrations. Stand-up satire is regularly acted in parody clubs, bars, neo-vaudevilles, schools, and theaters. Outside of live execution, stand-up is typically circulated monetarily by means of TV, DVD, and the web. like customary activity; instead of utilizing hand drawn pictures, stop movement films are made with little puppets or different articles which have their image taken regularly over a grouping of little developments to make liveliness outlines. Models are The Nightmare Before Christmas, Coraline, and Corpse Bride. 🔮 COPYRIGHT CONTENT 🔮 Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itsDemon Slayer the Movie: Mugen Train.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13] Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14] Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15] 🔮 ADAPTATION 🔮 Sarah Paulson is my top choice, yet this film isn’t her best. I trusted that months for this will come out and I’m left asking why I was so energized. The trailer parted with everything. You knew the entire story before it even began. There was practically zero character improvement and everything just felt like it was 0–100 with no pacing at all. Likewise, the cosmetics office for Sarah’s last look-the hellfire would you say you were folks on when you thought of this? I really snickered when I saw her. It was an alright film. One that you’d be pissed on the off chance that you burned through cash on. Nothing new, normal, worn out acting. Additionally, no one realizes the proper behavior an asthma assault. This film had so many plot openings that it seemed like a parody. The mother can simply take an infant from the clinic? She harms her little girl for quite a long time and no specialist actually sees this during her regular visits? How did she manage the postal carrier’s vehicle? No one minded the postal carrier was absent? For what reason did the girl never get one of the numerous sharp or gruff articles around her and hit her mother? The mother leaves all her significant reports in a container sitting out and marked? For what reason would she tie up her girl’s wheel seat and not her girl? This is the means by which the entire film goes. The main redeemable nature of the film was Sarah Paulson’s very frightening acting. Likewise, this story has been done so often. I would not burn through my time watching this. Run is unsurprising and not extraordinary. The acting is phenomenal, while the story is fair. The story makes a magnificent showing of being exciting, yet it chiefly doesn’t go anyplace. I knew all that planned to happen despite the fact that I knew nothing. Nonetheless, There was one scene I appreciated where Clare says, “you need me.” The acting was only exceptional in that particular scene. In general, it’s a one time watch that you’ll most likely fail to remember. This is another film on Hulu by Aneesh Chaganty (and co-composed by Sev Ohanian), following up their realistic presentation Searching (2018) with a spine chiller including a mother and her 17-year-old little girl brought into the world with a few confusions (arrhythmia, hemochromatosis, asthma, diabetes, and most effectively loss of motion). I will say that it’s conceivable this film is superior to I preferred it, yet in the event that so it would be for its coordinating and acting, and less so about the composition. I felt like there were openings all over the place, and maybe an excess of is tossed at us too early for us to appropriately think about the characters and their circumstance. This sort of film has been done previously, absent a lot of new added to the table short the wheelchair perspective. There were a ton of components set up for what might have given a more grounded finishing conveyance and punch, yet the greater part of those beats were one-note and spent prior in the film as opposed to associating a solid inward weaving as Searching had the option to do. I went in visually impaired, and it’s possible better that I did given that the trailer is fairly uncovering. I don’t think it had a sufficiently high roof in any case to overshadow any wild absence of desires I previously had. My solitary desire was in the possession of the makers, and the most saving grace this film will probably have on crowds is I expectation they become mindful of Searching and see it sooner or later… which is the thing that I expectation the greater part of all of you can detract from this. That was my #1 film of 2018, and Run will tumble to the wayside as fairly convincing yet totally forgettable. The story and pre-assembled relationship just needed more squeeze once the credits rolled. This film was average, best case scenario. Try not to accept individuals giving it 8 or 9. The plot has been seen ordinarily, it was excessively unreasonable, and the closure failed. They attempted to showcase it as a loathsomeness/spine chiller however nothing about it is exciting. It’s a dramatization completely. I will say however, the entertainers did astounding with what they were given. Sarah Paulson was her standard sDemon Slayer the Movie: Mugen Train, great, not honor commendable. Be that as it may, Kiera Allen truly captured everyone’s attention. She made the film (which delayed for what seemed like 2 hours) watchable. In the event that you appreciated The Act or have nothing else to watch, give it a go. What’s the point of messing with this poop. It resembles a low lease endeavor at a spine chiller yet you definitely know the closure. The faltering endeavors at tension are more irritating than anything. It’s a terrible lifetime film to be straightforward. Furthermore, I like lifetime motion pictures! It’s additionally excessively coordinated, the music is exhausted and the acting isn’t incredible
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Using French Verb Tenses in the Indicative Mood: Past Tenses
1. Imparfait
The action takes place in the past, without it necessarily having ended. Multiple actions are simultaneous.
Il marchait dans la forêt. – He walked in the forest.
Le jeune homme parlait au téléphone et préparait le souper. – The young man talked on the phone and prepared the supper.
The action used to take place on a regular basis.
Je visitais ma grand-mère tous les samedis. – I visited my grandmother every Saturday.
On se faisait constamment réveiller par l’alarme de feu défectueuse. – We were always being woken up by the defective fire alarm.
The action could have taken place but did not.
Deux minutes de plus et nous rations l’autobus! – Two more minutes, and we would have missed the bus!
A request is being presented, typically in a roundabout way.
Je voulais savoir si tu étais occupé demain. – I wanted to know if you were busy tomorrow.
Je venais vous présenter un projet. – I was coming to present a project to you.
The action is hypothetical. It is accompanied by the conditionnel présent.
Si j’avais la réponse, je te la donnerais. – If I had the answer, I would give it to you.
Si tu étais certain, pourquoi n’aurais-tu rien dit? – If you were sure, why wouldn’t you say anything?
2. Passé composé
The action takes place in the past and has a clear beginning and end. Multiple actions take place successively.
Le canard a ignoré la petite fille sur le bord du lac. – The duck ignored the little girl at the edge of the lake.
L’enfant a pris une feuille de papier et a dessiné une fleur. – The child took a sheet of paper and drew a flower.
There is a change in the situation.
J’ai commencé à aimer le français à neuf ans. – I started liking French at nine years old.
Cette révélation nous a changé la vie. – That revelation changed our lives.
The action takes place a specific number of times or in a particular moment.
François a vu ce film trois fois. – François saw that movie three times.
Émilie a raté le cours du mardi. – Émilie missed the class on Tuesday.
NOTE: The passé composé and passé simple are interchangeable. However, the passé simple is mostly only used in the 3rd person in written and formal French. In everyday speech, the passé compose is favoured.
Elle est allée au magasin. – Elle alla au magasin.
3. Plus-que-parfait
The action takes place in the past.
Maxime avait enseigné dans une école primaire. – Maxime had taught in a primary school.
Jean avait perdu son emploi. – Jean had lost his job.
The action takes place before an action presented in the imparfait.
Lorsque le travail était finalement complété, ils allaient boire un verre. – When the job was finally completed, they went out for a drink.
The action is hypothetical. It is accompanied by the conditionnel passé.
Si tu m’avais demandé, j’aurais pu t’aider. – If you had asked me, I could have helped you.
4. Passé antérieur
The action takes place in the past.
Elle eut parlé avec son père. – She had spoken with her father.
The action takes place before an action presented in the passé compose or passé simple.
Lorsqu’il eut fini ses devoirs, il est allé jouer avec ses amis. – When he finished his homework, he went to play with his friends.
NOTE: Like the passé simple, the passé antérieur is almost exclusively used in the 3rd person in written and formal French.
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vow-upon-a-star · 5 years
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Hypocrisy regarding translations.
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“What aren’t you understand? For Lumen Publishing to PURCHASE the rights to translate the novels that means Square Enix allowed it, which means they wanted the translations. Once more, you cannot publish a translation unless you have the approval of the copyright holder.”
This doesn’t apply to the English version for some reason. Nor does it matter Nojima, the man who wrote the novellas, approves of the English version.
“Cloud was her friend, more than a friend, for she had loved him.”
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(link)
Nojima also said he wrote each story from the respective character’s perspective. I.e third person limited from Aerith in CoTLS:W. They are not objective statements from Nojima. Whatever let’s ignore this and continue to say he confirmed Cloud and Aerith lovers in multiple languages, except the English one that he supports. There isn’t much to say here, I mean...when the author himself supports this translation over all the others if pretty much makes “well it contradicts the German, French, and Spanish!” when here the author himself is approving the English version. Just...there’s no need to argue. Word of God has spoken. The English translation of the Novella is approved by the dude who actually WROTE the story. 
Cleriths before the English version of the 25th Anniversary Ultimania is released: 
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Dark Horse is a major company, this is huge, no matter how you feel about the mistakes and retcons SE just legitimized them!!!!
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“They removed the “aisuru mono” that referenced Aerith.”  
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すべての決着を …… 少年時代のあこがれ、愛するものを奪った仇、そしてリユニオンの母体—–セフィロス。星の敵として以上に因縁の存在である彼と1対1で 決着をつけなくては、クラウドの戦いは終わらない。
The bolded bit is “Aisuru Mono”   愛するもの
Clerith fan translation: "The enemy who was admired in childhood, took away something loved for the reunion of mother Sephiroth.”
Anonymous translator: “The one admired in boyhood, the enemy who took away a loved one, and Mother’s reunion body Sephiroth. ”
Clerith fan translation: With all determination…
Sephiroth— an idol in his early youth, the one who took away his dearly beloved, and then the prototype of “reunion.” Not only he is the enemy of the Planet and the above reasons, also because the 1-to-1 fight with him is not yet settled, Cloud’s battle is not end.
Cloti Anonymous translator
Settling it all… A longing for boyhood, an enemy who robbed loved ones, and Mother’s reunion- Sephiroth. “In addition as the enemy of the planet, if Cloud doesn’t settle score with him one on one, clouds’s battle will not be over
Anonymous translation: 
To the settling of everything..... The one idolized in boyhood, the foe who snatched away loved ones, the Reunion of his mother's body—Sephiroth. More than a fateful existence as enemy of the Planet, Cloud's battle will not end unless things are settled with him, one on one.
“The French and Japanese are clear!”
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Bataille decisive…
Son idole ge jeunesse, l’assassin de ses proches et la piece maitresse du project Jenova : un ex-SOLDAT nomme Sephiroth, C’est un dancer pour la planete, et Cloud doit le battre en duel afin d’en finir une bonne fois pour toutes.
Clerith translation of the French version:
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“Last battle…
His youth idol, the murderer of his close relatives/loved ones (in french they use the word proches which can mean both of the meanings) and the centerpiece of Jenova project : an ex Soldier called Sephiroth. It’s a danger for the plant, and Cloud must fight him to defeat him once and for all”
Anonymous translation of the French version:
Decisive battle …
His youthful idol, the killer of his loved ones and the masterpiece of Project Jenova: an ex-SOLDIER calls Sephiroth, It’s a dancer for the planet, and Cloud has to duel him in order to finish once and for all for all.
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The French translation is clear guys. But what about the Japanese aisuru mono? Why would the French do this?!
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Oh. 
Hey, what about the German translation?
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Die Letzte Entscheidung...
Sephiroth: Clouds idol, doch sein held vernichtete Clouds heimatstadt und war verantwortfich fur den Tod vieler Menschen. Als er sich zum Feind des Planeten erklart, fuhlt Cloud sich schicksalhaft mit ihm verbunden. So lange er ihn nicht im direkten duell besiegt, wird der kampf fur Cloud niemals enden.
Sephiroth: Clouds idol, but his hero destroyed Cloud's hometown and was responsible for the deaths of many people. When he declares himself an enemy of the planet, Cloud fatefully feels connected to him. As long as he does not defeat him in a direct duel, the fight for the Cloud will never end.
And finally, we have the English version.
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The End of Everything
Sephiroth –the hero of Cloud’s youth, the man who took everything from him, and the foundation of the Jenova Reunion Theory. Cloud’s battle cannot end until he confronts the enemy of the Planet and settles things, man to man.
The Japanese,  French, German, and English make no reference to Aerith specifically, but rather reference Sephiroth taking away many people/things from Cloud without any being more important than the other. 
As a side note, it makes little sense for Cloud and Sephiroth’s final battle having to do with solely Aerith, considering he wanted to settle things with Sephiroth before Aerith was murdered. 
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Dark Horse did not remove “a reference to Aerith” because there was no reference solely to her.
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This is eyes 目
And this is ears 耳
It's a typo. ”This guy are sick.”  “Aeris” and referring to Rosso as a “he.” 
Like the French version doesn’t have mistakes? Since we’re at it, let’s look at something the French translation did that is absent from the Japanese and English version. 
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“Aerith s’est finalement rendu compte qu’il etait manipule par une autre concsience. Alors qu’il l’attaque, elle refuse de se defendre et lui parle comme une mere quis tenterait de calmer la rage de son fils.”
Aerith finally realized that he was being manipulated by another conscience. While he’s attacking her, she refuses to defend herself and speaks to him like a mother trying to calm the rage of her son.
vs the German version
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Aerith merkt, dass Cloud von einem fremden willen gelenkt wurde. Obwohl er selbst ihr gregenuber gewalttatig wird, spricht sie auf ein, als ware er ein kleines Kind, und meint, dass es nicht seine Schuld war.
Aerith realizes that Cloud has been controlled by someone else. Although he himself violently greets her, she speaks as if he were a small child, saying that it was not his fault.
The Japanese:
クラウドが別の意思に支配されていると気づいたエアリス。彼に暴力を振るわれても抵抗せず、「 あなたのせいじゃない」と子どもをなだめるように言いつづける 。
Aerith realized that Cloud was being controlled by another will/person. She doesn’t resist him even as he strikes her violently, saying “It’s not your fault” over and over to try and calm the child down.
Aerith realized that Cloud was being controlled by another will. Without resisting his violent attack, she continues to say “It’s not your fault”, in order to soothe the child.
And the English version:
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In my opinion, the English version did cleriths a solid here. I do believe that the “anti-clerith” English version would be favored by shippers since the French translated it very differently. 
While I’m still beating this dead horse let’s look at the French translation’s version of Cloud and Tifa’s love. 
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Pendant sa jeunesse, Cloud etait un jeune rebelle qui s’isolait des autres enfants, car il voul’ait croire qu’il etait different. A ses yeux, neanmoins, Tifa etait une personne speciale. C’est dans ses souvenirs que l’on decouvre cette romance ephemere.
During his youth, Cloud was a young rebel who isolated himself from other children, because he wanted to believe that he was different. In his eyes, however, Tifa was a special person. It is in his memories that we discover this ephemeral romance.
Ephemeral of course means, fleeting. This has been used as canon proof by CA that Cloud’s feelings for Tifa were short-lived and fleeting. Here it states there was a short-lived romance.
This statement is contradicted in the same book, in the same language.
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Pendant des années, Tifa et Cloud ont secrètement eu des sentiments l’un pour l’autre. Avant la dernière bataille face à Sephiroth, ils arrivent enfin a se les avouer.
Anonymous translation
For years, Tifa and Cloud have secretly had feelings for each other. Before the last battle with Sephiroth, they finally manage to confess.
You can read this post here about what this translation means. 
Let’s move on to the German version! Which...is pretty different. 
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Als Cloud klein war, wurde gleichaltrigen Kindern gemieden, Der einsame und ausgestoßene Cloud erschuf seine eigene Erklarung und glaubte, etwas ganz Besonderes zu sein. Fur ihn war aber Tifa damals sehr wichtig. In seiner Gedankenwelt wird deutlich, wie innig seine Emotionen damals fur sie waren.
When Cloud was little he was shunned by kids the same age. The lonely and outcast Cloud created his own explanation for it and believed to be something special. But Tifa was important to him back then. In the world inside his mind it become clear how deeply his feelings for her were.
In case your wondering, innig translates to “intimate” when doing a literal translation. The French says ephemeral, the German says intimate. You could say, “Well it doesn’t matter because it is in the past!” which brings me to the German translation of the highwind scene.
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Scene: When Tifa is alone with Cloud on the night before the final battle and she doesn't know what she should tell him
For years Cloud and Tifa have fostered feelings for each other. Before the final battle against Sephiroth both can finally admit them.
The Japanese version:
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  明かされた本当の願い 幼いころのクラウドは、同年代の者たちから孤立し、自分は特別だと思いこもうとする、ねくれた子どもだった。そんな彼にとって大切だったのがティファ——淡く幼い恋心が、 精神世界にて明かされる。
Anonymous fan-translation:
“As a young child, Cloud was rebellious and isolated from those around his age, so he would try to convince himself that he was special. As such, Tifa was important to him. A childhood awakening of love is revealed in the mental world.
English version:
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In his youth, Cloud strayed isolated from his peers. He was an eccentric child who always viewed himself as different from the rest. The only person he held close to his heart was Tifa. Their love is brought into the light when Tifa explores Cloud’s subconscious. 
Japanese Version: 
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明かされた本当の願い 長年、互いに好意を抱いていたティファとクラウド。セフィロスとの最終決戦を目前にようやく、相手を求める気持ちを確かめ合えた。
Anonymous fan-translation:
For many years, Cloud and Tifa have been holding favor for one another. At last facing the impending final battle with Sephiroth, they confirm together their feelings of desire towards one another
English version:
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Tifa and Cloud have cared for each other for many years. Only before the final battle with Sephiroth are the two finally able to realize the depths of each other’s feelings.
THE BEST PART IS NONE OF THIS MATTERS!
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TL:DR; ALL CLAIMS BY THE SAME PERSON:
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And this isn’t even the full post I was going to post. There’s plenty of hypocrisy regarding the Novella translations, but I feel that Nojima (the actual author) supporting the ENGLISH translation above all others pretty much shows which translation of the Japanese version the author supports. 
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phoenotopia · 5 years
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2019 October Update
Woops, I slipped by my stated blog date since I thought September had 31 days for some reason. So here's the end of September update, 1 day late.
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Writing... And more writing.
That captures the majority of what transpired the last 2 months. The biggest cutscenes have been scripted as well as most towns, so we're really close... I estimate that the writing will conclude within the next 3 *weeks* and we will actually have a game that can be played from start to finish... Don't get too excited though, because then begins the game's vigorous playtesting phase and more polish. And since I've never launched a commercial game before, the next steps (PR, marketing, lot checking, ESRP rating application, trailers recutting, release date finding, etc) are uncharted territory. The only experience I have is launching a flash game 5 years ago, and that was a lot quicker and a lot less complicated... And so, I can't gauge how long it'd take nor give an accurate release date yet. However, as soon as I do know, it'll be sure to post it here first!
--- COMPUTER BROKE DOWN ---
Among the events that transpired in the last 2 months, my computer actually broke down. It would manifest as the computer shutting off about 10 minutes after turn on. And this was really worrisome because if my computer croaked, it would be a huge blow to the game's development. The time it would take to restore the specific dev environment I had set up would be considerable...
Luckily, it was repaired after 4 days of intense troubleshooting. I'll spare you the long list of events that transpired, but eventually my brother and I were able to narrow the problem down to non-spinning fans on the graphics card. I was able to zippo-tie two chassis fans together, and insert them below the Gfx Card's heat sink. Much cheaper than replacing the whole graphics card!
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(please hold until the game's done)
--- MORE PLAYTESTING CHANGES ---
I'll discuss here some additional fixes/changes to the game based on my brother's previous playthrough (still going through that list, heh...)
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F. Remember you can climb roots
I remember from a public demo I attempted (3 years ago?), that a lot of people got stuck at these roots, not realizing they could be climbed. Since then, we did a few things to ensure that the first encountered roots would be climbed. The roots' colors were brightened so they would stand out. A character, Ernest, comments that others have climbed the roots. And finally, standing in front of the roots will cause the "Press UP" tutorial prompt to appear.
So how did my brother fare when I did the playtest 2 months ago? He climbed the roots, thankfully. He climbed the next few sets as well. However, later on, in a dungeon, he forgot that climbable roots were a thing. Back to square one. So there's a lesson here... Even if you teach a player something, there's no guarantee that it'll stick.
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So in the picture above, you can see my next attempt at an invisible hand to remind the player. In the red circle, notice there are 4 blue dots. These blue dots pulsate wherever there are climbable roots (They're a lot more visible in motion). The idea is to tie an unusual image to an action. I anticipate when the player sees 4 pulsating dots, they'll react by attempting a variety of actions, before eventually concluding that you can only climb them. And that this experience will be more memorable for it - to be conjured up whenever the player sees 4 blue dots. I look forward to observing what happens with the next blind playtester. (Btw, in reading this blog, you have disqualified yourself from playtesting :P)
G. Instant Food Eating
As stated in a previous blog post, the player can't eat from the menu. Food must be eaten in real-time. It's up to the player to find a safe spot to eat, away from interruptions. Some foods can be eaten more quickly, proving more valuable in a fight.
However, what about on the world map?
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You can't use tools or items on the world map, which means no healing at all! I saw my brother opening the menu and tinkering around, confident that it could be done. Because why couldn't you?
Indeed... he didn't say anything, but I wrote it down as a feature to be added. And after adding it, found that eating from the menu was  fun! After years of using the new system, to have the old flash system's implementation of healing again was refreshing.
And so I decided to add it as a possible new characteristic of food. There's now a special class of food, "candy", that actually can be used from the menu (world map or no). Rest assured, candy items will be balanced - costing more than regular food, and their healing effects will tend to be less than other more timely items.
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(the “eat” subcommand appears for "candy" class items. The candy icon on the bottom-right denotes a candy class item)
H. Fishing Hud finally updated
This wasn't something discovered through playtesting, more of an unfinished task that sat around for far too long. 
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(Old fishing hud on left. New fishing hud on the right)
In the old fishing hud (perhaps an example of minimalism taken too far), the fish's health is represented by 10 white dots. In the new fishing hud, the fish's health lines up and mirrors the player's own stamina. Whoever outlasts the other wins!
I had actually been sitting on the finalized graphics for over a year. For some reason, the last 10% implementation of a feature tends to be the most boring. In game development, I find myself jumping around often, working on whatever can catch my interest. That's good for ensuring that the game's development is always moving forward in *some* capacity. But now at the tail end of development, only the most boring tasks are left...
--- WRITING ---
So I mentioned writing. One of the things written in the last 2 months was the entirety of the "monster" village's NPCs. This time I also roped in Pirate (formerly artist, now also writer), since she's quite familiar with their lore having drawn them and their town.
When I wrote trolls, I wanted to give them a unique speech, not unlike the Mr. Saturns from Earthbound. My idea was to capitalize all words and then strip away as many unnecessary words as I could, while keeping the meaning identical.
Pirate then took the result and improved upon it, establishing rules their language could follow to be consistent:
Simplified negatives (no instead of not/don’t/can’t/etc);
Object pronouns replace subject, possessive and reflexive pronouns (me/name instead of I/my/mine/myself). 
No ‘be’ verb or it’s conjugations (am, is, are).
No verb conjugation.
No articles.
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(A sample of troll language. Harpy language is similar, but no caps, and a few other variations.)
Another neat thing that happened naturally over the past two months was a construction of a "timeline". The timeline takes the form of a 2D chart, with the major players lined up on the left, and the years up top. There are new characters this time around, and having the timeline as a reference, helps to make sure the lore is on point.
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(the timeline, blurred. An internal tool to aid writing)
--- FIVE YEAR ANNIVERSARY ---
Speaking of which, it was the game's 5 year anniversary this past August 20th. Thank you to Firana for reminding me!
Five years... Five Years... T_T (I thought I'd be done by now)
It'd be neat to do a longer in-depth retrospective on this game's long development, but I'll wait for the game to be properly finished first.
--- FAN ART ---
We have 3 lovely fan arts that came in the past 2 months.
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(Art by Amaury Lorin)
I like how this picture selectively colors the night sky, comet, and fire. Very artistic! Amaury also submitted a poem (in French). Here it is!
Parmi cette clarté que la nuit seule émet, Au-dessus des radis géants qui s'épanouissent, Nonobstant sans souci les herbes qui frémissent, Sous un ciel calme et sombre, un village dormait.
Éprise de liberté, une puki part Là-bas, quelque part où des prés plus verts la tenant. "Oh, s'écrie un enfant, une étoile filante!" Veille, enfant : pour tes grands yeux curieux seuls, ce soir,
Indifférente au sol précipité sur elle, L'étoile tombe... Écoute, enfant, elle t'appelle; L'étoile : "Suis-je un ange, un messager du ciel?
Avec mes feux, suis-je augure, ou suis-je étincelle? Gloire d'un monde haut, d'une nuit éternelle... Et j'arrive!" --Dors, enfant, tes yeux ont sommeil...
                                                         ...mais demain...
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(Art by LittleLys Owo)
Gale smiling and flashing the peace sign. Nice! I like the skillful use of vectors to draw the lineart.
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(Art by Shafiyahh)
Shafiyahh, who also drew fanarts in the last update, returns with this cool picture of Gale sporting the katana, a hidden weapon that... JK. I Love the composition of characters, and the flashy background - very anime-esque!
That's all for now. Next update will come at the end of November!
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ghostplantss · 5 years
Text
Brickclub 1.1.1 - 2 + Introduction
Hello! I’m Alice she/her/hers, trying to catch up to brick club, not the sharpest pencil in the drawer, knows near nothing, so this’ll be something of a miscellaneous collection of rambles just for myself and hopefully it’ll work out!
1.1.1
M. Myriel! I adore you and I’ve missed you terribly
Footnotes and app “common knowledge” say that the inspiration for M. Myriel is de Miollis, bishop of Digne from 1806 to 1838, emigrated to Rome during the revolution, anti-napoleon, bought back church land confiscated by the frev.
Mgr Myriel dans les miserables
According to this article, which I cannot understand since it is in French, jvj was based on pierre Morin, released after 5 years in prison for stealing bread for his sister’s starving family, couldn’t find a job or shelter, was taken in by the aforementioned bishop and died in the battle of Waterloo - does this have anything to do w the pontmercy? 
de miollis was born 19 june, 1753 instead of? 1815 - 75 = 1740? I couldn’t find anything remotely interesting that happened in 1740 except marquis de sade’s birth and hopefully that was an unfortunate coincidence. 
he had 15 siblings, 7 of whom died young, 4 brothers, 4 sisters. of whom one brother took on the family business of conseiller, two (i think) were generals under napoleon - family dinners must’ve been difficult - and the last was a prefect. Hugo says Myriel had 2 brothers, a prefect and a general, which is close enough. de Moillis does not have a sister baptistine, but he does have a sister named anne magdeleine de moillis, married to a marquis, with a servant named genevieve. the article says perhaps hugo thought the name genevieve too noble for a servant, which i find silly bc magloire’s a perfectly lovely name. so i went in looking for his relationship with baptistine and felt terribly cheated to realize hugo had fabricated the sister almost entirely which i suppose is fair.
I think the article says that de Moillis was given the position bc his brother was a general under napoleon. and that the hospital thing fabricated as well but! i’m sloth and articles are so entirely dull. 
A 17th century precursor to Mgr Myriel
This article posits that the creation M. Myriel was influenced by Lancelot’s 17th century novel relation d'un voyage d'aleth which sounds terribly interesting and i must look into it aaaand i’m terribly off topic
SO ANYHOW: 
Myriel emigrated to Italy just as the revolution began and when Napoleon left Italy for France, one by fortune and the other by choice. And he said he was a good man while Napoleon was a great man - I promised myself I’d get throw the next book to call Napoleon a great man at the wall, but alas, I’m reading this digitally - so they’re somewhat opposites! 
Myriel was in an arranged marriage and indulged in affairs, which his later parishioners v consciously forgot, which? I suppose? Shows his love for them is more unconditional than theirs for him? And could? Well? Parallel how ppl were so reluctant to look into the past of Madeleine and how easily they forsook poor jvj as soon as the v ancient news reemerged
Young myriel sounds like such a riot! A bit like? Courfeyrac aka the nicer tholomyès aw imagine if he were cosette’s father instead? I’m sure he wouldn’t abandon her Oh no I’m off topic but I suppose Hugo here’s either saying? Affairs aren’t virtuous and so ppl are capable of change - which would be hypocritical of him - or affairs are ok as long as you take responsibility and such which? i suppose I can get behind. Of course, with the ease of getting divorces nowadays, hopefully people wouldn’t stay in loveless arranged marriages. I remember, when I first read the book, being rather discomfited by the way Myriel seems to ignore how his actions affect women who depend on him? Such as the voluntary scarcity he not only devoted himself to but also foisted upon his sister and sweet Magloire. And? now the way he cheated on his wife, who probably wished no part in this relationship either, but has less freedom than he does in this marriage but ah now I’m terribly off topic and bumming myself out.
I wish there were more said on the 30 years they were married, on their exile to italy, i want to know it all! “Nobody knows” says the omniscient narrator oh come on Hugo spill the beans on myriel! I am the brainless gossiping mob tell me everything
I love magloire and baptistine’s descriptions I love them both! Hugo says a lady needs to be a mother to be venerable but i think that’s just you Hugo you have this odd thing for feral saintly mothers and who can blame you. Mlle. baps is an aspiration! mme. Magloire too! She’s so hard working despite being ill, and it just isn’t right she should be the only one to be so busy when she has asthma
I know I shouldn’t ship them but reason escapes me
1740: born
1758- 1760: 18-20 arranged marriage
1790ish: 50ish emigrated to Italy - wife died of? consumption?
1806: 66 become bishop
1815: 75 current
Cool quotes:
“La révolution survint, les événements se précipitèrent, les familles parlementaires décimées, chassées, traquées, se dispersèrent.” - it flows so nicely!
“M. Myriel devait subir le sort de tout nouveau venu dans une petite ville où il y a beaucoup de bouches qui parlent et fort peu de têtes qui pensent.” - such a burn and this is me! little brain and much tongue
on Mme. Baps: “et cette diaphanéité laissait voir l'ange… Sa personne semblait faite d'ombre … un peu de matière contenant une lueur ; de grands yeux toujours baissés ; un prétexte pour qu'une âme reste sur la terre.” aaa i adore this so much! to imagine her angelic, respectable, and made of shadows! 
1.1.2
Onto chapter 2! So um I know this is terribly off topic, but nap the bonbon said that an archbishop would have a stipend of 15000 francs while a bishop would be given 10000 francs, and this book published after les mis still cited the same numbers as well so it’s odd that Myriel has an annual stipend of 15000 francs? AHHh also! bonbon said that rectors - one class of them at least - would be paid 1500 francs annually, and i’m not entirely sure, but isn’t a curé a rector? as hugo said, myriel never really took more money than he needed. BUT he allocated 1000 francs instead of 1500 for his personal stipend and so I’m! very! confused! i feel like i’m v earnestly explaining how a triangle has four sides. i swear i’ll move on.  
(adding on oh god i just realized?? baps gets 500 a year? i really hope myriel isn’t counting her pension as part of his own personal expenses... though itt does say that “Avec ces quinze cents francs, ces deux vieilles femmes et ce vieillard vivaient.” but that would be rather despicable)
I love the part where he converts the palace to a hospital! hugo started off by describing the extravagance and grandeur of it all, and then juxtaposing it to? the hospital and myriel’s decision to swap houses and there’s something terribly satisfying about the layout. just. how it ends with “Il y a erreur, je vous dis. Vous avez mon logis, et j'ai le vôtre. Rendez-moi ma maison. C'est ici chez vous.” it all wraps so nicely!
The book reiterates how Myriel’s family was ruined by the frev - to what extent, for both of his brothers are employed by the napoleonic government. To that end, it almost appears as a sort of denouncement of violent social change. However, that isn’t quite what myriel believes, it seems, at least according to his budget? since he allocates more to the People as opposed to family, so i’m very confused. Perhaps Hugo is saying that the sacrifices of a few good men who benefit from an unjust system is necessary. 
Myriel took the transportation fee! it was hilarious. of course, i do have mixed feelings because M. Préameneau was right, it’s ridiculous for someone in such a small parish to apply for a carriage fee, which was at least partially why Myriel ultimately chose the donkey. and i’m supposing this most likely sets a terrible precedent for the next bishop of digne who might not have similar philanthropist sentiments. so Hugo’s saying we’re allowed to take advantage of a broken system as long as our own ends are good? how machiavellian! and the buildup was hilarious even if we all knew myriel would never pocket the money himself. poor Mme. Magloire though, it sounded like the household really could have used the money. I think the way she said? that he began by being kind with other people, and now he will end with us? it’s almost rather tragic. that he should’ve neglected the feelings of the people closest to him. 
Hugo seems to have? Baps represent the spirit and Magloire the body, or at least more worldly worries, which seems rather classist of him . I suppose it might be a necessary evil of liking symbols so much - you inevitably fall into stereotypes - and i do love them both, but it makes me uncomfortable. 
Posts from other ppl I want to keep: 
pilf: 
- “il y a toujours encore plus de misère en bas que de fraternité en haut, tout était donné, pour ainsi dire, avant d'être reçu” + charity
- that baps “venerates” her brother, and that he lists all their monetary needs as his own personal expenses, despite the fact that they are the ones managing the household and the money and that they are living off the money same as him, and?? baps only gets 500 yearly, half of what her brother considers a meagre sum
- and aaaa i love how pilf said that it isn’t an admirable move to force those around you to live according to your own morals. just. yes. baps and magloire don’t esp have a choice. and?? magloire and baps really did carry the brunt of the burden. Myriel was able to stay afloat “grâce à la sévère économie de madame Magloire et à l'intelligente administration de mademoiselle Baptistine.” 
akallabeth: 
- how the specificness of the itemized list shows intent and research into the most underserved individuals + causes in his parish: 1. soup for hospital 2. debtors w families
- “And he calls the almsgiving his household expenses. The young man asked Jesus, “Who is my neighbor?” The bishop responds, “The poor are my family.”” (i couldn’t find this quote! but it is amazing!)
- pfff his swanky, company-provided house. i love it
- 15000 francs approx 3 mil usd or 58 workers’ annual wages, which means?? bap’s pension is worth? two adult male workers’ wages? wow
- Myriel uses vous for Magloire
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distantmovements · 5 years
Text
DM #13 traces
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Distant Movements #13 a eu lieu vendredi 17 janvier à 10h45. Après quelques mois sans expérimentations pratiques, cette 13ème expérience est la première qui, à la fois, accueille des invités, et se joue en présence d'un public.
Contexte : Muriel Piqué était invitée par Alix Demorant, chercheuse, à présenter sa recherche-création doctorale *dans le cadre de la journée d'atelier« Recherche en création, Recherches transdisciplinaires en poïétique : méthodologies, enjeux et savoirs inhérents aux processus créatifs», portée par l'unité de recherche Rirra 21, à Montpellier. Nos invités sont Alice Lenay et Guilhermo… Dans la salle 102 du Site Saint Charles de l'Université Paul-Valéry, à Montpellier se trouvent les participants à cette journée d'atelier, dont Guilhermo et Muriel. Daniel, Annie et Alice sont chez eux, respectivement, à Porto, Montpellier et Paris.
Extrait de l'introduction en direct : « Nous allons vivre une expérience ensemble, de mouvements à distance, de création de mouvements à distance, peut-être d'invention de mouvements ensemble, peut-être même d'invention d'une danse ensemble pendant 15 minutes... » Le réveil est lancé ! Les premiers mots d'Annie seront : « on ferme les yeux... » Après quoi le corps, ses sensations, l'écoute de soi et des autres ont commencé à nourrir la guidance. De nouveaux possibles ont pris forme, en même temps que des impossibles sont apparus.
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A la fin de cette expérimentation en public, la salle a posé quelques questions, en voici quelques unes rapportées : Questions : Avez-vous toujours les jeux fermés? Est-ce que vous gardez les traces ? Est-ce important de pouvoir les regarder après ? Réponses en vidéo:
youtube
Question : Est-ce l’outil numérique est une façon de retrouver ce qui s’est perdu dans la relation à l’autre (une compensation pour la désincarnation ?) ou est-ce que vous le voyez comme une nouvelle manière de vivre ensemble ? Nos trois réponses se croisent et complètent peut-être : Muriel : Je vois que dans le monde de la danse on cherche à trouver une nouvelle relation avec le public et je considère que le numérique pose des conditions nouvelles. Daniel : For me the internet became a site-specifique venue for which I create performances and experiences. I develop these new choreographies and theories based on classical methodologies for movement. Annie :  C’est une recherche artistique qui prend en compte son corps devant l’écran et pose la question des spécificités des relations qu’on peut entretenir avec les autres via les machines.
Par la suite, nous nous sommes écrits, pour échanger nos sensations, nos perceptions, nos sentiments sur ce que nous venions de traverser : Annie a écrit : Pendant : pas très en confiance. Deux raisons : 1. pas assez de préparation ensemble pour se mettre “en place”, pas de reconnaissance de l'outil avec les invitées, pas de "pose de l'ensemble” en amont. 2. mon attention était trop double ? l'attention à l'intérieur au corps perturbé par le regard invisible des autres ? trop en train de faire pour eux ? Nous n’avions pas assez pensé cette contrainte en amont. Suite à cela je propose qu’on appelle pour l'instant chaque présentation devant un public une "démo" et ne pas “expérience” et encore moins une “performance”. Ce serait bien de toujours commencer une session avec une préparation, une "mise en état de pouvoir ...". Ps Je lis actuellement “Pensée en acte”/”Thought in the Act” d’Erin Manning et Brian Massumi. Ce qu’ils appellent “techniques de relation” et “contraintes encapacitantes” sont des concepts à creuser ?
Daniel : It's not as if we're resorting to complicated methods of connecting (like satellite for instance) but we're relying on the networked infrastructure which frames our common ways of communication and thus it is another mode of setting an environment to practice movement which becomes complete after the archival/documentation of the event takes place. Distant Movements is something (which we create) within a specific environment - through the Internet - and which sets the conditions for how we move. Interestingly enough the video documentation shows moments of entanglement between us (either by direct instructions and other less direct - can you touch me?! - which would then transform the group movement into one made of different qualities but in sync or at least connected with each other). It shows how the connection bounces and balances back and forward between us all... Is it the same as if sharing the same physical space? Are we conditioned by sharing the same interests and that's why and how we connect online?
Muriel : J'ai retrouvé le chemin de vos guidances. Ce qui pourrait signifier que les guidances ou invitations au mouvement sont très personnelles, singulières, propres à chacun, et témoignent de notre organisation mentale, corporelle, sensible... J'ai retrouvé un état de conscience de mes sensations et simultanément mon imaginaire de vous en mouvement. J'ai retrouvé votre voix et votre silence. J'ai découvert le "je", me semble-t-il pour la 1ère fois dans DM. J'ai découvert que je n'avais pas besoin de chercher à vous toucher pour vous sentir avec moi. Le silence me parait s'être approfondi. La guidance en elle-même m'a semblé "progresser" vers plus de fluidité. plus d'écoute aussi. et des silences plus longs... Il faudra que nous parlions de vive voix de cet état, et de la situation entre in-situ et la toile.
Et Alice ajoutait : Plus que jamais, ça me convainc que la recherche se fait en faisant.
* Dans le cadre du doctorat « Pratique et théorie de la création artistique et littéraire » portée par l’Ecole Doctorale Langues, Lettres et Arts (ED 354) au sein la Maison de la Recherche d'Aix-en-Provence, Aix-Marseille Université, Muriel Piqué développe une recherche-action-création titrée « Je danse comme je suis » sous la co-direction de Christine Esclapez (musicologue) et Annie Abrahams (net-artiste), rattachée à l’UMR 7061 PRISM [Perception Représentation Image Son Musique] – axe 2 : Pratiques de recherche.
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c-kaeru · 6 years
Note
About the your country answer them all I'm curious ÒWÓ
WOAH DUDE OKAY LMAO
1. favourite place in your country?
The mountains !! (Ski stations lgdkjslngdfdh)
2. do you prefer spending your holidays in your country or travel abroad?
Abroad ? did someone say abroad ? of course I’m in duh
3. does your country have access to sea?
Yep, sea and ocean actually :p 
4. favourite dish specific for your country?
noooooooooooo why u asking now I’m fucking hungry and I can think of a dozen of french meals right now mkdfjsgjlmfg I can’t choose man (okay Imma tell raclette this time)
5. favourite song in your native language?
Answered ! 
6. most hated song in your native language?
mmmh try anything from Jul, maybe ? I don’t know what I hate, I don’t listen to current french stuff at all
7. three words from your native language that you like the most?
God I hate this kind of question. like, When no one is aksing I can think of a lot of pretty words and now, nada. sldjqkg
(I already did this question a while back and I don’t even remember what I said lmao)
8. do you get confused with other nationalities? if so, which ones and by whom?
Well I could pass for a lot of nationalities in Europe but so far that never happens to me haha (except maybe for one time in Iceland the cashier thought we were Swedish cuz he recognised our host university sweaters)
9. which of your neighbouring countries would you like to visit most/know best?
I’m going to Italy in February, so that’s one off my bucket list…But tbh I’d like to visit them all ( I just LIVE for travelling and learning new cultures man)
10. most enjoyable swear word in your native language?
“Putain” :p
11. favourite native writer/poet?
Answered
12. what do you think about English translations of your favourite native prose/poem?
Mhhh never…really came across one ? :O
13. does your country (or family) have any specific superstitions or traditions that might seem strange to outsiders?
We’re French, so probably XD But I can’t think of a specific one right now OH YES WAIT
LA BISE (aka when we kiss on the cheeks to greet ppl) I think we’re like one of the rare countries to do it so often and between us ? I HATE IT
14. do you enjoy your country’s cinema and/or TV?
I’m gonna let this talk by itself 
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(I’m so not sorry)
15. a saying, joke, or hermetic meme that only people from your country will get?
“Mais, vous savez, moi je ne crois pasqu'il y ait de bonne ou de mauvaise situation.Moi, si je devais résumer ma vie aujourd'hui avec vous,je dirais que c'est d'abord des rencontres,Des gens qui m'ont tendu la main,peut-être à un moment où je ne pouvais pas, où j'étais seul chez moi.Et c'est assez curieux de se dire que les hasards,les rencontres forgent une destinée…Parce que quand on a le goût de la chose,quand on a le goût de la chose bien faite,Le beau geste, parfois on ne trouve pas l'interlocuteur en face,je dirais, le miroir qui vous aide à avancer.Alors ce n'est pas mon cas, comme je le disais là,puisque moi au contraire, j'ai pu ;Et je dis merci à la vie, je lui dis merci,je chante la vie, je danse la vie… Je ne suis qu'amour!Et finalement, quand beaucoup de gens aujourd'hui me disent :“Mais comment fais-tu pour avoir cette humanité ?”,Eh bien je leur réponds très simplement,je leur dis que c'est ce goût de l'amour,Ce goût donc qui m'a poussé aujourd'huià entreprendre une construction mécanique,Mais demain, qui sait, peut-être simplementà me mettre au service de la communauté,à faire le don, le don de soi…”
(Again, I’m so sorry) (this is from the movie the gif is from btw)
( @gouinetteparletrop tmtc XD)
16. which stereotype about your country you hate the most and which one you somewhat agree with?
I know there’s a lot of stereotypes about us but uh…I can’t think of one now :o
17. are you interested in your country’s history?
Yes !
18. do you speak with a dialect of your native language?
Unfortunately not, most dialects are kinda dead or only spoken very rarely by very few ppl
19. do you like your country’s flag and/or emblem? what about the national anthem?
Well yeah, I have nothing against my flag hahahah and our national anthem ? boy it’s badass and bloody I love it :’) (always give me the chills)
20. which sport is The Sport in your country?
Football, unfortunately (The soccer one, not the Amercian football)
21. if you could send two things from your country into space, what would they be?
Our government, and this fucking car
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22. what makes you proud about your country? what makes you ashamed?
Da food, of course, and our spirit too…and all the rest I’m not really proud of hahaha
23. which alcoholic beverage is the favoured one in your country?
Why are you asking this to me, a french person
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24. what other nation is joked about most often in your country?
um…Belgium, I think XD
25. would you like to come from another place, be born in another country?
Sometimes yes, sometimes no. I still like travelling so I don’t think that would change anything and I’m so glad I wasn’t born in an English speaking country. Like SO GLAD man. Otherwise…Yes actually, I often wish I was born in a cold northern country in Scandinavia ;w;
26. does your nationality get portrayed in Hollywood/American media? what do you think about the portrayal?
HAHAHAHA OMG I think France is always represented as super Fancy, and oh. The Paris thing. don’t get me sarted on this. Apparently, France is reduced to a single city when it comes to American/foreign media X) 
27. favourite national celebrity?
Can’t think of one X)
28. does your country have a lot of lakes, mountains, rivers? do you have favourites?
Mountains man. Mountains (tho we have a quite wide range of different landscapes)
29. does your region/city have a beef with another place in your country?
I don’t think so hahaha
30. do you have people of different nationalities in your family?
Well my great grandmother (my mom’s mom’s mom XD) is Italian, but otherwise I’m like, 99.999% French :’) )
Boy thanks for asking I had so much fun with these XD
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