#listen I need to see this happen

[goldfishshithead]

[slavhew]

two guys enter a closet

[drrav3nb]

AYO EDEBIRI as Sydney Adamu WILL POULTER as Luca THE BEAR SEASON 3 | Episode 10 - Forever

Are you close? Yeah. Kind of best friends and kind of lost touch, so. It's nice to reconnect. Yeah, especially when it literally is like a best friend that you saw every day of your life and you kinda went through this sort of battle together.

Bonus:

[starbylers]

After spending some time listening and re-listening and thinking a lot, I think I finally have my head wrapped around all these songs. This post is an exploration of what they could tell us about Mike’s story, and also a sort of theory I noticed once I saw the full picture. This playlist is—in my opinion—the story we’ve been theorising for the past two years reflected in 12 songs. That might sound hyperbolic but it’s simply what I heard and interpreted, and wanted to share because I enjoyed writing it. I hope this is an interesting read!

If you didn’t see my last post about why I do believe this is Finn’s Mike/ST playlist despite the somewhat ambiguous title you can read that here. It’s totally okay if you disagree but I’m not interested in debating it, and this analysis is coming from a perspective of assuming we've guessed correctly that the playlist relates to ST (obviously we can't 1000% verify that, but for the purposes of this post that’s my stance).

I’m going to focus on themes and overall meanings in the songs because in my opinion that’s where any connections are going to lie, rather than specific lines holding anything important (aside from a few which I’ll highlight) because I feel like that’s closest to how Finn would’ve thought while making it. Basically a macro level representation of Mike and what he goes through next season, something that would help a person get into the headspace of a character. Oh and my larger point is about the playlist as a whole, which will come together at the end :)

➠ Track 1 | Ballad of the Texas King

The first song is an anomaly in that I think it’s meant to set the tone more than anything else. These explain better than I could hope to:

"Itʼs a murder ballad, and as is common in murder ballads, deals with promise and innocence being snuffed out.” [link]

"Clarke sings of a chance encounter with an ominous figure that feels akin to selling your soul at the crossroads" [link]

Hey kid come along, something is wrong, I believe you now / All this to say only one way that this can go / Come with us for a ride / Don’t it feel like hell? Boy let me tell you, that’s where you are

• • •

A nice little coincidence, Finn himself is quoted as saying season 5 is a “crossroads”. I can see this song being an allusion to inevitable big choices with life-altering consequences next season, and also more mature themes being tackled within Mike’s story. I mean he’s stepping back into his role as leader, and now they’re older that will come with a lot more weight and responsibility in situations where the fate of the world is likely hanging in the balance. Not to mention how his personal struggles will be tied up in that, it’s probable that a slightly darker, more self-reflective—and transformative—tone is waiting for us in regards to season 5 Mike.

➠ Track 2 | What You're Doing

A simple song about a turbulent relationship where one person is unhappy because their partner is messing them around, and they're pleading with them to stop.

Look what you’re doing, I'm feeling blue and lonely / You got me running and there's no fun in it / Please stop your lying, you've got me crying, girl

The partner is the one holding control in the situation, while they feel at the mercy of their partner’s careless choices. The mood here is one of helplessness and desperation while still remaining open-hearted, hoping they’ll change.

I've been waiting here for you wondering what you're gonna do / If you should need a love that's true it’s me / Why should it be so much to ask of you what you're doing to me?

• • •

This is heavily M!Ieven coded. What do we know about their dynamic? Mike is always the one chasing El (trying to “win her back” in s3, terrified of her not needing him in s4, stressing about her being in danger all the time). El is consistently seeking autonomy (choosing to learn about her identity over pursuing romance with him in s2, choosing to break up with him in s3, choosing to leave him behind in s4, and I’m willing to bet she’s the one who removes herself from his storyline in s5). We know their separation will happen early season, and naturally things between them must be unstable leading up to this. El being the one to pull away while Mike stresses over it checks out considering these past patterns, and also the end of s4 with her already closing herself off while Mike appears at a loss.

➠ Track 3 | After The Earthquake

A song reminiscing on a relationship and the failure and death of it, with a sense of lingering nostalgia and unwillingness to let it go. It’s set to the backdrop of a metaphorical car crash.

It wasn't built to last / If you wake up you’ll remember the awful things I said / Looking back to the vibrant days / Those days I'd never let you fall apart but things fade / Why would I ever fall in love again when every detail’s over the guard rail? / Velvet curtains drawn, flowers at your feet / Say you’ll climb your way out of your wake now / Are you awake now?

• • •

In simpler terms…this is a break up song. The longing tone makes sense to me for M!Ieven because I’ve long suspected the initial split between them is not going to be super clean cut (this should make more sense later). Mike and El were together for a long time for their age, and have a lot of intense shared memories. El was also his first and only experience of relationships; it’s going to be difficult to detach. It being the right decision to end something doesn’t mean it’s easy or simple. Even if Mike is gay and didn’t truly like her romantically, he still loved her and in my opinion that distinction isn’t something he’s going to have figured out and made peace with the second it ends.

➠ Track 4 | Promises I've Made

Very straightforward and repetitive, and follows on seamlessly from the last song: this is about having trouble moving on from someone who’s left your life.

Ever since you have gone the days don't seem so bright and I wish I could forget you but I can’t / I have promised myself I wouldn't dream of you but I find that awful hard sometimes to do

• • •

Based on what I’ve seen people might fight me on this, but to me it’s M!Ieven coded mainly because of its positioning in the playlist (directly after a struggling relationship song + break up song) but also because it is technically about an ex love. Could we say it doesn’t need to be interpreted that specifically? Yes. I suppose it could be Byler coded too but personally...the way I would interpret it is as Mike moping over whatever happened with El. There’s not any intense emotional pining going on; if you listen it has a very laid back, chill sort of mood and is honestly very upbeat. There’s no deep heartbreak. It’s just about missing someone. Plus it sort of perfectly closes out the process we see over the last two songs of being unhappy with someone, to breaking up and grieving, to the typical post-break up struggle of navigating this hole in your life and naturally missing what once filled it. This is a whole sub-arc for Mike.

➠ Track 5 | Angst In My Pants

We’ve reached the gay section! This song is about trying to fit yourself into an acceptable—aspirational, even—life but never feeling content, and continuously trying to squash this troubling Feeling, the titular phrase: angst in (your) pants. Some people think it’s a reference to literal physical arousal but others including me think that in context it’s intended more as a metaphor for sexual frustration/dissatisfaction.

I hope it doesn't show, it'll go away / It's just a passing phase / When you’re all alone, you and your head / When you think you’ve made it disappear it comes again, hello, I’m here and I’ve got angst in my pants

The queer subtext here is very clear, I don’t think I even have to explain (check out the cover art too lol). The song closes with a realisation/acceptance that no, this “phase” won't ever go away i.e. it’s just who you are.

Give it a hundred years, it won't go away

I also thought one of the opening verse lines was an interesting segue from the last few songs:

But when you’re all alone and nothing bites you’d wish you stayed at home with someone nice

• • •

Angst In My Pants may aswell be titled Forced Conformity the thematic parallels to ST are that blatant. Another point for team Mike Wheeler actually is connected to the main themes of the show like all his other friends, and no it’s not because he’s somehow oppressed for being a nerd. Also rather than being about feelings for another person the song is about personal struggle with sexuality which excites me to think about in relation to Mike because we’ve been saying he needs to explore his own identity outside of being a love interest.

➠ Track 6 | The Better Side

A very sweet, slow, slightly melancholy song. I’ll be honest I cannot decipher more than 2/3 of the lyrics but here are the most meaningful ones of those I could:

I know you cry and I’m trying to keep you by my warmth

You’re never gonna see my eyes, you’re coloring all the skies you want to / I tried staying alive, keep my head on the better side when you’re far away

You’re on the better side you’re always the better one for me

You’re all that I need, I’m not gonna miss you anymore

My understanding is it’s about pining over someone who is a “better” choice, whatever that means in this context. Deciding you want someone, someone who you don’t currently have, someone who is maybe distracted, distant or physically absent? But vowing to change that because you recognise that you need them.

• • •

This directly follows the Gay Thoughts song, and precedes the Gay Thoughts song 2.0 so I feel safe interpreting it as Byler coded and about how it’s Mike’s turn to pine. (Also because “better” implies that there’s a “worse” i.e. this is a situation where you’re differentiating between two things i.e. in Mike’s case, Will vs El). I can envision Mike and Will getting moments together away from whatever chaos is surely going on, having the space to connect more where Mike starts becoming conscious of his feelings, realising slowly that Will is the “better” one for him. And as the song also suggests, perhaps Will has pulled away from him in the beginning. I think this is possible because the torment Will's likely going to endure from Vecna could understandably cause him to push Mike away, fearing his safety or him finding out how Will feels, and also I just don’t think he’ll be able to stand the pain of being M!Ieven’s couple’s counsellor for much longer without cracking. But I think Mike “it’ll be easier if we’re a team” Wheeler would make it his mission to fix any rift between them, the final line literally being I’m not gonna miss you anymore.

➠ Track 7 | Don't Ask Me To Explain

As far as I can tell, this song is about being afraid to face queer feelings for another person who is also hiding this about themselves, and being conflicted about whether to confess because you're not sure how they feel.

How will I ever know you enough to love you if you're hiding who you are? / How am I supposed to let it show when I don't even know? / Don’t move on without me, who will be watching my body when I sleep? / I don't want to be the one who's coming out first, I'd really like to but I'm just too shy

The end is an admission of…something. I’m not sure whether to interpret it as wishful thinking over this queer relationship you believe you can’t have, or as an offhand comment about forcing yourself to love someone you can’t because of your sexuality. Interesting either way:

It’s so easy to lie to myself and pretend that I could love you but I can't

I did do some research and the alleged true explanation of this song is it’s from one queer friend to another (man to woman, I assume both closeted, maybe a failed romance?) but I could only find one uncited source for that and everywhere else seems to agree with my interpretation so it seems when listening to the song that’s the story people hear. (Plus either way the song is about being queer. Undeniably so).

• • •

It’s not Byler coded we’re way past that, it literally just…is them. It does seem to suggest a level of internal conflict in Mike regarding coming out that I can’t say I expected (yes I have no doubts about canon Byler but I’m also a pessimist by nature—that should tell you how obvious their endgame is though lmao—so I assumed the Duffers would go wrong somewhere). I always thought he would be almost consciously clueless about himself until he finds out Will loves him, and the focus be more on him liking Will back rather than him liking boys (and obviously wasn’t a fan of that), but the prospect of Mike actually being aware and grappling with his sexuality is what we’ve been praying for and builds on the more low-level thrum of sexual confusion in Angst In My Pants. Oh and the song also could suggest Mike suspecting that Will likes him/is queer too before anyone confesses.

➠ Track 8 | What Do You Want Me To Do?

Another straightforward one. It’s quite angsty, a big contrast to the more sad feelings about a relationship from the earlier songs. This is about someone who left you for someone else/someone who walked out on you, who decides they want you back.

You walked out took your chance, turned your back on our romance / You said the change would do you good / But then the bubble burst your dream, turned into a nightmare scream / You came crawling to me your knees, and you were asking me to love you please

The main message of the repetitive chorus is basically: you want me to need you, but that’s not real love. You’re just using me to feel better about yourself.

What do you want me to do? Say that I need you more? Is that what real lovers do? Or only what you use me for?

• • •

I mean isn’t that last part how we’ve always described M!Ieven’s dynamic—all about aligning with the other’s needs whether for safety, validation or feeling ‘normal’, rather than genuine romance? I don’t think there’s any chance at all of El leaving Mike for someone else lol, as I said I don’t think we need to interpret these songs super specifically. But it does make me wonder: could we possibly see a moment of regression for El at some point in the season, after they separate? The focus here in my opinion is frustration at someone trying to re-enter your life when you know they don’t truly love you. Reflecting on their dynamic I talked about with earlier songs and their history in the show (El walking away, Mike scared to lose her), is it possible the break up could leave Mike struggling initially then he progressively understands why it was the right choice (especially after spending time with Will), meanwhile for El it’s the opposite—she’s more sure about breaking up but something happens later on that shakes her belief in herself. Her having one last hurdle to overcome in her dependency on Mike to finally break that pattern of hindering her growth by retreating to him could make sense. And based on this song…Mike would not be receptive to being El’s safety net. Growth for both of them.

➠ Track 9 | Substitute

Again, very angsty compared to earlier. It’s about a relationship characterised by false perceptions (focused on class), and those being what is holding it together. One partner is pretending to be something they’re not, cosplaying as someone else, and the other is also being dishonest/fake.

You think we look really good together / My fine looking suit is really made out of sack / The simple things you see are all complicated / Substitute your lies for fact / I see right through your plastic mac

The relationship breaks down because of this and their partner doesn’t truly want to fix things, and ultimately trades up.

Those crocodile tears are what you cry / It’s a genuine problem, you won’t try to work it out at all, you just pass it by / Substitute me for him / Substitute my coke for gin

Essentially: your partner not knowing the real you because you’re putting on a facade—the facade being the version of you they really like, the thing that was making you compatible—leads the relationship to fail. The literal title suggests neither of them as they are are what the other truly wants or needs.

• • •

Obviously this does not directly parallel M!leven in terms of the topic of the lying but in terms of the themes and core relationship issues…yeah. To me this could be about point Mike has reached after gradually coming to realisations about the nature of their relationship after it’s over, like I mentioned before. I can envision a mid-late season confrontation (or something less aggressive sounding lol) between them, pairing perfectly with the topic of the previous song. El scared trying to fall back on Mike and he’s like…no, we don’t work, I can’t be that for you anymore and this is why: betraying who he is (nerd) to impress her, trying so hard to play the “boyfriend” role (yet they never successfully emotionally connect), if he’s gay then there’s also the facade of straightness, etc. I think it would show a lot of emotional maturity from him honestly, and I really need him to have a strong grasp on what went wrong with El for them to have a shot at forming a healthy friendship, and also to psychologically process all that stuff before getting involved with Will.

➠ Track 10 | The Rebel Kind

A short song about life being tough when you don’t have much (this one is class-focused too), but still craving the freedom that comes from not following societal rules and pressures for how to do life “right”, and instead living on your own terms. Basically the struggle is worth not having to conform. The first verse sums it up pretty well:

They call us the rebel kind but they don’t understand the things a man must do to prove that he’s a man / It’s not easy but I don’t mind, I just wanna run with the rebel kind

• • •

Again, obviously the specific topic is not relevant to ST but the thematic parallels blew my mind, I mean the entire show is about people being outcasts and learning to find strength in that, and the final season is going to majorly drive that point. We know this from the fact that Will “being different” Byers is the one who’s arc is said to tie up the whole show. Now in regards to Mike…if this doesn’t scream forced conformity and deciding to reject it for your own happiness I don’t know what does. It perfectly captures the thematic end point of his arc next season (and not just his but probably the entire party’s in one way or another). Also the toxic masculinity reference in that one line applies heavily to Mike with his history of trying so hard to do what he thinks he supposed to do in going from boy to man i.e. We’re not kids anymore. Did you think we were never gonna get girlfriends?

➠ Track 11 | Block Rockin’ Beats

Another one I think is mainly to set a tone; no real lyrics just beats. In my opinion it comes after The Rebel Kind for a reason. Somehow it just makes sense, it’s got this really loud, frenzied, unrestrained energy to it.

➠ Track 12 | Just What I Needed

We end off with a love (or desire?) song. It’s interesting because it’s quite aggressive sonically but at the same time it talks about being with someone in a simple uncomplicated way:

I don’t mind you coming here and wasting all my time / I don’t mind you hanging out and talking in your sleep

…but it’s also very intense how you feel with them.

Cause when you’re standing oh so near I kinda lose my mind

There’s a repeated line that stuck in my head. It’s obviously written about a female subject, but there is such a rejection of the feminine going on:

It’s not the perfume that you wear, it’s not the ribbons in your hair

It’s saying those feminine attributes are not why this person is attractive—and yeah logically that means the subject must have those things, but as I’ve said I don’t think these songs need to be interpreted on such a specific level. The point being made is about a deeper connection. The line is just intriguing to me from the perspective of Mike being into boys, I mean he could’ve picked literally any other romance song.

I needed someone to feed / I needed someone to bleed / I guess you’re just what I needed

The message here is basically: I was craving the rawest form of connection/intimacy with another human being (that doesn’t have to necessarily mean sexual it’s just those visceral words feed, bleed in comparison to perfume and ribbons which sound very fluffy lol)…and now I’ve found you and it’s exactly what I was looking for.

• • •

With all the themes through the songs of rejecting fake relationships and conformity, and accepting and exploring queerness…Will Byers is obviously going to be the thing Mike needed. I’ve been saying (and so have many) but Byler isn’t happening till the end. Also the playlist finishing with this song is telling in my opinion. Aside from the Castle Byers Classics link, the title itself implies searching for something which is now found, a journey being over. I say this for the purposes of pushing my agenda about this playlist painting a narrative. Hear me out:

Personally……that’s not accidental. It just isn’t. Even if my more specific interpretations aren’t correct, I just cannot believe that this wasn’t curated to draw a particular picture. I believe in coincidences and if the playlist had been titled as it was with a bunch of random unconnected irrelevant songs I’d be the first person to file it under that. But the title and the inclusion of a song from Will’s official playlist and these specific songs in this specific order? Yeah it’s about s5 Mike and I cannot wait to see him! If you made it this far thanks for reading <3

[mueritos]

a little strange to get dms from other trans people saying they agree with biden's dumb statemet that he doesnt want minors getting gender-affirming care. if you really think its such an epidemic that 13 year olds are getting their knockers blown off by surgeons every other day, then please point me in the direction of said 13 year olds that are somehow accessing gender-affirming care that literal trans adults can't even access.

like please be fr. we literally have privatized healthcare and insurance where not even people who go through the appropriate avenues can get approved for care they need to stay alive. what makes you think a trans minor is getting phallo or vaginalplasty. feel whatever you want about 13 year olds who want gender-affirming care, but dont parrot transphobic rhetoric that is based on no facts and a moral panic. they second they legitimize barriers to care for trans minors is the second they start finding ways to do the same for trans adults. dont be a buffoon.

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[jinkiesmariz]

Here’s like shitty discord whiteboard i did. with friends :D !!!! + zianna sketch I’m not thag happy with

And me poking fun at Jin with a shitty mouse drawing of vylad :3

I need to animate the hide away shit but with me and garroth except he is NAWT chasing me I can’t imagine that so erm :3

[nyxofdemons]

still the stolago shipper in me but i desperately hope that, if we do get the vassago rebound era, it somehow involves vassago, without even knowing about stolas' drunken ramble, quoting back to him "i desire to see you, to hold you, to talk to you, to never let you feel so [unhappy]" or SOMETHING of the like

[nevertheless-moving]

Hesina Willshaper AU

Step one canon divergence: Amaram's army doesn't do the kind thing. Kaladin's listed next of kin are sent a letter stiffly informing them that their son is a deserter and, thanks to the highmarshall's mercy, has been sold into slavery.

Step two canon divergence: a light spren has started following Hesina around.

The letter reaches hearthstone.

Hesina cries the bones of the first ideal through labor pangs. Their wretched diamond lamp grows slightly dimmer during childbirth.

Hesina and Lirin discuss if there's anyway they could possibly find their son and pay his slave debt. They're not optimistic.

Hesina talks with her lightspren.

Lirin and Hesina talk again about trying to find their son, now that Oroden is starting to be weaned.

Hesina appears to have grown taller. No one but the two of them seem to be aware but they're worried other future changes might be more noticeable.

Hesina and Lirin realize that she can mold rock as if it was clay with stormlight. A spark of hope for freeing their son emerges.

The two leave town.

They find a slave market in the nearest city. They see other parent's sons, but not their own.

Hesina swears to free those in bondage. Stormlight starts coming easier.

They make a tunnel. Rebellion follows. Lirin is horrified by the violence (the violence is not actually that bad all things considered. a couple guards dead. some bystanders frightened. Fair amount of property damage as they rob the military barracks food supply, steal every sphere that's not nailed down. and also steal the spheres that are nailed down. (Lirin won't admit it but the stealing from lamps part is kindof fun.)).

Many of those they freed flee. Some return to slavery willingly, scared of retribution. Many decide to follow the Radiant woman who has vowed to see others like them freed.

The group proceed to the next town. They find another slave market. They make a tunnel. There is more resistance than last time, clearly they were warned something might happened. Hesina kills a man.

Lirin is terrified by what his wife is becoming.

Hesina swears to shelter those without homes. The lightspren forms an unbreakable hammer, perfect for knocking crem free from buildings. And for knocking down men.

A now larger motley group seeks shelter in a mountain town razed in one of Alethkar's many skirmishes over the last decades. Hesina builds homes. Lirin begs her to stay here, to stop fighting before she goes to far down this path, not to go to war. The slaves they've freed are split, many wanting to stay, hide, some wanting to fight and free more, with a radiant at their head, there's a real chance to change things. Hesina lingers, practicing, spends some time falling in and out of shadesmar.

Lirin and Hesina separate.

Lirin stays with Oroden and the noncombatants. Hesina leads those who want to fight to another city, still trying to find their son, still trying to free everyone's children.

The town settles into a routine. Hesina and Lirin miss one another. This is the first time they've gone longer than two days without seeing each other in the last 25 years, and the two days was only when Lirin had to travel to where someone had overturned a cart on the road nearby and Hesina had to stay and watch the children, too young to travel. besides that, it had been every day. they keep turning to talk to each other.

While the army is gone, the free town is attacked by those trying to reclaim her property.

Hesina swims deliberately through shadesmar for the first time. reaches lirin just in time.

Lirin accepts that not fighting won't stop the violence. (It breaks him just a little bit)

Hesina shouts that one person's freedom ends where another's begins. She vows to fight against powers which would rather see their people in cages then homes. A thousand light spren rise up to grant her strength.

(yes I know she's moving fast through the oaths. but she's always been a thoughtful woman and she raised two children who asked difficult questions and now shes mother to another several hundred. honestly she had already worked through some of these concepts before they became actionable on such a grand scale.)

Lirin vows to support his wife through whatever trials the Almighty seems inclined to put her through.

The lightspren, who has started to get some memories back, remembers Oathgate Spren not terribly far from here by physical realm measurements, guarding a hidden human city

the stone remembers the way the radiants once traveled.

The path to a kingdom in the sky is slow — there are many cages to break on the way.

Kaladin doesn't know it right away, because people weren't exactly telling slaves about the freedom riots, but slave wagons start having harder and harder times reaching the shattered planes after him.

Someone mocks Lirin for having a wife so determined to pursue the masculine art of war. Lirin gets pissy and decides to show them by learning to read and write to help support the administrative side of his wife's kingdom wide asskicking.

The highprinces lead a fairly successful misinformation campaign about the slave riots, lots of accusations of rampant violence, the dregs of society lashing out, you can probably imagine

The ongoing rebellion is large enough that word trickles to the bridge crews, encouraging bridge four's hope for escaping, while also making it substantially more daunting, as the crews are even better guarded than canon.

Rumors of a female radiant swirl around. Most people assume it's a woman in shardplate with some sort of tunneling fabrial, which is still pretty crazy, but several major players Take Note

A very large and tired huddled mass of people reach Urithiru. there's just enough squires, and two new willshapers with their own oaths, to make tunnels through the shattered planes and reach the oathgate without being seen by the alethi armies

the parshendi army is another story, but some are willing to take a chance listening to the neshua kadal, and come with them.

The political implications of Dalinar freeing 1000 slaves is slightly more complex, especially considering the rebellions have been impacting Sadeas the hardest

About a week after being freed, Kaladin hires a spanreed intermediary to write home and find out if his hometown is alright (again, a lot of misinformation and rumors about the violence of the riots)

Is informed by Laral that his family left town looking for him shortly before the riots started, were presumed dead

Kaladin is under the impression that 1) his parents are dead because of him 2) the Rebellion is not the righteous fallback plan that he and the men were hoping it was.

Hesina has many reasons to go to the shattered planes. Nearest part of the trade network for food and necessary goods. Many slaves to be freed from there, and a part of her still hopes to find her son, even thought its been so long. Home of Alethkar's political leaders, the source of Alethkar's slavery.

I have spent. A LOT of time imagining many possible reunions between kaladin and his mom in my highly specific high oath hesenia au. She has a couple faces she could wear when visiting the planes. Brightlady. Radiant. Cagebreaker. Queen of Urithiru (not her real title, they're tentatively trying the Listener council model, but they know what the Alethi will understand). Even darkeyed mother, if she and Lirin approach slowly from a different direction. Honestly, pleased as I am with all of the above, a lot is flexible, the key here is kaladin going "MOM??" In some fashion One possible Reunion Here

Thank you @sorchasolas for conversation and the urithiru ideas and for leading me to actually write all this down <3

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[oddly-casual]

I think Mutant Mayhem is the first tmnt propriety to make Leo my favorite turtle right off the bat.

Not that I don’t like Leo anywhere else, but usually it takes me like a second rewatch or something to really pick apart Leo’s character in full to appreciate him- and even then he’s usually not my favorite.

But MM Leo is my favorite for reasons I cannot identify.

Maybe it’s the way he walks, his cringe fail personality, I don’t know but I care about this loser so much.

Idk he cares so much abt his siblings despite the fact that they can be so mean to him sometimes. He is also the one who continually pushes to do the right thing when theres nothing (or even sometimes worst things) to gain from it.

Even his attempts at being cool come off as dorkish but it’s charming in a way only little kids can be. In a ‘you’re doing your best sweetie’. Leo is a single mother of three while also being a teenage boy, that takes work.

He’s such a silent but calculating character, ironically when he doesn’t try so hard and does what he feels is right he gets the best results (ie his leader speech, the plan to be accepted, gaining the acceptance of other mutants) for all his fumbling and try hard attitude he has such natural potential it’s insane.

[andthesunwillalwaysshine]

FUCK IF THE TOUCHED SPEECH MADE MY HEART COMBUST THEN WHAT DID THE END OF DAYS ONE DO ???? such a perfect whole scene with the comedic greeting to the awkwardness to buffy basically calling him an idiot in 3 different ways (and using one of his made up words back at him) and then actually being real with spike and telling him their moment wasn’t just nothing but meaningful to her to spike telling her it was the best night of his life (twice he says this) and how he finally felt close to someone (and to her) and he is terrified (because he has loved her for so long and is used to it going nowhere and doesn’t want to push her after what he did) to buffy reassuring him he doesn’t have to be terrified to them actually starting the first real convo about THEM 

this scene is full of love but it rips my heart out and it is so angsty still because with the big battle incoming neither one of them knows who will end up alive after this (if they win) and if they will be both be alive after this  AND BUFFY’S FACE IN THE END (AND WHILE LISTENING TO SPIKE AND HER SOFT ’’SPIKE’’ WHEN SPIKE SAYS HE CAN’T DO THIS BEFORE OPENING UP TO HER)

[twiggyrogue]

If it wasn't for the TMAGP ARG snippets I probably wouldn't be as obsessed about Sam but oh my goddd with what tiny we know about him I'm not over it. He's got a canon birthday (!!! He's 33 at the start of the show! It's p cool to know that tbh!) so we know when the Institute burned down, he was 9 year old. So at nine, maximum, he went through the Institute's child experiment. That's age he went through potentially a version of the Milgrim experiment! Mr. Spider whom, this child might have actively tortured someone because he was told to?? And that's probably the terrible event that was brought up in the interview but maybe it wasn't! Maybe it's something worse!! Oh no!!!

The guy scored the highest in empathy in the entire test group at 98% and now his job is experiencing other people's horrors like of course he can't help but look into them, of course he can't help but internalize them when Alice has warned him of what can happen, I'm so worried about this man!!!

[heyclickadee]

Okay but for all we know Saw and his buddies picked Tech up (alive) on Eriadu.

[moregraceful]

my east coast friends, when they came to visit me in california, would always be like oh my god, kas you live like this? when i drove them on our freeways. kas you know there's a better way to create a highway that isn't needlessly dangerous right?? six lanes wildly unsafe merges for three different highways?? OKAY??? AND??? I JUST PAID OHIO $21.25 TO DRIVE ACROSS THE STATE. TWENTY-ONE AMERICAN DOLLARS. I DROVE FROM CALIFORNIA TO IOWA PAYING ZERO DOLLARS AND NOW ILLINOIS, INDIANA, OHIO, AND PENNSYLVANIA WANT ME TO PAY FOR THE PRIVILEGE OF DRIVING ON AN INTERSTATE? THAT'S A PUBLIC HIGHWAY. FUCK OFF. i think i paid over $40 in tolls across four states and for WHAT. my tempestuous assignation with the capricious i-80 comes to a catastrophic end. i yearn for the stress of a wyoming lightning storm. like bro what is that $21 even paying for?? the nicer rest stops sorry "service plazas"? what?? i don't WANT a clean bathroom and a dunkins, i want a suspect bathroom in a building that looks like it was made by laura ingalls wilder's dad, a beautiful scenic view, and a trucker looking at me appraisingly from across the median!! i want americana and human connection, i don't want a latte made by a teenager that will make my stomach hurt!! "ohhh kas bay area highways are a nightmare there is no reason for it to be this bad" WE SHOULDN'T HAVE TO PAY FOR A PUBLIC HIGHWAY. NONE OF US HAVE TO LIVE LIKE THIS. THE PROBLEM IS USAMERICAN INFRASTRUCTURE!!

[sweetmoonbeam17]

I'm always thinking of dragons so like I'm gonna ramble for a minute

Sometimes I think HYPOTHETICALLY about what other movies could be made in the animated franchise (i don't know if i actually want this - the dreaded reboot movie coming out makes me wonder if they will crank more though, and what I would be comfortable with) ***if it didn't suck!!

prequel wise; I used to always think Stoick and many agreed and I love him so much but tbh... we know so much of his life already from the movies and the shows alone. His greatest lifelong tragedies have already been showcased onscreen - and tragedy makes for great conflict and great cinema. His largest character transformation happens already in movie 1, how else could he be challenged again? It would have to be creative, not to completely close the door on him, just a point made.

It occurred to me that the richest unseen backstory is actually probably Toothless. He can't talk - we don't know where he came from, only that he is the last of his kind - and that's fucking sad as hell. Also BABY TOOTHLESS. Butts in seats immediately, merchandise stonks soaring. He is undeniably the most popular character and there can be NO httyd movie without him. Idk it would be *dragon noises* for like an entire movie though lmfao.

I think the most obvious move is sequeling it, movie 4, doing hiccstird and hiccstrid babies + Toothless and his babies, protecting the hidden world part 2. But it would have to be like extremely compelling and exciting for me to be onboard. IDK LIKE let's be crazy, what if they thrifted the tossed idea that Drago didn't die and redeems himself. What if it's like .2 seconds after the third movie ends, one of Hiccup's kids falls and gets lost in the hidden world while they're saying goodbye, let's say the tiny one, and Hiccstrid have a meltdown searching for him assuming he's been eaten, and out he comes holding hands with Drago, who rescued him from certain death. He's been hiding down there for years (had to do a lot of thinking after he got his ass handed to him in public by a 20 year old) and appreciates dragons now. And Hiccup's brain like implodes because the guy who killed his dad just saved his son. AND he's living in the place he initially wanted to live in too. The DRAMA, NOW WHAT oh damn I need it now I guess