#mad max's story

[fatgirlgetsfitatlast]

2022 Year End Summary

What happened this year, hmmm, let's see what I can remember...

April: Mad Max, the Road Warrior Kitten arrived.

There had been a couple of stray cats hanging around the farm for some weeks and we'd been feeding them. The female was beautiful, the male was HUGE. This is the female, who would later be called, 'Mama'.

We were worried she might be pregnant, but turns out she was just putting on weight because of getting fed on the regular. She showed up pretty soon with two kittens...

The kittens would hide under the vehicles and if you looked at them, they would CLIMB UP INTO THE UNDERCARRIAGE. I had to scare them out of the motor compartment of my car before I drove it that first week after they showed up. I was so paranoid about one of them still being in there, I stopped several times while driving from the farm to my house to check. My BF was not so thorough before he left to drive to my house, 60 miles away over country roads, interstates through Tampa, and stop-and-go city streets. He got to my house on a Tuesday and on Thursday, when he was getting ready to go back, we heard it. The meow! This kitten had not only survived the ride (that road has some seriously huge bumps! I don't know how he stayed in!), but then STAYED UNDER THE TRUCK FOR TWO DAYS with no food or water! HE WAS TINY. Just over 1 pound...

He's lived with me at the beach, traveling back and forth with me to the farm every week, but always an indoor cat since then. He's grown into a Big Boi ...

After many years of resisting getting another dog, it seems like the universe conspired to place another little life in my home. I'm fine with it.

We got his mom fixed a bit after this. We don't know what happened to the other kitten, but the BF says he saw the other kitten at the farm when he got back that Thursday, so he didn't make the ride.

Here is mama kitty on the way to be spayed. It took us a whole week to trap her -- she's smart! I would've offered her a home indoors, but she went BAT SHIT CRAZY when confined, it just wasn't going to work. She remains living at the farm, free and doing as she pleases.

Also in April: Hit my highest weight in the last SEVERAL YEARS at 331.

September: We sold the farm.

(Don't worry, I made arrangements for mama kitty and her boyfriend, they are still there, being fed and taken care of).

For the last 12 years we have been dividing our time between our 10 acre farm and a house near the beach. They are about 60 miles apart. I would go up there on the weekends, (Friday night-Monday morning), and he would come down to my house during the week (Tuesday morning-Thursday morning). This gave us both some 'me time' and was the best of both worlds -- beach and country. However, the BF has some serious health issues and they have only gotten worse the last couple of years. I was having to pick up more and more of the work and it was just becoming too hard for me to handle it all, so, we made the decision to sell the farm and both live at the beach full time. This happened VERY QUICKLY. Like, he made the call on a Monday and by the next Monday there was a relator out taking pictures and by later that week we had a contract on it. This is all great except for the fact that there was 32 years of JUNK in the house and the outbuildings and barns that had to be dealt with and I was the only one healthy enough to do it.

I ended up working myself into an infected/ulcerated toe, walking 25k steps a day for WEEKS as I cleaned and hauled stuff away, donating, trashing, or moving stuff to my house. Moving stuff to my house meant I had to make room for it, so there was more sorting, trashing, and donating to be done from here to make room for the stuff from the farm. It was a NIGHTMARE and I still don't have everything put away, the garage is stacked with boxes of garage stuff that needs to find a place to be put away.

October: BF needs stent in carotid artery.

Since all his doctors were still 60 miles away, this meant driving those 60 miles up to the hospital there, and then even after he was released, more driving up there for the follow ups. During this time also, his eyesight started to become an issue. Apparently, this is common after having new lenses put in during cataract surgery, which he'd had some years before. But that meant, even when he was cleared to drive, he couldn't, so I was spending hours and hours every week driving him to doctors appointments. At this time I tried to get in to see a doctor of my own about my toe, which was clearly infected, my whole foot was starting to swell up and turn red, but every appointment was weeks out. Finally we got the BF in to see the eye specialist and they lasered this cloudiness away and he could drive again. Thank goodness!

November 15: Got in to see podiatrist about toe

The news was rather alarming, enough so that it scared me into going back on keto, and while I have 'cheated' at Christmas and Thanksgiving, overall I have kept to the low carb lifestyle in an effort to get my undiagnosed diabetes under control. I have neuropathy in both feet; he said I missed being able to feel about half of the little 'pokes' he did with a needle thing. I, of course, knew I had that, but in my defense, I've had numbness in my feet since I was in my 30s, I think brought on by doing high impact aerobics on hard flooring for several years. I simply ignored it when it got worse.

I also made an appointment with a primary care doctor-- the first I've had in about 8 or 9 years. That appointment is January 4th, so we'll see how bad everything is then.

December 31:

I'm down about 10 pounds since November 15th, which I would've hoped for more, but down is better than up, right? I have been staying true to low carb for the most part, trying to heal this toe, which is still not healed. I am not supposed to walk on it at all, but that has never happened. I did stay off it quite a lot at first, but that just isn't sustainable, and I have to workout to lose weight and also help the blood sugar and blood pressure numbers.

Throughout the year, I have been working out 3x a week doing Plyojam and Yoga via Zoom, but have not done much more than that. I know I need to do more, so have committed to a 30 minute workout every day. Thus far I'm on a streak of 12 days; when I workout later today, it will be 13. Hoping to keep this going all through next year and add in more walking as soon as I feel like my toe can handle it.

Here's where I am right now. It pains me to post these, but I want to be honest about my condition and have these for comparison later...

Next jeans goal:

Weight:

So, here we go again. Into a new year, trying to get healthy AGAIN. I don't have specific goals other than that -- work out more as possible, eat keto/low carb, get blood sugar and blood pressure under control, feel better.

[ohmovie]

"At this point in the movie, we've got Furiosa, played by Anya Taylor-Joy and we've got Praetorian Jack, played by Tom Burke, arriving at Bullet Farm, where they're meant to pick up all these munitions and weapons for this battle. However, when they get to the Bullet Farm, there's something weird going on. […] There's a certain part of this sequence which has no music because the music would be redundant, so it's not scored. The score only arises when it informs us of what's happening between our two main characters. They have to respond in the moment like all Warriors do, and get out of this situation. And in the process, we find them relinquishing their own self-interest. One for the other. What follows is that through their actions, not their words and their promises to each other, but through their actions, that they actually are prepared to give of themselves entirely to the other. So in a way, it's kind of a love story in the middle of an action scene. That's always at the heart of every action sequence. It's not all the kinetics and the sound of it. It's all about an interaction of characters. It's character-driven and it's the interplay between them that we're most interested in."

─ George Miller | Anatomy of a Scene (x)

[fuckyeahisawthat]

Furiosa thoughts

About 48 hours after watching, I think my take on Furiosa: A Mad Max Saga is coalescing into: I enjoyed it as a Mad Max movie but found it disappointing as a Fury Road prequel.

Any Mad Max movie made after Fury Road was always going to suffer the fate of being compared to Fury Road, which is the best action movie ever made. So like, compared to any other action movie you can think of, Furiosa: A Mad Max Saga (we'll call it FMMS going forward) is very very good! It just isn't Fury Road.

The rest is under the cut for spoilers:

The action sequences were compelling. (I was aware I was hunched forward in my seat in tension/anticipation almost the entire time.) Some of them were even brilliant. That long sequence where the Octoboss and the Mortiflyers (yes those are their names) are attacking the War Rig with all kinds of airborne contraptions? Phenomenal. I was like yes okay now we are in a Mad Max movie! Other than that one sequence, though, in which we see Furiosa and Praetorian Jack begin to trust each other, I thought they rarely achieved the kind of wordless advancement of character relationships through action beats that is the lifeblood of Fury Road. So the action was good, but it was just normal-good, not Fury Road transcendent.

I did miss John Seale's cinematography. While I thought the action choreography was great, the shot selection was just not as dynamic and interesting as in Fury Road. I also really did not vibe with so much of the musical themes being recycled from Fury Road. The Fury Road score is SO memorable and the music is such an integral part of the momentum and feeling of every scene in the movie; I can play that score and see every beat of the action unfolding in my brain now. I wanted new score that felt like it was a part of this new action that we were seeing.

I loved all the new worldbuilding details and finally getting to see inside Gastown and the Bullet Farm. Those locations and their unique features were utilized really well for the action that took place in them. Loved the new details we got about the Citadel. The grappling hooks just dipping down to yoink people's vehicles during battle? Fantastic. The hidden Citadel ledge with the little pool of water?? That was such a fanfic-ready location. Pretty sure I already wrote at least one fic set there back in like 2016.

The Green Place! Very different from what I imagined but so much worldbuilding in just a few shots.

In general I thought the new cast rose to the challenge. Alyla Browne who played little kid Furiosa I thought was phenomenal actually. That's a tough role, both emotionally and physically, for a child actor and she slayed it. Casting Indigenous model and actress Charlee Fraser to play Furiosa's mother certainly made the Stolen Generation parallels more obvious. I'll have a lot more to say about Dementus down below, but Chris Hemsworth brought a great combo of bonkers and menacing.

I never doubted that Anya Taylor-Joy could bring the emotional intensity needed to the role--she can do crazy eyes like nobody's business, and with the growl she put in her voice she really did sound like Charlize Theron a bit. I found her physicality convincing for a young Furiosa. But she is not Charlize, through no fault of her own. Charlize is tall and she has broad shoulders and she just takes up so much space when moving and fighting as Furiosa and I think it was always going to be hard to replicate that. As long as they didn't try too hard to bridge the gap between the characters I was fine with it. But that one scene at the end where she's bringing the Wives to the Rig I was very viscerally like that is NOT our Furiosa. (I almost wish they would've used Charlize's stunt double for that scene the way they popped Jacob Tomuri into Max's place.) They could have simply left a time gap--based on the "15 years" she says to Dementus and the 7,000+ days we hear about in Fury Road there should be at least a 4-year gap between the film timelines, although in terms of bridging the look of the two actors it feels like it should be more like 10 years.

If FMMS had been a self-contained movie about a character named Furiosa in the Mad Max universe, I think I would have found it very satisfying. But as a prequel to Fury Road there were a bunch of ways I thought it was lacking on a story level.

I think it's pretty clear that this is not the backstory, or at least not the complete backstory, that Charlize Theron was imagining while playing Furiosa. Which...there's nothing objectively wrong with that; word of God and what actors think about their characters doesn't supersede what's on film for determining what is canon. However, Fury Road positions Joe as Furiosa's main antagonist, and while we don't get the full story behind the incandescent rage she directs at him, we know that rage is there and is a big part of her motivation. In interviews at the time, Charlize talked about the idea that Furiosa had been stolen to be a Wife but then was discovered to be infertile and discarded, how she survived by hiding in the Citadel and eventually rose to a position of power, how she saw her actions not as saving the Wives but as stealing them, and that her motivation at least starts out as more about hurting Joe than helping these women.

We get only the tiniest suggestion of Furiosa's backstory in Fury Road ("I was taken as a child, stolen") and the rest we piece together by implication. She is a healthy full-life woman working for a man who keeps healthy full-life women as sex slaves, hoping one of them will produce a viable male heir for him. She is effectively a general in his army, projecting his power on the wasteland, a position no other woman seems to occupy. She tells Max she is seeking "redemption." Redemption for what? She doesn't say. But "whatever she has done to win a position of power within this misogynist death cult" seems like a pretty obvious answer.

And that's interesting! That's an interesting backstory that engages with some of the core themes and moral questions of the Mad Max universe. These movies deal a lot with the tension between self-preservation and human connection. Do you screw someone else over to protect yourself? Even if it means putting them in the terrible position that you yourself have clawed your way out of? Even if it means enforcing your own oppressor's power over them? Or do you take the risk of helping people and caring enough to connect with them, even though this carries an emotional and physical risk?

FMMS doesn't really engage with Furiosa's relationship to Joe like, at all. It's not like Joe comes off looking like a good guy. He's just hardly in the movie. I don't know if this would have been different if Hugh Keays-Byrne were still alive. I don't know if there was pressure from the studio to cast an A-list male lead actor alongside Anya Taylor-Joy (who's a hot commodity now but wasn't what I would call an A-lister when she was originally cast). I don't know if, once Chris Hemsworth was cast, that affected how central his character's role became, since he is certainly the biggest name attached to the film. I would have actually been fine with Chris Hemsworth or another actor of his ilk playing a younger Joe, and us getting to see some of the charisma that attracted followers to him.

But the end result is that we have Dementus, who is a perfectly fine Mad Max villain, and quite entertaining at times! But not the most compelling antagonist you could give Furiosa.

The four Mad Max movies that feature Max go through an interesting evolution. In the first two movies, the villains are people "outside" society--criminals and roving gangs--and the people Max is defending are "civilization." So we have Mad Max where Max is a very fucked-up cop, and Road Warrior where Max is the prototypical western gunslinger, riding in to town to protect the settlement from an outside threat, but ultimately unable to accept any of the comforts of civilization for himself.

Then in Thunderdome and Fury Road, the dynamic switches. Now the antagonists are warlords and dictators. They are civilization. And the people Max ends up helping are trying to escape them.

To me, Dementus feels much more like the earlier kind of Mad Max villain. If there's another Mad Max movie I can most compare FMMS to, it's the first one. Dementus is Furiosa's Toecutter. (Kills her family, gives her her signature disabling injury, movie ends with her seeking revenge on him but it doesn't feel heroic or triumphant.) The whole end of FMMS when Furiosa is implacably hunting down Dementus? Extremely Mad Max 1.

But violent revenge holds a different symbolic place in Furiosa's story than it does in Max's. The end of Mad Max is a tragedy because Max tells us it is. He explicitly states, early in the movie, that he needs to stop being a cop or he'll become no different than the violent criminals he's pursuing. So he leaves his job and goes on an extended weird vacation with his wife and child, trying to get away from the violence of a collapsing society. But that violence finds him anyway, and by the end of the movie, Max has become the exact thing he said he didn't want to be. It's a tragedy not because the people Max kills in revenge for killing his family don't deserve it, but because seeking violent sadistic revenge is damaging to Max. That is not what he needs in order to heal from the loss of his wife and child. What he needs is to take the risk of human connection again. This is what he starts groping toward in the following two movies and fully realizes in Fury Road.

But Furiosa doesn't have the same arc. Her story in Fury Road is about how a few people struggling against their oppressor can be the catalyst that brings down a whole regime. Furiosa getting to rip Joe's face off is fucking satisfying, and it's supposed to be! So it's a bit weird, then, to spend an entire movie giving her a backstory that not only is not about Joe at all, but implies that seeking and getting revenge against Dementus for killing her mother and Jack is what made her into the person we see in Fury Road.

Aside from questions of revenge, what I thought Furiosa's goal was going to be is set up in the beginning of the movie. "No matter what happens, find your way home." Very clear objective there. And then we see her try to get home like, 1.5 times. I thought we were well set up to follow the tried and true film story format of "simple goal, big obstacles, high stakes." I wanted to see her trying over and over again to get home, and being thwarted in different ways every time. I wanted to see grief and guilt over her mother's death turn her mother's last command into a mission for which she would sacrifice anything (and anyone) else. I wanted to see her justify working for Joe and accumulating power in the violent world of the Citadel as what she has to do in order to get home. I wanted to see "Have you done this before?" "Many times." But we didn't really get that either.

Ultimately, I think the least frustrating way to think about the film--which the film itself encourages--is as one of many possible Wasteland legends about a character called Furiosa. Maybe it happened this way. Maybe it didn't. Maybe this is the Furiosa we see in Fury Road. Maybe it isn't. It all depends on how much you believe of the History Man's tales.

[cerebrobullet]

First sight

[aquitainequeen]

Bits and pieces of worldbuilding/setting that I really liked in Furiosa:

We only see one wheeled vehicle in the actual society of the Green Place, and it’s a pedal bicycle, and it’s being used as a blade sharpener. Right after that we learn that the Vuvalini travel by horseback, so the intruders’ bikes stand out all the more as ugly and alien in this place of abundance. (Also, for a piece of symbolism, from what I remember the raiders had killed a horse and were butchering it for the meat.) At the same time the people of the Green Place are familiar with petrol engines; Furiosa and her mother are clearly experienced with motorbikes since they know how to ride, sabotage and (in Mary Jabassa’s case) fix/upgrade them, a nod to the future when the last of the Vuvalini will turn back to petroleum to survive.   

Dementus’ followers eating the peach that Furiosa picked, marvelling over it; a fresh piece of fruit is precious in the Wastelands.

The History Man has clothes covered in writing as well as his skin, and he has a tattoo kit so that he can constantly add more words to himself!

I really appreciated that Dementus’ subordinates actually had personalities and lives outside of the narrative that we’re shown; for example, it was great to see ‘Mr. Norton’ join the war band via a battle to be the last person standing, and steadily rise up the ranks off screen until she’s part of Dementus’ inner circle and taking part in his worst atrocities.

We get to see what happens to the serfs when the Citadel is attacked -- there’s no room for them in their lord’s fortress and their only shelter is holes scraped in the earth. Shows us precisely what Immortan Joe thinks of his followers.

What’s an excellent way to show that the Guardian of Gas Town is a man of wealth and taste? Why, reveal that up in his high tower overlooking his domain, he possesses a massive mural of an absolutely gorgeous painting from before the end times that he recreated himself, with only some pages from a book for reference!

I’m sure we all remember that moment in Fury Road where the Dag cuts that terrifying chastity belt off of Cheedo, and Angharad firmly says ‘We’re not going back,’ and that’s all that needs to be said about how horrendous life in Immortan Joe’s harem was? Well, now we get to see numerous women in light airy clothes, drifting about the harem, one of them coming up to Furiosa and telling her with a smile that she’s safe now – even while all of them are wearing those dreadful belts.

[guillotineman]

Quentin Tarantino: "I loved 'West Side Story (2021, dir. Steven Spielberg).' The best movie of 2021, should have won the Oscar and the guy who played Riff should have won the Oscar. It’s the only film that I’ve seen, on my own, at the theater, twice. It was beyond the beyond. It was right up there with 'Fury Road'..."

[thelaurenshippen]

ah yes, the sweet sting of rejection from a billion dollar corporation who believes that "action stories don't appeal to romance audiences", welcome back my old familiar friend

[sistersgrimm13writes]

I have one last Furiosa post for the day (before I have to get back to writing and editing the fifth chapter of my completely self-indulgent, non-canon retelling of the FuryJack love story) and it is specifically in regards to the scene where she almost stabs him after waking up from a nightmare.

In the beginning of the scene, they are shown sleeping close together, closer together than any of the other Praetorians, a scant inch of space between their bed rolls. It only shows Jack's face for a micro-second, before the previous scene even fully fades away, and his eyes are shut, presumably because he's already asleep.

Then it zooms in on Furiosa, in the grips of a nightmare where hands are grabbing at her, but right before it zooms all the way in on her face, we see this:

Just as she starts to shift uncomfortably, Jack shifts, too, and his hand is already reaching for her. Meaning, that this man was so in tune with her that he woke up from a dead sleep because he could feel that she was starting to have a nightmare. And he doesn't shy away when the reaction to his touch is almost a knife to the face, doesn't try to disarm her or grab for the knife (the one that he gave her the first day they truly met), instead, he leaves his hand loosely circling her wrist as she stops shaking and her breathing begins to slow, staying with her even when she lays back down.

They know each other so well and trust each other so much, that no words are exchanged or need to be. He just wakes her up when he feels her having a nightmare and holds her the only way he can when they're surrounded by people who mistake softness for weakness, and she lays back down to go to sleep, still staring directly into his eyes as the scene fades to black.

It's incredible that they were able to capture that, that they took the time down to the very frame-by-frame to layer on just how close these two were. Even if you hated the movie, or want the relationship between them to stay super ambiguous, this level of story crafting is absolutely insane and should be commended.

[omercifulheaves]

Some storyboard sketches by Brendan McCarthy for Fury Road. The Harpies would later be reworked into Octoboss and his crew in Furiosa.

[synth-ab]

I saw Fury Road again tonight. I also saw Furiosa a few days ago. She's my everything now.

[sarafangirlart]

Furiosa is a great example for why “if you want to write a strong female character, write a character then make it female” is terrible writing advice, bc Furiosa’s womanhood and femininity are important themes, and the plot would not happen the same way if she was a boy, Immortan Joe would not have offered to make Furiosa a “wife in training” and she would not have had to disguise herself as a boy while hiding in the citadel. So yes, it’s not wrong to keep your characters gender in mind while writing them.

I just generally hate the idea that you can’t have a character who’s story is centered around their femininity like I feel like ppl who say this advice just feel uncomfortable when feminism is in anything.

[marvelstars]

Absence makes the heart grow fonder, I wish we could go to those times in which Magneto and Pietro relationship was written like this, complicated but at least nuanced and in character, not whatever Steve Orlando is been working on in the last issue of Scarlet witch and Quicksilver.

It also offends me the way Orlando wrote this, sure Magneto got his heart taken out, he was barely holding himself together after surviving Uranus first attack, he had to take care of the survivors and then go fight him again, he even could have a heartfel talk with David, Legion, while literally holding his heart back together and you are telling me I have to believe the man´s priority at the time was to write a letter in which he said his Son was a danger to his twin? Sure Jan

[kamakrazeewarboyz]

War Boys in the Furiosa trailer

[fuckyeahisawthat]

Furiosa viewing #3 for me last night and I figured something out. I have heard multiple people say that the pacing of the movie felt off or weird or even "slow," even though the plot consistently moves along at a brisk clip. But what people were noticing was not the speed of the story but the structure.

I realized the pacing feels weird because the movie has two third acts.

The overwhelming majority of movies released by Hollywood studios follow a very standardized three-act structure. This is certainly not the only way to structure a film story, but it's the most common one in the Anglophone film world, so common that you have probably absorbed its pattern without even thinking about it. The previous Mad Max movies do generally fit this structure, and Fury Road fits it like, down to the minute.

When we get to the big fight sequence at the Bullet Farm, where we know Jack has prepared everything for Furiosa to leave and they just have to get through this one last mission together, my gut story sense was like this feels like it should be the third act. The fight in the Bullet Farm and the chase with Dementus that ends in Jack's death feels like it should be the climax of the movie. And not just because we are around the two-hour mark at this point, although we are.

In terms of themes and plot arcs and story beats, Jack's death feels like where the movie should end. We start the story with Mary Jabassa telling Furiosa to leave her behind and make it home safe. I'm sure Mary knows she's on a suicide mission at this point, but maybe she can hold off their attackers long enough for her daughter to escape. But Furiosa can't leave her mom behind. So she goes back, and she watches her mom die brutally and gets trapped by Dementus.

Then, at the Bullet Farm, Furiosa has her best chance yet at getting home. She has a fully loaded vehicle, and she's outside the Bullet Farm gates while Jack is stuck inside. Jack, too, tells her to run and save herself. (While it's never spelled out, I'm sure we're supposed to intuit that the green flare means GO.) He probably thinks he's dead either way at this point, but maybe Furiosa can make it out. But once again, she can't do it. She goes back to defend Jack, and we have this little bit of hope of, maybe this time she'll be able to save the person she cares about from being killed by the same warlord who killed her mother. Whether she succeeds or fails, narratively, this feels like it should be the climactic action sequence of the movie.

But there's still another 30 (ish?? I need to watch with a timer) minutes to go after that, in which we have a whole other plot arc of Furiosa getting back to the Citadel, making her prosthetic arm, and going off on her quest to hunt down Dementus. And if this part all feels a bit grueling, it's because your brain expected the movie to end half an hour ago.

(I should pause here to say that you absolutely can write a movie in three-act structure that's longer than 2 hours--you just have to stretch all the pieces out equally or it starts to feel lumpy. And the place where our attention spans are going to be least forgiving of lumpiness is at the end of the movie.)

Well, you might say, maybe Furiosa was just not written with the three-act structure in mind. And that could be true! But I would argue that the oddness of the end of the movie comes primarily from the film not being clear on what narrative question it's trying to answer.

Because an ending that focuses on Furiosa's choice between finally getting home or going back to try to save Jack is addressing the question of, "Do you prioritize saving yourself, or do you fight for the people you love, even if you may end up in a worse situation because of it?"

An ending that follows Furiosa's revenge quest seems to focus more on, "What does seeking revenge do to your humanity?"

Both of these questions are rich territory to be explored in the wasteland, and the other Mad Max movies deal with both of them. But I would argue that the first question is very clearly set up in the beginning of the movie as a thing we expect to be exploring, and the second question, not so much.

I think the story would have benefitted from picking one or the other. And if they wanted to tell a story about the price of revenge, then highlighting this earlier--either by making revenge Furiosa's primary motivation from the beginning, or highlighting it thematically by showing how the quest for revenge warps other characters--would have made the last section of the movie feel more like a payoff and less like a sudden left turn into the desert.

[dopedillin]

[hazieash]

Liu Kang you will always be famous