meet the mancusos (in order from left to right)
Silvia Mancuso (socially awkward, loyal, peaceful) --- grew up in tartosa as an only child with her mother (vita) and father. mysteriously disappeared 15 years ago.
Dom Mancuso (loner, cat lover, slob) --- born and raised in tartosa, but lives in san myshuno working as a salaryperson; loves his two children (nico and priscilla), but does not visit tartosa often after losing his wife.
Vita Azzarà (gloomy, cat lover, creative) ---
Priscilla Mancuso (creative, foodie, generous) --- joy of life challenge founder; dreams of owning her own bakery in tartosa
Nicolaò "Nico" Mancuso (music lover, freegan, goofball) --- engaged to mila and they have a daughter named after his mother, silvie. he's often found around tartosa busking for tips with his guitar
Mila Banuelos (book lover, adventerous, family-oriented): in university studying history and archaeology
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oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-
oh. I made a blog for that exact purpose ! OKAY—!
fuck. fuck me, dude holy-
FUCK.
the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,
ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.
the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.
The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.
Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->
POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).
I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-
I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—
BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)
Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father
holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.
HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."
LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.
YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:
the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care to something else immediately after dealing with the guy (perhaps smth related to the children Snezhevna wanted to save). But regardless it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god
it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.
and ofc it acts as a representation of Snezhevna dying...
because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.
And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.
"Once I'm better I'll start my next mission.."
THIS. THIS!! IN SO MANY WAYS THIS!
OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:
There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trailed to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???
So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..
and ofc the funeral scene. I can't say much more than what's already shown right on the screen.
and am I bugging? Or is the location of the grave....
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Y'all, I think I've figured it out. Operating on the assumption that the finale is indeed an alternate timeline from the manga, then someone could have written on a page of the Book to rewrite reality to lead to the events of the finale sometime during season 5's events. In other words, this would explain the INCONSISTENCIES with things that were established or at least heavily implied/assumed prior and in the manga: Chuuya being a real vampire and not in control, nothing being planned, Dazai giving sincere speeches, Dazai really being shot and saying his "last words", Fyodor's hand not being injured, soukoku not killing Fyodor while in Meursault because they literally couldn't and Dazai needing Sigma to discover Fyodor's secrets because of that, Fukuchi's goal not being one that relied on Fukuzawa being alive since he clearly intended to kill him, etc etc too many more to count
Events and explanations in the finale feeling so contradictory and out of place, and characters feeling so ooc and not acknowledging any discrepancies, makes perfect sense if you consider that, up until a certain point, this was our canon timeline — until someone rewrote the ending of the arc with the Book, starting with Fyodor injuring his hand...! We only have one example of the Book being used to majorly rewrite reality in the manga, and when that happened, the main players — the ADA members — were aware that reality was changed, even though they did have memories of the new rewritten reality. BUT, Nikolai was unaware of this during that scene, and so also were all law enforcement because of the clause written on the page accounting for that, so what if the same thing could happen in this instance, to prevent all our characters in the finale from being aware that things had changed? We literally saw someone writing Nikolai's dialogue for him; imagine someone doing that during Dazai's final speech in the episode, and during all the rest of it! I don't know who this would be, but possibly a mysterious third party who got a hold of a different page from the Book somewhere and wrote things to turn out this way, because they wanted the ADA to win against Fukuchi and Fyodor? Maybe even because... this is the only way they can win?
Remember Atsushi asserting this plan, and how silly and too simple it sounded? What if someone else ended up doing just that, writing their own simple outcome for the ADA to win (as a narrative of course, which is probably why it had to start with the major catalyst of, again, Fyodor injuring his hand)? Additionally, if that's what happened, maybe the ending of the finale is a sort of side effect to the Book being used improperly in this way, leading to a destabilization of the timeline or a mishmash of other timelines into the anime one, leading to the alternate Fukuchi and Akutagawa we see there?
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It's been interesting getting back into both Sam/Jack and MSR at the same time, I get to compare and contrast really similar themes (secret duty, dangerous truths, aliens, government oversight, honor, loss of family, pining, devotion etc) from really different framing. The X files is a much darker show overall and Chris Carter's misogyny problem and hand of fate baby arcs are frustrating and painful, and yet the MSR fic has so much more room to be much sweeter and more openly domestic and a lot of times the stakes are lower because as much as it affects their own lives, the Syndicate and the threat of Colonization is much bigger than what they personally alone can bring about or prevent. They have guilt and repression and fear of losing each other or the work to contend with, but we're also shown that as long as they have each other they're generally okay even without the work -- I mean aimlessness and depression (and out of character writing choices) yes, but the Syndicate operations aren't that closely affected by if Mulder and Scully are in the basement office or not, so you can conjure up a wide variety of believable paths for them to be together with or without 'the files.'
Meanwhile Sam and Jack could literally be prosecuted for disobeying orders/getting involved within the same chain of command, they could get their team or the whole program taken apart thanks to that excuse in the hands of Simmons or similar, they're directly on the front lines for 8 years and they're repeatedly shown via the quantum mirror that Sam and Jack both being active members of SG1 is the only reason Earth wasn't decimated in a hostile Goa'uld invasion so they can't just resign and be together. For a second you think there's a window but then there's a new war and they make Jack everyone's boss and send Sam to a different galaxy and then put her up on a ship, and you go; Oh. So that's an endless set of circumstances, then. There's so much 'be miserably, honorably apart, serving and pining forever or the destruction of Earth will directly be your fault' baggage baked into Sam and Jack's narrative setup that you're boxed into either character-bending wish fulfillment (which is satisfying to read but hard to commit to writing ime) or the soul excoriating 'hanging on waiting for what can never be' flavor of overly believable quiet tragedy.
I'm finding I'm spending more time with the show where the skinny grey aliens with big eyes are a lot more evil and the themes are more bleak but the characters are less entirely trapped by their own best intentions 💀😭😭
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