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heavenbarnes · 4 months

Text

I wanna make it (so badly)

Art Donaldson x Fem Reader

Warnings/Contains: reader is AFAB with she/her pronouns, swearing, inappropriate employer/employee relationship, dry-humping, a lot of heavy petting, implied age gap, effective-infidelity (reader tested, tashi approved), oral sex (f!receiving), art is a bit of a pervert and mega-pathetic (endearing), references to religion (worship).

Word Count: 5.8k

i white knuckled the steering wheel on the way home from this film thinking about art donaldson- this is, essentially, an ode to that

Youth tennis lessons, $20/h, call for details

Finding work was hard, keeping work was harder.

Cleaning, baby-sitting, pet-sitting, pet-walking. There was virtually nothing you hadn't tried.

Odd jobs, odd hours, and the occasional odd employer.

You'd played tennis for the last couple years of college. Nothing remotely competitive but you and your friends had looked cute in the skirts and they'd give you whole hours out of class to play.

You were above average with a good arm and better patience.

Another odd job to add to your growing list.

You'd been particular about where you'd posted the ads, the neighbourhoods you'd chosen. Only the ones with manicured lawns and white picket fences.

Tacking the paper to boards in upmarket cafes, fancy supermarkets, ladies-only gyms.

The kind of people that want their kids playing tennis and could find their way to increase your pay- if you did well.

You always did very well.

So your little car looked a little out of place in this neighbourhood, fingers holding the scribbled post-it note with the address. Your scrawling handwriting detailing the "Donaldson's" were enquiring within.

Pulling up outside the house, you had a quiet inkling that you might've been out of your depth. Whoever owned this house deserved more than an above-average-ex-college-student that only learnt the sport to spend time with friends.

But they'd requested you, you'd have to let them come to that conclusion on your own.

Your knuckles only hit the door once before it was being swung open by someone that looked destined to be a security guard, like he'd come out the womb with his future decided.

What the fuck had you gotten yourself into?

He'd left you in the "formal lounge" to sit smack-bang in the centre of a couch that wouldn't even fit in the lobby of your apartment building- let alone the apartment itself.

As you admired a painting on the wall that you'd only ever seen in books, high heels on the stone floors made you jump in your seat.

The most beautiful woman you might ever see in your life appeared before you and said your name in a way that had you standing from your seat.

Your face faltered just enough that you hoped she didn't notice. There was something about her that told you she noticed everything.

Fuck me, that's Tashi Duncan.

If you know a thing about tennis (or even just watched the news) you know exactly who this woman is. You remember her more from your childhood but you remember her all the same.

The woman that once held the world by the balls.

She apologised for her husband's absence, that he was busy. It wasn't lost on you that the "husband" she casually referred to was Art Donaldson, US Open champion.

The Donaldson's.

Ah fuck.

Tashi went on the explain that they were wanting to begin lessons for their daughter Lily. You assumed this was the one you could hear running circles around the informal lounge.

"With all due respect, am I not the least qualified person in this home for that?"

You watched a perfectly formed cheekbone lift in what was nearly a smile. Strangely enough, something in the pit of your chest was dying to make her do that again.

There was something about her that demanded to be impressed.

You were no exception to the rule.

"My husband and I have seen some of your matches, we liked what we saw."

How? Your 'matches'- if you can even call them that, were nothing of note. You don't even think faculty bothered to watch them. You weren't quite sure why they'd even recorded them.

A silly part of you began to wonder how they'd even got a hold of them- until you remembered who they were.

The Hermes and Peitho of tennis.

"You did? I always thought of myself as more of a casual player."

"And that's what we liked, we know better than anyone how brutal tennis can become. We want someone to help Lily enjoy the game."

Oh, okay then.

You'd made a quasi-college-career out of purely enjoying the game. You were sure you could foster the same spirit for the six-year-old performing the entire 'Encanto' soundtrack in the other room.

Tashi laid down a tight schedule, Monday to Friday, 3pm to 6pm. You would teach Lily the wonders of the game on the court behind their home.

Their home you'd come to find out was a luxury rental when you'd complemented Tashi on another of the art pieces that'd apparently come with the place.

You'd also come to find out they typically live in hotel rooms, but they'd settled in this area for the time being as Art had a good thing going with a regular playing schedule and a sporting-goods deal.

You nodded along like you could begin to understand a life like that.

As she showed you back to your car (the one you suddenly felt humiliated for her to see you own), she called your name one last time from the doorway.

"You undersell yourself, we'll give you eighty an hour."

She left you choking on your tongue with one foot in the car and the other on an Italian cobblestone.

You were never going to walk or sit another dog again.

Lily was going to win her first Grand Slam by ten if that's what they'd pay you.

As your peeled your car from their turn-around area, you watched a Jeep Wrangler slow as it passed you. You couldn't see through the tint but you just knew it was him.

And you knew he was watching you.

The minute you'd told your roommate the situation you'd come into, she'd called bullshit.

A few texts from Tashi's now saved icon and a weird little photo you'd taken from inside the guest bathroom, it'd been enough to convince her.

"Fucking hell, are you God's favourite or something?"

You'd argue you were quite the opposite, she of all people should know. She'd seen some of the states you'd come home in after your other random jobs.

Felt good to be the winner.

Even just once.

In the air of some girlish fascination, she brought up a Youtube video of "Tashi Duncan Career Highlights" courtesy of "tennisguy779."

You'd protested it, rolling your eyes while feigning disinterest. No use, the minute you caught her out the corner of your eye- you were captivated.

It was entirely possible to imagine she hovered above the court, like there was a greater force placing her exactly where she needed to be, exactly when she needed.

It was even easier to believe she was just that good.

As you watched her play, listened to the sounds the game could draw from her- you wondered if this was how she and Art had felt.

Had they curled up in their informal lounge like you were right now? Had Tashi studied your every move meticulously like you assume? Had Art passed comment on your form? Did he think you were any good?

Tennisguy779's lineup changed quickly to "Art Donaldson Career Highlights" and you felt your chest constrict. An inexplicable feeling washed over you.

Like you'd been caught with God's forbidden fruit.

Your roommate had tried to question why you'd effectively flown off the couch, only to be met with a muttered 'goodnight' as you shut the bedroom door behind you.

Thin walls meant you drifted off to sleep that night with the rhythmic sounds of Art, grunting his way through an ATP Challenger.

It was no surprise you dreamt of him.

The Donaldson's tennis court was down a steep set of stairs, set back into an oasis of lush greenery.

Perfect for a 6-year-old's first lessons.

You didn't know if it was the grand balcony that overlooked the court or the fact a well-manicured Tashi stood atop it, but you felt positively observed.

Lily was in the midst of showing you how she could do a cartwheel (she couldn't) when the voice in the back of your head started echoing a promise of $80/h.

"Alright, lets channel some of that into your elbow."

Give a six-year-old a racquet half the size of her and she's going to blow effective chunks, but at least she has the spirit. Maybe it's her energy, maybe it has been a while since you've been on the court-

The kid's running you ragged.

Coupled with her height, you're spending more time bent over than you are up straight and it's all going to your head. All you can hope is Tashi isn't up there watching you stumble after the ball.

But you're sure there are eyes on your back.

Lily is a quick learner and you work out a tradeoff of one tennis skill for one spinning heel kick (mandatory that you watch).

Roll on 6pm and she's dog-tired, however, she's managed to hit the ball at least twice. Surely that's earned your keep. She lays star-fished on the turf and murmurs something about a piggyback.

You know you're about to earn your keep.

By the top of the staircase, you're more than happy to hand over a Lily-shaped-sack-of-potatoes to Tashi's mother. As you emerge from behind an ornate gargoyle, your suspicions proved correct.

Art Donaldson had been watching your every move.

Left alone on the balcony with him, you're acutely aware of the fact he's standing between you and your exit, and he's just had a full show of you bent over and flitting about his tennis court.

That and you still haven't said so much as 'hello' to the man.

You dwell on it for a moment and then there's that feeling back in the pit of your stomach, like any minute you'll be caught with fruit in hand- in throat.

The Original Sin.

Luckily, Art made the decision for you, crossing the space to shake your hand. If he noticed the way your hand trembled, he didn't seem to mind.

"It's nice to finally meet you."

You wished you had more to say to him, or maybe something more intelligent. Something better than a quiet "and you."

He was the better conversationalist, thankfully. Head motioning to the court, he looked down his nose at you when he spoke.

It should've felt condescending. It didn't.

"How did she go out there?"

"Yeah, really good- not a Disney character I can't name now."

He laughed.

Really laughed, like the joke was better than it was.

Like there was a preening little flutter inside you that said "do it again!"

You shrugged your shoulders like making him happy came naturally as you squinted up at him, as if he was the sun.

"You were watching? You must've seen her picking it up?"

Because he was the expert. Because he is the champion.

He hummed as he nodded, eyes skywards like there might've been something more important behind the clouds.

"Must've been distracted."

Within an instant- his eyes flickered to your own and you were sure he watched them change. He must've seen something he liked, the corner of his lip quirked up before he spoke again.

"Come on, I'll sort your payment and then we'll let you get home."

And for whatever reason, his hand fit perfectly in the small of your back as he lead you inside.

And how quickly did you become a strange piece of furniture in the Donaldson's home- in their life?

An ottoman for Tashi to rest her tired feet on.

An abstract piece on the wall for Art to admire when he passes it.

A projection of constellations across the ceiling to keep Lily bright behind the eyes.

At least you belonged- there was no doubt that this was where you belonged.

That wasn't to say your tennis skill had improved any, lesson after lesson you still couldn't wrap your head around why they'd even signed you on, let alone kept you.

"Ok, don't watch that one either- maybe just do what I say and not what I do."

You hadn't nailed a single one, at this point you couldn't blame Lily for skipping around pretending her racquet was a horse.

Wasn't like she'd be learning anything if she was paying attention.

"Ok, here we go just- ok right, when your parents ask how today went, please be kind."

"Your elbow is too low."

It was a miracle you didn't scream.

Art entered the court with a swagger that you could only assume struck fear when he was your opponent.

Right now it struck pure embarrassment and Lily wasn't helping.

"Daddy, she didn't hit a single one!"

"Alright, I don't think daddy needs to know that-"

"Daddy knows, daddy's been watching."

Daddy really needs to stop calling himself that.

Lily and her racquet took off for another tour of The Grand National as Art approached you with quiet determination.

It was like waiting for impact, his eyes never wavered off his daughter as he made towards you. At the last moment, he snapped his attention in your direction- with a smile that should've felt condescending.

It wasn't.

"If your elbow is too low you lose topspin and power."

If you deserved the $80/h you were earning, you might've known that.

As Art stepped up to you, the turn of the planets on their axis slowed down and it could've been entirely possible to believe it was only you two.

And Lily upon her trusty steed.

The gallops of her tennis shoes thinned out as Art placed one hand around your elbow, lifting it higher. His other hand held your waist as he pulled your back flush to his chest.

"Lily, go find grandma."

Then it really was just you two.

Your heart hammered against the shell of your ribcage, blood rushing around your ears as you felt Art's chin perch at your shoulder.

"If your elbow is high enough," His hand lifted it up and you let it stay there. "And your hip is turned."

He didn't have to say it with the gravel in his voice, but he did. He didn't have to hold your hips as he moved them, but he did. He didn't have to stay without so much of an inch between the two of you, but he did.

With one hand in the curve of your waist, he tossed the ball into the air with the other- then he whistled.

Like the obedient thing you didn't know you were, you raised the racquet and sent the ball flying through the air without even blinking.

As the streak of green hit the court and rolled away, you found yourself lying in wait, as if you were waiting for something- your next command?

"Good girl."

There it was.

Under the all consuming effect that Art Donaldson just seemed to have on people, you'd entirely forgotten you were in a position you could be 'caught' in. By his all consuming wife, of all people.

So, you should've moved.

Quite honestly you should've straightened up and cleared your throat and thanked him and told him it was time for you to go home.

You should've moved.

But Art wasn't moving. If anything he was staying purposefully still at your backside.

Obedient thing you seem to be.

"Show me that again?"

So,

You teach Lily the bare basics of tennis for three hours and receive $80 on the hour.

Then Art spends three hours of his spare time teaching you to perfect your swing- in a way that couldn't ever vaguely resemble professional.

A simple transactional arrangement.

Your tennis improves on a slow but sure basis and he gets the most off-court action he's seen since college.

Even if it is just heavy petting on astro-turf.

A hand under the hem of a tennis skirt. A pressing hip against your own. A deep breath as your hair brushes past him.

You figure Art will take what he can get.

And it's never enough to raise alarm. Sure, there's that fluttering in your chest that warns you might get 'caught' but you're never quite sure what one might 'catch' if they found you out.

It's undoubted who that 'one' is though.

The one who holds the cards- holds the throat, maybe.

Tashi, who's presence precedes her perhaps more than her reputation. Even when she isn't there, she's there.

So, when Art's hand lingers too long on the outside of your thigh and you think you can feel it verging into the territory that'll change everything- it's Tashi on your mind.

You're beginning to think your conscience sounds a lot like Tashi.

Who are you if not obedient to the Donaldson's?

Chasing Lily around a court.

Adhering to Tashi's every request.

Being Art's fantasy.

Being Art's.

Most of the time, anyway. Three hours a week.

Something to keep him bright behind the eyes, maybe. Something to keep him happy. Something to keep him-

Winning?

He tells you he plays better with you around. The way he says it makes you giggle, a girlish little noise that sort of just slips out. He serves the ball with his eyes on you and, sure enough, it lands smack where he wanted it too.

Everything where he wants it. When he wants it.

Shy and inconsequential touches and glances shared just between you.

Until, well- until they weren't.

"Would you like a coffee?"

Tashi's mother had taken Lily off to bed, leaving you and Art separated by an island. Kitchen island.

He braced both palms against it as he watched you watch the door, wondering if you should cut and run, wondering if someone else might come through it.

Talking yourself out of it. Whatever it might be.

"Yes please."

Even he looked surprised, brows raising an inch as he turned to the Nespresso machine. You took the moment to watch his back, the muscles moving under the cool-dry fabric of his shirt.

You spent all your time pretending not to notice him that actually allowing yourself the chance to study him made you lightheaded.

Had he always looked this captivating?

He broke your focus with a coffee cup, sliding it towards you as he rounded the bench. His eyes didn't even waver off you as he took a sip of his own.

It wasn't lost on you that he managed to tongue foam off the tip of his nose.

This was the longest you'd stuck around after a tennis lesson, longest you'd allowed yourself to be in his presence. You weren't quite sure how big this thing could get.

Your mouth was opening before your brain had decided it was a good idea.

"Mr. Donaldson-"

"Art."

"Uh, Art- I really appreciate the help you've been giving me- uh, you know- with tennis."

He placed his coffee mug down, nodding as he did it. "My pleasure."

Naturally.

That brain of yours was still firing off at a mile a minute. There was a very tiny voice right at the back that said it was up to you how this night would end- you had a choice to make.

Placing your coffee mug beside his, you scanned his face to find him already looking at you. Perhaps the choice was already set.

Maybe it was fate.

All he said was your name, it could've been the way he said it- but your whole body was losing the rigidity it'd formed when he first asked you to stay longer. When he'd made the choice.

Crossing the small gap between you two, Art was careful to keep one hand on the kitchen bench as the other hovered beside you. Not touching you,

Yet.

One step closer and the tip of Art's nose was touching yours. You think you might've been able to smell the coffee off his breath.

It thinned out- leaving you with his sweat. Musk. Art.

A sudden surge of morals overcame you, your voice broke out as a gasp.

"What about Mrs. Donaldson?"

"Actually, it's still Duncan."

You screamed.

Right in his face.

Tashi's voice made you jump out of your skin.

However, Art didn't move. As you turned your head to gauge the way his wife stalked across the kitchen, you felt his nose brush against your cheek.

Tashi retrieved a tall bottle of Pellegrino from the fridge, taking a poignant sip as her eyes flitted between the two of you.

What a fucking sight.

Her husband, eyes shut and face pressed pathetically to their daughter's tennis instructor- his hands itching to close around your waist.

You, young and bleary eyed looking utterly caught. Staring up at her like she might decide your fate.

It took all your strength to find your words.

"I’m not here to teach tennis, am I?”

“No, of course not. You’re frankly terrible at tennis.”

There's the Tashi you were expecting.

Her words should've stung, but they didn't. They couldn't, not when her husband was laying his hands against your back and rubbing soothing circles down the length of your spine.

Not when his lips were mouthing wet kisses along your cheek.

Not when she was right. Spade's a spade.

"Why am I here?"

She snorted, a real dissatisfactory sound- like she hoped you were smarter than that. She was halfway to her bedroom before she cut you loose.

"Careful, he makes that sound before he cums."

And he had, just like she'd said.

Art had cum in his shorts, pressed up against your thigh with his face still smushed against your own.

And you'd taken it, obedience in spades.

You'd stood there and let him hump your leg like a bad dog and you'd even pat his head and whispered kind words in his ear after the mess he'd made.

Then you slipped out the front door to your car and you'd pretended not to notice that there were two bedroom lights on upstairs.

You hadn't even divulged the freaky details to your roommate when you got home.

But the showerhead knew all about them.

Visions of Art on the clouds of steam- replayed in your head the sounds he'd made right in your ear.

How he'd whimpered your name when he splashed his boxers like a fucking teenager.

It was no surprise you dreamt of him.

You even showed up next day, valiantly. You didn't run for the hills or even straight to a tabloid about how weird the Donaldson's really were.

And maybe that's why you hadn't told your roommate either.

Because telling someone what Tashi allowed? What Art liked?

That'd mean you'd have to admit your dirty little secret.

You loved it.

When you showed up, something was different. No usual chatter in the house, no shoes by the front door. You checked out the front window to see what you'd missed when you arrived.

Tashi's car was gone.

"She's taken her mom and Lily to the ballet."

At least you didn't scream this time.

You were lucky your back was to him, lest he see the self-righteous little smile that broke when the words settled.

"Oh, ok."

"I'll see you on the court."

Oh, ok.

Lest he see the disappointment that took over.

Following him close behind, you didn't know why you were effectively surprised that he still wanted to continue with your lessons. You'd half expected- hoped, he'd bend you over the kitchen island.

Tennis was fun too, you guess.

Thinking about it, something that bold didn't seem the style of the man who'd nearly blacked out rubbing up on you. Beckoning you onto the tennis court with two fingers and a wry smile did, however.

You fell into your usual position, hip turned and elbow curved on your side of the court. You waited for him to appear behind you, chest melding into the curve of your back.

It never came.

Art took long strides towards the net, vaulting it in one smooth motion. He ended up parallel to you, waiting with a ball and racquet in either hand.

The smile had left his face, a rather blank expression taking over as he sized you up. And there was that fear- knowing what it felt like to be on the wrong side of him.

This was going to hurt.

From the moment he pressed the ball to the neck of his racquet, it was all over. Your feet were never in one place for more than a second, your arms burned above you, your head permanently on a swivel.

Art didn't look like he'd broken more than a sweat.

You knew he had, you could see it in the neck of his shirt. But he didn't look it.

He looked calm, he looked in control, he looked-

Like he was enjoying himself.

For every rally that you managed, you thought you saw an inkling of pride set in his features.

For every serve that you missed, you knew you saw unbridled lust.

Not a point scored in your favour, you hit the ball towards him one last time before you collapsed to the turf. Flat on your back, reminiscent of your first lesson here.

You watched the clouds shift over your head, listening to your pulse thick and fast in your ears. Just underneath it, you could hear footfalls approaching.

No hurry, but impending.

Soon, the sun above you was eclipsed by Art Donaldson. His golden hair shone with the halo of light behind it.

Now this was God's favourite.

"You can't be giving up this easily?"

Forcing a laugh, you threw your arm up and over your eyes. "Wanna bet?"

Turns out he did- turns out Art struggled to do anything but win.

Somehow, you found it within yourself to stand back up. This time it was only a practice, you weren't brave enough to face off against him another round.

This was more your speed.

The hand that wasn't holding your elbow was curving around your front, the pleats of your tennis skirt lifting over his fingers. You felt a warm hand slowly moving across the front of your underwear.

Two fingers migrated south, pressing against the seam of you- he must've felt the pure heat radiating beneath his fingertips.

Turning your head even an inch, you found the curve of his nose pressing into your cheek.

"I didn't give up."

He hummed, the vibration rolled across your shoulders.

"Mmm, you didn't."

The hand sans-racquet dropped between your thighs to press his palm into your cunt. It was Art who flexed your fingers and cupped it.

"Where's my prize?"

There was no trophy, no podium, no medal.

But there was Art between your legs, slinging a knee over each shoulder like he might've been the real winner.

You'd never been inside the 'changing shed' behind the court, of course it was nicer than your actual home.

Your head made contact with the hard wood behind you, bench digging into your ass as you felt a hot mouth moving against the seat of your underwear.

Running your fingers through his hair, your gripped the ends of it- tugging him closer until you felt the flat of his tongue through the thin fabric.

Needy fingers tugged the ruined garment down your thighs, tucking him into the pocket of his shorts. You knew all too well that you'd never see them again.

You were sure Art would be seeing a lot of them.

His tongue ran up the split, one long stroke before you felt the curve of his nose press to your clit. The ridge of it moved as his tongue retreated back to your entrance.

With everything he had.

Your eyes had been rolling back in your head as you arched your back, the moment you were able to find a semblance of control- your gaze fell before you.

Naturally, Art was already looking up at you. Two hands splayed across each side of your hips as he pulled back to wrap his lips around your clit.

You couldn't help the hazy little smile on your face as you watched his eyes.

Utterly devotional.

The more you tugged on his hair, the hungrier he seemed. Pulling from the root seemed to spur him on, seemed to tell him 'good job' and he was responsive.

His tongue flicked beneath your clit, pressing it to his upper lip as he brought two fingers to your entrance. He stroked a couple times, making your hips twitch against him, before he sunk in to the last knuckle.

Turns out Art had a style about him. One he brought to the tennis court and, seemingly, to the floor of his changing shed.

The style was calculated.

Every move he made was engineered to get something out of you- a reaction, a whimper, a twitch. He was doing what he did best.

Playing a game.

Art struggled to do anything but win.

"Fuck- Mr. Donaldson."

"Art."

Even muffled against your cunt, you were good at following his orders. Even more so when he was the decider of your imminent orgasm.

You threaded your fingers in the sides of his hair, pulling his face flush against you so you could ride his mouth. Taking every last thing from him you could.

It drew the most pathetic moan you'd ever heard, straight out of his chest and hit you straight at your core. The burning coil tight within your stomach was unraveling quickly.

You heard the murmurings of words, among the blood rushing in your ears. Easing up just enough, you let him pull back to speak.

"Tell me this feels good, please."

Your chest thumped, the sight of Art helpless between your legs was one thing. Hearing him beg?

You might black out.

"Art- you feel so fucking good," Dragging him right back where you needed him, the tip of his tongue drove against your clit. "You're gonna' make me cum."

He whined.

A heady drawn-out sound that quite literally sent you over the edge. Your hips lifted off the bench, the heel of your foot digging into his back and making his whine turn into a whimper.

Your orgasm broke you apart until it felt like white-hot flame licking up your sides. Of course, Art never relented, drinking in everything you could give him- literally.

The moment you felt the peak begin to subside, the urge was ramping right back up. Like he knew what he was doing, his eyes locked back onto yours as he sucked at your clit.

He was going for gold.

A quick second orgasm hit, seemingly out of nowhere. Your thighs clenched around Art's head, his hands coming to each of them.

You relaxed yourself a bit, feeling like it might be too much- until you felt him pressing your thighs even harder to either of his ears.

Oh, ok.

Art Donaldson knew what he liked.

You physically had to push him off you, watching him fall back on his outstretched palms as you let yourself breathe for what felt like the first time.

Wet eyes, wet chin, chest rising and falling like he'd run a marathon- Art sat sprawled out before you like he'd stumbled upon an alter (he had).

Breathless, you gestured towards him. Your hand dropped a little as your eyes fell between his legs, wordlessly offering a deal.

A deuce.

His cheeks flushed, more so than they already were. His eyes fell an infinitesimal amount before he spoke up.

"Uh- I already have."

Of course he had. He makes that sound before he cums.

Instead, you heard him shuffle back onto his knees as he all but crawled towards you. He draped his upper half into your lap, head resting against the soft cotton of your skirt.

Coming off the other side of a high, the reality of your situation began to settle for you. Why they'd really called you here- what purpose you really served.

All you could do was gently stroke a hand across Art's head, feeling him go limp against you. Boneless, but not spineless.

He must've known you were going to speak, he must've heard the intake of breath or just felt you shift. He cut you to the chase- beat you to the punchline.

Art nuzzled his face further into your lap as you felt him mumble against your thigh.

"I can't lose- you."

#art donaldson smut #art donaldson x reader #art donaldson x reader fic #challengers fic #art donaldson fic #challengers smut #art donaldson x fem reader #art donaldson x fem!reader

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ktempestbradford · 7 months

Text

I have been on a Willy Wonkified journey today and I need y'all to come with me

It started so innocently. Scrolling Google News I come across this article on Ars Technica:

At first glance I thought what happened was parents saw AI-generated images of an event their kids were at and became concerned, then realized it was fake. The reality? Oh so much better.

On Saturday, event organizers shut down a Glasgow-based "Willy's Chocolate Experience" after customers complained that the unofficial Wonka-inspired event, which took place in a sparsely decorated venue, did not match the lush AI-generated images listed on its official website.... According to Sky News, police were called to the event, and "advice was given."

Thing is, the people who paid to go were obviously not expecting exactly this:

But I can see how they'd be a bit pissed upon arriving to this:

It gets worse.

"Tempest, how could it possibly--"

source of this video that also includes this charming description:

Made up a villain called The Unknown — 'an evil chocolate maker who lives in the walls'

There is already a meme.

Oh yes, the Wish.com Oompa Loompa:

Who has already done an interview!

As bad (and hilarious) as this all is, I got curious about the company that put on this event. Did they somehow overreach? Did the actors they hired back out at the last minute? (Or after they saw the script...) Oddly enough, it doesn't seem so!

Given what I found when poking around I'm legit surprised there was an event at all. Cuz this outfit seems to be 100% a scam.

The website for this specific event is here and it has many AI generated images on it, as stated. I don't think anyone who bought tickets looked very closely at these images, otherwise they might have been concerned about how much Catgacating their children would be exposed to.

Yes, Catgacating. You know, CATgacating!

I personally don't think anyone should serve exarserdray flavored lollipops in public spaces given how many people are allergic to it. And the sweet teats might not have been age appropriate.

Though the Twilight Tunnel looks pretty cool:

I'm not sure that Dim Tight Twdrding is safe. I've also been warned that Vivue Sounds are in that weird frequency range that makes you poop your pants upon hearing them.

Yes, Virginia, these folks used an AI image generator for everything on the website and used Chat GPT for some of the text! From the FAQ:

Q: I cannot go on the available days. Will you have more dates in the future? A: Should there be capacity when you arrive, then you will be able to enter without any problems. In the event that this is not the case, we may ask you to wait a bit.

Fear not, for this question is asked again a few lines down and the answer makes more sense.

Curious about the events company behind this disaster, I took myself over to the homepage of House of Illuminati and I was not disappointed.

I would 100% trust these people to plan my wedding.

This abomination of a website is a badly edited WordPress blog filled with AI art and just enough blog posts to make the casual viewer think that it's a legit business for about 0.0004 seconds.

Their attention to detail is stunning, from how they left up the default first post every WP blog gets to how they didn't bother changing the name on several images, thus revealing where they came from. Like this one:

With the lovely and compact filename "DALL·E-2024-01-30-09.50.54-Imagine-a-scene-where-fantasy-and-reality-merge-seamlessly.-In-the-foreground-a-grand-interactive-gala-is-taking-place-filled-with-elegant-guests-i.png"

"Concept.png" came from the same AI generator that gets text almost, but not quiiiiiite right:

There are a suspicious number of .webp images in the uploads, which makes me think they either stole them from other sites where AI "art" was uploaded or they didn't want to pay for the hi-res versions of some and just grabbed the preview image.

The real fun came when I noticed this filename: Before-and-After-Eventologists-Transformation-Edgbaston-Cricket-Ground-1024x1024-1.jpg and decided to do a Google image search. Friends, you will be shocked to hear that the image in question, found on this post touting how they can transform a boring warehouse into a fun event space, was stolen from this actual event planner.

Even better, this weirdly grainy image?

From a post that claims to be about the preparations for a "Willy Wonka" experience (we'll get to this in a minute), is not only NOT an actual image of anyone preparing anything for Illuminati's event, it is stolen from a YouTube thumbnail that's been chopped to remove the name of the company that actually made this. Here's the video.

If you actually read the blog posts they're all copypasta or some AI generated crap. To the point where this seems like not a real business at all. There's very specific business information at the bottom, but nothing else seems real.

As I said, I'm kinda surprised they put on an event at all. This has, "And then they ran off with all our money!" written all over it. I'm perplexed.

And also wondering when the copyright lawyers are gonna start calling, because...

This post explicitly says they're putting together a "Willy Wonka’s Chocolate Factory Experience" complete with golden tickets.

Somewhere along the line someone must have wised up, because the actual event was called "Willys Chocolate Experience" (note the lack of apostrophe) and the script they handed to the actors about 10 minutes before they were supposed to "perform" was about a "Willy McDuff" and his chocolate factory.

As I was going through this madness with friends in a chat, one pointed out that it took very little prompting to get the free Chat GPT to spit out an event description and such very similar to all this while avoiding copyrighted phrases. But he couldn't figure out where the McDuff came from since it wasn't the type of thing GPT would usually spit out...

Until he altered the prompt to include it would be happening in Glasgow, Scotland.

You cannot make this stuff up.

But truly, honestly, I do not even understand why they didn't take the money and run. Clearly this was all set up to be a scam. A lazy, AI generated scam.

Everything from the website to the event images to the copy to the "script" to the names of things was either stolen or AI generated (aka stolen). Hell, I'd be looking for some poor Japanese visitor wandering the streets of Glasgow, confused, after being jacked for his mascot costume.

HE LIVES IN THE WALLS, Y'ALL.

#long post #Willy Wonka #Wonka #Willy Wonka Experience #Willy Wonka Experience disaster #Willy's Chocolate Experience #Willys Chocolate Experience #THE UNKNOWN #Wish.com Oompa Loompa #House of Illuminati #AI #ai generated

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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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night-creeps · 9 months

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Not adding this onto the post i just reblogged because its unrelated but zi keep thinking about it lately and it pissed me off. I think one of the worst things about being Canadian is that you 100% get forgotten when people are discussing the 'main western countries of the world' (US, Australia, Europe) like the amount of times I go to look at articles that give prices for something is USD EUROS and AUSD but not a fucking mention of CAD? People label concerts as north american tours but then go to like two Canadian cities, and only ever go to the five big ones, Vancouver, Toronto, Montreal, Ottowa, Winnipeg. If I'm lucky they come to Edmonton or Calgary but that is only ever if they actually go to more than 1 or 2 Canadian cities. I can't even imagine how much worse it is being in places like NWT or Saskatchewan or Newfoundland. And then because they went on a 'north american tour' if they do a worldwide tour they don't go to Canada AT ALL. It's fucking infuriating. Unless you get a VPN streaming services are wastes of money here, and half of the main ones don't even have the option to make an account in Canada. You can't put in billing info for a Canadian location so you can't VPN them either. And yes I can pirate movies and TV shows and stuff, but sometimes when I love a show I actually want to try and give the creators some money while it's still available. It's just so fucking infuriating that Canada is flat out forgotten so fucking often. I occasionally go to some websites to get info on future lego sets, and it is fucking infuriating to see them list USD, EURO AUSD, JPY but not even MENTION the fact that it's being sold in Canada. Because that's the thing, not only is it hard to find info from Canadian sources on stuff like this, it's hard to even find sources verifying that it's something AVAILABLE in Canada.

Did you know that dino nuggets disappeared in Canada when I was about 10? Just gone. Every single grocery store I go to now I look for them, because they were a comfort food. Even though I KNOW I WILL NEVER SEE THEM. Because there was no info online, so I actyally reached out to a brand asking them to start selling it in my local store. And they responded that they don't sell it in Canada.

Canada is very similar to the US in a lot of ways, but it's fucking annoying to be praised as being 'nicer than americans' or 'the nicest country on earth' or whatever the hell else when we are just as fucked up if not moreso. Then have people turn around and assume we are so similar to Americans that there is no reason to assume we lack access to anything Americans have.

#idk i know this is very first world problem but it pisses me off man #like canada is fucking 13 countries in a trenchcoat and yet people only ever picture Ottawa or BC or Quebec #fuck even as a Canadian I had to google how many provinces/territories we had because they just arent talked about #you ask a nonCanadian to list the Canadian provinces and youll be lucky if they say Alberta #if they sat Yukon or Nunavut or PEI then they have actively fucking learned about Canada at some point #you ask a non American to list states and they could probably list at least one state from the different geographical regions #like california or florida or new york or texas or oregon or idaho or kentucky or north dakota or west virginia #i would be genuinely shocked if a noncanadian was able to name Yukon or Nunavut without having to think on it for a bit #idk #sorry for so many rant posts lately #just been feeling angry #vent post

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mostlysignssomeportents · 8 months

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How I got scammed

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/05/cyber-dunning-kruger/#swiss-cheese-security

I wuz robbed.

More specifically, I was tricked by a phone-phisher pretending to be from my bank, and he convinced me to hand over my credit-card number, then did $8,000+ worth of fraud with it before I figured out what happened. And then he tried to do it again, a week later!

Here's what happened. Over the Christmas holiday, I traveled to New Orleans. The day we landed, I hit a Chase ATM in the French Quarter for some cash, but the machine declined the transaction. Later in the day, we passed a little credit-union's ATM and I used that one instead (I bank with a one-branch credit union and generally there's no fee to use another CU's ATM).

A couple days later, I got a call from my credit union. It was a weekend, during the holiday, and the guy who called was obviously working for my little CU's after-hours fraud contractor. I'd dealt with these folks before – they service a ton of little credit unions, and generally the call quality isn't great and the staff will often make mistakes like mispronouncing my credit union's name.

That's what happened here – the guy was on a terrible VOIP line and I had to ask him to readjust his mic before I could even understand him. He mispronounced my bank's name and then asked if I'd attempted to spend $1,000 at an Apple Store in NYC that day. No, I said, and groaned inwardly. What a pain in the ass. Obviously, I'd had my ATM card skimmed – either at the Chase ATM (maybe that was why the transaction failed), or at the other credit union's ATM (it had been a very cheap looking system).

I told the guy to block my card and we started going through the tedious business of running through recent transactions, verifying my identity, and so on. It dragged on and on. These were my last hours in New Orleans, and I'd left my family at home and gone out to see some of the pre-Mardi Gras krewe celebrations and get a muffalata, and I could tell that I was going to run out of time before I finished talking to this guy.

"Look," I said, "you've got all my details, you've frozen the card. I gotta go home and meet my family and head to the airport. I'll call you back on the after-hours number once I'm through security, all right?"

He was frustrated, but that was his problem. I hung up, got my sandwich, went to the airport, and we checked in. It was total chaos: an Alaska Air 737 Max had just lost its door-plug in mid-air and every Max in every airline's fleet had been grounded, so the check in was crammed with people trying to rebook. We got through to the gate and I sat down to call the CU's after-hours line. The person on the other end told me that she could only handle lost and stolen cards, not fraud, and given that I'd already frozen the card, I should just drop by the branch on Monday to get a new card.

We flew home, and later the next day, I logged into my account and made a list of all the fraudulent transactions and printed them out, and on Monday morning, I drove to the bank to deal with all the paperwork. The folks at the CU were even more pissed than I was. The fraud that run up to more than $8,000, and if Visa refused to take it out of the merchants where the card had been used, my little credit union would have to eat the loss.

I agreed and commiserated. I also pointed out that their outsource, after-hours fraud center bore some blame here: I'd canceled the card on Saturday but most of the fraud had taken place on Sunday. Something had gone wrong.

One cool thing about banking at a tiny credit-union is that you end up talking to people who have actual authority, responsibility and agency. It turned out the the woman who was processing my fraud paperwork was a VP, and she decided to look into it. A few minutes later she came back and told me that the fraud center had no record of having called me on Saturday.

"That was the fraudster," she said.

Oh, shit. I frantically rewound my conversation, trying to figure out if this could possibly be true. I hadn't given him anything apart from some very anodyne info, like what city I live in (which is in my Wikipedia entry), my date of birth (ditto), and the last four digits of my card.

Wait a sec.

He hadn't asked for the last four digits. He'd asked for the last seven digits. At the time, I'd found that very frustrating, but now – "The first nine digits are the same for every card you issue, right?" I asked the VP.

I'd given him my entire card number.

Goddammit.

The thing is, I know a lot about fraud. I'm writing an entire series of novels about this kind of scam:

https://us.macmillan.com/books/9781250865878/thebezzle

And most summers, I go to Defcon, and I always go to the "social engineering" competitions where an audience listens as a hacker in a soundproof booth cold-calls merchants (with the owner's permission) and tries to con whoever answers the phone into giving up important information.

But I'd been conned.

Now look, I knew I could be conned. I'd been conned before, 13 years ago, by a Twitter worm that successfully phished out of my password via DM:

https://locusmag.com/2010/05/cory-doctorow-persistence-pays-parasites/

That scam had required a miracle of timing. It started the day before, when I'd reset my phone to factory defaults and reinstalled all my apps. That same day, I'd published two big online features that a lot of people were talking about. The next morning, we were late getting out of the house, so by the time my wife and I dropped the kid at daycare and went to the coffee shop, it had a long line. Rather than wait in line with me, my wife sat down to read a newspaper, and so I pulled out my phone and found a Twitter DM from a friend asking "is this you?" with a URL.

Assuming this was something to do with those articles I'd published the day before, I clicked the link and got prompted for my Twitter login again. This had been happening all day because I'd done that mobile reinstall the day before and all my stored passwords had been wiped. I entered it but the page timed out. By that time, the coffees were ready. We sat and chatted for a bit, then went our own ways.

I was on my way to the office when I checked my phone again. I had a whole string of DMs from other friends. Each one read "is this you?" and had a URL.

Oh, shit, I'd been phished.

If I hadn't reinstalled my mobile OS the day before. If I hadn't published a pair of big articles the day before. If we hadn't been late getting out the door. If we had been a little more late getting out the door (so that I'd have seen the multiple DMs, which would have tipped me off).

There's a name for this in security circles: "Swiss-cheese security." Imagine multiple slices of Swiss cheese all stacked up, the holes in one slice blocked by the slice below it. All the slices move around and every now and again, a hole opens up that goes all the way through the stack. Zap!

The fraudster who tricked me out of my credit card number had Swiss cheese security on his side. Yes, he spoofed my bank's caller ID, but that wouldn't have been enough to fool me if I hadn't been on vacation, having just used a pair of dodgy ATMs, in a hurry and distracted. If the 737 Max disaster hadn't happened that day and I'd had more time at the gate, I'd have called my bank back. If my bank didn't use a slightly crappy outsource/out-of-hours fraud center that I'd already had sub-par experiences with. If, if, if.

The next Friday night, at 5:30PM, the fraudster called me back, pretending to be the bank's after-hours center. He told me my card had been compromised again. But: I hadn't removed my card from my wallet since I'd had it replaced. Also, it was half an hour after the bank closed for the long weekend, a very fraud-friendly time. And when I told him I'd call him back and asked for the after-hours fraud number, he got very threatening and warned me that because I'd now been notified about the fraud that any losses the bank suffered after I hung up the phone without completing the fraud protocol would be billed to me. I hung up on him. He called me back immediately. I hung up on him again and put my phone into do-not-disturb.

The following Tuesday, I called my bank and spoke to their head of risk-management. I went through everything I'd figured out about the fraudsters, and she told me that credit unions across America were being hit by this scam, by fraudsters who somehow knew CU customers' phone numbers and names, and which CU they banked at. This was key: my phone number is a reasonably well-kept secret. You can get it by spending money with Equifax or another nonconsensual doxing giant, but you can't just google it or get it at any of the free services. The fact that the fraudsters knew where I banked, knew my name, and had my phone number had really caused me to let down my guard.

The risk management person and I talked about how the credit union could mitigate this attack: for example, by better-training the after-hours card-loss staff to be on the alert for calls from people who had been contacted about supposed card fraud. We also went through the confusing phone-menu that had funneled me to the wrong department when I called in, and worked through alternate wording for the menu system that would be clearer (this is the best part about banking with a small CU – you can talk directly to the responsible person and have a productive discussion!). I even convinced her to buy a ticket to next summer's Defcon to attend the social engineering competitions.

There's a leak somewhere in the CU systems' supply chain. Maybe it's Zelle, or the small number of corresponding banks that CUs rely on for SWIFT transaction forwarding. Maybe it's even those after-hours fraud/card-loss centers. But all across the USA, CU customers are getting calls with spoofed caller IDs from fraudsters who know their registered phone numbers and where they bank.

I've been mulling this over for most of a month now, and one thing has really been eating at me: the way that AI is going to make this kind of problem much worse.

Not because AI is going to commit fraud, though.

One of the truest things I know about AI is: "we're nowhere near a place where bots can steal your job, we're certainly at the point where your boss can be suckered into firing you and replacing you with a bot that fails at doing your job":

https://pluralistic.net/2024/01/15/passive-income-brainworms/#four-hour-work-week

I trusted this fraudster specifically because I knew that the outsource, out-of-hours contractors my bank uses have crummy headsets, don't know how to pronounce my bank's name, and have long-ass, tedious, and pointless standardized questionnaires they run through when taking fraud reports. All of this created cover for the fraudster, whose plausibility was enhanced by the rough edges in his pitch - they didn't raise red flags.

As this kind of fraud reporting and fraud contacting is increasingly outsourced to AI, bank customers will be conditioned to dealing with semi-automated systems that make stupid mistakes, force you to repeat yourself, ask you questions they should already know the answers to, and so on. In other words, AI will groom bank customers to be phishing victims.

This is a mistake the finance sector keeps making. 15 years ago, Ben Laurie excoriated the UK banks for their "Verified By Visa" system, which validated credit card transactions by taking users to a third party site and requiring them to re-enter parts of their password there:

https://web.archive.org/web/20090331094020/http://www.links.org/?p=591

This is exactly how a phishing attack works. As Laurie pointed out, this was the banks training their customers to be phished.

I came close to getting phished again today, as it happens. I got back from Berlin on Friday and my suitcase was damaged in transit. I've been dealing with the airline, which means I've really been dealing with their third-party, outsource luggage-damage service. They have a terrible website, their emails are incoherent, and they officiously demand the same information over and over again.

This morning, I got a scam email asking me for more information to complete my damaged luggage claim. It was a terrible email, from a noreply@ email address, and it was vague, officious, and dishearteningly bureaucratic. For just a moment, my finger hovered over the phishing link, and then I looked a little closer.

On any other day, it wouldn't have had a chance. Today – right after I had my luggage wrecked, while I'm still jetlagged, and after days of dealing with my airline's terrible outsource partner – it almost worked.

So much fraud is a Swiss-cheese attack, and while companies can't close all the holes, they can stop creating new ones.

Meanwhile, I'll continue to post about it whenever I get scammed. I find the inner workings of scams to be fascinating, and it's also important to remind people that everyone is vulnerable sometimes, and scammers are willing to try endless variations until an attack lands at just the right place, at just the right time, in just the right way. If you think you can't get scammed, that makes you especially vulnerable:

https://pluralistic.net/2023/02/24/passive-income/#swiss-cheese-security

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

#pluralistic #social engineering #phishing #ai #swiss cheese security #infosec #finance #fraud #carding

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