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#lost over?
silly-bees · 1 year
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i know we shit on miguel for beating up miles and how it was unnecessary and stuff, and that's totally true. he should not be beating the hell out of children. he definitely should spend time in spider-jail for that. but can we talk about how terrified this man must be?
the loss of his daughter is fresh- possibly within less than a year fresh, and it was all his fault (at least that is what is interpreted by him). an entire UNIVERSE got destroyed because of his actions and now some punk kid who he was been trying to hard to keep out of this operation suddenly appears and starts making the same mistakes miguel did.
miguel sees this kid preaching that he can fix it all and miguel 𝘬𝘯𝘰𝘸𝘴. he can remember thinking those same things. he can remember the naivety of being someone new to multi-dimensional travel; but understanding doesn't change the risks, and this kid threatens everything miguel has seeked to fix.
miles is thinking like miguel did and that terrifies him. it terrifies him that what happened to his world would happen to everyone else's and it would inevitably be 𝘮𝘪𝘨𝘶𝘦𝘭'𝘴 fault. not miles', not anyone else, miguel's (in his mind, anyway).
so, yes. yes he shouldn't have chased miles, but fear does things to the brain. fear leads to desperation and desperation leads to miles' determination and that leads to more fear and it continues in this vicious cycle of pain, danger and pure, guilty terror.
i'm not excusing his actions, but i understand them. i understand them and it hurts so bad in a good way.
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cartoonsinthemorning · 3 months
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Since you guys liked Marcille as Kermit that much, it seems fitting to thank you for my 12k milestone with MORE Kercille. And this time, Miss Falin is also here.
Thank you so much again everybody! MWAH 💗
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canisalbus · 4 months
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✦ Freshly ordained ✦
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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hinamie · 5 months
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surprise it's yuri!!!in 2024
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allthewhumpygoodness · 9 months
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Big fan of when a character's grief/trauma/guilt manifests as physical symptoms. Big fan of characters keeping things so tight inside them that it makes them sick. Big fan of when the line blurs between a character's mental trauma and physical illness until it's hard to tell which is which anymore.
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bearlytolerant · 3 months
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Solas: How can you be happy surrendering, knowing it will all end with you? How can you not fight?
Varric: I suppose it depends on the quality of the fermented fruit juice.
Solas: So it seems.
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Solas: You truly are content to sit in the sun, never wondering what you could've been, never fighting back.
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Varric: Ha, you've got it all wrong, Chuckles. This is fighting back.
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Solas: How does passively accepting your fate constitute a fight?
Varric: In that story of yours—-the fisherman watching the stars, dying alone. You thought he gave up, right?
Solas: Yes.
Varric: But he went on living. He lost everyone, but he still got up every morning. He made a life, even if it was alone.
Varric: That's the world. Everything you build, it tears down. Everything you've got, it takes. And it's gone forever.
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Varric: The only choices you get are to lie down and die or keep going. He kept going. That's as close to beating the world as anyone gets.
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Solas: Well said. Perhaps I was mistaken.
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bixels · 5 months
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Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.
Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).
Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.
Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.
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Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).
AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.
But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s
At the time of writing this, it's 4:46AM.
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gender-luster · 10 months
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egophiliac · 5 months
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giving the people what they want (jokes about spreadsheets)
anyway, Twst continues to prove that it is aimed at me specifically by giving us not one, but now TWO extended scenes of characters being incredibly difficult about signing an NDA. you just don't get this anywhere else.
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gribouli · 29 days
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First offering from me to the Good Omens Fandom 🙏💫🪽
Crowley Aziraphale standing smugly peacefully into the Hellfire 👁️👁️
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devilart2199-aibi · 6 months
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Decked Out 2! ❄️🗝
The dungeon crawler game
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Now available at: Decked Out 2: Dungeon Crawler Edition
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lotus-pear · 2 months
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mourning black and the death of ideals
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vurelly · 21 days
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art dump of oh my god i draw them so inconsistently (but so lovingly)
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botanyshitposts · 3 months
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public libraries are so crazy man. like you’re telling me I can read this book for free
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so rhaenyra starts s3 with a god complex, believing herself to be the prince that was promised from aegon the conqueror's dream... but hugh and ulf will betray her, mysaria will misunderstand her, coryls will undermine her, bartimos will underestimate her, daemon will abandon her, her people will turn against her and burn her castle and kill her dragon. and when everyone who accepted rhaenyra as queen rejects her, the only person left to love rhaenyra will be alicent, who never loved rhaenyra as queen but rhaenyra as a person ("she was the vision that sustained him [...] it was his love for her that kept him resolute in his choice of heir."). alicent, who abandoned her gods and duty to go to rhaenyra on dragonstone and appeal to the person beneath the crown ("i cast myself on the mercy of a friend who once loved me."). alicent, who's made a god of rhaenyra, not as queen, but as the girl she read with beneath the godswood ("come with me.").
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