#making them feel like they're not being good enough for me and it's like that's not the point

[woso-dreamzzz]

Read II

England Lionesses x Child!Reader

Mary Earps x Child!Reader

Summary: There's a reason you don't have sugar

You hold reading lessons every day at camp because you want the rest of the England team to not be knuckleheads anymore and to prove Mikey from school wrong.

It's not easy to learn how to read so you know you need to come back to make sure everyone has been keeping up with their learning because that's what Mummy and Daddy do to you.

They started teaching you how to read very early so you were fairly advanced when you went to school.

You think Mikey's just jealous because you're a good reader and he's a bad one but, still, you want to make sure to prove him wrong.

Mary always says the best revenge is proving haters wrong. You don't know if Mikey's a hater but you'll assume he is because better safe than sorry.

You've done a good job at teaching everyone though because Maya, Millie T and Tooney all give you some sherbet sweets. They make your mouth go a little tingly when you try them but you like that feeling so the three of them keep feeding you more.

They're responsible for you while Mary's getting the last bit of treatment before you all get on the coach to go to the stadium. Usually, someone else is responsible for you but you did a quick reading lesson for Maya and Millie with Tooney as your assistant so they're supervising you before the journey.

You decide that you really like the sherbet straws they give you and Maya dares you to see how many you can finish before you have to go.

You don't count but it's definitely a lot.

Enough for you to feel super hyped when you're finally reunited with Mary. She's picked out a set of four seats with a table and she's already got your rucksack full of books open for you to pick from.

You're very advanced in your reading for such a young kid but even you struggle a little bit. Now that you've taught Mary to read, she can read very well from the books that are a bit too complicated for you right now so she's in charge of reading them to you as you drive to the pitch.

"Er..." You say as you look at the selection," That one."

"Alright," Mary says, cracking open the book and clearing her throat. She gets about halfway through before she notices how wiggly you're being. "Hey, rugrat, do you need the toilet?"

You frown. "No. Keep reading, Mary."

"Are you sure? I can take you."

"No, Mary. My book, please."

"Alright." Mary keeps reading but she's acutely aware of the way you keep wiggling in your seat.

You seem to think you're fine though. Or, at least, you don't think you need the toilet which is Mary's main worry.

"Okay," She says finally," Go and find someone to hang out with. I need to talk to Tooney."

You seem all too happy to scamper off, practically throwing yourself at Beth across the aisle.

"Tooney!" Mary snaps, interrupting the conversation she and Alessia are having.

"Jesus, Mary! You scared me there!"

"What did you give my sister?" Mary demands," She's never been like this before."

"Like what?"

"Like that!"

Mary points over to where you've decided it's a funny idea to crowd surf over the girls at the front, who are bouncing you a bit as they pass you off to the girls sitting behind them.

"She doesn't do that! She's also not wiggly on the bus! What did you give her?"

Tooney winces. "I gave her nothing!"

Mary narrows her eyes. "What did you let Millie and Maya give her?"

Tooney's eyes dart to them quickly before she clears her throat. "I've got the right to remain silent! Anything I say or do can be used against me in a court of-"

Mary's already moved off before Tooney can finish and she crosses the coach to confront the other two. "I'm not interested in excuses. Tell me what you've given my sister."

Her gaze is clearly intimidating because Maya and Millie fold instantly and Mary's on her way back to her seat, easily plucking you from someone's arms to set you back down next to her.

It seems most of the sugar rush has disappeared now but then another problem makes itself known.

The bus goes over a series of bumps and you make a little aborted movement forward.

Mary recognises the action and whips out a plastic bag. "Here, rugrat," She says," Let it out. Let it all out."

She rubs your back as you throw up. It takes a lot longer than usual to hurl up your guts and Mary narrows her eyes over the top of her seat to look at Millie and Maya.

This is all their fault, Mary knows it.

It's because of all of the sugar you've consumed that you've thrown up so bad and, as she ties the bag shut, Mary briefly contemplates throwing it at Millie and Maya.

"Juice, please," You say and Mary hands it to you," Sorry, Mary."

"It's okay," She says," It's not your fault. Do you want to continue your book?"

You nod, leaning against your sister, energy drained. "Yes, please."

[pangur-and-grim]

I'm looking into getting a purebred cat for the first time because I've developed allergies, and it's such a different world from my niche corner of dog breeding, I'm so lost How common is it for cat breeders to focus on temperament over conformation? I've shown a dog and been to many shows, and am working on a breed in development. I'm uncomfortable with a fixation on "correct" appearance versus a heavy focus on what an animal's quality of life is and what they're like to live with If I'm paying more for a kitten than I charge for a puppy I want to know the breeder has done a lot of handling and enrichment, grooming conditioning (for relevant breeds), and pair their cats for temperament strengths and weaknesses, not just conformation. What should I look for on a breeder site/what should I ask without sounding rude? I also have seen a couple breeders advertise a health guarantee including FIP for one year, and I'm wondering how that's possible. Can you really guarantee against it? I'm so sorry you and your gremlin are going through this, it sounds like a rollercoaster!

it's difficult to answer your first question! cat breeding seems more…..casual in terminology than dog breeding, if that makes sense? 

with temperament, there’s a stereotype for each breed (Bengals = active, Siamese = yowly, Ragdolls = angelic beings, etc). breeders often have a page on their site explaining their idea of what the breed is (the ideal appearance, personality, and so on), and then a section with their breeding cats, with blurbs for each one. and they usually also have social media, where you can see how these cats slot into their lives.

if you’re from the states, be VERY WARY of breeders who cage their cats! that’s more of a cultural norm there, and personally, I prefer breeders who treat their animals like family members and live alongside them.

here are two examples of breeders who go above and beyond: Praticalcats and Trillium Devon Rex. their sites give away how obsessive they are about their animals - all the articles on Praticalcats, and all the genetic testing on Trillium - and I would feel comfortable recommending them to anyone who asked.

as for over-emphasis on a “correct” appearance – for each breed, there will be a certain look that’s a red flag. Devon Rexes that are too brachy, Maine Coons that are too large, Siamese that are too spindly, etc. if you do enough research on your breed of choice, you’ll start recognizing it. the cat will look more ‘special’, and more ‘like it’s breed’, but it’s an exaggeration at the cost of other qualities.

for specific questions like what handling they do, whether they’re conditioned to tolerate grooming, and how the cats get paired with buyers, most of the time you have to contact a breeder to ask that. there should be a mini job interview before any money changes hand, where the breeder grills you, and you get to return the favour. if a breeder skips this, I’d consider that a major red flag. and don’t worry about sounding rude, a good breeder will be delighted that you care so much about all of this!

and now, the guarantee against FIP – what are they guaranteeing, exactly? it might be a guarantee that they’ll replace the kitten if they develop FIP (the contract with my breeder had a similar clause). but if they’re guaranteeing that any kitten from them won’t develop FIP, then that’s nonsense. basically all young cats get exposed to the feline coronavirus that causes FIP, and whether they develop it or not is just a lottery gamble. I'd be suspicious of any breeder who claims that their kittens are exempt from this.

anyway, I think I've answered everything. hopefully that was helpful, and not just me rambling!

[merwgue]

The idea of Nyx and Tamlin becoming mates in a platonic, parental sense is an incredibly profound and heartwarming twist. It redefines what it means to be a mate—showing that the deepest connections aren’t always romantic but can also be based on trust, care, and the unconditional love found in parental relationships.

Imagine Nyx, the child of two deeply traumatized and distracted parents—Feyre and Rhysand. Despite their best efforts, they rush into parenthood for all the wrong reasons, feeling the pressure of impending danger and the belief that time is running out. They're powerful, yes, but so burdened by their past that they can’t give Nyx the love and attention he needs to thrive. They try to be present, but emotional neglect slowly seeps in, leaving Nyx feeling alone, unloved, and desperate for connection. They compensate with material things, but it’s not enough. Nyx is still just a boy, craving someone who will truly see him.

At around ten years old, in an attempt to make his parents notice him, Nyx starts sneaking off to the Spring Court. What begins as an act of rebellion turns into something entirely unexpected. Tamlin—who has been broken, hollow, and struggling to rebuild his life—finds this small, vulnerable boy suddenly seeking him out. At first, Tamlin is hesitant. He’s never been good with children. He doesn’t know how to connect, especially not after all the devastation he’s been through. But slowly, Nyx keeps coming back, visiting him again and again. Tamlin begins to open up, maybe not in grand gestures, but in small acts of kindness—offering Nyx a safe space, listening when he speaks, giving him attention that’s not laced with expectation or distraction.

As the months pass, something shifts. Nyx starts to see Tamlin not as the feared High Lord of the Spring Court, but as someone who cares for him in a way that his own parents cannot. He finds solace in Tamlin’s presence, and Tamlin, in turn, finds a sense of purpose in looking after Nyx. It’s not about power or obligation—it’s simply about being there for this boy who so clearly needs a father figure. Tamlin never asked to be a father, but he can’t ignore the bond that’s quietly forming between them.

Then one day, after countless visits, Nyx accidentally calls Tamlin “papa.” It slips out in a moment of vulnerability, perhaps after a particularly rough day back at home. Immediately, Nyx freezes, terrified of how Tamlin might react. He starts to apologize, stumbling over his words, thinking he’s crossed a line. But instead of pulling away, Tamlin wraps him in a hug, a genuine, comforting embrace, and quietly says, “If you want me to, I will.” And in that moment, everything shifts.

The world seems to stop for both of them. The bond that snaps into place isn’t the romantic mating bond we’re used to seeing—it’s something entirely different. It’s a bond built on trust, on care, on the love of a protector for a child who needs him. It’s a parental bond, the kind that says, I will be here for you, always. I will keep you safe. I will love you like my own.

Nyx finally feels seen, finally feels loved in a way that’s not forced or transactional. And Tamlin, who has been so lost and broken, finds a new sense of purpose. He never expected to be anyone’s father, but in that moment, he becomes one—not because of blood or obligation, but because of the bond that has formed between him and this boy. Nyx starts calling him "papa," and Tamlin, despite all his fears, accepts it with open arms.

This is why Sarah J. Maas should expand the idea of mates beyond just romantic connections. Mates should be about completing each other’s souls, in whatever form that takes. For Nyx and Tamlin, it’s not about romantic love—it’s about the love between a father and a child, a love that grows naturally and beautifully out of shared understanding, trust, and care. And in the end, it’s this bond that brings healing to both of them.

[cantgetworsethanthistbh]

dumping more of my stancest feels here because i cannot NOT think of them. i read journal 3 for the first time this week and its great because Ford acts like stanley's biggest hater which is pretty fking funny (if not absolutely infuriating at times because omfg stfu you smug prick)

but the moments like this get to me

Ford being blinded by his quest of grandeur, accolades and praise for world changing discoveries, so obsessed with greatness, being the first name people remember, and all the other things his npd-isms tells him he wants.

And then there's "reminds me of camping with my brother. i wonder what he's up to..."

i mentioned in my previous post that stan acts quite a lot like the anchor to ford's boat, keeping him grounded and most importantly, safe from both the bitter and the sweet kinds of evils. but he also represents something so much simpler to ford too: the simple desires he represses so much because its not "good enough" for someone special like him.

he resents stan so much because he represents a "block" against that percieved good enough success he wants, the obstacle that made it impossible to get in a fancy college, become the world renowed researcher, the one who wanted to destroy his journal's and lifes work (even though it was the better, safer option if Bill really WAS that dangerous, which he was) that could still make him famous. because if ford's not "praised and weird" then he's just "weird" and being "weird" was nothing but a pain his whole life that kept him rejected and isolated from the masses. and stan prevented him from that.

(btw "maybe he can prove himself to me" is nasty work my god ford is a douche lmao)

a lot of his projections of something greater comes through with how he treated dipper in the show (his whole spiel in damvtf) and fiddleford in journal 3 where he looks down on the happy life that fiddleford had with his wife and child and saying he was "wasting his talents" making computers. and like, we all know by the way he takes them on high stakes adventures they're not as prepared for compared to him (and end up causing more trouble than not by doing so), he's trying to fill a gaping hole left by someone else. we all know this obviously, we all know what we ship here, but what i came to appreciate the most about it is how much that gaping hole exists in the low stakes

everytime ford is thinking during the "down time" moments, his thoughts always drift back to his childhood, and one person who represents it.

childhood memories, making fun of stans favorite snack, scribbling out a design of the stan o war, whenever Ford lets his mind wander it expresses such an intense yearning for the past before he became obsessed with wanting something more. these are his most utmost and most unfiltered thoughts, which is why he scribles them away or and writes in code. and the fact that he directly says they are about NOT getting married, followed with "wondering what he's doing right now", painting the picture of what his most ideal idylic life is. wanting a return of something lost. wanting Stan back more than anything.

he finally accepts that his dream never really changed, just the same as stan's and so they saild off together for the rest of their days, in ford's own words (which ironically sounds like a marriage to me either way so tough shit ford)

[nicosraf]

I hope its alright to ask for writing tips, i know you have plenty on your plate already so definitely disregard if this is a lot to answer. Was there anything you used that helped you develop characters during the writing process? Like guidelines or tips or even other books?? I wanted to take on writing for fun but I'm quickly realizing there is a lot of,,,, planning and learning that goes along with the writing process. I feel like I have so many ideas and if I don't get them out I will soon explode 🥴

Hello! I always like answering writing questions!

I don't use guides! I've mostly got my own method now, but I've been writing for a long time, and one day, you'll probably have your own method too. I can share with you how I make characters, but try different things! Experiment!

(I also want to emphasize that if you're writing for fun then don't worry about it being good. If you're writing seriously, also don't worry about it being good. Write bad characters, if you want. Do what makes you happy and the work will always be good.)

My rubric for a character, in order of importance (for the most part) is: immediate relevance, themes, arc, background, attributes.

(Note: this isn't the order in which I come up with a character, just how I plot them).

Let me use Rosier as an example of how I typically think of character construction (Note: this isn't exactly how I thought up Rosier)

Initial idea: Lucifer needs a kind figure in his life, maybe someone he lives with. Not Michael. I want him to have a strong platonic relationship. Next idea: Maybe he'll stay kind while Lucifer worsens as a person. Next idea: He should fall but not because of a sin he committed. Next idea: He's older than Lucifer. Next idea: He had a life before Lucifer, too. Next idea: Something, something, fruit. It shows up everywhere in the (imagined) story. Fruit angel? Next idea: Messy, messy feelings about sex.

I start sorting this out as per my little guide:

Immediate Relevance: A platonic relationship for the protagonist, someone who will bring fruits to the Earth. Now what can he bring to this book?

Themes (with an eye for Rosier's relevance to the plot (and its own themes) and the most plot-focused characters' themes): Unconditional kindness, fruit and devil, no ambition, loss of innocence, weakness, not desiring sex (opposed to the theme of others and the book itself), unwillingly creating (while some others are desperate to create), falling from choice, demon who isn't a good demon. How can we structure these themes into a story?

Arc: Rosier, the fruit angel, happily takes newborn Lucifer in. He loves the paradise where nothing ever happens. He has a situationship with the angel who will become the demon of lust. He suffers at Lucifer's hands but forgives him. He loves him. But he doesn't do enough. He suffers at Asmodeus' hands. He chooses to fall. He cares for Lucifer's body. He creates a body for Asmodeus. He follows his friends (again) to a cave of demons. He doesn't want to be alone. He chooses demonhood, despite his kindness. But how can this arc happen to him? (There's a seperate checklist for an arc in my head, with the most important part being "Kill your character." It doesn't have to be literal. Kill them in the sense that they're no longer who they were at the start of the story.)

Background: This arc can only happen because of who Rosier is. And a person is their life, so what is Rosier's life? He was born out of a nova in the sky like a fruit. God hugs him tight, but he won't remember, and God will never meet him, not really. [More about Rosier's background here; this post is getting too long]. What has his background shaped him to be?

Attributes: Is kind, is patient, has learned to be happy with the bare minimum, has learned to make excuses for people. Loves fruits (obviously), likes baking, is fussy. [So on]

You see how all these things build into each other? It's like writing a book in itself. Actually, I think writing a plot and writing a character are very very similar! Because a story is a narrative — a collection of scenes/lines with a beginning and an end, each scene typically affecting the next — and a life is a narrative too — a collection of experiences with a beginning and an end, each experience affecting the next.

You might be curious why "Arc" is above "Background"; again, this isn't the order in which you should come up with a character or anything, but I find that placing big (author-ly) importance on the arc happening in the book/story itself can keep you from falling into the pitfall of "backstory of character is more interesting than what theyre currently up to in the plot." (Also this rubric isn't 100%. Sometimes you have to move the importance of things around. Sometimes a minor character should only have immediate relevance and attributes.)

I hope this is helpful! Good luck!! But please don't worry too much... Just have fun! Write a sexy character and see where they take you

[carnivalcarriondiscarded]

yeah so i'm falling for @weevmo's Guys... they're so neat! i dig their vibes and can't wait to see what Corduroy Stew is all about <3

[sysig]

So much experimenting to be done, where to even start (Patreon)

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[rainywithachanceofstars]

[dye-it-rouge-et-noir]

"For particularly important things, it's always more reassuring to write them down like this." - Zhang Beihai

[ID in alt text]

[silusvesuius]

g*lmar rly has to be the best skajrim character on the real like even if you don't like him he just is . literally The best one i think......... on dat note i also imagine that he and ulfr*c despite being fairydust BFFs for lyfe genuinely have the worst communication skills ever seen

[boyswanna-be-her]

The dog I've been sitting for in the haunted house is the most neurotic dog I've dealt with, which is really saying something. She's not bad but she IS completely bonkers. And she's not a rescue! Same owners her whole life. How do people fuck up an animal's brain this hard?

The only thing I've seen even close was a rescue dog adopted during covid lockdown who then didn't understand what other dogs are and had crazy separation anxiety.

[deus-and-the-machina]

ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.

the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,

but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.

It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.

[opens-up-4-nobody]

The way that the sun hits leaves and clouds. I feel like I could watch the colors change forever. If I could slow down for that long.

[sukugojo]

different anon here, i came here wanting to clarify something but i saw that your reply took the words out of my mouth HAHAH it's funny seeing some of us shippers sharing the same braincells and having similar opinions. love this small community but i hope it gets bigger (wake tf up people!!! are 15 consecutive canon suspicious homoerotic chapters not enough for people on the international jjk fandom to finally start shipping them?!)

the something being that i don't sense any malicious hateful intent coming from either gojo or sukuna. this is a rare enemies/rivals trope imo. like their whole theme is about teaching love and trying to maybe come to a mutual understanding despite fate cruelly putting them on the opposite sides, as they are really just different sides of the same coin. and that's one of the many reasons why i love this pairing. it's not easy to find a non-toxic enemies/rivals dynamic portrayal in media so i'm glad that jjk is an exception.

p/s: i'm an extremely introverted person so unfortunately i won't have the social battery to continue this conversation, but thanks for reading my ask! i really want to interact more with my people bc yall are lovely and have great tastes but socializing drains me so much

YES YES ANON, they really don't hate each other at all. one thing i was thinking about is how gojo doesn't seem to think of sukuna as this malicious Evil thing that other sorcerers (rightfully) make him out to be. he... really hasn't been shown to harbor any ill feelings towards sukuna, even after all he's done.

and their fight is playful, they're playing, they're having fun, it's recreation. sure the fate of the world is at stake here, but that's not what it's about for them at all.

there's not hate, not even dislike, it's simply. well to steal canon's words. love. an overwhelming sense of pleasure, of satisfaction, of fulfillment.

and i LOVE that u mention "despite fate cruelly putting them on the opposite sides" bc YEAH YEAH, that's part of the tragedy of them. there's too many factors outside their own personal satisfaction at play.

and i think there is also a bit of a paradox in there. they're looking for someone with whom to share that solitude that comes at the lonely top. but... that's something i don't think to be possible. sure they're equals, that's the thing, but at the same time, their existences clash just by definition. bc there can't be two strongest. there can only be one.

both can't live at the same time. if one lives, the other can't live by definition.

no one understands them bc they're the strongest, but once they find someone who might be able to—and who does—dont they stop being the strongest?