#lilly caruso

[hitchell-mope]

I know I need to watch the movie first.

But my brain won’t let me get that far because it’s already got me making fancasts for the ZM version of the fourth movie. All I’ve got at the moment are:

Catherine Zeta Jones. Scarlett (Letty) Blanc The Red Queen.

Jake Gyllenhaal. Simon Blanc The White King. Scarlett’s younger brother.

Asher Angel. Wallace (Wally) Blanc The Red Prince. Scarlett’s son.

Joshua Bassett. Wesley (Wes) Blanc The White Prince. Simon’s son.

Sophia Anne Caruso. Youngish Elsa.

Lilly Collins. Youngish Verna.

Brenton Thwaites. Youngish Adam.

Mallory Jansen. Youngish Belle.

McKenna Grace. Chloe Charming. (Cinderella and Charming in ZM)

Michael Sheen. Cheshire Cat.

[manyfandomocs]

Ever After High Fancast

(For my EAH fanfics, here is every named + seen student at Ever After High) if I’m missing anyone, idk, let me know but I already did way more than I probably needed to And anyone is free to use these they’re all a mixture of casts I’ve seen from lots of other platforms + my own thoughts

Apple White, daughter of Snow White - Kathryn Newton

Raven Queen, daughter of the Evil Queen - Jenna Ortega

Briar Beauty, daughter of Sleeping Beauty - Alisha Boe

Madeline Hatter, daughter of the Mad Hatter - Rhea Norwood

Ashlyn Ella, daughter of Cinderella - Sadie Sink

Kitty Cheshire, daughter of the Cheshire Cat - Savannah Lee May

Daring Charming, son of Prince Charming - Ross Lynch

Dexter Charming, son of Prince Charming - Jack Champion

Darling Charming, daughter of Prince Charming - Natalie Alyn Lind

Cedar Wood, daughter of Pinocchio - Whitney Peak

Hunter Huntsman, son of the Huntsman - Booboo Stewart

Lizzie Hearts, daughter of the Queen of Hearts - Anya Taylor Joy

Cerise Hood, daughter of Red Riding Hood - Brittany O’Grady

Ramona Badwolf, daughter of the Big Bad Wolf - Savannah Lee Smith

Rosabella Beauty, daughter of Beauty (Beauty and the Beast) - Isabela Merced

Blondie Lockes, daughter of Goldilocks - Meg Donnelly

C.A. Cupid, daughter of Cupid - Hunter Schafer

Melody Piper, daughter of the Pied Piper - Paris Berelc

Sparrow Hood, son of Robin Hood - KJ Apa

Faybelle Thron, daughter of the Dark Fairy - Ester Expósito

Farrah Goodfairy, daughter of the Fairy Godmother - Brenna D’Amico

Ginger Breadhouse, daughter of the Candy Witch - Halle Bailey

Duchess Swan, daughter of the Swan Princess - Julia Rehwald

Hopper Croakington II, son of the Frog Prince - Dylan O’Brien

Courtly Jester, daughter of the Joker Card - Sophia Anne Caruso

Chase Redford, son of the Red Queen - Sang Heon Lee

Alistair Wonderland, son of Alice - Owen Patrick Joyner

Bunny Blanc, daughter of the White Rabbit - Emma Myers

Poppy O’Hair, daughter of Rapunzel - Sophia Lillis

Holly O’Hair, daughter of Rapunzel - Abigail Cowen

(more in the next post there's so many hold on)

[ginevrastilinski-ocs]

Ever After High Fancast Pt 2

See part one here

Melody Piper - daughter of Pied Piper FC: Paris Berelc

Jillian Beanstalk - daughter of Jack FC: Alisha Boe

Nina Thumbell - daughter of Thumbelina FC: Madison Reyes

Justine Dancer - daughter of The 12th Dancing Princess FC: Zaria Simone

Meeshell Mermaid - daughter of The Little Mermaid FC: Lola Tung

Courtly Jester - daughter of The Joker Card FC: Sophia Anne Caruso

Mira Shards - young Evil Queen FC: Kaia Gerber

Crystal Winter - daughter of The Snow Queen FC: Halston Sage

Jackie Frost - daughter of Jack Frost FC: Freya Allen

Northwind Frost - son of Jack Frost FC: Ross Lynch

Humphrey Dumpty - son of Humpty Dumpty FC: Zachary Gibson

Lilly-Bo Peep - daughter of the Little Bo Peep FC: Rachel Zegler

Tiny - son of The Giant FC: Jacob Elordi

Helga Crumb - daughter of Hansel FC: Milly Alcock

Gus Crumb - son of Gretel FC: Jeremy Ray Taylor

Charlotte Step - daughter of The Wicked Stepmother FC: Beanie Feldstein

Prudence Step - daughter of The Wicked Stepmother FC: Kaitlyn Dever

[zurich-snows]

German Rotophot postcard featuring a 1902 photograph of the American soprano Geraldine Farrar as ‘Margarethe’ in Gounod’s opera ‘Faust’. Geraldine Farrar was born in Melrose, Massachusetts, 28th February 1882 and died Ridgefield, Connecticut, 11th March 1967. In 1884, at the age of 12, Farrar impersonated Jenny Lind in the Melrose May Carnival and within two years, she made her Boston recital debut. On 15 October 1901 aged 19 she made her Berlin debut as Marguerite in Faust ~ singing in Italian by special dispensation. In 1903 the great Lilli Lehmann accepted her as a pupil and they worked hard to perfect Farrar’s vocal technique and stage crafts. Geraldine Farrar retired from opera in 1922 at the age of 40 ~ her final performance being Leoncavallo's Zazà and she retired finally in 1931 when she sang her final Carnegie Hall recital and withdrew from further public performance. Geraldine Farrar created the title roles in – Pietro Mascagni's Amica ~ Monte Carlo 16th March 1905 Engelbert Humperdinck's Goose-girl in Die Königskinder ~ New York Met 28th Dec 1910 Umberto Giordano's Madame Sans-Gêne ~ New York Met 25th Jan 1915 Puccini's Suor Angelica ~ New York Met 14th Dec 1918 During her time she developed a great popular following, especially among New York's young female opera-goers, who were known as "Gerry-flappers". Her performances with Caruso were always eagerly awaited. She made 15 silent movies in the period of c1915 to 1920 commencing with the opera Carmen directed by Cecil B. DeMille and finally 'The Riddle: Woman directed by Edward Jose.

[artisticlegshake]

THE DANCE AWARDS ORLANDO RESULTS 2023

JP! awards that didn’t place in the top 10 Teen Solos:

Regan Joyce - STUDIO 412 JP!

Christiana Owen - STARS JP!

Jacqueline Piles - G-FORCE JP!

Jasmira Bush - G-FORCE JP!

Tanner Grace Coutsos - SOUTHERN STRUTT JP!

Kayleigh Atterton - SOUTHERN STRUTT JP!

Mollie Mikkelson - CAROLINA COLLECTIVE JP!

Caleigh Proulx - WOODBURY JP!

Michelle Aizenshtadt - VLAD’S JP!

Hannah Beatty - THE VISION JP!

Sasha Chernous - VLAD’S JP!

Lexi Blanchard - P21 JP!

Erin Kirk - INSPIRATION JP!

Lilly Traylor - SPOTLITE JP!

Katie Couch - P21 JP!

Madelyn Brecklin - ARTISTIC EDGE JP!

Ava Lee Kaufman - DWDE JP!

Zoey Straka - ARTISTIC EDGE JP!

Kalina Thephavong - SPOTLITE JP!

Mckenna Elliot - SPOTLITE JP!

Mila Shultheis - TRUE DANCE JP!

Hope Grainger - LEGACY JP!

Carter Lewis - UPSTATE CAROLINA JP!

Ivy Gang - EVOLVE JP!

Jonathan St-Onge - ECOLE DE DANSE JP!

Stella Vince - JEAN LEIGH JP!

Sam Evans - EVOLVE JP!

Lilliana Rubiera - WEST FLORIDA JP!

Cyrihn Leonard - WEST FLORIDA JP!

Mikayla Bellmore - WEST FLORIDA JP!

Molly Kavetz - THE NINE JP!

Ashley Schultz - THE NINE JP!

Kameron Couch - P21 JP!

Lauren Bayes - VLAD’S JP!

Makayla Mariah Dillett - STARS JP!

Zoe Zielinski - WOODBURY JP!

Yuli Shimonov - VLAD’S JP!

Demetria Guzman - STARS JP!

Serena Battaglia - VLAD’S JP!

Taryn Harrah - TRUE DANCE JP!

Kylan Wright - STARS JP!

Jady Risman - VLAD’S JP!

Ellie Rabin - STARS JP!

Sofia Rosella - PDA JP!

Gabrielle Carvalho - THE VISION JP!

Alyssa Phillips - PDA JP!

Grace Reisinger - ARTISTIC EDGE JP!

Diana Drias - DANCE EXPLOSION JP!

Olivia Granic - CDC JP!

Anya Inger - P21 JP!

Lila Caruso - WESTCHESTER JP!

Emmeline Gerardi - WESTCHESTER JP!

Kelsie Conti - DANCE SPECTRUM JP!

Luanna De Iacovo - PDA JP!

Lily Kravetz - THE NINE JP!

Mia Venerio - DANCE UNLIMITED JP!

Melanie Kalogritsas - PDA JP!

Shayla Blair - STUDIO 412 JP!

[lawofnamesmedia]

Welcome to the first annual Wilkerson/Webster Sister Scare-a-thon sleepover!

para/Normal, S01E06: Gramgram

[opera-ghosts]

Here a picture of Melanie Kurt as Isolde.

 Born on January 8th 1880 in Vienna, Melanie Kurt studied piano before her voice was discovered. Her singing teachers were Fanny Müller and Mari Lehmann, famous sister of the even more famous Lilli, Lehmann. In 1902 Kurt gave her debut as E1isabeth in "Tannhäuser" at the Stadttheater in Lübeck. In 1905 she moved on to Braunschweig and in 1908 arrived at the Berlin Court Opera. She became known internationally through her guest appearances at the London Covent Garden Opera as Sieglinde, in 1910 and later performances in Budapest, Dresden, Munich and several Italian Opera Houses. At the Salzburg Festival she sang together with Hermine Kittel and Lilli Lehmann the Three Ladies in "Die Zauberflöte". In 1913 she joined the ensemble of the just opened Deutsche Opernhaus Berlin, where she concentrated on dramatic roles: she was Berlin's first Kundry at the premiere at the Deutsches Opernhaus on January 1st 1914. Her contract with the Metropolitan Opera in 1915 can be considered the high point of the soprano's career. During those three years in New York she not only sang the dramatic Wagner-roles, but also mezzo roles, such as Fricka in "Rheingold", she was Amelia in "Un Ballo in Maschera" (with Enrico Caruso and Pasquale Amato), Marschallin in "Rosenkavalier", Iphigenie, Santuzza, Leonore ("Fidelio") and Pamina (in a cast which included Carl Braun and Frieda Hempel and saw as Tamino either Johannes Sembach, Jacques Urlus or Otto Goritz). In the programs of her MET concerts she also tried to include less familiar arias, such as the then only rarely performed Rezia aria from "Oberon" or Johanna's aria from the opera by Tschaikovsy. After the 1916/17 season most German singers, especially if they had focused their repertory on Wagner opera, left the MET: together with Margarete Arndt-Ober, Ernestine Schumann Heink, Johanna Gadski, Carl Braun, Otto Goritz, Johannes Sembach, Hermann Weiland Jacques Urlus Melanie Kurt left the United States in 1917. Kurt's last performance at the MET as Brünnhilde on March 28th 1917 (with Urlus, Braun, Reiss and Arndt-Ober) was at the same time the last "Siegfried" until 1923. After her return to Europe Melanie Kurt accepted no more long-term engagements but gave guest performances, especially in her much acclaimed Wagner roles, at all major European stages. She was the first Brünnhilde in "Siegfried" at the Waldoper Zoppot when the Festival was opened in 1922. The performance was conducted by the young Hans Knappertsbusch and the cast included Fritz Vogelstrom, Heinrich Knote, Werner Engel, Waldemar Henke, Desider Zador and Margarete Arndt-Ober. After having ended her singing career Melanie Kurt lived in Berlin and later in Vienna where she was active as a singing teacher. After the annexion of Austria by the Third Reich in 1938 she was able to leave her home country in time and emigrated to the United States where she died in New York on March 11th 1941.

[ulkaralakbarova]

Married for ten years, in full crisis, thinking about divorce. But following a failed scientific experiment, they suddenly find one inside the body of the other. Credits: TheMovieDb. Film Cast: Andrea: Pierfrancesco Favino Sofia: Kasia Smutniak Michele: Valerio Aprea Maria: Marta Gastini Brancati: Andrea Bruschi Cristian: Gaetano Bruno Angelica: Paola Calliari Luca: Flavio Furno Anna: Francesca Agostini Tommaso: Sebastian Dimulescu La psicologa: Giselda Volodi Lo Foco: Luigi Diberti Ivan: Gabriele Falsetta Film Crew: Director: Simone Godano Story: Carmen Danza Story: Giulia Louise Steigerwalt Co-Writer: Daniele Grassetti Production Manager: Claudio Sorace Casting: Chiara Natalucci Costume Design: Maria Cristina La Parola First Assistant Director: Fabrizio Procaccini Line Producer: Paolo Lucarini Sound: Paolo Giuliani Production Design: Tonino Zera Original Music Composer: Andrea Farri Editor: Davide Vizzini Director of Photography: Michele D’Attanasio Producer: Matteo Rovere Producer: Roberto Sessa Delegated Producer: Chiara Grassi Delegated Producer: Gabriele Lilli Delegated Producer: Alessia Polli Location Manager: Lorenzo Catalano Production Coordinator: Katia Abbate Production Secretary: Luca De Giorgi Assistant Editor: Pierluigi Darino Assistant Editor: Lucia Sblendorio Script Supervisor: Claudia Nannuzzi Second Assistant Director: Claudio Aloia Second Assistant Director: Stefano Farina Camera Operator: Matteo Carlesimo Camera Operator: Andrea Arnone Assistant Camera: Danilo Caruso Boom Operator: Diego De Santis Set Decoration: Valeria Zamagni Makeup Department Head: Arianna Agosta Hair Department Head: Daniele Perosillo Gaffer: Loris Felici Key Grip: Raffaele Alletto Unit Manager: Vincenzo La Gatta Movie Reviews: Jolang: Andrea (Pierfrancesco Favino) and Sofia (Kasia Smutniak) are a lovely couple, indeed they were. Married for ten years in crisis, they think of divorce. But as a result of a scientific experiment by Andrea suddenly they find themselves one inside the body of the other. Literally. Andrea is Sofia and Sofia is Andrea. With no choice but to live each other’s existence and everyday life. You in the shoes of him, a brilliant neurosurgeon who carries out an experiment on the human brain, he in the shoes of her ambitious TV presenter on the rise.

[nofatclips]

Louise, a short film by Constance Bertoux, Camille Bozec, Pauline Guitton, Pauline Mauvière, Mila Monaghan

[headoctopus]

Heeeey

I was bored, so I did this :D

These are personal associations, so I do not pretend to be similar

I would be interested to see your options for TWD characters!✌️

[roseytheatre]

alright look at these ladies SERVE

they

really

did

THAT

my 👏🏻

rights 👏🏻

[lungsareforlove]

3, 12, and 28

3. a song you really like by an artist you otherwise don’t listen to very much (whether that’s because you usually don’t like their music, or just because you haven’t listened to the rest yet)

not a kpop stan but I do enjoy HIP by MAMAMOO a lot. not that I didn't try getting into them. it's just not for me sorry :(( they're very talented though

12. if you could hear any album performed live in its entirety, which would it be?

now I could cheat and answer a OBC recording but. if I could hear mcr perform the black parade again? entirely? and I know they had a whole "the black parade is dead" thing ugh sucks to be less than a year old when the album was released.

28. name a song (or a few songs) that would need to be included in a movie about your life

by few you mean several right

- three by sleeping at last

- dread in my heart by mother mother

- (coffee's for closers) by fall out boy

- thank you for the venom by my chemical romance

- dead mom by sophia ann caruso, and obc of beetlejuice (but make it dad)

- science & faith by the script

- sea legs by the ballroom thieves

- growing pains by neck deep

- eyes warm, eyes wide by lilli furfaro

- ready now by dodie

- fireflies by owl city

- i'm still standing by elton john

I tried to even them out 💟

[willowdied]

URL playlist

(jester )

w.   warrior girl - ultimate storytime  i.   i have a dream - mamma mia/ abba  l.   lights out - ghost quartet  l.   life on mars - sophia anne caruso  o.   on monday - 35mm w.   when - dodie clark d.   don’t forget to say i love you - reeve carney  i.    i’ll keep you safe - sleeping at last  e.   eyes warm eyes wide - lilli furfaro d.   don’t quite belong - dodie clark 

Tagged by: @unsungxheroes

Tagging: YOU! STEAL AND TAG ME! 

[opera-ghosts]

Antonio Scotti (25 January 1866 – 26 February 1936) was an Italian baritone. He was a principal artist of the New York Metropolitan Opera for more than 33 seasons, but also sang with great success at London's Royal Opera House, Covent Garden, and Milan's La Scala.  He received his early vocal training from Esther Trifari-Paganini and Vincenzo Lombardi. According to most sources, he made his debut at Malta's Theatre Royal in 1889, performing the role of Amonasro in Giuseppe Verdi's Aida. Engagements at various Italian operatic venues ensued and he later gained valuable stage experience singing in Spain, Portugal, Russia and South America (Buenos Aires from 1891 to 1894 and again 1897. Río de Janeiro 1893 and Chile 1898. Also sung in Montevideo) In 1898, he debuted at Italy's most renowned opera house, La Scala, Milan, as Hans Sachs in Die Meistersinger. This now seems a surprising choice of role for Scotti because his subsequent career did not encompass the operas of Richard Wagner. Scotti's American debut took place in the autumn of 1899, when he sang in Chicago. On 27 December 1899 he made his first appearance in New York City at the Metropolitan Opera, undertaking the title role in Mozart's Don Giovanni. He would become an audience favorite at the Met, earning acclaim for his graceful singing of Donizetti's bel canto music as well as for the touch of elegance that he brought to his more forceful Verdi and verismo interpretations. Scotti appeared at Covent Garden in London for the first time in 1899, singing Don Giovanni. He would return to London on many occasions prior to World War I. At the Met in 1901, Scotti became the first artist to sing the role of Scarpia in Giacomo Puccini's Tosca in America. He appeared, too, in the American premieres of Francesco Cilea's Adriana Lecouvreur, Ermanno Wolf-Ferrari's Le donne curiose, Umberto Giordano's Fedora, Franco Leoni's L'Oracolo and Isidore de Lara's Messaline. Scotti also sang a variety of mainstream baritone parts during his time at the Met, including Rigoletto, Malatesta, Belcore, Iago, Falstaff, Marcello, and Sharpless in addition to Don Giovanni and Scarpia. He often performed opposite his close friend Enrico Caruso and appeared with the illustrious tenor when he made his Met debut as the Duke of Mantua in Rigoletto in 1903. Scotti partnered 15 different Toscas over the course of his long career at the house. In 1912, Scotti's arrival in the United States with Pasquale Amato and William Hinshaw for his next Met season received extensive newspaper coverage. He performed at the Royal Opera House, Covent Garden, on a regular basis until 1910, with additional appearances in the 1913–1914 season. During this period, he became not only London's first Scarpia but also its first Sharpless in Puccini's Madama Butterfly (in 1900 and 1905 respectively), which he also introduced to the Met in 1907. In 1917, he was elected an honorary member of Phi Mu Alpha Sinfonia, the American fraternity for male musicians, at the New England Conservatory of Music. Scotti performed in Paris at the Opéra Comique singing Tosca (in 1904 with Emma Eames and Emilio De Marchi, conductor Cleofonte Campanini, and in 1910, with Farrar and Beyle, the young and later-prominent conductor Gino Marinuzzi). In 1910 at Theatre du Châtelet with the Metropolitan ensemble, Scotti sung Falstaff conducted by Arturo Toscanini and at the Opera, in a gala performance, the third act of La bohème with Caruso and Farrar. In 1908, he sang at Salzburg in Don Giovanni, with Lilli Lehmann (Donna Ana), Johanna Gadski (Donna Elvira), Geraldine Farrar (Zerlina), with Karl Muck conducting. He formed his own troupe of singers in 1919, calling it, naturally enough, the Scotti Opera Company. He managed it for several seasons while touring the United States. Scotti celebrated his 25th anniversary with the Met on 1 January 1924 in a gala performance of Tosca. By the 1930s, Scotti's voice had declined considerably but he retained his place on the Met's roster of singers due to his outstanding histrionic ability. His final Met appearance occurred on 20 January 1933, when he sang Chim-Fen in L'Oracolo; he had created the role in 1905. Scotti returned to Italy to spend his retirement. He died in Naples in 1936, aged 70

[what-makes-a-hero]

-So excited and shocked for Lilli Cooper and Caitlin K.! -Glad that Be More Chill at least gotten Best Score. Their songs never left my head. Disappointed that George didn't get in. The fandom must be raging. -Really happy that all of the Temptations got nominated though. Good for them! -Really kicking myself for not seeing ATP at the Kennedy Center last year. -Shout outs to Samantha Barks and Sophie Ann Caruso. They deserved to be nominated so much! -Glad to see King Kong got a bit of love. -Disappointed Leslie didn't get in, but Mary Testa must have been worth the slot then.

[thediaryofatheatrekid]

what are your 2019 tony musical acting conspiracies/predictions?

I’m still working on that list. (I normally don’t post it until the day before the Tony Award Nominations)

However, I will list the definite nominations, at least in my opinion, below the cut off.

Best Play

The Ferryman

Network

To Kill a Mockingbird

Best Musical

Be More Chill

Hadestown

The Prom

Best Performance by a Leading Actor in a Play

Bryan Cranston- Network as Howard Beale

Jeff Daniels- To Kill a Mockingbird as Atticus Finch

John Lithgow- Hillary and Clinton as Bill Clinton

Best Performance by a Leading Actress in a Play

Glenda Jackson- King Lear as King Lear

Laurie Metcalf- Hillary and Clinton as Hillary Clinton

Best Performance by a Leading Actor in a Musical

Alex Brightman- Beetlejuice as Beetlejuice

Santino Fontana- Tootsie as Michael Dorsey

Will Chase- Kiss Me, Kate as Fred Graham/Petruchio

Best Performance by a Leading Actress in a Musical (They might expand this category by 1 and if they do either Kerry or Sophie from Beetlejuice will get a nomination)

Christiani Pitts- King Kong as Ann Darrow

Kelli O'Hara- Kiss Me, Kate as Lilli Vanessi/Katharine

Rebecca Naomi Jones- Oklahoma! as Laurey Williams (Sophie Ann Caruso)

Samantha Barks- Pretty Woman as Vivian Ward

Stephanie J. Block- The Cher Show as Star

Best Performance by a Featured Actress in a Play

Celia Keenan-Bolger- To Kill a Mockingbird as Scout Finch

Best Performance by a Featured Actor in a Musical

Jarrod Spector- The Cher Show as Sonny Bono

Best Performance by a Featured Actress in a Musical

Orfeh- Pretty Woman as Kit De Luca

Best Book of a Musical

Rick Elice- The Cher Show

Best Original Score

Anaïs Mitchell- Hadestown

Joe Iconis- Be More Chill

Best Costume Design of a Musical

Bob Mackie- The Cher Show

Best Lighting Design of a Musical

Kenneth Posner- Beetlejuice

Kevin Adams- The Cher Show

Peter Mumford- King Kong

Tyler Micoleau- Be More Chill

Best Direction of a Play

Bartlett Sher- To Kill a Mockingbird

Ivo van Hove- Network

Sam Mendes- The Ferryman

Best Choreography

Casey Nicholaw- The Prom

Christopher Gattelli- The Cher Show