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#love him sm it hurts
hannyoontify · 5 months
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am i writing a jeonghan fic instead of doing my semester long economics project that was due 16 minutes ago? yes
am i 3 months amount of work behind on the project? yes
do i also have my finals presentation for ap lit tomorrow? also yes
but do i care? no
why? because jeonghan is jeonghaning and my brain rot for him is actually insane
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kenm4vhs · 8 months
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chibi gojo will always have a very special place in my heart
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cheekylittlepupp · 6 months
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“You deserve something real. I want us to be something real. “
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“I have no idea what we’re doing or what comes next. But I know that this? This is nice.“
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rintoons · 10 months
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Heeello, idk if u take requests but i hope u do!!
i want a tsukishima kei × fem!reader, i want his reaction on the reader hugging him suddenly without saying anything and the reader doesn't pull away from the hug (aka gives him a long hug)[It’s like the reader wants a “healing hug” bc she’s going through something so she needs a hug]
How will tsukki react and how will he comfort her?
Please NO TIMESKIP
Genre: hurt/comfort, fluff
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✩★✩ a/n: yes!! i've never done a request before so please bear with me, but I had a lot of fun writing this and hope this lived up to your expectations!
p.s. it was not supposed to be this long, but i'm a fiend for context and backstory—and i may have gotten a little carried away, so... sorry lol
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ੈ✩‧₊˚ 𝗛𝗘𝗔𝗟𝗜𝗡𝗚 𝗛𝗨𝗚 ★
wc: 1.7k
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you and tsukishima were undeniably academic rivals. it was nothing too serious, but there was definitely some gloating and teasing in your relationship.
you guys spent the first year of high school competing against each other, trying to see who could get the higher test score or answer the most in-class questions correctly. even though you two didn’t talk much outside of school, you had personally grown fond of whatever relationship it was that you and he developed over the year.
of course, you knew that feeling was one-sided because tsukishima was exactly the kind of person to take the whole “rivalry” thing very seriously. to him, his pride was on the line. plus, the tsukishima kei would never deign to see you as anything more than a step on his climb to the top. to him, you were just competition.
for you, on the other hand, his opposition was just motivation to excel in school and be petty towards him. to boot, it was an acceptable distraction from all the shit you had to deal with at home—when the school day was over, and you had to go back to your parents who could never seem to stop arguing long enough to realize you existed.
after starting your second year and being upgraded to class 2-5, only to find tsukishima there again, you could feel yourself getting more serious about it. the more your home situation got worse, the more incentive you had to take it out on schoolwork—and tsukishima.
some days you'd be so cold to him that he could do nothing more than just stare at your retreating figure as he desperately tried to shove away the voice inside his head telling him to go after you. telling him that you didn't mean the harsh words you just spit out and that you actually want him around. his mind was in a constant tug of war, his resolve on one side and that stupid little voice on the other. nine times out of ten, his resolve won. until it didn't.
you had been unusually quiet all day; super distant and spaced out. on a usual bad day, you'd take out all your frustrations on your schoolwork, finishing the work in half the amount of time you were supposed to take before tackling the homework for that day and several other things. but when you walked into class that day, tsukishima knew it wasn't just a 'usual bad day.'
you had your head down on your desk the entire class, your closed eyes painting the entire world black. you didn't even bother looking at the work for that day, let alone doing it. you even ignored all the weird stares and the few people that tried asking if you were okay.
and when the lunch bell rang, you immediately walked out of class, leaving everything behind.
that was the day that the little voice in tsukishima's voice won the tug of war.
he glanced over at your desk and sighed, mentally slapping himself for what he was about to do next.
he walked over and picked up your bookbag and lunchbox before going on a manhunt for you all around school. he searched like a madman, asking everybody he knew if they'd seen you. it wasn't until the last few minutes of lunch that he finally found you on the roof of the auditorium.
tsukishima let the heavy iron doors close shut behind him while he approached you slowly. he could only see your back, your uniform skirt swaying in the chilly fall breeze as you perked up at the sound and tucked your head between your shoulders. he watched you raptly. you were shivering.
"yn?" his voice carried through the howling wind and the darkening clouds up ahead.
your breath left you sharply at the sound of the familiar voice. against your better judgment, you turned around to find tsukishima standing before you. he made sure to stay several feet away, just to give you space.
you swallowed down the tears even after seeing him with all your stuff, an uncharacteristically concerned look on his face. even after seeing the way his hair stuck to his forehead and his chest rose and fell with the effort of breathing after running up at least six flights of stairs—you kept it all together.
until the forbidden words came out: “are you okay?”
you stared at him with trembling lips, realizing only then that tsukishima was the only person who ever actually saw you. you always thought you were going crazy when you noticed him easing up his teasing the tiniest bit on the days he could tell that you were holding on by a single thread. or when you could feel his stare from across the classroom, trying to fight off the goosebumps that his calculating gaze brought to your skin.
but even after realizing that, you still tried to push him away, scrunching up your face and biting out a brusque "what do you care?"
tsukishima sighed, giving in to the urge to roll his eyes. "i wouldn't be here if i didn't, yn."
you clenched your jaw at his words, your resolve crumbling down on you like an avalanche.
before you knew it, your legs were moving on their own, closing the distance between you and the boy in front of you in a matter of seconds. it all happened so fast, he didn't even see it coming. when you crashed into his broad chest and your arms wrapped themselves around his waist, tsukishima stopped breathing.
he froze in place, his body tensing and his limbs seizing with the shock of your warm body suddenly colliding with his. he stood there uncomfortably, still with your lunchbox in one hand and your bag in the other. tsukishima didn’t know what to do—didn’t know what to say. he didn’t know the first thing about comforting a person, but when the sound of your soft sniffles reached his ears, his entire wall came crashing down.
he acted on instinct.
dropping both bags, he hesitantly brought a single arm around your shoulders. at first, it was just an awkward pat on your back; but upon noticing the way you cried even harder at his reciprocation, he slid his hand lower, letting it settle onto the small of your back.
the best he could do was pull you closer to him and wrap his other arm around you, his hand moving to caress the back of your head gently. tsukishima didn’t move a single step until you pulled away first, rather abruptly as if you came to your senses and realized what you were doing.
you let out a shaky breath, cringing, “i—im sorry, i didn’t mean—“
"don’t say you didn’t mean to do it," he cut you off, donning a slightly pained expression.
before you could even say anything else, tsukishima took off his jacket and wrapped it around your shoulders. it was cold, and like the dumbass you are, (his words) you didn’t have one on. of course, he made sure to let you know that, scolding you for being careless and putting yourself at risk of catching a cold. and for not eating properly and not confiding in anybody about your problems. it was as if you didn't just have your face buried in his neck, staining his porcelain skin with your tears.
you let yourself crack a smile, feeling the tension in your shoulders, neck, and back slowly ease its way out of your body at his nagging. you tugged his warm jacket closer, leaving him there to go and take a seat with your back against the railing.
you only had to look up at him for him to get the message; without a word, tsukishima came and sat beside you. he didn't ask any questions, didn't badger you for answers, or tease you for being vulnerable like you thought he would. maybe he would use this against you later, but the most you could do was savor the moment.
so you closed your eyes and leaned your head against his shoulder. as expected, he tensed up from the action, so much so that you had to shuffle a little closer to whisper in his ear. “relax, i don’t bite.”
not only did he loosen up, but he even dared to let out a small chuckle at your words.
after sitting on the roof for a while and watching the newly transformed orange and red cherry blossom petals flake from the trees, tsukishima offered—though he didn’t give you much of a choice—to walk you home.
after a humble round of "you don't have to"—"but i want to," you finally accepted his offer. the two of you ended up skipping the rest of the school day together, which was the last thing you ever expected to be doing considering the way you feel both about your grades and tsukishima.
as if things couldn't get any weirder, tsukishima took you to a convenience store on the way to your house, insisting that you get whatever you need. he ended up buying you a drink and new, “more tasty than whatever shit you had in your lunchbox” food to eat. he even sat you down at one of the tables outside the store and forced you to eat right then and there because he didn't trust that you would do it when you got home like you kept promising you would.
he was a surprisingly funny guy, making jokes the entire way home. while his dry humor wasn't for everyone, it made you laugh and forget about your crappy day. as you were walking up to your house, you kept trying to give him his jacket back but to no avail because the bastard kept telling you to keep it and not rush it back to him.
“wow. the great tsukki kei is actually a great big softy.”
“shut up, no i’m not,” he scowled. “and don’t call me that!”
when he finally got you home and bid you goodnight, you did something else that shocked you.
you leaned up on your tippy toes and kissed tsukishima (on the cheek). you thanked him for everything before running into your house and locking the door behind you, not even waiting to see his reaction.
your rival stood in front of the gate to your house, dumbfounded, and confused, yet blushing furiously and grinning like an idiot because he simply couldn't help it. on the other side of the door, your were grinning too despite your racing heart.
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mccallhero · 5 months
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favourite ouat scenes: 15/?
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mangogator · 3 months
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get katamari’d
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charameldraws · 7 months
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it's the boi!
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WOOYOUNG
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wooyoung.
wooyoung and his exquisitely charming vibe. wooyoung and the glint in his eyes that screams mischief. wooyoung and that little, almost devilish smirk that makes you stifle your own smile. wooyoung and his smile that literally lights up the room. wooyoung and his beautiful eyes and that deep gaze. wooyoung and his sheer presence, his command over anyone who sets eyes on him. wooyoung and his pretty nose that's literally my favourite feature on him. wooyoung and his hair that falls over his forehead like a fictional character. wooyoung and his unbuttoned shirts :')
someone help me before i make this an essay.
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alpacacare-archive · 2 years
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let sans rest day, featuring the entire skelefam! cus brain rot 
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sashimiyas · 1 year
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cw: food as a love language; dad and husband osamu; the kid is 18 and not a baby
word count: 700+
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if there's one thing about osamu, it's that he can never find his phone. it's always in his back pockets when he works, but the moment he gets home, it disappears. underneath the covers, atop your wardrobe, hidden in the couches, and today, you find its elusive nature has led it on top of the microwave.
"your son's calling you," you tell him as you glance down at the vibrating screen.
osamu doesn't lift his head from the pot he stirs, a rich soup meant to clean out the fridge, "put him on speaker."
"hey, kid," you say once you swipe the button.
"hi mom," he answers habitually, "where's dad?"
you have to roll your eyes at your husband's cocky grin, because he's clearly the desired parent for the day. osamu makes sure to kiss your temple when you pass him the phone, a reminder that you are loved even if it's not necessary.
he places it in his breast pocket, "hey, little man."
"hi dad," the younger one says but supplies nothing else.
osamu stops stirring this time and places one hand on his hip, "what's on ya mind?"
"nothing." the two of you glance at each other. eighteen years of raising him, and you try to parse meaning in the words he doesn't say. it's harder now, without him around, without his cute cheeks to pinch or his grumbly attitude after a hard day at school.
what's wrong? your husband mouths but you only shrug. it's his turn to roll his eyes at you, holding in an exasperated breath.
"how's school doing for ya?" osamu tries again. "ya eating well?"
"kinda."
"what ya mean kinda?"
there's silence and the both of you stop to turn to each other again. you with a plate in your hand and osamu with his wooden spoon. you're getting somewhere, it seems. it's a challenge of patience and you all wait in anticipation on who will take the bait.
"dining hall food sucks, dad." osamu starts belly laughing. he bends over the pot and his phone almost slides out. years in the kitchen full of slips, trips, and falls train him to catch his phone before it falls into the soup. your son's pouting now. you can hear it. "dad, really! it all tastes so bland and boring. it's nothing compared to your food."
though you're behind him setting the table, you can see the way his posture straightens, a proud puff of his chest. "course ain't nothing gonna compare. ya pops is the best."
"that's the problem, dad!"
you stifle a quiet giggle as you watch osamu sputter. rounding the table, you rest your cheek against his arm. the two of you stare at the fragrant and bubbling pot as you listen to your son's breathing.
he looks down at you as you rub the expanse of his back that’s only gotten plumper in the years you’ve been with him, a question. you respond with a knowing smile. and maybe he just needed a little encouragement because a richness forms on osamu's features, of pride, of love, and the bittersweet sorrow that sometimes comes with it.
"what are ya doing next saturday?" he prompts.
"huh? i don't know."
"ya too cool to hang out with ya pops?" your husband eggs. this is where your son got it from, you roll your eyes again. neither of them have ever been quite forthright with their feelings. "got the day off that day."
he travels five hours to tokyo that next saturday. in the back of his truck is a box full of ingredients straight from onigiri miya. he carries bags of rice that an embarrassed son whines at, complaining that his father's too much. the son helps his old man anyways, carrying the ingredients and kitchen supplies up the stairs with him.
they talk of the cute classmate, the insufferable teacher, about you and how you still can't put away your used glasses of water. osamu mentions it with a pointed look at his son's nighstand that's littered with water bottles of his own. osamu helps him clean and takes him to the store to replenish his snacks and in the midst of it all, osamu teaches his son.
in the dim light of the dorm, osamu rolls an onigiri in his hand and places it on a plastic plate. then he makes his son repeat it until osamu cannot tell who made which.
osamu leaves and months later, their son visits back home. before the semester starts again, the son is sent with another box full of rice, seaweed, and even a new rice paddle.
atsumu pats his nephew on the back as he goes, "so ya got a samu care package too?" the older miya beams as he rifles through the box, "looks like a vip one. he never gave me rice paddles in mine."
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hasello · 1 year
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WARNING: BLOOD AND INJURIES, ANGST
there’s also comfort tho!
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can you tell my life has been a little rough lately lmao I needed to get it out
I kind of wanted to draw the window scene and just went wild in the end 😭 like what if baby blue wasn’t unconscious, just very hurt and scared
sorry it got bloody, I promise some fluff next time! or at least not that much angst…🧍🏻‍♀️
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micksbby · 10 months
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sapnap + red pandas = 🐼🩷
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kenm4vhs · 8 months
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in the dream i don’t tell anyone, you put your head in my lap ; shoko ieiri
synopsis; ever since the battle in shinjuku came to its conclusion, nothing’s been the same as it used to. but you don’t think anyone is doing quite as badly as shoko. 
word count; 4.5k
contents; shoko ieiri/reader, gn!reader, canon-typical mentions of death (iykyk), angst, hurt/comfort (but not very heavy on the comfort), jjk spoilers (up to chapter 236!!), mild gore (mentions of blood, autopsies and general gore-ish imagery? nothing too bad tho), shoko ieiri deserves better, includes gojo slander (stay safe gojo nation)
a/n; first of all i just wanna apologize to the shoko girlies for writing angst when we’re already so starved of content, i have like 50 fluff drabbles planned for her but chapter 236 threw me into a mental angst pit so </3 yeah. i love my wife!!
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shoko hasn’t been herself for a while.
the thought sneaks its way into your subconscious, as your feet carry you to her morgue — a rotten thought you just can’t seem to rinse away.
it’s not very hard to notice. she doesn’t talk as much, for one. not that shoko was ever much of a talker, but now the silence around her is deafening. thick and heavy like the spine of a knife. and she smiles even less.
you can’t remember the last time you heard her laugh.
the crescents beneath her eyes are darker than ever, darker than you thought possible. a murky purple that you’d find soothing in any other context, but like this it’s just revolting. her eyes are deep and dark, the same as ever, but now they’re glazed over with something you can’t quite put your finger on. 
apathy, maybe.
or bloodlust.
the scent of cigarette smoke that follows her is suffocating. indistinguishable from her natural scent. you don’t know if she’ll ever be able to scrub the tobacco stench off her skin.
(you’ve given up on counting the exact number of cigarettes she smokes each day. you’re not sure you want to know the answer.)
she doesn’t even look alive, anymore. like some part of her already reached its expiration date. a spectre, wandering the hallways, filling the air with the slow, ominous clacking of her heels.
shoko hasn’t been herself for a while — and it’s so obvious. her grief is so heavy, her sleep-deprivation so severe. you’d have to be blind not to notice it. 
so why hasn’t anyone said anything?
you gnaw at your bottom lip, trying to suffocate the bitterness swimming inside your veins. it’s a dumb question, really, because you already know. you don’t want to acknowledge it, because it’s so unfair, but you know. of course you do.
no one has the time to. it’s as simple as that. 
no one’s doing well, anymore. not since shinjuku.
not since gojo died.
shoko’s grief is a fickle thing. always with her, tucked away within those eyebags, in the pockets of her coat. in that smell of tobacco, never-fading, always lingering. it follows her like a ghost, like something she’ll never quite be rid of.
(like something she doesn’t want to be rid of.)
shoko’s grief is a fickle thing, and it always has been. but recently, it’s been downright overwhelming. it used to be subtle, the kind of thing you notice if you look close enough. if you squint. if you even care enough to try.
but now, it’s more like a haunting than a simple ghost.
(geto. nanami. yaga. and now gojo, too.
how many people does she have to lose before whatever’s watching is satisfied?)
shoko hasn’t been herself for a while, and it’s obvious, and it’s sickening. she still does her duty to a tee, but she isn’t quite there anymore. gaze always forlorn, as if she’s trying to convince herself of something.
and yet no one says a thing.
everything is one big mess, right now. you don’t want to blame anyone. everyone’s exhausted, completely and utterly spent, but they’re still planning it all out. even in the midst of their mourning. because they don’t have any other choice. 
this is not the kind of situation where you should be pointing fingers. a part of you is angry, livid even — but you know the others are doing just as badly. it’s not like you aren’t, either.
still, though. isn’t this just too unfair?
”i brought you coffee!”
making sure your voice doesn’t waver is tougher than you initially assumed. just the sight of her sends a tremor running through your ribs; sunken down in her chair, papers in hand, eyes scanning the pages methodically. papers of what, you’d like to ask — but you already know.
(she’s reading through the post-mortem examination report, again. searching for something you don’t understand. you’re not sure she does, either.)
and she looks exhausted.
try as you might, your voice ends up sounding a little stale, as it flows from your lips and reaches her ears. but the attempt is there — the attempt to sound cheerful, calm. normal. to give her something to hold on to.
shoko looks up at you, and her lips curl in a way you think is supposed to form a smile. it doesn’t. her eyes look into yours but it’s like she’s not seeing you at all.
when you go to give her the cup of espresso, your fingertips touch. only for a second, before she curls her fingers around the ceramic handle. she receives the coffee with a small murmur of thanks, but you don’t notice because you’re too busy thinking of how cold her skin feels.
(cold like a ghost. cold like death.)
shaking away the shivers down your spine, you allow your gaze to trail over the morgue. it looks the same as always. cold, empty. foreboding. today, you think it feels just a little chillier than usual. matching the temperature of the outside world, where everything lies buried in heaps of snow and frost.
hesitantly, you plop down in the seat right next to hers. with such a narrow distance, you can smell the tobacco sticking to her clothing. it makes you want to throw up.
(you try not to look over at the couch in the corner of the room, where a certain someone used to slack off. his awkwardly long limbs would dangle off the edges, and shoko would pretend that she didn’t enjoy his company. you were more than content with silently admiring the smile she was trying to hide.)
shoko doesn’t look at you, professional in the way her eyes run across the files. cause of death: damage to central intestines, subsequent loss of blood. from a cut to the stomach, right below the liver and spleen.
you look away before your eyes can read another line.
leaning back in your chair, you exhale a tiny sigh. desperate to fill the silence with something, anything at all. you scramble for topics, racking your brain.
(what could you possibly tell her that she doesn’t already know?)
”the others are still planning everything out,” you speak, playing with your fingers idly to distract yourself. ”i think it’s going well.”
shoko hums, unaffected. ”that’s good.”
she’s speaking to you, but that feeling of unease still won’t go away. her voice sounds still, flat. empty of emotion. but you can tell she’s trying to be polite.
that’s no surprise. shoko isn’t the type to ever show how she’s truly feeling. she’s not the type to ask for help, either. people come to her for help, not the other way around. that’s all she’s ever known.
(in that sense, the two of them were alike.)
but that just makes it all the more important for you to be there. even if you’re a little awkward, and even if you can’t do much. even if it’s only for a moment or two, you want to see her smile. you want to feel for yourself that she’s really there.
looking over at shoko, you wring your hands together, the cold air of the morgue nipping at your sweaty palms. she’s drinking from the cup, one finger around the handle as her other hand flips through the papers.
”does it taste okay?” you ask, softly. if only you could ask her that under better circumstances, with cups of espresso made with better coffee machines than those at jujutsu high. ”i made it myself, so…”
”it’s fine.” shoko takes a sip. dragging her syllables out, as if mustering the will to speak. ”don’t worry.”
short sentences. almost cold, but you know better than that. she just doesn’t have it in her to pretend that everything is normal, anymore.
and it makes you uncomfortable. this silence. 
a couple months ago, it would have felt comforting; a quiet, peaceful kind of solitude shared between the two of you. nostalgic, like the smell of morning dew. or the way moonlight feels on your skin when the world falls asleep.
the silence you had with shoko always felt so tender. a single moment of peace, before the other shoe dropped. just that one moment was enough to give you the hope you needed to make it through another day.
you loved being silent with shoko. you loved her silence, the way she could soothe your very soul without saying a thing.
but now it only stings your skin. you fear that you might drown in it.
there is nothing to say. you want to ask her how she’s doing, but you already know. you want to ask her why she’s still reading the files from gojo’s autopsy, but you already know.
you want to ask her if she can still keep going, like this. but you already know.
she doesn’t have a choice.
(something crumbles, deep inside your chest, like ashes cast into the sea.)
”hey. shoko?”
she hums, again. weak. quiet. absentminded, acknowledging your words but not really hearing them.
you take a deep breath.
”i think i’m going to quit being a sorcerer.”
silence.
for a moment, nothing happens. nothing moves, or speaks. the air is cold and crisp and carries no meaning, no words, nothing at all. 
like time is frozen. frozen like all the bodies shoko’s had to dig inside these past few months. frozen like gojo was when she found him in the snow.
frozen like your youth, a glass marble kept in your pocket for moments when you feel as if the ground beneath your feet is about to slip away. then you’d take it out, and look deep inside it. watch the swirling of greens and blues and purples. that streak of indigo right in the middle of the glass. memories of the past, to give you comfort.
to remind yourself of why you’re doing this. to give you a reason to keep moving forward.
(south or north, it doesn’t matter. stay as you are or move forward, look to the past or to the future — none of it matters if you aren’t alive. that’s the conclusion you came to.)
shoko’s expression, too, is frozen. it doesn’t change, even as you let those loaded words fall from your tongue. you watch her carefully, out of the corner of your eye. she doesn’t even look at you, gaze still glued to the tiny letters detailing exactly what gojo’s pulse was at when he got cut.
but something flickers, in the depths of her irises, so fast you barely catch it. something you can’t identify, but it’s still something. it’s movement. it’s alive.
”not right now, obviously,” you elaborate. suddenly a little nervous, now that the words have been made manifest. ”but… you know. once all this is over.”
not sure what else to say, you trail off, fidgeting with your fingers again. voice wavering pitifully towards the end of the sentence, because deep down you know it’s not a question of once, but a question of if.
(if this ever ends. if i don’t die tomorrow, or the day after that.)
you swallow the lump in your throat, and look at her. trying to find her eyes. trying to keep her alive for as long as you can, this sequence of motion, this moment frozen in time.
trying to reach her.
”you won’t ever have to worry about me dying,” you throw in, like the words are light and not heavy as bricks. but you know she needs to hear them. ”i’ll leave, and then — and then…” 
staring down at your lap, you link your hands together. exhaling, a little breathless. sheepish, in a way. ”… well. i don’t know. i haven’t thought that far ahead, yet.”
you never had the chance to. you didn’t even really think of it as a possibility, as something you could do. and you know it’s not a possibility for shoko. the choice to be a sorcerer was never hers, from the very beginning.
a user of the reverse cursed technique. capable of healing almost any wound, more power and capability than a child should ever have. invaluable. she’s saved so many lives you’re sure she’ll be reborn as a god.
but the choice was never hers.
a soothing kind of ache blooms in both your palms, as your nails dig into the soft skin. hard enough to form crescents, like the ones under shoko’s eyes, that she’ll never be rid of no matter how much she sleeps. the choice was never hers.
isn’t that just too cruel?
they don’t deserve her. none of them do. the elders didn’t, the jujutsu world doesn’t — not even the students. no one deserves it; everything she does for everyone, day and night, just slaving away in the morgue or her office. cutting up curses and old friends. every second of the day, always that same buzzing of her name being called. 
shoko, someone needs healing, come quick! 
shoko, i know it’s 2 am and you have work tomorrow, but there’s a curse that i need you to dissect.
shoko, i think i got a paper cut, would you mind taking a look?
none of them deserve her.
you think of gojo. a flash of white hair, a grin brighter than the sun. a bloodstained smile — one shoko had to wipe away.
something ugly claws its way up your throat.
none of them deserve her. especially not him.
what were you thinking, leaving her all alone like this? so much for being the strongest. you couldn’t even stay alive.
why would you die with a smile on your face? do you have any idea how cruel that is to her?
you idiot. don’t you know how much she missed you?
— yeah. none of them deserve her. gojo doesn’t, the world doesn’t, and neither do you. no one does. 
what shoko deserves is to live a normal life. 
and she never will.
it’s foolish. it’s naive, a juvenile daydream. but you wish for it so, so badly. so much that even just the thought alone feels like too much to bear.
you wish you could bring her with you. 
you wish you could take her hand in yours, and run away. leave it all behind, every single thing, without caring about the consequences. you’d hold her hand and never let it go, and then you’d run and run until you were both high on adrenaline and breathless laughter.
maybe you could go somewhere, together. somewhere better. outside of japan, where there are less curses. money wouldn’t be an issue, you both have more than you know what to do with — one of the perks of having a job that’s bound to kill you. you could settle down in some smaller town, peaceful, maybe a little secluded. just to make sure no one finds you. 
maybe you could open up a little shop, together. or spend all your days tangled up beneath the blankets, catching up on lost sleep. talking and whispering, like you’d do back at the sleepovers you used to have. you’d make her coffee every morning, and tea every evening. you’d spend the rest of your life trying to make her laugh as loud as possible.
there’s nothing you want more. absolutely nothing. there never will be.
— but you can’t ask her.
you can’t ask her to come with you, no matter how much you want to. that’d be the cruelest thing you could possibly do to her.
she would never agree. you’d only be hurting her more. so selfish, all of these wishes. it was so much simpler back when you were just kids. when you didn’t have to care about duties or responsibilities. when your cognitive empathic abilities were just a little more lacking. 
a sigh flows from your lips. resigned, but somewhat hopeful, all the same. tainted with the murmurs of a memory that’ll never happen.
”maybe i’ll open up a bakery, or something.” you tap your fingers against the desk, smiling a little to yourself at the thought. or trying to. ”then you could come visit.”
shoko looks into her cup of coffee. watching the swirling of the vortex, the abyss that gazes back at her. she doesn’t look at you but you can tell she’s listening. then she puts the cup down, and you glance at her now-empty hand. 
shoko’s hands have always been pretty. even when they’re covered in grime, or stained with blood. thin, a little bony, smooth skin obscuring clear blue veins. moles litter her hands like stars in the sky; one right beneath her pinkie, another by her wrist. the more you look, the more you find.
tentatively, you broach the distance between you. curling your fingers around her slender ones, where they rest on her lap. linking hands. it’s a slow movement, drawn out and careful, accompanied by the heavy beating of your heart. 
(her skin is cold to the touch. your skin buzzes with unease, but you don’t let go.)
then you smile. a small thing, not really optimistic, but the attempt is there. something for her to hold on to. looking deep into her eyes, admiring the hazel glow that never quite left them.
”i’ll give you free pastries.”
a moment passes. shoko’s fingers squeeze around yours — weakly, but it’s there. movement, motion, life. a way of reaching out. a way to hold on.
her eyes continue to trail over the page, but you know she’s not reading any of the contents. you’ve caught her attention. a small victory, but you’ll take what you can get.
”i don’t like sweets,” she reminds you, leaning back a little in her chair. allowing her eyes to flutter shut, at last — and it’s not much but it’s something. a moment of relief for those tired, tired eyes. more tired than any 29 year old’s should be.
”i’ll change your mind,” you promise, mustering up enough will to sound smug. ”my pastries will be out of this world. you’ll get a sweet tooth in no time, sho.”
she exhales a breath, vaguely amused. your smile widens, hopelessly. her happiness was always the root of yours, wasn’t it?
then she looks at you, one eyebrow raised in lazy scepticism. ”can you even bake?”
”nope,” you deadpan. ”but i’ll learn. you’ll see.”
this time, shoko almost chuckles — and it’s more than you’ve gotten out of her in recent memory. god, you missed that sound. a little raspy, from all the cigarettes, but still so honeyed and smooth. hearing it makes you feel as if everything will turn out fine, in the end.
(what a powerful thing, for a voice to do. one so lovely it anchors you to the earth.)
a faux pout curls its way to your lips, and you squeeze her hand lightly. ”don’t laugh, i’m being serious!” your pout shifts into a soft grin, a little teasing. ”i’ll get you addicted to sugar instead of nicotine.”
”haha…”
shoko laughs. shoko laughs and it’s beautiful.
shoko laughs, a genuine laugh, and it’s so beautiful that you almost don’t notice the tears in her eyes. almost.
and then you realize your mistake.
a memory comes to you, then. you recall a hushed conversation, beneath a cloudy summer sky. the air was heavy with the scent of lilacs and cigarette smoke. two people were beside you, and all you cared about was listening to the tilt of their voices. that, and nothing more. a time before everything and everyone went south.
(”you know, shoko. you really should drop those death sticks of yours.”
”i don’t want to hear that from the guy who needs 40 grams of pure sugar every day just to function.”
”rude! and as far as addictions go, sugar is a cut above nicotine, don’t ya think?”
”whatever. just worry about yourself, gojo.”)
by the time you realize, it’s already far too late. the tears have already begun to fall. little droplets of grief, sticking to her skin.
they trickle down the contours of shoko’s face, and fall onto the paper in her hand, smudging the letters. she clutches it tightly, crinkling it, just to make the damage worse. her other hand is still holding yours, chipped nails digging into your skin gently.
but she keeps laughing. low, hazy laughter — pained. she sounds like she’s in pain, and that’s because she is. even if no one ever cares to mention it.
(how cruel, for her to be born with the reverse cursed technique. capable of healing any physical wound; leaving her with too many mental ones to count. never to be healed or acknowledged, in this life or the next.)
you can only stare. helpless to her sadness. her eyes are a little red, and she’s biting down on her lip hard enough to draw blood — a drop of scarlet falls onto the paper, and you think of gojo again.
you think of shoko finding him. running to his side. doing all she could to heal him, to patch him up — getting blood all over her hands and clothes. red everywhere, staining the pure white of the snowfall. like something out of a painting.
she did all that she could. pressing down on his chest, positive cursed energy pouring out from her fingertips in tandem with the snow. pressing two shaky fingers to his pulse point, just in case. just to find any sign of life, absolutely anything. hoping so tenderly that she’d feel the flutter of his pulse. that he’d get up, and laugh obnoxiously, and ask her if she really thought he’d leave her behind so easily.
you’d never seen her look so scared. so desperate, a primal kind of fear you’ve learned to associate with self-driven survival. the way some animals can claw their way out of a predator’s stomach if they’re swallowed whole. but she did that to save him. trying to claw him out, herself. from the belly of the beast.
she did all that she could.
but gojo didn’t do anything. he just laid there, split in two. frozen in time, eternally young. watching the sky. smiling.
(what a wonderful way to die. what an awful thing for an old friend to find.)
before your mind can catch up, your body acts. muscle memory, in the way your arms curl around her midriff to bring her close. tucking her into your side while she sniffles and cries. still laughing, like she’s still trying to convince you that she’s fine. like she’s isn’t falling apart at the seams.
the dam breaks. the ice shatters. everything comes crashing down — and you’re there to pick up the pieces. despite everything.
it’s not enough, it never will be. but at least it’s something.
it’s heart-wrenching, the way she clings to you. like you’re the only thing she has. the dry laughter that spills from her throat devolves into sobbing, her chest heaving as she tries to catch her breath, nails clinging to the fabric of your clothing like she’s trying to anchor herself. broken sniffles fill the space between you as she hides away, in the crook of your neck.
(the sound makes you feel like someone drove a knife from your sternum down to your stomach.)
all you can do is hold her. quietly, delicately. as if she could break if you squeeze her too hard. as if she’d shatter like a sheet of glass if you were to say the wrong thing again.
you hold shoko like she’s fragile. because she is, regardless of what anyone else says. because she’s a human being, and she’s grieving, and she needs this.
eventually, she musters up the will to speak ��� and it’s awful, raspy, broken syllables she has to force out of her throat. 
she chokes on the words like they’re poisonous. like she’s been carrying them around for decades, bubbling beneath the surface, waiting to be let out.
“don’t — don’t end up here,” shoko pleads, voice wavering through the syllables. full of fear. “please.”
you know what she means. she doesn’t have to say it, because you know.
don’t end up in my morgue. don’t end up on my autopsy table. 
shoko sounds meek. she sounds close to falling apart. you’ve never seen her like this before, clutching onto your sleeves as if begging you to stay. 
“you’re — you’re the only one i…”
she doesn’t finish, cut off by a broken sniffle. but she doesn’t need to. 
you’re the only one i have left. i can’t lose you, too.
please don’t die. please don’t leave me behind.
a shaky inhale. your arms tighten around her waist, tugging her closer. praying that she’ll feel the steady beating of your heart, the undeniable proof that you’re alive. that you haven’t left her yet. 
you blink away the tears in your eyes, grasping for control over your wavering voice.
“i won’t.”
and maybe it’s cruel, maybe it’s the cruelest thing you could do to her — making a promise you know you might not be able to keep. but you do so anyway. helpless to her sadness. at the complete mercy of her grief. you’d do anything to stop the tears from falling, to soothe the turmoil in her chest.
“i won’t let you be alone, shoko,” you murmur into her hair, with all the comfort you can possibly muster. ”not now, or ever.”
three words yearn to be spoken, resting on the tip of your tongue. three little syllables, desperate to be heard after living in the back of your throat for so many years. 
and for a second, you think you might say it. 
you think you might say it, breathe life into the statement. you can almost taste it, can almost hear it. can almost see what her expression would look like.
but shoko sniffles, and hugs you tighter. protective, like you’ll leave if she doesn’t. so tightly that it hurts a little.
and you swallow the words, once more. 
right now, this is enough. it’s enough that you’re alive, that you’re here. that’s what shoko needs, right now.
she doesn’t need your love. she just needs you to stay alive.
so you will. you decide that you will, no matter what. you’ll leave, and you’ll open up a shitty bakery that won’t get any customers — and you’ll give her free pastries for the rest of your life. you’ll get her so addicted to sweets that she’ll have no choice but to come back for more.
shoko cries like a child. filling the silence of the morgue with her shaky breaths and quiet sniffles, little hiccups and whimpers. the tears never seem to stop, and you wonder how long it’s been since she last let them fall.
you hold her in your arms, smoothing a palm down her back, counting the bumps of vertebra — and don’t say anything. there’s no need to.
for now, the soft patter of your heartbeat is enough.
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ijichi stands just outside the morgue, unmoving. not saying a thing.
it’s muffled, hushed and quiet, but still audible. the sound of childlike crying. the kind all sorcerers do their best to keep to themselves.
in his arms lie a bundle of papers. the final pages of gojo’s autopsy report. it’s important that shoko sees them — vital, according to her. something about the six eyes, the possibilities they hold. the hope that maybe, just maybe…
— he clutches them tightly, and then walks away.
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raz-writes-the-thing · 6 months
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No Crowds, Thanks (Prodigal Son Drabble)
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Martin Whitly x GN!Reader / requests are open and encouraged
Summary: You're not a fan of crowds, but Martin always keeps you safe.
CW: anxiety, fluff, Martin is too cute for words
Prodigal Son Tag List: (send an ask to be added to a tag list!)
“My dear, you’re all right,” Martin’s voice says, though it’s muffled by the fact you have your face pressed into his side. You’ve been out and about at a black tie event for the hospital. You’d never been big on crowds, and the cameras at the event had just set you off. 
Each flash was like a physical pain, each voice yelling out for Martin, yourself, or another patron of the event to look at them sounded like nails on a chalkboard. It had been bearable at first, but as the night wore on and it just… kept happening… well, it was safe to say you were reaching your breaking point. You’d barely been able to touch your lobster. 
Currently, you were curled up into Martin’s side in the back of your limo, his arm wrapped comfortingly around you. He’d said the two of you had to stay long enough for him to greet everyone and make his appearance known, but as soon as he’d been able, he’d whisked the two of you away. 
God, you were so glad to be going home.
 
“I promise, my dear. You’re all right. No more cameras.” 
You relax, but only slightly. It’s when Martin presses a kiss to the top of your head that you finally let your tense muscles start to ease. They ache, and Martin pouts comfortingly at you when you finally unstick yourself from his side. 
“It’s okay, here, give me your hand?” 
You do so without question. Martin takes your hand so softly you’re surprised you can feel it, and he starts to massage the muscles. You let out a tense sigh as he rubbed circles into the skin between your forefinger and thumb. The action soothes you, muscles hurting so pleasurably beneath his touch. 
That’s one thing you’d never complain to Martin about- he always knew just what to do to get the pain or the ache to go away. Perks of dating a Surgeon, you supposed. 
“There now, see? Much better already. Now, what do you say to a nice warm bath when we get home?” 
You think that sounds pretty good if you’re completely honest. 
Particularly when you catch him throwing your towels in the dryer to make sure they’re fluffy and warm for when you both hop out.
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zero-pax · 2 months
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I finally finished my Ashswag design ref ¤3! (Mainly so I can draw him consistent lol)
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