everyone else: haha The Summoning sexy
me: The Summoning's "raise me up again" is in direct contrast to Drag Me Under's "drag me under again" and shows an immense amount of growth between the two points in the narrative, for him to go from singing "drag me [...] deep into your love" to "take me past the edge / I want to see the other side" shows that he no longer wishes to drown and wallow in the toxicity of this situation and now wants to move past it and see what lies beyond and in this essay I will-
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(image from: Font generator. Never catch me not doing my attribution when required.)
DISCO.
Anyway, pick a song from a bad description. You do not have to recognize the song that you choose (although I have certain expectations of my Glee fans, I won't lie). Go from the vibes. Whatever seems funkiest, or funniest, or whatever floats your boat.
At the end of the week, I will make the poll into a playlist, from the song with the lowest amount of votes to the song with the highest amount of votes. If you would like to hear the playlist, leave a comment or put it in your reblog and I will tag you when the playlist goes up. If you really want to know what a particular song is, shoot me an ask and I will answer.
And please reblog the post! Inflict the disco on your friends and followers. They'll thank you for it.
See you in a week, and remember -- stay groovy.
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sometimes when someone is privately practicing their instrument/vocals aurora will turn on the speakers and project it through the whole ship and everyone will instinctively drop what they're doing to join in
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if you're not cranking up the volume on your favorite songs and imagining elaborate and epic music videos featuring your OCs then what are you even doing with your life???
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I have begun to long for you
I who have no greed
I have begun to ask for you
I who have no need
You say you've gone away from me
But I can feel you when you breathe
Do not dress in those rags for me
I know you are not poor
And don't love me quite so fiercely now
When you know that you are not sure
It is your turn, beloved
It is your flesh that I wear
My piece for Merry Month of Cohen, 2024 on @what-happens-to-the-heart. :) Nothing fancy but I wanted to revisit this old piece of mine in my Threshold AU for Voyager.
I've always loved the idea of Kathryn being at the lowest point she's ever known here and thinking she'll never be the same again. (The theme!!!!!!!!)
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the thing about doctor/river is that the blatant romance is a defense mechanism. it’s playacting it’s how they sketch out the boundaries of their relationship because they can never be sure of how the scales of intimacy are balanced - they love each other, sure, but they are so rarely in a place where they both know enough about each other for mutual trust. so you get these really interesting juxtapositions like how eleven is in full flirty mode for impossible astronaut/day of the moon to the point where it feels like they’re about to make out every time they’re in the same frame but at the same time he dismisses her with “trust you? seriously?” and is shocked when she actually kisses him goodbye. in let’s kill hitler they flirt like hell when she is literally trying to murder him but not at all when they save each others’ lives. in the wedding of river song kovarian complains about them being lovey-dovey in front of her but right after that the doctor attempts to reset the timeline and river has to drag him kicking and screaming into respecting her enough to tell her the truth. in angels take manhattan we get both “just you wait till my husband gets home” (flaunting their relationship to grayle) and “never let him see the damage” (she doesn’t trust him to love her as a flawed, mortal person). they’re out of sync all the time, so sincerity is off the table except when it’s a necessary shortcut to trust that doesn’t exist yet - river whispering his name to him in the library when he doesn’t know her yet, their literal wedding being a tool the doctor uses to convince her to let him “die.”
the thing about “hide the damage” in particular is that river was responding to the doctor’s own fear of seeing the damage. she lied to him because she was trying to give him what he wanted, even if he couldn’t admit it. and it applies both to the broken wrist and to their relationship in general. every time he looks at her all he can see is the pain of her death, and she can see that he’s holding back even if she doesn’t exactly know why. this was always going to be a barrier to true intimacy between them unless they could be linear for long enough to know and see each other as they are, not as they’re going to be or as they were.
that’s why husbands of river song is such a perfect resolution for them. the only way river would ever be honest enough to let him see her insecurities is if she didn’t know who he was, so it had to be twelve and not eleven. and it specifically had to be twelve fresh from losing his memories of clara, so that he’d stop running away from confronting her death and just give them those 24 years together on darillium to really get to know each other, to see the ugliness and the imperfections and stay together anyway. it makes perfect sense that after that they could reach the level of love and trust river has for “her doctor” in the library, in a way that just isn’t possible with a relationship built on whirlwind dates done out of order and nothing else.
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“Once I had a child
He was wilder than moonlight
He could do it all
Like he'd been here before”
— Vashti Bunyan, “Here Before”
For @scottappreciation’s Scott McCall Week 2023 — Day Four: Relationships
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