good mornings throughout the travel
[ID: Two comics of Vash and Wolfwood from Trigun Maximum. The second is underneath the read more.
The first is in four panels and follows Vash and Wolfwood through hotel rooms. First, Vash and Wolfwood exit adjacent rooms, and Wolfwood has sparkles floating around him as he exclaims, “Rise and shine! Ready to go?” Vash frowns, displeased, and says, Urk— Good morning to you too.”
Next, they’re in a room with two beds. Wolfwood is awake and fully dressed. He’s sitting on the bed and smoking, back turned away from the viewer and he says, “Wake up already, sleepyhead.” Vash sits up with his eyes still closed and yawns before saying good morning. After that, they’re sharing a bed, and Wolfwood gets up and says, “Morning, sunshine. Time to get up.” His body shadows Vash from the sunlight. Vash is still lying down with a blanket draped over him as he mumbles good morning.
Finally, they’re embracing in bed, both shirtless. Sunlight shines on them, but their contact allows their shadows to drape over their faces. Vash smiles, kisses the top of Wolfwood’s head, and says, “Good morning, Wolfwood.” Wolfwood sleepily says, “Mph, g’morning, needle-noggin’,” snuggling into on Vash’s shoulder. End ID] ID CREDIT
TRIMAX Vol. 10 Spoilers under read more // bonus comic
[ID: The bonus comic starts with Vash asleep in bed, fully clothed with his hair half-black. Someone says “Good morning,” and Vash says, “Morning, Wolf—w...” He trails off as Livio, holding a plate of food, stares with abject shock.
Livio says, “I’m sorry.” Vash, smiling but sweating, says, “No, it’s my bad...” Livio repeats, “I’m sorry.” Vash says, “Geez, stop apologizing,” and cuts off Livio’s “I—” with a “Good morning, Livio.” Livio quietly mumbles, “... Good morning...”
Vash sits up from the couch he was sleeping on and looks down, thinking, “... That’s right. I won’t wake up to you anymore... I have to get used to that...” End ID]
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Another Otsutsuki?!
we’re messing up the timeline for this one. (I lost this crack idea but then it came back… the abyss stare back and I jumped in.)
anyways, now some kids meeting the new kid
Panel 1: There’s something wrong here.
Comic 1: Attention.
they’re both in the same boat
Comic 2: Day Off (with confusion.)
he just a little insecure,, (kakashi still told him to get it together)
back to the future now
Comic 3: What. (huh?)
Panel 2: very tiny.
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going into manner of death you may think this is a show about an adult man with an adult job (performing autopsies on his childhood friends), but the further you get, the more clear it becomes that this is actually a show about an adult man with way too many adult jobs (he also treats patients in the ER, gets called in for emergency surgery, and juggles several potentially connected murder investigations as an unpaid side gig). no wonder literally every single person around him keeps randomly handing him food, even though we know he's a good cook. with only twenty-four hours in a day, it's a miracle he even finds the time to be weird and domestic with his prime murder suspect and their pet cactus
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hey devo!!! random anon here to ask if u have a ref of your sona 🤲🤲 they seem fun to draw and i have the urge to draw you holding your ocs like theyre plushies to slam against the wall (out of affection? violence? both? who knows……)
hihi!!! this reminds me i really need to update my sona drawing in the intro post, its so crusty and my hair has grown longer. i drew an updated one so i'll also drop it here :D
also!!! thank u for wanting to draw my sona!! which literally is just me but yassified LOL
oh and don't worry about putting me in these exact clothes...!! i tend to dress really basic then accessorize the hell out so even when i was drawing it myself it was quite tedious.............
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
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hello there, angel
[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. Vash is sitting facing the viewer and holds a rose between his clasped together hands, but he’s looking to the left, upwards, at Wolfwood, with an awed expression. Wolfwood hovers over him with wings sprouting from his back. He has a cigarette lit between his lips, his arms and legs are crossed, and he looks back at Vash with a neutral expression. The both of them are covered in a blue shadow, casted by Wolfwood and his hovering form, while warm light hits the back of his wings and over Vash’s legs. Small feathers sits next to Vash. End ID]
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