#make them canon you cowards

[sapphxcdisaster]

So um, I think this is my newest brainrot ship send help I can’t stop thinking about them and how perfect they’d be if they’d stop trying to stab each other

[rowans-thoughts]

Some more Lokius headcanons I had in my back pocket!

They enjoy discussing theoretical situations with each other and always end up bickering over their viewpoints. (Loki’s usually the one to bring these topics up) This especially happens whenever they sit down for their usual key lime pie. Because Loki can't stand silence, there has to be something going on or his brain gets bored. so he starts these debates to fill the silence. (Also because he enjoys riling up Mobius)

Adding onto this, they both always think they're right and neither will admit when they're wrong when it comes to these silly debates. Usually, it ends with them slowly getting closer to each other until one of them decides to shut the other up with a kiss. (This doesn't always end the debate because Loki will usually say "I'm still right" as soon as the kiss is over)

Loki enjoys doing things like painting his nails and occasionally wearing makeup. (Loki mainly wears black or dark green nail polish but isn't opposed to doing other colors once in a while) Loki has also managed to get Mobius to let him paint his nails, Mobius thought it felt weird wearing it but overall was pretty neutral on the idea. (He absolutely loves it when Loki wears it tho because he thinks he looks hot)

Ever since Mobius got Loki into sweets, Loki has just developed the worst sweet tooth ever and Mobius is scared that he has created a monster with how much Loki eats candy/desserts. It seems she always manages to have a stash nearby with how often she'll appear with a piece of candy in hand. (They always offer Mobius some)

Loki loves his life at the tva but he does still get homesick every now and then. Usually, when he's feeling like this he'll hop down onto the timeline to keep up with how Thor is doing, tho they never actually manage to work up talking to him they'll just watch from out of sight.

Mobius can always tell when loki is homesick even if he tries to hide it. And he knows he goes to visit his brother. But he never asks Loki about it. Never even asks if he's tried speaking to him. Because Mobius knows if Loki wants to talk about it then she will. In the meantime whenever Mobius can tell he's feeling homesick, Mobius will be a lot gentler with Loki and try to find ways to subtly comfort them.

Alright that's all my headcanons on them for now

[makeyouminemp3]

the soft girlfriend energy is strong here

[embryoed]

[everythingmcu]

Beau be serious now

[oceanwithouthermoon]

maybe its just me but i cant stand when people are like "it just doesn't sit right with me how teruhashi thought about aiura 🥺" like yes... its not supposed to ??? because her thinking badly of other girls and prioritizing male validation over everything is one of her main flaws ??? can we talk about that WITHOUT making it seem like shes not allowed to have a single actual flaw without suddenly becoming an awful person? nobody can handle complex female characters at all and its so fucking annoying

[yoursaltytears]

It's the S.S. Endurance crew. This story will feature some of the events in the Island of Yamatai. Also the way Lara caressing on Sam's photo. Those who are reading the Tomb Raider comics knows what I am talking about.

The year of Jaffa Cakes is coming!

[apk02]

All fic writers writing Sirius and James needing help from Lupin for passing exams and making the charmed mirrors and every other achievement S & J did should just tag their fics as OOC and be done with it.

Sirius and James were incredibly intelligent and accomplished individuals and this shit of wrong tagging and ooc characters is getting really annoying now.

[niightniines]

isn't it so weird that Misa Amane was kidnapped by L against her will, tortured and confined for seven weeks, and almost killed herself because of it, but nobody who ships Lawmane talks about it because I guess they don't want to recognize the parts of their ship that are a little fucked up? like ok what happened to "I'll never ship yagamane even in au context because it's just too toxic!" alright then do that for other ships too.

[feyres-divorce-lawyer]

katie mcgrath’s characters and their girlfriends

🎨: @aconsortbattleship

🎨: maddiedrawz

[ygsunflower]

Imagine Carol Danvers meeting this Maria Rambeau… 👀

They first met in this bar, and flirted with each other all night but didn’t do anything beyond that. The next morning they met again at the Air Force reporting station as new recruits, and there it begins this beautiful and tragic story…

[specialagentartemis]

cannot believe this musical concept album gave me Real Feelings about a character from the Odyssey who appears, like, twice

[sumarmz]

I love rarepair shipping bc like yes ik in canon this would never happen but in my au they make out ok

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[the-teddy-bear-butch]

mekamechanic arcade date hello???? 👁️👁️

HIIIII Ma :3 We should play Overwatch again sometime hehe. I love these two goobers so much. Nothing too particularly fancy, just a fluffy moment between missions in the canon universe, and their first date :3

“Do you dance?”

“Do I dance?” Brigitte asked, bewildered. She followed where Hana was pointing, brightening at the sight of a familiar game machine. A broad, toothy grin graced her freckled face and her eyes narrowed with competitive spirit.

“Yes I do,” she confirmed with a smirk. She grabbed Hana’s hand without waiting for acknowledgement, quickly making her way over to the machine.

Hana’s free hand flew up to her face as she giggled at Brigitte’s enthusiasm, eyes sparkling with the flashing lights of the game. Brigitte had to pause for a moment, starstruck by the woman in front of her. She couldn’t help but feel sorry for the covered smile—but it did draw her attention to Hana’s eyes and—oh.

Oh. They were such a beautiful shade of brown, big and wide like a doe’s and filled with such affection that Brigitte thought she might pass out then and there.

“Well?” Hana giggled, swinging Brigitte’s hand in her own.

“Hana Song,” Brigitte said, clearing her throat and putting on her most serious voice. She lifted Hana’s hand to her lips and pressed a gentle kiss to it, dipping in an overly formal bow. “May I have this dance with you?”

The flush in Hana’s cheeks was enough to confirm that Brigitte was not the only one feeling nervous. Hana’s expression softened, her eyelids fluttering as Brigitte’s lips left her skin. She tilted her head, pretending to ponder.

“Well,” she chuckled, “aren’t you just gentlemanly.” She nodded once, a clear, firm answer.

“Yes, you may.”

[chibishortdeath]

did you know Dissonance also has the Simon wraith.

Yes! And if I remember correctly they are found in the Wailing Way and the Shrine of the Apostates (also known as Heretic’s Grave) both in castle B, which is near where the Smiling Statue (which looks a lot like Carmilla) can be found. :3

Also, the Energy Circle being found here, over a particular seemingly important marble coffin no less, is interesting considering it’s the whip upgrade that lets Juste spin the whip like Simon can in CV4 (albeit in way more neat of a circle lol).

Also on the topic of items, there’s a lot of interesting furniture descriptions too.

The Hero Statue and the Tall Clock seem pretty obvious. Simon would’ve been the most recent hero of the time and really the first of his family to get very much respect for it. The clock just directly mentions Juste’s ‘granddad’ so like yeah.

The Smiling Statue just straight up looks like Carmilla’s mask and is probably a Jojo reference since Carmilla is one lmao anyway but I’m not sure why she’s called a Goddess here, pretty interesting. These other two just had some weird descriptions of a presence in general.

The only thing I can’t figure out is who the Sage Statue is even supposed to be. The other two seem to have a pattern, so I’d expect like a Skull Statue or something to be Death/Dracula (as he was a skeleton ghost in Simon’s Quest) or something, but no it’s just some old guy. Maybe he’s looking so smug because he knows he’s out of place and messing with us lol. And the names of the statues also have some kind of relation to who they are (Carmilla smiles, Simon is regarded as a legendary hero) but the word ‘Sage’ just kinda doesn’t relate to any character I can think of other than like idk one of the random old guy towns people, but why would he get a statue? It’s odd, hopefully I’ll figure it out eventually tho.

Harmony of Dissonance has a lot of really interesting details in it, especially Simon’s Quest references, that make sense considering it takes place right after it and revolves around the plot of Maxim trying to recreate the glory of that last Dracula battle from it while not knowing the context behind why Simon did that, so they’re pretty intertwined in that way, it’s really cool :D!!!

I should probably make more general long analysis posts about these kinds of things sometime if I can actually gather everything into one place, cause this kind of random detail gathering stuff is really fun hehe >:3c. This also kinda just ended up a rant that left the topic and went to others so whoopsie (XwX)