#maybe I'm just too much into monsters

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[hilacopter]

torn between not being able to trust goyim to not be antisemitc anymore unless they really prove me otherwise and going "I guess we'll get along" when they find out I'm Israeli and still treat me like a human being

[karokawwo]

not to be mean but i do hope the full touchstarved game comes up with some terrible fucked up horror shit and the most gruesome monsters bc for the focus put on the Lis being monsters their designs sure are disappointing

[nyan-bynary]

As cute as satosugu is, it's SO important to me that no matter how much they loved each other (romantically or platonically idrc to argue w/ ppl) they did NOT tell each other. That they lost their chance bc they were young and strong and full of hope and they thought they had all the time in the world to tell the other how they felt, y'know, like how teenagers are supposed to feel about life. But they couldn't be together, they couldn't have each other's company the way they really wanted. Their youths were forcefully taken away from them their emotions that they were still not fully settled on forced out of their hands because they had bigger more grave things to worry about now. It's so important to me that they were always doomed no matter what.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[sorryimananti-romantic]

who knows, maybe i'm a glutton for lengthy written pieces of fiction but i can't imagine anything better than reading a thought-out, detailed and intriguing story.

20k-30k wc usually takes me around 2 hours to read (when i am not annotating on the side or running laps in my room to calm down from a scene) and even though i do love me some drabbles, imagines or scenarios - sometimes they're so great but oh so short that i end up feeling hungry for more lol.

idk. maybe there is some over-consumption or fast-media issue that's infiltrated even the fanfic community and readers feel less overwhelmed reading fics under 10k? apprehension giving bad/wrong feedback? author burn-out? somebody go ahead and open the field for research already.

there is an overwhelming amount of short fics daily on my dash and not so often bigger oneshots or even series but i've always assumed it's because they take so much more time and effort into creating - which then motivates me more to leave nice feedback when you authors work so hard on them :) vice versa it's a nice feeling when authors take time to acknowledge feedback

like you saying you look forward to my reblogs and i'm over here like.. i have been noticed 👁️👄👁️ and i am being relied on to lose my own mind over your amazing mind. i can't disappoint this co-dependant author-reader-ship 💪 /j

also, miss "yumi in her break era" only five days ago, once again offering to write a fic to my tastes?! you will be the death of me. hand in marriage right now 🤝 /j but also, new series.. ? ✍️👀

○ chron 🃏

lucky for you, i'm physically incapable of writing short fics and loren is an actual witness. whenever i start a fic and go 'yo this actually be short like under 20k) it usually ends up being 26k+ 🤡 and tbh for me personally nothing can top a well-planned detailed fic no matter the length of it!

you're right! there's only so much you can do in a short scenario/imagine/drabble they're like fun little treats, kind of like appetisers/snacks as opposed to lengthy oneshots which i feel like are a full multiple-course meal (and then we have series which are like a whole buffet banquet feast you name it)

yeah there are a lot of factors. even as a writer i know that i prefer reading sth short when i don't have much time to spare but want a little break. reading lengthier works require a lot of time (like you said, about 2 hrs) and you gotta be in the mood all cosy and relaxed to fully enjoy them!

there's def so many shorter works being produced in huge quantities and consumed very rapidly too. writing them takes less time, you don't gotta work out so many details and lose your mind in the process (from my experience writing the few hcs and drabbles i have) and it's... fun? gets a greater audience, more notes? definitely. there are literally so many factors as to why people prefer writing/reading scenarios/drabbles over the lengthier works and i could honestly list them all but i feel like not everyone wants to hear that 💀

personally, i've been pretty consistent with writing the lengthier works, inspired by ppl here who've written so much such excellent monster works AHAHA and since the lengthier fics culture is pretty much dying (let's face it on tumblr it is dying slowly but steadily) i'm devoted to continue contributing to that specific part of the atinyfic community. i could always cook up some short scenarios (i plan to when it's time to retire but i still have ideas that i wanted to write) but for now, we write and write. we write endlessly without a care for the word count :')

there's honestly nothing wrong with wanting to read or write shorter works. i just wish the people who work so hard to create such beautiful and lengthy masterpieces got the attention they deserve. and i wish they do not compare their works to drabbles/scenarios (which you might have observed get a lot of notes in a very short amount of time) and continue writing for themselves and for the readers who appreciate them :')) we're always so incredibly grateful for the feedback we get bc we get some great quality feedback which is our pride :D

you have been very much noticed! me and loren were actually talking not too long ago about how you are one of the few ppl whose reblog we anticipate eagerly ahaha you've spoilt us honestly :') and when i saw your reblog last night (i was feeling incredibly low) i just smiled with tears in my eyes LOL ngl (co-dependency atp fr fr)

miss yumi has always been a clown who goes back on her words esp when it's about taking a break (i actually will be taking a two week break soon like actual break bc i'll be travelling so i'll be back mid aug) but miss yumi also loves writing bc it's the only interesting thing going on in her life and she would love to write for you too (proposal accepted let's pick dresses now :D)

as for the new series... 👀 the current word count is about 70k and i'm not even halfway- this might be the most intricate worldbuilding i've ever done like with the characters and how they're connected to each other (on par with take me home series, might even surpass) and it's... mafia! but the different kind, uniquely yumi LOL and the pairing hmm will remain a secret (take your guess come on)

i look forward to posting it so much it's become my comfort fic. i'll try to start posting it before 2024 but no promises yet bc i wanna finish writing it (or at least nearly finish) before i post the masterlist or teasers.

[forestfullofberries]

oh wait. i interpretated No Longer You as Tiresias saying "i can't help you if you don't change" meaning that becoming the monster is the only way to get home.

but is it what he meant? or did Tiresias just straight up refuse to help because he saw who Odysseus is going to become and he didn't want to help this person?

[levitanias]

thinking about frankenstein's monster again, not anything in particular just kinda brain rotating him like he's the well liked side character of a bad shonen anime

[bugsbenefit]

ngl seeing everyone clutch onto one(1) photo and then "speculate" on it is hilarious because everyone is coming to "conclusions" and they're all contradicting each other asdfajas. just with the Finn pic today alone, i've seen people say he looks "older"? (not shit they didn't film for a year) so it has to be a time skip past 1987? (no idea what the reasoning for that is supposed to be other than that the actors look different than 1 year ago), i've seen people explain it could be a flashback to pre s4, i've seen people say it's a "byler win" for some reason?? and so on and on

not shaming at all but also holy shit i need everyone who's feeling "we lost" about something to shut up right now, no one can even agree on what they're seeing in a photo, i Assure you whatever you're upset about happening has a less than 5% chance of actually happening, it's a still image my man

[musical-chick-13]

Can somebody please explain to me what the appeal of vampires is.

[mad-hunts]

have i ever talked about how barton is genuinely jealous of people who seem happy because he feels so hollow a majority of the time that even when he's 'happy,' he's not really happy? because i just 😭 yeah...

[medicinemane]

Mike johnson has so god damn much blood on his hands, obviously Ukrainian blood, but also plenty of American blood

Refusing to renew something that helps vets exposed to atomic blast and Americans who were downwind of the fall out... it's just sick. I can't fucking stand mike johnson, he's one of the worst scum to ever be in congress, and that's fucking saying something

"Johnson refused to allow House members to vote on bipartisan legislation to renew and improve the program"

Fucking quivering little pimple seems to have a real MO for just wringing his hands while insisting it's not his fault, he just can't do the one fucking part of his job of putting shit up to a vote... oh boo hoo, so sad, he'll just have to unilaterally let funding expire on things instead of literally just putting it up to our elected representatives to see if they want to vote yay or nay

Single handedly make the choices but it's not his fault when they work out how they do

Murderer

[okiidokii]

Sorry just looking back at it, I really do think G3 sacrificed having good fashion in order to have good character design. Which like, if it was just the cartoons they were rebooting, then like sure. But all I'm saying if any other doll brand in the year of our lord 2023/2022 come out with tye-die shorts with frills we would have laughed them off the market but it's Monster High so it's fine

I think it succeeds a lot at times, for example, no matter how much I don't like G3 Clawdeen, not gonna lie, they really got that 'quirky protag girl' vibe incredibly well with her. Or how the G3 Werecat Twins personalities show so strongly though their designs, but dear god WTF is Meowlody wearing.

But on the other hand it's not like good character design and fashion are antithetical to each other. Like not only was this the reason G1 Monster High got so popular (that and it's gothicism) but G3 HAS put out nice looking fashion pieces before!

[zoebelladona]

i think i'm gonna have to rewatch these last two episodes to come to terms with them and the themes of the show because so far my reaction has been

[augustheart]

sometimes i remember moments from tv shows and my stomach starts hurting

[meownotgood]

I wanted to get much further than I actually did today, but this is still good