Modern AU Wen Ning!
A boy who gets dragged into something too big for him - and the man that comes out the other end of the tunnel.
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"what if chilchuck was a butch?" we thought
and Ryoko said - "say no more!" - and made Meijack, can you believe it???
anyway I'm surprised nobody's done it before, you can have it!
original panels under read more
p.s. - she just doodled chilchuck genderbend once and couldnt let go of the design and BAM Meijack was born lol its so funnt tbh. but fucking valid
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Thank you for the nice tags! A walking Zen would be pretty damn terrifying for sure (though I'd not mind a smaller hitbox)
Besides being a bizarre occurrence for his teammates, Zenyatta walking in the battlefield means someone definitely ain’t getting back up after witnessing the Iris. He’s sending them straight to the afterlife to have a talk with his brother.
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Just Alpha seeing Ifrit for the first time, at his summoning. And look, Alpha's a big, ancient ghoul, but unholy shit, this new one is built like a tank. Wide shoulders and massive freaking chest, thick arms, big hands. So of course Alpha's a bit concerned - not that he'd let anyone know. After all, he's the one who'll mentor the new summon. And fire ghouls aren't notorious for their easy temper. Alpha might be a vicious fighter when needed, but that new kid looks like he could crush a rock with his bare hands. So yes, he might be a bit apprehensive, as he watches the new fire ghoul shake his head, blink a couple of times, clearly disoriented as the ritual comes to an end. Omega's talking to him - welcoming him, making sure he's okay - but the new fire ghoul instinctively looks around for a ghoul sharing his element and- oh, there, he found one. Alpha tenses a bit, unsure what to expect. Snarling, probably - fire on fire, an explosive combination and all that - maybe a bit of growling, a snap of jaw or two. What he absolutely did not expect was for this ripped ghoul to break into a boyish smile, tail wagging excitedly behind him. And then proceed to trip over his own feet the second he slides off the altar. Alpha holds back a snort, lips twicthing up ever-so-slightly. Right. Looks like he'll be fine.
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Coriolanus for most of the book: omg look it’s Sejanus I hate him. He’s so rich and uppity and sanctimonious I hate him so much I can’t believe people think we’re friends I hate him literally why do I keep having to save him 🙄
Coriolanus the SECOND Sejanus shows up: OH THANK GOD SEJANUS I MISSED YOU [HUGS HIM] maybe the world is worth living in! 🥹
Coriolanus like a day later: ugh he’s so dramatic what is he even worried about he’s gonna get me in trouble I hate himmmm 🙄
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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
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but all might's characterization drawing so much strength from mother figures. his victory pose, his laugh, from his earliest memories with his mother. learning to smile and be strong from nana. thinking of nana in his worst moments and gaining strength- i thought of her as my own mother, being formed as a person by nana's life and death. i dont know why hori specifically chose to make the seventh holder a woman (shigaraki's story would have worked if nana was male) but i love that toshinori yagi is a mama's boy.
so much of the media i love has cool male mentors or emphasises fathers, male mentors, or if women are a source of drive or inspiration they exist in that capacity as lovers; but to have an Incredibly Powerful male hero that goes "yes, i derive all my strength from my mother-figure mentor" is so dear to me. his earliest memories of his happy childhood featuring his biological mother.
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Thinking about an AU where there is no Death Note Light literally just develops the ability to causes heart attacks through knowing someone's name and face and having enough active malice towards them that their heart just explodes. Thinking about how he'd be in denial about it for longer. Thinking about how he'd go even more insane with his God Complex. Thinking about Ryuk just being the first person to find out about it because he watched Light glare super hard at Shibamaru Takuo right before the guy collapsed convulsing on the ground and died. Thinking about Ryuk IMMEDIATELY tagging along for the fun of it and shoving his way into being Light's best friend within fifteen minutes of this discovery. Thinking about Light killing people on accident because his powers are now emotion-based. Thinking about Light blasting rage music through his headphones so he can kill multiple people at once. Thinking about L feeling his heart stutter in his chest so often around Light that he's convinced he has feelings for him but it's really just Light's power knocking at his ribcage because he only has half of L's name. Thinking about—
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You know, when you consider Azure Moon as a self-contained narrative, the use of ‘unanswered questions’ and ambiguity as a reinforcement of the themes of the route are really effective. I honestly think having the route not address the Slithers was the best narrative choice IntSys could possibly have made given the themes of Azure Moon.
Like. The developers didn’t really expect people to actually play all the routes; they designed the game so ‘everyone would have a different experience.’ As a result, all the routes have very different themes and scopes. Azure Moon is the tightest, most character-driven narrative despite not being the shortest route.
And Azure Moon is about grief.
Grief hangs over the entire route; except for Mercedes, every single one of the Blue Lions is haunted by the Tragedy of Duscur and the unanswered questions surrounding it. Felix loses his brother directly, and his worldview and best friend to the aftermath. Ingrid loses her fiance, but also her sense of security; without Glenn, her people may starve, and her personal future is now uncertain. Sylvain and Glenn were the same age, so we can assume they were friends, though his loss is less direct; Sylvain is surrounded by people broken by loss, including his own father. Annette’s father leaves her family in disgrace over being unable to stop the tragedy. Ashe loses his foster brother to the aftermath; and later his foster father as well.
Dimitri and Dedue lose everything.
All of them spend the whole route wanting to find answers and some kind of closure for this event. It drives the entire narrative for all of the Lions actually from Faerghus. Mercedes, meanwhile, stands as an outside observer to that tragedy - but she is also dealing with her own personal tragedy and unanswered questions about her brother, and that drives her during Azure Moon.
And the thing about grief is that sometimes you never get closure. But you still have to move on, anyway.
That’s the whole point of Azure Moon. Dimitri has to move on. All the Lions have to move on.
Mercedes cannot regain her brother, whether you find out his identity or not in the route. She has to move on anyway. Dimitri cannot reconcile with his family, not with Rufus (Did Dimitri kill him? We the viewer can never really know for sure) and not with Edelgard. He never finds out whether Patricia wanted to kill his father, or whether she loved Dimitri at all (and we the viewer don’t, either). He has to move on anyway. The Lions never find out the cause of the tragedy.
They have to move on anyway.
Involving the Slithers at that point would not only add a bunch of last-minute narrative complications that aren’t necessary in Azure Moon, it would undermine the emotional impact of the route (in much the same way the last map of Verdant Wind does, honestly). The themes of Azure Moon not only don’t need to answer the question of the Slithers; not answering that question is the point. Bringing up the Slithers at that point would take all the air out of the personal drama the route takes its entire runtime addressing.
Dimitri hesitates at the end. He stops, and tries to look back, and Byleth stops him. He has to move on. He can’t keep looking back at Duscur. He’s got to walk forward.
And that means leaving his questions unanswered.
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