#location redirection
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#geo targetly#global brands#geo targeting#increase conversions#websute conversions#geo targeting platform#geo redirection#location redirection#location relevant content
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#currently on the worst road trip of my whole entire life! well. i don't want to jinx it lmao but#today i popped TWO TIRES at once in the middle of the Katy Freeway in Houston TX (the widest highway in the US; 26 lanes btw)#managed to make it over to the shoulder without DYING but then had to sit there for like an hour? and panic called a tow truck because duh#I know how to change a tire but I was â again â sitting on the shoulder of the widest freeway on the continent so#anyway I called a tow; a guy showed up. I assumed it was the tow! turned out it was not. but he helped me put on the spare and then was lik#âfollow me to my shop I can do the tires for youâ and I was like okay! đ but then the ACTUAL tow called me and I realized this was#just a random guy (very nice up to that point but then I got scared about following him to a secondary location?) and so I didn't lmao#I just kept driving and didn't follow him but the guy on the phone was then mad at me because I wasn't where I said I would be because#AGAIN â I thought the original guy WAS the tow company that I called? but anyway guy 2 on the phone was like âYOU OWE ME $200!!!!â#and I said for what? also how would I pay you? and he tried to get me to cash app him lmao?? I didn't. I hung up on him#he called me like 6 more times yelling at me until I finally just blocked his number đ#however NOW at this point I'm driving on one spare tire and one rapidly-flattening second tire and I still have 3 hours left to get where#I was going for the night and to top it all off I'm in the middle of a city I've only been to one time before? so I manage to get to a hote#like a nice-ish one where I'm like âokay if I get stuck here this won't be the end of the worldâ#because keep in mind today is a national holiday so basically everything is closed!!!! btw!!!!!#but eventually I'm sitting there and it's literally 100F outside and I remember oh right lol I have car insurance which pays for a tow#(a normal one; not a random one I panic-found on google who calls me screaming at me to cash app him $200)#so anyway I call my insurance and the guy on the phone is very nice and is like âit's okay; we'll have someone to you in 45 minâ#and I'm like okay. OKAY. đđŞ I am a strong independent woman who is figuring this out and no longer on the side of the highway#but instead in a nice calm neighborhood and all I have to do is wait 45 min and everything will be okay#one hour goes by. I call back. get redirected to the tow company that was dispatched. guy says oh! is my guy not there yet?#I say no. he says okay â I'll have him call you. hangs up.#okay. 20 more min go by. guy finally calls me. says âI'm 20-25 min awayâ at this point I've been waiting about an hour and a half#I say. okay? okay. 30 more minutes go by. I try to call the guy back. straight to voicemail. three more calls. three more no answers.#I call my insurance back. sit on hold for 15 min. eventually get put through to a different person who's like âokay let me check on himâ#get put on hold. eventually she comes back and says âokay he says 15 minutesâ I've been waiting over 2 hours at this point. I have to PEE#I just... burst into tears. on the phone with this poor random woman from Geico Insurance. I'm bawling my eyes out.#she was trying to get claim info from me but I'm crying so hard she's like âoh baby no. okay. okay. we can get that from you tomorrow.â#when you cry so hard that even the insurance company is like âyou know what we're just going to let this one slideâ#anyway guy eventually shows up. he's very nice even though I hate him a little for being so late. he drives me to an OPEN TIRE SHOP
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Maybe you should be a McMasters! We're hungry!!
#Not dignifying this with a proper reply#From this day forth any mention of McMasters will be redirected to the manager at the nearest location#I deserve more respect than some smelly fast food establishment my boss is struggling to make popular
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Does anybody else use Spotify with a VPN, and if so, has anyone had any issues?
#l33chsp34k#I'm either getting a 'You can only listen abroad for 14 days' popup regardless of what my location is set as on my profile#and I tried it both with and without the VPN.#OR I get redirected to a Captcha that gives an error message when completed.#I also use modded Premium so it might be that too.
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people keep leaving weird gooning reviews
#this is in reference to the tiktok i made abt my mom's restaurant#i linked the previous storefront because the location pin hadn't updated yet#so it's all getting redirected over there#but i don't like that people feel compelled to leave these gross ass comments at all#i hateeee this#and i probably shouldn't say anything#just wait for it to die out#streisand effect and all that#but my main tactic rn is to just avoid checking the page and just post videos and leave#oughhhhhhh
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REBLOGS ARE OFF CAUSE THIS GUIDE IS TERRIBLE AND YOU DESERVE BETTER
I will instead redirect you to THIS more comprehensive guide, and cobalt.tools. Cobalt solves the problem of low quality video when you're done with VLC, and it can also take videos from a dozen other social media platforms.
Support the cobalt dev and the better guide writer, not me. I'm just a person who boiled down a wikihow guide and a youtube tutorial into a TLDR. I did not do very much work. They have.
I might turn reblogs back on, but for now I implore you to put your attention where it's needed most. Thanks for understanding. (original post under the cut)
-----------------------------------------------------------------------------
alright i am sick of yt to mp4 sites being shady and full of viruses and finding websites that seem to be working and then don't work
so HERE'S HOW YOU DOWNLOAD YOUTUBE VIDEOS WITH VLC!! VLC FREAKIN RULES!!
get your youtube link
open vlc, go to media > open network stream
paste your url in the box and PRESS PLAY!
wait for the video to open then go to tools > codec information
copy the entire file location (click the box, then ctrl-a to select all, then ctrl-c to copy)
paste into your browser of choice (i use firefox)
right click video and press "save video as", choose your file format if you want
DONE! NO VIRUSES OR SKETCHY STUFF!
the quality might be a little crummy but if you don't mind that, then shabam! video on your computer! then you can email it to yourself and have it on your phone too if you want! if you need a guide with pictures wikihow has you covered my friends
happy downloading and stay safe on the internet :D
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a long post about how to manifest except I say the same thing over and over in different words
affirm and persist
assume and continue assuming
keep telling yourself you have it and it will conform
the 3d reflects your thoughts
"pick a version of yourself and lie about it until its true, block everything else that says you don't have it" -IGETEVERYTHINGIWANT on twitter
decide and keep deciding
just keep affirming
speak your desires into existance
"tell yourself that you have it and the law will automatically do its job"-nswaa127 on twitter
"a state is a location, to get to that location you affirm" -sammyingram
your subconscious is always accepting what you tell it so just keep telling it what you want until it conforms
just fucking affirm
just decide
just assume
just tell yourself you have it
(can you tell I'm going insane)
your thoughts create your reality so just think of what you want
live in the end and persist
persist
do you fucking understand yet?
keep persisting
persist no matter what
"if you're manifesting your dr and your cr is falling apart I HAVE SOME NEWS FOR YOU" -some girl who manifested a penthouse on twitter
just fucking affirm
robotic affirmations are goated
affirm and persist (did I fucking say that already)
just keep affirming
affirmations are just thoughts so just think
affirm
affirm
affirm
????? lalalalalala (pellowinks crashing out here)
you already have your desire right when you say you do
please affirm
affirmations are statements.
state you have what you want keep going until the 3d confirms
"saturate your mind until the 3d throws up your desire!" -unknown on twitter
"just affirm" -dollphied on twitter
"Your subconscious accepts what it hears, sees, and feels the most â not whatâs true. Familiar = safe. Safe = real. Saturation makes your new assumption familiar enough to be seen as truth." -juni on twitter
your desires are yours already
^^vibe to this while recognizing you have what you want
you're the creator of your reality
(from an islamic standpoint)
allah loves to hear the voices of those who persist in dua again and again
allah is with the paitent
never say "inshallah" when making dua only say amen because its yours already!
allah never rejects your dua, he either gives it to you (if you persist) or gives you good deeds on the day of judgement
all affirmations work
yes you can manifest anything you want
yes you have it just keep saying you do
affirm and stop questioning
the law is just affirming until you have it
^^ your doubts when you persist in the new story
^^ off topic but this song is goated
K BYE
(I will redirect you to this post if you ask me something stupid)
#pellowinksx#loassumption#loa blog#loa success#law of assumption#loa tumblr#loablr#loassblog#void state#subliminals#neville goddard#law of manifestation#how to manifest#manifestation#manifesation#manifesting#Spotify
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Endless Abyss(kinda)! SY AU
First things first, this is very much inspired by this post by @/rainbowsmagicandshit and @/allpiesforourown, HIGHLY recommend reading that fist just to get a glimpse of where I started off, but do note I have accidentally deviated from the original idea a bit, so uh, oops ig.
This was born out of a mix of different ideas (as usual), so think of this as âThe AU where SY is a demon, and also the Endless Abyss, and also my excuse to have Binghe possibly make a harem consisting entirely of SYâsâ, or, as I like to call it:
As per usual, Shen Yuan has died. It happens to the best of us, and of course, he died while reading the glittering piece of trash that is Proud Immortal Demon Way.But, as he is in the process of getting snatched away by the System, something goes wrong, and the System has to quickly redirect itself and it causes SY to get knocked out of course.
His soul scrambles to find a new host, and it manages to find someone suitable enough. When SY wakes up though, he isnât greeted by the sight of a roof, or a forest, or anything remotely familiar; instead, the moment he regains consciousness, heâs senses are flooded with as much information as possible. Itâs like a computer with too many tabs open, but in this case, you can see all the tabs at the same time and all of them are playing the most obnoxiously loud videos possible, in fact, everything feels so overwhelming even thinking becomes too much.
What SY doesnât know is that he has transmigrated into the body of a Titan, an almost extinct godly demon race that only existed in the confines of Airplaneâs first drafts, and it turns out shoving a human soul into the body of a deity doesnât bode so well, since what the human mind is able to process doesnât even come close to what a Titan is able to feel. So because SY canât get a hold of his own mind, his control of his own body is also not great, and he is completely unaware as his newly acquired body goes on a rampage.
See, SY is currently in a very old version of the Demon Realm, so old in fact, Heavenly Demons still rule over the Realm. It really is quite a shame that SY wasnât in his right mind at the time, and instead of being able to observe how ancient Heavenly Demons governed demonic society, he instead accidentally set on a path of destruction, with the casualties being anything that had the bad luck of standing in his way. In fact, the destruction got so bad a few of the Heavenly Demons rulers, who notoriously hated each other, settles on a temporary peace agreement and joined forces to stop the mad Titan.
SY, in his frenzied state, didnât even notice as hundreds of years went by as the Heavenly Demons tried to stop him, and also barely noticed when they finally managed to chain him down and cast him away to be forever banished to the Endless Abyss. His body, once so tall it grazed the clouds, was torn apart, with each of its different parts sealed away in various locations as an attempt to diminish the Titanâs power. It worked, actually, and unbeknownst to the demons, SY slowly began to get his thoughts in order; the event that finally pushed him to coherency was when a few of those Heavenly Demon rulers got greedy, and while sealing away SYâs body parts, attempted to harness his power for themselves, and tried to create legendary weapons out of his flesh and bone.
Most of them failed, a Titanâs power to overwhelming for even a Heavenly Demon to handle, but one of them succeeded, and created a powerful sword made from the Titanâs own heart: Xin Mo. Unfortunately for the creator of Xin Mo, it didnât take long for them to fall into madness and eventually succumb to Xin Moâs power, casting themselves away to hold onto the sword forever in the same valley SYâs hands were sealed; but it is as they say, one manâs trash is another manâs treasure, and while Xin MOâs creator perished, they managed to take enough power away from SY for him to finally be able to think.
It had been a thousand years at this point, and SYâs first coherent thought was that he desperately needed a break, and that in all these years, he hadnât managed to get a single glimpse into the world of PIDW, and what a waste! Specially since he was now in the most interesting area Airplane had managed to create, he was itching to explore the world. Of course, in his current state he wasnât exactly able to move (having his limbs cut off certainly didnât help, but apparently it had been so long since he was imprisoned that his Main Body had started to fuse with the Abyss? Really, more of a slight inconvenience than anything), but he also had become tired of his Titan body with itâs Titan feelings, and so he decided to split his consciousness and create a small army of human sized avatars who were later dubbed his âWatchersâ, whoâs sole purpose was to explore the Endless Abyss and send their findings back to the Main Body (in bite sized, easy to understand thoughts).

It is the first years of his Watchers wandering about that SY finally understood what had happened to his body, and figured out that Xin Mo was a product of his flesh. He figured that since demons tried to use his body for malicious purposes before, with one even succeeding, he decided that one Xin Mo was enough, and came up with a plan: He was going to piece his Titan body back together as a means to prevent anything of the sort happening again, but he was immediately going to seal the Titan body away again, as to not have to deal with itâs overwhelming power.
As the Watchers were sent to locate his body parts again, one of their first findings were the hands, which also meant the resting place of Xin Mo itself. How lucky, he thought! He could just take the hands away and maybe leave one of the Watchers guarding Xin Mo so when Luo Binghe eventually comes to retrieve his sword, SY at least can catch a glimpse of his favorite protagonist! He wasted no time, and while his avatars tried to unseal his hands, one of them went to move Xin Mo, just so it was out of the way, and in doing so the sword retaliated and ended up disintegrating the poor Watcher. What a rude sword, going against its own body.
Fine! If Xin Mo was going to be difficult so be it, and SY formed a new plan: before reuniting his Titan body back together, SY send his Watchers to keep an eye on as much of the Endless Abyss as possible and the moment Luo Binghe fell in, he would turn to hugging the protagonistâs thigh and help him survive the harsh environment as long as Binghe took Xin Mo. Well, it should be no problem, right? Binghe was fated to get the sword one way or another, and SY is sure his involvement will be small insignificant enough that it wonât be much more of a side quest for the future Demon Emperor!
Now, if he were a half human, half Heavenly Demon teenager who just got pushed into hell by his teacher, where would he landâŚ.

*
So, as you can see, this is mostly more like SYâs origin story lol, but Iâll probably write Bingheâs first meetings with the Watchers sometime soon (hopefully).In the meantime though, enjoy some more of the bonus sketches I did while figuring out the AU, and of course, if anyone has any questions or thoughts about this, feel free to send them to me!


#now this is what I call a drabble#just me yapping away#why create multiple small AUâs when you can fuse them all together into one#svsss#shen yuan#luo binghe#bingqiu#bingyuan#binggeyuan???? maybe?????#binghe is like a half blackened lotus when this takes place#slightly charred lotus even#kommâs endless abyss travel guide#this couldnt be more self indulgent even if I tried#long post
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That fourth stage with the finish in Andora is confusing me. I had to go to check out a map. Turns out, Italy has their own city called Andora, an 8-hour drive away from the country Andorra.
#took me a while to locate it#because everything redirects you to the country#Giro dâItalia#GdI24#cycling#road cycling
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Window.location: Enhancing Web Navigation and URL Manipulation
1. Introduction
In the realm of web development, achieving smooth navigation and effective URL manipulation is crucial for delivering a seamless user experience. Among the many tools available to web developers, window.location stands out as a powerful and versatile feature. In this article, we will explore the ins and outs of window.location, understanding its properties, methods, and best practices to employ it efficiently.
2. Understanding window.location
At its core, window.location is a JavaScript object that represents the current URL of the web page. It allows developers to access various components of the URL and perform actions related to navigation and history.
3. Navigating with window.location
- Changing the URL with window.location.href. - Redirecting users with window.location.replace(). - Reloading the page with window.location.reload().
4. Navigating with window.location
One of the fundamental tasks of window.location is to enable navigation. By modifying the window.location.href property, developers can easily change the URL, effectively redirecting users to different pages. Additionally, we will learn how to use window.location.replace() to perform a redirection without adding a new entry to the browser's history and how to reload the page using window.location.reload().
5. Extracting Information from window.location
Parsing the URL's components can be essential for capturing specific data from the address bar. We'll see how to access individual parts of the URL, such as the protocol, hostname, pathname, and query parameters, using the properties of window.location. This can be particularly useful when building dynamic web applications that respond to varying URLs.
6. Modifying History with window.location
Controlling the browser's history can be vital in certain scenarios, like creating custom back buttons or implementing complex navigation patterns. We'll delve into how window.location can be used to manipulate the browser history, allowing developers to navigate users backward or forward within their browsing session.
7. Security Considerations
While window.location provides valuable functionality, it also comes with certain security implications. We will explore potential risks and vulnerabilities associated with its use, such as potential open-door for phishing attacks or misuse by malicious actors. Implementing best practices will help minimize these risks.
8. Handling Errors and Edge Cases
As with any web development tool, window.location is subject to potential errors and unexpected scenarios. We'll discuss how to handle invalid URLs, unsupported features in various browsers, and other edge cases that developers may encounter while working with window.location.
9. Tips for Efficient URL Manipulation
Performing page reloads or URL changes can impact performance and user experience. We'll share valuable tips for optimizing the use of window.location, ensuring that URL manipulation occurs efficiently and without unnecessary page reloads, particularly crucial for single-page applications (SPAs).
10. The Future of window.location
As technology and web standards continue to evolve, we'll explore the potential future enhancements of window.location. Staying abreast of upcoming changes can be valuable for developers looking to adopt the latest and most efficient techniques. location API - Mozila https://developer.mozilla.org/en-US/docs/Web/API/Location/reload
11. Conclusion
In conclusion, window.location serves as an indispensable tool for web developers, offering a range of capabilities to enhance web navigation and URL manipulation. By leveraging its properties and methods responsibly, developers can create user-friendly and dynamic web applications that cater to their users' needs effectively.
12. FAQs
- What is the purpose of window.location in JavaScript? window.location in JavaScript represents the URL of the current page and allows developers to manipulate the URL, perform page redirects, and access various components of the URL. - How can I change the URL without causing a page reload? You can change the URL without causing a page reload by modifying the window.location.href property or using window.location.replace() for a redirection without adding a new entry to the browser's history. - Is it safe to manipulate the browser history with window.location? While manipulating the browser history with window.location can be useful, it's essential to consider potential security risks, such as opening opportunities for phishing attacks. Following best practices and validation can help mitigate these risks. - Can I extract specific parts of the URL using window.location? Yes, you can extract specific parts of the URL, such as the protocol, hostname, pathname, and query parameters, using the properties of window.location. - Are there any limitations to using window.location in different browsers? Some older browsers may have limited support for certain features of window.location. However, with modern browsers, the majority of its functionality is well-supported. Read the full article
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sweetheart!reader get´s cuteness aggression w/mechanic!matt




You adored your boyfriend, he was everything you ever wanted in a guy, and he treated you so so well. He was everything you could ever ask for.
Whenever he comes back home from work or whatever errands heâs running around doing, youâre already there waiting for him, to shower him with all your love and affection â something heâs grown used to over the past couple of months.
You heard the front door click, and the sound of his footsteps echoing through the empty hallway, you immediately knew it was him since youâd been impatiently checking his location throughout the evening.
He walks in the living room and plops down next to you with a heavy sigh.
You shuffle closer to him, disregarding your phone, turning your full attention to him. You lay your head down against his shoulder, his gaze softening only slightly.
You look up at him to see he was already staring down at you, a hint of affection behind his gaze as he shakes his head and redirects his gaze away from you and back to the tv.
Your hands reach out and you stroke your fingers along his cheekbone. He furrows his eyebrows, his shoulders tensing slightly at the sudden contact.
Your fingers pinch his cheek softly â like people do with babies. You smush your guys cheek together âYouâre so so adorable.â you cooed as you pulled away and moved your hand to squish his cheeks
You really could not help yourself. He was just so damn adorable
He grabs your wrist and pulls your hand away âfuck is wrong with you?â He hates it when you try to baby him like that, in his eyes heâs a âtough grown manâ, but in your eyes heâs the most adorable thing ever.
You giggle and smile, his eyes narrowing as his heart melts at your little adorable smile and the happy look in your eyes.
He hates that you this kind of affect on him.
He rolls his eyes and pulls your closer to his chest, his fingers combing gently through your hair, as he admires the way you look so content pressed up against him.
He lets out a long sigh, and smiles softly. He really couldnât stay mad when he had a beautiful girl like you with him.

ŠBEAUTYLOVES all rights reserved.
âš authors note  â made this cause i always get cuteness aggression when i see matt :,)
tags: @marrykisskilled @chrislilcumslvt @sosasturns @cyberskulzzz @slut4chris888 @waitforyrlove @zebonos @sturnioloangell @slctsblogana @anyaa2s @emely9274 @shadowthesim @frankoceanfanpage
#libary Ëâ âš#ŕ¨ŕ§ mechanic!matt#sweetheart!reader#matt sturniolo x reader#matt sturniolo#sturniolo triplets#matt x reader#matt sturniolo fluff#matt sturniolo imagine
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Words to Die By
The Rookie x Criminal Minds Crossover
-> Part 2: Strikes to Die By
Pairing: Tim Bradford x fem!BAU!reader
Summary: Seven years after failing to become an LAPD officer, you return to Los Angeles as a literary analyst with the FBI's behavioral analysis unit to catch a serial killer.
Warnings: angst, violence, discussions of autopsies and forensic science, literary references, fluff and banter, improper use of a meat locker
Word Count: 13k+ words
Masterlist Directory | Tim Bradford Masterlist | Request Info/Rules
As the slick black SUV with US government plates parks outside the LAPD Mid-Wilshire station, you try not to reminisce. It would be too easy to remember how excited you were to walk in on your first day after the police academy, too easy to remember the devastation and heartbreak you felt walking through the same doors after surrendering your badge. You open the car door and focus on the current job, keeping your head down as you follow your team into the station that once felt like home. After finding an empty space out of the officersâ way to wait while your boss speaks to the watch commander and captain, you unlock your phone and scroll through the case details you reviewed on the flight, looking for anything you might have missed.
âCan I help you?â
You look up from your phone, the case detail email disappearing as you press the power button and smile at the LAPD officer standing before you.
âSorry, Iâm waiting for the rest of my team,â you explain before brandishing your badge.
âOh, no worries. This is my first time working in a task force,â she replies. âItâs exciting.â
You nod and subconsciously tug on your sleeves. Officer Chen is obviously a rookie, and her enthusiasm is refreshing.
âIs this your first time in LA?â she asks.
âNo, it isnât.â
âChen, Bradford wants to see you before roll call,â another officer calls.
âIs Bradford your training officer?â you ask.
âHe is. Do you know him?â
You look around, then say, âTim is on, what? His tenth plain clothes day washout?â
âEleventh,â she answers, surprised.
âNice to meet you, Officer Chen.â You offer your hand and say, âIâm number five.â
Chenâs jaw drops before she asks, âAnd now youâre FBI? How did that happen?â
âLong story⌠But Iâm a literary analyst for the behavioral analysis unit, not exactly a field agent.â
A passing officer stops, then steps backward to look at you. âAre you on Hotchnerâs team?â
âI am. I assume you remember him?â
âYou know an FBI agent, Officer Lopez?â Chen asks.
âHe was responsible for over 100 convictions of corrupt cops six or seven years ago. Five of them were LAPD, and one was our watch commander,â Lopez explains. âChen, we need to get to roll call.â
You nod to Lucy, then return your attention to an email from Penelope.
âYour phone should be at least twelve inches from your face to limit blue light exposure,â Spencer says as he enters the station. âSixteen to eighteen inches is preferable.â
âSpencer,â you reply, smiling as you turn toward him. âPenelope used what appears to be 6-point font and then zoomed out. I appreciate the concern for my eye health but take it up with her.â
Spencer frowns and murmurs, âSounds like a job for Morgan.â
âWhatâs that, pretty boy?â Derek inquires as if he was summoned by the utterance of his name. âGettinâ girlie here a date?â
âIn Los Angeles?â you ask incredulously. âHard pass.â
âRight, because the location is the issue with the plan. Not the fact that weâre working a case, and new evidence was discovered this morning,â Hotch deadpans from your side.
âI can multitask, boss man,â Derek defends, tossing his arm over your shoulders.
âPsychologists have determined the human brain isnât designed for successful multitasking,â Reid begins. âIt can cause switch cost, which results when attention and information retainment are suddenly redirected from one task to another, and cognitive efficiency and performance diminish-â
âSays the walking brain with at least fourteen tabs open,â Derek jokes.
âTheyâre waiting for us,â Hotch reminds. âI mean, only if youâre ready.â
âYour station,â Derek tells you, shaking your shoulders gently as he follows you toward the roll call room.
â⌠and there is no excuse for failure to communicate,â Sergeant Wade Grey continues as you follow Hotch into the roll call room.
You stand between Hotch and Derek as he speaks and look around the room. Fourteen officers are seated at the tables, listening intently even as their eyes stray to the case board. JJ joins you a moment later, mouthing an apology to Hotch before passing him a folder.
âMore evidence?â you whisper.
She nods, then whispers something to Spencer, who furrows his brows and squints at the case board. You know the look, and it increases your concern about the case. Though there have been two notes and a book tied to the previous crime scenes, youâre unsure why Hotch decided you needed to join them in LA. You could have stayed in Virginia with Penelope, you think, but you trust him and the rest of your team. Turning away from JJ, you fight the urge to peek into Hotchâs open folder as you run your eyes up and down the rows of officers. You recognize Chen and Lopez from this morning, but stop when you see Tim Bradford.
Hotch notices your shoulders stiffen in the split second before you relax, and he taps his elbow against you. You look up at him, and he nods once to reassure you. Youâre not alone, and unlike the last time you were in this station, someone else knows the truth of what happened.
âAny questions about the case?â Grey asks. He sighs when someone raises their hand and says, âYes, Nolan?â
Nolan doesnât seem concerned with Greyâs lethargy. âWhatâs the connection between the zoo and the first victim?â
Spencer shifts beside you, and Derek shakes his head in amusement. You can imagine the rambling fighting to get out of Reid, and you smile at Derek rather than laugh.
âI shouldâve been clearer. Any questions about our side of the investigation?â Grey amends, and this time the officers stay quiet. âIn that case, Iâd like to introduce Supervisory Special Agent Hotchner of the FBI, the BAU unit chief, who has brought his team across the country to assist in this case.â
Hotch walks to the front of the room and sets his files on the podium. He fixes an evaluating glare on the officers before him, then nods.
JJ leans toward you and asks, âRemember how intimidating that look used to be?â
âStill makes me stand up a little straighter,â you admit.
âWeâre here to help,â Hotch begins. âBut that means that we need you to be as committed to solving this case as we are. If youâre not ready for that, youâre free to go.â No one moves, so Hotch says, âGood. Sergeant Grey has briefed me on each of you. Youâre good officers, but street smarts and police procedure wonât get this monster off the street.â
âBut talking about the suspectâs feelings will?â one of the officers jokes.
Hotchâs eyebrows raise, and his serious look fades into a knowing glare. âYou must be Bradford.â
JJ takes your hand, and Derek exhales. They know more about your history in LA than the people in LA do, and you appreciate their friendship and presence.
âSorry, sir,â Tim replies. âI only meant that there is tangible evidence at these scenes, and it seems to me that concrete proof will help us find this guy faster than dissecting his mind through his habits and words.â
Hotch returns behind the podium and admits, âI understand how our process could seem like a waste of time, and criminal profiling is not an exact science, weâre wrong sometimes, but you know as well as I do that thereâs no one right way to solve a crime. The important thing in this situation is to get a killer off the streets before he claims more lives. If our behavioral analysis can assist in that, weâd appreciate your cooperation.â
âI can assure you that you have the LAPDâs complete cooperation,â Sergeant Grey interjects, looking pointedly at Tim. âAnd anyone unwilling to do so will be removed from this task force.â
Tim crosses his arms across his chest and nods, a position you remember well from your limited days as a rookie. You expected this type of attitude from him and possibly more cops. You truly believe that the BAU can offer insights Tim canât glean from analyzing a crime scene or going through the processed evidence.
âDo any of you have questions for me or my communications liaison?â Hotch asks.
Several officers ask questions about task force protocol, what your team does, and other run-of-the-mill inquiries about the federal agency and its duties.
âI believe it is time for introductions?â Hotch says, stepping to the side as he welcomes Sergeant Grey back to the front of the room.
âThe LAPD has selected fourteen of its best officers-â He turns away from the room and lowers his voice to tell Hotch, âIf youâre against rookies on the team, Iâve got some other officers on standby.â
âIf you trust them, theyâre welcome to stay.â
Grey nods and turns, then continues, âOfficer Lopez, Officer Bishop and her rookie, John Nolan, Officer JanssenâŚâ
You tune out most of the officersâ names, trusting Spencer to fill in any blanks for you, until you hear, âOfficer Bradford and his rookie, Lucy Chen.â
You were in Lucyâs position just over seven years ago, and now youâre looking in from the outside. You love your job and appreciate the FBI and the BAU for giving you a home and a rewarding career. Yet, sometimes youâre still plagued by the inevitable wondering, what if?
âPleasure to meet you all,â Hotch responds. âIâm SSA Aaron Hotchner, behind you is my team: Special Agents Reid, Morgan, JareauâŚâ Hotch meets your eyes before introducing you, and you watch him rather than Tim, who turns quickly in his chair and stares wide-eyed at you before controlling his expression and returning to his usual composed demeanor.
âHow is a literary analyst helpful?â someone questions softly.
âThis unit has taken down more serial criminals than you can name,â Wade snaps. âShow a little respect.â
âWeâd like to brief you before the media,â Hotch explains. âIf itâs possible to reconvene before tomorrowâs patrol begins, of course.â
âNot a problem. I want all of you back in here fifteen minutes before beginning of shift tomorrow,â Wade tells his officers. âKeep the conversation in this room, understood?â
âYes, sir,â the officers respond as they stand and file out of the door, some whispering together, others leaving quietly and alone.
âI think that went well,â Derek says as Hotch gathers his things.
âSocially speaking, there was a divide and a complete lack of faith in us,â Spencer argues. âThough there is the question of authority and a misunderstanding regarding our purpose and purview.â
âPretty boy and I are going to go find some coffee.â
As Derek and Spencer leave, and JJ excuses herself to answer a phone call, youâre left alone with your current supervisor and former watch commander.
âItâs good to see you,â Wade says, smiling as he pulls you into a hug.
âYou, too,â you respond. âSorry I havenât been back as much as Iâd like.â
âI understand,â Wade assures. âAnd it seems that youâve found your perfect place in the BAU.â
âWe like to think so,â Hotch agrees. âAlthoughâŚâ
âBradford wonât be a problem,â you interrupt.
Hotch tilts his head questioningly, and you add, âHe fights back on new things, but heâs a good cop, so heâll do whatâs right in the end.â
Hotch hesitates, then asks, âDo you trust him?â
âWith my life.â
âHeâs the best Iâve got,â Wade comments. âBut if thereâs a question about himâŚâ
âHeâs Morgan, but more serious,â you tell Hotch. He doesnât change his stare, so you sigh and promise, âI want him here. Thereâs no bad blood between us and heâs going to be invaluable in this.â
Hotch nods and looks away from you finally and begins asking Wade about one of the files turned in the night before, which you understand as your cue to leave. After you step out into the bullpen, Derek returns to your side.
âWhereâs Spencer?â you ask, looking over his shoulder.
âTelling Officer Chen about the health benefits of doing something boring. How are you?â
âIâm okay. Hotch doesnât seem to think so.â
Derek gasps and holds your shoulder to exclaim, âYou have two overprotective father figures to work for now!â
You consider arguing for less than a second before you realize heâs right. Wade stayed in touch after you left LA. Hotch has never left room for you to wonder how he sees you and his need to protect you. So, youâre working on a case that feels like two different versions of your personality, and parts of your life have combined into one perfect yet terrifying case. And you havenât even talked to Tim yet.
âI hope our hotel has a hot tub,â you lament.
âPlain clothes day washout number five, huh?â Lucy asks Tim as they patrol Los Angeles.
Tim shakes his head and doesnât answer. Heâs gone seven years without talking about you, only having to relive the heartbreak on your face and the disappointment he felt during his loneliest nights. Tim saw great potential in you, considered you more than a rookie, and taking your badge had affected him in a way he never expected. Now, youâre in the FBI, which is news to him, and youâre working on a case that he hasnât been able to solve even with ten crime scenes to work with.
âWhat happened?â Lucy tries.
âNone of your business, Chen,â he snaps. âThat case, Hotchnerâs team, all of it stays in the roll call room for now. Understood?â
âYes, sir.â
A bell chimes above your head as you enter your favorite Los Angeles diner. Itâs your first night in the city, and since you donât know how long youâll be here, you wanted to revisit it while you had a chance. When you mentioned the diner, your team gave you their orders to bring to the hotel, where theyâre currently reviewing the autopsy reports. It feels wrong to leave them, but you sigh in the comfort of a place that once provided you a refuge after long days.
âOld habits?â you ask as you approach the counter.
Tim looks up from the laminate and watches you. You donât meet his gaze but look at the menu while you wait for the waitress to return. This was your favorite diner when you started at the LAPD, and Tim has never given himself time to wonder why he kept coming back even after you left.
âSomething like that,â he says. âSo, uh, the FBI. Thatâs incredible.â
You shrug. âNot what I wanted, but I love it.â
Tim nods, unsure what else to say. Youâre not the girl you were on day one in the academy, not even the girl who left the station in tears after washing out. Tim still sees you, the woman who fought for what was right never gave up, and was smarter than she ever realized. Thatâs not the person he saw your last week on patrol, but he knew you were still in there somewhere.
âHow long have you been with the BAU?â he inquires.
The waitress returns, and you take the excuse to not answer Tim. You retrieve your phone from your pocket and read a large order from the screen, then pass a shiny, FBI-issued credit card over the counter.
âItâll be a few minutes, hun,â the waitress informs as she returns the card. âFeel free to have a seat.â
You thank her and slide onto a stool, ensuring you leave an empty seat between you and Tim.
âFailing to become a police officer was one of the hardest things Iâve ever experienced,â you confess. âA few months later, Aaron Hotchner knocked on my door. There was a case nearby, a serial rapist who was leaving personalized love letters with every single victim. He found my rĂŠsumĂŠ on a local job board and came to ask for help because of my background. The rest just fell into place, I guess.â
âYou get to carry,â Tim points out, gesturing toward the holster on your hip, concealed from everyone else by your shirt. âThey donât let people who just âfall into placeâ do that.â
âI did everything by the book, if thatâs what youâre asking.â
âIâm wondering what changed on plain clothes day,â he responds. âYou were on track to be an amazing officer, and then that last week, you just⌠something changed.â
âI did.â
âThereâs more to it.â
âThereâs really not,â you insist. âIf you donât want to be on this task force-â
âI do. I wish you could see that you have the potential to lead it.â
âHotch saved my life. I trust him.â Tim understands the part you donât say: that you trust him more than yourself.
The waitress returns with two full bags, and you stand as you take them from the counter.
âGoodnight, Tim. Iâll see you at the station tomorrow.â
As you leave, the bell chimes over the door again, and Tim hears your voice in his head, the promise of another chance, but he doesn't miss the fact that you leave every time you see each other.
âWhat if - and hear me out on this - you just told him the truth,â Derek suggests.
You take a drink from a cheap Styrofoam cup and nod. âYouâre right, Derek, why didnât I think of that?â
âYou know, most hotel chains serving breakfast fail to maintain proper culinary heat-â
Hotch raises one finger before Spencer can ruin breakfast for everyone. âDonât.â
âI agree with Morgan,â JJ says. âThereâs clearly questions there, and if you explain what happened, heâll trust you more.â
âAnd he can deal with some of the guilt,â Hotch grumbles.
âWhat guilt?â you inquire, pausing with a cheap metal fork in your hand.
âHe clearly blames himself for letting you lose your position,â Hotch explains.
âHe knows how good you are, so that final week probably doesnât make any sense to him,â Derek adds.
âHe doesnât,â you mutter. âHe told me last night-â
âYou saw him last night?â JJ exclaims.
âI ran into him at the diner.â
âHe still goes to your diner?â Derek questions.
âItâs just a diner! But I saw him there and he insisted that there was more to what happened than me changing.â
âAnd you lied to him?â Hotch responds. âItâs over, you can tell him, you can shout it from the top of the Chinese theater.â
âThat would be illegal,â Spencer mumbles.
âAnd wouldnât change anything,â you add. âWeâre here to work a case, not mend a bridge that has been-â you scramble for the right word before finishing, âdisintegrating for nearly a decade.â
Derek groans as he leans back in his seat, and Hotch finally looks up to say, âIf this gets in the way of the case, Iâll have Garcia email him everything he needs to know.â
âIâm cutting holes in all of your quarter-zips tonight,â you threaten in return.
Hotch frowns and mouths, Youâll never find them all.
âGood morning,â Sergeant Grey calls as the door closes behind the twentieth and final member of the task force. âSSA Hotchner is going to fill you all in.â
âThanks for coming in early,â Hotch begins. âThere have been no new developments in the case since yesterday, but my team has created a preliminary profile based on the preexisting evidence and details from the first ten victims.â
Your phone buzzes with an incoming call from Garcia, and you exit the room to answer. âWhatcha got for us, gorgeous?â
âOoh, does Derek know youâre talking to me like this?â she replies, her keyboard clicking in the background.
âNot like heâs competition,â you say with a playful scoff. âFind anything on the deep dive?â
âNothing inherently helpful. The prelim suspects are all pretty similar, though one of them did alibi out. Carson Gillery was working remotely from Chicago during the second and third murders. Hotel and airline checks corroborate that.â
âIâll tell Hotch. Anything else?â
âAre you okay?â she asks.
âFine. Why?â
She stops typing suddenly and then inhales sharply.
âGarcia?â You ask.
The line beeps as she disconnects, and a phone on the desk closest to you begins ringing. A Virginia area code appears on the caller ID, and you stretch across the desk to pick up the receiver.
âPenelope?â you ask hurriedly.
âHeâs in the data!â she explains, typing again. âHeâs not doing much, but someone is overriding minor coding and there was another line tied into our call. I could hear him breathing; thought you were crying at first, but now Iâm running a backward search to find this psycho.â
âNone of the prelim suspects would know how to do that,â you point out.
âUh oh,â Penelope breathes. âI thinkâŚÂ I think he left you a message.â
âWhat is it?â
âItâs in the seventh victimâs ME report, overwriting the details of the posthumous wounding to the back. It says 2/18/17⌠It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.â
âHenley,â you murmur, trying to connect the dots as you forget the first half of the message.
âThereâs more,â Penelope says. âA copy of your one-way ticket to Virginia with an alternate ID that says, âthanks for the perfect opening night.ââ
âItâs about me?â you whisper.
âIâm going to trace these messages,â Penelope declares. âYou tell Hotch about this, and please, please do not try to investigate this on your own.â
âYou got it. But can you send me a scan of page 39, no- 38, from the William Ernest Henley book in my office? I need the annotated copy of Invictus.â
âYou got it. Tell Morgan and I said hi and Iâm wearing-â
You hang up and take a deep breath as you return the receiver to the cradle.
âAgent Hotchner,â you call as you return. âI need a word.â
âLet me finish-â
âThereâs been a development,â you interrupt. âAn urgent one.â
Hotch sees the look in your eyes and calls Spencer to the front of the room to continue reviewing the patterns in the killings and to discuss the psychological traits and drivers they suspect the killer will have. Derek watches as Hotch and Grey follow you out of the roll call room. Meanwhile, JJ watches Officer Tim Bradford as he manages to conceal his concern but not his interest as he watches you through the glass walls.
âGarcia called with information on the prelim suspects,â you explain. âSomeone tapped into the call, and then⌠whoever it was started manipulating her date on the FBI server. She did say that Carson Gillery alibied out, he was out of state for several of the murders, but whoever this guy is, he is incredibly close to this case.â
âManipulated the data how?â Hotch asks.
You wring your fingers together as you answer, âHe left a message. Garcia thinks it was for me.â
âLeft it where?â Grey inquires.
âThe seventh victim Mel Houghtonâs autopsy report. It was a date and a line from a William Ernest Henley poem.â
âThe date?â Hotch presses.
You inhale deeply before saying, âFebruary 18, 2017.â
âThe day you lost your position in the LAPD,â Grey remembers. âWhat does it mean?â
You look toward Hotch, and he shakes his head twice. There isnât an obvious answer to Greyâs question, but the implication that this case has something to do with you isnât good.
âHe⌠he also had a picture of my plane ticket to Virginia and added a note, something about âthanks for the opening night,ââ you add. âHotch, if you have to take me off this case-â
âWe need you,â he interjects. âThe literary aspect of this case is progressing.â
âDoes that mean we could limit our suspect search?â Wade asks, looking between you and Hotch.
âNot likely,â you reply with a sigh. âPlenty of literature enjoyers canât be located purely based on that. Thereâs no evidence heâs educated or active in book clubs, debates, anything.â
âGarciaâs tracing the data changes?â Hotch assumes.
âYes, sir.â
âThen we work what we can until she gets back to us.â
âI need to see the novellas left with the victims,â you request. Hotch begins to speak, and you add, âNot the scans, the actual, physical stories left with their bodies.â
âIâll get someone to go through the evidence with you,â Wade assures. âAny preference?â
You look into the roll call room through the glass sheeting, your eyes drifting past Tim as you decide, âOfficer Chen, please.â
Wade nods once, then returns to the podium inside as Spencer concludes his comments on the psychology of the killerâs modus operandi.
âWhat are you expecting to find?â Hotch asks you.
âI really wish I knew,â you answer softly. âHotch, what if this is all my fault?â
âThe delusions of a killer have nothing to do with you. If something you did as an officer triggered him to start, there is no reason to assume he wouldnât have started later. Heâs clearly reality-challenged, living in a space between this world and the events of his imagination, and that is not on you.â
You nod, rubbing your forehead as you think. âLiterature is clearly important to him. If it comes to it, will you let me go with JJ to a press conference?â
Hotch hesitates, and you know he doesnât like the idea of putting his team in public view, unless absolutely necessary, but he says, âFine. Only if it gets that far.â
âHotch? February 2017 had massive storms. Urban flooding, mudslides, wind, snowfall, there was mayhem that week. I mean, a police chase with a DUI driver, a car fell into a sinkhole. I used some of those cases toâŚâ You trail off, remembering all of the things you did wrong.
âTalk to me,â Hotch encourages.
âAny one of the people who had contact with the LAPD that weekend could have been pushed over the edge. He could have been killing for seven years, since whatever happened, but just got bold and brazen enough to make it public.â
Hotch leaves your side for a moment to wave Spencer out. When he joins you and Hotch in the bullpen, Hotch gestures for you to explain your theory.
âI suppose,â Spencer muses. âThe killings have progressed minimally since the first victim three months ago. It does point toward a more practiced unsub, someone who has, in their mind, perfected their method. Yes, itâs completely possible.â
âThe books,â Hotch points out. âThose are new. Unsolved cases with novellas or poems shoved down victimsâ throats would have caught someoneâs attention by now.â
âSerial killers gain experience with each new offense,â Spencer explains. âThe learning curve is steep because of the logistics it takes to commit a murder. If heâs been killing without being caught, the thrill of killing would empower him to take more chances. In this case, the trophy aspect of his MO could easily have changed, but his idiosyncratic psychological needs remain the same.â
âWe donât have enough people to comb through seven years of cold cases to find similar killings,â you lament.
âWe do have the media,â JJ interjects, sliding her phone into her pocket as she approaches. âItâs a long shot, but if we could find one or two, would it be enough to complete a profile?â
âAn estimate of how long heâs been at this, with Garciaâs trace and the analysis of the literature at the scene⌠Yes, we could establish a firm MO and improve the unsubâs psychological profile.â
âHold on,â Derek urges into his phone as he joins the rest of your team. He looks at you and says, âGive me your phone.â
You pass it to him, and he flips it in his free hand as he listens. He gives you an apologetic look and then drops it.
âMorgan!â Hotch exclaims as Derek brings the heel of his boot down on your phone screen.
âUnless Penelope told you to do that, Iâm going to be very mad,â you say.
âAlright, baby girl, tell us all,â Derek requests as he puts his phone on speaker.
âI found our guy, or his IP address at least,â Penelope says.
âAnd?â Hotch asks. âWhere is he?â
âThatâs the thing. Heâs in an apartment a few miles from the station.â
You recite your previous address and Penelope murmurs, âThatâs the one.â
Penelope explains how she traced his data trail before you interrupt to ask, âIs there anything about another cop in it?â
âUh, there were some numbers,â she answers.
â34381?â you guess. âAnd 6147?â
âAmongst others, yeah. Do they mean something to you?â
âOne is Officer Bradfordâs badge number. The other is Sergeant Kenneth Adamson.â
âIâll run the rest of the numbers against the LAPD database and get back to you.â
âAre all of our phones in need of stomping?â Spencer asks before Penelope hangs up.
âNot yet,â she replies, and then the line clicks.
âRunning everything is going to take too long,â you complain. âHeâs probably already targeted his next victim. He could be writing the novella for all we know!â
âHis system is organized,â Spencer explains. âWe can use that. The past victims have been a week or more apart. Even if he does change his timeline because weâre here, he needs time to plan, write, correct?â
âYes,â you answer. âHe could do it overnight if the circumstances called for it.â
âAssuming heâll take a break between kills, howeverâŚâ
âWe have two days,â Derek concludes. âLetâs hope heâs not too organized, doc.â
âHeâs a criminal,â JJ says. âThey all get stupid and forgetful.â
âWe donât change anything. Heâs changing the rules, pushing himself, but weâre not playing his game,â Hotch says. âAnd, for the moment, we keep the LAPD connection to ourselves.â
âWhat if they could help?â JJ argues.
âNo.â
âAct like we have a week, and he wonât expect us to be ready to go,â you say. âIn that case, Iâll start analyzing the literature.â
âSpeaking of which.â JJ pulls a paper from her bag and says, âThe homicide detective said CSI found this on a secondary scene analysis.â
You read the scan of the evidence, and your eyes widen as you look up at Derek. âGood thing you came with. Heâs building a bomb.â
âWhoa,â Derek says with little intonation in his voice, but his hands raise as he moves his head in surprise. âExplain the progression from writing stories to bombs.â
âPostmodern literature is the most recent literary movement that contains vulgarity in diction and violence. Itâs often used as an authentic portrayal of humanity, depicting violence against gender, race, and the human body,â Spencer answers. âEpic poetry was one of the first storytelling forms to depict interpersonal violence.â
Derek rolls his eyes at Spencerâs reply to the rhetorical question, and you add, âThe Victorian literary period was marked by violence through the use of suffering and physical dangers as literary themes. The gothic genre aestheticized the darker elements of human life, explored sexual violence, dramatic monologues, and realistic violence like robbery, beheadings, even serial murders.â
âWhich affects us how?â Hotch inquires.
âWilliam Ernest Henley was a prominent figure in the later years of the Victorian movement. He sent lines from Invictus to Garcia, and that piece has been the poem of choice for extremists and terrorists to justify their violence in the last few years. There is some hardship beyond our killerâs control, and this is how heâs dealing with it.â
âStill doubting your hypothesis?â Hotch deadpans.
âWouldnât he have to stop all of the suffering somehow?â JJ asks.
âYes. But he hasnât decided on an endgame yet, weâll see the signs of that when it comes. The beginning of a plan for a bomb isnât concerning yet. For now, we continue as planned, but he will likely strike again in 24 to 48 hours.â
âTheyâre getting concerned,â Derek whispers, waving toward the roll call room.
âIâll handle them. You have your assignments,â Hotch states. âWe reconvene tonight after end of shift.â
âYes, sir,â you agree with the rest of your team.
As you return to the roll call room between JJ and Derek, you keep your eyes on the front of the room, ignoring how Tim turns to look at you. Hotch gives an acceptable excuse for your teamâs private meeting and then provides tasks with Sergeant Wade.
âWhat about me?â Lucy asks as the other officers exit into the bullpen.
âYouâre with me,â you reply, stepping toward her as you smile. âIf thatâs okay.â
âYes!â Lucy cheers. She clears her throat and amends, âYes, of course, Iâd love to help.â
âKeep me updated,â Hotch tells you.
âYes, sir. Oh, andâŚâ You move your fingers in a scissor motion to remind him of your previous threat before concluding, âSpencer has the information you asked for.â
Hotch nods once, and Wade smiles. Suddenly, youâre hit with the feeling of being torn apart, stuck between the life you wanted and the one you have. When the case is solved and the killer is behind bars, youâll have to leave these people again. At least youâve finally remembered that planes travel both ways.
âTen victims,â you say as you pin the last picture to the bulletin board in the office you and Lucy have set up. âSix novellas, a book, two pamphlets, and a bloody poem.â
Lucyâs eyes follow the red thread connecting the victims to their evidence and the order of the killings as you stare at the T.S. Eliot poem from the fifth scene with your hands on your hips.
Plus, a William Ernest Henley poem meant to bring me into the killerâs world, you think.
âReady?â you ask Lucy.
âYes, maâam.â
You laugh and invite her to use your first name, then spread the evidence pictures from the first murder on the metal desk. It isnât the same as reviewing the physical books and poems, the thick paper holding the twisted ideas of a serial killer left warm from the printer beside the lives he claimed for the sake of his own story. Itâs the best you can do for now.
âJanice Davis, our first victim. The killer stapled a San Diego Zoo pamphlet to her chest.â You flip through the case file and add, âAntemortem. Ouch.â
âThat looks like a building staple,â Lucy muses, leaning over the picture.
âIt is. Your forensics lab determined itâs a Powernail galvanized seven-eighths inch crown staple. Intended purpose is woodworking and flooring, and one side of the staple extends out at an angle, so even if she was conscious long enough to try removing it⌠well, it wouldâve hurt more to take it out.â
âWhat was the cause of death?â
âUnknown,â you read, furrowing your brows. âManner of death: homicide. But it looks like they couldnât determine the cause. Any chance ME Daniella Smith is still around?â
âI donât know,â Lucy confesses. âSorry.â
âDonât worry about it. Sorry, youâre good at this, I keep forgetting youâre a rookie.â
âThatâs the nicest thing anyone has ever told me.â
You smile, then return to the evidence before you. âThe next victim, Gregory Hunter, was found with a copy of Orwellâs Animal Farm open beneath his head. The page, as far as I can tell, is irrelevant.â
âThen whatâs the point of leaving it there?â
âHunter was Davisâs boss, and apparently they had been involved a few years prior to working together. Animal Farm presents Orwellâs ideas on power, equality, socialism and corruption.â
âAll things the San Diego Zoo has been accused of abusing throughout history,â Lucy adds. âAlong with the animals.â
âPrecisely. Then it wouldnât be a stretch to assume that our killer was wronged by a failing class structure, abuse of power and control, inequality, or socialism.â
âThatâs a lot of options.â
âWhich is why we keep looking. Victim number three had a personalized novellaâŚâ
âThe method of killing has been consistent with every victim. Theyâre injured, kept alive for three to twelve hours, and then killed. Janice Davis, victim one, was ruled as undetermined cause of death, but there was no evidence of blunt force trauma, gunshot wounds or poisoning, which weâd expect based on the sudden killings of the others,â Spencer explains.
âYou can tune him out,â Derek whispers. âWhen his voice drops an octave, heâs about to ask a question.â
Tim nods, but he wasnât listening to begin with. His mind keeps drifting to thoughts of you. He watched you talk to your team, has worked with you, and knows the depth of your talent and potential. Yet he continues to wonder how you truly came to work at such an elite division in the FBI and what youâre hiding.
âDo any of you have experience with crime scene investigation?â Spencer asks.
Several officers raise their hands, including Angela. Tim has guarded scenes and looked around on his own time, but he isnât sure when his unique skills will be required for this case.
âMorgan,â Hotch calls from the doorway. âTake an officer to gather the literary evidence. Someone with a station ID has to sign it out for us.â He looks towards the front of the room and sighs. âAnd tell Spencer to wrap it up.â
âDoctor Morgan,â Derek calls as he stands. âPerhaps we should move on to the evidence snapshots and physical profile?â
Spencer nods and shifts his attention to the tools and proposed appearance of the killer.
âIâve got a station ID,â Tim tells Derek. âIf you need that evidence now.â
Derek sighs but waves for Tim to join him. He remains quiet while they walk to the evidence lockers, largely because heâs evaluating Tim. Derek knows about your time in Los Angeles, and even if he did encourage you to talk to Tim, he isnât sure if Tim deserves your time.
âYou were military?â Derek asks as they wait for the evidence to be thoroughly signed out and accounted for.
âArmy,â Tim responds. âFBI always the goal for you?â
âOh, nah, I started as a cop up in Chicago. Things just happened.â
âSeems to be a lot of that,â Tim murmurs, remembering your âfell into placeâ excuse.
âWhy be a TO?â
Tim shrugs. Heâs never had a good answer for that question, and if he starts thinking, he might get caught up on his fifth washout.
âSpecial Agent Morgan,â the evidence officer says as he places a large box on the ledge. âYour supervisor has to sign this form upon evidence return.â
âGot it. Thank you.â
Derek picks up the box and steps back, but the officer places another box behind it. Tim takes it without a word and follows Derek to an office with a closed door.
He taps his foot against the door and calls, âOpen up, pretty girl, these muscles are just for show!â
You smile as you open the door, and Tim clenches his jaw at the realization that Derek Morgan just called you âpretty girl.â
âI fear youâve mistaken me for Penelope,â you tell him as you hold the door. âThank you so much.â
Tim nods as he places the box down, and then looks at the case board.
âOh, Tim,â Lucy says. âDo you know if ME Daniella Smith is still working?â
âShe retired,â Tim replies.
You drop your shoulders and nod. âThanks.â
âI can get her address and phone number, though,â he offers, partially to help and partially because he hates how disappointed you look.
âThat would be amazing!â you reply happily. âLucy, feel free to go with him, move around for a few minutes.â
Lucy follows Tim, and you close the door to talk to Derek. You explain that the literature points toward class structure, abuse of power, or socialism.
âMaybe he should move to Canada instead of killing then,â Derek muses. âHave you told Hotch?â
âNot yet. Thereâs also the string of violence in the literature. At first, it was metaphorical violence, a symbolic representation of the dangers of power in society, but itâs gotten more blatant, more Victorian in its realism.â
âThe novellas?â he guesses.
âI havenât gotten to read them in their entirety yet, Iâll start that now, but Iâd guess heâs outlining his preferred method of violence as well as the reason.â
âThink it will shed some light on the explosives schematics? Which, by the way, are pretty weak. A bomb like that would be hard pressed to flip a Prius, it wouldnât do major damage unless it was an incredibly confined space.â
âAsk Spencer what he thinks about the space,â you suggest. âThe killings have been in relatively open spaces, but heâd know better than me if it means anything.â
âIâll run it by him if I can get a word in.â
You laugh at Derekâs joke, but he turns serious again to ask, âAre you okay? I know this canât be easy for you, working a case here after seven years.â
âIâm okay,â you promise. âIâll let you know if that changes and I need a Morgan hug.â
Derek smiles as he opens the door, and Tim and Lucy return soon after.
âShe lives three miles from here and said sheâd talk to you,â Lucy relays.
âLet me tell my team.â
Tim raises a hand to stop you as you gather your things and repeats, âShe said sheâd talk to you. She recognized your name.â
âOh.â Hotch walks by the door, and you step out quickly to explain, âI found the ME who couldnât determine Janice Davisâs cause of death. Sheâs retired, but lives nearby and agreed to talk to me, but only me.â
Hotch weighs his options, but when he sees Tim behind you, he suggests, âThen you should probably take your TO.â
Your eyes widen in shock, but you trust Hotch, so you nod and step back into the office.
âYou donât have to,â you begin as Tim asks, âReady?â
You fail to find the right words for several moments, then say, âLucy, do you want to help Agent Morgan review crime scenes for construction and security?â
âSure! Let me know if you need more help with this stuff when you get back,â she responds. âGood luck!â
âThanks,â you say, though you think Iâll need it.
âDo you want to drive or should I?â Tim asks once youâre alone.
You lift keys from your pocket and say, âI will. Do you think Smith will be any help?â
âWe can hope.â
âCan I address the elephant in the room?â Sergeant Grey asks.
âBe my guest,â Hotch answers, not looking up from his improved profile.
âBradford isnât operating at his usual level.â
âShe is.â
âWhich is why I think there may be more to his side of the story.â
Hotch looks up to propose, âYou think he had something to do with Adamsonâs misconduct?â
âNo,â Wade assures, ânothing like that. But two days of fire-able offenses and not a single correction from her TO? Bradford either didnât care that she gave up or, for some reason, he wasnât in a position to.â
âThe corruption we found ran deep. Thereâs a chance he was hoping to get a piece of the takeaway⌠or he was in a similar position to her.â Hotch reaches for his phone quickly after he speaks and raises it to his ear. âGarcia, I need you to run the badge numbers again. Tell me how many of them had a direct connection to Keith Adamson.â
âOne second,â Penelope requests. âSoftwareâs running it now. Oh, the medical examiner, Smith, she resigned less than an hour after the charges against Adamson came in. Thought that was interesting.â
âThatâs one connection.â
âOkay, yep, all ten of the badge numbers embedded in the coding have connections to Adamson. Seven subordinates, his captain, and two IA investigators.â
âThanks, Garcia.â Hotch ends the call and tells Wade, âWhatever Adamson did, it wasnât just skimming the evidence pile, it pushed our killer over the edge.â
âI remember Janice Davis,â Daniella Smith says as she passes you a mug of hot tea. âShe was young, twenty-six, I believe, and had a construction staple in her sternum.â
âYour official report listed the cause of death as indiscernible,â you reply, wrapping your hands around the mug as your thigh presses against Timâs on the small settee. âDo you remember if you may have had any hypotheses?â
Daniella sighs as she lowers into a chair across from you. âIt was asphyxiation. Her mouth was sealed with superglue, and she couldn't get enough air after a few hours of lying horizontally.â
Tim looks at you before demanding, âWhy didnât you put that in the report?â
âI was scared.â
âAnd you think the people living here werenât?â
âTim,â you whisper harshly. You shake your head as Daniella shrinks in her seat. âWhy were you scared, Ms. Harris?â She shakes slightly, and you give her a moment to breathe before you ask, âDid someone at the police station ask you to lie?â
She laughs once, a sad sound before she wipes her nose and corrects, âHe threatened me if I didnât.â
âWho?â Tim asks.
âSergeant Keith Adamson. He was the watch commander at the time. My career, my life, my marriage, he threatened to ruin it all if I didnât cover up how she was killed.â
âWas there residue?â you inquire. âFrom the superglue?â
âThere were trace amounts, and the lab was able to identify it easily.â
âIt was the only death to be covered up, why do you think that is?â
Daniella looks up quickly, her eyes wide as she states, âBecause it was an experiment. The others were killed more conventional, faster: a slit throat, hammer to the temple. Her death would have taken time.â
âWas the time of death in your report accurate?â you ask. âBecause it was around the same time as the others even with the changed MO.â
âIt was,â she explains, âhe must have taken her earlier to get a head start.â
âYou said it was an experiment,â Tim repeats. âShe was victim number one. If it didnât go well, wouldnât the others have just been an improved, or changed, MO?â
Daniella frowns, and you lean forward to ask, âHow many more were there?â
Tim slams the passenger door as you return to the car. Daniella disappears from the front window, crying as you start the engine.
âThe FBI will charge me if this car gets damaged,â you mumble as you shift into reverse.
âThirty deaths that she knows of!â Tim exclaims. âHow could she cover all of those up?â
âPretty easily. Self-preservation is a powerful motivator.â
âThis monster has been at it for years. You were probably on the job for some of his murders, how can you say that?â
âItâs not my place to judge everyone involved in this case, Tim. Not yours either.â
Tim scoffs, but heâs interrupted by your phone ringing. You answer by saying your last name and Hotchâs voice fills the car as he speaks.
âThereâs been another murder,â he says. You slap the steering wheel before he continues, âA double murder. Iâm sending you the address. Drop Bradford at the station and meet us there.â
âYes, sir.â
After the call ends, you grit your teeth to keep yourself from yelling. You spent too much time with the retired ME, and two more people are dead now.
âIâm going with you,â Tim states.
âNo, youâre not. You heard him, youâre going back to the station.â
âYou need me-â
âActually, we donât. We have jurisdiction now, Tim,â you snap.
âDo they know about everything you did your last week on the job?â Tim challenges. âHow you ignored calls, put yourself, and me, in danger just to let the clearly guilty criminals go? I mean, you let a guy get away with assault and your handcuffs!â
You donât reply because your mind begins racing. You had forgotten about that specific incident. Your last two days on the job were a blur, just forty-eight hours you have done everything you could to forget.
âAlexander Riley,â you murmur.
âWhat?â Tim snaps.
âNothing, Tim. Iâm sorry youâre not happy, but you donât have authorization to join me, and Iâm done breaking the rules.â
âConvenient.â
You hit the brakes too hard as you stop outside the back entrance of the station. Tim slams the door again before he walks inside, and you shift into park to call Derek.
âAre you still at the station?â you ask when he answers.
âWeâre about to leave,â he replies. âDid you beat us to the scene? You know speed limits still apply to federal agents, right?â
âNo, Iâm at the station too. I need you to - without raising suspicion - get Hotch and Sergeant Grey out here.â
âOkay,â he agrees slowly. âWhy?â
âBecause I think I know who the killer is. Bring the novella from the ninth scene, itâs Heralded Angels.â
âYou got it.â
You can hear the strain in Derekâs voice, but thereâs too much on your mind to dwell on his reaction right now. After Hotch, JJ, Derek, and Spencer join you in the FBI-issued SUV, you follow Sergeant Grey, driving an unmarked car, to the double murder scene.
âYou had something for me?â Grey asks as you approach the townhouse.
âI do. Trust me for a few more minutes and Iâll tell you everything?â
Wade nods, and you enter the bloody living room with your team. JJ waits outside, and as you squat beside a bookcase covered in blood splatter, you know youâre right.
âAlexander Riley,â you announce, pushing against your knees to stand. âI think heâs our killer.â
âWhy?â Spencer asks. âWait, who?â
âAlexander Riley is one of the men I should have arrested my last week as a rookie.â You look toward Wade as you continue, âHe assaulted a store owner while looting during a flood, and I let him get away. He ran away with my handcuffs, but I didnât try to stop him because I was sure Sergeant Adamson would have used it against me.â
âAbuse of power,â Hotch deduces.
âRight, and class system. You know, cop doesnât do what cop is supposed to do. So, he may have taken his escape as a sign that something needed to change.â
âBased on his killings, Iâd agree that he saw a wrong that needed to be fixed, but why murder?â Wade asks. âHow does that fit his idea of making things right, evening everything?â
âHe chose victims he viewed as outliers,â Spencer explains. âThe first two victims were romantically involved, and then she got a job in his company.â
âThe fifth victim was a single man with adopted children, and he left a copy of T.S. Eliotâs âThe Hollow Men,ââ you add. âHe went after people who didnât fit into our traditional class system or who benefitted from misused power. And, if that isnât enough⌠thereâs an extra novella in here.â
âWhat?â Hotch and Wade say, stepping toward you simultaneously.
âItâs a little bloody, but the words cop, dirty, and corrected system are showing up pretty well. My nameâs on the first page, and Iâd guess itâs on the last, too.â
âHeâs going to target you?â Derek translates. âThatâs not okay.â
âWe need to find him first,â you reply. âHeâs not going to press pause until he can get to me, he thinks he has to fix the entire world.â
âIâll get a BOLO out,â Wade offers.
âWait, Sergeant Grey,â Hotch calls. âI think this should come from us.â He turns toward you and adds, âIt would mean more from you.â
âIâll do it. Although, some of those cops arenât going to like hearing that I had something to do with it.â
âJust send âem my way,â Derek jokes.
âOur profile is complete,â you begin, looking at the entire task force. âAnd weâve used that profile, along with scene evidence, literary analysis, and previous arrest records to identify Alexander Riley as our killer. Sergeant Grey has posted a BOLO, and weâd like to send you out in patrol teams to assist in the search for Riley.â
Tim has his folder open, and youâre sure heâs reading the incident report filed after you let Riley get away.
âMaybe you should get out there and find him instead of sitting in our station and reading,â he snarks, closing his folder.
âBradford,â Wade begins.
âNo, itâs okay,â you assure. âI will be assisting in the search, and I will admit that my incompetence likely played a role in Mr. Rileyâs progression from petty thief to serial killer. However, we have reason to believe he was killing in private long before he felt the need to leave his victims in plain view for Los Angeles and all of America to see.â
âOfficer Bradford, he listed you by name in the novella left at Liza Rennerâs murder,â Hotch interjects. âDo you know why he may have done that?â
âNo idea. Sir.â
âIâd appreciate if you would stay and help review the story to find an idea, then.â
You look between Hotch and Tim quickly, but their icy stares make you look away before you continue explaining what the manhunt entails and how the FBI will assist.
âBe safe out there,â you conclude.
As officers stand and leave, Hotch and Wade walk to Timâs side, and then all three of them exit through a different exit.
âThat was fun,â you mumble to Derek.
âOn the bright side, no one has been publicly executed in the US since 1936, so itâs unlikely youâll be burned at the stake,â Spencer says.
âThat is bright,â you respond. âThanks, Reid.â
An officer asks for your assistance and leads you to an observation room. Your eyes widen when you realize Tim and Hotch are on the other side of the glass in an interview room. Rushing into the room, youâre surprised when Hotch invites you to take a seat. As the door closes, Tim clenches his fists and begins to stand.
âSit down,â Hotch demands, unmoving as Tim rises from his chair. Tim turns, face-to-face with Hotch. âSit down,â Hotch repeats, quieter yet firmer.
Tim falls back into his seat and crosses his arms to stare at you.
âYou can blame me if you want,â you offer. âBut it wonât change anything. Twelve people are dead because of me.â
âThen why is my rookie still patrolling the streets of LA looking for the man your team decided did this? Hotch here covering for you again?â Tim challenges.
âShut up,â Hotch says as he sits beside you, across the Table from Tim.
âKenneth Adamson,â you say. âDo you have any idea of what he did?â
âFired you for taking the easy way out when you decided you didnât want to be a cop anymore?â
âIntimidated me,â you reply. âGot indicted for it, but it was never made public knowledge because âhe was facing enough personal and professional issues for the widespread results of his corruption.â Good excuse, right? Tim, I happened to be the person who put cuffs on Alexander Riley and allowed his delusion to take over. I didnât mean to turn him into a serial killer, but I still feel like I have blood on my hands.â
âWait,â Tim requests, raising his hand. âAdamson intimidated you?â
âYes.â
âYou could have told me.â
You scoff, and Hotch raises his brows. âLike you would have believed me,â you reply.
Tim leans across the table, ignoring how Hotch moves closer to you, protective and ready to finish this case.
âHe intimidated me too,â Tim confesses. âWe should have told each other, but we messed up, and Iâm sorry for that. Adamson was going to tell IA about something I did in the Army and twist it to get me fired if I didnât find a way to get you off the force. Then you suddenly stopped trying and I thought⌠I guess I didnât think about it, or I wouldâve seen it.â
You look at Hotch, who shrugs. There likely isnât proof that Adamson did to Tim what he did to you, but you have to make a choice. You can believe Tim Bradford or walk away.
âI caught him stealing evidence,â you say. âSkimming money from scenes before CSI got there, pulling jewelry from robbed houses, little things he didnât think anyone would miss. When I saw him outright lie to a victim who only wanted her late motherâs locket back, I said something. And he was going to make my life a waking hell for it. So, I did what he asked and threw away my career.â
âIâm sorry.â
âI donât want your apologies, Tim. I want you to help me find Alexander Riley and put cuffs on him before he goes after another innocent person, because there is nothing to stop him from progressing to killing cops he sees as corrupt. We kept it from the other officers because of that, so please donât make me regret trusting you.â
Tim nods and murmurs another apology. You read his lips as he says it, and when Hotch stands, youâre prepared to accept it.
âOne more out of line comment and youâre off this task force, Officer Bradford,â Hotch says as he buttons his blazer.
âYes, sir. Iâll do everything I can to assist you.â
âDo you know why Riley would have used your name as a cursed wanderer in Liza Rennerâs novella?â you ask, standing beside Hotch.
âCursed wanderer?â Tim repeats.
âRemorseful, unabsolved character tormented by their fate and their actions.â
âHe must not remember you well,â Hotch tells Tim.
âHeâs not a very good writer,â Spencer mutters as he flips the page of one of Alexander Rileyâs novellas.
âMaybe we should find a way to charge him for that too,â Derek grumbles. âI mean, âTim Bradford carried the weight of his sins, heavier than the Kevlar on his chest. Each day he was forced to face the memories of how heâd failed his partner, the only woman he may ever love, but would never deserve.â Thatâs awful.â
You and Tim turn to face each other quickly, each wondering if you heard what Derek read correctly.
âDerek, does that- when you read it, does it seem like heâs saying his partner is the only woman heâd ever love? Same person?â you ask.
âYeah. You.â
âThatâs what I got too,â JJ agrees. âThereâs characters in the third novella that look exactly like the two of you, but theyâre married. Doomed by the narrative to watch each other die, butâŚâ
âAre there characters like that in all of them?â Hotch asks.
The sound of papers flipping precedes several firm answers of âYes.â
âThey always die?â you add. âBut he doesnât know. He sees a relationship that isnât there.â
Tim doesnât say anything, but you ignore him as you ask JJ to use her laptop. After signing in to your email, you pull up the scans Penelope sent you from the books in your office.
âIn the clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance my head is bloody, but unbowed,â you read. âBlack as the pit from pole to pole.â
âAre you gonna explain it or is this like Jeopardy?â Derek questions.
âHe doesnât portray our characters as corrupt,â you cheer. âWeâre unfortunate, âdoomed by the narrativeâ players in a bigger game. I need the newest novella, the extra one from the double homicide scene.â
Wade knocks on the open door as you look through the evidence boxes on the table. He glances between you and Bradford before he asks, âHave any of you heard from Lopez and West?â
âTheyâre revisiting the last scene,â Hotch says. âThey havenât checked in?â
âNot recently.â
Tim looks at you, and when you meet his eyes, he offers, âWeâll find them.â
âBe careful,â Wade implores. âAnd keep me updated.â
âCan you do me a favor?â you ask.
âAnything,â JJ and Derek answer together.
âLook for any sign of restoration or avenging. Itâll probably be in the first novella, but I need to know if my character in his story is avenged somehow.â
âRevenge is a psychological response to wounds from others,â Spencer says. âWhy would he be motivated to retaliate and justify this level of violence for you, if youâre the one who did wrong?â
âI think he may have changed his motives after Keith Adamson was indicted. If you find something, let me know, if not, Hotch probably has a better idea.â
You follow Tim to an unmarked car and ride in the passenger seat like youâve pressed play after seven long years of having this part of your life on pause. Somehow, it feels better than before.
Tim's radio crackles as he makes the last turn to reach the crime scene.
â07-Adam-07,â Angela radios. âSergeant Bradford, contact on channel 3.â
Tim changes the dial to channel 5 as he slows on the curb. You point to the dial, and he raises a thumb to tell you it wasnât an accident.
â07-Adam-19,â he replies. âGo ahead, Lopez.â
âI think we found something that might be helpful to the detectives. Meet me at the scene and see if you agree?â
âI was already on the way. To tell you the truth, I donât trust the feds. ETA two minutes.â
Tim returns his radio to the dash and then sits back to wait.
âDonât trust the feds, huh?â you ask, smiling as he rolls his eyes.
âYou really think he realized we were just as aggrieved as him?â Tim asks.
âBig word,â you murmur before dodging Timâs weak backhand. âWhy else would he keep us in the grand story heâs trying to write?â
âYou said your character died in the new one.â
âAll I saw was my name. I made an assumption without enough evidence. It was stupid.â
âWelcome to the club.â
Your phone buzzes, and you shake your head as you read the message from Penelope. âFBI tech guru Garcia hacked into the houseâs security system. Sheâs got cameras inside. Riley has Lopez and West holed up in the master bathroom. My team and your watch commander are watching, ready to breach if this doesnât go well.â
âYou think it will?â
âI think Derek is going to be very mad after I do something reckless. Thatâs how it usually goes.â
Tim clears his throat awkwardly, then asks, âAre you and MorganâŚ?â
âNo,â you answer with a laugh. âHeâs just one of the many protective men I work with.â
âItâs been a minute and a half,â Tim says, changing the subject and breathing a little easier. âAre you ready?â
âI hope so.â
You exit the passenger seat as Tim pops the trunk. He passes you an LAPD bulletproof vest and a standard-issue belt to help you look more like a cop and less like a fed. After pulling the vest over your head, you struggle to get the belt in place beneath it. Tim gently takes it from you, his hands moving carefully around your waist as he clips the tactical buckle and slides the gun holster to its correct position.
âThanks,â you whisper as he straightens, mere inches from you.
Tim drops his hands away from your sides but doesnât move away. âChannel 3 is Lopezâs code,â he explains. âShe only uses it when somethingâs wrong.â
Your phone buzzes again, and you turn away from Tim to answer it. âHello?â
âRiley is armed,â Hotch says. âHeâs got Lopez and West in the master bedroom on the ground floor. Theyâre uninjured, but heâs fidgety.â
âDid Derek ask Spencer about the bomb?â
âHe did,â Spencer replies. Hotchâs phone is likely on speaker, and you turn your phone to allow Tim to hear too. âThe bomb schematics were for a very closed-in space⌠like the townhouse youâre about to go into. Itâs not incredibly enclosed, but given that Riley has issues with control, it could be a manifestation of claustrophobia. If his anxiety has caused a fear of enclosed spaces, based on the fear of losing control in those spaces, then he may be attempting to overcome that by giving himself power in the situation.â
âCould he be a cleithrophobe?â Tim wonders.
âWhat is that?â Derek asks, and you can imagine him looking around Wadeâs office.
âI havenât seen evidence of it,â Spencer answers. âHe doesnât seem to mind being closed in; the murders in the townhouse didnât seem to affect him, but he is clearly concerned with power, control, and the hierarchy of those. It relates more to claustrophobia. Though I wouldnât advise locking any doors to test it.â
You hang up suddenly and gesture to the townhouse. Tim looks up in time to see the curtain in an upstairs room fall back into place. He takes the lead, walking to the door with purpose and his hand on his gun. You follow him and look around the front porch for any sign that Riley is planning to kill anyone today.
Tim pushes the door open carefully, nodding to tell you it is unlocked before Angela calls his name. The novella with your name in it is still by the bookcase, and you remove it from the evidence bag and slide it under your vest. You trade places with Tim, going up the stairs first as he covers you. At the top of the landing, Alexander Riley steps out into the hallway with a gun strapped around his shoulders.
âYou made it,â he says.
âWeâre here to help, Riley,â you explain softly, holding your hands where he can see them. âYou know that.â
He nods before jerking his head toward the doorway. You walk past him and stop in the center of the bedroom, scanning Angela and Jackson for any wounds. Luckily, they appear to be fine other than the handcuffs secured around their wrists.
âWhatâs the plan here?â Tim asks. âNot much room for error, Mr. Riley.â
âGive me your gun,â Alexander replies, holding his rifle with one hand as he extends the other toward Tim.
Tim complies, but his glance at you is a clear communication to not surrender your FBI-issued piece.
âAgainst the wall,â Alexander tells Tim. âYouâre right, there isnât room for error. But Iâm prepared. Iâve been preparing since I lost everything.â
Tim sits against the wall, less than a foot from Angela. Alexander turns toward you, and his gaze softens. You were right, it seems. Alexander Riley has a soft spot for you; he thinks youâre like him, wronged by corruption and abused power, and youâre going to work that soft spot until heâs in cuffs.
âTake your vest off,â he requests. âPlease.â
You donât move but look pointedly at his gun before raising your eyes to his face.
âI wonât hurt you.â
Despite your instinct to refuse, to call in the cavalry and help Tim incapacitate the killer before you, there is too much at stake, and the longer youâre compliant, the longer Riley will keep everyone alive. So, you pull the vest over your head, not bothering to catch the novella as it falls to the floor, the blood on the cover contrasting the neutral carpet below your feet.
Back at the station, Hotch clenches his jaw as you open yourself to Riley, and Derek says, âDonât do it⌠I might kill her for that.â
âYou wrote it, right?â you ask, gesturing toward the stapled manuscript. âYou wrote all of them.â
Riley fidgets, then nods.
You step toward him, keeping your expression soft and conveying understanding as you add, âI read some of them. Theyâre good, Alex. Can I call you Alex, or do you go by something else?â
âAlex is fine,â he replies, whispering your name under his breath like a prayer.
Tim shifts as Alexanderâs attention changes slightly, morphing from a fierce protector into someone who wants to be by your side after youâve been saved. You donât spare a glance toward Tim, and for a brief moment, he wonders where you learned to do this. Then reality crashes back in like a wave that knocks Tim off his feet, the reminder that he could have taught you if he hadnât let Keith Adamson get to him.
âIn Brightest Day, you wrote a character who was a young cop, naĂŻve and desperate to do the best thing,â you continue. âWho was she?â
âYou know who,â Alex mutters.
You smile and ask, âWas I in all of them?â
âOf course.â
âThatâs why you went to my old apartment before you sent the message to my friend in the FBI? Because Iâm part of this? No, because youâre improving the character, right?â
âYou were so far away,â he whispers.
âAlex, did you learn how to code just to talk to me?â you inquire softly.
He nods, then looks to the novella at your feet. The toes of your boots are inches from the paper, and his mouth twitches like he wants you away from it.
âKick it,â he demands.
âWhy? Itâs art, itâs part of your soul,â you argue.
âKick it.â
Tim nods in your peripheral, and you swallow before kicking it toward the door. Alex doesnât hesitate to shoot the paper. You turn away from the noise, covering your ears even though itâs too late to keep your head from pounding. As the noise fades and your hearing returns, you see the shredded paper surrounding the hole in the floor.
âHow does the story end, Alex?â you ask, stepping toward him again. âAre you like the truck drivers in Animal Farm? The cursed wanderer in Render Down you wrote for Liza? Or are you some new character that only cares about usurping the power for yourself?â
âIt was never about me!â he replies, louder than youâve heard him before. He softens his voice to repeat, âNever.â
âShe was mine first,â Tim interjects suddenly.
Alex spins on his heel, the barrel of his rifle rising as he faces Tim. You shake your head wildly, desperate to stop him from saying something that will make Alex pull the trigger again. Angela looks down quickly, and you see her gun beneath the bed. As Alexâs chest heaves, his eyes locked unblinking on Timâs, you move closer to the weapon, to Alex, and to freedom where you all walk out of here alive.
âI was saving her!â Alex roars. âFrom corruption, from Adamson, from you!â
âAdamson is the only one who hurt her,â Tim argues.
âFebruary 17, 2017. You took your rookie to a noise disturbance call, and when you got there, four stupid young men were looting a flooded store during a break in the storms. She handcuffed one of them, but the rest ran. Then⌠then you started yelling at her, blaming her for all of it. While you were busy berating her, the other man ran with the handcuffs. I got away, but the power, the corruption, the greed was all getting to be too much. We hurt the owner because she was too worried about not getting insurance money for the water damage to empty out the register.â
âSomething changed,â you say from beside Riley.
He doesnât move away from Tim but stops talking to listen.
âIn the first novella, it was you and me, wasnât it? You wanted to make a new world together, save me from the love you thought would corrupt me.â
âAdamson used you too,â Alex tells Tim. âI made room for you to come with us and this is how you repay me? Chasing me for making things better. Youâre back where you started.â
âMaybe now isnât the time to act,â Jackson West says. âWhat if the world couldâve healed on its own and the people you killed might have helped?â
âFool! Theyâve gotten to you, too.â
As Alexâs finger slides onto the trigger, he turns toward Jackson. You donât hesitate to lunge forward, closing the distance between yourself and Alexander. While you tackle him to the floor, he squeezes the trigger, and the shot rings through the now-silent townhouse and seems to echo for hours as your team watches in horror.
Tim pulls the handcuff key from his belt and passes it to Angela before he crawls on his hands and knees to reach you.
âI hope somebody got scans of that novella before he shot it,â you groan as you sit up.
Tim sighs, taking your face in his hands as he wipes blood from your temple.
âIs his writing really that good?â Jackson asks as he stands.
âItâs a little preachy,â you reply with a smile.
Your phone rings, and you swipe the screen to answer, then immediately hang up.
âThat was your boss,â Tim points out.
âHe can yell at me when he gets here.â
âAlexander Riley has been charged in the deaths of twelve Los Angeles residents,â JJ says at the press conference the morning after your encounter with Alex. âHis victims include Janice Davis, Gregory Hunter, Bryce Keller, Hank Sheller, Peter Bristol, Liza Renner, Mel Houghton, Destiny Crest, Angelica Thomson, Alissa Alvarez, and Jack and Cassidy Wilson. Nearly three dozen cold cases are now being reopened, and the FBIâs Behavioral Analysis Unit supports the LAPDâs claim that Riley could have committed these crimes as well. Iâll welcome any questions at this time.â
You scrunch your nose from the side, resisting the urge to remove the bandage on your forehead. Tim stands beside you, watching you.
Tim notices that the bandage is loose but doesnât move before Hotch warns, âDonât do anything in the public view that you donât want to get out and give Riley a chance at walking.â
When the conference ends, Derek sighs and walks past Hotch to return to the hotel and pack. As he approaches you, he smiles and says, âAnd you didnât want to come because I canât help, and LA is too sunny.â
You try to punch Derek for his poor impression of you but miss as he breaks into a jog. Shaking your head, you turn to Tim and prepare a joke about how you donât sound like that. Timâs serious expression stops you, though.
âYou didnât think you could help?â he asks. âYou were going to be an amazing cop, and I regret playing a part in taking that opportunity from you.â
You shrug and respond, âI like the FBI, and I got to tackle a murderer, so it all worked out.â
âYeah,â Lucy interrupts, walking to your side. âBut now you have to go back to Virginia.â
âThank you,â Wade says, stopping at your side. âCome back soon, okay?â
You smile as he hands you a paper. As you read it, you sigh, then shove it into your pocket. The email came in this morning telling all active FBI agents about the new tactical unit, one which will work closely with the BAU. Theyâre actively recruiting, but if you tell Tim, youâre asking him to choose between you and the job again, and you canât do that to him. Asking Tim to leave LA would be cruel, you think, so you force a smile onto your face.
âThank you for everything,â you tell him. âEspecially the part where you saved my life and the apology. Iâll try not to stay gone so long this time.â
Tim nods, and you smile at Lucy before following your team. He watches you walk away, ignores Lucyâs encouragement for him to chase you, and waits until you leave to whisper what he wants to say. But Tim lost his chance again. Worse, he lost you again.
Two Weeks Later
âWhich one of you wants to die first?â the armed suspect asks, swinging his curved meat hook between you and Spencer.
âProbably you, right?â you whisper. âYou know, my bloodâll be on it if he kills me first.â
âThe mean value of Staphylococcus aureus in raw meat is 3.84 in a butcher shop,â Spencer replies. âI donât know where that thing has been. At least your blood has been relatively well contained. And any amount of water on that thing increases the number of bacterial specimens transferred from the meat surface.â
The metal door of the meat locker blows open suddenly, and when the butcher before you turns to see what caused the noise, two men in tactical uniforms subdue him and confiscate the meat hook. Spencer rushes out of the facility, and you watch as the new FBI team takes your suspect into custody.
âI could have done that,â you complain.
âSure you could, boot,â one of the men says, his voice muffled by the helmet.
You look toward him with your eyebrows raised. He takes his helmet off, and your jaw drops. Tim Bradford.
Smiling, you step toward him with questions racing in your mind, but he extends a gloved hand, holding it against your waist to stop you as he whispers, âMorgan has cameras everywhere.â
As you walk into the BAU bullpen together, Hotch looks up from a paper. He looks at you, then Tim, then back to you, and smiles. With wide eyes, you hide behind Timâs shoulder, unsure what a Hotch smile could mean in this particular circumstance.
âWeâre wheels up to Los Angeles in forty-five,â Hotch says.
âWhy?â you ask, stepping out from behind Tim.
âThereâs a domestic terrorist leaving Shakespeare at foreign-owned businesses hours before theyâre bombed or become mass murder scenes.â
You nod, but before you can speak, Derek calls, âBring Bradford! We could use the Army experience.â
Hotch narrows his eyes at Tim, then shrugs and agrees.
âGood, good,â you mumble, wrapping your hands around Timâs arms. âIâll show him the ropes then and weâll be back in thirty.â
âPlease do.â
You quickly forget the ropes as you drag Tim into Penelopeâs empty office. He smiles and prepares to ask what this has to do with terrorism, but you slide your hands onto his jaw and kiss Tim. Finally. Tim's hands meet your waist, and he pulls you closer as he kisses you, both of you melting into one another and getting lost in the moment youâve waited so long for. When you pull back, Tim keeps you close, smiling like heâs seeing you clearly for the first time, though heâs known your heart and potential for nearly a decade.
A quiet gasp draws your attention, and you both look to the door as Penelope says, âIâm telling Chocolate Thunder!â
#tim bradford x reader#tim bradford fic#tim bradford the rookie#tim bradford imagine#tim bradford#the rookie x reader#the rookie abc#criminal minds#derek morgan#bau team#spencer reid#jj jareau#aaron hotchner#penelope garcia#fem!reader#hanna writesâŻ#crossover fic
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KIP'S BIG POST OF THINGS TO MAKE THE INTERNET & TECHNOLOGY SUCK A LITTLE LESS
Post last updated November 23, 2024. Will continue to update!
Here are my favorite things to use to navigate technology my own way:
A refurbished iPod loaded with Rockbox OS (Rockbox is free, iPods range in price. I linked the site I got mine from. Note that iPods get finicky about syncing and the kind of cord it hasâ it may still charge but might not recognize the device to sync. Getting an original Apple cord sometimes helps). Rockbox has ports for other MP3 players as well.
This Windows debloater program (there are viable alternatives out there, this one works for me). It has a powershell script that give you a little UI and buttons to press, which I appreciate, as I'm still a bit shy with tech.
Firefox with the following extensions: - Consent-O-Matic (set your responses to ALL privacy/cookie pop-ups in the extension, and it will answer all pop-ups for you. I can see reasons to not use it, but I appreciate it) - Facebook Container ("contains" Meta on Facebook and Instagram pages to keep it from tracking you or getting third party cookies, since Meta is fairly egregious about it) - Redirect Amp to HTML (AMP is designed for mobile phones, this forces pages to go to their HTML version) - A WebP/AVIF image converter - uBlock Origin and uBlacklist, with the AI blacklist loaded in to kill any generative AI results from appearing in search engines or anywhere.
Handbrake for ripping DVDsâ I havenât used this in awhile as I havenât been making video edits. I used this back when I had a Mac OS
VLC Media Player (olâ reliable)
Unsplash & Pexels for free-to-use images
A password manager (these often are paid. I use Dashlane. There are many options, feel free to search around and ask for recs!). There is a lot that goes into cybersecurityâ find the option you feel is best for you.
Things I suggest:
Understanding Royalty Free and the Creative Commons licenses
Familiarity with boolean operators for searching
Investing in a backup drive and external drive
A few good USBs, including one that has a backup of your OS on it
Adapter cables
Avoiding Fandom âwikiasâ (as in the brand âFandomâ) and supporting other, fan-run or supported wikis. Consider contributing if its something you find yourself passionate or joyful about.
Finding Forums for the things you like, or creating your own*
Create an email specifically for ads/shoppingâ use it to receive all promotional emails to keep your inbox clean. Upkeep it.
Stop putting so much of your personal information onlineâ be willing to separate your personal online identity from your âonline identityâ. You donât owe people your name, location, pronouns, diagnoses, or any of that. Itâs your choice, but be discerning in what you give and why. I recommend avoiding providing your phone number to sites as much as possible.
Be intentional
Ask questions
Talk to people
Remember that you can lurk all you want
Things that are fun to check out:
BBSes-- here's a portal to access them.
Neocities
*Forums-- find some to join, or maybe host your own? The system I was most familiar with was vbulletin.
MMM.page
Things that have worked well for me but might work for you, YMMV:
Limit your app usage time on your smartphone if youâre prone to going back to themâ this is a tangible way to âpractice mindfulnessâ, a term I find frustratingly vague ansjdbdj
Things Iâm looking into:
The âPi Holeââ a raspberry pi set up to block all ads on a specific internet connection
VPNs-- this is one that was recommended to me.
How to use computers (I mean it): Resources on how to understand your machine and what youâre doing, even if your skill and knowledge level is currently 0:
This section I'll come back an add to. I know that messing with computers can be intimidating, especially if you feel out of your depth. HTML and regedits and especially things like dualbooting or linux feel impossible. So I want to put things here that explain exactly how the internet and your computer functions, and how you can learn and work with that. Yippee!
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đđđđđđ | đđđđđđ đ đđđđ
đđ đ đđđđđđđ â˘



18+ minors and men please dni
content warnings: alcohol, cunnilingus, fingering, clitorial stimulation, sex w/a strap, light choking/biting
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youâd had such a wreck of a day at work. the files your boss spent all week waiting for never showed up. and naturally it became everyoneâs problem. including yours. you donât even work directly underneath her. but for the rest of the day you were somehow solving her problems while trying to get your own work done. overtime is generally something you avoid. yes, the extra few hundred dollars were nice but surely not at the expense of your sanity. thankfully tomorrow was saturday. thankfully you worked in a âswanky and up and comingâ part of the city.
a bar, your co-workers recommended frequently, sat at the corner up the block from your office building. the sounds of your steps were swallowed by the traffic surrounding you and the other pedestrians having lively conversations. it took no effort to locate the bar. maneuvering through glass and gold trimmed swivel doorsâyour eyes were forced to adjust to the low lighting of the bar. it is not the usual dive bar of your somewhat forgotten college days. the bar glittered with gold and black accents. marble decorated the space tastefully and almost inconspicuously.
despite the upscale location and vibe, you prayed none of the white collar men would take it upon themselves to acquaint their cigarette breath with your personal space. the space was busy, but not crowded. youâd normally indulge in sitting at the far end of the bar. tonight such familiarity isnât plausible.
you sling your coat over the back of chair before settling into it. your manicured clean cut nails tap idly on the bar top. most bars are sticky and smell painfully of beer. everything here is kept to fine precision. as you take in the rest of your surroundings, itâs clear the owner(s) took a keen attention to detail.
a voice breaks your train of thoughts and the silence. âanything to drink? or just looking?â
your eyes instinctively begin to roll but as you redirect your attention towards the voiceâyour innate reaction comes to a pause. if you lacked a little less decorum, your jaw might have hung open at the sheer amount of woman across from you. she absentmindedly polished wine glasses while awaiting your response. her grey eyes dont necessarily pierce into yours but she is carefully considering you.
the fingers tapping the bar top pause. âwhatâs good here?â itâs the only response you can muster.
the bartender laughs casually and effortlessly throws the drying rag across her shoulder. âeverything and anything. iâm the best bartender in town.â
ânot sporting that bourgeoisie, mixologist, tag then?â
she barks out another laughter. âno. i donât need a fancy variation of bartender to prove myself. come on. whatâs to drink?â
you sigh and shrug. âhonestly iâm not sure. iâm a little exhausted making my own decisions. how about you surprise me?â
âsurprise?â her eyes track your disposition and the pouty lips as your own eyes survey the entirety of the back wall of liquor. âany preference to our expanse of liquor?â
your index and middle finger wedge between your platinum black credit card and id in the chest pocket of your suit jacket. sliding the payment and identification across the bar smoothly until theyâre grazing brown fingertips. âsomething strong. iâve had a long day at work.â
the bartender is somewhat surprised by the confidence displayed. not that she had pegged you as a damsel in distress. a woman who confidently sports a tailored three piece suit with a complementary coat isnât an unusual member of the bar. your air of nonchalantness and casual surveillance of your surroundings draws her in. and when you, oh so casually, mentioned zero interest in decision makingâŚit was almost as if a trap was set. a game launched.
âone surprise me drink then.â
within seconds she has flourished away and her hands grab speedily at different shelves. your eyes remained intently focused on the blur of movements. you attempt to track the ingredients but itâs futile. after a few minutes, she pours a umber liquid into a whiskey glass. leaning over, you smell the notorious notes of expensive ass whiskey. and something sweet.
âwhat is it?â you inhale another whiff.
the bartender pours the rest of the contents into a shot glass and shrugs. âtry it. see if you can guess.â
you lift your eyes through your eyelashes. âokayâŚâ you cautiously wrap your fingers around the glass and take a diligent sip. the flavors tingle on your tongue. you were right about the subtle sweetness. the whiskey doesnât have the usual warmth coating your throat. well, itâs not as noticeable. instead your skin intakes the warmth and the first sip is reminiscent of a rum cake.
âholy shit.â you exclaim with pure genuine awe. âokay, um, whiskey, yes?â the bartender smirks and nods. âokayâŚitâs kind of sweet. cinnamon maybe? or nutmeg?â
her smirk shifts into an authentic smile almost revealing one of her canines. âno, but close. we make our own vanilla extract. i mightâve indulged and scraped a tiny amount of the soaked bean into the shaker.â
your eyes widen with the revelation. authentic vanilla beans are expensive and hard to come across unless you know someone. âthatâsâŚwoah, okay. what else did you put in here?â
âa little of this and a little of that. continue sipping and think on it. iâve got other customers.â she tips her head towards the end of the bar. you can tell her tone isnât rude or one of dismissal. if anything you believe sheâs almost overindulging you.
as you take deliberate sips of the drink, you find yourself unable to pull away from the sight of the bartender. your eyes drink in the way her muscles move as she tosses the ingredients in a shaker. they threaten to burst around the sleeve of her plain black t-shirt. she grips her instruments of choice with such suave and ease. using either elbow, flesh or prosthetic, to hit the edge of the shakers for that satisfying popped release.
by the time youâre finished with the drinkâyouâve worked through countless cheesy pickup lines and flirty innuendos all in your head. but before you can grace your words on her earsâa womanâno a creation of the godsâcommands the entire presence of the bar. she must stand far over six feet. her dark skin glistening with a sheen she mustâve taken precise effort to massage into her skin. her muscles are perfectly sculpted and crafted as if by a potterâs gentle touch. and the dress?
mothers above the dress. who was the lucky son of a bitch who wove that fabric around her shoulders and breasts? the deep red and luxurious cotton threatening to fuse with her radiant skin. she certainly is not a real woman. she must be an apparition of everyoneâs mind. some ethereal being projecting an unattainable image for us. yet as she approaches the bar with almost a mission in mindâyou come to the realization the only seats are opposite you. one drink of the glorious concoction isnât enough to even allow yourself near her presence.
as you deliberate whether to flag the bartender down again, the goddess herself, encroaches on your space. her perfume twirls around your noise. the familiar scent of coco butter overwhelms yet comforts you. her hand on your shoulders almost produces an embarrassing moan.
âmay i sit beside you, sweetheart?â her words are perfectly enunciated and in an unrecognizable accent. or maybe itâs simply the drawl of the words.
you nod without any hesitation. thereâs no denying a woman such as herself. you could not fathom a world in which sheâs ever heard the word, no. her smile is almost mischievous as she accepts the non-verbal response. you witness her dress move as second skin as she effervescently sits. her golden eyes meet yours with such intensity you hold a breath. her face spreads into such a wide grin. you hadnât realized how audible your swallow was. you would not have caught on to it until much, much later in the future.
âambessa. pleasure to meet you.â her golden bracelets jingle against each other as she extends her hand.
you stare dumbfounded at the hand before remembering. her name rings in your heard over and over. âpleasure is all mine. iâm y/n.â
ambessa regards you with a tilt of her head. you can feel each inch of your skin on fire where her eyes trail towards to then away. then she lets out a hum. a satisfied hum. âi see. iâve yet to meet you before.â
âiâm usually more comfortable drinking a glass of wine at dinner than drinking at any sort of bar. but i must admit itâŚthis isnât your normal bar.â
âindeed it isnât.â
your brain works far too hard to think of something else to say. instead you awkwardly sip the melted ice and last whispers of the drink. you cringe internally when it makes that god-awful sucking noise as it reaches the final drops. within seconds, the empty glass is swapped out with a new drink. two drink straws dangle from your lips as you look up at the hand replacing it. you manage a faint, thank you, smile.
without warning, the bartenderâs fingers guide the straws out from the grasp of your lips. âi know weâre supposed to care about the environment. so iâll let ya keep the straws if youâre feeling attached.â
your cheeks, without second thought, burn with the irresistible urge to break out into a smile and giggle helplessly. youâre not one to shy away from the advances of beautiful women. youâre confident in your abilities to flirt and flirt back. yet itâs something tonightâŚsomething youâre unable to place your fingers on.
âiâll, uh, let you have it.â you shake your head instantly to take the words back. âthrow it away, i mean.â
your bartender only graces you with a chuckle before departing again. the next thing she doesâyou are certain itâs a hallucination. without hesitation pops one of your used straws between her teeth. as if itâs a toothpick or piece of hay. your thoughts donât have the opportunity to stray for long. ambessaâs bracelets summon you once again.
itâs not pathetic to mindlessly follow the sound of a gorgeously stunning womanâs bracelets. especially not when ambessaâs long finger is dancing along the rim of her glass.
âtell meâŚwhat exactly do you do for work? you surely do not seem like an investment banker.â
you crack a smile at the not-so joking remark as ambessaâs voice gains your full attention. âno, i am not. iâm essentially a glorified reader. i read all these grant proposals that come into our company. i select which ones are worth our time and money then i allocate the proposals to different teams within the company.â
âsmart girl, i see.â
itâs the only note ambessa gives you but you cannot contain the growing smile at the genuine praise.
âthank you. iâd like to think so too. and how about you? what do you do for work?â
ambessa knows how to draw you in. thereâs a twinge of a smile on her lips. instead of offering an immediate reply, she lifts her glass and swirls the contents around. âa little of everything, dear. one might call me greedy.â
âgreedy? how so?â you find yourself inching towards ambessa. though it appears, or maybe itâs the trick of the light, ambessa is purposely drifting back to draw you close.
âhow soâŚexcellent question. i assume youâd know a little something about greediness though.â
you stiffen at those words. youâre usually quite adaptable in situationsânever needing more than a few seconds to switch courses. yet ambessaâs words knocked your usual confidence out of you. greedy? of all the words and general assessmentsâgreedy is never a first impression youâve left. have you?
âiâmâŚunsureâŚof what you mean.â
ambessaâs laugh crackles in the air. the hairs on your arm react as if to electricity or physical touch. âah. i see youâre not fully acquainted in the evident ways of your desires. both for myself and my lovely bartender, sevika.â
your throat shrivels up at ambessaâs blatant comments. it aches for an escape. or perhaps you need the quenching sacrament that is only offered after foolishly devoting your lust to ambessa. you force your gaze away from the trance held by golden embers sparked in ambessaâs eyes. it takes only one second to realize sevikaâs paid close attention to the interaction at play.
the moment your eyes locked in with those glossy grey ones everything clicks in place. sevika cracks a smile around the straw, your used straw. ambessaâs finger never once stops moving around the glass. the condensation mimicked how you felt. slowly melting under the watchful gaze of two undeniably attractive women.
âyou two know each other then?â the slight tremble in your tone is noticeable to you and ambessa.
ambessa, always cunning and quick wit, replies, âwhat do you think, sweetheart?â
with a pause, you let the interactions of the night wash over you. ambessaâs quick determination to touch you as she had approached. sevika spending a minute too long doting on you with the drink. offering a far too special creation. the sharpness of each of ambessaâs words towards you. both women had, not too discreetly, expressed their interest in you.
âwhat are youâŚto each other?â your eyes flicker between ambessa and sevika. sevika now closer. only a few feet at the sink idly washing her instruments.
ambessa scoffs. the sound makes you whip your head towards it. âwhat does it matter? i think itâs clear what we both desire.â
sevika chuckles at the subtle harshness in ambessaâs words. or maybe itâs lack of disinterest to further coax the truth into you. ambessa is patient but headstrong. flipping her shakers to dry, sevika closes the distance. creating a bubble between all three of you and the rest of the patrons.
âdonât make this difficult, doll.â sevikaâs tone is much suave than before. âcome home with us tonight. weâll show you a good time.â
you cannot remember how or when youâd said yes to the proposition. it didnât take a genius to jump on the opportunity either. all you could remember was sevika and ambessa sharing a grin. then with a snap of ambessaâs fingersâsevika switched spots with another bartender. another blur of time went on and were wedged between both women in the back of a black suv. sevikaâs lips were attached to your neck while ambessa stroked her hand teasingly along your inner thigh.
ambessa cackled once you spread your legs open for more of her touch. it never came. it didnât matter much to you in the moment. you were aware it wasnât rejection from ambessa. the woman craved to have you all but salivating for her touch.
âyouâll beg us to stop touching you soon, darling.â ambessa purred near your ear before nipping at the soft flesh of the lobe.
no one said a peep as ambessa tugged you through the lobby of their penthouse suite. her fingers crushing the silk of your tie. the sight alone invoked a lowly moan in your throat. you were not embarrassed to admit, to yourself, you grew damper in your underwear.
nothing and absolutely nothing could have prepared you for the ways in which ambessa and sevika desired you. once your feet crossed the threshold of the elevator into the penthouseâsevikaâs fingers worked in tandem to unbutton your dress shirt. it dawned you on far too late about your suit jacket discarded in the suv.
before you could even get a word in, sevika already sunk to her knees and maneuvered your pants and cotton underwear down to your ankles. it was a momentary lapse of awkwardness as you attempted to wiggle your feet out of both shoes and pants. within seconds of freedom, sevikaâs face is buried between your legs. her tongue does not hesitate. an eager lick is taking of your foldsâa warm tongue paired on your even warmer pussy.
âfuckâŚâ you mutter with the sheer hunger and heat behind the first pass. you reach out for sevikaâs hair to steady yourself from stumbling over.
sevikaâs tongue moves with a messy yet deliberate rhythm. she moans into your cuntâsavoring every last inch of you. you watch in awe as her eyes are closed and tongue exploring every nerve that makes you whine. her tongue delves lowerâteasing your entrance only with the tipâbefore bringing it back to your swollen clit. youâre far too wet for sevikaâs tongue to dissolve your juices rapidly. you feel her tongue spread your desire all over your clit before she sucks the bundle of nerves between her lips.
your nails scratch profusely at her scalp. any attempt from embarrassingly falling over as she eats you out. your moans turn more frantic and your whimpers more high pitched. before you can think to warn sevikaâa commanding voice demands sevika stop. both sevikaâs and your disappointment rings in the air. the woman on her knees grumbles into your cunt. you release a mewl of annoyance. sevika chastely adores your clit with a kiss before returning upright.
âdonât look too sad, buttercup.â sevika playfully nudges your chin.
before you allow yourself to respond, ambessa steps behind you and secures one arm around your waist. she molds your bodies together. the older woman is completely naked. her breasts press into your shoulders. her hips are positioned on your lower back. you tense momentarily feeling her breath on your skin but it dissolves immediately.
ambessaâs head dips to your neck and licks a strip of skin along the curve on your shoulder. âsuch a pretty little thing, arenât you? so eager and willing for us.â
you forget almost instantaneously about your loss orgasm. sevika steps closer which graciously allows more support for your trembling body. both her hands grip into the ample, tender flesh of your hips. she smiles wickedly.
âcome on, ambessa. you promised iâd have my fun with her.â sevika fakes a frown. despite her words directed to ambessa, her eyes remained on you.
ambessa chuckles lowly against your skin and her nose tickles as she nods. âvery well. iâll play nice for now.â
before you can catch the needy whine it slips out the second youâre deprived of ambessaâs warmth. she steps away with a pleased smile at your reaction. within a blink of an eye sevikaâs scooped you into her arms bridal style and is following closely behind ambessa.
âi can walk, you know?â you mutter with a quiet tone as you position your arms around sevikaâs neck.
âso? not enjoying the princess treatment?â sevika returns without missing a beat.
you scrunch your nose to starve off the blush threatening to bloom over your face. sevika only laughs knowingly. now as youâre in the bedroomâyou donât have much time to properly appreciate the deliberate decor and interior design. sevika carefully lowers you on the bedâtreating you almost too delicately for your liking. ambessa situates her back flushed to the headboard.
ambessa spreads her legs a few inches wide and pats the space between them. âcome, dear.â
with a deliberate nod, you crawl towards ambessa until youâre kneeling between her legs. she offers a genuine smile and a tilt of her head. a bashful feeling washes over you at her undivided attention. it takes a few seconds but then you understand the silent command. you sit between ambessaâs legsâyour back leaned against her chest.
âi knew you were smart.â ambessa praises and her hands diligently part your legs until each one hangs over one of hers. âwe like safe words around here, dear. as it is your first night we will start with the traffic light system. do you know what that is?â
âyes, ambessa.â
you cannot see it but you can sense another wide smile spreads across ambessaâs face. âdelightful. let us put it to the test while sevika gets ready.â
one of ambessaâs hands cups your breasts and the other slides down your torso. fingers hovering over your mound before she speaks again. âwhat color, dearest?â
an immediate raspy whisper emits from you. âgreen.â
ambessa hums her acknowledgment then her fingers part your folds. the cool air tingles on your exposed cunt. you even hear the slickness as she spreads you apart. her hand on your breast gives a firm squeeze before palming at the flesh. your sharp breath causes ambessa to pause and you immediately reply with, âg-greenâŚâ her actions continue with the confirmation. ambessa rolls your nipple between two fingers as she ghosts the other fingers over your clit. your hips instinctively buckâfeening for more friction. ambessa deviously chuckles near your ear. while twisting your nipple with a surprisingly delicate touch, ambessaâs middle finger draws circles over your clit. it takes almost nothing to tip your head back against her shoulder with a moan.
ambessa eagerly drinks in your approval and continues with the ministrations. the circles prove to only tease you and leave you leaking on the sheets. after a full minute passes, ambessaâs finger wanders lower. the same digit trails teasingly over your entrance.
âwhat color, sweetheart?â
you groan lowly. âgreenâŚpleaseâŚgreen.â
as the last syllable leaves your lips, ambessa effortlessly drives two fingers into your waiting cunt. you both moan for the same yet different reasons. the two fingers curl expertly drawing another moan from you. it takes no effort for ambessaâs fingers to glide in and out of you without resistance. each movement filling your ears with the profane wetness between your legs. you whimper with your lips parted as she curls her fingers deeper and fucks you slowly yet deliberately. as if sheâs waiting for something. or someone.
âshe ready?â
sevikaâs voice cuts into the sounds of your pleasure and ambessaâs fingers stretching you. with half lidded eyes you find sevika through the haze of lust glazed over them. on her hips hang a dildo of about six inches with healthy width of girth. the harness accentuates the dips and curves of her defined hips and legs. as youâre shamelessly checking sevika outâshe is doing the same. her eyes trained on ambessaâs fingers expertly curling in and out of you.
your back arches as ambessa adds a third finger. ambessa drops her hand from your sensitive nipple and wraps her arm around your waistâpulling you back flushed against her body.
âshe should be ready. are you, sweetheart?â ambessa lathers your neck with kisses after her question despite her fingers still moving steadily inside of you.
âyesâŚâ your focus is split everywhere. unable to keep your eyes trained on sevika without moaning as ambessa stretches you further for whatâs next.
nonetheless sevika finds herself in bed with you both. she inches forward on her knees until sheâs in the space ambessa created between your legs. both her and ambessa exchange a look before the fingers inside of you slowly slide out. you whimper at the loss but know itâll immediately be replaced with something bigger.
sevikaâs hands soothingly massage the length of your thighs. her thumbs lightly digging into the fleshâeasing any residual tension. you sigh out a moan as her thumbs move further up. they find themselves in the valley of your hips and legs working with more added pressure.
âplease sevikaâŚâ you attempt to arch your backâdesperate for more than teasing.
ambessaâs arm tighten its hold on your torso. ânone of that, doll. youâll stay still and wait for sevika.â
âah, itâs okay, ambessa. sheâs kinda cute like this.â
sevika positions her knees underneath ambessaâs thighs for leverage. her non prosthetic fingers dance and dip between your foldsâensuring youâre ready. she guides the head of the strap towards your hole. the tip nudges against your entrance. both you and sevika bite your lips in anticipation. ambessaâs hands are tenderly caressing your sides sending goosebumps everywhere.
with one swift yet deliberate thrust sevika has sunk the entirety of the strap inside of you. likewise a moan is buried in your throat wanting escape but unable to. you feel the roughness of ambessaâs hands settling into their positions. one hand returned to your breast and the other slithering down to locate your clit once again.
the moan finally releases once sevika cautiously grinds her hips down and ambessa applies a delicious pressure to your clit. you find yourself melting into ambessaâs arms as her lips idly kiss along your shoulder and neck.
âone last time dearestâŚwhat color?â ambessa mutters against your skin.
âgreenâŚfuckâŚgreen for the whole nightâŚâ
you hear both their pleased chuckles and a blush dusts on the apples of your cheek. the momentary embarrassment dissipates the second sevika lazily drags the strap out then thrusts it back inside of you. she repeats the action a few timesâstretching you out before setting a pace. once sevikaâs patience runs thin of the teasing, she grips your thighs and starts thrusting her hips. itâs a steady momentum and rhythm. you feel the veins of the fake cock sliding against your spongey walls. the slight curvature allows a pleasurable friction on your g-spot each time sevika drags the strap out.
your moans gradually grow more and more desperate the more sevika thrusts into you. ambessaâs firm circles on your clit accelerates the process of your orgasm. paired with the interchangeable stimulation of your nipples from talented fingers. sevika pants and occasionally grunts above you. she cannot decide whether to watch her cock disappear inside your cunt or the expressions on your face. her nails leave impressions of half crescent moons on your thighs.
âfeels so fucking good, babyâŚshitâŚâ sevika growls as she crouches forward. her forehead grazing only an inch above yours.
sevikaâs hips begin to move with a little less grace. snapping into you with such an intensity youâre already preparing for the lingering soreness tomorrow. you cannot even get the noises of pleasure out from within. your head falls on ambessaâs shoulderâno longer able to support the weight. ambessa, always an opportunist, encircles your neck with her calloused fingers. the action draws a moan out of you and itâs immediately paired with ambessa adding more pressure to your clit.
âoh fuckâŚthatâsâŚgonna make meâŚcumâŚâ
ambessaâs squeezes the sides of your neck experimentally and the walls of your cunt flutter and tighten around sevikaâs strap. it produces a series of tiny whimpers as sevikaâs thrusting is unrelenting and ambessa fingers never once pause their careful, pressured circles on your clit.
âcome for us, baby. youâre so pretty like thisâŚso perfectâŚâ ambessa whispers softly near the shell of your air.
youâve never once came on command. you figured it was a myth. that is before ambessa cuts off your air circulation. before sevika manages to spread your legs wider and somehow move even faster. the fingers on your clit match the speed in which youâre being fucked. ambessa tips your head backwards so sevika can crash your lips into a heated and passionate kiss.
within seconds everything comes crashing down. your legs tremble from the onslaught attention. tongues messily clashing as you both moan into each other. the blood gushes rapidly in your ears drowning out the squelching sounds of your cunt being filled. youâre not even sure if you moaned or if it was a silent one. neither of them relent until youâve limply sunk into ambessaâs embrace.
sevika draws back from your lips. smiling proudly as a string of saliva connects you both. ambessaâs hand encroached around her neck drops and starts caressing your trembling form. her lips return with more intent kisses anywhere she can reach. sevikaâs hands carefully lift your legs off of ambessaâs and settle them on the bed after she draws the strap out of you.
you whimper with the empty feeling. despite the emptiness, your cunt throbs achingly around nothing. you hear someone ask you a question but you cannot determine from whom.
âdid you hear that?â the voice asks and you shake your head truthfully. you feel the laughter rumbling on ambessaâs skinâmustâve been her. âdo you need a break? or are you ready for more?â
âm-more?â you whine out as you half heartedly watch sevika loosen then step out of the harness.
ambessa bites gently into your shoulder emitting a tiny yelp out of you. âyes, more. you think sevika is the only one with all the fun? oh darlingâŚi myself need to taste you and feel you come around my tongue, my fingersâŚmaybe iâll bring out a bigger toy. would you like that?â
âyes, ambessaâŚâ the prompt answer is without hesitation.
ambessa licks the bite mark embedded in your shoulder now. she words settled deep into your core. âohâŚyouâre too perfect. i think weâll keep you, pet.â
#sevika#arcane#ambessa medarda x y/n#ambessa x fem reader#ambessa x you#ambessa x y/n#ambessa x sevika#ambessa x reader#ambessa medarda x you#ambessa medarda x reader#sevika x you#sevika x reader#sevika x y/n#ambessa medarda
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The Family Meet and Greet
Damian Wayne x Reader
Request/Summary: Hey hun! I wanted to send in a request for Damian Wayne x reader. Maybe reader being introduced to the family/the family finding out about them?
A/n: Honestly I canât tell if the picture is Tim or Damian.
Masterlist - Tip Jar

Damian is a pretty private person and doesnât intend to do an awkward meet and greet with his beloved girlfriend.
He knew that all of his family members would find out one way or another anyway.
Dick Grayson:
It wouldnât take a genius detective to know that Damian is asking for advice for his love life.
Damian sits in his hero costume, hunched over as his legs dangle over the side of the building. His eyes evade Dicks, a red hue spreading across the tips of his ears.
A soft smile embellishes Dicks lips as he sees his younger brother whom is typically egocentric, now looking timid and shy for the first time ever.
âSo my friend started seeing someone recently and he had this dilemma on if he should keep seeing her or not because on one hand he has all this baggage he doesnât want to burden her with and on the other hand he just canât bring himself to break things off with her.â
âSo this girl your seeing-â Damianâs eyes bulge, snapping his neck towards Dick, acting too defensively.
âUgh, are you not listening Grayson? I said itâs about my friend.â
âRight, right, I forgot. My badâŚâ Dick thinkâs carefully on his words. âSounds like your friend is a classic over-thinker. Relationships are far from logical, itâs all based on feelings. It might be hard for your friend, but just enjoy it for what it is.â Damian sits and stares off over the Gotham skyline looking unconvinced. âLook Dames, there is no right answer. Just do what feels right.â
Leaning back into his palms he stares in amusement at his beloved younger brother continues pining in anguish.
âSo⌠how long do we keep pretending that we arenât talking about you? Can I see a picture?â Damian rolls his eyes with a sigh, sliding his phone out of his pocket, he taps on the screen silently before shoving his phone into Dicks hands.
There laid the image a happy couple. Damianâs arms wrapped around your shoulder. The dark city filtering behind the brightly lit couple, forever captured in permanent laughter.
Dick, initially keen to tease the cheesy photo before him, now silent in pure aw to see the genuine smile, Damianâs eyes lit in adoration.
âDo not tell anyone Grayson. I will share the news when I am ready.â
Tim Drake:
The little rat has been acting rather odd.
Tim tried talking about it to Dick but he just kept evading his questions by pathetically redirecting his attention with someone elseâs random drama.
Theyâre both acting weird and secretive, and there is no way Tim is going to be kept out of such an intriguing mystery.
Usually Tim would just stalk his targets, but this is Damian we are talking about. It is incredibly difficult, if not impossible to track Damian without him noticing. Starting with Damianâs social media, Tim pin points all of the photo locations and begins to visit each site one at a time. He hacks the local cameras and reviews the footage from around the date the photo was uploaded.
Low and behold, footage of Damian smooshing his face into another ladies faceâŚ.
Whelp, Tim was certainly not expecting to see such a DISGUSTING display of affection. YUCK.
He didnât even know the rat could even feel those types of feelings.
Tim, now laying on his bed cuddled up to a pillow is looking⌠traumatised.
Sometimes, itâs better just not to know.
Barbara Gordon
No freaking way.
Barbara could not believe her very eyes.
When completing a Internet background check on the Wayne family to scrub any suspicious allegations or accusations, Babs found the Holy Grail of finds.
An account with a mysterious woman with months worth of photos with the Wayneâs local angsty brat, Damian Freaking Wayne.
When completing a generic photo match search. Lovey, dovey poses with Damian and a girl by the name Y/n flashed up on the screen.
This is juicy! To tell Bruce or not to tell Bruce, that is the question.
Jason Todd
Disgusting. Absolutely foul.
Itâs a random Tuesday evening when Jason jumps roof tops only to discover a couple making out all hot and heavy.
Their bodies tangling together as the man rips his shirt off. The girl sliding her hands along his abdomen before landing on his belt buckle.
The man then slides his hands from the back of her neck to her ass, giving it a needy grope before sliding his hands to the back of her thighs, lifting the woman with ease and pressing her against the wall.
This is hilarious, they have no idea Gothams most infamous Vigilante has caught them about to get down and dirty on Gothams roof top.
Jason sat down and ate his figurative pop-corn in humourous delight, until his eyes adjust.
âAinât no FUCKING way!â Jason yells, humours delight now churning into a disturbed nausea. He swallowed the bile raising up in his throat.
Pulling out his phone he calls Damian. Panting breaths filter through the phone, only furthering Jasonâs disgust.
âWhat?! Iâm in the middle of-â
âI know what your in the middle of you sick bastard! Take it indoors!â The line goes quite for just a moment. âLittle freak, your family patrols the roof tops you know, ugh, I canât - Iâm having a flash back to Selina and Bru- ugh Iâm gonna vomit.â
Duke
âFinally!â Duke announces, hoping over the back of the couch and sprawling out on the soft cushions of the plush couch. Without a second to spare Duke switches the TV on to watch the latest episode of his favourite show.
âThomas-â
âNo talking!â Duke wholesomely announces, crossing his arms over his chest.
âMy phone⌠forget it.â Damian grumbles, seeing Dukes eyes glued to the TV. Squishing further into the cushions, Duke feels the uncomfortable poke of a hard object pressing into his rib.
Wrenching the wretched object from its place, Duke holds a phone. His haphazard fingers pressing into the screen which lights up and shows the text of a person named Y/n.
Y/n: Canât wait for our date tonight, I miss your handsome face xx
Dukes cheeks heats up, seeing a private message he shouldnât have seen. Damian is incredibly private and may murder Duke for accidentally learning something he wasnât suppose to.
Wiping ďżźany evidence of his fingers touching the phone Duke places the phone back between the cushions.
Best if he just abandons his show for now for a tactical retreat.
Bruce Wayne
God, why are his kids so weird?
Seriously? Out of all 20 of them, not a single one was normal��
Sitting at the head of the dinner table, he watches his children talk amoungst themselves in weird cryptic speeches.
âDo you know what I know?â Tim asks intensely, the broccoli wedged on his fork, pointing at Dick, who stares back wide-eyed.
âI donât know anything ⌠why what do you know?â Dick says scanning the rest of the room to see if they somehow knew what Dick was referring to.
âI canât share what I know, but just know it. Is. Juicy.â Babs announces with a sly and taunting grin.
âI donât know anything, I didnât even want to see it. Oh god, Iâm feeling queasy.â Jason says crossing his arms over his stomach.
âIDidntSeeAnythingEither.â Duke announces quickly, and begins to quickly Hoover his dinner.
Damian sighs, massaging his temples at his idiotic siblings.
âSo I take it that you have all found out about Y/n?â Bruce asks calmly, slowly sawing into the plump steak on his plate.
The room falls dead silent as all heads turn towards Bruce, surprised that he knew and surprised that he had the guts to say what everyone else was thinking.
âFather, how do you know about Y/n?â
â⌠Iâm Batman.â
#dc imagine#dc x reader#batboys#batboys imagine#batboys x reader#Damian Wayne x reader#Damian x reader#Robin x reader#Damian Wayne imagine#Damian imagine
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âHold still.â
In your attempt to stabilize the young manâs face that keeps recoiling childishly further and further away from you the longer you apply antiseptic on the littered cuts and scrapes before they swell and get infected, you feel your frustration mounting, gripping his chin more firmly than you intended.
âOw, ow, ow, ow!!!â Luffy yells and fidgets, but once your fingertips are posed on his skin, he stills, no longer pulling away. Just moments ago youâd think that every time you applied alcohol-soaked cotton it would sizzle upon contact with his skin with the way he was moving, and bite your lower lip in annoyance, but soon an image of what caused those injuries in the first place flashes back in your mind, and your approach softens quickly into empathy.
Luffy is strong and his pain tolerance is far higher than yours, so if heâs whining now, itâs because he feels safe enough to feel in your presence, and you should cherish that.
âIâm almost done, Luffy,â your voice comes out more compassionately, your hand sliding gently from the base of his visage, and trailing down his neck to rest on his shoulder. Itâs unintentionally intimate, and thereâs the softest tinge of pink that blooms under Luffyâs bruised up face as you lean in close. âJust give me a few more minutes, okay?â
He pauses, and his voice turns similarly gentle.
âOkay.â
The last place you work on is the developing shiner under his left eye, the one puffing up under his childhood scar. As you gently massage cooling ointment into his skin, his eyes close, his head tilting up as it melts into your touch.Â
Heâs behaving. Giving himself to you.
âIâm done,â you whisper a few minutes later, and Luffy opens his eyes, deep brown irises warm with gratitude.Â
He beams.
âThank you.â
Your cheeks warm for a moment, and in your constant need to emotionally self-regulate, you turn away from him quickly, busying your hands with the task of putting away your tray of first aid materials.
âYou can thank me by thinking twice about getting into fights.â
Itâs unfair, you know, as soon as it comes out, given that he needed to get his hat back one way or the other from Zephyr, but he quickly redirects you before you can apologize.
âWhy would I do that when I have you to patch me up so nicely every time?â Luffy retorts with a grin. You turn to give him an exasperated look, but heâs moved from the location where you left him, faster than you could perceive, and is standing before you now just a little too close, enough to almost startle you.
Before you can take a step back, heâs gripped your chin the same way you did to him earlier, tilting it up towards him. Itâs a show of dominance, but playful - as much as you tease and prod him and push him away, Luffyâs quick to show you that he has the upper hand always, easily.Â
âIâm making it Chopperâs job next time.â A threat you give him, without any teeth.
âAh, thatâs a bummer,â Luffy says, his grip spreading to pucker your lips. You know what he wants to do before he does it, his eyes and yours half-lidded before he kisses you, and the smell of pungent, herbal ointment fills your nostrils, quickly blunted by the sweet taste of his lips pressed against yours, his tongue seamlessly slipping into your mouth.Â
You kiss perhaps a little too long, your hands wrapping around his shoulders and his around your waist - you back together into a wall slowly, and still a little bit longer, you devour each other, relishing in the passing of bandaged and bruised hands over your skin.
He finally pulls away, grinning widely, satisfied with his work as you stand there, breathless and flustered.
âWell, I donât think I can repay him like that.â
âLuffy!â
The smack you give him in the arm has him yelp and you immediately apologize, panicked that you broke something of his, but as you do so, he chuckles.
âJust kidding.âÂ
You wonder if you should kick him for real but he mollifies you by taking your hand and kissing the unblemished knuckles.
âIâll stop teasing you for a bit, promise,â he says to your dissatisfied pout.
You huff, but soon change the subject, as your fingers interlace and you leave the ship clinic hand in hand.
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