Tumgik
#livelinks
vyorei · 11 months
Text
I need to start adding breaks for my health so I'll be back in an hour, this will become a twice a day thing probably, here's the livelink to watch while I'm gone, I'll be back soon:
5 notes · View notes
nutzworth · 9 hours
Text
(this post is about smplive) sometimes i wonder if like. the people from lunch club still talk to each other. i wonder this about like 1000 pairs of people but im thinking about lunch club RIGHT NOW.
like we know schlatt and ted and slimecicle still talk cus they were in a podcast and continue to be on normal terms. slimecicle left because hes busy and all but they still like collaborate sometimes. and we know cooper cscoop and travis and noah are probably all still friends because they were friends before and will continue to be probably. who else was in lunch? carsons unassociated with the whole everyone.
but like...... im watching a cooper vod from 4 weeks ago (very recent) and it is so chill and normal and relaxed. STARK difference to the SLIMECICLE vods i watch a lot (i usually watch ones from like 4 yrs ago to be fair). but the current day ones are like... they are like insane. guy who hardly knows how to play the videogame + chat from dsmp. SCAAAARY! cscoop vod is like "yeah we beat the ender dragon and have all diamond and i have a sniffer and a million farms. im gonna build a castle" and his chat is all stoners. VERY DIFFERENT!!!!!!
Tumblr media Tumblr media
i just wonder if they talk. like at all. the two kind of groups of them. people separate friends fall out naturally etc i get it but.... if it was me..... brother i would be talking to everyone all the time......... i just wonder if we will see slimecicle / cscoop content because that sounds hilarious
1 note · View note
worldsportsevent · 7 months
Text
Tumblr media
Ban Seabed Mining No fast track for TTR! Toitū te Tiriti Live Streaming 2024
1 note · View note
tzunami1 · 9 months
Text
In the complex realm of SharePoint migrations, governance emerges as the linchpin for success. The SharePoint Migration Framework provides the tools, but it is governance that shapes the strategy, ensuring that migrations are not only technically sound but also aligned with organizational goals. As organizations navigate the intricate process of migrating to or within SharePoint, a robust governance plan becomes the guiding light, ensuring a seamless transition, user satisfaction, and long-term success. With tools like Tzunami Deployer in the toolkit, organizations can elevate their migration experience to unprecedented levels of efficiency and reliability, solidifying their position as leaders in the digital transformation journey.
0 notes
tarmo888 · 1 year
Text
0 notes
omamervt · 9 months
Text
If Apple has zero haters left in the world I'm dead but I think I'm gonna be forced to get an iPad or something. Doesn't look like they're making up-to-date iPod touches, and I'm not gonna buy a new phone just for this shit, but I'm trying to set up a virtual camera rig in Unreal Engine that I can make work in my incredibly limited home space (which rules out using LiveLink with VR gear unfortunately) AND I'm trying to learn to make/rig up Vtuber models and from what I hear around, the app that gives the best results on using/testing rigs is exclusive to iOS, as is Epic Games's Virtual Camera app.
On the off chance this reaches someone who knows their shit re: any of that, do I NEED to get the high-end one? What I really want is the mini one if it has all the necessary features to make those apps work. I'm not really gonna use it for anything else though so I don't wanna spring for the Pro edition and I know the gyroscopes in the Air line are prone to breaking more easily after using one for virtual production in college.
I can't SEE any major difference in specs between the standard iPad and the mini, so if a standard would work the mini should too... right? Please save me I hate looking at these things.
3 notes · View notes
not-fun · 1 year
Text
Tumblr media Tumblr media
i have two artbook/sketchbook/whatever pdfs on itchio right now if you like my art and want to see more of it. both sketchbooks are name-ur-own-price including free!
i cant provide you a livelink or the post will be shadowbanned but they're at:
HEKSHANO . ITCH . IO
10 notes · View notes
descargassims · 2 years
Note
HI, I was the one asking about yr sims 3 apartment content and when I click download it takes me to linkvertise not livelinks sorry got it wrong. I would love to be able to download the lot again. This linkvertise is a weird one with no links to skip or get to your simfileshare nor your mediafire
Hi! Yes, Linkvertise is a nightmare if I don't edit the links, and I was changing my links of TS4, but I'll edit the linkvertise links of TS3 houses soon too ❤
4 notes · View notes
yeonchi · 2 years
Text
Doctor Who 10 for 10 Part 4/10: Series 4
Tumblr media
This is the dream team, ladies and gentlemen. Following her brief appearance in The Runaway Bride, Catherine Tate was given the opportunity to reprise her role as Donna Noble, which she quickly accepted. During a tweetalong for that same episode in December 2020, Russell T Davies threw out the idea of returning to Doctor Who and asked Catherine Tate and David Tennant if they were interested. The two of them accepted and now, RTD is back as showrunner with David Tennant and Catherine Tate returning for three 60th Anniversary Specials in November 2023. But for now, let’s focus on their original series from 15 years ago.
This instalment will encompass the 2009 Specials alongside Series 4. During the production of Doomsday, RTD, Julie Gardner, Phil Collinson and Jane Tranter agreed to do two more series before putting the series on a break with a year of specials as they prepared to transition to a new production team, with Steven Moffat accepting the role of showrunner in September 2007. David Tennant had been offered to continue on for Series 5, but he ultimately declined and he announced his departure via livelink at the National Television Awards on 29 October 2008.
Interestingly, the production of Series 4 is probably the most documented out of all of Doctor Who. This is thanks to a collaborative project between RTD and Doctor Who Magazine writer Benjamin Cook, starting off as emails to create a series of articles in the magazine, but as the amount of correspondence grew, it was decided to create a book with them, resulting in The Writer’s Tale being released in September 2008 covering emails (and text messages) from February 2007 to April 2008. Later on, it was decided to compile another 18 months worth of emails up to September 2009, eventually resulting in The Writer’s Tale: The Final Chapter being released in January 2010. In those books you can get the biggest insight behind-the-scenes and see just how much planning and time goes into the production of a series of Doctor Who. You can also see RTD’s health slowly deteriorating as he oversaw three flagship programs over six years. Seriously, it makes me look like a joke, compressing decades worth of work into 10 years, and that’s mostly just writing, not all the filming and work that goes into pre-production and post-production.
Anyway, let’s jump into the retrospective for Series 4.
1. A Noble return
During the planning for Series 4, RTD intended for the companion to be a “leftover” woman in her mid-30s called Penny Carter, however when Catherine Tate agreed to return (possibly also because Penny’s character was similar to that of Donna’s), the plans were changed and Penny’s story became a continuation of Donna’s story.
Jacqueline King and Howard Attfield were signed back on as Donna’s parents, Sylvia and Geoff Noble, however during the filming of Partners in Crime, Attfield broke his leg after only having filmed a few scenes on a hill. After some quick discussions, Attfield was replaced by Bernard Cribbins as Donna’s maternal grandfather, Wilfred Mott, who was featured in the 2007 Christmas Special, Voyage of the Damned (the highest-rated episode of the revived era, presumably thanks in no part to the appearance of Kylie Minogue) and the scenes on the hill were refilmed. Cribbins’ character was originally named Stan, but after he signed on for Series 4, his character was changed to accommodate (luckily his name was never mentioned in the special so all they needed to do was change his name in the credits). If you ask me, given what we see in those scenes, I think Bernard Cribbins was a better fit in them, given what he was saying about aliens in the special. Attfield died a couple weeks after the recast, with his scenes being included as deleted scenes on the Series 4 DVD box set. The return of the Nobles marked the beginning of a storyline that tied the Doctor and Donna’s fates together, which would be concluded in the finale and later extended to the 2009 Specials.
The Nobles weren’t the only characters returning in Series 4, however. As RTD intended for this series to be his last, he wanted to make the finale as big as possible. Rose Tyler made a surprise appearance in the season premiere, followed by two brief appearances (filmed for one episode then added to the other) before her main involvement in the series finale and the episode before it. Martha Jones rejoined the Doctor for three episodes before returning again in the finale. Jack Harkness and Sarah Jane Smith also returned for the finale, bringing in characters from their respective spinoffs, namely Gwen Cooper, Ianto Jones, Luke Smith, Mr Smith and K9. Harriet Jones, Francine Jones, Jackie Tyler and Mickey Smith also returned in the finale as well. Most of them would appear again for cameos near the end of The End of Time Part Two, including Alonso Frame (who was originally scheduled to return in The Stolen Earth but declined due to other commitments) and Verity Newman, the great-granddaughter of Joan Redfern from Human Nature and The Family of Blood.
Additionally, there were plans for the Shadow Proclamation scene in The Stolen Earth to feature various aliens from across the RTD era, but that was cut for time and budget, resulting in the scene only having a group of Judoon. A similar scene would be realised in The End of Time Part Two.
2. Warnings from the future
After Donna officially joined the Doctor, their first adventure (in The Fires of Pompeii) was to Pompeii in the year 79 AD, right on Volcano Day. Since they knew what would happen that day, the Doctor insists that they can’t change anything about it, even though Donna tried her best to do so. This story also shows that while an actual historical event was hijacked by alien forces, the Doctor’s intervention allowed history to continue as normal. Other examples would come later in Series 6 with the Silence and Series 11 with Rosa Parks.
The Pyroviles’ homeworld was lost, though a group of them managed to escape and crashed to Earth, eroding to dust in the core of Mount Vesuvius. Following an earthquake in 62 AD, the soothsayers began to predict the future accurately, but they were never able to predict Volcano Day because the Pyroviles were using Vesuvius’ power for their plan to convert Earth into their new home planet. When the Doctor and Donna managed to expose their plans, the Doctor explains that he can invert the system and blow up the Pyroviles, but in doing so, he would be the one to cause Volcano Day.
The Doctor and Donna push the lever together and they manage to get back to Pompeii. As they head back into the TARDIS, Donna insists to the Doctor that he at least save someone, and he briefly goes back to rescue Caecilius and his family.
Karen Gillan, who played a soothsayer in the episode, would be cast as companion Amy Pond for Series 5 onwards, while Peter Capaldi, who played Caecilius, played John Frobisher in the third series of Torchwood before being cast as the Twelfth Doctor in 2013. In the behind-the-scenes episode, RTD suggested that Frobisher may have been a descendant of Caecilius and that his conclusion was time reasserting itself after the Doctor saved Caecilius in the past. This was confirmed by Moffat in 2015, but the rest will have to wait until we get to Series 9.
3. Double returning villains
Series 4 saw the return of not one, but two villains from the classic series. The Sontaran Stratagem and The Poison Sky saw the reintroduction of the Sontarans in a story that has them utilise humanity’s reliance on cars, GPSes and petrol to turn Earth into a cloning planet. Aside from Martha’s return in this story, we saw the Doctor’s attitude to soldiers and weapons, as evidenced by his aversion to weapons and people saluting him.
Davros, the creator of the Daleks, also makes a return in the series finale, with him reuniting with Sarah Jane Smith many years after their first meeting in his debut episode, Genesis of the Daleks. Although the Sontarans and Davros appeared considerably less than the Daleks, Cybermen or the Master, the production team’s confidence in bringing back gradually obscured villains from the classic series was proven by the success of the series so far. A scene featuring a young Davros in the past was scripted for the finale, but like the aforementioned Shadow Proclamation scene, was scrapped for time and budget.
4. The end of the river
After two single-parter episodes in the last two series, Steven Moffat’s contribution to Series 4 was Silence in the Library and Forest of the Dead, his last two-parter in the RTD era to round off his first two-parter in Series 1. The story featured the debut of River Song, a character at the end of her timeline who would become more relevant in future episodes as the Doctor’s timeline continues and her past is gradually explored. I think Moffat wrote the story knowing that he was going to be taking over from RTD and so he wanted to get a head start on his storylines.
The story also features the Vashta Nerada, carnivore piranhas of the air that live in shadows (thereby creating another innocuous thing for people to be scared of) and an underlying storyline involving the mind of Charlotte Abigail Lux, or the command node CAL. A century prior, CAL tried to save the 4022 people that were in the Library when the Vashta Nerada began to emerge, but since she was unable to teleport them away, she had to save their minds to the data core, leading to Donna being “saved” as well when the Doctor attempted to teleport her back to the TARDIS. In the end, River sacrificed herself to teleport Donna and all 4022 people out of the data core, but the Doctor managed to upload her data ghost into it, where she lived with the data ghosts of the rest of her crew and the avatars of CAL and Donna’s children.
5. Thematic story arcs
The story arc of this series was teased more subtly compared to previous seasons as multiple elements from the finale were scattered across the episodes of the series. Those elements included the bees disappearing, the Medusa Cascade, lost worlds, the return of Rose Tyler and the DoctorDonna. Other elements from other series were also resolved in this series, such as Harriet Jones, the mystery of the Doctor’s hand (which the Doctor retook possession of at the end of the last series) and Dalek Caan of the Cult of Skaro.
After Evolution of the Daleks, Dalek Caan’s Emergency Temporal Shift somehow took back into the Time War, which was meant to be time-locked. He travelled to the Gates of Elysium, where he managed to save Davros from the jaws of the Nightmare Child. Although his mind was damaged in the process, he gained the ability to clearly see through time, allowing him to manipulate events as he saw fit.
Davros was brought to the present day, where he used the cells from his body to create the New Dalek Empire before creating a reality bomb to destroy every reality. To power it, they stole 27 planets, some from different times, and relocated them to the Medusa Cascade one second out of sync from the rest of time. This caused some bees from Melissa Majoria to leave Earth as they sensed a disturbance.
Without the Doctor to stop it, the reality bomb’s effects began affecting other universes as stars began disappearing. Rose Tyler journeyed out from Pete’s World in search of the Doctor and ended up in Donna’s World, a world created around her when a Time Beetle was attached to Donna. It was revealed that reality had been bending around her since she was born, causing her to meet the Doctor again and be dragged into two parallel worlds, the other instance being in the data core of the Library.
In the Doctor’s universe, however, the Doctor’s absence led Harriet Jones, the former Prime Minister of Britain who was deposed thanks to the Doctor’s words near the end of The Christmas Invasion, to activate the Subwave Network in an effort to find anyone who could help contact the Doctor. Harriet found the Doctor’s former companions and used the network to call the Doctor, but the Daleks tracked her down and confronted her, but not before she gave control of the network to Torchwood.
Harriet was apparently exterminated by the Daleks, but in the anthology Now We Are Six Hundred written by James Goss and illustrated by RTD, there is a poem that details how Harriet managed to escape the Daleks by falling through a trapdoor and riding away on her motorbike. Phil Collinson was apparently not happy with RTD killing off Harriet Jones and “nagged” him about it ever since, so RTD took the first opportunity he could to send the poem to him. Collinson asked RTD if it counted and he said that he did. During the lockdown tweetalong for the Series 4 finale on 19 April 2020, RTD elaborated on Harriet’s escape, even going so far to suggest that it was a part of the Trickster’s long game, “but that’s a story for another time”.
6. My Choice, My Life, My Death
Fun fact - the title to this was the former title for my version of Turn Left in my personal project, which was a result of me ripping off bits of the RTD series while writing the first few series of Doctor Who.
Turn Left was the Doctor-lite episode of the series, double-banked alongside Midnight as the companion-lite episode of the series. As a result of the Time Beetle mentioned in the previous topic, a parallel world was created where Donna never met the Doctor, which led him to die in what would have been the events of The Runaway Bride. The timeline would continue to go on with the following differences; Sarah Jane and her group would take over the events of Smith and Jones before dying alongside Martha; the Titanic replica crashed into Buckingham Palace, destroying London and flooding all of southern England with radiation; the Adipose seeding happened in America instead of London; and the Sontarans activated ATMOS to convert Earth into a clone planet, but Captain Jack and the Torchwood team gave their lives to stop them.
Rose Tyler found Donna while in search for the Doctor. She kept Donna alive by diverting her away from London before the Titanic replica crashed into Buckingham Palace because she realised that she needed the Doctor and Donna together to stop the oncoming darkness. With the help of UNIT, Rose sent Donna back in time to where the split in the timeline happened and Donna ended up sacrificing her life to ensure that her past self wouldn’t make the decision that would inadvertently create the alternate timeline. Rose did manage to leave a message for the Doctor - “Bad Wolf” - to catch his attention.
7. The mystery of the Doctor’s hand and the DoctorDonna
After the Doctor regained possession of his spare hand at the end of Series 3, it has ended up playing a significant role in two Series 4 stories.
In The Doctor’s Daughter, the Doctor’s hand appeared to react as the TARDIS was brought to Messaline, which happened due to the creation of Jenny from the Doctor’s genes. Later on in The Stolen Earth, the Doctor was shot by a Dalek upon reuniting with Rose and proceeded to regenerate, sparking speculation as to whether David Tennant had resigned despite it being reported that he would be in the 2008 Christmas Special. In the next episode, Journey’s End, the Doctor ended up directing most of his regeneration energy into his spare hand, leading to speculation over the years as to whether a regeneration was actually used, though that was dispelled in 2013 when Steven Moffat confirmed as such in The Time of the Doctor. I wasn’t a fan of the regeneration twist initially, though I understand how it was needed for the rest of this storyline to work out.
The Daleks brought the TARDIS up to the Crucible and ordered everyone out. Donna became distracted by a heartbeat in her head and found herself unable to leave when the TARDIS locked her in. The Daleks dumped the TARDIS into the core of the Crucible, where it was to be destroyed, but as Donna fell to the floor, she reached for the Doctor’s hand, which formed into a copy of the Doctor while the ensuing biological meta-crisis gave Donna the Doctor’s mind, though it laid dormant until Davros shocked her. This allowed Donna to deactivate the reality bomb and send the stolen planets back to their original places in space and time. As such, Donna became the DoctorDonna, with the Meta-Crisis Tenth Doctor’s creation being the cause of the timelines converging around her, allowing her to meet the Doctor again despite missing events in previous stories through coincidences.
Sadly, the Meta-Crisis Tenth Doctor and the DoctorDonna weren’t able to stay in the Doctor’s universe for long. After destroying the Daleks in one fell swoop, the Doctor left his meta-crisis self with Rose in Pete’s World, because he was like himself when he first met Rose and he needed her to change him. As for Donna, she began to find herself being overwhelmed by her newfound knowledge, which would have killed her if not for the Doctor wiping her memories of their adventures together, thereby “killing” her mercifully. When the Doctor told Sylvia and Wilf of this, he noted to them that there are worlds out there singing praises of Donna, for she was the most important woman in the whole universe, though she can never know it.
8. The Time Lord Victorious
As stated at the start, there would be a series of specials broadcast throughout 2009 in lieu of a fifth series, which would come later in 2010 with a new production team. The Next Doctor saw the return of the Cybermen and a special guest companion, Jackson Lake, who began to see himself as a new incarnation of the Doctor due to an incident with the Cybermen. Planet of the Dead was an Easter adventure with scenes filmed in Dubai and the beginning of a mini-arc that would see the end of the Tenth Doctor’s life - “He will knock four times.”
The Waters of Mars shows the Doctor at his most reckless as he tried to avert a fixed point in time by saving Adelaide Brooke and two of her crew from Bowie Base One when an aqueous viral infection known as the Flood infested the rest of the crew. Originally, Adelaide was supposed to die with her crew and the cause of Bowie Base One’s destruction remained unknown. After the Doctor returned to Earth, Adelaide allowed the surviving members of her crew to leave and share their story. As the Doctor proclaimed to Adelaide that he was the Time Lord Victorious, Adelaide became horrified and angry at the potential of the Doctor’s power, so she took her own life in an effort to preserve the timeline, which led the Doctor to realise the seriousness of his actions, though he seemingly remained defiant.
I suppose I would have liked to see this attitude continue into the final specials, but it would be revisited a decade later with the multi-platform Time Lord Victorious series, covering books, comics, audios, games and webcasts. The series explored the Tenth Doctor going into the Dark Times, where he encountered a species known as the Kotturuh, who assigned lifespans to species based on their significance to the universe. By stopping the Kotturuh, the Tenth Doctor rewrote history and altered timelines, eventually resulting in the Eighth and Ninth Doctors allying with the Daleks and a group of vampires to make their future incarnation see the error of his ways.
Ironically, in the 2015 Titan Comics miniseries Four Doctors, the Tenth Doctor defied his fate and became the Time Lord Victorious again, conquering the universe before he was assassinated by a Raxacoricofallapatorian.
9. The evil of the Time Lords
Originally, three specials were commissioned for 2009, but in April 2008, Jane Tranter pushed for David Tennant’s final story to be a two-parter, and as such, RTD had to work hard in order to make The End of Time the big story that it was. The 2008 global financial crisis led to budget cuts across the BBC and with countries like Canada and Japan no longer deciding to buy rights to the series, RTD feared that the two-parter would be cut to 45 minutes each or that The Waters of Mars would be dropped, but luckily, Julie Gardner managed to raise the money to make all four specials possible. Both parts of The End of Time made up the 2009 Christmas Special and the 2010 New Year’s Special, the latter being the first of its kind before the Chibnall era decided to move the Christmas Specials to New Year’s Day.
Part One saw the Master being resurrected thanks to his contingency plan, but an accident left him with an energy deficit. Meanwhile, Wilf was contacted by a mysterious woman who told him to take up arms. Wilf manages to find the Doctor to see if he can bring Donna’s memory of him back, but he refuses to go to her. On Christmas morning, the Doctor finds Wilf again in an effort to find the Master, which he does thanks to a subconscious suggestion from Donna. Wilf goes with the Doctor to the Naismith mansion and confronts the Master, who uses the Immortality Gate to transform every human (except for Wilf and Donna) into himself, creating the Master Race.
Part Two sees two Vinvocci rescuing the Doctor and Wilf while the Master uses the Master Race to trace the origin of the drumbeat inside his head. The drumbeat was revealed to the the work of the Time Lords, who put the signal in the Master’s head when he was eight years old and was taken for initiation to the Time Lord Academy on Gallifrey. This was an effort by Rassilon and the High Council to win the Time War by breaking Gallifrey out of the time lock and ripping the Time Vortex apart, which was what made the Doctor destroy Gallifrey to stop them (apparently). Only two Time Lords opposed this plan, with one of them being the woman that contacted Wilf. The Doctor fell back into the Naismith mansion and confronted the Master and Rassilon, struggling to choose who to kill until a glance from the woman leads him to break the link, sending the Time Lords back into the Time War, with the Master going as well in an attempt to exact revenge for turning him into what he was.
In all honesty, it feels kind of surreal to see Rassilon becoming a villain in this story, given how he was revered by the Time Lords and also the fact that the Time Lords were written in a better light during the classic series (but what would I know, the only Gallifrey-related classic series episode I really watched was The Five Doctors). Then again, I don’t think the Doctor ever saw eye-to-eye with the Time Lords in the classic series, so it kind of makes sense how he wouldn’t see eye-to-eye with them in the revived series.
10. The grandest farewell
Once Rassilon and the Time Lords were sent back into the time lock with the Master, the Doctor was initially relieved to still be alive until Wilf knocked four times. After ranting about how he could do so much more, the Doctor couldn’t bear leaving Wilf to die and allowed himself to absorb the Immortality Gate’s regeneration to get him out of the control chamber. He then dropped Wilf off at home and went off on his final reward, visiting all his previous companions and other people he met (even those from spinoff media and the classic era, as would be revealed in SJA Series 4), seeing Donna at her wedding, and visiting Rose on New Year’s Day 2005 before struggling back to his TARDIS, setting it into flight and regenerating into the Eleventh Doctor, setting the console room on fire in the process.
Aside from the returning cameos in The End of Time, there was some bonus farewell content from the production team to celebrate the end of the RTD era. At the wrap party, two videos were produced by Jennie Fava for the cast and crew; a video of everyone singing to The Proclaimers’ I’m Gonna Be (500 Miles) and The Ballad of Russell and Julie, featuring David Tennant, Catherine Tate and John Barrowman.
Although The End of Time was David Tennant’s final episode, he would also be involved in the filming of the 2009 BBC One Christmas idents and the SJA episode The Wedding of Sarah Jane Smith, which would premiere that October.
Unlike Christopher Eccleston, David Tennant readily embraced his role even after his time on Doctor Who, appearing at the Birmingham Lords of Time Fan Convention in September 2012, reprising his role in the 50th Anniversary special The Day of the Doctor in 2013 and making his Big Finish debut with the first volume of The Tenth Doctor Adventures, released in May 2016. And then of course, he returned again at the end of The Power of the Doctor in preparation for the 60th Anniversary Specials in November 2023.
In the end, there were too many things to say about Series 4 to summarise in 10 topics, so I’m putting in some honourable mentions below:
Was Mr Copper ungrateful?
One of the most notorious things about Series 4, or rather Voyage of the Damned, is the Doctor Who Magazine interview with Clive Swift, who played Mr Copper in the special and also Jobel in Revelation of the Daleks (he was also due to star in a Big Finish audio in 2003, but he withdrew due to a family illness). When Benjamin Cook interviewed Swift (on set in his trailer towards the end of the shooting), he didn’t seem to take the interview seriously, complaining about why Cook taped the interview instead of using shorthand and commenting about how he wasn’t getting paid for the interview. In 2017, Cook commented that RTD and Julie Gardner had to approve the interview before it was published, suspecting it was “testament to what a sod he’d been on set all month”.
Apparently, it was rumoured that RTD was going to have Clive Swift reprise his role in The Stolen Earth, but he changed his mind after the DWM interview. This was never confirmed, however his character was mentioned, as it is implied that Mr Copper established the foundation that developed the Subwave Network.
When Swift died in 2019, RTD apparently claimed that he should have not allowed the interview to be published as he felt that he had a duty of care to Swift, just as with any other actor. Although the only source for this is someone else’s Twitter without any primary source to back it up, it’s very likely that RTD actually said this because Benjamin Cook has replied to people replying to that tweet.
Something that can be verified, however, is a letter that RTD emailed to Doctor Who Magazine shortly after Swift’s death. This didn’t seem to have gotten much attention, but someone managed to take a snapshot of it and posted it online, which I’ll also attach below.
Tumblr media
What do you think of RTD’s response? Do you think it made Swift seem less ungrateful about his experience on Doctor Who? Feel free to let me know what you think.
Keeping it (the timey-wimey) in the family
I’m gonna get flamed for the title to this, I just know it. But nonetheless, I’m still stating the obvious.
Peter Davison reprised his role as the Fifth Doctor for the 2007 Children in Need sketch, Time Crash. About a week before it aired, Davison’s daughter, Georgia Moffett, was cast as Jenny in The Doctor’s Daughter, meaning that a daughter of a Doctor was playing the daughter of the Doctor. After Tennant and Moffett married, Peter Davison became the former’s father-in-law.
Although Jenny was shown to have been killed near the end of The Doctor’s Daughter, the ending of the episode showed her being revived, unbeknownst to the Doctor, before stealing a shuttlecraft and leaving to go on adventures. Georgia Moffett was interested in returning to the series and although she hasn’t reprised her role onscreen, her character has returned in extended media, with Moffett returning for a Big Finish audio series featuring Jenny in 2018.
On a side note, former TVB actress Corinna Chamberlain (a Westerner) is literally Georgia Moffett and you cannot convince me otherwise.
That Time Lady
The identity of the Time Lady who contacted Wilf has never been openly explained on-screen, although the popular explanation seems to be that it was the Doctor’s mother since it was what RTD told her actress, Claire Bloom, and the production team. However, RTD acknowledged that it could have been any other Time Lady, such as Romana, Susan Foreman’s mother (aka the Doctor’s daughter) or even the Rani. And before anyone says it, it can’t be Tecteun because she would be with Division.
Another similar woman appeared in Series 9’s Hell Bent when the Twelfth Doctor returned to the drylands of Gallifrey. Steven Moffat said that he would rather leave it to the fans to decide who that woman was, whether she would be the Doctor’s mother, or even if she was the same woman from The End of Time.
“How many have died in your name?”
In Journey’s End, Davros reveals the Doctor’s soul, telling him that while he may abhor violence and never carry a weapon, his self-sacrificing nature convinced the people he meets to do the same, thereby making them into weapons, which makes him recall Harriet Jones and all the people who gave their lives in his name, including River Song and Jenny (again, he didn’t know that Jenny was revived). I’m sure there are many more examples of this from both before and after the RTD era, but that would be way out of scope for both the original episode and this retrospective series. I suppose I like to think that the people who are still alive are proud of having met the Doctor and would do anything they could to help him if he needed it. I mean, that’s what Harriet Jones did, didn’t she?
In my opinion, Series 4 and the 2009 Specials were the peak of the revived series, or rather the first of few. I didn’t get into Doctor Who for a few more years when this series came out (though I did watch one or two stories here and there), but even in Australia, the appeal of the show was as profound as it was in the UK. In primary school, I knew three kids in my year level who were fans of the show; one of them invited me to his house (or maybe his mum invited my mum and brought me along as well, idk) and we watched a story from Series 1 together; and the other two I played with in a Doctor Who-esque LARP with some Dynasty Warriors added in to boot; that LARP was one of the origins of my personal project which I would put to pen and paper (or rather, document and keyboard) in a few years’ time.
When I finally got into Doctor Who around 2011 or 2012, I took my time to watch the RTD era episodes as well; looking back, I only wish someone drilled it into me to start watching Doctor Who, whether by buying the DVDs or watching the episodes as they premiered on ABC, but knowing my mum back then, she would always have something recording on weekend nights, on the one DVR that could receive digital television, so I’d have to settle with watching on analog because the idea never came to me to buy the DVDs or find some way to watch it online (my 10GB internet data plan didn’t help things either).
This ends the Tennant and RTD eras of Doctor Who. Stay tuned for Part 5 as we enter the Smith and Moffat eras with my 10 takes on Series 5.
2 notes · View notes
junetwentyninth · 2 years
Text
it's a shame that carson is in the slimecicle livelink stream because that stream truly shaped my personality, but now i feel icky watching it because He's there NFDSJNFDSKJ
4 notes · View notes
bobbythekuma · 2 years
Text
Just found out that I have ten pornbots following both of my blogs (art and personal). Including one asking me to visit either The Night Exchange, QuestChat, Secret Encounters or LiveLinks.
@staff do something about these unwanted curb crawlers!
Tumblr media
C'mon, @staff and @support Are you guys gonna do something about that hottie bottie problem or are you just gonna let them roam around Tumblr? It's like Twitter is having major serious problems with curb crawling sexbots.
2 notes · View notes
vyorei · 11 months
Text
Back to update in an hour (@18:30pm) due to aforementioned health issues causing trouble, very sorry, here's the live link to keep on track, back soon:
2 notes · View notes
joeabdelsater3 · 1 month
Text
Defining the forefront 9
youtube
Realistic and engaging cinematics are a constant challenge in game production as it affects the experience of gameplay by a lot. One area that has drawn interest in me is the production of handheld shaky camera effects, a method that is frequently used in video games both in gameplay and cinematic cutscenes. It's important to use these effects carefully since, although they can provide a realistic touch, they can also cause a hindrance to the gaming experience of players. On the one hand, they can give film a more genuine feel, as though it was taken by an actual person within the game's universe. However, too much camera movement might make some gamers uncomfortable and result in problems like motion sickness. In the blog post I will explore innovative techniques for procedural camera movements in Unreal Engine 5, as proposed by YouTuber and artist Jam2go, highlighting his creative approaches that help achieve cinematic realism in games.
He first went through different basic methods to experiment using Unreal's built-in shake modifiers, which mimic camera tremors depending on various character actions such as walking, running. Oscillators that simulate the up-and-down motion of a camera in a moving person's hands are what simulate these shaking. Though encouraging at first, the results showed that more work was necessary. While these built-in tools worked well enough for breathing or running, they were notvery accurate at simulating the irregularity and randomness of real footsteps. This led him to an important realisation: if you want something to feel real, sometimes you need to start with real-world data. The first time where improvement could be seen is when he tried sampling actual shaky camera data by using an IPhone and Livelink in UE5. He acted out different scenarios of walking, running, jumping, etc... . After cleaning up this data to make it loop smoothly, it was plugged into the game, replacing the earlier noise-based modifier shakes that he had set up. The camera movements felt more natural and less like a predictable pattern. On a different note, there was no actual way of looping the data indefinitely or creating transitions between these noise samples, so it was practically impossible to use them in-game, but only in cinematics.
The real breakthrough came when the developer decided to try out Unreal Engine’s new motion matching system. Taking the first experiment as inspiration, he used motion capture data to control the camera movements by mounting a camera atop a fully rigged humanoid armature instead. This method produced a shaky camera effect that was far more responsive and accurate, especially during gameplay. Now that the camera moves in perfect sync with the character's footsteps, a new level of realism is added. This technique not only made the camera shakes more accurate but also opened up new opportunities for gameplay experiences, as well as improving the realism of the camera motions. For example, the option to switch between first and third-person views, each with different camera behavior, led to a more engaging and immersive experience that I found very novel and original. It almost felt like a documentary filmmaker was following the player around, or the player himself is filming his adventure.
This experiment shows how much potential there is in combining procedural techniques with real-world data. I often stick to the traditional techniques of animation when I am working on my own project. This inspires me to get more creative in my methods of work, and I'd like to try out similar techniques in the future. Sure, there were some bumps along the way, but I think that the results were worth it. As tools like motion matching continue to get developed and improved, the ways we can create player experiences in games are only going to get better.
Source:
Jam2Go. (2024). Recreating the Shaky Cam look in Unreal. YouTube. [online video] Available at: https://youtu.be/KwEEwS9ZVmY
0 notes
theguestofhonor · 3 months
Text
Recently I was rewatching nexpo's petscop video* and yeah, yeah, I know; those channels + that genre of video are far from the best way to engage with this kind of fiction, trust me I know that very well, it was just like 2am and I needed noise while drawing. But that's aside the point, what I wanted to talk about is this specific phenomenon I've been seeing crop up in the comment sections of both the petscop video and others like it, and that's this extremely dismissive attitude towards web horror as a genre oo "unfiction" as some call it.
Scroll down through comments on the petscop video for a short while and you're hit with people saying that this video is too long, not for any practical reasons, but because it's too much time spent on something "not real" and therefore unimportant; and that this time would've been better spent on a video accounting real life horrors. I have no idea if it still looks like this because, frankly, I don't have the energy to check right now, but I remember the last Daisy Brown video was flooded with comments of people saying that this was all "fake." That the people who were emotional about Daisy, an abused character the audience became very attached to and wanted to see happy, were somehow stupid or being "tricked" by a hoax and not simply engaging with a work of art. I've seen dozens of instances similar to this on so so many videos related to the web horror or arg subgenres.
The insistence on referring to these stories as fake within the context of "its all fake, why do you care?" is one thing. Like, it's so utterly baffling to me, it frames these stories as if they're something made to fool you, as if they're somehow barred from the realm of art that leaves an impression on the viewer all because of... their genre? Medium? Maybe it's just me, but I thought the days of some guy's spooky copypasta chanmail being passed off as real was way behind us, so I genuinely don't know what to make of all that.
But what really gets under my skin in a bad way is the dismissive of these stories followed by the statement that creators should focus on covering "real horror", i.e true crime; or the countless times I've seen a video covering some arg with a slightly more grounded premise and there will be comments made by people who were disappointed that none of the murder stories or whatever were actually real. There's this sentiment in some circles on the horror side of youtube that fictional horror is somehow lesser than true crime, which is just . Repulsive on so many levels to me. I can understand wanting to uplift victims and be aware of what goes on in the world, don't get me wrong, I'm not saying we should stick our heads in the sand here, but we all know what's not what the true crime side of youtube does.
Its the way such an incredibly old genre with dozens of its own subgenres is treated like its worth nothing, but it's also the way real human suffering has become synonymous with kicking back to enjoy a spooky movie. It's the way video essayists sing the praises of their watered down definition of "psychological" horror for being about real atrocities as apposed to those Cheap Jumpscare Slogs with their Creepy Monsters (because I guess monsters can only ever be, like, poppy playtime marketable plushie and not fantastic tools for symbolism). It's the way I've started to see livelink treated as a edgy aesthetic or even some actual web horror projects use some very real and very fucked up shit to prop up their fiction i.e the boiled one phenomenon using a real war criminal and his victim in its narrative. at least petscop's creator realized alluding to candance newmaker to prop up the story was fucked up very early on and cut future references to her as the story progressed.
I wanted to have a more eloquent point to end this on but I'm in a very bad place mentally rn and honestly. Can't. which is why this is probably so rambley and a little all over the place, but I dunno. I'm sick of horror as a genre being belittled and I'm so very sick of true crime brainrot leading to people treating real tragedy as entertainment. "why are you talking about petscop when you could be talking about r--" die by my blade
*it's actually been months since I watched that I just let this fester in my drafts and only just now finished it bc a seasonal depression spiral makes for FANTASTIC rant fuel apparently !
1 note · View note
jcmarchi · 3 months
Text
Vizrt TriCaster Mini X is Professional Video Production for All with S - Videoguys
New Post has been published on https://thedigitalinsider.com/vizrt-tricaster-mini-x-is-professional-video-production-for-all-with-s-videoguys/
Vizrt TriCaster Mini X is Professional Video Production for All with S - Videoguys
Tumblr media Tumblr media
Freedom in Live Production TriCaster® Mini X gives producers at any level the freedom to create and share video wherever and whenever they want using anything from a smartphone to a 4K camera – truly demonstrating the power of software-defined visual storytelling.
Accessibility, Unlocked Bringing the possibilities of professional live video production to anyone with a story to tell – without vast investments in infrastructure.
Flexibility, Attained Off-the-shelf HDMI devices connect directly to the Mini X in minutes creating professional-level productions without having to purchase any new equipment.
Scalability, Achieved As part of the NewTek ecosystem of products, users can take advantage of the many ways to scale up their productions to suit any need.
Vizrt Summer TriCaster Mini with PTZ Cameras Bundles!
Add 1 or 2 Vizrt PTZ Cameras at a discounted price to your Vizrt TriCaster Mini X to maximize your live production!
Step 1: Buy a TriCaster Mini X or TriCaster Mini X with Control Surface Bundle
Making professional video production possible for all – the Mini X gives producers at any level the freedom to create and share video wherever and whenever they want using anything from a smartphone to a 4K camera – truly demonstrating the power of software defined visual storytelling.
The ideal traveling partner for TriCaster Mini X, the TriCaster Mini CS provides studio-style control and a small footprint to deliver professional results…from the office, an event, or anywhere.
Step 2: Add 1 or 2 Vizrt PTZ Cameras at a discounted price
Vizrt TriCaster Mini X Features:
Tumblr media
LiveLink – bringing the power of the internet directly into TriCaster
HD switching, streaming, and recoridng
8 external video inputs and 4 mix outputs
Connect to compatible IP devices via NDI
Streaming to Facebook Live, Twitch, and more
Real-time social media publishing
Multi-channel recording and internal storage
Video playback without any additional hardware
Built-in live titling and motion graphics
Multi-channel audio mixing
Tell Your Story Better Than Ever Storytellers should be able to concentrate on telling the story and the TriCaster Mini X offers all the tools for producers to do that, right at their desks. Video switching, media playback, virtual sets, ability to add graphics, record, stream, and much more
All You Need And More – In One Place The TriCaster Mini X continues the all-in-one desktop form factor of the TriCaster Mini with increased power and capabilities, including access to 8 external sources with 4 integrated HDMI inputs and supporting modern resolutions up to 4Kp30
Tumblr media
0 notes
tarmo888 · 11 months
Text
0 notes