#like that was a lot of fire for a 2nd episode

[aegoneggon]

guys i might be dumb but isnt sunfyre a dragonstone dragon? like I don't think he was a cradle hatchling. i think daeron is the only targtower who had a hatchling and I assume he only got that because luke was born around the same time and it had to be fair I guess?

[melefim]

Swearing in Dead Boy Detectives: Charles Rowland

Overview:

46 curses total, 19 different words said in 8 episodes.

Episode 1: 1 Fuck, 1 Shit, 1 Bastard, 1 Piss

Episode 2: 1 Bloody, 1 Bloody Hell, 1 God, 1 Bollocks

Episode 3: 2 Fuck, 2 Ass, 1 Bloody, 1 God, 1 Cunt, 1 Bastard, 2 Sod, 2 Slag

Episode 4: 1 Fuck, 1 Shit, 1 Hell, 2 Bloody, 1 Bloody Hell, 1 Wanker, 1 Sod

Episode 5: 2 Shit, 1 Bloody, 1 Bloody Hell, 3 God, 1 Prick, 1 Knob, 1 Tosser

Episode 6: 1 Fuck, 1 Damn, 2 Bugger

Episode 7: 1 Shit, 1 Bloody, 1 Bloody Hell

Episode 8: 1 Bloody Hell

Curses Per Episode:

Episode 1: 4

Episode 2: 4

Episode 3: 12

Episode 4: 8

Episode 5: 10

Episode 6: 4

Episode 7: 3

Episode 8: 1

Uses Per Word:

Charles’ favorite curse word is Bloody, which he says 6 times! Fuck, Shit, Bloody Hell, and God are all tied for second, with 5 usages each.

Bloody: 6

Fuck: 5

Shit: 5

Bloody Hell: 5

God: 5

Sod: 3

Ass: 2

Bastard: 2

Bugger: 2

Slag: 2

Damn: 1

Hell: 1

Cunt: 1

Prick: 1

Knob: 1

Bollocks: 1

Wanker: 1

Tosser: 1

Piss: 1

Unique words:

Charles had the most unique curse words of any character, with 8 words that only he says: Cunt, Knob, Bollocks, Bastard, Wanker, Bugger, Sod, and Slag.

Edwin and Charles are the only characters who say Bloody Hell.

Charles and Crystal are the only characters who say Prick.

Charles and the Tabby Cat are the only characters who say Piss.

Charles and his ‘friend’ in the group of boys who kills him are the only characters who say Tosser.

Edwin, Charles, and the Night Nurse are the only characters who say Bloody.

Most of Charles’ unique words are British, so it makes sense he’d have so many that no one else says- he’s the British character who curses the most. It stands to reason that the primarily American cast of characters wouldn’t be using a lot of the same words as him!

Percent of Total:

Charles swears 46 times throughout the season, which is 14.2% of all cursing in the show.

Rankings:

Who Swears the Most: Charles is in 2nd place, with 46 times.

Most Curses in an Episode: Charles holds 2 spots on the top 10 ‘Curses per Character per Episode’ list: His 12 curses in episode 3 tie him in 8th place along with Crystal for episode 6. He also holds 10th place for swearing 10 times in episode 5.

Curse Word Variety: Charles has the best swearing variety of any character, with 19 different words throughout the show.

Unique Curse Words: Charles has 8 unique curse words that only he uses, the most of any character. (Cunt, Knob, Bollocks, Bastard, Wanker, Bugger, Sod, Slag)

Individual Words: He holds the top spots for usages of Bloody (6) and Bloody Hell (5). Combined with his 8 unique words, this means there are 10 different curse words that Charles says more than any other character.

Lines:

Episode 1: Edwin, hurry the fuck up! (Gas mask ghost fight)

Episode 1: Piss off, cat.

Episode 1: The little bastards are pretty clever, and their scratches sting like fire.

Episode 1: Look Edwin, you're the smart one, and I'm the one who does shit like this.

Episode 2: Oh my god, here we go.

Episode 2: Bloody Hell. Is this what's gonna happen to Niko?

Episode 2: I thought you said even Aramaic was easy with a bit of study. Bloody read it.

Episode 2: Bollocks! (After he breaks the vessel)

Episode 3: He was such a cunt.

Episode 3: So let's keep the bastard from ever getting his hands on it.

Episode 3: How do we break this bloody loop?

Episode 3: Edwin, don't slag her off just because it turns out you aren't the all-knowing expert on everything, yeah?

Episode 3: I'm just sick of watching this asshole kill his family a million times for no fucking reason. Tried it your way, and it did nothing. Sod it, let's try mine.

Episode 3: Mate, don't slag her off just because it turns out you aren't the all-knowing expert on all things, yeah?

Episode 3: I'm just sick of watching this asshole kill his family a million times for no fucking reason. Tried it your way, and it did nothing. Sod it. Let's try mine.

Episode 3: God, that must have been mental.

Episode 4: Sod it. Can't spy on people without a spyglass, can I?

Episode 4: Bloody cats. You all right, mate?

Episode 4: I've had enough of secrets about that wanker!

Episode 4: What the bloody hell is down there?

Episode 4: I'm also bloody angry.

Episode 4: Every day, I'm fucking smiling.

Episode 4: I sure as hell couldn't stop my dad from beating the shit out of me.

Episode 5: I'm also bloody angry.

Episode 5: With that prick demon and her missing memories, she isn't keen on starting anything.

Episode 5: Oh, bloody hell.

Episode 5: I've got some heavy shit that I need to sort out. I get it. Just… God, I really wanted them to be good guys

Episode 5: You tossers really hurt some people. You were cruel just for the shits.

Episode 5: God, you knobs really don't get it.

Episode 5: Oh god, I'm worried that maybe I'm like Brad and Hunter.

Episode 6: I mean, Monty's our mate and all, but Gladys could have buggered off.

Episode 6: Nasty bugger.

Episode 6: Don't listen to him Crystal, it's just some sort of a mindfuck, innit?

Episode 6: He's wrong you know? You're still pretty damn special.

Episode 7: What the bloody hell was that?

Episode 7: Bullshit. When did you go to school here for reals?

Episode 7: We're going as fast as we bloody can!

Episode 8: Oh, bloody hell. And you're always just popping up. Where do you even come from?

Notes:

Charles’ “I’m also bloody angry” at the start of episode 5 is the same clip from the fight with the Night Nurse at the end of episode 4, remembered as part of Crystal’s nightmare.

Fun Fact:

Charles has the last curse in the show- Bloody Hell at the end of episode 8. (Which bookends nicely with Edwin having the first- Bloody Hell at the start of episode 1)

Updates:

Updated % of total swearing chart to reflect an adjustment to the total.

Added in chart for most curses per episode

Adjusted placement in most curses per episode to reflect a missed god from Crystal in episode 2.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

More Dead Boy Detectives Swearing Posts:

Masterlist

Swearing by Episode

Swearing by Character

Swearing by Word

All Swearing Posts

And if you like lists of things like I do, you can check out my other Dead Boy Detectives ones here!

When Charles’ Shirt Colors Change

George Rextrew’s Edwin comic inspo board

Full soundtrack with timestamps

Moves, Incidents, and Cases Masterlist

First pass at finding where the songs in the score are used- full post with timestamps in progress

[buffyfan145]

Word of warning we just got a ton of possible leaks about season 2 of "Rings of Power" coming from The One Ring Net source. However, I will point out while a few of these seem possible this reminds me a lot of other "leaked" things for my other fandoms, especially DC and Marvel movies/shows, and most of those turned out to be false and fans just posting things for their own enjoyment. However, this is how it first leaked that Halbrand was Sauron before season 1 aired. Some of these do match scoops/spoilers we've gotten from Fellowship of Fans an interviews with the cast, but some of these are so out of left field. I'll post a breakdown under a cut of the major ones but you can see the post in full here. But I will point out some of these would be massive changes to the lore that even I'd be shocked if they do it, so again we'll see.

So the first thing that matches what FOF and even Charlie Vickers teased is that season 2 is going to show a lot of Sauron flashbacks and tell his side of the story and that we'll be in on his plans the whole time. But according to this post the Mairon version is a separate actor and that Gavi is actually the Annatar version but Halbrand/Charlie is still the main one going forward.

They're saying the Tolkien estate gave Amazon more access to "The Silmarillion" and we will see all the Valar, Maiar, Eru (he's just a voice though so we won't see a person), Melkor/Morgoth, Mairon (even called this name), Gandalf/Mithrander (who is Daniel's The Stranger), and even Ungoliant as we get this full backstory in the show.

Halbrand will go back to the dwarves and reveal he's Mairon to them and they truth him because of Aule.

It'll be revealed that Sauron/Mairon had a son and Adar killed him, which was why the line Adar said about "a woman or a child" was said in s1. No idea who the boy's mother is but possibly Amelia Kenworthy's character. This is a huge departure but would be interesting to have Sauron/Mairon/Halbrand actually have been a father and the 2nd Maiar besides Melian to have children.

Gandalf/Mithrander will also have flashbacks, including that he almost sided with Mairon, and even introduce Shadowfax.

Tom Bombadil and Goldberry will appear, which we already saw a leak about this possibly happening last year.

Supposedly Halbrand/Sauron does keep up his infatuation with Galadriel but actually goes back to Eregion not as just Annatar but as Celeborn!!! 😮 So they don't rescue Celeborn after all but it is Sauron/Halbrand and it's making it sound like there's romantic scenes between them but again it's actually Sauron/Halbrand with Galadriel and not Celeborn. I know some of us Haladriel shippers have written this exact thing in our fics and if this really does happen that again hints that Sauron/Halbrand really could be Celebrian's biological father which I would be shocked if the show did this even though I'd also love it. LOL Then add in if they do this change where Sauron had a son that died and possibly ends up having a daughter with Galadriel. It does sound like the real Celeborn does come back too at some point so if this happens this is going to be interesting, even though I know a lot of the purists and regular LOTR fans might hate it.

The season does end with Sauron forging the One Ring, which FOF has also been speculating. The thing is if Galadriel will be with him when he does as FOF reported on her being captured by Adar during the Battle of Eregion with this also confirms happens in the last 2 episodes.

They're also saying too that the season will also end with Galadriel making a choice to save either real Celeborn and/or Sauron/Halbrand as Celeborn, which again could point to above that she gets captured and then decides to stay with him. So this is going to be very interesting if any of these turn out to be true.

[sweetaprilbutterfly]

I will not wait for the release of the finale (although not all, but I know from leaked what will happen) to pass judgment on House of the Dragon and it is DISAPPOINTING SHIT.

Even when there was the first season, I didn't expect anything from hotd, the 1st season was normal, there were interesting characters, but in general the plot is simpler than in GoT.

I read about Dance of the Dragons in Fire & Blood and treated the changes as normal, because the general plot was more or less close to the book. But with the release of the 2nd season, the book became less and less with each episode and the characters don't resemble themselves, not even like themselves in the 1st season.

Like what have they done to Alicent😭:

“The city is yours, Princess. But you will not hold it long. The rats play when the cat is gone, but my son Aemond will return with fire and blood” versus “When he’s gone, I will see to it that our guards throw down their arms and open the gates.”

Quote source X

Book Alicent would kill show Alicent for what she does in season 2. Alicent betrayed herself and her family for the "love" to Rhaenyra, this is so stupid and this is not Martin, but some kind of comedy or soap opera.

And I don't understand why Condal is so attached to the prophecy and why he so wants Rhaenyra to be Dany 2.0, when book Rhaenyra is better and more interesting than the show one and he will not change her fate, she will still die, although they will probably change how it will happen.

After the leaks, I'm no longer Team Green, I'm Team Aemond, even though the writers messed him up too, but I hate it when showrunners try to make someone "bad" on purpose to everyone hate. They could never make me hate you Aemond.

HBO needs to remove from the credits that it is based on the book by George R. R. Martin, and write that all this is the work of the mediocre Condal and has nothing to do with the books.

Condal and Hess and the other screenwriters should get a lot more hate than D&D. Condal & Co. are the worst showrunners in the world, to have a completely finished book material and to do what they did is just something incredibly terrible.

For all its faults, Game of Thrones was phenomenal and even seasons 5 and 7 (the worst GoT seasons in my opinion) are better than what Condal and Hess did in season 2.

The asoiaf fandom is so weird. After the final of GoT, the rating on imdb and other platforms collapsed, and here HotD already in the 2nd season abused the canon so much and the majority approves of it??? Yes, I'm one of those people for whom the finale of GoT is normal, but I still can't come to terms with the fact that Arya killed NK, it should have been JON and I don't agree with Jon ending, but in general the season is better than 5 & 7. So I hope all those who so unfairly condemned GoT will rightly condemn HotD and collapse the rating, and maybe the leaks will reduce the rating of the show.

The hotd cast are great, but I don't think I can watch season 3 after this shit, there's no hope of it getting any better.

Condal really wanted hotd to be like GoT, but it didn't work out, it's very far from the grandiose level of GoT, GoT was and will be the best no matter what.

[bird-inacage]

CALL ME BY FIRE (SEASON 3): Participation of Jeff Satur

Now this has been the most uncanny crossover I never saw coming. A show I've been watching for years, and my introduction to thai BL which initially put Jeff's name on my radar. Here's some context for any fans who have heard of his participation and want to know more.

Call Me by Fire is a mainland Chinese TV competition show. They invite 33 established male celebrities with the goal to form an ultimate "boy band" by the show's conclusion. What tends to be the incredible pulling factor is they'll invite a combination of singers, musicians, actors, dancers, idols, presenters - incredibly well known faces in the industry - many of them hugely respected OGs in their field. (The demographic is usually late 20s+) so there's an intentional sense of maturity, experience and wisdom amongst the ensemble. The emphasis isn't really on forming this 'fictional' boy band, it acts as a mechanism for us to get more up close and personal with these artists. Allowing viewers to appreciate their creative genius, as well as who they are as people.

This show came as a spin off of another series 'Sisters Who Make Waves' which has the exact same premise but for female celebrities. Because it became such an instant hit, they made a male version shortly after.

As a Chinese speaker, I've been watching both shows since they started in 2020. Both are in their third season (with Call Me by Fire broadcasting right now). This year they've decided to include more participants (of mainly Chinese/Asian descent) from America, Korea, Japan, Vietnam and Thailand - along with the majority from China, Hong Kong and Taiwan.

Why I find this show both incredibly entertaining and compelling is because you get to watch spectacular collaborations between some of the most talented artists of this generation, and witness them embark on a journey of brotherhood through a shared love for performance (they live, work and perform together for the duration of the show). For me, theres also a massive nostalgia factor, because a large portion of these artists will be people I grew up watching.

There will be a lot of new attention on this show due to the Jeff's involvement (whose dubbed ‘Luo Jie Fu’ in Chinese). We’re only on Episode 2, and he's already making a huge impression, earning one of two MVPs spots after their first live performance - his group ranking 2nd out of 8, and his personal ranking being 7th overall (based on the live audience popularity vote).

The show is uploaded onto Youtube in full (post-broadcast on a Saturday). Just to warn you, the episodes are usually very, very long (sometimes between 2-3 hours in total), but I personally really enjoy that. There are English subtitles but the translations don’t always capture the nuances.

Jeff is doing a superb job so far and he's very brave for taking this on. He brings something distinctly unique in his showmanship and personal sense of style. It's a daunting prospect for someone who can't speak or understand Chinese, but the other brothers are doing their best to help him feel as welcome and settled in as possible.

If anyone has any questions about the show or clips featuring Jeff they'd like to know more about, I'm more than happy to translate.

[n-fblog]

Reo, Nagi, and Differences from the Main Manga

Thoughts from Episode: Nagi, chapter 17

Reo:

This chapter was kind of needed for him to "abandon" his ego of becoming the best with Nagi (and we can see it sort of fading in the textbox) -- and simultaneously get rid of that growing attachment he has to Nagi. Really sad to see him say, "thank you" as if he doesn't even have the strength to break them apart himself (and he didn't)

The chameleon makes its first chronological appearance so we can clearly see him start to 'adapt' his thinking and playing even though it's not fully fleshed out yet, which is exciting! I wasn't sure if that was something he made up with Shidou before, but it's hilarious to know it all started with Nagi, AGAIN. Or maybe this is the manga trying to convey that he's changing himself to help Nagi walk away lol

His inferiority complex with Nagi makes itself kind of known here, with the monologue- "Those are the words *I* wanted to say,," but was unable to...

Somehow, Nagi being able to encourage Reo makes him the stronger one mentally -- which is tough for someone who subconsciously already thinks he can't go very far without Nagi skill-wise.

Poor guy... and he still has so far to go before he starts to think he can fight on his own.

Nagi:

Man, this chapter pretty much confirms that their mischaracterization and miscommunication goes both ways lol. Nagi spitefully admonishes that he isn't Reo's 'toy' when Reo flips from "wanting to be the best" to "wanting to stay together"-- These guys have such a hard time acknowledging their friendship outside of football, it's actually painful.

I can't tell if he made any sort of connection betweey 'toy' and being Reo's 'treasure'. But that's almost definitely a metaphor on Reo's part. What a lot of people misuse is that Reo calls Nagi his 'treasured possession' when I really, truly don't think he meant viewing Nagi as a literal object. But how else do you expect a rich boy who's only been shown love through material things to describe something he values? *(see tags for a rant on this lol)

I do wish we'd gotten more insight into how he felt when he heard what Reo said in the moment, but this chapter was already long as it is. I do think Nagi's expressions sort of speak for themselves.

I mean, he straight up looks like he's about to cry here. 

I would argue that part of Nagi's promise to 'stay together' during the entrance actually includes 'believing in each other' like he says here:

 And if that's the case, then what did Reo's claim of abandonment mean to him? Was it that Reo didn't believe in Nagi's newfound drive to win? Or was he mad that Reo didn't believe in himself? I think it's a bit of both, but I really want to see more thoughts in the manga or from the fandom

Blue Lock vs. Episode: Nagi

So... Nagi definitely seems more angry in this chapter, right? When you revisit Ch. 76, you can see that Nagi is a lot more apologetic towards Reo

( Here you see him lament not growing alongside Reo, but fired up and excited to work with Isagi)

vs. what we saw this chapter

(Nagi saying sorry and acknowledging he's changed, but looking less toward the future and more resisting the past)

Maybe this is just a difference in translations, but "I can't [am not able to] go back" feels a little different from "I won't go back" -- the former just feels like an admission (to Reo), while the latter feels a lot more confrontational, a downright refusal to go along with what Reo wants.

And that's fine, but it does reshape how I thought about Nagi, and I think it really emphasizes just how pissed he was at Reo by the end of 2nd Selection.

This reframes their interaction during U-20 tryouts for me. I originally thought it was mostly setting up Reo's chameleon style defense and Reo's internal conflict (which it is) but EpiNagi really just shows that Nagi also has a ways to go before they reunite in Manshine

I think this could be the panel (from Ch. 107, 3rd Selection) where Nagi forgives Reo -- it's the point where Reo sort of shows he understands Nagi's drive to win, and that he doesn't value staying together over improving anymore. After that, they have no issues (in Nagi's eyes) so it was probably easy to imagine walking up to Reo during MC v BM and asking for his help ... but man, we still have a long way til then, and I can't wait for EpiNagi to probably prove me wrong :p

[ineffable-opinions]

In the year of dragon, I wish they retained Mungkorn (มังกร) instead of translating it to 'dragon' in the 2nd episode of Love Sea.

For context, I'm referring to the scene where Rak speaks about public reaction to his writing:

I just wanted to share a story I loved with like-minded people. But as the reader base grew, some groups of people started finding faults with it. "Why did this character do that?"

It's just like when people ask why there are dragons in a fantasy world. Because it's a fantasy world, so of course it has dragons. Illogical things... can only happen in fictional worlds.

While there is nothing wrong with the translation as such, some cultural nuance is missing. Firstly, fire-breathing western dragons and auspicious (and political claw count) eastern conception of "dragons" are different in many ways.

Mungkorn also has an important place in Thai culture and politics.

So it is understandable that having mungkorn in fantasy fiction would be different from having dragon in fantasy fiction.

Here's an excerpt from Thai BL authors' interviews with scholar Jooyin Saejang quoted in the 2023 paper Chinese Historical BL by Thai Writers: The Thai BL Polysystem in the Age of Media Convergence

Writer B, too, penned Chinese historical BL not only because she liked Chinese historical dramas that often feature extravagant settings and costumes, but also because she could use 'their history and beliefs as storytelling materials without worrying about any "drama". For example, if I want my male protagonist to be a ruling monarch, I can do it [in a Chinese setting], but if I do it in a historical Thai setting … [laughs].' Writer B added that:

Actually, it's not just politics. Religious beliefs are also the same. For instance, I write about Chinese gods and spirits, I can reference the Bodhisattva without worrying about any drama because it is fantasy. But if I use the Bodhisattva in a Thai setting, then I might face a backlash like 'why did you do this to other people's belief?' It is more sensitive. I feel like when everything I include is historical Chinese, then people will understand that it's just fiction, just fantasy. They can see it as unrealistic. I read a novel like this but set in Thailand before. It touched on people's religious beliefs, so the reception was not so good. A lot of people were against it because it was in their daily life. They didn't want anyone to touch on it. It was their belief.

When asked why she did not attempt a Thai BL period drama, Writer C similarly cited historical China's affordance of surrealism which allowed her to avoid any backlash.

With historical China, I can portray things that are surreal. There are eras that have Chinese gods, spirits, and demons. If you ask me why I won't write a Thai BL period story, mainly because I am not well-versed in Thai history and because historical Thailand is quite sensitive in Thai society. Anything about Thai is very sensitive. We cannot do anything with it. If I do something with it, there will be those curious people who are always like, 'Why is it like this? Why is it like that? No, it shouldn't be like this. It should be like that.' Cut to the Chinese historical setting, I claim that it's about gods and spirits, then nobody will question me. Or even if there is, I can argue that my story is not based on anything. Don't use it for your history test.

-

As with gong shou convo in Unknown, imo, this translation too defeats the purpose of the scene.

[ripplestitchskein]

The Story Foundations

Episode 2: LooLoo Land

Please see the master post for this series here. As always I try to only view this through what is shown in the canon content of the show, I don’t take into account outside media like the Sinstagram posts or things stated outside the text by the creators unless they are incredibly important as I feel the text should have everything the audience needs.

Let us begin.

The first thing I wanna talk about is the episode’s warning. Which sounds strange until you realize it warns for “sad horny demons”. A huge criticism I see, and that people often complain about, is Stolas “turning into” a sad owl boy and I talk about it a lot in my metas because the text tells us the opposite constantly. I just thought it was hilarious that the opening warning on the 2nd episode ever actually warns the audience about this outright. I also love that it’s plural, because Blitzø is also a sad horny demon. Honestly most of them are.

Anyway, to the episode:

The first shot is an establishing shot on Stolas’s huge mansion, specifically the balcony. I’m going to spend a few minutes here because I think the contrast between the Pilot (which is firmly non-canon but will come up a few times here to illustrate some key points).

The colors in the original Pilot for Stolas are desaturated, his royal iconography is his actual face coming out of a book and wearing a crown. There are other little marks in the stone that look like the book with fire coming out of it, and little crowns. The building is gray and a dull reddish pink and looks very blocky and severe. The balcony is the central focus of the establishing shot because Blitzø will exit it later but it’s very small.

In the actual canon our first time seeing the palace is just as grand but the building is more reflective of the “new” Stolas. I can’t think of a better visual representation of a character undergoing development changes in the pre-production phase of the creative process. It really shows how much the direction with Stolas changed as they began the real fleshing out process with him. The new palace is beautifully saturated, constellations on the walls, phases of the moon and plant vines in gold replace the previous iconography. The doors are a sun and moon. And the balcony is huge and centrally focused. I love that instead of the front of the palace or an overhead shot to show its grandeur we come in again at the balcony which is so pivotal throughout the series.

We have a voice over of a scared child calling for “Mommy, Daddy”. Initially I read this as her calling for whoever but rewatching and with more context from the episode and show overall I kind of read it now, after hearing what her nightmare was about, as Mommy, Daddy! She’s calling for her mother because something has happened to her father. The only reason I mention it is because of the episode being focused on the Father/Daughter relationship, the fact that Stella says “You do it” when Stolas wakes her saying Via is calling, and that a source of Octavia’s anxiety is her father leaving and being unable to find him (I have A LOT of theories about this as foreshadowing, especially with Stella dismissing her daughter and not being a source of comfort in the past or present, but that’s another post for another time).

This is one of those things where I war with knowing as a writer that you will absolutely make deliberate decisions like this with otherwise mundane dialogue, but also that sometimes you write things without further intent because that’s just a normal thing people say. Kids wake up yelling for their caregivers. But there is also a very real thing in productions like this where every line and every visual counts and is poured over and deliberate. Not only because you are paying people to perform and animate it, so you can’t waste it, but also because it’s such a short format, a lot has to happen in 13-30 minutes and you don’t want to waste a second . However, in this show, sometimes the dialogue is for the joke, because the VA improvised something funny, or for the shock value, so I don’t know how deep I should get, or how much emphasis to put on some things. I do my best.

So I’m not sure if it’s actually speaking to anything deeper, I might be putting more on this than needs to be said, but that’s who I am as a person.

Anyway, Octavia is having a bad dream. The visuals of her room are really telling. Her artwork is stars and moons and drawings of her and her father. The portrait is her and her father. Her nightmare is not about her losing her parents, but her father specifically. Most of this is to setup the episode conflict for Via about losing him and the overall stress of a divorce on a child, but some of it is also to show the disparity between her relationship with each of her parents. It is Stolas who gets up to console her, it is Stolas who features in the decor of her childhood bedroom, it is Stolas who reaches out to spend time with her later.

The grimoire follows Stolas into the room, and we get a new glimpse into his abilities, both the telekinesis and the portal.

Stolas begins singing, the song really sets up his main character drivers, he used to think he was bold, he used to think love would be fun, he feels his stories have already been told except for Via’s. He tells us he is dissatisfied with his life except for Via from very early on. This really gives us a quick brush of what underlies Stolas’s issues in the series and it’s a beautiful song. Baby Octavia being comforted and sleeping even through this grand collapse of a celestial body happening around her, because she is safe with her father is just great visually.

Octavia falls asleep peacefully and the scene abruptly changes to the present day and the contrast between then and now. Her room is devoid of any indications of her father now. There are no pictures or drawings on the wall.

She is awakened from sleep by the sound of her parent’s fighting, of Stella throwing things and yelling about Stolas fucking an imp.

Stella’s issue doesn’t seem to be that Stolas slept with someone else, but that who he slept with is an imp. Stolas says it happened so fast he didn’t have time to get a hotel and Stella is more concerned that getting a hotel is plebeian and lower class. This really shows us the state of their relationship, these aren’t people who were in a committed marriage where the adultery was the issue on either side. Stella isn’t mad he cheated, she’s mad about who he cheated with, and Stolas doesn’t feel guilty he cheated, just that he didn’t have time to do it more discreetly.

Octavia puts on a very apt song about her world burning down around her. Stella is throwing plants and servants.

“Do you want to fuck this one too?”

“No of course not.”

“You are a fucking embarrassment.”

This dialogue tells reinforces two things, that the issue is not the actual cheating for Stella but the social class of who he cheated with. For Stolas it’s not an imp fetish, or fucking someone of a lower station, but a very specific person.

There is a portrait in the room of a happier Stolas and Stella with Octavia with the LooLoo Land apple. Stella has her arms crossed and she’s slightly apart but her face is indulgent and slightly smiling. Stolas is focused entirely on Octavia and smiling hugely. A little sign that they both tried to make the best of things, especially for Octavia. Their home was at one point a happier one. At least visually, I talk a lot about how images are important to Stolas, this one is no exception, we see a relatively happy family but the underlying truth is that it wasn’t, Stolas sang about his unhappiness as early as Via’s childhood and we see the truth in the show’s reality.

Stella exits, screaming and destroying more things. Stolas meanwhile does what Stolas does and acts bright and cheery, greeting his daughter exuberantly like nothing is wrong. She mentions she’s listening to a song My World is Burning Down Around Me by Fuck You Dad, which we could jokingly think of as “theme stared”.

She’s asks if they are done screaming for the day, followed by Stella screaming and Stolas ignoring the question entirely and suggesting they go to LooLoo Land. Octavia is not thrilled with the idea, saying she is not five anymore, a time when she was happier and her family wasn’t falling apart.

Stolas says he’s arranging for security and he is very pumped up by his recent dalliance, exuding a different sort of confidence about people wanting them for their money and their bodies.

We get Stolas saying “the only man who can fuck me” and Octavia being rightfully weirded out. This line tells us he’s not actually calling because he needs a service, he wants to spend time with Blitzø.

Cut to Blitzø in his office being fucking bizarre with the Millie and Moxxie dolls and shoving them in his pants.

On his desk, and the focus of most of the shot, is a picture that says #1 Bitch with it written out and replaced with Boss but he appears to be wearing a robe very similar to Stolas’s (it does not appear to be the exact same one though) with a black rose in his mouth and on the picture is a paper crown that Blitzo dons with a little musical noise as he talks to the Goetia. The camera focuses on this picture for a long time and during the course of their conversation Blitzø moves the picture around to face him and dons the crown. I lost my mind a little noticing this detail. The picture was facing away while he was being weird with the dolls but when Stolas calls he puts them away, moves it to face him and puts on the crown that is a major motif for Stolas. Super interesting visual.

Stolas calls him his big dicked Imp and we have the cut away shots switching between Blitzø and Octavia saying What the Fuck and spit taking while Stolas tells them to watch their language which is hilarious…ya know considering. They have a rather disturbing conversation about Stolas planting his feathered ass but ultimately agree that Stolas will pay them money to protect them at the park. This is the first time we get the hint that Blitzø and Octavia think along similar lines, or mirror each other. The other comes later with Fizzarolli when they say “I hate that fucking clown”. I like that the two most important people in Stolas’s life are on the same wavelength so deliberately and so early in the show. It’s a very intentional choice.

It is also a progression point. Here Blitzø only agrees to do this for money. In Western Energy that isn’t even discussed even though the same service is provided.

A few other key things here, Octavia doesn’t seem to feel a body guard is necessary for a theme park. She seems to find the entire idea of needing a body guard to be foreign. It’s presented for what it is, as an excuse for Stolas to spend time with Blitzø. Yet at the park there are actually imp assassins following them around that Blitzø has to take care of. So there is a “threat” but Stolas seems capable of handling it himself later, and we also find out down the line that only angelic weapons can actually do any real damage to him.

The ultimate takeaway is Stolas is being selfish and focusing on this new sexual relationship at the expense of his daughter. He suggests a fun outing for them to recapture happier times but immediately uses it as an excuse to bring in the reason for the unhappiness. This scene serves as the final setup for the episodes conflict: Octavia’s fear of losing her dad, this time not because of a bad dream, but because of his affair with the imp he is forcing into their lives.

To be honest, it’s not my favorite scene or episode. I find both Blitzø and Stolas off putting in it, but the episode setup is complete, we are going to LooLoo Land, Blitzø, Moxxie and Millie are coming along for work. Octavia does not want to go.

We arrive at LooLoo Land in the IMP van. Stolas gets immediately into the role of fun theme park dad, donning his little apple hat. Stolas’s outfits often reflect the image he is trying to cultivate and that’s in full effect here. Octavia is reluctant and dragging her feet. She is telegraphing loudly she does not want to be here.

Blitzø lays out ground rules that they are here in a professional capacity and Stolas is not to fuck him or attempt to. Stolas brushes this off and says he’s cute. Octavia is revolted by her dad’s behavior. Blitzø also likens their arrangement to sex work, he is very firmly in that mindset. He later says he’s not a dayhooker. Later, as I previously stated the monetary compensation and even the grimoire deal is not mentioned as much, because their relationship and how they initially view it changes.

Moxxie goes into anxiety mode pulling out antacids and all kinds of stuff from a fanny pack. He does not like theme parks and has not been to one before while Millie is having a lot of nostalgia and excitement about the day.

Octavia asks about the park, revealing that it’s not LuLu World but a knockoff and the entire vibe of the park and its rundown appearance reinforce that. This world building will carry through to the Mammon special. The cast splits, Moxxie and Millie go off to enjoy the park and Blitzø goes with Stolas and Octavia.

I won’t break down all their scenes as they are largely irrelevant to the plot of the episode, but we get some backstory and dynamic stuff for Moxxie and Millie. Millie came from a poorer background but seemed to have a good family who took her to amusement parks when they could afford it, and she has fond memories of the place. Moxxie is trying to prove himself to his wife and is competing with someone for her even though she never indicates she needs it or that it’s even a competition. Moxxie does this with Striker later. Moxxie continues this cycle of poor self worth, trying to prove himself and failing, because he doesn’t actually need to.

Blitzø is acting very professional and taking his job seriously. Stolas is disregarding that, continuing to flirt, and we get our first basis for some of the reasons Blitzø won’t believe him later in the show. In this episode Stolas is very dismissive of his job and calls them imps several times in a very denigrating way. Stolas flirts and sexualizes Blitzø at the expense of his daughter and that conflict is very present the whole time until the end when he has that wake up call when she runs away from him.

Stolas is not a perfect father, he is not a perfect person. He has a taste of the sexual relationship he’s been craving and goes too far, and is too oblivious about how that affects others, to the detriment of everyone around him and to himself. Stolas’s obliviousness to other’s needs in service to the image he wants to project is really center stage here. He thinks Octavia loves Fizzarolli, that he was a happy memory, but we see in flashbacks she was actually terrified and hates the clown. Stolas is so caught up in having this perfect father daughter day he doesn’t pick up on her cues and keeps forcing her into things she doesn’t want to do. He doesn’t do this maliciously, or from a place of ill intent, just like he doesn’t oversexualize Blitzø for predatory reasons, he just lives in fantasy because he hates reality and he tries to bring those fantasies into reality by forcing it and being oblivious to other’s needs. As I talked about in the breakdown of the Ozzie’s scene Stolas goes out of his way to force things into the image he wants to project: a dad having a happy bonding day with his daughter.

This is Stolas’s main character flaw and it’s revealed here in this episode.

Blitzø is largely there to highlight this flaw. Stolas brought along the reason for the family’s destruction into this day that was supposed to be about his daughter. He’s trying to put up this happy front but the reason it’s not going well is his own actions. When Stolas ignores cues that Octavia doesn’t want to be there and flirts with Blitzø again after he takes out one of the assassins, Octavia gets fed up and leaves. Stolas goes after her.

Blitzø starts to follow but is called out by the Fizzbot. He stays in the tent and we get a little hint of Blitzø’s backstory with Fizzarolli, and Blitzo’s previous job at LooLoo land.

Fizzarolli asks him the super important question “Does anyone love you” just barely hinting at Blitzø’s character need, but present early on in the show and explicitly stated. This is almost exactly what happens with actual Fizzarolli in Ozzie’s. Seeing him in a crowd, calling him out and asking if anyone loves him.

Blitzø says no here, but he’s really good with guns now, and starts shooting at him. He then burns the circus down (*sings* foooorreshaadowwing). This is super interesting because it’s a setup for something we see change later. In Ozzie’s, Fizzarolli calls out to Blitzo in the exact same way, and asks him the exact same question. The next time he’s asked Blitzo doesn’t say no, he looks nervously at Stolas. That’s development baby. That’s growth.

Blitzø seems to have a lot of pent up anger for the Fizz bot and that’s a pin the writer’s setup early on to be explored later. We as the audience get information on some of his previous failures, his main conflict (the lack of and need for, love), and that these things are connected with this Fizzarolli person that Blitzo seems to hate to the point of burning down an amusement park to kill his proxy.

Meanwhile Stolas follows Octavia into the funhouse, an assassin goes for him and annoyed he says he is supposed to be bodyguarded. Millie takes out the assassin and he is dismissive of them, “not you littler ones”, and again shows us that he is playing out a fantasy. Blitzø is his knight in shining armor, even if he doesn’t actually need one, and he will contrive a situation to live that fantasy out (he could just turn the imps to stone but he wants Blitzø to have opportunities to save him).

This moment is really minimized in this episode but it’s huge when you look at Western Energy, as it’s directly reflected there. In that episode Stolas is in actual danger instead of contrived danger, Blitzø doesn’t think it’s an issue because he knows Stolas sets up these little scenarios for his fantasy. Except this time it’s real and his knight in shining armor once again does not save him, he’s saved by Moxxie and Millie again. It’s also when Bliztø realizes that Stolas can actually get hurt, that he really did need a knight in shining armor and Bliztø was not there. The fantasy he plays at in LooLoo Land becomes reality, but when it plays out this time Stolas actually gets hurt, Blitzø doesn’t save him. They both are faced with reality. I love things like this. A direct callback with change due to a character’s growth throughout the story? It’s beautiful.

Also, just to theorize a bit, this is a prime setup for the rule of three. In fiction things are often called back to three times, with gradual changes each time to contrast them and show the overall change in circumstance each time.

The first time at LooLoo Land, Stolas doesn’t actually need saving, he is safe but he wanted it and Blitzø wasn’t there. He’s disappointed. The second time in Western Energy Stolas does actually need saving but Blitzø isn’t there again and realizes at the end he should have been. Stolas is hurt emotionally and physically this time. Presumably, the third time Stolas will be in real danger, but this time he will assume Blitzø is not coming because he never has before, but this time Blitzø will be there, he will be what Stolas has been wanting. It would be a beautiful progression of their relationship and a great way to show the development and progression.

Back to the episode.

Stolas moves into the funhouse and has his needed heart to heart with Octavia. Octavia point blank says that this entire situation is his fault, he just spent the whole time flirting with Blitzø and ignoring how she felt. That this place was happy for her once but he ruined it with this affair. Stolas apologies for this and he tries to explain himself but fails. He doesn’t have the words. The general gist of his started and stopped sentences is that Stella and Stolas were not in love, that Stella has flaws, that he has flaws and he wants something else and always has. He doesn’t even know at this point what he wants, he can’t articulate it. The starts and stops are well done in that they tell the story without actually stating it, enough is given for audience inference but the character still doesn’t know. He doesn’t apologize for the affair itself but for causing her pain, he tries to explain why he did it but can’t. We’ll see him discover this as the show goes on but at this point he doesn’t know himself. He was enjoying the sexually charged fantasy but he was doing that at the expense of his daughter, and to a smaller degree in this episode, Blitzø.

Octavia expresses the fear setup at the beginning of the episode. That her father is going to leave her. Like he does in the flashback, he reassures her that is not going to happen. He would never willingly leave her. I also theorize that this is prophecy or foreshadowing. There will come a point where Stolas is gone and Octavia will need to help deal with it. There may be clues dropped in this episode when that day comes so something to keep an eye on. This is another candidate for the rule of three, Octavia dreams her father is gone, he finds her consoles her. Octavia fears her father will leave and her dream will become a reality, he finds her and consoles her. Later potentially he will be gone, and she will have to console herself and find him.

He tells her she was right, it’s time to go and like the flashback he carries her through the burning chaos of the circus, calling back to the celestial destruction, and then asks her what she actually wants. He gives her a choice. It’s the first sign of his character growth, he tried to force what he wanted on her to fulfill his fantasy but in the end he asks her and gives her a choice and autonomy.

This again is paralleled in Western Energy. It takes a big destructive moment for Stolas to realize he is ignoring what others want in service to his fantasies, and he takes the lesson he learned in LooLoo Land first to later give Blitzø what he wants after the events of that episode. The difference is that Octavia tells her father what she wants explicitly and then he gives it to her. She wants to spend time doing something she likes with her dad.

With Blitzø, what he tells Stolas with his actions and words is not what he actually feels and Stolas tries to handle it the same way using what he learns here, by giving it to him and giving him a choice, but we know it will ultimately be unsuccessful until Blitzø does what Octavia does and just tells him.

Blitzø, Moxxie and Millie fall in front of them.

Moxxie says something really interesting “Way to ruin another good thing, sir” which just has so many potential implications. Blitzø says it was worth it in this instance.

As I said before, this episode is not my favorite. We have a conflict (Octavia fearing her dad is going to leave her) and resolution (he promises he won’t and takes steps to show her) we have some character flaws introduced, the first mention of Blitzø’s character issue, a lot of exploration of Stolas’s and a lesson learned for Stolas that will be applied later by him in a similar way: giving the person he wronged a choice. We have a very loose three act structure but little stakes, and the plot is much more character driven than plot driven.

Overall we setup several things the writers explore much further down the road in Season 2 but the structure is not as cohesive and tight as it was in episode 1.

It’s a weak episode but it has strong setups for further exploration and looking at it with the context of what happens down the line shows that the writer’s do take into consideration what was introduced and continue the development begun here.

What’s important about LooLoo Land is that it shows us early that Stolas and his family drama and his relationship with Blitzø is a vitally important part of the show overall. If Stolas was just a plot driver or sexual comic relief character we wouldn’t get an entire episode devoted to his relationship with his daughter. He is shown to the audience as a whole character with this own flaws, desires and back and forward story to be explored. It’s also the 2nd episode of the series, so his establishment is only 2nd to the establishment of IMP and the overall premise. I harp on this a lot because most of the anti Stolas things I see ignore this fact completely. They reduce him down to the presentation of the OG Pilot instead of the direction the creators actually went, a pivotal main character going on his own journey within this story. (In my opinion if they had stuck to the original premise this show would be much much weaker and less compelling overall, but that’s a post for a different day.)

We are introduced to Stolas and his relationships even before Blitzø’s. We don’t even know that Loona is his daughter yet at this point in the canon text. We know nothing at all about Barbie Wire, his family, or anything outside of IMP. This is because this affair, the fall out, and the future consequences are CENTRAL to the entire show, they are why IMP exists, and they are central to Blitzø and his own growth and development. The same can be said of Fizzarolli, there’s a reason that backstory is hinted at in a Stolas episode. The question he keeps asking Blitzø, does anyone love you is first linked here. The events that take place in LooLoo Land are directly reflected in Ozzie’s and in Western Energy later. These setups take place so early on in the show’s run and are continually fleshed out and paid off as it continues.

The episode itself is weak but the foundations it lays are incredibly strong.

[buckybarnesss]

If Cora was Stiles' age, wouldn't she have been in his grade before the fire? He knew of Derek and the Hale family but it just seems like Cora was written in last minute.

on this episode of heather versus the teen wolf timeline: cora hale.

here is what the timeline establishes:

all of season 1-3B takes place in 2011.

the hale fire was six years prior to the start of wolf moon. stiles is speaking hyperbolically when he says it was 10 years ago. we know it was six from what derek tells scott in magic bullet.

derek: six years ago, my sister and I were at school, and our house caught fire.

it's established that cora was 11 at the time of the hale fire in 2005. this comes from frayed during her and peter's conversation.

cora:  you've known me for seventeen years! peter: i knew you for eleven, leaving the last six unaccounted for. and i'm not particularly fond of things unaccounted.

she's 17 in visionary.

visionary takes place during the fall 2011 semester of the main pack's junior year.

in comparison to the others:

allison turned 17 in the tell which takes place at the end of january 2011. allison says she was held back due to all the moving around. she's the oldest in their cohort.

lydia turned 17 on march 19th in party guessed during season 2 on the worm moon. we know it was her 17th birthday due to the conversation lydia and natalie have about lorraine's ashes in time of death in season 4 which takes place during the spring semester 2012 of lydia's junior year.

natalie: because she wanted you to do it... when you turned eighteen. don't ask me why. but, since there's only a few weeks 'til that, i suppose now is as good a time as any.

stiles would've turned 17 in april according to his official birthday of april 8th.

scott didn't turn 17 until september as is official birthday is september 16th.

malia turned 17 on november 28th making her the youngest of their cohort.

other odds and ends:

theo was in the fourth grade with stiles and scott making him their age. his birthdate is incorrectly listed as 1998.

jackson was born june 5th so he turned 17 between seasons 2 and 3A.

malia was 9 years old at the time of the car accident that killed her mother and sister which puts it in 2003. 2 years before the hale fire.

now while we can acknowledge the real reasons why cora's timeline is so shaky is because they winged a lot of it but what's the fun in that? here on buckybarness dot tumblr dot com we do teen wolf academia.

now one does wonder how scott, stiles, lydia and isaac didn't know cora but there could be viable reasons for that.

i discovered that the law changed in california in 2000 to raise the kindergarten enrollment age to 5 years old by september 1st. prior to this if a child turned 5 on or before december 2nd they could enroll.

they all would've started kindergarten in 1999.

this might be why scott and malia are in the same school year as lydia and stiles rather than being in the year behind.

if they'd had the foresight they should've had allison turn 18 in season 1 and have her a legitimate full year older than the rest because like she's only 3 months older than lydia so it seems a bit odd she's so embarrassed by turning 17 when she has a birthday so close to lydia and stiles. for someone turning 18 and being a sophomore due to being held back? that'd be embarrassing to someone in the american school system.

now cora could've been born in late 1993 to early-mid 1994. she could've been a grade ahead if she was closer in age to allison than to scott. i do strongly suspect that talia and corrine had overlapping pregnancies and being pregnant at the time is one of the reasons talia coerced corrine into keeping her pregnancy with malia.

the tates could've had malia start school later than the rest because she would've been 4 at the start of the year rather than 5 even if the law at the time allowed it. she just joined the rest as juniors when she returned to society because it made sense to keep her with the friends she'd made and she was 17.

if cora was in the grade above she could've been in middle school while the others were still in elementary school or maybe both malia and cora attended different schools due to zoning.

maybe they were homeschooled.

we'll never really know but it's interesting to think about.

[squgs]

HOTD and Ambiguity

So given that House of the dragon covers nearly 20 years of history (30 if you count the prologue), and a shit ton of characters in ten hours of television there's a lot of events that we don't see and ambiguities around characters. Characters rarely state their motivations and there are reasons to doubt them when they do. It is very easy to make wildly different claims about characters which, while incompatible with each other, can't really be disproved by the show so far. For example Daemon can be a pedo groomer abuser who just wants the throne, or a feminist malewife who will do anything for his queen. Neither of those are explicitly disproven by what we see on screen, though that is not to say that they're equally reasonable readings (I think that the 2nd is pretty ridiculous to be honest).

These different readings of scenes and characters and lines have contributed to the pretty ugly fandom discourse since there is enough evidence for mutually exclusive claims to argue extensively. Whoever your favorite character is you can twist the shown events in order to make them seem like a hero and for everyone who opposes them to be terrible. However I don't have anything worthwhile to say on that, so I want to talk about the writing on its own instead.

Now having uncertain motives can be interesting writing wise (show don't tell and all that), but I think that as House of the Dragon's first season continued it ran into more and more problems around this, especially with the time jumps and actor changes. When character's motives and wants are unclear after the time jumps first impressions are what will decide how most people view them. So when we first see Rhaenyra giving birth, and we first see Alicent trying to separate a newborn from her mother, and we first see Criston calling Rhaenyra a slur and we first see Harwin being a protective father and we first see Aegon bullying his brother, it adds up. Those first impressions are then applied forward and backwards leading to the idea that Alicent and Criston have been abusing Rhaenyra for ten years, and that in the training yard Criston the incel fucked around with Harwin and then found out (my read is that Criston the step-dad took advantage of Harwin being an entitled ass to get him fired).

(Side note about Criston: While the exact thinking behind his downward spiral in episode 5 is ambiguous, the scene between him and Rhaenyra in episode 4 is unambiguously rape given that he tells her to stop and she doesn't.)

In that way the show encourages very one sided readings of complicated and ambiguous scenes, leading to people either being annoyed that the show ignores all the terrible things that the greens are doing, or that it's unfairly biased against them. That's a problem, but things don't completely fall apart until episodes 9 and 10 when people start going to war. For all of the characters we still have no idea what they are fighting for. If we ask why Alicent crowns Aegon we have a bunch of possible answers:

Because she thinks Viserys told her to. This is stupid and I hate it.

Because she fears for her children's lives. This is a good reason, but it has not been brought up since episode 6 despite episodes 7 and 8 both featuring moments that would certainly validate that fear.

Internalized misogyny. This one makes no sense to me, and I haven't seen any convincing evidence for Alicent specifically having more internalized misogyny than any of the other women on the show. However it could be interesting if it was actually seen beforehand.

Ambition and pride. This isn't really seen in the show, but it certainly seems like an understandable feeling for Alicent to have after suffering through an abusive marriage for 20 years and being denied the two things that women are promised through marriage (her husband's protection of her and her children, and the inheritance of her son)

Now if we ask why Rhaenyra wants the crown enough to go to war for it (she agrees to lay siege to king's landing before Luke dies so I'm ignoring that) we have a similarly confusing list of possibilities:

Her dad told her to. This is the reason that I think fits best, but it isn't really delved into. I think there would be a lot of rich interesting stuff with Rhaenyra evaluating her father's legacy and whether she wants to continue it, but Rhaenyra never seems to acknowledge how much bad shit her father has done.

So she can fulfill the prophecy. This is stupid.

Ambition and pride. Also aren't really seen, but certainly understandable and believable.

She fears for her children. This also isn't really shown at all, but you could argue that she fears her children will be killed either to protect Aegon's claim or to put an actual Valeryon on the throne of Driftmark. However we don't really know Rhaenyra's view of the political situation.

To destroy the patriarchy. This would be interesting, but we don't really see her wanting to do that. We do see her usurp Baela's claim to Driftmark in episode 8 though.

These issues get even worse with the more minor characters, the worst example being Rhaenys for whom all her possible motivations contradict her previous actions and opinions:

To protect/honor her grand daughters: if this is what she wants why doesn't she take Alicent's offer of Driftmark, giving her granddaughters an inheritance and keeping them out of the war?

To protect Luke and Jace: she never shows them any affection except maybe in the background of the eye gouging aftermath.

Feminism: if she is willing to go to war in order to have a queen on the iron throne why didn't she fight for her own claim?

Because she wants peace: then why didn't she accept Alicent's offer which was made in the name of peace? Literally as soon as she and Corlys put their support behind Rhaenyra, Rhaenyra stops considering making peace.

Because she trusts Rhaenyra more than the greens: Why? She thinks that Rhaenyra and Daemon killed at least one of her children, she saw Daemon murder her brother in law and we have no reason to think she knows of any misdeeds done by the greens.

All these unclear motivations make the themes of the stories non-existent. The dance could have all sorts of different thematic meanings, all built around what is being fought for and against. It would be fascinating if Alicent and Rhaenyra were both fighting for ambition, making the show about how women are pitted against each other by patriarchy or if they were both fighting for their children and the show is about the cruelty of the system that doesn't allow power to be shared and forces branches of families to fight until one side is wiped out. However, for any meaning to be clear the writers have to know what it is and they have to write their characters with that meaning in mind. Hopefully the show can be more clear going forward, but I don't exactly expect that, and I think that without a coherent set up it's not going to mean much when bodies start dropping next season.

[unlikelyjapan]

s2e5 rewatch notes

Ah, "Pop" - it's so weird to have one of the least-satisfying episodes of television you've ever watched be sandwiched in the middle of one of the most satisfying television series you've ever seen.

"But the viewer uneasiness, the juxtaposition, that's the point of the episode!" cry future Storer/Calo** in unison, tearing at their shirt collars and throwing themselves prostrate in the middle of their 7th podcast interview moderated entirely by men "in the spirit of John Hughes, we wanted to convey....."

** For the record, I respect/love them for creating my 2nd favorite TV show of all time, they just grind my gears with the offensive stance on these narrative choices that were, in fact, very bad.

It was an over-reach, an unenjoyable viewing experience for most people outside a specific segment of uncritical (mostly white) men and the women who placate them.

Alright, preamble over - let's dig in!

We open with Tina getting a crash-course in Syd's vision. I bet this woman has never been exposed to breaking food down in the abstract - "earth, air, fire, water" , nor the overwhelming prep of the daikon and the fennel - but her just being like "this is a lot for a tasting menu" and then reassuring her with "it's okay ma, I got you!" - she has my full heart.

Tina's intuition on the food is good, though - it is, in fact, too busy. Sydney is still learning how to be a mentor, and she negates that Tina's background isn't automatically going to make her know what a play on an XO sauce is, or even how to identify a panzanella.

Remember Carmy explaining Japanese plum wine to Marcus? That's how you do it. Sydney still has a learning curve to go through, but Tina will weather it gangbusters.

Sydney - "It's a lot, it's a lot...I'm seeing that its a lot"

I see that iterative recipe development between Carmy + Syd fell into oblivion three weeks earlier when he blew her off, and she's suffering greatly.

Carmy is trying to get the 7 seconds down to 5 between stations when Cicero comes in, and Cicero sees it as a fruitless exercise after Natalie points out that he's been at it for over an hour. I can almost see the flash in Carmy's eyes where we're back 5 years ago, his family seeing him and his work as weird and irrelevant. This was probably the first blow of the day that led him to flake out completely.

I'm including all of Cicero's dialogue here, because I didn't realize it was so weighted on my first pass through the show:

"I'm a little concerned that we're taking our eyes off the ball here, and I want to be hyper-clear - if I ain't seeing no progress, I don't want to keep pissing money away. I'm calling this out now, because we are - How far from open, Sug? - Six weeks! And I somehow anticipate that the coming six weeks, there will be more pissin'.

The thing is, I like to control the pissing to the best of my ability....your schedule is kinked. You're doing whatever the fuck you're doing here. Thundernuts is out there making sandwiches for his entire family? I mean, look, as much as I look forward to selling this place - and trust me, I do look forward to it - I think it's just in all of our best interests if we have a maximally efficient place of business. I really would like to tell you a story of complete and utter failure...."

Syd interrupts.

Holy shit - this is the second time he's tried to tell his Gonzalez/Bartman story. I can't believe I missed this, TWICE (s2e1).

Instead, he tells it to Carmy on opening night - and I think by then Cicero has seen the writing on the wall and knows that Carmy is the only person who really needs to hear it - this is a big CP.

The scenes that follow just reinforce Ciceros current narrative - it's too casual for essentially being a House of Usher - everyone is interrupting, Fak's pal/contractor wandering in eating a sandwich the electrician made him, the drywall falling, Timmy's "no worries, it's still billable hours" crack. Mobster uncle or not, the man has already spent $550k just to witness this.

Tina telling Ebra that it's weird she hasn't spoken to him in a few days, and can't recount the last time that happened - it's amazing that with all the talk of platonic relationships this season, no one is pulling this one out of their hats in comparison *smirks*

But again (like Sugar faux-charming Cicero moments earlier). women be managing men's emotions along with their own lengthy lists of challenges, as the men retreat wounded and overwhelmed.

Cut to Syd perfectly laying out dining wares for Carmy while Fak blathers about 'Can't Hardly Wait' being "the greatest High School Song ever written" while his contractor friend sits idle....

"That's $55 a plate for that silence" - "Okay, then we can use the shitty ones" - Carmy is being so frigging childish and dismissive, right after he called Sugar "fucking disgusting" for being cutesy with Cicero to de-escalate him, but both women are doing what needs to be done - not what they WANT to be doing.

This is when Carmy completely checks out to call Claire for the ridiculous errand run to Winnetka. In my memory, I felt like "oh, he wanted to see her and he took the first opening to bail", but watching this episode now, he feels defeated and infantalized, and so he runs to a guaranteed source of flattery/unchallenging comfort. I don't think it was initially his M.O for the workday, just "later".

He exits with "Um....chaos menu. I dunno? I'll get back to you?" after we already watched Syd suffer on it until the wee hours - he's off to provide himself with amusement and enjoyment, so he can take care of Syd others- he just wants to give the menu to her straight-up (as he thinks this will please her), and this is his way of apologizing for bailing.

The same goes for his non-thank-you to Natalie as he's leaving. "You're not doing this because I'm pregnant, are you?" - No, he's doing it to provide himself with amusement or enjoyment so he can be better for you - enjoy working the entire day at the restaurant pregnant, though! If it makes you feel better, he appreciates you.

"Total Control" by Motels is playing as Carmy and Claire drive to the suburbs - I included the link to the lyrics, because it was an....interesting choice.

I really tried to analyze their conversation during their first foray into the car, but my raw scribbled notes look like this:

"It's perfect timing, I had all this extra adrenaline after resetting this guys Tibia" - screaming

"Whoa" (but not really impressed/getting it) "Does that shit really fire you up?" - oh my god

"It really fucking fires me up. Plus, I love driving. I'm a horrible driver, but I love the risk." - oh my fucking god

I can't do it. I'm sorry.

I'll only note that the chemistry during the envelope drop is non-existent. I think it was supposed to be scripted as a funny/awkward scene, but it just came off as two actors standing in a mail room - before this moment, I never perceived JAW as a guy who's just acting in this show, and it's jarring.

Why the hell didn't FX exert more pressure to get the chemistry read they asked for?

Sydney and Natalie's sit-down is just them acknowledging that they're managing the feelings and work of all the men that orbit The Bear, on top of the extensive labor demands they already have. Richie's interjections due to lack of purpose, Fak's inexperience with managing contractors, Carmy being checked-out and incapable of participating in things that don't rely on his existing ADHD skill-set.

One of these women is a bit green and needs support, the other is pregnant and overwhelmed, and all the men are mad or threatened by them for one trite reason or another - if season 3 isn't an overt celebration of female competence and resilince, I'm out.

"The menu is fucked - and I need Carmy, but he is....being Carmy, somewhere."

"At least he's hanging out with Claire, that seems moderately healthy, right?" - Sugar delivers this as not good, not bad, just completely ambivalent - a far cry from the Fishes discourse.

And Sydney's eyes fire up with the intensity of hell behind a smile and the "who's Claire?" - Ayo is such an amazing actress, that was a nice palate cleanser after the letter drop.

OK, we're back in the car - again, I couldn't extract much from the vapor, but here are some rough-hewn observations:

Claire saying "We've hung out so much, but we've never actually talked" - add it to the list of "telling, not showing".

I wonder if Molly Gordon is truly a great actress and intended to look at Carmy like that while he was talking about drawing pants (intense psychoanalysis eyes) or if she was attempting to look dreamily at him and just failed the assignment.

It's becoming a bit more clear to me that there's a weird brother-oedipal thing going on with Claire when Carmy talks about how she had so many friends, as Mikey did.

"Speaking of dead brothers, do you want to go to a party?"

Ignoring the totallykookycoolgirl line, I don't believe Carmy wanted/needed the tension to break there, he actually wanted to talk. The 'hmmmm' he lets escape is discomfort on multiple levels.

The party scene - "Pretty in Pink" by the Psychedelic Furs plays as they enter a house filled with 35-year-old fraternity dudes.

For those who maybe missed this, John Hughes also wrote "The Breakfast Club", wherein Molly Ringwald's character was named Claire. They just beat us over the head with this regression repeatedly, and I resent it. I came here for a high-caliber show, and I feel like I'm watching Zach Braff disassociate in a Scrubs dream sequence or some shit.

At least KJ (a 38 years old man with meth face) says that Carmy was in wrestling with him back in high school - maybe this will tamp down the "why is a chef so ripped" debate.

Even when Claire is comforting her friend (which is played by Mitra Jouhari, Molly/Ayo's friend in real life), the delivery is so wooden and sterile and not how adult women console one another in crisis.

Maybe it was the fact that she was forced to maintain the whispery voice through it for consistency in Carmy's presence, but even that seems out of sorts - imagine Syd, Tina, Sugar, anyone consoling a friend in a similar situation - and she uses that consolation to further her agenda with Carmy by dropping that no one has ever made her dinner before (at age 30???)

"Am I stupid?" "No, no....he's the one who sucks".

Wait, these are the lines of a very adult woman who has friends who are doctors getting over a 5-year-breakup? This script is stupid.

Jeremy Allen White is such a serious actor, I'd kill to hear his earnest drunk take on this.

"He's so nice. Why don't I ever meet anyone who's nice?"

*sighs deeply* - Again, y'all are 30.

Tina taking a shot and then getting up to sing "Before the Next Teardrop Falls" by Freddy Fender. I'd love to know if this song has a massive place of significance in Tina's life, but I choose to see it as her being a ballast of support for whoever needs her. Her heart is completely open - no notes.

Hold the phone - they chose "Here Comes The Night" to play as Claire is staring back at Carmy and comforting her friend leading up to the fireworks scene?

Here are the lyrics - Van Morrison/Them is great, but I wonder why they picked this song? Feel free to slap the Syd goggles off me, but this literally just chased Tina's ballad about being there when someone breaks your heart.

KJ saying "busted for having fun, busted for having fun!" as the cops are hauling him away. Loga....I mean, Carmy, was looking for "fun" in his life - I feel like this scene summarizes that pretty succinctly. He's not a man searching for fun, he's a man searching for meaning....and now he's going to conflate the fact that he's completely touch-starved with this type of fun, because the man is emotionally illiterate.

The one lyric from Strange Currencies (when they're driving to the restaurant) that they chose to flare prominently is "where were you when I kissed you" - at least they're driving home the message that these two aren't on the same wavelength.

Carmy walking into the Richie-fight-shitshow and being more concerned about the optics Claire receives when it's obvious that his whole staff has just been through a hellfire of a day, ugh. At least his acting chops are back on display in this scene.

Ahhhh, Claire's sourpuss face as soon as Sydney blurts out "I'm sorry you're here" - it almost makes this episode worth it. Almost.

For the record, I side with everyone who's stated that her introduction to the crowd was exclusively to draw Syd's attention to her.

The same goes for Richie's "Interesting." - if we based everything on what Fishes was trying to sell us, he would have thrown Carmy an arm-punch or something. It's more bemusement, not pride, in Carmy for "bagging Claire". Compare that with the "ooooooooohhhh" when Syd and Carmy are fighting - there's way more tension/acknowledgement of their dynamic.

Ugh - even Richie is like "Cousin, who's going to watch the copper?" as Carmy kicks everyone out. Even if they're ham-fisted about it (as Richie definitely is), everyone is concerned about something to do with the restaurant/their labor except for Carmy, who curtly dismisses them all with fake gratitude.

I won't talk much about Syd's exit, because it's already been discussed to death - yes, he's confused she's leaving. Yes, the only time he can look her in the eye is while Claire is distracted. Yes, he see's she's pissed and it's making him die a little inside.

I will offer a trite story, though:

When I was a young pup, I had a co-worker who had a massive crush on my friend - and the affection was mutual, but unacknowledged due to lack of experience.

He (being a traumatized, ill-equipped man-child) immediately sought out a less challenging girlfriend who even looked like a close approximation of my friend and excitedly brought this new girlfriend to a party I was throwing because he REALLY hoped that my friend would love her. She obviously didn't love her, he came to me confused/upset, and after I explained things slowly and carefully, he dumped the girlfriend a few days later. He dated my friend weeks after (and for transparencies sake, it ended terribly).

Where I'm going with this is that I think somewhere in the recesses of Carmy's damaged mind, he REALLY needed Syd's approval of him being with Claire since he was caught red-handed. He imagined her staying, asking leading questions or chaperoning the situation, or giving him a knowing smile or a "thata boy" - whatever. Even though he told everyone to leave. It's bizarre.

The Fak thing is so cloying - someone mentioned today about the Berzatto clan of fools wanting to live vicariously through Carmy and Claire, and they are 100% correct.

Finally, 30-year-olds don't kiss like this.

This whole thing was as unsatisfying to write as it was to watch. Hopefully, I caught something of use - thanks for sticking with me through this!

[spicyvampire]

Hi, since GMM has many Thai BL series, just wondering, do you have favorites from them? If you do, do you have 10 you like most so far?

I do not have the best relationship with GeeMeeMee but over the years they have provided some tasty bls here and there, I'll try to give you a little top 10

1.Not Me (2021)

To me that's like the best GeeMeeMee show ever made, great activism story, all the storylines are compelling, it gets accidentally funny with the twins stuff and the fact that Yok the resident arsonist is tryna fuck that cop so bad, but with Yok's help Dan finished realizing that he was part of a system that was beyond fixing and it was better to get himself free of it than staying, honestly has one of the best storyline and character development ever written in a bl

2. 3 Will Be Free (2019)

A gay mafia son, a stripper and a gogo bar manager walk into a bar, shenanigans ensue. To this day, the only GeeMeeMee show to have given me an endgame throuple and frankly one of the only cannon throuples we have in bl

3. Moonlight Chicken (2023)

By god Wen fucked that old man in the chicken shop, but in all seriousness this bl probably has the best breakup storyline I've ever seen in any media ever, it's a truly masterpiece; also we saw the story of a deaf character who uses sign language and that's not something you see often in bl tbh, wish we had more Gaipa and Alan but you take what u can get

4. Cherry Magic Thailand (2023)

Honestly this one took me by surprise, I'm not a fan of remakes but they did a really good job adapting those japanese characters to a Thailand setting while keeping some of the japanese background there, and go a bit further and deeper than the original did with some of the characters

5. Wandee Goodday (2024)

This one was my obsession for the last few weeks, unfortunately I think the show lost some momentum around the middle of it, and it needed more balance on some stuff, like one of Dee's big trauma wasn't even resolved even if they showed it affecting him pretty severely at least twice, while we spend like almost the whole 2nd half of the show on Yak's, overall very silly and enjoyable and also nice asexuality representation which is not something you see often in bl

6. The Eclipse (2022)

I'm not really a high school boy bl type of person and I usually avoid them but they got me with this one, I think Akk's storyline ressemble Dan's a lot in the sense that he had to realize he was part of a system that is bad and is using him to maintain a bad status quo and then had to free himself from it even if that's all he's ever known, Ayan is of course of a great help with his flirtiness, shenanigans and overall fuck the rules attitude

7. Bad Buddy (2021)

Thai bl's Romeo and Juliet, what I loved the most about this one was the attention put on the dynamics of Pran and Pat and their respective families, and how even if they didn't succeed in changing their fighting parents minds, they stayed together and continued to love each other because at the end of the day, the love was between them and it had nothing to do with their parents

8. He's coming to me (2019)

I love me a ghost story like any other guy, so this was right up my lane, I gotta admit it's been like 4 years since I've seen this so I don't remember the storyline clearly, but it left a good impression on me, so much that years later I still think of it as good

9. Only Friends (2023)

Top 10 messiest friend group ever created, this could have been higher on the list if they didn't do Boston dirty in the very last goddamn episode of the show

10. Dark Blue Kiss (2019)

I honest to god remember nothing about the mains but this show has the best coffee shop au in the ql universe and it's from 2019, SunMork chemistry is just firing all over the place, definitely my favorite Gawin ost too

[helslastangel]

Amerie Wadia (Heartbreak High) - Astro Character Theory

Right so judging from Reddit, Amerie is no one's favorite, but I don't really care.

I kinda like her and I think people are way too hard on her compared to the others. She's a selfish brat half the time-but so are the rest of her friends and nearly everyone in that school except for Ca$h and usually Quinni.

At least, as far as I've seen for now.

I've got one episode left in season 2 though, so I'm pretty sure of my position lol).

But that's not my fight today

I just want to analyse her potential sun, moon and mercury based on an (unconfirmed and hypothetical) chart.

The only character (tmk) in Heartbreak High with a fully confirmed birth date so far is Harper (Nov 21, 2005).

Amerie's sun sign (Virgo) is confirmed but there is NO CONFIRMED birthdate. I repeat: WE DONT KNOW ANYTHING. Everything I'm about to say is just speculation based on clues and hunches. Save the tears for another day.

We can reasonably guess that she's the same age as Harper, +-1 a year.

Someone put forward a theory that her birthday is September 4, 2005 and I'm going to roll with that one for two reasons.

Beyonce's birthday is Sept 4th and, to me, Amerie has the same preoccupied, "in my own world" energy that Queen B does.

As a Virgo myself who has been close with Virgos of all decans, I would not put Amerie in the 3rd decan at all if I had to guess. 1st could work-maybe. But the 2nd makes the most sense to me, as it influenced by Saturn & Capricorn, which I see a lot of in her approach and response to certain things (like trying to head out and work through moments that she should ABSOLUTELY spend resting. I'm not spoiling THAT scene, but IYKYK). She seems to deal with a lot of karmic stuff too, so there is that.

Again: there is no confirmed birth date. I hate when people don't read and jump to lose it in the comments, so I'm emphasizing that this is all just for fun. Amerie is a fictional character.

The actress herself (Ayesha Madon) is an Aquarius. But it's acting. Acting professionals are literally masters of not acting like themselves if they want to.

Speculations

Virgo Sun (11°)

With her sun at an Aquarius degree, Amerie identifies with her friend group and social communities more than you might expect from a stereotypical Virgo. She strives to develop the humanitarian side of her character.

She also makes an effort to get better at considering the big picture and the wider impact of everyone's actions, despite her natural tendency to get bogged down in the weeds of whatever she's involved with or working on.

Virgo Moon (14°)

While Amerie seeks emotional fulfilment in being useful/valuable to the people around her, with her moon at a Taurus degree she also holds a phenomenal amount of space for others, both emotionally and in a practical sense too.

You see this in how quick she is to set up a comfortable environment and make lots of room for her friends, especially if given the opportunity to help them in some way.

Leo Mercury (28°)

Amerie speaks in a direct and simple manner-she doesn't really mince words or try to present herself as someone she's not. Whatever she says is either exactly what it sounds like, or not to far from it. But we notice that she has a way of being blunt yet also compassionate, especially towards those who actually need it.

With her Leo Mercury being at a Cancer degree, some of her fire is watered down which can make her appear to second-guess herself or lack conviction at times. Mostly it works to make her come across as more likeable than she might be otherwise.

Maybe I'll look at the other placements later, but I'm curious about what others think about this.

𓆩♡𓆪

↤ go back to the masterlist

[isekai-crow]

2024 Winter Anime Lineup (Master Post?)

First post for a new blog where I'm going to try and record my opinions, break downs, comparisons, and various degrees of squees about anime!

The lineup for this year's Winter isn't as packed as the 2023 Fall season was, but that's always the case. It sure is still causing my To Watch List to keep getting longer... but more importantly because it's so lacking in big name shows one of my most anticipated shows gets to shine...

SOLO LEVELING

俺だけレベルアップな件

LET'S GOOOOOOOO!!!

I'M SO EXCITED FOR MY SHADOW BOY TO FINALLY ARRIVE!!!

also, holy CRAP look at all this TRADITIONAL FANTASY!!! There is even a decent selection of non harem Isekai this round too! And a lot of awesome sequels/continuations!

Anyways, here's what's on my to watch list for this season! I'll be posting about them in their own or other threads as I figure out how I want to set this blog up. My reasons for WHY I'm watching what I'm watching

Definitely Will Watch!

Solo Leveling / 俺だけレベルアップな件

Apothecary Diaries /薬屋のひとりごと(Continued)

Delicious in Dungeon (Dungeon Meshi) / ダンジョン飯

The Villains Day Off / 休日のわるものさん

Undead Unluck / アンデッドアンラック(Continued)

Fire Hunter (Hikari no Ou) 2nd Season / 火狩りの王

High Hopes / Might Drop / Taking My Time

Sasaki and Peeps / 佐々木とぴーちゃん

The Witch and the Beast / 魔女と野獣

Doctor Elise / 外科医エリゼ

Cherry Magic (THIS ENGLISH TITLE LMAO) / 30歳まで童貞だと魔法使いになれるらしい (DEF WATCHING THIS ONE NOW)

Shangri-La Frontier / シャングリラフロンティア　(Continued)

Beyond Journey's End / 葬送のフリーレン (Continued)

Gonna Give Them A Few Episodes

Mashle Season 2

Fluffy Paradise / Isekai de Mofumofu Nadenade Suru Tame ni, Ganbattemasu (I'm doing my best in another world to pet fluffy creatures)

Ishura

The Wrong Way to Use Healing Magic / 治癒魔法の間違った使い方

Blue Exorcist / Ao no Exorcist (OUT OF LEFT FIELD THIS ONE)

Delusional Monthly Magazine / Gekkan Mousou Kagaku

This is already insanely long, so the second half of this essay about what I think is below ↓↓↓↓

DEFINITE WATCH LIST

SOLO LEVELING - I've been waiting for the solo leveling anime since BEFORE the anime was ever announced, re-reading the webcomic/manhwa multiple times and just HOPING someone would animate these gorgeous shadows. It is a very well done power fantasy with only squints of romance, and while I'm sad it's been localized to Japan (and all the fuckery that comes with of Korean erasure), I got to see the first two episodes at the World Premiere and I. Am. So. Hype.

APOTHECARY DIARIES existed completely outside of my head space, and my initial response at the premise was, Raven of the Inner Palace? I wasn't actually expecting much from it and then the first few episodes BLEW ME OUT OF THE WATER and now I'm obsessed.

DUNGEON MESHI is one of those manga I've heard about, but tried reading and it was too slow paced for me (I say, currently slogging through The Boat Arc (TM) of Hunter x Hunter), but the anime gives it life and I think I'll enjoy this alot. I love cooking anime and fantasy, so this will be fun!

KYUJITSU NO WARUMONOSAN is just straight up Crow Bait. That curly bowl cut, the gap moe of a villain who loves cute things, and voiced by fricken Shintarou Asanuma!!! (I know him as Samatoki from HypMic, other's will know him from the "Fucking Bullshit" song from Carole and Tuesday, and a host of other roles) Also, all the pretty sentei / power ranger boys!!! I'm so hype, in the most relaxed chill way for this.

UNDEAD UNLUCK is so weird in that it involves a lot of random sexualization, but it doesn't make me uncomfortable like Seven Deadly Sin's random gropping did, maybe because there is actual implied consent involved. Fuuko and Andy are Poly and I love them for it. And the world building is TOP NOTCH.

FIRE HUNTER - If you haven't seen season one, you are missing out. A darkly beautiful post-post apocolyptic alternate Japan-esque world, from the POV of a young girl, and a young genius boy having to let himself be manipulated by capitalism to survive, and gods? a magic system? but so soft that it's barely there even while being a full on fantasy story.

High Hopes or Taking My Time

SASAKI AND PEEPS- What a weird little show that has the weirdest combination of isekai, the most "this is fine." salaryman, and a fricken' CHUNIBYO BIRB. I've already watched the first episode and it feels like there are two magic systems going on and its a bit confusing, so we will see how this plays out!

WITCH AND BEAST - I keep wanting to call this Beauty and the Beast, because the beast is a rad bad ass looking lady, and the witch is certainly one of the most beautiful undertakers I've ever seen. I think he carries his boyfriend around in his coffin backpack, so I'm hype to see WTF is up with that >o>

DOCTOR ELISE - Why do manhwa I read keep randomly popping up as anime??? This is a vilainess turned good story, and supposedly the market is full of these, but none of them are the good ones I've read, so I did a double take of happiness when I saw this. THIS ONE IS GOOD. An spoiled princess gets killed, is reborn in Korea and becomes a doctor, only to be killed by Airplane-kun, and winds up back in her old body where she decides to become a doctor again! The prince is even not your typical icy asshole! (although maybe he is a little at the beginning..)

CHERRY MAGIC - THIS FRICKEN ENGLISH TITLE GOOD LORDS ABOVE. I'm dying. I'm also excited to see this one play out and I'll be hiding behind a pillow giggling like a mad lad while I do. It's been a while since there's been a good BL that's not SAD (looking at YOU Given and Banana Fish, but avoids eye contact with Sasaki and Miyano) so hopefully it doesn't dip into that territory. Going into this one mostly blind as to the premise apart from the obvious Gap-Moe with the love interest.

SHANGRI-LA - I started watching this on a whim as the Fall season started to wind down, and found it to be a good potato chip to have on in the background. I'll probably continue watching it, but not weekly.

FRIEREN - This is what I watch when Jujutsu Kaisen hurts too much to keep going. I'm only a few episodes in, so it'll be slow going, but I think it's about to pick up it's pacing a little where I'm at, and it'll be good comfort food to have.

MAYBES

Mashle Season 2 - The pacing was SUPER WEIRD in the first season that despite all of it's shitting on the properties of she-who-shall-not-be-named, the end of the season kind of fell flat. I wanted to like it more, so I'm hoping Season 2 does that for me.

Fluffy Paradise - I love isekais with an adult in a child's body pretending to be just super smart, and this doesn't feel like it's going to do that, but still looks cute none the less. I'll give it a few episodes, but will quickly drop it if my watch list is too long.

Ishura - Is this what life is like for D&D Characters when they hit level 20? I HOPE SO. I LOVED the Legend of Vox Machina, and hope this has the same sort of vibes, but I'm going in blind!

The Wrong Way to Use Healing Magic - Love me some fucked up healing magic. Please DO NOT let this be ANYTHING like Redo Healer. I refuse to watch that even those FUCKED UP HEALING MAGIC IS FUN. But this. This I want to see. Please let this also not be a harem. I'm fine with ~vibes~ but please no actual harem that's not actually Poly.

Blue Exorcist - THIS IS TOTALLY OUT OF NOWHERE. HOW LONG HAS IT BEEN?????? I remember the last season feeling like a disappointment? But can't remember why? Gonna see if this is worth re-watching the seasons from like... a decade ago.

Delusional Monthly Magazine - I watched the PV and had no fucking clue what was happening. Therefore, I will be watching a few episodes to sate my curiosity about WTF OR possibly just get myself even more confused and rage quit. lmao

I've watched the first few episodes of a couple of these, and will be watching a few more tomorrow, so Next Goal: Post a write up or three about what I think!

[tia-amorosa]

Sunset Died - Michael & Peter

New Resources! (2nd Part)

The boys were completely surprised. Where have you ever seen a cow around here? Never before and then three at once. “They're not shy"/ ”well, and they're wearing bells, they've probably run away from somewhere… I have no idea where the nearest farm is. They must have traveled an insanely long way…"/ ”is possible. But they're here now… Shall we take them with us?”.

“I don't know…"/ ‘Think about it, Peter, they give milk… And meat’/ ‘Well, if any of our people get up the nerve to slaughter them… we won't have any of that for long, there's no bull to provide offspring…’/ ”yeah. But they still look quite young, come on, Peter, or have you become a vegetarian now?”…

Peter's moral compass told him that these cows probably belonged to someone else, but he realized that in these difficult times, one had to be selfish. He shook his head. "No, of course not. OK... how do we get them down to the city?" / "Well, the way you do things with cows, we'll drive them down. We just need to find out which of the three is the lead cow, we need to get on good terms with her and then we'll try to lead her" / "Hmm... and then they'll at least need a stable or something, but I don't think there's room for that."

“You think so, yeah? Actually, there's enough room for the three of them.”. Michael paused for a moment because he needed to think about the current situation. “Hey, I know, I actually wanted to stay here with you for another night, but I've given up on the rabbit thing, really… and I think this is more important now.” Peter looked at the cows and then back at Michael and grinned a little. “OK, but you're playing the shepherd. Find out who the lead cow is, I'll pack up our things in the meantime.“.

Peter went back to the small wooded area and packed up all their things. Then he put out the fire, after all, he didn't want a big forest fire to break out here… “It's a real blast, cows here… That's it for our great date in the forest… I've just got used to sleeping on the hard ground, hnhn… Well then…”. In the meantime, Michael found out who the lead cow was and they made their way back together with these wonderful animals.

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A few days later. It was a big surprise for the locals when Michael and Peter returned from their trip with the three cows. It was almost like a circus attraction. But the potential they brought with them was quickly recognized. So all made sure that the three had a good time. And they did much more.

As the first wedding in a long time was due to take place soon, the people had to think about where it should take place. There was enough space near the cows to accommodate a few things. This included a barn. This was quickly erected with many helping hands

And they had the idea of collecting found objects and everyday items in one place. An amazing amount has been collected so far. Of course, you couldn't just take the items without permission. Everyone had to do their bit. And so, from time to time, fresh fruit and vegetables or other things were given away in exchange. And there was finally fresh milk.

People stopped by every day. Even Emma, who was probably the happiest of all that the boys had been so successful: “I still can't believe you found the three cows. And they weren't even far away"/ ”and we didn't know they were supposed to be here. So our trip the other day was a good thing"/ ‘oh, definitely’. … Thanks to the efforts of the boys and others, there was a bit of normality for everyone again.

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Note about this episode: I didn't take very many pictures of the new community lot at that time. and sometimes actions or things seem a bit illogical in my story. But because most of it happens spontaneously and just pours out of my head, I don't think about a lot of things. So please don't scrutinize every word or action too closely😅🤗. When I go into the next production phase, I will think more about what I write beforehand.

End of this Part

@greenplumbboblover 😊

[mello-t-befan]

The video accompanying the project (turn the english subtitles ON ^^)

One might think that Magical Girls are a typically Japanese genre given how the country assumes the kawaii aesthetic comparing to the Occident. But like all kinds of stories, Magical Girls aren't the property of any culture and one can easily find "Western" examples like "W.I.T.C.H.", "Winx Club", "Star VS The Forces Of Evil" or "Miraculous Laydbug". And among all these examples, this month we will talk about "LoliRock" ! In my rewrite, I gave each girls a specific gemstone, some specialties in their musical career/practice of magic and affinities with some kind of elements.

I take this opportunity to make a quick dedication to the creator of the series, Jean-Louis Vandestoc; and to TeamLoliRock which helped me a lot in this video's writing.

Jean-Louis Vandestoc's Instagram here.

TeamLoliRock's Tumblr here.

Iris, Princess of Ephedia

Age : 15

Role in the band : lead singer, lead songwriter

Title & Kingdom : earthling, lost Princess of Ephedia

Symbol : Heart

Gem : Roselite

Skill(s) : singing; music-writing; dancing; crystal magic; sound magic; agility; leadership

Affinity(ies) : Light, Energy, Sound

If I had to rewrite the series, I'd like to use more of her magical voice presented in the 1st episode and not really used in the rest of the series. I'd also like to make Iris more impacted by the revelation of her magical identity. I imagine her developing an almost unhealthy obsession for Ephedian culture in an identity quest typical of teens with 2 cultural backgrounds. The series would then be an opportunity for her not to base her identity on her dramatic origins and to understand that she is as attached to the Earth as she is to Ephedia.

Talia, Princess of Xeris

Age : 16

Role in the band : keyboarder

Title & Kingdom : Second Princess of Xeris

Symbol : Diamond

Gem : Sapphire

Skill(s) : singing; keyboard; dancing; knowledges about magic and other worlds; crystal magic; agility; strategy

Affinity(ies) : Water, Spirit

Xeris is supposed to be a world with all the knowledge about the magic of this universe or almost. So I guess they'd took the opportunity to improve everyday life with techno-magic as we see here and there in the series. If I could rewrite the character, I'd like to accentuate Talia's trauma of her kingdom's invasion (writers are sadists, don't deny it). To the point of almost never allowing herself to rest and being appallingly demanding of others. During the series, she would eventually agree to get help for her survivor syndrome and not let her past poison her life.

Auriana, Princess of Volta

Age : 14

Role in the band : choreographer, drummer

Title & Kingdom : First Princess of Volta

Symbol : Crescent

Gem : Sunstone

Skill(s) : dancing; singing; tambourine; crystal magic; defensive magic; agility

Affinity(ies) : Fire, Protections

If I could rewrite the character, I'd like to play on the fact that Auriana is the 2nd of a very large family and has the feeling that she must prove herself to exist in their eyes. And what better way to prove her worth than finding the Lost Princess of Ephedia and helping her in her fight against Gramorr ? Eventually, however, Auriana would realize that she was doing all of that for wrong reasons and eventually take her responsibilities to Iris and the other worlds seriously.