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#memory go poof when it comes to important stuff
avid-idiot · 11 months
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AAAA NOOOO, I FORGOT SO MANY ICONIC QUOTES FROM HER :(( here's one I found tho <3
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sybeez · 4 months
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theres magic in splatoon?
oh HELL YES i get to rant about splatoon on here instead of on discord :]
@anemonequeen hey u can add on too 👀
So what i call magic in splatoon is less 'high fantasy bullshit' and more 'its all around and you don't notice it' like the post said (my example was electricity irl and how we use it rn for mundane stuff). It's all headcanon also btw but very supported by stuff from the games themself
List of stuff thats magic in splatoon in no particular order (ill go over these after): music, technology (human made especially), DNA, ink maybe?, salmonids migration, probably more but thats all i got (infodump under the cut)
SO music has been canon magic since splatoon 1 and actually its linked to the DNA part!! ,,,I probably need to explain human technology part first to understand that but it's basically all the Alterna logs basically.
Quick recap tho: the earth is fucked > some humans go live underground in giant domes all over the globe(unsure) > in one of them they devellop crystals out of molluscs like squids n octopus ability to change color based on emotions and use those to make giant LCD screens to line the dome > fast forward 2 generations of underground humans > the next gen scientists who want to go out even if thats a fucked up idea > rocket go poof n destroys the screen > the squid LCD crystals seep into the ocean n evolution happens for every creature to turn into anthros
also most impportantly the crystals retained the hopes of dreams of all of humanity down there* (important)
now fast forward 10 000 years and we find this scroll in splatoon 1
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and that melody famously created a revolution by every single octarian realising they actually have free will at once (it did NOT break any kind of mind control they just lived all their live in an authoritarian society) so already we can tell theres something up with.
another time we find that melody thats important is the end credit for splatoon 3 (wave goodbye) at around the 3:00 mark
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,,,now im realizing this isnt exactly what i had in mind but the first time i heard it i thought the voice had no gargling like inkfish voices n instead it was the voices of all humanitys ghosts coming together to sing that part. But if we still go with that then (my headcannon) that means that melody thats been etched into sea life DNA was actually a human anthem that was kept in the memories of the LCD crystal
Now in splatoon 3 theres a lot of magic anyway lol but idk how to even explain that (the 3 lights, lil buddy becoming a kaiju, big man making ink) so use ur imagination for that lol but its there.
other human technology that's also magic: the machine to keep judd alive that somehow made him immortal AND clone him
There's more magic hidden in the game (like however the ink from the ink tanks fuels our weapon via bluetooth and how some non-inkfish characters can somehow use ink for turf wars) but thats why i tagged sasha lol
oh yea for the salmon migration bit i'm specifically talking about the 7 rings when a big run happens. idk how to explain that so therefore its magic
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aita-blorbos · 2 months
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AITA for banishing my friend to hell?
It's probably easiest to introduce everyone right out of the gate. All four of us are gods of different domains, M, age unknown and not important.
I'm the god of food, creating objects, and strengthening tools.
G is the god of tools, weapons, and nature. He really likes dogs. (This is an important detail.)
C is the god of the moon and hell.
B is the god of animals and monsters.
So. Those are the players. We each have pretty much complete control over our domains.
The four of us have our own sort of private dimension, so we're not bothering anyone so that's not an issue. We decided to all make a bunch of changes and not tell each other what we'd done.
We all made ourselves semi-mortal and tried to live in the world we'd made.
And everything was fucked.
I'll admit. A lot of it was because of me. I had made it so eating certain kinds of fish would shoot explosives and eating apples would open a massive hole under you, G had made it so water burned, and B had created a stupidly massive number of chickens, and there was a bunch of other stuff too.
(You may notice I didn't mention C. At the time, we weren't able to get to either the moon or hell. The changes he did make will be important later.)
So we were just kinda going through everything, each seeing what changes the others had made. We were trying to get to the moon to kill a dragon (don't ask) and to do that we needed to get to hell, to do that we- well, we needed a good pickaxe.
G seemed really excited for us to make and use the pickaxe, and by the time we did, we were all exhausted. I did the honors of using it for the first time, and as I did, it turned to smoke in my hands and made a squeaking sound, leaving only a little bit of stone and now ay to get to hell.
G started laughing like a maniac, and we all took our godly forms and went up to our meeting room. It had taken days to get to that point, and G had ruined it. And then he'd laughed when B, C, and I got angry. I moved that we banish him off the council.
B started trying to defend G but I overrode his opinion and forced G to eat an apple - which, if you'll recall, opens a massive pit under you. G was crying but took a bite, and as he fell I felt... a twinge of regret.
A little while later we finally managed to use other means to get into hell. Once we had, we found G. He had massive wings which he did not have before, and he claimed that it had been "over 200 years" even though it had been a day or two tops.
After some negotiations we managed to coax G into coming with us. We hsd to find a fortress, and the entire time we were looking, C seemed nervous.
Once we got to the fortress, we saw hundreds of (illusionary) dogs poofing into existence only to appear to die.
G was pissed. Probably rightfully. He flew back to the sort of arena we'd found him in, and the other three of us lost consciousness just to find ourselves back there. G had a massive sword he'd wanted to make before - a sword to "cut through the world."
After some more negotiations, C, B, and I ended up fighting and eventually killing G. As he died, he claimed he "couldn't bring himself to kill us" though he did hurt us all a lot.
We all went back to the normal world, now down one god. One of the changes I had made without saying anything was to male crafting the item we needed to get to the moon ridiculously easy, and I finally came clean with that. C and B were angry but ultimately we got up to the moon.
C had made it so massive chunks of land were missing, leading to certain death, but we managed to defeat the dragon.
We held a funeral for G back in the normal world. We planted poppies, his favorite flower, on his grave.
After a little while, he came back, with seemingly no memory of anything after I made the pickaxe.
Personally, I don't think I did anything I wasn't justified in doing. G came back, no harm no foul, and he had screwed us all over anyways. Everything I did - even in the changes I made - were in the best interest of the group.
C and B don't seem to think so.
AITA?
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spiked-mall-goth · 11 months
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ummmmm guys. i have had a day let me tell you. super long diary like entry lol
i had to get up early to go see my papa and help him move some furniture, and although i was running on a total of 2 1/2 hours of sleep i was excited. he lives out in the city and its about an hour and a half drive but the highway is completely surrounded by trees so that was a fun ride. listened to lots of music and talked about barbies with my dad. we counted 21 total yard sales on the trip.
got home and ate lunch after unloading some beds. my papa wanted some old twin beds out of his house so we took them home. i have a new mattress now!! which hopefully means far less daily back pain!!
after lunch we decided to go to a few of the yard sales we passed by. and let me tell you i got a HAUL. i got a pair of really nice pajama pants that have little skulls on them, then at the next one they had SO MUCH STUFF!!! like guys.. i got a sweater for 25 cents.. GUYS. i got a little black sweater, a flowy black summer top, a fucking black velvet CAPELET, and the most gorgeous black 80s prom dress; although sadly it does not zip and needs alterations but its WORTH IT!!! it has really big poof sleeves and a massive flower sash omg guys its AWSOME. at the same place i also got a little fake ivy for my kitchen :D it desperately needed a little life, a big ass puzzle to work on with my brothers, and they had MOUNDS of vhs tapes... for FREE. soooo uh yeah. may or may not have come home with like twenty new tapes. oh yeah did i metion that i only paid like a total of six dollars so far?? i made out like a Bandit. final yard sale and the woman was like 'uhhhh $1.25.'. so for a $1.25 i got a peanuts drinking glass (i think from mcdonalds..), the entirety of firefly on dvd, and a ceramic angel. normally i do not go for religious imagery in my decor, but. it was like 102F.. i hadnt slept since my two hour night.. i was severely dehydrated.. heat exhaustion was setting in a little bit.. and i dunno, she just called to me. she reminded me of laura palmer.
okay, so i get home and unload all my of goodies, then i start cleaning my room. i have to disassemble my old bed frame and clean under my bed and shit. i already have a pounding headache at this point but i have schedule to keep. beds gotta be moved b4 tmrrw. so i am FIGHTING trying to get the frame apart, i'm all sweaty and gross and i finally get it!! :D i feel some stuff falling over behind me and b4 i can even look up i get whacked right upside my head loony tunes style with a huge metal beam :( i start feeling kinda funny and i vaguely remember talking to my brother who told me to lie down. i pass out cold and hard on the couch for about an hour. vague memories of seeing something in the room with me. not really important i just think you should know.
wake up to my brothers shaking me to make sure i havent DIED. i lived! yayyy!! ate dinner, and then it was time. i have been looking at this online auction for over a week now and it was ending in a matter of minutes. i did when some some stuff! i got the directors cut of JTHM, revenge of the filler rabbit, and some other comic which i cannot remember rn.. but anyways it was 5 bucks! and then i bought a snoopy wallet for a few dollars. although i did miss out on a clear phone.. so sad. but overall i had a very good shopping day today idk why. everything just like fell into my lap at affordable prices... like wow..
after the auction i still had not moved my new bend in (ya know.. bonk on da head) so i fight forever to get it put together. but yippeee!!! its al here! and i was given a new blanket to put on it which is very soft :3
anyways now im here after showing and watching x files for a bit.
if you read all of that.... wow. ily <3. i normally dont like to just like info dump about my irl daily stuff, but today was just so like action packed it was kinda bonkers. anyways i have to go to bed bc i have more stuff going on tmrrw.... and i honestly might just cancel them.. i am TIRED.
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soul-dwelling · 1 year
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Also FF schtick of "we take lifes and death seriously!" kinda falls apaet when we have author avatars like Licht rant how stupid masses are and their lives dont matter in the despair because only important charachters influence the consiousnes or with people getting called literal background charachter and disapearing, because child abuse is forgivable and you get to be revived but being against fanservice is a nono deserving complete erasure I guess🤷‍♂️
God, I hated the Yoshida crap. But I’ll get to that. 
This is going to be a hell of a rant, with maybe a controversial take at the end (that take being, if Ohkubo just drew porn, I’d be more forgiving of that than whatever the fuck he was doing with Tamaki and Yoshida and Viktor in the last arc). 
I have said what I have to say about whether Ohkubo seems to act like child abuse is acceptable--I don’t think his works suggest that--but “forgivable”? Yeah, seeing as Kurono gets to be a teacher at the end of Fire Force and the person who abused Joker is alive again? “Forgiving” seems to be a message of this story--take that as you will, not everyone is going to forgive their abusers, that’s up to them to decide on their own whether to forgive, I can’t speak to whether someone else should forgive someone who abused them, just as my choice to forgive or not forgive someone who harmed me would be my choice. 
It didn’t even feel like Viktor was calling the masses stupid, so much as he is presented as this hyper-logical person who is so fixated on his experiments that he thinks he’s acting impartial, not even trying to insult the people. 
But yeah, his reaction, and Yoshida’s son’s reaction, to Yoshida disappearing is so weirdly nonchalant that it makes me kind of hate Viktor here. He admits he worked with Yoshida--but since that memory goes away, poof, so does she. 
And even after Tamaki’s fight is over, she just never comes back, so her son is an orphan--but hey, at least Ohkubo introduced him to sex, so that’s not at all fucking creepy. 
Goddamn it, we have teachers and librarians maligned in the United States with lies about sexualizing minors WHEN NO, THEY FUCKING AREN’T DOING THAT, and neither are LGBTQ+ people, you fucking sickos (how the fuck do you say that and not immediately point out how straight people then must also be “indoctrinating” children by going out in public and getting their straight stuff done all in public?!). 
But here’s Ohkubo with this shit: how the fuck do you not point at his writing and not ask whether he’s sexualizing minors to do some creepy way of introducing readers to sex? This isn’t like Turning Red, this is just crap. 
It’s not even like an author doesn’t, on purpose or not, potentially introduce younger readers to new ideas: that is the point of being an author, of course there are kids who first learn what sex is outside of what their parents say or what they learn in school. But Ohkubo? This is just crass and poorly done, part of a larger effort to dunk on his critics by saying, “LOL, you’re like older women who complain a lot.” 
Ohkubo’s big play was to have one character, Yoshida, be the soapbox character who regurgitates all the criticism Ohkubo received for how he portrayed Tamaki. And instead of ignoring the unjustified hate Tamaki got, he conflated that with the justified hate he got for writing Tamaki so badly. Then he presents the accumulation of those complaints as an older woman yelling about how jealous she is that Tamaki looks more attractive than her, and her son calls her out as ugly (I’ll get back to this in a moment, but, LOL, no, Yoshida is not ugly), and Ohkubo thinks he got one on his haters by saying, “LOL I think you’re all some dried up old Karen.” 
And, bonus, Ohkubo gets to do this to boys and men who also were calling him out on his crap--so he gets to misgender them and emasculate them: “LOL, you aren’t really men, you all sound like bitchy women.”
Stay classy, Ohkubo, you fucking sack of shit. 
And it’s like…not to shame anyone for their physical appearances, but Yoshida? Not to sound gross or horny on main or anything, but she is an attractive character, or at least not looking any better or worse than other characters in the story. Does Ohkubo think it’s somehow a dunk on readers that they don’t find an underage character like Tamaki attractive--because, thank God, you’re not lusting after an underage character--but maybe think Yoshida looks attractive? I’m not saying it would have been better for Ohkubo to “ugly” Yoshida up, so I guess I should be grateful that he didn’t take details commonly referred to as “ugly” and apply them to Yoshida to reinforce what he thinks of his critics--but it is still a sexist attack. 
I’m not saying the Karen discourse is good or bad: it’s a word that has filled a need especially in the United States, given the behavior of some white women against marginalized people. But, first, I am a cishet white man typing this, so that is sexist of me. And second, as presented in Fire Force, Yoshida is Japanese, or at least coded as Japanese, so this feels more like my application of the word “Karen” as shorthand rather than Ohkubo necessarily taking that word and using it here. 
And what is most fucked up? It all assumes that this is black-and-white binary, that people either completely hate all fanservice or like all fanservice. What about those of us who see something in a work--be it illustrated or not, live-action or not--and think, “Wow, that’s sexy and hot”? What about people who hate how Ohkubo handled fanservice--but can find a Soul Eater fanfic that does a great job with a sex scene between Stein and Marie, or Stein and Spirit, or any combination or characters, and think, “Huh, this isn’t crossing any lines where I think this is inappropriate--this is hot, good for this writer creating this”? Sex in literature can work: sex is part of life for a lot of people, of course there are people who represent it well, whether or not it is as realistic as you want, or if it’s just wish fulfillment because it doesn’t have to be realistic, it just has to be believable enough. 
It’s why I argue that Ohkubo is so weirdly puritanical even when he’s trying to cram the fanservice in your face. Maka has to be there to slug Soul when fanservice happens. Kid and Black Star have to be attacked when they grope or snoop on someone. Spirit has to be punished for finding Blair attractive. Blair literally loses a life after all her flirting, and walks away ashamed when she mis-spends that money on the underwear. 
And Viktor has to lecture the audience that Tamaki is here for fanservice so that readers will find sex appealing and then one day go on to have sex so they can reproduce for the human species to persist. 
Nothing about sex for pleasure, sex for fun, sex because it’s part of some people’s lives, or no sex because people don’t want sex or are asexual or don’t know what they want and just want to live their lives--sex has to be shoved in your face, with this intense pressure that the sex has to mean something more than what it is, whether to attract an audience, punish a character, or lecture the audience about slow birth rates. 
I almost think I’d be more forgiving of Ohkubo if he just drew sex scenes between Stein, Spirit, Marie, and Medusa (with all characters all giving consent, by the way)--because at least when fan creators do it, it is for the purpose of a good story that happens to have sex, or just porn for porn’s sake, not this pseudo-intellectual crap that is indefensible due to underage portrayals and violating characters’ consent.
What a gross, puritanical Handmaid’s Tale bunch of shit for a post-Roe American reader like me to sift through with Fire Force--and while Ohkubo is not responsible for shit in America, this crap writing is just as harmful in any other national context. What a fucking creep.
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abelle25125 · 2 years
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a comprehensive list of all things sus about Adrian Graye
ok so i have been slightly obsessed with the illusion coven head since his introduction in hunting palisman, but now that we’ve had an episode with him as an actual character there are some things about him that feel super suspicious and i’m going to try my best to explain them here
1:Despite being the head of the illusion coven, We never actually see him cast any illusions. 
When we’re first introduced to him when he tries to trick the school into joining coven he mentions that the illusion of him was cast by a different coven scout
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“Tom, that Adrian illusion was lacking a certain, hmm? You get me?”
and given his need to yell for the illusion to end rather than just stopping it himself, we can assume that he wasn’t in control of the illusion in that scene.
 We can probably apply this logic to his later scene with the fake willow and Belos  - as we’ve seen in the past that illusions need a constant focus when cast by a witch, and he seemed a bit too concentrated on bullying his actors and kicking hunter in the back of the head to be casting anything.
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Him snapping his fingers and the Belos illusion vanishing could either be read as him dispelling the illusion or calling of the two Guards behind it, but given the lack of evidence towards the spell belonging to him, im choosing to believe the latter. 
this leads us onto the next few points:
2: He casts spells without drawing a circle and 
3: the only two times he draws a spell circle, he does so while holding/using his magical amplifier  
in his first scene after Gus calls out the fake Adrian, we see him hand off his coffee cup and then in a poof of smoke - appears next to and grabs Gus. you cant touch illusions, so neither of those were fake, which means that, without drawing a spell circle he’s teleported across the room. 
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We only see him draw a spell circle twice in the entire episode, the first time he literally uses the magical amplifier to draw it, and the second time he’s holding it. 
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now these first three points could just be explained by saying “oh he’s the coven head he’s super powerful at illusions he probably doesn't need to concentrate or draw circles or whatever” but then even ignoring all that there’s -
4: this man is waaay to focused on the looking glass ruins 
Graye was sent to Hexside by Belos to brand the children, but the moment the illusion stuff kicks off and he sees the looking glass ruins he abandons that plan to hunt down gus and figure out where the graveyard is. His reasoning is that the galderstones would be good gifts for belos, but are they worth abandoning his mission for? 
the reasoning could just be that he’s figured that the branding mission was a bust and hes in the panic of ‘i need to please my boss so he doesn’t kill me for failing so bad’ and wants to make it up for him, but then why does he seem to be happier when he sees that the galderstones are intangible 
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either way - this is not the face of a super confident person who has everything under control
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The looking glass ruins have come up a few times now in relation to the EC, and based on how good TOH is at setting up plot lines - it feels like they’re building it up to be more important than it seems. 
then of course theres the one that a bunch of people are talking about 
4: He got his ass handed to him by Gus’ memory bubble
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that shit fully incapacitated him, like he was still knocked out , fully catatonic later on, like - not even hunter got knocked down by this and he’s gone through some shit  - and Graye’s comments about bad memories feel way to prominent to just be a passing comment.   
Theres been a fun trend of all the coven heads being ironic in some way , a bard with stage fright, a plant head who loves killing ect; so having an illusionist who’s been lying about something to get where he is today could be really fun 
so whats up with this guy? lets figure it out- yeah he’s a basilisk 
- similar fangs, tail and :3 face
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- similar hair styles
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- same blue teleportation magic 
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- including the inspector from the first day we’ve only seen 4 of the 5 basilisks
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- Basilisk number 4 even has the same hair squiggle as Graye
theres kinda just a weird amount of evidence supporting this theory, it’s probably not true, and if it is, probably wont have a lot of plot relevance, but i cant help but think theres something else going on with this guy. He’s the only coven head who’s showed up by himself in an episode so far, and there’s just a lot of details and potentially foreshadowing stuff happening around him. 
this ended up being way longer than i planned so kudos on reading all the way through
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MC is Half Demon and Blah Blah Blah-
Time for the Group Retreat!
Part 1 Part 2 Lessons 1-5 Lessons 5-6 Lessons 10-12 Lessons 13-15 Part 3 Part 4
I’m quite hyped for this one, ladies, gents, and esteemed readers! For simplicity’s sake, since this is before M!MC and A!MC arrive, L!MC will go back to being referred to as just MC. Enjoy the Headcanons!
Since the previous Underground Tomb incident ended much less violently, Lucifer is now more worried than angry about MC’s rampant shennaniganery.
Like... his kid was poking holes in his totally foolproof “Your cow-uncle went to live on a farm in the human world” story. What if MC somehow got into the attic and got hurt?!
It didn’t help that they were still in this weird phase of their father/child relationship. On one hand, Lucifer obviously cares for his kid, and his kid likes him... but it’s also only been less than three months and we all know how emotionally constipated Lucifer is.
MC’s also getting REAL sus of all the secrets their dear old dad is keeping... doesn’t help that they STILL haven’t went up into the attic.
Anyhoo~ the announcement for the retreat was a barrel of laughs.
“I’m proposing, a group retreat!”
Everyone met Diavolo’s announcement with the exact same confused reaction. It’s like the entire assembly hall was doing the ‘Guy Blinking’ meme.
“A... group retreat?” Lucifer repeated slowly. “For what reason exactly, Lord Diavolo?”
The Crown Prince was giddy with excitement as he explained. “MC told me about their middle school overnight trip and it sounded like it would be quite fun!”
Simeon, Luke, MC, and Solomon were all seated next to each other in the ‘exchange student seats of less importance’. Luke leaned over and whispered a question to MC.
“Why are you so friendly with the crown prince?”
MC smirked and shrugged. “Lucifer had the Demon-Flu and couldn’t go meet with Lord Diavolo last week so I went for him. Lord Diavolo’s surprisingly bad at Connect Four but has really good luck in Snakes and Ladders.”
Luke’s jaw dropped in complete and utter shock and horror.
“We’re playing CandyLand and the Game of Life next time, want to come?” MC added.
“Play CandyLand... with him..?” Luke looked at Diavolo, who was still explaining his plan for the retreat, then looked back at MC. “I’ll only go to shield you from his corrupting influence.”
“Yeah... Corrupting...” MC had to hold back a laugh at the thought of Diavolo, who during MC’s visit lit up like a Christmas tree upon being called ‘Dia’ and believed that Mood Rings were the greatest human invention ever, being a corrupting influence.
“MC! Torture dungeon or no!?” MC was snapped out of their conversation by Mammon shouting at them from his seat.
“What?”
“Do ya think there’s a torture dungeon under the castle, or not?”
“I’m not sure,” MC turned to Diavolo. “Lord Diavolo, is there a torture dungeon under the Demon Lord’s Castle?”
There is in fact, no torture dungeon. Presumably...
Everyone packed up and headed out to the Demon Lord’s Castle!
The fabulous seven all broke several speed limits and traffic laws in order to be there early. Listen, they had to get there before Purgatory Hall, it was a matter of pride.
Besides, what’s the Royal guard going to do? Arrest six of the seven rulers of hell and a kid? Ha. No. Not when Diavolo controls their paychecks.
The rooming situation remained the same, Asmo, Simeon, and MC were roomed together, and MC got to watch Asmo get psychologically profiled by Simeon. It was truly a sight to behold.
MC was nice enough to assure Asmo that they really liked him and thought he was very sweet.
Asmo, not used to being complimented on his personality, almost started openly weeping.
So, the tour of the Demon Lord’s Castle began! Asmo got yelled at by his ex in the painting and the usual batch of idiots got sucked into the catacombs under the castle.
Lucifer wasn’t terribly sure how or if he should express his concern for MC being stuck in the labyrinth.
All these new fatherly feelings of worry are very very odd. He didn’t worry this much for Satan, mainly because Satan was usually the threat.
Even as a baby...
Lucifer found himself checking his DDD every few minutes to see if MC had texted or called from wherever the painting dragged them to, never mind that if they did text he’d hear the phone ding.
“Lucifer, don’t worry too much,” Diavolo patted Lucifer on the shoulder, a bright smile on his face. “Your brothers and MC will be perfectly fine! There’s nothing too dangerous in the catacombs that they wouldn’t be able to take care of.”
Resigning himself to the fact that MC was under the care of his last choices for babysitting, Lucifer put away his DDD. “I know they’ll be fine, but I’m not overly pleased with the situation.” He shot a glare at Helene in the portrait, who rolled her eyes and crossed her arms.
“Lucifer worrying about someone, I’m truly, genuinely shocked.” Hearing Satan’s attempt at goading him, Lucifer, flawless demon that he is, resisted the urge to throw his DDD at his brother.
“Quiet, Satan.”
————
“WHY THE FUCK IS A SNAKE DOWN HERE?!”
“ITS HENRY 1.0!”
“YEAH THAT REALLY CLEARS STUFF UP, LEVI!”
MC and Levi continued their screaming match as the group ran for dear life from a giant snake.
Yeah... nothing the brothers couldn’t handle... sure, Lord Diavolo...
They made it out of the scary catacombs... don’t worry.
Lucifer did that parent-thing where he cleaned the catacomb dust off MC’s face with a napkin.
Yay! Parenting!
Failed pillow fight attempt #1 happened that evening. Because Mammon was obsessed with being the fun-uncle and saw his brothers encroaching on his place as favourite uncle.
MC doesn’t know how to break it to him that he’ll probably always be the favourite uncle and he doesn’t have to be such a dumbass to keep his spot.
Scavenger hunt went on as canon dictates.
Asmo had his diva tantrum and stormed off, but MC also wanted to win so they didn’t go after him.
Clearly expecting someone to go beg him to come back, Asmo was very annoyed when no one went after him.
“Um, helloooo? Anyone going to comfort me~?”
“Nope.”
“Well I don’t want your comfort anyway, SOLOMON.”
It was very close, L!MC insisted their loss came from sabotage. No evidence was found but just LOOK at Satan’s face.
Time for the Formal Dance~
If you’re wondering why Luke didn’t say anything when MC was suddenly poofed into their demon form, you’re assuming that Mammon wasn’t in on the “let’s prank the chihuahua” plan.
“Mammon..? Is MC behind you?”
“Nope! Why?”
MC was able to get to the other side of the ballroom with Luke none the wiser! Hell yeah, nothing like screwing with your friend!
So it’s canon that Lucifer is like, a solid 20/10, therefore MC is ADORABLE. What I’m saying is, some of the younger demons asked them to dance.
Asmo was also being MC’s hype man, which was very nice of him. Mammon also tried to give advice on how to be cool and suave. Beel was there for moral support.
“Alright kiddo, you need to be aloof and mysterious! People love aloof and mysterious, that’s why I’m so popular.”
“Don’t listen to him, MC. He flew into a wall as a kid and it killed all his brain cells. Just be proper but not snooty, sweet but not saccharine, friendly but not annoying,”
“Ask them if they want to share some of the hors d’oeuvres.” 
“Okay, first, aloof and mysterious are the last words I would ever use to describe you, Mammon. Second, Asmo I have no clue what you’re asking me to do. Third... Beel that’s the best advice I’ve received in recent memory.”
None of that mattered anyway because MC got swarmed with dance offers.
“Well,” MC smirked and held out their hand at the demon that was bold enough to ask them to dance first. “I admire the confidence.”
The demon’s smile brightened, then dropped completely when their gaze drifted behind MC. “I uh... on second thought... I’m gonna...”
MC’s potential dance partners all quickly scattered to the snack table. The half demon growled and turned around to see their father acting like he didn’t just scare away MC’s groupies.
“Father! What was that for?!” MC huffed, Lucifer rolled his eyes and grabbed MC’s wrist and began to pull them away from the dance floor.
“You’re too young to dance.”
“That’s crazy! They looked like they were my age.” MC protested, their wings fluttering in annoyance.
“Even if they looked to be your age, MC, they’re hundreds of years older.” Lucifer said calmly.
“What about that equivalent age stuff you told me about? Like how Luke is hundreds of years old but by angel/human standards he’s technically younger than me?”
“That doesn’t matter right now.” Lucifer lightly pushed MC towards the hallway that led back to their room.
“But I want to dance with someone!” MC felt their wings involuntarily fluff up.
Lucifer turned and smiled at his dear little brat, crouching slightly to get to their level. “Not on my watch.”
MC’s face was literally this: >:0
Lucifer is out here being the dad in every comedy that involves someone bringing home their partner to meet their parents.
MC was banished to their room, they spent their time angrily reading the manga they had packed.
When Levi escaped the party slightly later MC grilled him for details of what went on after they left.
“Nothing too interesting... except... um...”
“Spit it out, Levi!”
“...lrddiavlondlucferdnced”
“I can’t understand you, stop mumbling.”
“Lord Diavolo and Lucifer danced together...”
“...”
“...”
“I MISSED THAT?!”
So yes, MC’s desire to get a picture of Lucifer sleeping stems from VENGEANCE!
How DARE their father send MC up to their room and make them miss their OTP dancing together!?
So they call up their troupe of idiots and get ready to go be menaces to society.
MC also invites along Asmo because he seemed like he could use the adventure.
And because MC couldn’t plan the prank without Asmo noticing so it was better to just implicate him as well...
“Grrr...”
MC brightened and clapped their hands. “I know that growl!”
“It’s not my stomach, I packed snacks.” MC couldn’t see this, considering the room was pitch black (it must’ve been some kind of magic because demons have excellent night vision), but Beel waved a bag of chips in the air and got to eating.
“No, I’m not talking about your stomach, Beel.” MC skipped towards the source of the growling despite Mammon and Levi’s pleas for them to stop.
Ah! There he was!
“Cerberus!” MC cooed, the three headed dog stopped growling and barked happily. “Whose a good boy? Is it you?”
Cerberus let lose a bark that would probably make anyone crap their pants, but MC giggled and kept petting him. “Yeah! You’re the good boy! You like cuddles! Yes you do! Yes you do!”
A flash of light from a camera caused MC to drop their baby talk voice and stare angrily in the direction where the light came from.
“Whoever took that picture better delete it or I’m going to feed you to the dog.”
Cerberus growled in agreement. What a good boy.
“Well, as nice as this is...” Asmo huffed. “We’ve clearly been duped because this is not Lucifer and Diavolo’s room.”
“Oh well!” MC chirped and continued to pet the three headed dog. “Look at the doggy!”
“MC, you’re crazy. Dontcha ever forget that.” Mammon whimpered as Cerberus growled at him.
So yeah, they couldn’t get out of the room, so they ended up opening up the other door and falling into the catacombs like a bunch of lemmings.
Asmo charmed Henry, and they got out of the labyrinth no problem.
Yay! No consequences! Oh no- hi Lucifer.
Lucifer gave them all the mother of all lectures. Satan showed up with the rest of the gang and brought popcorn.
Belphie wasn’t there, okay? Satan needed to be a little shit for him.
Ah yes, the pillow fight... Mammon’s crusade to be the best uncle culminated in a massive pillow fight that ended with MC, Lucifer, and Diavolo standing over everyone’s unconscious bodies.
So they uh... won the pillow fight.
MC couldn’t sleep. They legitimately couldn’t. As exhausting as the pillow fight victory had been, everyone was snoring, and MC was bleary eyed and awake at one in the morning.
They eventually sat up and looked around, Asmo was passed out in a very unflattering position, Solomon was chanting god knows what in his sleep, Levi was half hanging off Simeon’s bed, Simeon and Luke were sleeping like angels (hehehehe-), Beel was in the middle of eating his pillow in his sleep, Mammon appeared to be dreaming about winning the lottery, and Satan was... suspiciously absent.
He was there a minute ago... weird.
Deciding that this wasn’t worth it and they should just go sleep somewhere else, MC got out of bed and avoided stepping on anyone as they vacated the room.
The Demon Lord’s Castle at night could rival the House of Lamentation in terms of overall creepiness. MC had gotten used to the spirits and curses that littered their home, but they had only been to the Demon Lord’s Castle once before, so they were extra careful not to accidentally touch anything. Their stomach rumbled and they frowned.
Damn, they had the midnight munchies... they needed a snack.
MC made their way to the kitchen and on there way, noticed a peculiar room through a half open door. Taking a few steps back to peek into it, they noticed... doors. A lot of doors. And ivy covered steps. There seemed to be no rhyme or reason to any of the placements, and the room was... weirdly chilly.
“You can come in if you’d like, MC.”
Barbatos’ voice nearly caused MC to hit a high note that they hadn’t been able to hit since their voice began to change. They straightened out their wrinkled pyjamas and stepped inside.
The butler himself was walking down one of the flights of stairs.
“Um...” Quickly remembering their manners, MC straightened their posture and cleared their throat. “Good evening Barbatos.”
Barbatos smiled and inclined his head in turn. “Good evening to you as well, MC.”
“How did you know it was me outside? You were up there a second ago.” MC asked.
“It’s a part of my powers. I can see possible futures, and I foresaw you passing by my room and getting curious.” Barbatos explained.
“Oh,” MC said, half nodding and continuing to look around. A the sound of a door closing out of MC’s vision made them squeak and look around for the source of the noise. “What was that?!”
“It’s nothing to be worried about.” Barbatos raised his hands in a placating gesture. “These doors in my room are gateways to different timelines and some are gateways into the past of this particular timeline. That was another version of me passing by.”
“Does this... happen often?” MC knitted their eyebrows.
Barbatos hesitated before answering. “Not really. It’s quite rare. Lord Diavolo has expressly forbidden me from using my full powers freely.”
“Ah... makes sense...”
“Now, I believe you came down for snacks?”
MC blinked in surprise. “How did you- oh... the time magic...”
“Yes, the time magic. Now, would you prefer yogurt and fruit, or apples and peanut butter?”
“Yogurt and fruit please!”
I’m sure MC’s knowledge of how Barbie’s room works will totally not come into play later. I’m sure.
Solomon and MC graced the brunch table with their cooking. I think you can guess how it would have turned out if Barbatos hadn’t intervened.
Rest In Peace to Beel’s tastebuds.
Anyway, the rest of the retreat was all fun and good.
MC may or may not have slipped up and called Diavolo ‘Dia’ in front of Lucifer. It would’ve sparked a lecture if Dia’s puppy-like excitement wasn’t so damn adorable.
Lucifer’s got a heart... somewhere... it’s probably all shrivelled up and tiny, but I’m sure it’s there.
Everyone went back home, brought closer together through... pillow fights and surviving Solomon’s cooking I guess..?
Anyway, MC got home, unpacked their stuff, watched Kakegurui with Levi and Mammon, let Asmo paint their nails, made and ate dinner with Beel, continued their piano lessons with Lucifer, and received a 100% fake smile from Satan.
It was a nice day with their new family, MC curled up in their bed and prepared to go to sleep.
“Help me!”
MC lurched upwards in their bed, whipping their head from side to side, trying to find the source of the voice. Their room was completely empty, the perks of being half demon extended to being able to see in the dark. No new smells either, they were alone in the room.
Auditory hallucinations were common before falling asleep after being sleep deprived, creepy, but not too unusual.
“MC!”
Okay- that one couldn’t be ignored. It was common knowledge that the House of Lamentation was definitely haunted in some capacity, but the ghosts never really bothered the demons living inside, MC was partly convinced that some of the ghosts didn’t even notice that the demons were there. So it couldn’t have been a ghost calling their name.
“MC! I need help!”
The voice reverberated through their head, like it was trying to hit every part of their skull to make sure it was at least felt if MC couldn’t hear it. MC massaged their scalp and got out of bed.
The House of Lamentation at night truly lived up to its haunted reputation. Cold, clammy, dark, even by demon standards. No spooky old house was going to scare MC though, they walked down the hall with their head held high.
They walked closer to walls and furniture, knowing that the floor was less likely to creak in those areas. How did they know that? Mammon had told them it worked like a charm. Well, it’d work better for him if he stopped tripping over the furniture and alerting Lucifer.
MC was much more nimble and careful, stepping slowly and lightly around the hallways until they reached the door to the attic. They reached out to clasp their hand around the doorknob, then froze. It smelled like…
Oh no.
MC leapt away from the door like it was rigged to explode if they touched it and practically dove for cover into an alcove. The all too-recent smell of Lucifer’s fancy cologne and the increasing sound of someone coming down the stairs made them clamp their hand over their mouth and crouch down.
What was their father doing up there?
He had said the attic was full of old junk and there was no reason to go up there, so why exactly did he-
The door slammed open and Lucifer stomped down the hallway back towards his room, MC presumed. They were about to let out a sigh of relief when the footsteps paused. MC felt their heart drop right into their gut when they heard the footsteps coming back in their direction.
What were they going to say to him when he found them? ‘Sorry! This isn’t where the bathrooms are!’ The last thing MC wanted was to add to their father’s ever growing list of stresses. MC was totally responsible and grown-up, their father didn’t need to worry.
MC clamped their eyes shut and tried to slow their heart rate. Demons were beings of darkness and shadow, they could blend in quite easily. They took a deep breath, cleared their head, and felt the shadows of the hallway shift and cover them like a blanket.
Lucifer’s footsteps stopped, MC heard a tired sigh, then the footsteps started up again, this time in the direction of his room.
They allowed themselves a sigh of relief before relieving themselves of their hiding space and opening the door leading to the attic staircase.
If the rest of the House of Lamentation was considered clammy, cold, and foreboding, the attic staircase was that multiplied by a factor of twelve. MC felt themselves shudder involuntarily when they stepped closer to the staircase. Every primal part of their brain was telling them to turn around and walk away, but one tiny part was holding them back. They placed their foot on the first step, waiting for any kind of resistance, nothing other than the feeling of passing through invisible cobwebs.
“MC?”
Upon hearing their name, MC craned their neck to try and get a look at what could be waiting for them at the top of the stairs.
“Are you coming, or not?”
The cascade of warning sirens that began to blare in MC’s head went ignored as they continued to scale the staircase.
When they reached the final step, they were met with a long hallway, with a single door on the right side of the wall.
“H-hello?” MC tried to instill some force into their voice, but it still ended up quavering a little.
“Down here.” Someone knocked on the wall next to the door, almost causing MC to jump.
Oh. Oh no. MC stood straight in front of the door, and when they saw who was looking back at them they nearly passed out.
“Belphegor..?”
Belphegor’s eyes flashed as he gave MC a once over. His eyes narrowed when his gaze snapped to MC’s. The analytical expression melted into a lazy grin.
“That’s me,” he said softly. “Nice to finally meet you, MC.”
246 notes · View notes
raeandwhatnot · 3 years
Text
Lucky Charm – Luke Patterson
Summary: Luke is reminiscing about his relationship with you in the past. 
Warnings: it’s a bit sad and angst… but also fluff
Words: 4.3k
A/N: (Y/D/J)= your dream job. This is 3rd person unlike my other imagines where I do it in 1st person. Might make a part two to this if y’all want it! I will be getting to y’alls requests ASAP! I’m so excited to write them! Also, italicized is flashback! 
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It’s been 25 years since Luke, Alex, and Reggie have died. The first thing that Luke thought of when he died wasn’t just his family, he thought of (Y/N). He thought of how he just left her. They were supposed to be together forever, but that forever was cut short from tainted hot dogs out of a car. The boys have been in the band with Julie for a while now, but Luke couldn’t help but think something was missing while he performed. (Y/N) was that missing puzzle piece. He always called her his lucky charm because he would always perform his best when she was in the crowd.
“Are you going to come to the dance tonight, (Y/N/N)?” Alex asks as the Sunset Curve group walks with the girl to their shared class.
“Hmmm,” (Y/N) hums. “I’m not sure. I have a lot of homework I need to catch up on.”
Luke groans and rolls his eyes at the girl’s excuse. “Oh come on, (Y/N)!” he exclaims, walking in front of her, making him walk backwards. “You have got to live a little every once in a while! All you do is worry about school work. You need to come to the dance. The best band is going to play at the dance!”
(Y/N) tilts her head, “Oh yeah? What band?”
“Sunset Curve, duh!” Reggie says. (Y/N) giggled as she already knew the answer to her question.
“Please?” Bobby pouts. “It’s going to be a lot of fun!”
The group stops outside of the classroom door and she looks at the boys. They all had pleading looks on their faces.
“(Y/N), please!” Luke begs, grabbing her shoulders. “I need my lucky charm tonight. I promise tonight will be worth it!”
(Y/N) looks down at the charm bracelet the boys got her for her 17th birthday. The boys collectively got a charm for her bracelet that meant something to them. Luke got her a clover as she is his lucky charm. She looks back up at the green eyes staring at her waiting for her to answer.
“Fine,” (Y/N) sighed. “I will go to the dance, but you have to promise me that you guys will dance with me!” Luke smiles and pulls her into a quick hug. The rest boys cheered and high fived one another.
Luke wished he could go back to that night. It was a few months before they started dating. He and (Y/N) slow danced together which made him realize that he that had feelings for the girl in the first place. He realized why she was his lucky charm, why his heart would always skip a beat when she laughed, why his palms would get sweaty when she held his hand, why he would always want to be around her because she made him feel safe. He couldn’t stop thinking about her even in the afterlife. He would wonder where she is. Did she get married and have a family? Did she follow her dreams to become a(n) (Y/D/J)? Did she live her life to the fullest? Did she-
Luke’s thoughts were interrupted by a voice calling out to him, “Hey, Luke!” His eyes tore away from his journal he zoned out on. He saw Alex and Reggie standing in front of him.
“Hm?” Luke hummed, sitting up from leaning against the piano.
Alex took a step closer and asks, “Are you okay?”
Luke tosses his journal on the couch and takes off the acoustic guitar that was wrapped around his chest. “Yeah! Just thinking about a new song!” Luke said. Alex tucks his hands into his jacket’s pockets as he doesn’t believe that Luke is okay. He has been spacing out a lot recently.
“Cool! What is it about?” Reggie questions.
“Uh, I’m not sure yet,” Luke answers. “I was just brainstorming. Trying to think of a meaning to it.” Alex turns his attention to the journal. Luke had doodled clovers around the edges of the paper. Alex taps Reggie with his shoulder and tilts his head at the journal. Reggie analyzes the book, realizing what Luke has been thinking about.
“You making another song about (Y/N)?” Reggie wonders, still looking at the song book.
Luke glances at what Reggie was looking. “I don’t know. She’s just been on my mind recently,” he sighs and looks at the floor. Alex and Reggie nod in agreement as they too have been thinking about their friend.
Alex takes another step towards Luke, “Do you want to talk about it?” Luke kept his eyes glued to the ground. He wasn’t sure if he wanted to talk about her. He didn’t know if it would make him feel better, or if he would just burst into tears.
His thoughts were interrupted once more as Julie skips into the room. “Ready to rehearse, guys?” Julie smiles.
Luke puts on a happy face, “Hell, yeah! Let’s rock out!”
Alex and Reggie look at one another, concerned for their best friend who seems to be hurting. The group walks to their respective spots in the studio.
“What song should we start with?” Luke asks as he plugs his electric guitar into the amp.
Julie flipped her song book. “Should we warm up with Finally Free? We haven’t done that song in a while,” Julie suggest.
Luke look at the boys who were nodding their heads in agreement. “Sounds good to us!” he answers for the group.
Julie starts off the song with her intro, and the rest of the band joined in. As they were performing, Luke messed up here and there, but not enough to notice. At least Julie didn’t notice as she was rocking out with the boys. When they finished Finally Free, they decided to do a new song Julie had started writing. They hadn’t settled on a title just yet which was okay because it was still in the works. They started to practice the first verse going into the chorus, but Luke wasn’t 100% focused. He kept playing the wrong chords.
Because he messed up, he let out a load, frustrated groan. The rest of the band halted their actions to look at Luke. “Woah, you good?” Julie asks concerned.
Luke shakes his vigorously to try to get his mind straight, “Yeah! I’m just not used to the pattern yet. Let’s try again.”
Julie looks at Alex and Reggie. They both shrug their shoulders, and they start the song again. However, this time Luke could barely get past the intro without messing up. He tried to continue, but he couldn’t do it.
“Damn it!” Luke shouts, dropping his guitar to hover over his chest as he roughly runs his hands through his hair.
Julie stands up from his keyboard. “Luke?” she softly says. Luke could feel the tears welling up in his eyes.
“I-uh,” Luke stutters as he takes off his guitar. “I need s-some air.” Luke suddenly then poofs out without another word.
Julie looks at the empty space where Luke was standing. She couldn’t figure out why Luke wasn’t in the right head space. He was always focused on the band, or at least he always seems to be. Julie takes her eyes from the dead space to Alex and Reggie who had sad looks on their faces. Reggie takes his bass off and sets it next to Luke’s guitar.
Julie steps off to the side of her keyboard. “What’s up with him?” she asks Alex and Reggie. They glance at each other before Alex steps away from his drums to standing next to Reggie.
“We’ve been thinking about an old friend from back in the 90’s,” Alex confesses.
Julie shrugs her shoulder, “Who? Bobby?”
Reggie shakes his head. “Gosh, no. I wouldn’t want to spend my spare time thinking about that song stealing dummy,” Reggie says in disgust.
“She wasn’t part of Sunset Curve. At least she didn’t perform with us. Her name was (Y/N),” Alex states, ignoring what Reggie said about Bobby.
“(Y/N)? How come I’ve never heard you guys talk about her?” Julie wonders. Both Alex and Reggie shrug their shoulders, unsure why they never talk about one of their best friends. “Well, who was she then?”
A slight smile grew on Alex and Reggie as they thought of (Y/N). Alex started to reminisce the memories of his old friend, “She was one of the most important people in our lives. She helped us with our struggles, helped us study, came to almost all of our gigs, helped us get gigs… she was just the glue of Sunset Curve. We wouldn’t hardly function as a band if it wasn’t for her. She was even the one who got us the gig at the Orpheum…”
It was a sunny Saturday afternoon, and Sunset Curve was writing a new song for their new demo. They wanted to make new songs as they always perform the same songs at every gig. “Hey boys,” Luke calls out. Bobby was playing random notes on his guitar, Alex was trying balance his drumstick on his index finger, and Reggie was catching dust. They all turned to Luke who had written some stuff in his song book. “How does this sound? When all the days felt black and white those were the best shades of my life!” Luke sings.
“Dang, Luke!” Bobby exclaimed. “That’s really good! How did you come up with that?”
“I don’t know. It just came to me!” Luke smirks. “I’m also half way done with the song!”
“It’s been, what, 30 minutes and you’re already half way done?!” Alex says. Luke nods his head as he writes down more in his journal. Next thing they know, they hear clicking heels coming from the driveway. They all look up to see (Y/N) with a huge smile on her face.
“Uh, oh. Here comes trouble,” Luke teases. “What’s got you all smiley, babes?”
(Y/N) stops at the entry way of the studio. “Well, I have some pretty big news to tell you boys!” she says, shifting her weight from the balls of her feet to her feels.
“What? You got the best SAT’s scores of the school?” Bobby asks.
“You’re graduating a semester early?” then asks Alex.
“No! You got us a puppy?!” Reggie asks excitedly. The boys looked at Reggie as if he asked the most absurd question ever.
(Y/N) giggled, “As much as I would love to give you a puppy, Reggie, you are incorrect. All of you are incorrect. I just did the best thing that is ever going to happen to Sunset Curve!”
Luke raised an eyebrow, curious at what his girlfriend could have done. “What did you do?” The group slowly walks towards (Y/N). Her smile thinned out as she took a pause for dramatic effect. However, the boys were anticipatingly waiting for her to say something. “WHAT?!” they outburst.
(Y/N) chuckled at the band, and she took out a piece of paper from her back pocket. She cleared her throat dramatically before readings out loud, “Dear Miss (Y/L/N). Thank you for sending us Sunset Curve’s demo and sharing their amazing talent. We would like to offer them the chance of a lifetime. On July 22nd, we would like to invite Sunset Curve to perform here at the…” (Y/N) looks up at the guys who got even closer to her and each other.
“Perform where?!” Reggie shouts.
(Y/N) smiles even wider than ever before she throws her arms in the air and shouts, “TO PERFORM AT THE ORPHEUM BABY!” All four boy’s eyes widened and screamed out happy cheers. Luke tackles (Y/N) in the biggest hug. She wraps her legs around his waist as he ran to the drive way to spin her around.
“This is amazing!” Luke exclaimed, putting his girlfriend down. “You really are our lucky charm!” (Y/N) blushes at the compliment. Luke then presses his lips to hers to give her a sweet kiss. She smiles in the kiss as she is the happiest she has ever been.
“Hey, Patterson. Let us give (Y/N/N) some lovin’!” Bobby tugged on Luke’s shoulders which makes the couple pull away from each other. Alex, Bobby, and Reggie then take their chance to hug (Y/N). Luke joined in by hugging her from behind. They boys thanked the girl over and over again as they were in their group hug.
“Guys!” (Y/N)’s voice muffled from the inside of the hug. “One of you guys need to put on deodorant. Plus, I can’t breathe in here!” They all laughed at her and pulled away from the hug, but Luke kept his arms wrapped around the girl from behind.
“What would we do without you?” Alex smiles.
(Y/N) let out a playful sigh, “I don’t know. Never be able to play anywhere?” She giggled at her own joke. Luke sneaks in a kiss on the cheek. “Alright boys, you need to start rehearsing now that you have this mega-important life changing gig! I will order some pizza and soda so we can celebrate even more tonight!”
“You’re the best (Y/N)!” Bobby says before walking back into the studio with Alex and Reggie.
“You really are the best,” Luke whispers in (Y/N) ear. She turns around and gives him a peck on the lips. “I love you.”
“I love you, too”
Julie felt her heart drop at the thought of Luke hurting even more for leaving behind two of the most important women in is life. Luke is not that open about his past life. Julie couldn’t imagine the pain he has been going through. Alex and Reggie had tears welling up in their eyes as they finished telling the story of how they booked the Orpheum gig. Her mind wandered to a song that she saw when she was flipping through Luke’s song book when Luke wanted to show her Sunset Curve songs. She remembered walking to the studio to hear Luke singing a song she never heard before, but she recognized some of the lyrics from his song book. “She sounds amazing. Do you guys have an old photo of her at all?” Julie questions.
Reggie looks at Alex, knowing he has a picture. “Yeah, I do actually. However, Luke doesn’t know, so please don’t tell him we have this,” Alex says, walking over to his fanny pack that was near his drums.
Julie tilts her head to the side in confusion, “Why doesn’t he know about you having a picture of her?”
Alex grabs his fanny pack and unzips it. “Luke’s been pretty happy recently, but I know that thinking about (Y/N) makes him a little sad. I would hate to show him a picture that brings back all these happy memories to make him sad that they didn’t get to have more of a life together,” Alex explains. Julie slowly nods her head.
Alex reaches in his back and grabs the polaroid picture. He walks back to Julie and hands her the photo. She slightly smiles at the picture. It was of (Y/N) and Luke. (Y/N) had a big smile on her face as Luke was giving her a kiss on the cheek. You could see the pure happiness radiating from the photograph. “Wow, she’s really pretty. Luke was a lucky guy!” Julie compliments. “You know, I’m sure Luke would love to have this picture. I think it’s time you guys should give it to him.”
Julie hands the picture back to Alex. Reggie started to play with his fingers nervously. Alex analyzes the picture in his hand and puts it in his back pocket. “We should probably go look for him,” Alex says quietly. Reggie nods his head and stands closer to Alex. Julie gives the boys a slight smile before they poofed out of the studio.
*****
Luke was sitting at the beach, the water hitting his feet when it came to shore. He watched the sunset which was helping him calm down. Him and (Y/N) liked to come to the beach and watch the sunrise, the sunset, and star gaze all the time! This was their spot when they wanted to get away from everyone and have a bit of privacy with just them two. They would invite the band sometimes to have bonfires and eat s’mores after a gig. Luke watched the lifers around him playing in the water and having fun at the beach. He wished he could join the teenagers jamming in a big circle across the beach.
Suddenly, he hears a poof behind him. He turns around to see Alex and Reggie. “Well, you guys found me,” Luke quietly says, turning back to face the sunset. In his peripheral vision, he saw his friends sit on both sides of him, Alex on his right and Reggie on his left.
“I figured you would be here. You are kind of predicable sometimes,” Alex says. Luke nods his head slightly, agreeing with Alex. “What’s up, Luke?”
Luke lets out a heavy sigh. He takes a handful of sun and lets it fall in-between his fingers. “I just..” he starts. “I just wish I could see her again. I wish I could hold her. I want to know how she’s doing. I wish I knew where she was, so I could see her one last time…”
Reggie patted Luke’s back to try to comfort him, “It’s okay, buddy. I know we all wish we could see her again.”
Luke shakes his head, angry tears forming in his eyes. “Sometimes I wish we didn’t die when we did. There was so much we wanted to do as a band, and there was so much I wanted to do with (Y/N),” Luke exclaims.
Luke shifts his weight to the left to reach in his front pocket. What he takes out of his pocket shocks Alex and Reggie. Luke is holding their best friends charm bracelet. “Wait, you’ve had this this whole time?” Alex asks. Luke nods his head, a tear finally falling on his cheek. Luke turns the bracelet to have the clover charm facing him.
“I found it at my parent’s house. When I first went there to visit them, I went to look at my room to see if anything changed. I found it on my bed with some of my flannels she stole. I don’t know why she would give it back. Maybe because looking at it gave her so much pain. I can’t imagine the pain she went through,” Luke explains.
Alex glances at Reggie who had tears brewing in his eyes as well. He suddenly became anxious as he wasn’t sure how Luke was about to react with what Alex was about to give him. He nervously fidgets before he speaks, “I actually have something to show you.”
Luke turns his gaze to Alex. Alex opens his fanny pack to reach for the photograph. Luke looks at his friend’s hand to see the polaroid picture. He hesitantly grabs the photo. He lets out a sad chuckle. It was the picture of (Y/N) and Luke. “Where did you find this?” Luke asks.
“I found it when I found our stuff upstairs in the loft. I’m sorry I didn’t give this to you earlier,” Alex apologizes.
Luke shakes his head to dismiss Alex’s apology. He studies the picture of the two of them. He remembered this day vividly. It was him and (Y/N)’s first date. He had taken her to a drive-in movie and ice cream. The picture was taken right before the movie had started. (Y/N) had always taken polaroid pictures for the memories. She had given this to Luke because she wanted him to remember that day, but how could he forget? He would never forget her or the memories they shared.  
(Y/N) and Luke were setting up the back of his truck before the movie. Luke was spreading out the blanket and pillows while (Y/N) was grabbing the snacks from the front. Once they finished, they jumped in the trunk and started to get comfortable. “Are you excided?” Luke asks (Y/N).
She pulls the blanket to her lap, “Yes! I’ve always wanted to go to a drive-in movie!” Luke smiles at her excitedness.
“I know!” Luke says. (Y/N) slightly smiles and looks down at her lap, blushing. “Which snack would you like to eat first, m’lady?” he asks in a dramatic British accent.
(Y/N) giggles. “Hmmm, why sir pass me the sour gummy worms!” she replies too in a silly British accent.
Luke chuckles, grabs the snack, and hands it to her. She opens the bag and takes out a blue and red gummy worm. She eats the blue side first and looks at Luke who was watching her the whole time. She could feel her cheeks getting warmer. She flicks her wrist to give the red side of the gummy worm to Luke. He looks at the gummy worm before grabbing it and taking a bite. “This is crazy, you know?” (Y/N) admits.
Luke sits up a bit and furrows his brows. “How?” he questions.
She shrugs. “I don’t know,” she mumbles. “Sitting here.. on a date.. with one of my best friends who I’ve had a crush on for forever. I never thought it would actually happen.”
She kept her gaze on her lap, playing with a gummy worm. Luke cocks his head to the side to try to get her to look at him. However, she continues to look down. He takes his hand and pushes her chin gently to face her towards him. She looks into his green eyes. “Well, you better believe it because I wouldn’t want to be on a date with anyone else,” he says. He tilts her head down and gives her a kiss on the forehead.
(Y/N) then remembered that she had her camera in her bag. “Wait!” she exclaims. Luke moves to the side a bit as she reaches for her bag that is behind them. She unzips her bag to grab her polaroid camera. “I want to take a picture!”
“How come you always bring that where ever you go?” Luke wonders.
She fidgets the camera in her hands. “I want to create memories. I want to remember my adventures and experiences. I want to remember it all, so I take pictures,” she says, checking to see if she has enough film.
Luke smiles, “That’s amazing!”
(Y/N) scoots closer to Luke and angles the camera up to get them both in frame. They smile, getting ready to take the picture. He then had an idea for a great picture. Right as she pushes the button, he kisses her cheek. (Y/N) smiles even wider and lets out a slight giggle. The film shoots out and she grabs the photo. She looks at Luke who was smiling like a kid in a candy store. You could see the love and adore in his eyes. Luke flicks his eyes to her lips for a second, but it was enough for her to notice. He leans in, but she stops him. “I thought you weren’t supposed to kiss until after the date. Or even on the first date at all?” (Y/N) jokes.
“We can be different,” Luke smirks before giving her a kiss. As his lips touch her, she takes in a large breath and leans forward in the kiss. He takes his hand and places it on her cheek to deepen the kiss. Butterflies were flying around in their stomachs. (Y/N) pulls away slowly.
Luke opens his eyes to see her cheeks were bright red. “The movies about to start,” (Y/N) says. He chuckles and pecks her lips one more time. They shift around to where they were laying down, resting on the pillows behind them. (Y/N)’s head rested on Luke’s shoulder. She grabs the bag of sour gummy worms and takes a handful out. “Gummy worms?” she asks Luke.
Luke looks down to see her handing him some gummy worms. “Don’t mind if I do,” he says and takes the candy out of her hand to place it on his chest. As the movie starts, Luke smiles to himself. He’s on one of many dates him and (Y/N) will be on, and he couldn’t wait.
Luke didn’t notice that he was full on sobbing when he was reminiscing on the past. He suddenly felt a hand rubbing his back, trying to comfort him. He looks to see Reggie comforting him. Luke pats Reggie on the back to thank him. “It’s okay to be sad, Luke,” Alex says. Luke looks at Alex and nods. “You don’t have to be strong all the time.”
Luke thins his lip in a sad smile. Luke puts the photo and the bracelet back in his front pocket. He wipes his wet face and sniffs the snot that his slightly falling out of his nose. “Let’s get back to the studio. Even though we don’t sleep, I need a nap,” Luke says, getting up and wiping the sand off of his pants.
Luke looks around the beach once more to see the lifers having fun. Alex and Reggie follow Luke’s actions and stand up as well. Luke walks towards the teenagers still playing their guitars and singing around the fire. He watches them smile and laugh with one another. Alex places his hand on Luke’s shoulder to signal that they should leave.
Before they poofed back to the studio, Luke noticed someone in the distance. He saw someone watching the group of teenagers like he was. He noticed the (Y/H/C) girl wiping away a tear from her eye. Then, their eyes connected. He recognized those (Y/E/C) eyes. He squints and walks closer to get a better look. He halted as he got a little closer. His heart beat quickened at the sight of her.
“(Y/N)?” he whispered before the girl poofed away. Luke’s breath started to quicken as he couldn’t believe his eyes.
“Luke?” Reggie called out. Luke turned around. “What’s wrong?”
“I think I just saw (Y/N)!”
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Text
Want of a Spider
Prompt: Just reread unwanted and God I forgot how good it was also if it was a book I would buy so many copies of it also could we get a oneshot of mabye a few years later after everything happened to see how the boys are doing I just want to see them happy together
Ah, yes, don’t we all? 
Read on Ao3 
(Un)Wanted Masterlist
Warnings: implied/referenced panic attacks, nothing too severe, shapeshifting
Pairings: LAMP, DLAMP, DLAMPR
Word Count: 6888
A child runs to a garden.
Five fae take the child as their own.
Slowly, the child grows into something new.
Set after the events of (Un)Wanted.
It starts slow.
 Slow enough that at first, Virgil’s not even sure it’s happening. The garden is…weird, to put it mildly, and it’s not like living with a bunch of fae is going to give anyone a baseline for what’s normal.
 He’s just finished baking a new batch of bread with Patton. Patton’s room smells amazing, the bread looks warm and soft and part of Virgil—a part that Roman and Janus have been slowly encouraging to speak up more—wants to grab it and rip a hunk off with his teeth, temperature be damned.
 Part of him would rather not have a burned tongue for the rest of the day, thank you very much. Then he won’t be able to actually enjoy the rest of the bread, just the too-sore feeling of his tongue and the roof of his mouth.
 …and part of him still doesn’t know how to eat properly. Or that it’s okay to want to eat.
 Patton must catch that last thought buzzing around because he looks over with a frown, reaching out to pinch the offending buzzing thing out of the air and squash it, rubbing his fingertips together until it poofs and disintegrates. The accompanying bubble of relief works its way through Virgil’s chest.
 “Thank you.”
 “Of course, kiddo, that seemed like a nasty one.” Patton finishes drying his hands off and surveys their handiwork. “Well! That went well.”
 Virgil snorts. “Ah, yes, I forget that throwing flour at whoever you’re baking with is always important.”
 “Don’t you look at me, you started it!” Patton points his finger at him. “You’re the one who threw it at me first.”
 Virgil blinks. “You bumped me while I was trying to measure it out.”
 “I did.” Patton nods. “And then you bumped me back.”
 “Yes. Bumped. I didn’t throw it at you.”
 “You did, however, decide to wipe it off my face without getting the rest of it off your own.”
 “Because you threw it at me!”
 Patton throws his head back and laughs, which of course makes Virgil laugh too because have you not seen his face when he laughs you try keeping a straight face. The memory of the two of them absolutely covered in flour, barely any of it in the bowl where it was supposed to go, is enough to make him scrub his hands through his hair to make sure that yes, he did in fact get all of it out.
 “Oh, I haven’t laughed that hard in a while,” Patton murmurs as their giggles slow, shaking his head and going for the plates, “but I think that’s given the bread enough time to cool off.”
 “Does that mean we should call the others?”
 “If you want to.”
 Virgil closes his eyes and reaches, searching for the tether in his chest. It takes a few pokes and prods but eventually he feels something warm and pushes.
 “Hello, yes, hi, I heard something about fresh bread?” Roman pops up first, giving Virgil a gentle squeeze.
 “Don’t start without me!”
 “Hey!”
 Virgil giggles as Remus drops straight onto Roman, almost knocking them both to the ground. He hears an exasperated sigh behind him and turns, seeing Logan shake his head at the twins.
 “You would think,” he mutters to Virgil, “the two of them would develop a little more sense of spatial awareness after the first…oh, ten times they’ve knocked things over.”
 “I don’t think they’ve ever had to.”
 “You’re right.” Logan shakes his head again and turns to Patton. “It smells delicious, you two, congratulations.”
 “You haven’t tasted it yet,” Patton reminds, “we have to wait for—“
 “Fuck.”
 Virgil holds a hand to his chest as Janus chuckles, having appeared out of fucking nowhere just behind him as he turned to see where the snake was. He takes a deep breath and lets it out slowly as Janus rubs a circle between his shoulder blades.
 “Sorry, little mouse,” Janus murmurs, just loud enough for him to hear, “I didn’t mean to startle you so badly.”
 “It’s fine.” He leans into the touch for a moment longer. “I, uh, I know you didn’t do it on purpose.”
 “Never, little mouse, you have my word.”
 “Thanks.”
 “Remus, I swear—“
 “Just let me go and it’ll be fine!”
 “Kiddos,” Patton scolds, all but prying the twins apart, “if you don’t stop fighting, there won’t be any bread left for you.”
 Virgil has to stifle a chuckle at how fast the two of them break apart, sitting and folding their hands in their laps to patiently wait for their bread. Judging by the way Janus presses a little closer behind him, he knows what’s going to happen before Patton turns to him.
 “Virgil? Would you like to do the honors?”
 “Uh, sure.” Virgil takes the bread knife hesitantly and examines the loaf. It looks too pretty to cut…but it smells incredible. “How—uh, how much does everyone want?”
 “If you let them,” Logan says wryly, “they’ll eat the whole loaf. Take what you want first.”
 “Will not!”
 “You, you absolutely will.”
 “Hey!”
 The knife hits the cutting board with a soft tap, the slice falling neatly onto the plate. Patton takes the knife when Virgil offers it, taking over the slicing as Virgil scoots around the edge of the counter to sit with his slice.
 It looks so..perfect. And as he lifts it up and bites into it—
 Yeah, he could eat this for the rest of his life and be happy.
 Judging by the way the rest of them devour the loaf, they agree.
 “You did wonderfully,” Logan murmurs amidst the smatterings of compliments, “this is delicious.”
 “Thanks.”
 “You must remind Patton to make this again with you, it tastes much better.”
 When he doesn’t answer right away, Logan glances up, smiling when he catches sight of his red cheeks. Leaning closer, he places his chin on Virgil’s shoulder and turns to whisper:
 “Don’t let Roman see that if you don’t want to blush any harder.”
 Now that right there is a very good point. In an effort to hide it, he takes another bite of the bread, only to frown when something’s different.
 Logan seems to notice and tilts his head. “Is there something wrong? Does it taste strange?”
 Virgil opens and closes his mouth a few times. “It feels gummy.”
 “Really?” Logan has another bit of his own. “It doesn’t taste that way to me, perhaps…?”
 “Here, try mine.”
 “…no, it still tastes the same. Have you had something to drink recently?”
 “Not as recently as I probably should.” Before he can blink, Logan’s holding out a glass of water. “Oh. Thanks.”
 “Let’s see if this helps.”
 Well, the gumminess is no longer in his mouth. He’s not sure if he can still feel it in the back of his throat. He takes another bite of the bread—and oh fuck is it good—and it seems to go away.
 “That might’ve been it.” But maybe it wasn’t.
 “We’ll keep an eye on it, though,” Logan says easily as if he can see where Virgil’s mind wants to go, “let us know if it changes, okay?”
 “I will.”
 Which is why, later, when he’s sitting out by the lake to watch the moon ripple across the surface of the water, he feels it return and coughs, coughs, coughs until something flies out of his throat.
 He frowns, bending down to stare at the thing glistening in the grass. He tilts his head.
 What the fuck?
 Something else is still in his throat. He coughs again, and more of it shoots out, sticking to the grass with a horrid sound.
 Okay, nope. He’s not dealing with this by himself.
 Remus? Remus, can you help me with something?
 Sure. Gimme a sec and I’ll drop in. Are you okay?
 Virgil takes another look at the glistening…thing on the grass.
 I don’t know.
 An instant later, the water bubbles and Remus rises up, propping himself up with his tentacles as he shakes the water off. Virgil throws his arms up to protect his face from the shower of droplets.
 “Oh, oops.”
 He waves a hand. “It’s fine, it’s just water.”
 “…yeah.”
 “Do I want to know what else was in that?”
 “Probably not.”
 Virgil sighs as Remus clambers up to sit next to him, leaning his head on his shoulder. Remus’s hand cards gently through his hair before prompting him to sit up.
 “What’s the problem, little monster? How can I help?”
 In response, Virgil points at the glistening mess on the grass In front of him. Remus leans forward, following Virgil’s finger, frowning until he spots the mess. His eyes widen.
 “Whoa. I’ve never seen that before.”
 Virgil’s heart sinks. If Remus has never seen it before…
 “Where’d it come from?” Remus looks over his shoulder. “Was it Ollie? Uma? One of the others?”
 Virgil shakes his head.
 “Really? So Roman’s babies did that? Huh, I gotta tell him, he’s gonna get a kick outta that.”
 “No.”
 Remus frowns at the truly quiet noise Virgil makes. He nudges him gently. “No? No what, little monster?”
 “It—“ Virgil swallows the gummy thing in his mouth— “it wasn’t Roman’s.”
 Remus’s frown deepens. “Then what—“
 His eyes go giant when Virgil coughs up another one. It lands on the grass with a splat.
 “…oh.”
 Virgil turns to him so fast he can feel his neck protesting. “Oh? Oh what, what does ‘oh’ mean?”
 Remus smiles. He smiles so wide it makes Virgil’s face hurt by proxy. His eyes dart back and forth between Remus and the stuff on the ground.
 “Remus, what?”
 “You’re changing,” Remus says softly, still smiling as he reaches out to pull Virgil close, “you’re changing, Virgil, that’s it.”
 Um, excuse me, no part of that is reassuring, thank you very much.
 “What do you mean I’m ‘changing?’”
 “You bonded to us, Virgil,” Remus continues, “you opened that connection.”
 “Okay…?”
 “That means—well, it means you’re no longer fully human, little monster.”
 Wait, what?
 He’s—
 “You mean I’m part fae now?”
 Remus nods. “You’re one of us, little monster, you’re ours. Which means that some of your magic—“
 “I have magic?”
 “Everything has magic, Virgil. But yeah, it means through that connection your magic’s starting to get a bit of its own shape.”
 Virgil looks back down at the mess. It looks…well, it doesn’t look quite so scary anymore. In fact, as he looks at it, there are parts of it that he may actually be able to call…
 …pretty.
 “My own shape?”
 “Jan-Jan looks like a snake, yeah?”
 “Except he’s got six arms.”
 Remus rolls his eyes. “Yeah, that doesn’t make sense to me either. But Janny’s a snake, I’ve got tentacles, Logan runs a little colder than the rest of us, and Pat’s got an impressive sense of smell.”
 “…what about Roman?”
 “Roman’s magic just kinda…” Remus wiggles his fingers. “Does that. You’ve seen it.”
 “Yeah…yeah, I’ve seen it.”
 “He spoils you.”
 “…he tries.”
 Remus gives him another gentle nudge to show he understands. Then he nods to the grass.
 “That’s probably the start of it, little monster.”
 “Will it hurt?”
 The shameful question bursts out before he can stop it and he winces, curling his arms tightly around himself. Remus just wraps his arms around him too, holding him close.
 “I don’t know, Virgil.” He tightens his grip. “But I do know you won’t have to do this alone.”
 The dark pit in his chest softens ever so slightly. He tucks his head under Remus’s.
 “I know.”
 He goes to Logan next. Knocks on his door and waits patiently—okay, maybe not that patiently—for Logan to open it and tilt his head.
 “You needn’t do that, you can ask for me directly if you like,” he says after he’s welcomed Virgil inside.
 “I know, I just…felt better doing that.”
 “I understand.” Logan smiles and adjusts his glasses. “What can I help you with?”
 “I, um…” He shifts his weight from side to side. “I found something.”
 “Oh? What did you find?”
 “Do you remember when I said the bread tasted gummy?” Logan nods. “Well, I, um, found out why.”
 Logan’s eyes widen as Virgil holds out a dish with some of the stuff on it. He takes it slowly, adjusting his glasses again as he stares down at the glistening substance. His eyes dart from it to Virgil and back.
 “Remus said I was changing,” Virgil offers, “because of the bond, and I just—I just wanted—“
 He swallows.
 “…wanted to know if it would hurt,” he finishes lamely.
 Logan takes a deep breath and sets the dish aside, reaching for his notebook and flipping it open. He scribbles something down and looks up, a smile slowly forming on his face.
 “I’m incredibly glad,” he says softly, “that the bond is holding and that you are staying.”
 “Wait, there was a chance it wouldn’t work?”
 “There was a chance it wouldn’t be formed at all,” Logan corrects, “not that it would fade once it was made.”
 “So...?”
 “So you’re one of us now, Virgil,” Logan says, holding up the dish, “this proves it.”
 “What is that?”
 Logan’s smile grows. “I’ve got no idea. Let’s go find out, shall we?”
 He beckons Virgil closes, moving across his room to…an area with machines that Virgil has never seen before. He watches as Logan carefully separates a piece of the substance to place on the bed of…what looks like a giant box but what is probably so much more complicated.
 “You can come closer if you like.”
 He shakes himself, looking up to see Logan considering him curiously.
 “Sorry.”
 “No need to apologize, you’ve done nothing wrong.” Logan lets their shoulders brush together as he comes to join him. “This is one of my favorite tools.”
 “What’s it called?”
 “I call it the universal scanner, though I believe Roman calls it the Answer Box.”
 “The what?”
 “It answers most of the basic questions I can have about something, I suppose.”
 “So he called it the Answer Box?”
 “I don’t believe Roman’s ever claimed to be the best at naming things.”
 Virgil snorts. “Then you were not there for the argument the two of them had over who was naming Oliver’s new adopted jellyfish.”
 Logan shudders. “No, and I’m quite glad for that.”
 The scanner begins to beep, little pulses of light going off around the stuff lying so innocuously in the middle. As it keeps going, something starts to twist in Virgil’s chest.
 What if something’s wrong? What if this isn’t a sign of Virgil changing and it’s something dangerously wrong with him? What if he’s changing and it’s bad? What if they decide they don’t like him or he’s dangerous?
 What if they realize the—
 —the humans were right?
 A rush of cool surges up his arm and he breathes, reaching out to take Logan’s hand and squeeze. Logan squeezes back, stepping a little closer and watching as the machine slows down. Across the room, one of Logan’s screens lights up. He gives Virgil’s hand one last squeeze before stepping away, going to look at the results.
 “What does it say?”
 “Chemical composition, tensile strength,” Logan murmurs, “as well as magical signature.”
 “Magical signature?”
 “Who it belongs to,” Logan clarifies, shooting him a smile over his shoulder, “you, Virgil.”
 “I have a magical signature?”
 “You do.”
 He looks down at his hands, turning them over. “What does it look like?”
 Logan thinks for a moment. “Do you remember the colors that your aura turns when the Claims are shown?” Virgil nods. “The colors are the various signatures.”
 “So yours is…?”
 “Dark blue, I believe. Roman’s is red, Remus’s is green. Patton’s is light blue.”
 “Janus’s is yellow, I guess.”
 “I believe he prefers ‘gold.’”
 “He’s so pretentious,” Virgil mutters, “gold, honestly. Shut up, it’s fucking yellow.”
 Logan chuckles. “You can tell him that if you’d like.”
 “Maybe I will.”
 “But to answer your question,” Logan continues, “your magical signature is your color.”
 “…which is what?”
 Logan looks at him strangely. “Do you not remember?”
 “Remember?” Virgil shuffles nervously. “Remember what?”
 “The day you were taken,” Logan says softly, sending a dark bolt through Virgil’s stomach, “and we brought you home, do you remember what happened in the garden?”
 V jolts awake, flails desperately, against Roman, against Logan, against Patton.
 “V, V, honey,” Patton tries, “you’re safe, honey, it’s just us, kiddo—“
 “Virgil.”
 Virgil breathes, his hands clenched into fists at his sides. Logan sends another calming pulse into the air, calling his name quietly until he can look up.
 “My apologies,” Logan murmurs, “I did not mean to do that.”
 “It’s fine, you didn’t—“ he takes a breath— “you didn’t mean to.”
 Logan accepts it with a nod. “I merely meant that your aura was particularly strong that day,” he says quietly, “and perhaps you remembered it. But you did not, and that’s okay.”
 “Sorry.”
 “You haven’t done anything wrong, Virgil, it’s alright, there’s no need to apologize.”
 He blinks, looking back at the bed of the scanner. “So what is it?”
 “Simply put? It’s a web.”
 Virgil blinks, longer this time. “A what?”
 “A web, Virgil,” Logan repeats, “your web.”
 A web, that means—that means that Virgil—he’s—
 “So what am I going to be?”
 “I believe…” Logan turns the screen to face him. Virgil’s eyes widen.
 “A spider?”
 “I believe so, yes.”
 “But—“
 Logan raises an eyebrow when Virgil cuts himself off abruptly, all but clapping a hand over his mouth.
 “But,” he prompts softly, “but what?”
 “…nothing.”
 He tilts his head.
 “It’s fine.”
 “You don’t have to lie to me.”
 “I just…” well, the more he thinks about it, the stupider it sounds. He’s trying really hard to not say it out loud, but…
 “You can tell me,” Logan says softly, “I won’t be upset.”
 “…but no one likes spiders,” he whispers, shame burning the inside of his throat where he can feel another web forming.
 Logan is quiet for a moment. Then—
“Come here.”
 Virgil’s head jerks up. “What?”
 Logan holds out his arm. “Come here, little one.”
 And Logan looks so sincere that he can’t help it, ducking under his arm and letting him gather him close to his chest. Logan hums gently, tucking Virgil’s head under his chin and holding him tight.
 “We like you, little one,” he murmurs, “and everyone else can leave you alone.”
 “…really?”
 “Yes, really,” Logan chuckles, pressing a kiss to his forehead, “you’re wonderful, little one.”
 And Virgil opens his mouth to say something equally nice like ‘I like you too’ or even just ‘thank you,’ but nope, instead he has to cough out a web like a rude person.
 Luckily, Logan just chuckles again and gives him a gentle squeeze. “I must say, I’m curious about how that works. Would you mind if I helped you figure it out?”
 “Please.”
 So that’s how he ends up spending a lot of time with Logan, figuring out how much web he can shoot, how to do it on command so it’s not happening all the time, how to hold onto some of it so he can pull stuff towards him like a frog—apparently Patton gets a kick out of that when he tells him—and how to make sure it’s not constantly living in the back of his throat. It’s a fucking blast, actually, and he definitely uses it when Logan gets into an argument with Remus to ‘accidentally’ cough a web into his face. It’s priceless.
 That doesn’t mean it’s all good stuff, though.
 He wakes up one night with his room covered in webs, sticking to every single available surface, tying him up so he can barely move. His mouth runs dry, his throat aches. He blinks a few times and can’t get the gummy feeling to go away.
 Patton, Patton I—I—
 Virgil? Kiddo, can I come to you?
 Help me—
 “Hey, hey,” he hears not a moment later, right next to his head, “hey, kiddo, shh, you’re okay, I’m right here.”
 “P-Pat?”
 “Yeah, honey.” Patton waves his hand and a little glow appears in the corner of the room. “Can you take a deep breath for me?”
 Virgil breathes, wincing when he feels the strands of the webs again. Patton makes a sympathetic noise.
 “Do you want me to get rid of them?” At Virgil’s insistent nod, he waves his hand again and they vanish. “They’re gone now, kiddo, it’s okay. Can you sit up for me?”
 Patton wraps his arms tightly around him and holds him close, warm, warm, warm, pressing a kiss to his forehead.
 “Shh, shh, you’re okay, nightmare?”
 “Yeah.”
 Another kiss. “I’m sorry, sweetheart.”
 “I think—“ Virgil swallows— “I think that’s why the webs came out.”
 Patton nods. “I can see they trapped a lot of it for you.”
 Virgil blinks. “Wait, what?”
 “The little buzzing things, the ones that love to fly around you.” He tips Virgil’s head to cup his cheeks, brushing his thumb along the curve of his face. “The ones I can dust off for you?”
 “What about them?”
 Patton nods toward the rest of the room. “Your webs were trapping most of them, kiddo, making it so you weren’t as badly affected.”
 “O-oh.” He swallows again. “But I—I didn’t like it.”
 “Making them when you weren’t in control?” Virgil nods. “I can understand that, it must’ve been scary to wake up with a room full of webs.”
 Virgil nods again, shifting a little closer to Patton. Wait—
 “If the webs were holding them,” he starts, “then why…why aren’t they coming back?”
 Patton chuckles. “They know better than to try and touch you when I’m here.”
 Virgil hums, burrowing into Patton’s chest and letting him idly flick away the few that dare get close. And yeah, that…that makes sense, but he would rather not be coughing up webs while he’s unconscious. For one, his throat still hurts.
 Patton just gently lays his hand against Virgil’s neck and strokes, once, twice, three times, encouraging him to swallow. He does, sighing at the rush of warmth that comes with it.
 “Good,” Patton murmurs, “do you want help to make the webs before you go back to sleep?”
 “Help to make them?”
 “We can set up a little bubble so they get caught, and so you won’t have to do it asleep.”
 “You—you’d help me?”
 Something flashes behind Patton’s eyes for a moment before it’s replaced by a soft smile. “Of course, sweetheart, I’ll always help you.”
 Virgil shifts a bit closer. “Can we stay like this for a little longer first?”
 “Of course, kiddo, you come here.”
 The webs help. A little. It takes some getting used to, and there’s definitely still times when he wakes up and his throat is all gummy from nightmares, but it does help.
 Then, of course, there are the new legs.
 Virgil’s eyes shoot open as something cracks. He floats, unaware of what’s happening, as cracks continue to shake the floor of the room. His head rolls to the side. What’s happening? Why can’t he feel anything? There’s just this white-hot tinge to the corners of his vision, almost as if he’s springing up out of his body, what—
 —no.
 No, no, no, he made it out.
 He was free, they were going to keep him safe, how—
 He gasps.
 Pain floods his senses, turning his blood white and his mouth opens in a silent scream. His jaw aches after the first few seconds and it aches, it truly does, and as his head lolls to the side all he can think about is how the wood at the bottom of the door doesn’t quite reach the floor.
 A golden thread inside of him snaps taut and yanks.
 “Virgil? Virgil!”
 “J?”
 “Yes, little mouse, it’s me,” Janus’s voice calls from somewhere above him, “I’m right here, darling, tell me what’s wrong.”
 “It—it hurts, I—“
 “Shh, shh—oh, darling.” A gloved hand touches his cheek to catch the tears. “Oh, little mouse, tell me what’s so awful, what’s hurting you?”
 Another sharp crack rings out and Janus makes a noise.
 “Virgil, you’re going to have to roll over.”
 Moving of any sort feels like the actual worst, thank you very much.
 “They’re trying to come out of your back, darling, any pressure on them is going to make it worse.”
 Blinking through the haze of white, Virgil manages to stare up at Janus. He watches his mouth thin to a hard line.
 “Come on, sweetie,” Janus murmurs, gently tucking his hand under Virgil’s cheek, “roll toward me, I’ll catch you, but you have to get off your back.”
 At the gentle urging of the thread, Virgil closes his eyes and rolls.
 “Good,” Janus soothes, cradling him as they lie down on the floor, “good job, darling, I’ve got you, little mouse, it’s alright.”
 “What’s—what’s happening?”
 “You’re changing, sweetie.” Janus rubs a circle into his lower back, away from the pain, “that’s all it is. Shh, shh, I know it hurts, it’s okay, I’m right here.”
 “Make it stop,” he whines, burying his face shamelessly into the crook of Janus’s neck, “it hurts.”
 “I know, sweetie, I know. You’re doing so well, it’s okay. You’re okay, I’m right here.”
 Janus wraps his arms around him carefully, avoiding the center of his back. One hand cups the back of his neck, another ruffling through his hair. Two stroke down his shoulders, trying to get the muscles to relax. The last pair sling around his hips and hold him close.
 “I know it hurts, sweetie,” Janus whispers, “but you have to try and relax. Tensing up will only make it hurt more.”
 “I can’t—“
 “You can, sweetie, they’re almost out, it’s okay.” He tips his head to press a kiss to Virgil’s forehead. “You’re doing much better than I did when my arms were first growing in.”
 “R-really?”
 “Yes, sweetie, really…oh, easy, little mouse, shh, just focus on me…”
 Virgil clings onto him as his back keeps cracking, over and over. Janus is right, though, holding onto him makes it a little easier, especially when he reaches a hand up to brush the tears away.
 “I’ve got you, Virgil,” he promises, “it’s almost over, you’re doing so well, just a little more, now, stay here with me…”
 “I want it to stop, it fucking hurts.”
 “I know, little mouse, I know.”
 “Don’t think—“ Virgil gasps against his neck as another crack rings out, quieter this time, though— “don’t think that works anymore.”
 “You’ll always be my little mouse,” Janus whispers, “but you can also be my little spider.”
 Virgil blinks. His back still aches, but…the blinding white pain is gone. He tries to stretch—
 —and freezes when new things respond in ways that do not make sense.
 “Jan?”
 “You’ve got new limbs, sweetie,” Janus murmurs, giving his hair a ruffle, “can you try and move them for me?”
 Oh, he was not meant to have these muscles in these places. Still, he manages to figure out which ones he’s supposed to flex only for another jolt of pain to shoot through them.
 “Shh, shh,” Janus shushes when he winces, “I know it hurts, but you’ve got to start building up a range of motion now, otherwise they’ll get sore and stuck very quickly.”
 Virgil grits his teeth and bears it, listening to Janus’s gentle instructions on how to bend, unbend, and rotate the—four?—four new limbs coming from the center of his back. He definitely sheds a few more tears into the collar of Janus’s shirt, but by the time Janus rubs the back of his neck and tells him he’s all done, for now, his back does feel a little better.
 “You did so well, sweetie, I’m so proud of you.”
 “Can I never do that again?”
 Janus chuckles. “Absolutely, little spider.”
 Oh. Oh, fuck.
 Janus’s eyes widen as a brilliant blush starts to bloom over Virgil’s cheeks. “Well.”
 “No.”
 “But it’s been so long since I have seen you so flustered, little spider,” he purrs, gently knuckling the side of Virgil’s face, “can you blame me?”
 “Stoppit.”
 “Oh, darling, is it truly still so easy?”
 “Well, it’s easy once I’m already here!”
 “Mm.”
 Virgil does not squeak, thank you very much, as Janus sits up and pulls him fully into his lap.
 “And where is here, little spider,” he hums, bringing one hand up to cup his chin, “right…here?”
 Well, there go Virgil’s speaking abilities.
 Janus chuckles, leaning forward to kiss his cheek. “It’s certainly been a while since I’ve seen you speechless, darling.”
 Virgil just mumbles and throws his arms around him.
 “Oh, it’s okay, little spider,” Janus murmurs, softer this time, “I’m done now, you have my word.”
 “Mean.”
 “Yes, yes, I know, I’ve been very rude to you.” Another kiss on his cheek. “Will you let me make it up to you?”
 “How?”
 As an answer, he feels hands begin to rub gently at the muscles in his back, encouraging the last bit of cramps loose. An exhale tears itself out of his chest as he sags forward.
 “Good,” comes the soft whisper, “good, little spider, just relax, I’ve got you.”
 Virgil mumbles, tucking his face into the crook of his neck. “Hurts.”
 “Still?” At his nods, Janus makes a noise of sympathy and redoubles his efforts. “It’s okay, little spider, I’ve got you, you’re here with me.”
 Something dark shifts in his stomach again. He tucks his head firmly under Janus’s chin and takes a shaky breath.
 “What is it, darling?”
 “When I woke up,” he mumbles, “thought it was—that I—“
 He swallows.
 “…wasn’t sure if I was…back or not.”
 Janus stills. The dark thing in the pit of Virgil’s stomach snaps.
 “You are here,” Janus says, a growl tinging the edge of his voice, “you are here, with me, and you are safe.”
 Arms wrap tightly around him.
 “None of them will touch you again,” he promises, “I have you. I have you, little spider, you’re safe.”
 Virgil just sits there, basking in the warm, golden glow, as Janus wraps the threads of Reality around them.
 “Keep me?”
 “I’ll keep you, little spider, I’ll always keep you.”
 He lets out a shaky breath. “Thank you.”
 One last kiss pressed to his forehead. “Always.”
 The limbs are…interesting. The first time Janus takes him to the mirror to see them, Virgil almost runs away.
They look like spider legs, all segmented and hairy, but they’re a little too…purple to be just normal spider’s legs. Janus walks him carefully through how to stretch them, how to use them, how to turn them this way and that until it feels a little more like Virgil’s supposed to have them. He doesn’t seem to have to build up their strength as he would a new arm or leg—well, a humanoid arm or leg—but figuring out how to use them takes…a little longer than he’d like.
 And he never quite gets over how…wrong it looks.
 Freak.
 He does his best to hide it. It’s not like it isn’t expected, people don’t normally spontaneously grow limbs like, partway through their life anyway, let alone spider legs, so an adjustment period is expected, but…
 Freak.
 All things considered, he thinks he’s doing pretty well. He hasn’t lied to anyone—not that he really could—and no one’s asked him flat-out if he feels like they’re awful or anything, but…
 Freak.
 Then he makes his way back to his room as the sun sets one day and Roman is there, leaning up against the side of the house, waiting for him.
 He looks up and smiles, waving to Virgil and beckoning him closer. Virgil goes, valiantly suppressing the shudder at how fucking warm Roman is as a hand comes up to cup his cheek.
 Judging by the smile on his face, it’s not successful, but hey, he tried.
 “Hello, sweetheart,” Roman murmurs, “can we talk for a moment?”
 Virgil nods.
 “Thank you, sweetheart, do you want to go inside, or…?”
 “Sure.”
 Roman lets Virgil lead him inside and pull him to sit down on the bed. He reaches out to push Virgil’s hair away from his face.
 “Do you know why I’m here, sweetheart?”
 When Virgil shakes his head, he scoots a little closer and rests his hand flat against his back, just below where the legs come out.
 “…oh.”
 Roman nods, rubbing little circles. “What’s troubling you, little honeybee?”
 Virgil huffs, gesturing over his shoulder. “Don’t think that works anymore.”
 “Mm, Janus said you’d say that,” he murmurs, shifting a little closer and lifting Virgil’s chin, “talk to me, sweetheart.”
 Virgil shuts his eyes. A web crawls up into the back of his throat and he swallows it down, willing the buzzing things to stay away, held at bay only by the web still in his throat and the insistence that everything is going to be fine.
 “…freak,” he mumbles eventually, much to Roman’s surprise, “they called me a freak.”
 Roman’s hand stills on his back.
 “I jus’—“ fuck, why is he crying?—“I jus’—they made sense, and I—“
“Don’t, sweetheart,” Roman says quietly, leaning forward to rest his forehead against Virgil’s, “don’t do that to yourself.”
 Swallowing the lump in his throat, he lets Roman pull him closer, fighting down the urge to sob.
 “Yes, that’s it, come here—come sit with me—there,” he murmurs, sitting Virgil in his lap, “you’re not a freak, Virgil.”
 He huffs. “Easy for you to say.”
 Roman pulls back, frowning. “Why?”
 Fuck. Well, now’s he got to explain himself.
 “Um—“ and great, Roman’s not even doing anything and he’s bright red— “you don’t have any of—“ he waves to the spider legs— “you look like a normal human.”
 He hesitates.
 “…and you’re really pretty.”
 Roman blinks. His lips part and his breath leaves him in a rush. Virgil winces.
 “Sweetheart, do you think you don’t have value if you’re not pretty?”
 “I mean…”
 “No,” Roman growls, sitting up a little straighter and cupping V’s face in his hands, “no, Virgil, pretty isn’t some kind of rent you pay to exist in the world. You don’t owe anyone that, sweetheart.”
 Virgil’s eyes widen as Roman holds him tightly.
 “You have more to offer than just your outward appearance,” he says firmly, “so much more.”
 “But I—I’m not—“ Virgil swallows. “I can’t do anything.”
 “What do you mean you can’t do anything, sweetheart?”
 “You guys, you can all—“ he waves his hands—“do things. I can’t. I’m just…here.”
 “Oh,” Roman breathes as his face truly falls, “oh, little honeybee, you don’t have to be useful to be wanted.”
 Wait.
 What?
 Virgil doesn’t—he doesn’t have to—
 “What?”
 Roman nods, pulling him closer still, “you don’t, sweetheart, we want you. We will always want you. You don’t have to do anything to earn it.”
 Oh.
 Oh.
 “You’re mine, little honeybee, as long as you want to be,” he murmurs quietly, “you don’t need to do anything to earn my trust or affection. It’s yours.”
 Well, now Virgil feels stupid. The spider legs twitch unhappily over his shoulder. Roman catches it.
 “Still not used to them yet, I see,” he murmurs, “that’s alright. I’m not trying to tell you you’re not allowed to feel upset, sweetheart, I promise.”
 “I know.”
 “Can I help,” he asks softly, “can I help you see they’re nothing to be ashamed of?”
 “How?”
 “Has anyone touched them yet,” Roman asks, “other than to help you learn how to use them?”
 He shakes his head.
 “May I touch you, sweetheart?” Virgil nods and Roman smiles. “Thank you. Now, come here—yes, that’s it—“
 Virgil leans right up against Roman’s chest, letting him curl his arms around to scratch gently, gently at the very center of the four legs. It sends a jolt through him, every nerve buzzing.
 “You don’t have to think right now,” Roman hushes when Virgil can’t find the words to say exactly how much this means, “not if you don’t want. You can just sit and feel, sweetheart, I’ve got you.”
 Warm. Warm hands rubbing firmly up the limbs as Virgil’s frantic thoughts grind slowly to a halt. Then Roman’s hands find a spot just below the third segment and he groans, low and dark.
 “Shh, I’ve got you,” Roman soothes, squeezing just enough to rewire more of Virgil’s brain, “I’m right here, little honeybee, I’ve got you.”
 It’s so much. It’s so much and every single hair on Virgil’s body stands. He hears Roman chuckle from far, far away and all he can do is whine. Roman shushes him, calling him ‘noisy’ in the most affectionate voice but it’s so much.
 And yet, it feels like something’s missing. Like there’s an extra joint that isn’t quite sitting right yet, like there’s a layer in between the spider legs and his back. Roman keeps touching him, holding him close, but it’s not right.
 “Roman,” he manages, just as Roman’s fingers slide around the base joint, “Roman—“
 “Yes, little honeybee?”
 “Magic.”
 Roman stills and Virgil tries not to whine at the loss. “What?”
 “Use your magic,” he says again, trying to clear his head enough to ask properly, “it feels—I can’t—they’re not mine yet.”
 He’s quiet for a moment. “And you think that if I use my magic, it will help?”
 “Please?”
 “You don’t have to beg, sweetheart, you know I can’t ever say no to you.” Roman ruffles his hair. “But you know the rules, sweetheart.”
 Virgil nods and sits up, leaning away to look at Roman properly. “If it’s too much or it feels like it wants me to want, I tell you and we stop.”
 “And…?”
 “And if I don’t like something.”
 “Good.” Roman takes a deep breath. “Alright.”
 “Yes?”
 “Yes, little honeybee.”
 “…still don’t think that works anymore.”
 “Mm.” Roman tilts his head.
 Virgil shifts as a smirk crawls over his face.
 “Janus told me something else, you know,” he says softly as he reaches to coax Virgil back into his lap.
 “…what?”
 Red sparks curl up from his fingers. Virgil closes his eyes, waiting for the hand to land on his back or the legs again, only for them to fly opened, startled when Roman cups his chin.
 “Wha—“
 Oh.
 Oh, no—Roman’s eyes darken a little, the sparks fizzing on the soft spot under his chin. He tilts his head to the side and leans closer.
 “Hello, little spider.”
 Virgil will deny the squeak he makes until the end of time. Roman chuckles and runs his finger lazily across Virgil’s jaw. The magic trails after him.
 “Pretty little spider,” he coos, voice slipping back into that light, sweet, gentle thing that wriggles straight into Virgil’s chest, “blushy little spider.”
 “R-Roman!”
 “Hmm?” The finger swipes along the other side of his jaw. “What is it, little spider?”
 All that comes out is a keen.
 “You asked for this, little spider,” Roman reminds, tapping the tip of Virgil’s nose, “you asked for the magic.”
 “The magic, not the flirting!”
 “Oh, the flirting’s for me, little spider,” he coos, “just for fun. You’re so lovely, I can’t help it.”
 ��Mmm!”
 “Is this not what you wanted, little spider?” When Virgil can’t say anything, Roman chuckles but lifts his fingers away to let him catch his breath. “What do you want, little spider?”
 “You know what I want.”
 “I do,” he says softly, “but I need you to say it for me. I don’t want to do anything without your consent.”
 “…will you touch my legs, please?”
 Roman smiles, running his finger up Virgil’s neck, up under his chin, lifting to press a kiss to his cheek.
 “Good, little spider,” he whispers, reaching around to leave a small trail down the middle of Virgil’s back, shushing the light whine, “just relax, now, I’ve got you.”
 Virgil melts, all but collapsing into Roman as his magic trails lightly up and down the legs, over his back, sometimes fizzling into his hair as he kisses Virgil’s head. His legs start to move of their own accord, pushing up into Roman’s hands as he rocks them slowly back and forth.
 “Are you falling asleep, little spider? Does that feel good?” He feels Roman smile against his forehead. “You can sleep, sweetheart, I’ve got you.”
 The last of Roman’s magic fizzles away but his hands stay, rubbing, stroking, petting up and down, up and down. Roman’s so warm.
 “Just rest, little spider,” Roman hushes, “you’re alright now, shh…”
 He falls asleep to moonlight streaming in through the window, his head pillowed on Roman’s chest.
 Somewhere, a purple thread winds itself into a braid next to a red thread, a green thread, a light blue thread, a dark blue thread, and a yellow thread.
 ‘Golden.’
 He’s so pretentious, it’s fine.
 Virgil’s home.
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etheriadearie · 4 years
Text
“Promise”
Why can't you just… Promise ?
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Today's goal is an in-depth look at one of the most beautiful and breathtaking episodes of She-ra: "Promise"
Storywise, it's incredibly important to the series, and focuses entirely on Catradora. It's the first time since Adora left Catra behind to seek out the sword that the girls really have an opportunity to talk, and things are not going well. Both of them are royally pissed off at the other, with good reason.
For Adora, we're gonna deflate that proud hair poof of hers a bit, as we'll take an honest look at her as a person at this point in her life. And Catra... she's really guarding her feelings closely, as she's already deeply angry with Adora. But we will use the combination of Catra's younger self in the memories they see, plus looking at other times in the series that relate to this episode, where she was less guarded, in order to understand her as a person at this time. Also: warning: tl;dr, best enjoyed while cozy with a drink..
To get started, we skip to when they end up stuck together…
After Adora takes drastic measures to ward off the security spiders by collapsing the tunnel, the girls are now stuck together, and so… they talk...
We immediately see how incredibly irritated they are with each other as Adora chides Catra for being in the Crystal Castle, since the monsters will continue to attack them as long as she's protecting Catra… only to have Catra retort that she didn't ask for protection. Some snippy bickering back and forth happens, then...
Adora asks: "Does Shadow Weaver know you're here?" Very deadpan assertion from Adora. She knows Catra must be disobeying orders, she just doesn't know why.
"I'd say Shadow Weaver has bigger problems right now". Catra is already starting her move against SW back at the Horde. With SW abusively blocking her every move within the Horde, and now that Catra knows that SW was going to mind wipe Adora, Catra has decided she must deal with her abuser.
Adora puts on her telltale sideways grin, and Catra chafes at Adora's flirtation, saying "I told you it's not because I like you” downplaying Adora’s suggestion that this was the reason she let her go. Catra freely admits here that she does like Adora, but it's not the real reason she did it. Still, Catra doesn't explain further, and we see later that Catra often lets Adora explain away her actions this way... but that Adora constantly misses the deeper truths.
"Where are your new best friends? I thought you did everything together". She's very snarky and dismissive of Adora and her flirting. She's mad about Adora leaving her for her new life.
"The ones you let SW imprison and curse?" Adora is angry at Catra for what she did, which was a sudden escalation of things by Catra.
"Yeah obviously, what other friends would I be talking about?" An obvious dig at Adora for leaving her, everything behind. She deadpans this, staring back plainly. Catra is obviously really angry at Adora... while Adora is legitimately mad at Catra for doing something so nasty to Bow and Glimmer...
::Let's take a moment to talk about Catra's feelings about Adora's new friends: Catra feels horribly betrayed by this. Adora completely tossed her aside, and replaced her with Bow and Glimmer. What comes to mind is at the end of Sea Gate, Catra is thrown in the water and then looks up at Adora, who is celebrating and cuddling with Bow and Glimmer. Catra is emotionally forlorn watching this, as Scorpia comes to drag her off to safety, Adora doesn't even look back towards her.
She's forgotten, Adora showed no love towards her at all in that scene (and then hardly any at Princess Prom, either). Adora ignored her plea for her to return, she didn't reach out to Catra at all. And now she watches her cuddle with her new friends: everything Catra thought she had with Adora meant nothing, and she's been replaced with these feel goodie goods who are fawning all over Adora.
Suffice to say, Catra couldn't do this, she's got way too many issues with emotional intimacy and touch aversion. So she watches Adora, seeing that what she offered her wasn't good enough, knowing because of it she's forgotten. Catra was trying really hard to be a close friend to Adora in spite of her issues, but as we will see, Adora wasn't trying to understand what was going on with Catra. And because of this, Catra was too afraid to express her affection openly, and yet here's Adora... accepting all of Bow and Glimmer’s love, for which Adora really did nothing to earn. Adora took Catra’s friendship for granted while ignoring her deeper needs, as will be explained, then completely abandons her, not even seeming to miss her. Catra is deeply hurt by the unfairness of this.
>Catra stares back at Adora, frustrated when she doesn't even acknowledge their lost friendship.
"Well, we don't need to go together. You do your weird little magic quest thing I'll find my own way out". Catra looks resentfully at the sword on Adora's back as she says this. Catra is laying down boundaries, except it's useless since they are trapped together. But, boundaries are important to Catra and as the episode progresses, Adora shows that she doesn't really understand Catra's.
>As they walk along, both girls' shadows loom equally tall. The symbolism is that in this story, both are equally important... it's also a shockingly beautiful sequence. (pic above)
After entering the room of infinite darkness, Catra tries to separate from Adora but the door is gone, they are stuck together. Weird things start happening. As the Fright Zone appears, both of them are confused. Adora decides to suspect Catra, after all, she attacked her friends. But as Adora grabs Catra, Catra is surprised and confused... Catra doesn't like being touched unexpectedly, Adora knows this but is ignoring that and attacking her. She gets treated as an enemy when she clearly hasn't done anything wrong, and it sets the tone for the two of them: Adora has constantly treated Catra as an enemy since the very moment she defected, not even trying to understand Catra's point of view. And so Catra increasingly emotionally distances herself from Adora. Catra angrily casts Adora's arm aside, not liking being vilified by her, and Adora doesn't understand why Catra is so upset. Catra slips away to explore, needing space from her.
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The way Adora immediately suspects and then attacks Catra is symbolic to the whole episode: by defecting to the Rebellion, Adora chose to start treating Catra, and her entire unit, as enemies, backing it up with hostility. But Catra doesn't really agree that the horde is evil... in her experience, it's just how life is.
>The two girls, now separated, call out to each other. Adora hears Catra's call, then another: young Catra is behind her, looking lost and insecure. Catra joins Adora as their first memory has just begun…
~DISCLAIMER TIME~ A lot of information in She-ra is inferred by emotional context, so if this seems a bit head-canon-y, I assure you, I have data! Please ask questions and seek clarifications, I promise to answer back! ~EtheriaDearie
>A worried and hurt young Catra runs to young Adora's side. She is emotional and needs support. Adora checks her out then gets the real deal: Catra was in a fight with an adult. It hints that Catra always had to deal with people messing with her, even before SW began her abuse. This is a guess, but it's probable: this is likely a happy memory of the two of them right before the hurting began. Along with the "promise" memory and the moments immediately preceding their entering the Black Garnet chamber, these scenes set the baseline for what their friendship was like before Catra suffered SW’s abuse. Also, this memory is a happy one, and how Adora remembers their friendship: it was likely triggered by her memories. The next ones are not, as I believe they are triggered by Catra, who is trying to explain to Adora what was so painful about their childhood...
>Catra doesn't know what to expect when she shows Octavia to Adora. She probably expects Adora to try to apologize on her behalf, or to give her a hard time about what she did. Instead, Adora sticks with her friend and yells “Hey Octavia, you're a dumbface." This brings young Catra much joy, Adora is sticking with her, not passing judgement. The two young girls run together hand in hand, experiencing childhood bliss, but it doesn't last. The present versions of themselves return, holding hands...
They share a brief moment of connection before Catra pulls her hand away in anger. Adora is surprised at the strength of Catra’s reaction. They are not on intimate terms any more, in fact, I suspect they had been struggling for a while before Adora's defection. Adora doesn't want the moment to stop, but Catra does. It hints that the gulf between them is already wide.
"How can you deal with all this magic stuff?" Catra has a deep distrust of magic, as it was used in her abuse. She resents it, and throughout the series whenever anything magic happens that she doesn't see coming she gets creeped out.
"I'm only dealing with it because I need to figure out how to heal Glimmer after someone got her cursed." It's a valid criticism, but Catra deflects it.
"What do you want? An apology? You're not getting one." We don't get the full story on this moment until season 5 when a young Catra tells Adora she'll "never say sorry to anybody, ever." Adora doesn't like Catra just refusing to explain, and as Catra pushes her away, Catra is full of reproach at Adora's judgement.
::As an abused child, Catra was continuously vilified and abused by everyone but Adora. And when Adora would suggest she apologize throughout their lives, she can't understand why Catra won't. It comes down to literally everyone in the world judging Catra and being cruel. Not once did any of them apologize to her, even though she didn't do anything to deserve the abuse. Except Adora... but that has issues, too. In fact, SW literally tells her "I won't apologize" regarding her abuse of Catra. Can you imagine the hurt at that?
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[pic caption: Catra refuses to apologize, Catra often shows her deeper emotions while blinking, in this case: the incredible pain she experienced from SW’s abuse.]
So no, Catra won't apologize, she had a thing she was trying to do by kidnapping Bow and Glimmer and taking her sword, and it ended badly. But she felt she had a good reason to do it: she wanted to force Adora to see her, to make her acknowledge how big of a part of Adora’s life Catra used to be. And it's not like anyone has been helping Catra, she's had to make every single decision on her own her entire life and live with the consequences.
Also, mistakes for Catra have an entirely different meaning than they do for Adora. Whenever Adora made a mistake, she was given an opportunity to fix it. This is a theme of their relationship: Adora expects Catra to let her fix her mistakes. But for Catra, she learned that any mistake she made was dangerous, as when she did make a mistake, SW would torture her for it. And if other people saw it too, they'd use it to perpetuate the notion that she's some kind of no good fuck up. So Catra is extremely careful to not make mistakes, and if she does, she tries to cover it up, distance herself from it. (note: this isn't the same as Catra's intentional rebellions against this system where she was unfairly targeted for abuse-). This is why Catra simply cannot forgive Adora easily for breaking her promise: in Catra's world, she had to be perfect, or she could have been dead by SW's hand. She wasn't allowed to make mistakes like Adora is, she is what is clinically known as 'hyper vigilant' and always preparing for the worst. And so she applies this standard to be perfect all the time to Adora, and therefore she won't give Adora the same license to make mistakes with their friendship. Catra thinks Adora should know better, and see the consequences of her actions.
>Adora lets it go: when Catra seems to shut down, Adora does her best to try to accept her. Adora tries a different track. She asks Catra why she let her and Glimmer go when SW had them imprisoned, when it could have resulted in Catra getting in trouble. Catra walks ahead, trying to distance herself from having to answer. But the magic of the Crystal Castle intervenes: as Adora slips and begins to fall, Catra saves her. It's a symbolic moment: Catra has always tried to protect Adora, to save her from pain. It's why she changed course to give the sword back to her, partly.
"Did you really think I'd just let SW erase your memory like that?"
"I don't know. Probably." Adora shows such little understanding of their friendship. It shows Adora really is thinking of Catra as an enemy, not as the complicated person stuck between protecting her friend, and the cruel necessities of her life.
Catra looks at Adora with disappointment. "Yeah, well, you never did have too much faith in me." Adora tries to understand Catra's emotions, fails.
"Huh, can you blame me?" Ouch. Adora smiles at Catra, trying to show love for her roguish quirks. But it just shows how little Adora understands: she is repeating a negative stereotype of Catra that everyone in their old life believes and perpetuates. And Adora should know better, instead of just assuming the worst about her. That persona is one which Catra uses to protect herself, partly from her own emotional feelings, but also as a necessity to protect herself from SW. She had to act like she doesn't care, doesn't try, so SW wouldn't see her power.
"Psh, not really." As Catra turns away, again she deadpans this but you can see pain and disappointment leaking past her indifference.
As she walks away she trails her tail across Adora's hand, flirting and drawing Adora's attention to her butt. It's a cute little moment of telling a truth to counter the lie: 'Adora, you should know me better, and also, I like you.' Still, it's only a half truth: Catra couldn't let SW win because SW is Catra's true enemy. But, Adora takes the flirtatious hint, as always. She accepts it and doesn't dig deeper.
Catra asks Adora about their childhood, trying to understand how Adora could just throw it all away. Adora gives a very direct and impassioned speech, she looks Catra in the eyes, trying to convince her and make her understand why leaving was the right thing to do. Catra hides her emotions, weighing Adora's answer. She doesn't agree with her sentiment, in Catra's experience good and evil are relative and exist as such everywhere. Also, she's right: we meet many people in the Horde who aren't evil. And Adora's finding the sword is one giant sinister manipulation by Light Hope. Moral grayness is a constant theme in this show. Still, this isn't really why Catra chooses to stay with the Horde.
Adora sees her explanation failing to convince Catra, so she tries reminding Catra of their deeper friendship, telling her she misses her too. Catra is temporarily taken aback at being called out before remembering to deny it. She tells Adora to get over herself, and Adora tells her she won't stop until Catra says she likes her. They flirtatiously rough house, and Catra smiles during it: yeah, she does. But she denies it anyways.
::Adora often tries to be respectful of Catra's personal space but is making an exception here: she's telling her that she finds her desirable, and if Catra wanted it, they could be together. Adora can't understand why Catra feels the need to resist this, but she knows doing it helps her friend feel wanted. Still, this shows how casually Adora views their attraction.
Yes, they should be together. And actually, they had an unspoken agreement that they would be. But Catra's not going to open herself up to that just to serve her desire. She wants more from Adora, for Adora to show her that she really does see her, and cares about her. If she did, maybe Catra could open up about some of her pain. Being intimate without doing that would be impossible, and so far Catra's life still isn't safe enough to risk her feelings. Adora's promotion could have meant the beginning of something new between them, where they worked together to build a more secure future together where Catra didn't have to be fearful all the time. But instead, Adora left her.
So begins the second memory. The two girls, now teenagers, compete against each other in sparring. It's clear they are flirting, and neither is fighting all out. When Catra taunts Adora by putting her finger to her forehead, she shows how much better she is at fighting. She full heartedly laughs, Adora enjoys this and then throws a purposefully weak strike to restart the fight. When Adora seemingly turns the tables through brute force, Catra plays hurt to exploit Adora's naiveness. As Adora tries to show concern, Catra turns the tables back. She wants to teach Adora a lesson: that not everyone will play fair, as Catra knows all too well from SW's abuse. But Lonnie interrupts her. Catra doesn't appreciate this and makes quick work of Lonnie, showing just how good she is. Adora attacks, getting the predetermined win. Catra doesn't enjoy the beat down but accepts Adora's help up. She heads to Lonnie as Adora receives compliments from their commander.
As Catra confronts Lonnie, she tells Catra "you were playing dirty, I was just leveling the field". Catra will hear these words again when she leaves Adora behind in frustration near the end of the episode. They are significant: these are stereotypical views forced on Catra, and those views ignore that Catra was just doing something she felt was important: teaching Adora about the harsh realities that exist in the world. Real enemies don't play by the rules, and will be unpredictable.
As Catra’s anger rises at this, Adora puts her hand on Catra's shoulder to calm her down, then compliments Catra on her fighting skills. Catra ever so casually tosses the comforting hand aside. She's saying 'I can handle my emotions without your help, but thanks for asking.' As she tells Adora she let her win, Adora tries to tell if Catra really is ok.
Thus starts one of cutest exchanges between the two of them: as Catra tries to explain why she lets Adora win, Adora puts on her sideways 'you like me' grin while she playfully denies that Catra let her win. Catra gives a very animated and obviously made up explanation about not wanting to have people expect things from her. Adora grins along, and halfway through her lie Catra leans in, staring at Adora's lips before looking up into her eyes. Once again, Catra is undoing a lie by telling a truth: she let her win because she likes (loves) her. But it's only a half truth, once again...
Adora accepts the explanation, keeping her sideways grin: 'it's so cute how you like me'. Catra's explanation done, Adora moves on, wanting to catch up with their unit. Catra lets her do so while excusing herself. As Adora leaves, a huge amount of meaningful information passes across Catra's face…
First, Catra feels bad about having to lie to Adora, and it shows. Then, as Adora leaves to socialize, disappointment and rejection shows: Catra had hoped Adora might look deeper, and try to see the deeper truth. As Adora turns away and leaves we see a look of total love and adoration on Catra's face. She really, really loves Adora. She's the light of her life, a real idiot no doubt but Catra will always love her for exactly who she is.
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The girls remain their younger selves as the rest of the memory plays out, Adora staying to accept praise while Catra separates to deal with her internal feelings which Adora always fails to see: the hurt and aloneness she feels.
>A frustrated young Catra cries, expressing her repressed emotions. It would be easiest to assume she cries because she's sad about losing, but we have to look ahead to the next memory to find the real truth.
Catra is sad because she never had a choice. SW took that choice from her, and while Catra is happy to let Adora win because of the love she feels for her, it hurts that she never really got to decide. And Adora doesn't see that, doesn't see the pain Catra is bearing, hiding. And so she cries for that, too. The one person who should love her doesn't really see her. As she looks up in the mirror to see herself, since no one else in her life seems to see her pain, she sees her present tearful self looking back. The pain of the past is real in the present, and while she's older now and won't let herself give in to tears, she feels the pain as she did back then. (pic 1, below) She sees the tears and it snaps her back to her present self, totally unnerved by the simulation as the security detects her and attacks. A fearful Catra screams, wanting help, wanting Adora.
>Adora snaps back to herself, having been participating in the replay of the memory post Catra excusing herself. She tries to run to help Catra, full of worry. She sees a terrified Catra trapped by the spider. As the spider begins to drag her away the two girls lock arms, trying to free Catra. But it's too strong, and as we see their grip start to slip, Catra looks to Adora wanting, pleading for help. As Catra is pulled away, Adora feels helpless, knowing she couldn't help her friend. She thumps her head in frustration that she wasn't there for Catra.
The scene speaks to an obvious truth: Adora has never quite been there enough for Catra. She's always less present, less aware of Catra's reality than she could have been. But since Catra was experiencing a painful memory when this happened, her reaction shows her vulnerable emotional state, and so she called out for help: Catra just wants to feel safe, for Adora to be there to help her. But she wasn't.
>As Catra is dragged away, she feels helpless, and calls out mournfully for Adora. But she's long gone; Catra is alone and scared, as usual. She screams out her frustration, the realization that she’s never gotten the help she needed, she always ends up alone. She cries tears for the suffering and anguish she feels from that. (pic 2, below) It’s a moment that shows us the real inner Catra: She feels deeply, whether it be her desire to be seen, loved by Adora, or the fear she feels in this moment and others. She tries her best to act confident in herself, but it's a lie: she needs support, yet is left behind by everyone, including Adora. She was willing to bear her pain for Adora's love, but she has become increasingly aware of how tenuous that really was growing up.
>Catra digs deep, like she's always done. She will handle this, won't take the abuse lying down. She shifts her mentality to being the survivor, the person who has survived years of abuse. She frees herself and gets to her feet, accessing her foe, determined to defeat it. She attacks, using her anger to deal damaging blows, seeking to destroy her enemy, to make sure she survives. She stands back, confident she's won, proud of herself for it. She doesn't quit, she always perseveres against those who want to destroy her. (pic 3)
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Adora shows up, finishing the monster. Catra doesn't drop her mentality, this person who has lived a separate life from Adora and survived on her own, doing the hard things like winning fights and resisting Shadow Weaver's abuse.
Adora walks forward, seeing Catra's anger, determination. She looks blankly, trying not to upset Catra. She's trying to get a read on Catra but not having any luck, so she's being cautious. She asks if Catra is ok, casually pulling webbing off Catra's shoulder, trying to exist in her physical space without upsetting Catra further. "I had it" says Catra, not dropping her fighter stance, mentality at all. Catra is very much feeling the aloneness of her life from everyone, including Adora.
Adora tries to casually put aside Catra's assertion that she had it, she smiles diplomatically. She tries again to touch Catra, to break down her animosity and get her to calm down. It doesn't work. "We need to make sure we stick together from now on." As Adora touches Catra, she tenses, uncomfortable. Catra has strong touch aversion, and Adora knows this but she also knows doing it sometimes helps Catra shift her mentality, so she's trying to get Catra to connect emotionally, to get her to accept care.
"Will you stop telling me what to do?" An exasperated Catra says. We see a look of total dismay cross Adora's face. She's not understanding why Catra has so much animosity in this moment. (pic below)
As Adora looks at Catra, she hunches her body, looking misunderstood and isolated. Adora has consistently failed to see Catra's emotional states and so Catra is feeling more and more apart; that the mentality of the survivor she's feeling now is the right one. Adora didn't really help her at all growing up, and she doesn't see her for who she really is, either. Adora always took the easy explanation, like saying that Catra did things for her because she liked her. Never looking deeper, trying to see her struggle. And so Catra doesn't drop her combative pose, she stays in it because she feels in control, less vulnerable.
As for the words "stop telling me what to do", that's an essay in itself but consider: just now Adora became frustrated when she lost Catra, and now tells her they need to stay together. But they didn't, they never did, and even when they are together Adora is no real help to Catra. So she reacts in anger to Adora trying to direct her. After all, in the next scene we will see that Adora leads Catra into danger, and then doesn't really help her as she gets abused. Adora is no great leader, not according to Catra's experience.
::Adora is having a total loss, here, as she tries to understand Catra, why she's angry at her: It's because she has never really known this 'survivor' side of Catra. Adora wants to comfort her and calm her down, but Catra isn't having it. I think this is when we first see Adora begin to realize that there is something is very wrong with her friend that she has completely failed to see, and she's deeply worried by it. (pic 2)
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[pic cation: Adora can't read Catra's emotions, Adora realizes Catra is deeply angry. Outside SW’s chamber, Adora wants to take Catra’s hand.]
Adora loves Catra, but can't seem to get through to her: Catra is holding herself apart from Adora. Again, Catra pushes Adora's hand aside, frustrated. She expresses her exasperation at the situation, saying she's sick of what's going on. Adora follows along, confused. As Catra seemingly purposefully leaves her behind, Adora demands to know what Catra's problem is, saying that she was trying to save her. Catra looks down at her confrontationally, frustrated with Adora's lack of vision. "For the last time, I don't need you to save me. I've been doing just fine on my own. No thanks to you." Uh oh.
The words "no thanks to you" are especially cutting. Adora has totally failed to see the struggles Catra had all her life, she didn't understand the hurt and abuse Catra was fighting against. And so Catra did it all on her own, protecting herself and trying to remain strong. Her love of Adora might have helped her have hope, but fundamentally Catra overcame the abuse by not giving up on herself, believing she had worth, and not letting others tear her down.
Adora runs to Catra's side, taking her arm in one hand. Feeling her friend becoming increasingly distant from her, Adora tries authentically telling Catra her feelings, hoping to make her friend see her desire to help and understand her. Adora explains that she's sorry for leaving and that she did it because she couldn't stand the war the Horde has pursued. Her next words are telling: "but I never wanted to leave you". 'Want' is an important word in this series, and it comes up again in season 5 when Catra asks Adora "what do you want, Adora?”. By choosing to leave the Horde, Catra feels that Adora wanted that more than she wanted what they had together. Also, promises are not something you're supposed to break over a 'want'. And Adora so casually breaking their promises makes Catra think she doesn't matter to Adora. It's not the truth, but this belief still determines her reaction in this moment. Even though Adora dearly loves Catra, including at this point in the story, she hasn't shown it in a way that Catra can see as meaningful. As Adora finishes saying this, Catra looks back, feeling alone and unwanted, seemingly thinking 'but you did leave me, Adora.'
Adora tries to appeal to Catra to join the rebellion with her. Then she says "I know you're not a bad person, Catra. You don't belong with the Horde." Catra must be thinking 'Ok so at what point did you become the authority on whether someone is good or bad, Adora?' Adora has shown no interest in understanding Catra's position, she treated her as an enemy without fail since she left her, literally in every single case including at Princess Prom when Catra was trying so hard to romance her. And Catra doesn't accept Adora's naive black and white view of the world. Think about it: when Adora defects she begins treating all Horde with hostility, including her dearest friend, she judges them all and doesn’t even try to see them as the complicated people that they are. So when she suggests Catra doesn't belong with the Horde, Catra looks back at her, feeling totally isolated from Adora. Even though Adora's plea is earnest, Catra declines it.
>As the next memory begins, we see Adora now has both hands on Catra's arm, she's desperately trying to hold on to her bond with Catra and show her desire to fix things between them. Catra doesn't drop her wary demeanor at all, and Adora looks lost and anxious over this as a young Catra runs by.
The memory starts out full of childhood innocence as the two of them play together. When the girls see that the Black Garnet chamber is open, young Adora remarks "we're definitely not allowed in there." Young Catra looks at Adora, seemingly asking if she wants to go in, trusting her. Young Adora runs off, and Catra follows her in. Yes, Catra participates in the decision, but she's not the one who runs towards the chamber, and that's important to what happens next.
A worried (adult) Adora looks to her friend who seems so distant, stoic. Anxiously, Adora tells Catra "You don't have to go in there." Adora knows what happens next is very bad, that this is a hurtful memory for Catra. As an unwavering Catra begins to walk towards the chamber, Adora looks down at Catra's hand. [pic above] She wants desperately to reach out and take it, to hold Catra back from this terrible moment, to tell her she's sorry for messing up. Adora knows now that she screwed up, that she's let Catra down, somehow more than she ever realized. She doesn't know what to do about it… she follows Catra inside.
The young girls explore, Catra touches the black garnet and gets shocked. Adora has second thoughts, she realizes they're trespassing.. but of course, SW returns, so they try to hide. As SW takes off the mask, Adora cries out, taken aback... young Catra looks at her in dismay. She's about to pay for Adora's mistake with a lifetime of suffering. Offended, SW tells them to "Get out!" but rethinks. She puts the mask back on, and decides to use this moment to instead abuse the girls and use the crime of their trespass against them. As SW tells Catra to stay, Adora turns around, seeing that Catra is caught, and she's scared for her friend. She really did make a poor decision, and as a highly empathetic person, what happens to Catra scars Adora, too.
Held powerless by magic, Catra tries to explain that they were just playing. SW's words to her set the stage for a lifetime of physical and psychological abuse: SW leans over her menacingly, telling her "Insolent child, I've come to expect such disgraceful behavior from you, but I will not allow you to drag Adora down as well." Again, it's not Catra who decided to go in, so it's really not her fault. SW disparages her and heaps blame upon her for Adora's bad choice, ignoring the truth.
Adora weakly tries to protect Catra, saying "SW, it wasn't her fault. It was my idea too." It's an understandable response, as they're just little kids. Still, Adora could have taken the blame for their trespass, since she led Catra inside. But it's about to get a lot more hurtful for Catra...
SW's voice echoes through Catra's head as she trembles in terror: "You have never been anything more than a nuisance to me. I've kept you around this long because Adora was fond of you but if you ever do anything to jeopardize her future, I will dispose of you myself. Do you understand ?" Catra trembles in fear, her eyes unfocused, the room empty but for SW menacing her. She's in a dissociative state, terrified and helpless. I think some people probably feel like this must have been a idle threat, but it isn't: SW abuses Catra many times after this for her mistakes. And the depiction of the dissociative state helps us understand just how damaging it was. While Adora seemingly goes on to not realize the importance of this memory, for Catra it is formative to her entire life.
Again, Adora tries weakly to stop what's happening, putting herself between them. She tells SW "please, stop" then looks over at Catra, full of concern. Running over to SW, she tells her "she didn't mean to". This is so hurtful, as young Catra is very smart. Catra knows Adora has blown it again, after all, what is it that she "didn't mean to" do when it was Adora's idea to trespass? Adora isn't getting the magnitude of the situation, and Catra is very much left to fend for herself.
SW then does a very insidious thing to Adora, a very directed abuse that's meant to work against her personality and empathetic reactions to others pain. She tells her "Adora, you must do a better job of keeping her under control. Do not let something like this happen again..." SW follows this up with years of manipulation to make Adora even more susceptible to abuse. But in this moment, SW again heaps the blame for Adora's mistake onto Catra, who did nothing wrong. For Catra, she comes to believe that what she did doesn't even matter, nobody cares what the truth was. Even Adora. But for Adora, the hurt goes deep as well. She made a bad decision, her friend gets hurt for it, and she never comes clean... instead, she's told she has to do a better job of controlling her friend, and that she has to be perfect so that it doesn't happen again. It's a deep and hurtful moment for Adora, just like it is for Catra. But the hurt is much less direct, and more sneaky. Nonetheless, Adora struggles with this moment, this abuse of her, in the most intimate and painful ways all throughout the series.
Young Catra watches on as SW completes her manipulation of Adora. For Catra, she's left with the feeling that nothing she does matters, she was blamed for something she didn't even do. And Adora seemingly took the easy out, spreading the blame. But she doesn't realize this moment is so insidious for Adora, that it attacks and manipulates her at her emotional need to help others. From this moment on, Adora is afflicted with a desperate fear that she can't protect others, and must lead perfectly so they don't get hurt. This internal conflict erodes Adora's self worth, and causes her great emotional pain throughout the series. Catra, instead, believes she is being told she has no worth, and isn't even allowed to make her own decisions. It's hurtful, and it's part of why she tensed so badly at Adora for trying to tell her what to do earlier. We see this realization cross young Catra's face: she feels forgotten in this moment.
We see the young girls walking away from SW's chamber, Adora with her hand around Catra's shoulder. This comfort is not enough... Catra really needed Adora to stand up for her there, to come clean, and she didn't. Trying to comfort her now seems hollow. As they flash to their present selves, Catra knocks Adora's arm aside in frustration, accusing her of needing to play the hero.
Adora responds, saying she was only trying to protect her. Catra's next words tell the real truth of their childhood: "You never protected me! Not in any way that would put you on SW's bad side!" Adora at first chafes at this statement, feeling like she did try to protect her, then crosses over to confusion at the strength of Catra's assertion. Catra is telling Adora she was blind to her pain. She wasn't there for her, and this is very much at the core of Catra's disappointment with Adora: the fact that she never stayed, never tried to understand. Adora let SW control her, make her ambitious, and so Catra was put to the side of that, and over time Adora grew apart from her. Catra’s exact words here are important: she says that Adora ‘plays’ at being the hero, yet always seemingly protected her status as the favorite, never standing up to SW and risking harm onto herself in order to save Catra from pain.
And so, the fact that out of seemingly out of nowhere, Adora decides to risk everything and defect in order to fight for people she doesn't even know, insults Catra. Adora abandons and consequently fights against her own people, leaving Catra behind, unilaterally treating her as an enemy. Never, in their whole lives, did Adora ever fight for Catra, only offering affection afterwards to make up for the cruelties that happened to Catra. So no, Catra doesn't want Adora to save her, or her sympathy, when she seemingly cared so little about her pain. Adora was no hero to her.
Now an obvious question might be: if the manipulation is that Adora is supposed to protect and control Catra, then shouldn't she have had to see SW abuse Catra for it to work? The first part of the answer is that it was never really about that, once the idea was put in Adora’s head, SW used it to manipulate her further into a mentality where Adora would accept praise, promotion on her path to becoming a force captain.
The other is that when someone is being hurt like Catra was in that moment... if the one person in the world who is supposed to get it doesn't get it... then it becomes very hard to ever bring it up to them again. It's a specific type of hurt and abandonment: for Catra, she goes on to believe that this is her burden, that somehow she alone is supposed to learn these hard lessons. And so she doesn't tell Adora about the abuse. Also, keep in mind that they are small children, and Catra doesn't want Adora to hurt like she does... so she's actually protecting her, in her mind. But the fact that time goes by and Adora never seemed to care, to stop and see Catra's pain, was very hurtful to her. And Catra’s feelings of betrayal at Adora’s not seeing the hurt are justified: in episode 1, we see Adora watch SW menace Catra, then happily run off to accept her promotion, only remembering to check on Catra as an afterthought. Catra needed Adora's support, and never really got it.
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[pic caption: (left to right) Adora’s apparent willful ignorance of the abuse.]
So Catra believes she learns these hard lessons so Adora won't have to, but is left alone in her pain. This also means that SW specifically abused Catra at times and in places so Adora wouldn't be aware, which again, tells us it was never really about making Adora responsible for Catra's decisions. No, the reasons were much darker, and Catra bore it all alone.
The girls flash to their younger selves, and Catra accuses Adora: "Admit it, you love being her favorite." Catra is telling Adora that she was disappointed and hurt that Adora kept accepting praise and privilege from SW, after that moment when she so clearly should have seen how SW abused her, and the maliciousness of the death threat. In Catra’s mind, Adora could have rejected SW. As painful as it is for a small child to be without any parents, it would have been the right thing to do, for Catra. SW was no good to Catra, and they could have shared the pain of being orphans who only had each other, but instead Catra ended up bearing all of the abuse while Adora was given privilege.
Adora denies this assertion, and yet she did accept the privilege SW offered her. Catra's next words show how ignorant Adora was to the realities of their lives as they flash back to their present selves: "Oh yeah? When you left, who do you think took the fall for you? Who was protecting me then ?" Catra bore all the abuse and punishment for Adora's leaving, and Adora wasn't there to see it. Catra did this bravely for Adora, in fact, up until before Princesse Prom, Catra did everything she could to cover for Adora, just like she asked, protecting her, hoping she'd come back to her. But Adora shows no understanding at all for what Catra went through, she didn't even think about what must have been happening to her. Adora has never taken the time to think about how her actions affect Catra's life.
Adora counters, suggesting that Catra could leave the Horde, and therefore get away from SW's abuse. Catra just glares back at her, disappointed. Catra knows running from the abuse won't solve anything.
::What this comes down to is a totally different understanding of the world. For Adora, she thinks she became a hero for leaving the Horde, and becoming She-ra. She doesn't realize she was lucky to fall into the situation she did, with Bow and Glimmer helping her gain acceptance and protecting her. She's totally unaware that the reality that her becoming She-ra is a manipulation born out of evil intent. For Catra, she's always known that the world is harsh, and that bad people exist who will try to destroy you. She's not afraid to fight, she's had no choice learning these harsh truths. It's a jaded view that negatively affects her perceptions of people, but it prepares her for the worst, and so she relies on it. So when Adora suggests she run from it, she rejects her as naive. They flash back to their younger selves after Adora suggests Catra can leave like she did, and Catra accusingly points out that she doesn't need to follow Adora around. That they're children is relevant to the previous memory where Adora led Catra into danger, and then didn't protect her. Catra isn't interested in following Adora blindly after she's put her in danger so badly in the past.
Flashing back present selves, Catra tells Adora she doesn't want to leave. As she says this her face conveys her anger at the world, her drive to face SW instead of flee. She says "I'm not afraid of SW anymore, and I'm a better force captain than you ever would have been." Let's take this in parts: Catra won't run from her abuser, she's already planning to take her down. Doing so is important to Catra, as it fixes her world in an important way. And that Adora can't see this just shows how far apart they are now. In Catra's mind, Adora was supposed to stay, and as they rose to power together, they would have supplanted SW, fixing Catra's world. The two of them would have been stronger in the end. But Adora did leave, so Catra impatiently tries to get Adora to see that she won't just run away. If Adora doesn't want to help Catra overcome this evil, then she'll do it on her own.
Her disappointment in Adora for abandoning this fight is apparent, what comes to mind is when Catra calls Adora weak in the Sea Gate episode. And now Catra knows she's got the power to do this, she's a force captain, and if she can just find a reason to depose SW she knows she has the station and fighting ability to take her down. She always knew she could lead, but was happy to let Adora have success because she really didn't want that responsibility. So she points out her superiority, not to show that she's better than Adora, but to tell Adora she was blind to Catra's worth, and to be hurtful to Adora for abandoning her.
They flash back to their child selves: Adora looks at Catra, hurt and confused "You always said you didn't care about things like that." Adora is feeling hurt by the idea that she was unknowingly taking advantage of Catra, because Catra has seemily just told her she was lying.
Now, this next part is important, and it's important that we are seeing Catra's reaction as her child self: Catra looks sad and lonely as Adora finishes her question, and she's crying. Something adult Catra would never let herself do. So we're seeing a much more authentic expression of Catra's hurt and emotions than if it were her present self. What you need to understand here is that those emotions don't really match her words... Catra tells her "Well I was lying, obviously!" But her face says she's angry and hurt at Adora for not seeing her pain.
As she delivers those words her face is full of accusation and insult, she's being dramatic, something we will see Catra do time and time again. She stares down Adora, eyes scrunched up, showing Adora how betrayed she felt by her insensitivity. Then we get sadness, disappointment. Finally, we get a lonely kind of furious sorrow: all that time feeling alone and Adora didn't bother to understand is written on her face.
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The tears are still flowing, but as she turns away they shift back to their present selves. Adult Catra looks totally alone, heartbroken.
Ok but how we REALLY know Catra isn't telling the truth is this: almost word for word, this moment exists in episode 1. ANY time you see that happen in this show, you need to look back to find the meaning of it.
>We will need to look in totality of this scene in episode 1: An excited Catra pounces on Adora, asking her what SW said. She sees the badge and takes it. Here's a funny thing, because we see Catra jump on Adora you might think Catra is always like this, she just comes into Adora's space as she pleases. But once Catra has the badge, we see no anger or jealousy. Just total wonder. She shows nothing but exuberation and happiness for Adora's promotion (pic 1, lower left fyi).
Catra knew this could be the turning point she's been waiting for, that Adora was due for promotion. And so she's jumping all over Adora, full of joy. We only see her attitude change once Adora tells her SW isn't letting her go on missions. And so, we can infer a lot of information from this...
Catra expected this moment to change their lives for the better. That Adora's rising in rank means freedom, the beginning of something new. Some many new things, in Catra's case. But Catra definitively shows us in this scene that she doesn't desire the success for herself. She only shows happiness for Adora, for them together, and she's ecstatic. (pic 1, fyi)
This, in Catra's mind, probably means the start of their romantic lives. If Adora is the force captain that brings them to victory, SW won't be able to just trample all over their lives. Catra can begin letting down some walls, maybe even let Adora pursue her romantically. If they're together, and Adora is on her side because of that, she becomes safe from her abuser. It's a much better outcome than trying to fight SW, but that's not how the story goes. No, Adora leaves her instead. How's that for emotional whiplash? All of these truths are laid bare in s3ep5, when we see Catra's perfect reality, when she and Adora are together romantically. Catra only wants to be safe and to be loved, but when Adora leaves her she loses trust in the goodness of Adora, and in people in general.
> Adora tells Catra she shouldn't be surprised she's been cut of of the mission because she's so rude to SW, to which Catra responds by calling Adora a people pleaser, then storming off in anger...
::Note, as this is important: Adora is taking SW’s side, and not Catra’s, which is entirely opposite of their early childhood memory of Octavia. It shows how Adora had started listening to the negative judgements others placed on Catra...
>Adora goes after Catra, finding her sulking on the roof. Catra is angry, betrayed by the world, at the injustice that SW is in her life. Adora asks "I didn't even think you wanted to be a force captain?" Catra tossed the badge at her, saying she doesn't. Then she folds her body up, holding herself. Adora sees this, but doesn't touch her. She's being careful to respect Catra's boundaries. But the anger Catra feels here isn't about being denied the chance to be a force captain, it's at all the hurt that SW has dealt her and continues to do so. And Adora doesn't see that, which disappoints Catra. But, she's unable to verbalize it herself, she is too insecure in her emotional vulnerability, so she lets it slide.
What we have here is two different instances of the same question with two different answers, but in both cases Catra is telling the truth. In episode 1, it's the truth that she doesn't care about being a force captain because of her love for Adora, and the promise, in her mind, that they will eventually be together. In episode 11, Catra then says she lied, and this now is also true: Catra did think about what she was going through, all the pain and sacrifices she made for Adora, which were done in the name of love. But Adora doesn't love her the way that Catra loves Adora, instead leaving her behind. And so now that Adora didn't ever see how excellent a person Catra actually was, how dedicated to her she is, and the pain she was willing to bear for her sake, it does matter. Because that's shitty of her, and so now Catra will survive on her own by her own excellence, her strength that Adora never stopped to see. So Catra is guilting Adora, trying to make her see how blind and unfeeling she is.
>Back to ep11: Catra tries to walk away from Adora, who desperately chases her, trying to understand why Catra is becoming so distant, wanting her to tell her what's wrong. She reaches out for Catra's shoulder in one last attempt to get Catra to talk, she knows touching Catra could maybe get her to be more open. But the truth is Adora has been far too easy on Catra, she needs to be more forceful if she wants Catra to talk, which she later comes to understand... she's been coddling Catra, and so Catra is allowed to wallow in her unhealthy mental states.
Catra takes Adora's hand, forcefully holding it away from her and delivering a hurtful line: "Why do you think I gave the sword back to you in the fright zone? I didn't WANT you to come back, Adora!" This hits Adora like a load of bricks, her dismay is evident. And it's all true, which is the sad part. Catra was already preparing to cut ties with Adora, as even by that point she had come to a realization, a decision: if Adora doesn't want to be with her, then she'll do it herself. She will do the hard things on her own.
She turns away from Adora, looking hurt and betrayed. And Adora is at a complete loss, she doesn't know this side of Catra, this part of her that has survived hardship all these years... she lets her leave, not knowing what to do.
Adora is then attacked by the security, which takes up her time. As that happens, we see memories only shown to Catra. Catra runs, emotionally overwhelmed as all the unfair judgements, the abuse, and hollow apologies ring out around her. All the years of frustration and sadness weigh on her, she tries to keep it together, lashing out at the holograms. She falls to her knees, fighting back emotion and trying not to cry, her inner, vulnerable self is near the surface, and she's trying not to break down in tears over all of the hurt she's had to bear...
… and then she hears soft crying...
She turns to see her younger, tiny self, crying. Then, a tiny Adora joins the tiny Catra. Unlike the other memories, Catra never flashes into her younger self, she just watches...
The tiny Adora pulls the blanket down, Catra hisses at her... Adora sits down next to her tenderly. And we finally get the promise, the two parts that Adora has so tragically broke...
Adora tells her "It doesn't matter what they do to us, you know? You look out for me, and I look out for you... nothing really bad can happen as long as we have each other." The tiny Catra looks at Adora, wanting to trust her, to believe in her. As she says the question, present Catra echos it: "You promise ?" This was a sacred moment that gave Catra hope as a young orphan, that maybe she would be ok.
And so, the present Catra echoes it. Adora tells her she promises, as the skeptical present Catra looks on. Tiny Catra is still sad, insecure... she hugs Adora, needing this. Adora suggests they go back out to play... and we see tiny Catra look at her, still afraid, reluctant, wanting to stay. But she decides to trust Adora, and so they walk out, holding hands. Then something unique happens. Tiny Catra stops to look up at her present self: note, this is entirely a unique moment in the simulation, it never happened in reality... and yet Catra is given this moment...
The innocent child stares up Catra, making her see her. It's a look full of meaning, it doesn't carry any specific emotion... only innocence. Catra is having an inner child moment. That most deep and innocent part of her, her vulnerable self who feels love, is communicating with her. It's asking her to see it's vulnerability, and it's pain. Catra sees this, all of the pain Adora has caused her, the breaking of the promise, the promise that this innocent part of her was holding on to desperately with hope. She is forced to acknowledge Adora's disloyalty to her, her carelessness. Catra is reflecting on how she did her absolute best to keep that promise, even after Adora failed to look out for her in SW's chamber. Catra was so loyal and so good to Adora all of their lives; she made sure Adora had a good life, and she played by SW's rules so Adora could be the chosen one, wanting to protect her. All in the hope that they would be together, and that their love was real. But Adora couldn't even do that much, she left her. And Adora doesn't understand her, she doesn't even seem to miss her.
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[pic 9: Broken Promises, Catra’s inner child, The Hero goes Her Own Way].
Present Catra watches her tiny self leave, coming to the tough realization: that she's never been able to trust Adora, not really. Her love isn't reciprocated, not by her standards.
…. which makes Adora a deeply unsafe person to Catra...
Catra survived SW's abuse, learning to believe in herself, protect herself because no one else would. All while keeping this hope of love in her heart, this vulnerable core of herself that has tenderness and loves Adora, and needs love back. But, her need for love goes to such a deep vulnerability that giving in to it and then again being rejected or forgotten by Adora would simply destroy her. SW held the threat of death over Catra’s head her entire life, and Catra resisted it, got through it by being tough and trusting in herself. So now she sees she can't trust Adora: everything that happened since she left her behind, the fact that Adora always treats her as an enemy, that she seems to show no lingering desire for her, and doesn't even seem to miss her while replacing her with new friends, seems to confirm her worst fears. Fears that have been building over the years, starting when Adora broke their promise in SW's chamber, and then as Adora pursued her success while accepting praise and privilege from SW, ignoring the abuse Catra bore because of it. She decides she can't trust Adora. Love is a lie, a weakness. A weakness that could destroy her last bit of individuality, and belief in the world.
And so, Catra, The Survivor, makes the decision... in her mind it's the brave one, just like way back when and she decided to bravely stand up to SW's abuse and not let it destroy her: she will stand up to the threat that is the weakness of her love for Adora. Adora is selfish, she doesn't deserve Catra's love. She was stupid to believe that love was even possible, for someone like her… who has always been ignored, and told she is unworthy of praise or even existence. There's only one thing left for her to do: she will be alone, strong on her own, for herself.
Her gaze hardens... that part of her that has made sure she survived SW's abuse, and made sure she won fights when she was threatened, is now the decider. It will protect her from her vulnerability, and reject Adora for her. I suppose you might be confused as to what I'm referring, or maybe not... If you haven't had to fight for your life, whether physically, mentally, or otherwise, you might not know this side of yourself well. But we all have it, it's The Survivor. And while I knew mine would protect me, I didn't accept it as my real self, I didn't accept its necessary but vicious deeds as my own. This is very much how Catra is, and as the series goes on she puts this survivor in charge of more and more decisions, we watch her deteriorate as this part of her gets out of control, protecting her from darkness with more darkness. All the while her vulnerable inner self suffers, watching the horrible deeds and becoming more and more alone, desperate for affection.
>Adora is outnumbered, eventually ending up hanging from the cliff's edge by spider webs. She hears Catra return, dealing with the spiders. Adora looks up, hopeful because Catra has returned...
Catra saunters in. Let me say a few things before we go through this part: Catra is about to say a lot of things that aren't really true. They are instead meant to be hurtful to Adora, Catra is being intentionally mean. We shouldn't take her exact words as her authentic beliefs, because they're not... no, Catra is doing what she believes she has to so she can be apart for Adora, and be safe from her. The truth is, Catra needs to be away from Adora. She's too scared of the vulnerability that is her love for Adora, because Adora hasn't shown her that she cares. And she can't do that by defecting, no, she must stay with the Horde. It's the only thing she feels there is left for her to do.
Now, let's go through this: and heads up: I'm getting at something very powerful that's going on here that you may not have realized. This speech is, in fact, a heroic moment. A heroic moment... for Catra. Not Adora, for Catra. And you just need to open your ears to hear it...
"Hey Adora."
🎶 is sad
"Catra! Help me, please!"
"This thing wouldn't work for me if I tried, would it? It only works for you... then again, you're special... that's what Shadow Weaver always said..."
🎶 is melancholy
"Catra, what are you doing??"
"Ah, ya know, it all makes sense now... you've always been the one holding me back... you wanted me to think I needed you, you wanted me to feel weak."
🎶 has even tone
"Every hero needs a sidekick, right?"
"Catra that's not how it was.."
🎶 rises, falls, sad (“Promise” begins playing)
*Catra chuckles* "The sad thing is I've spent all this time hoping you'd come back to the Horde... when really you leaving was the best thing that EVER happened to me..."
🎶 lowers, is dark, is dramatic. -Note: we see Catra seemingly become deranged as she says this line. This is Catra deceiving herself out of perceived necessity.
"I am so much stronger than anyone... ever... thought." *she cuts part of the web*
🎶 begins to rise, uplifting
"I wonder what I could have been if I'd gotten rid of you sooner." *she cuts the rest of the web, Adora falls, catching herself*
🎶 rises, is dramatic
"I'm sorry! I never meant to make you feel like you were second best. Please, don't do this."
🎶 is still rising, uplifting
*Catra stands proudly, nobly, looking at the sword. She looks down at Adora, then she casually tosses the sword past her...
🎶 is rising, hopeful, heroic.
"Bye Adora, I really am going to miss you..."
🎶 is heroic, violins now playing, adding depth
*Catra turns and walks away from Adora, proudly*
🎶 has risen to its height, crests, is heroic.
"Catra... Catra, no!!"
🎶 remains high, cresting, heroic
*Adora cries, sad, confused by Catra's leaving her...*
🎶 crests again, fades out...
Ok, so... let's talk about what just happened here. The undeniable conclusion is that this was meant to be a heroic moment, and a damn heroic moment... for Catra. The writers are telling us that Catra leaving is an important part of her hero’s journey, and that it was the right thing to do. You might be wondering, how can that be? The short answer is, Catra is on a hero’s journey unlike all the other hero’s journeys normally portrayed in fiction. All of it, even her darkest deeds, all her cruelty towards Adora, will be part of a very... important... and powerful... journey. One which will forge her into a hero in this series, in her own incredible right... how this is, what she is, is yet to be revealed... but make no mistake, she's a hero. Just not the one you expect…
We see Adora open her eyes, and see Light Hope. She tells Adora to let go. She means of her emotional attachments, as we find out. Adora cries for her lost Catra, that she couldn't bring her back to her. She lets go...
BIG ASSERTION TIME: Now, I know it's a common theory that these memories were all just an elaborate manipulation by Light Hope to divide the girls from each other, but I don't agree with that. No, I believe this was a memory journey guided by Catra, subconsciously, to help her tell Adora why she couldn't come with her, why she has to be apart.
Take for instance the memories and visions that Adora sees when she's on her way to the Heart of Etheria in season 5: this system exists apart from Light Hope, who dies at the end for season 4. This simulation comes from somewhere more primal: in my belief, it is the deep magic of Etheria being visualized through the First One's tech. We see the simulation show Catra the promise memory, something Adora isn't shown at all, and then allows her to see her inner child's hurt. Something deeper is going on here, and you should consider how strongly the magic of Etheria is resonating with Catra when it does. Because the magic of Etheria will again speak directly to Catra, this isn't the last time... In short, the magic helps the two of them to understand each other, because Catra is an important part of Adora's true She-ra journey.
I also believe that a theme of this series is that abusers, like L. Hope, are not perfect vindictive manipulators. They are flawed, and L. Hope in particular, I believe, is no genius: she fails time and time again. That L. Hope uses the moment to get Adora to let go is her using the moment to her advantage, she didn't play ultimate control over it. She just piggy backed on Catra's hurt to do it. So that last memory really was for Catra... Furthermore, I simply cannot believe L.Hope would understand the concept of the inner child… as she can't even understand sarcasm.
But now, because of this, Adora now knows of Catra's pain... and this is the beginning of Adora's long journey back to Catra, of her repairing their bond…
Let's address the obvious counterpoint: Adora now knows that Catra is hurt, but she doesn't yet understand why. And it's not really her fault, as Catra doesn't know how to talk about her feelings, among other things. But it's apparent that Adora doesn't remember these crucial memories as well as Catra does, even though they were critical in her development as well. Adora is a mess of emotions, just like Catra, and (if) she has ADHD, it might be one reason why she doesn't really get Catra. Especially if her parental figure has been manipulating it against her. Adora very much vibrates between stimuli anxiously, so SW might have made her forgetful by distraction over time. Also, the way in which Adora treats Catra as an enemy when she doesn't accept Adora’s (totally rushed, afterthought, and hollow) ultimatum that she defect with her, is a reflection of Adora's ingrained Horde war training… this is something she has to unlearn, as it is wrong. But Adora is a good person, she really, truely, is, because Adora never stops trying to make it better. And so, she slowly, but surely, comes to understand Catra’s trauma.
We get one last scene of Catra returning to the fright zone. We get to see Catra's truth here: She walks, as if she's not even there, she's deadened by the sorrow and the inevitability of what her life will now be: one of hard work, and zero joy. She will try her best to stand on her own, and put Adora out of her heart, slamming its doors shut against love. It doesn't work, but that's what she's trying to do, nonetheless. This is the beginning of a profound depression that builds over the next 3 seasons, and combined with new traumas, nearly takes her life.
But the tech Catra has brought back will end up giving her what she needs to face down and depose SW, just like she needed...
::Here is another complicated twist that's so essential to She-ra as a series: Catra, in fact, protects Adora by taking down SW. Catra may go on to command the Hordes forces so effectively that it pushes the Princess alliance harder than it's ever been pushed before, but her deposing SW is extremely important in the story. She both removes SW’s ability to attack Adora, and then denies her any sorcerous power by taking the Black Garnet from her, since SW needs an external source to draw power from in order to use her vampiric powers...
Ok so more theory time: it's a common belief that Catra stays with the Horde, and goes on to try to conquer the world out of some deep need to externally validate herself, and to prove she was the better child by beating Adora. I don't think any of these explanations are true. Catra may go on to play such a character on a surface level, but every time she professes to have any such ambitions, she is either in the presence of Adora, or under incredible stress. In the one case, she's saying those things to try to hurt Adora, and make her see how naive and foolish Adora always was, especially now that Adora thinks she can fight against her.
In the other case, it's actually her survivor mechanism trying to take over, to make her world safe. In every case where Catra says something about ambition, somewhere in that scene, Catra shows the distinct emotions of her true inner self: generally, these emotions are sorrow, fear, and loneliness. They don't exist on screen long, they are what is known as micro expressions. (See below for a short discussion of Catra’s micro expressions.)
To put it simply, the only reason Catra stays with the Horde is so she has somewhere she can be separate from her feelings and heartbreak over Adora, and then she climbs the ranks in order to find safety, first from SW, and then Hordak, once he threatens her life with his temper tantrums. That she fights against Adora is just a collateral consequence, she isn't out to get Adora, but nor does she care if Adora gets hurt, because she’s hurt her. Catra does fight against the princesses, though (including She-ra).
A core feature of Catra's character is indeed one of personal power. She's a person who is told to hurry up and die at an early age, but refused to do so. So her arc, her issue, isn't a cautionary tale about chasing validation, it's about her overcoming her fear of vulnerability and allowing herself to rely on others in a way that lets her be safe without needing to combat the darkness with more darkness. But vulnerability scares her because of the abuse she experienced.
As for validation, the only person she would want that from is Adora. This is because Catra believes in herself already: that she has a sacred right to exist, no matter what SW and others may tell her (note: Adora struggles with this, she's actually the one who seeks validation). But, she also needs love, and she is too fearful that Adora doesn't really love her and is afraid of being hurt by that. It's also why I think she's so chaotic towards Adora: her inner child tells her adult self to protect her from her love for Adora, which it tries to do, but that same child misses and needs Adora in so many ways. So she's trying to be mean to compensate for the incredible desire she feels towards Adora. I love it when Adora calls her a brat in season 5, it's such a well deserved line, mmhhmmm.
Actual discussions of how these particulars play out in the show are better left for another time, but there you have it.
Promise sidebar discussions: Catra’s micro expressions; Catra nearly dies at the Battle of Bright Moon
“White Out” microexpression discussion: [see pics below] This is the first time since the Battle of Bright Moon that Catra and Adora meet. So it's a good time to talk about Catra’s micro expressions. Picture 1: Adora says “Hey, Catra” out of the blue and Catra is completely blindsided, she figured she wouldn't be bothered out in the middle of nowhere. She's anxious and unhappy to be seeing Adora. Along with her suspicious absence the episode before in “Roll With It”, the answer is obvious: Catra has been avoiding Adora. She may have cut ties with her in “Promise”, nearly bested her at the Battle of BM, but she doesn't want to see her. She doesn't know what she feels about her.
Picture 2: Enraged monsters are decimating the base, and a battle breaks out over the corrupted disc. Catra is desperately trying to protect it, because she can control Adora if she has it... and she needs this chance to have her back. As Catra reaches to pick it up, she's facing away from everyone and so no one can see her desperation and sadness from missing Adora. (pic 2) Shortly after, we also see her clutch the disc desperately to her chest in a way that's very endearing, right before the monster attacks her and makes her drop it. Then, as she's about to die in its jaws because she doesn't want to give Adora up again, Scorpia breaks the disc and saves her life. We see in this episode as Catra completely loses track of her emotions, and now realizes she has to come to terms with the fact that she's so desperately sad from missing Adora, she was willing to die just for a chance to have her back.
Pic 3: Catra hates working for the Horde. She HATES it. She gets zero joy from the job, and she’s already figured out that Hordak will kill her if she screws up too badly. She didn't want this job, plain and simple, but now feels stuck with it. None of this is the life she wanted. Combining this knowledge against Catra’s declaration to Adora at the end of Promise, we know she's not happy that she had to go her own way...
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Catra’s near death experience at the Battle of Bright Moon
At the Battle of Bright Moon, Catra leads Adora (She-ra) away. They battle, but then Catra retreats and instead starts listing out every single worst fear of failure she thinks Adora has. It's a dark moment, she's acting much like SW did to them as children, and we watch her manipulation take root in Adora. Finally, her words are too much, and as Catra looks down at Adora's (She-ra's) back, we see Adora become deranged, overcome with her fear of failing everyone... (pic1, above) she picks up a boulder and throws it directly at Catra. Catra is knocked flying, and only by the barest of margins does she keep from falling to her death. Adora nearly kills Catra. And so, as Adora drags Catra up from the cliff and slams her into the wall, we see a totally heartbroken and emotionally crushed Catra. In this moment, Catra believes all of her worst fears are confirmed: Adora only cares about being She-ra, so much so that Adora would kill her in the name of being that hero. Catra uses this moment, this belief, to justify her division from Adora. Sadly, she's wrong... she's ignoring the seriousness of the threat that the battle poses, and as Adora was facing away from her during that moment, she doesn't see the terror and desperation Adora experiences due to her cruel words…
Oh, and one more thing before we go: when Catra says “What, did you really think this was about you ?” SPOILER ALERT: It was. Because She-ra is one big Catradora story… and we love it.
As always, thanks for reading. <3
~EtheriaDearie
P.S. :: as I am new to tumblr, if you enjoyed reading this, please consider giving me a reblogg! Thanks!! 🙇💛
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Traditions - Shouto Todoroki x Reader
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DISCLAIMER: I DO NOT OWN ANY OF THESE CHARACTERS, THEY BELONG TO KOHEI HORIKOSHI
DAY THREE OF 25 DAYS OF CHRISTMAS - 25 DAYS OF CHRISTMAS MASTERLIST - MAIN MASTERLIST
What were you supposed to get the boy who could have anything he wanted? That was the question that had been plaguing your mind for the entirety of November and now December. Shouto Todoroki, your loving and caring boyfriend, was the hardest person you had ever shopped for in your life. Even Momo was easier to shop for - she actually really liked homemade baked goods since when she’s training she has to eat a ton of processed stuff. You were currently at the mall, picking up things for the rest of your friends with Shouto, while also trying to scope out what interests him in certain stores.
“So who’s next?” He asks as you scroll through the list on your phone.
“Hmm… I think Midoriya.” You respond, looking around to see all of the stores surrounding you. A certain one grasps your attention with the bright yellow, blue, and red colors. Shouto follows your gaze and he gives you a small smile as it lands on the huge All Might themed store.
“Well you're definitely gonna find something in there.” He chuckles, gently tugging your hand as the two of you walk towards the door.
You had finally left the mall with several bags being carried by the both of you, but you still had no clue what to get for your boyfriend. After Shouto dropped off the bags in your door and gave you a quick kiss goodbye - he apparently had some important business to attend to - you decided enough was enough. You scroll through the contacts on your phone to find Fuyumi, Shouto’s older sister, and press the call button. You’re only able to hold it to your ear for a few seconds before she answers.
“Y/N! How are you?” Fuyumi’s sweet voice filtered through your phone.
“I’m good, how are you?” You ask politely, making your way to sit down on your bed. 
“Fine, just doing some stuff around the house. I’m glad you called though, I haven’t been able to talk with you for a while.” You heard some clinks and clatters in the background and quickly assumed she was doing the dishes.
“Oh, no problem! I actually have a question if you’re not too busy.” You say, letting your shoulder press your phone to your ear so you could start taking all of your purchases out of their bags.
“I’ve got time, shoot away!” She says cheerily, causing a smile to grace your face.
“It’s about Shouto-”
“What about Shouto?” A deep but happy voice piped up through your phone.
“Hi Natsuo!” You greet, smoothing the blouse you got for Ochaco out.
“Hey kiddo! What’s up?” You could almost feel his wide grin radiating through your screen.
“Was asking Fuyumi a question, but you can answer it as well. I wanted to know what kind of stuff you and Shouto did when you were younger around the holidays to get an idea of what he likes to do. I was trying to find something to get him for Christmas, but I feel like if he wanted anything he would have already gotten it, so I want to do something with him.”
“Uhmm…” You hear both of them exchange awkward words, so you pipe up instead.
“I mean my brother and I would have gingerbread house competitions, go ice skating, and have movie marathons, but I don’t really know if that’s something Shouto would be into .” You say, opening the last of your bags which contained a snow globe with a polar bear cub in it for Koda.
“Y/N, uh… Shouto’s never really done any of that before.” Natsuo says. You frown a bit, but shake your head.
“Oh - is there anything your family does especially for the holidays? I mean I know your dynamic is a bit… different than others, but I’m sure you found a way to celebrate...right?” You asked warily.
“That’s a really sweet thought but umm… Dad didn’t really let us mingle, so he’s never experienced any usual holiday activities. I mean he celebrated with us, don’t get me wrong, but we never really got to do fun things as siblings.” Your jaw drops. You remember playing with your brother in the snow being one of the happiest memories during the holidays and you can’t believe Endeavor didn’t grant Shouto that. All of a sudden, a lightbulb seemed to come to life above your head and a grin replaced your frown.
“Thank you! Thank you so much for telling me, I know what to do!” You exclaim, clasping your hands together. You bid adieu to your boyfriend’s siblings and immediately start planning.
“Y/N, I don’t understand what’s going on. Why did you call me out here?” All bundled up in a puffy jacket that made him look even cuter than ever, snow pants, and a pompom beanie. Shouto looks at you with a raised eyebrow. 
“We are going to have the best day ever.” You state, grabbing his gloved hands in yours. “We’re going to make a snowman, then we’re gonna bake some cookies, maybe make some hot cocoa, and watch some Christmas movies.”
“W-what?” He manages, a blush spreading across his cheeks.
“Merry Christmas! I was trying to think of something to get you, but I kept coming up with blanks. So, I figured we should celebrate our first Christmas together by implementing some solid traditions.” You saw his shocked expression turn into one of somewhat embarrassment as he looked to the side.
“Y/N, your idea sounds great, but I’ve never done those activities before. What happens if I mess them up?” Concern flickers across his eyes, but you give him a reassuring smile and cup his cheek with your mittened hand.
“It’s perfectly fine if you ‘mess them up’, even though I’m sure you won’t. These activities are specifically designed to be fun, stress free things to do, okay?” Shouto nods and gives you a small smile. You give him a quick kiss and your day of fun begins.
Building a snowman was certainly a feat. You had to teach Shouto how to roll the snow to create bigger bases than the average snowball, which completely enthralled him. It was cute to see him so excited about how the snow managed to get that big, and he even put a little spin on the snowman, creating a “frozen pond” right next to him and an ice fishing rod so that he could go fishing.
Next was the cookies. Even though he really hadn’t cooked that much in his life, like many things, your boyfriend picked it up quite quickly. The two of you would perform a quiet dance in the kitchen, dropping two sticks of butter in one bowl and pouring a cup of sugar in another. What Shouto didn’t know, however, was flour’s tendency to create a mini explosion. His face when it poofed up in his face was priceless. You laughed so hard your stomach hurt which only made Shouto take some more flour and throw it on you so you were matching.
Finally, you made it to the end of the day. Both of you were cuddled up on your bed in your dorm watching Rudolph the Red Nosed Reindeer. Your back was pressed up against his chest and his arms were around yours, his left hand drawing soft lines on your skin, heat following his finger tips. You were so happy. Shouto really looked just ecstatic for the entire day, enjoying every activity you came up and even adding his own personal spin to them. You were so engrossed in those happy memories from earlier in the day that you didn’t hear Shouto say your name.
“Y/N,” he says in a velvety voice, shaking you a little to gain your attention.
“Hmm?” You hum in response, telling him that you were listening.
“I have something for you.” You turn around to look at him and you gasp with delight. In his hands dangled the daintiest little locket you had ever seen. It was a pretty silver oval with the tiniest little hinge on its side.
“May I?” You ask, motioning to open it. He gives you a soft smile and nods. You open it very carefully and you melt at what you see inside. It was your initials next to his with a heart outline.
“I know you don’t like obvious jewelry so I didn’t go for the heart locket, but I still wanted to get the meaning across. Do you like-” You cut him off with a searing kiss. You cup both of his cheeks in your hands and press him close to you.
“I love it, Sho. Thank you so, so much.” He grins at you and opens the clasp.
“Do you want me to put it on for you?” He asks. You nod quickly and turn your head back around. His hand sweeps your hair to one side and swings the necklace around your neck so that the clasp was in the back. His fingers danced lightly across the back of your neck, sending a tingle down your spine. He closes the little clasp and smooths it out. You reach up to touch the little locket and smile, turning back around to look at him.
“To new traditions,” you toast, arms wrapping around his neck.
“To new traditions.”
279 notes · View notes
atinydise · 4 years
Text
Ateez trying to get their s/o back after leaving them for their exes
❦ Genre: Angst.
❦ Pairing: OT8.
❦ Word count: 3k9.
❦ A/N: I don’t know how you managed to do that but y’all made the pole 50/50 💀so here’s the first one that I made angsty and the 2nd one should be posted soon! - Thank you for all the little messages you added to the pole! It was really nice and I appreciated this a lot! Sadly I forgot to tell you to add your @ or whatever 💀so I can come & dm you but THANK YOU SO MUCH 🤍🦋
HONGJOONG
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Not even 2 weeks later, your ex-boyfriend contacted you. You picked up only because he was supposed to take back the rest of his stuff in your apartment. [“When do you want to come?”] You asked coldly. [“A-Actually…. I would like to talk with you.”] He stuttered. You sighed. It was already hard for you to engage a conversation with him, knowing that he’s taken, and he wanted to talk like nothing happened. [“About what?”] [“Let me come to your apartment. I’ll be there in 10 minutes, okay?”] [“Then hurry up, I have some plans tonight.”] It was a lie. You didn’t want him to think you stayed all the time in your living-room, crying about your chaotic life. [“Sure. See you in 10 minutes then.”] You hung up right away, but it seemed important. Maybe he wanted to…? You shook your head to avoid these false hopes and went straight to your bedroom. The last days, you packed all of his stuff. Unconsciously, you started to remember all the memories you had with each item. Everything shirts, every CDs even his toothbrush.
You probably were too deep in your thoughts because the ring bell made your heart miss a beat. Picking up the box before leaving the room, you rushed to the hallway and opened the door. You prepared yourself during the 2 last weeks for your first conversation with Hongjoong, as your ex-boyfriend. But nothing prepared you to see him looking so happy with a dozen of roses in his hands. “What is that?” You immediately asked. “These are for you.” He handed the flowers to you. “I would like to apologize for thinking that I would be happier without you.” He added, ashamed. “I want you in my life Y/N.” One part of you were not surprised at all. You knew the day he had broken up with you that this decision was taken too fast. Looking once again at the red flowers, you rolled your eyes and grabbed them. Hongjoong started to smile more widely until you threw it harshly on the floor. “Do you think that I will jump back in your arms as nothing happened?” Your lips started to shake a bit; the emotion was surrounding you. “You threw me away as an old sock and ran to her. You ignored me for 2 weeks and came back just by telling me to let you go and to be more considering!” Your face was filled with anger and confusion. It was the first time Hongjoong saw this expression. He hated it. “Y/N…” “I don’t care if I’m still in love with you. I don’t care if I’m dying without you. Because anyway, I can’t see you the same way…” You sobbed. “You broke me in a million of pieces and came back today, trying to fix the mess that I am. And BECAUSE of you!” “Y/N please-” He tried to step inside. “Take your stuff and go away.” You grabbed the box and threw it on his arms. “Y/N-” “I said GO AWAY!” You yelled. He made you reach your limit. You yelled at him crazily, you were crying hot tears uncontrollably and pushing him away from your life. Not wanting to make you madder. He nodded and turned around. Right away, you shut your door. You were completely destroyed. He made you feel so bad that you hated yourself for still loving him.
SEONGHWA
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The next months, Seonghwa was tormented. His ex asked him a second chance and he accepted. The media were sharing all the new couple informations. All his fans, his members and the staff were happy for him, but he wasn’t. Something didn’t feel right, and he knows exactly what. You. Even though these days with his ex-girlfriend were cool. It wasn’t you. Seonghwa wasn’t having fun like he does usually. When the regret started eating him inside, he decided to call you. Of course, you never picked up. And he couldn’t blame you for that. “Why you just don’t go to her house? You know she will be there.” Sighed Yeosang. “I don’t know…” he replied. “I think I’m scared.” “Just go. You might lose her for good, if you don’t do anything.” Seonghwa hesitated few seconds and finally left the dorm. He ran to your apartment. At each step, the frustration was worse. When he saw you far away the shape of your building. He almost ran back to the dorm. But the little Yeosang’s voice was stuck in his head. Seonghwa continued his way to your apartment. Right before climbing the entrance stairs, you came out, visibly in rush. Because of the expression on your face, you were surprised to see him here. “Y/N.” He smiled at you. “Seonghwa.” You replied instinctively. “I’m so glad you there I was looking for you.” “What do you want? You should be with-” “With you. You are the only one I should be with.” You scoffed, not believing a word he said. “How can you come here after all this time?” You asked, arms crossed our chest. “Are you already bored of her?” “Not at all. It was always you; I was just too dumb to notice.” “I’m not a toy that you can throw when you are bored.” “You are absolutely not a toy. Or a test or a break, whatever you say. This is my fault. I made a big mistake.” He explained, holding your hand. “Your mistake caused me to stay at home for weeks. To lost some of my friends, my self-confidence and esteem.” You removed his hand of yours. “While you were acting lovely dovely with her on every social media, I was all alone.” “Y/N, I will fix-” “Y/N?” You both looked at the person coming at your right. “Ah you there.” You smiled widely. “I can’t make you wait.” He winked. Seonghwa and apparently your new man looked at each other few seconds. “Is everything okay? Do you know him?” You stared at Seonghwa, “I’m okay… And it’s nobody.” You claimed. “Y/N.” He tried to stop you, but you carefully avoided his grip. You walked past to him and joined your “friend”. “Let’s go.” He opened the car door for you. Powerless, Seonghwa looked you leaving with someone else. That’s exactly, what he was scared to see. You with someone else who knows your real value.
YUNHO
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“Yunho can you focus please. It’s the last shot and you keep making the same mistake.” Sighed the music video director. The tall boy apologized again and tried to focus back. Hongjoong grabbed his wrist. “It can’t continue this way. You need to look for Y/N after our schedule today. She’s clearly stuck in your mind all the time.” “But how?” “Just go.” He replied before positioning back. This is why Yunho was in front of your gate the same night. After your argument at the supermarket, you both decided to break up. Even if he thought that confessing to his ex would lift the weight on his shoulders, it stayed the same. He hated himself for that. When he was with you, he was non-stop mentioning Hyena. Now, it was the opposite. But even if his mind was completely fuzzy, his heart belongs to you and nobody else.
Knock knock.
“Coming!” The sound of your voice made his heart melt even more. “He-” He bowed politely to you. “Hello Y/N. It’s been a long time.” You stayed completely quiet. “I know you weren’t expecting to see me here, but can we talk a bit?” You bit your tongue interiorly, struggling to know if it was good idea or not. “It won’t be long. Promise.” You took a deep breath and finally stepped on the side to let him enter. “Thank you.” In a matter of time, you were both sitting on your couch. And it was totally awkward. “I know I acted like a complete jerk with you and I’m sorry for that. I thought that my feelings for Hyena were stronger, but it wasn’t.” He glanced at you, trying to see any reactions but you kept arbored this poker face. “I want you. I need you. I miss you. I love you. Not Hyena.” He confessed. “Please give me another c-” “I do want you.” You cut him. “I do need and miss you.” You added. Yunho was smiling widely at you, relieved that you forgave his silliness. “But I can’t love you anymore.” Immediately his face saddened. “Why? I’m sure I can make it work.” “Every time you pronounce her name, my love for you is fading away. Little by little.” You explained, moving your knees against your chest. “You pronounced it 2 times already, since you entered. Just with a name I feel awful.” You looked right at his eyes. “I don’t want to feel this mix of jealousy and pain anymore Yunho.” “Y/N.” “If this is all you wanted to say then you should leave.” Yunho didn’t want to make any scene, so he just nodded and accepted his fate. He put back his jean jacket and stood up. Before walking away, he looked at you. Without asking your permission, he kissed your forehead softly for few longs’ seconds. “I’m sorry.” He whispered. You bit your lip the whole time he left. When you heard the lock, you busted in tears on your couch. Why everything was so complicated?
YEOSANG
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The way you left the backstage room the other day was haunting Yeosang. Going back to Kira was really a good choice? If yes, why does his heart hurts so bad? Before going to sleep he had few flashbacks of you. It was stuck in his mind for the rest of the night. It happened 2 times in a week and even more the following days. These insomnias caused him to be exhausted. The ethic schedule, his feelings and these sleepless nights caused Yeosang to drink more than usual. Tonight, he was the only client left at the restaurant. His table was filled with a bunch of Soju’s bottles. All empty. “Sir.” Called the waitress. “We took your phone to call someone who can get you back home.” “Nobody is going to pick me!” He yelled completely drunk. “The only one who did is gone! Like POOF!” He claimed. “She disappeared of my life.” “Don’t bother this poor girl with your dumbness.” You sat in front of him, visibly annoyed. “Y/N?” He smiled widely, his eyes completely teary. “You came back to me?” You glanced at the waitress and asked her 5 more minutes. To talk with him in private. Nicely even though you saw that she just wanted to go back home, she accepted. “You shouldn’t drink this much. You can’t hold alcohol well.” “This is the only thing that helps me to sleep and forget.” He tugged. “Forget what?” “Forget that I ruined the amazing relationship we had.” He sighed, looking for a bottle. You stopped him before he could drink again. “You shouldn’t talk this way to me when you are with someone else.” “I don’t care because she’s not you.” He replied, growling. You stared at him; he was feeling really bad about this situation. You were about to reassure him, saying that everything would be okay, when his phone lightened up and his wallpaper appeared. The pain was back once again. You remember why everything stopped. Because of her. Kira. "You shouldn’t keep my phone number as your main contact anyway." “But I want to! Just let me love you!” He shouted, pushing the table a bit. “But I don’t want you to call me!” You raised your voice as well. Even if he was completely drunk, he understood that you were rejecting him. “I called San and Mingi. They should be there in few minutes. Please stay here till they arrive.” You ordered, standing up. “Wait.” He almost fell in front of you. You raised a brow at him. “So, it’s over? For real?” Because I made a mistake?” Yeosang gulped, anticipating your reply. You wanted to tell him that he would possibly get another chance, but a notification lightened his phone again. Kira’s smile was the first thing you saw. You nodded and pinched your lips together. “Yes. It’s over.” Yeosang clenched his fist and stared at the ceiling pissed. “Delete my phone number please.” You asked one more time before turning around and leaving the restaurant. On the way back to your home, you walked past to San and Mingi. “Oh, it’s Y/N? No?” Asked San. “Was she crying?” Added Mingi. Yes, you were. How could you not cry when you felt like your life was falling apart?
SAN
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You opened your letterbox. As the previous days, a rose was on top of your bills and other prospects. You knew that San was the one leaving a flower daily. You ignored what he was trying to do. He was supposed to live the “perfect love story” with his “new ex girl”. You weren’t supposed to be a part of this relationship. So as always, you threw it on the trash can next to the door. No way, you would accept it.
This little game lasted 3 weeks. He even added more roses for your birthday. San was making your confused. Your heart was torn between the pain and the incomprehension. One day, you finally decided to trap him.
You never saw him, but you knew he was probably waiting for you to leave and put the flower on your letterbox. So, you faked to leave the building as always and hid between the gate and a bush. As expected, you spotted San rushing to the hall. He entered the door code. Just before the door could close, you got out of your hiding place and followed him “Choi San!” He almost slipped when he heard your voice. He wasn’t expecting you to be there. “You scared me! I almost had a-” “What are you doing?” You cut him, walking straight in front of him. “J-just putting the rose as... always?” He scratched his head shyly. “Stop doing this. We are not together anymore, right?” “I regret it okay? Leaving you was the biggest mistake I ever made.” “I don’t care.” You replied. “You should have thought about it earlier.” “Don’t be so mean... I know what I did was wrong, but I can’t-” “Which part you don’t understand in ‘I don’t care’?” You almost yelled, snatching the rose off his hand. “Y/N, calm down.” He tried to make you lower your voice. “Don’t come and put these flowers here anymore!” You threw it back on him. “Y/N...” “Don’t call me. Don’t text me. Don’t talk to me! Do exactly as you did these last weeks! Forget me.” You ordered angrily. “I can’t do like you never existed.” He raised his voice. “You’ve done it extremely well.” Your voice cracked. “You completely erased me of your life. You made as I never existed, so continue! It helped me to stop loving you!” You shouted before leaving your building for good this time. San wanted to convince you that you were the one and only, but it was clearly too late.
MINGI
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[“Hello Y/N.”] Once again Mingi was using Yunho’s phone to text you. He started to do that when he understood that you blocked his phone number. [“Mingi... I know that’s you.”] [“So… can you accept a call?”] [“I have nothing to say to you. Please stop texting me or using Yunho’s phone.”] [“Y/N just one call. That’s all I ask. Only one. Maximum 10 minutes.”] You hesitated. You weren’t forgiving him for sure, but you knew exactly the effect his voice has on you. [“6 minutes.”] You replied. In maximum 10 seconds, your phone buzzed in your hand. You took a deep breathe before picking up. [“So? What do you want?”] [“You.”] A big silence settled between both of you. [“I won’t come back.”] [“Think about how happy we were, together.”] [“Ah yeah, when you say ‘before’, you mean before you tried to dump or even to cheat on me with your ex-girlfriend? Who also, cheated on you?”] [“Yeah... I guess. But I never cheated on you!”] He was visibly ashamed, but also totally deserved this cold treatment. [“Any way, if you think I’m ready to forgive you... you are totally wrong.”] [“Y/N. I fucked up I know that... but please try to understand me.”] [“In no existing universe I will understand you Song Mingi. You know what?”] You paused, trying to let the anger down before you say something you would regret. [“Tell me. I need to know how you feel to apologize correctly.”] He replied, understanding that you were looking for the right words. [“How I feel? Well, I feel terrible because of you. I have never felt this way in my entire life. Why? Because you...] your voice cracked. You immediately wiped your eyes before a tear could escape. [“Because you ruined every pieces and aspects of me. I can’t look at myself in a mirror without feeling disgusted.”] Your lips were shaking uncontrollably, the words were stuck in your throat. Mingi was aware for sure that you would cry. [“I HATE loving you after all the pain I need to endure right now. I can’t even stop loving you. How weak I am for falling for your voice again? This is disgusting. This is sickening.”] [“I-”] [“I tried everything. I even imagined you cuddling her like you did with me. Just to hate you and maybe forget your existence but this is just...”] You paused once again, but to take back your breath and hold your phone correctly because of your shaky hands. [“This is just killing me inside.”] You clenched at your shirt. [“I d- I don’t know what to say. What I can do to apologize?”] He sadly asked. [“The 6 minutes are over.”] You claimed before hanging up.
WOOYOUNG
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It’s been exactly 2 months after your discussion on the balcony. This was the last time, Wooyoung saw you. After few days, he finally asked his ex-girlfriend to date him again, but nothing. Not the sparkles he thought he would feel and not even the happiness. Nothing. He felt like an empty shell. His new girlfriend was nice and funny, but everything seemed so fake. Even on her side, she could feel that Wooyoung’s heart was somewhere else. One day, she confronted him. At the end of the conversation, they both decided that the best for them was to break up. He realized that the “feelings” for her, that he detailed to you the last time, were completely wrong. “You should go back to her. I’m sure she’s waiting for you.” She cheered him. Without thinking twice, he left her dorm right away and jumped in the first taxi. On the way to your house, he tried to call you but seems like your phone was completely off. He ignored how he would explain this situation to you. You were probably upset and mad at him. The thought of you hating him went straight to his mind. But the taxi stopped right in front of your flat. After the payment, Wooyoung opened the little gate of your garden. The apartment seemed unbelievably quiet; the lights were on but no sounds. He knocked once, repeating the same apology to practice. “Oh Wooyoung?” Claimed your roommate, surprised to see him here. “Hi. Can I talk to Y/N? Quickly? I know it’s late, but I’ll make it short.” “I would love to let you talk to her, but she left 2 weeks ago.” She said, biting his lip of nervously. “Left? Where?” He asked, not believing you could do something like this. “She went to Berlin.” “Berlin? But why Berlin?” “She had a job opportunity there... and because you broke up, nothing was holding her here anymore.” Wooyoung tugged in the side, completely lost. “I can’t believe it. How could she leave this way...?” “I’m sorry Wooyoung.” She patted his back, trying to comfort him a bit. “I miss her too.” The boy sat against the wall. He couldn’t stand up anymore. The thought of you being so far away, made him dizzy. “It was supposed to be a happy ending.” He bit his lip, trying to suppress the tears in his eyes. Your ex-roommate stayed quiet next to him. Not exactly knowing how to help him. “I really messed up everything.” He buried his face in his arms, not knowing what to do now. He lost you for food this time. He wouldn’t forgive himself for that.
JONGHO
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The maknae ignored if waiting for you at the same place you spotted him and Sienna. was a good idea, but it was the only option he found. You brought all of his personal stuff to the dorm, you blocked his phone number and his social media account. Even when he was using his teammates’ number, you managed to reject him. How he could contact you? So, he came every day after his schedule and hoped to see you there. The first week, no sign of you, only the usual crowd. But just when he was starting to doubt about his strategy, you appeared. Just by seeing your face, his heart melted away. “Y/N!” He stood up off his chair and waved to you. He saw the expression on your face, it went to surprise to disgust in 2 seconds. You walked up to his direction even if your mind told you to stay away. “Jongho.” “Finally, you are here.” He smiled. “I came every day to have a chance to look for you.” “This is not the dedication you should have for you ex-girlfriend.” You stated annoyed. “Sienna and I broke up.” He said, thinking that you would be happy about that. Instead, you raised a brow. The look you gave him once again wasn’t the one he expected. “So… because you broke up, you think you can go back to me as nothing happened?” “I-I thought yes. But seems like it was a bad idea.” “Yes, it is. How can you think I would say ‘Oh yes let’s go back together and act like the perfect little couple again?” “I wanted to prove you that I made a mistake. And so that I want to fix it.” You started to laugh loudly, gripping your belly to reduce the abdominal cramps. All the people around, started to look at you weirdly. Exactly like the last time. “This is not happening Jongho.” Wiping your eyes. You replied coldly. “On no other earths, no other planet or not even the entire space, I would accept to date you again.” “I completely regret it Y/N.” He almost begged you. “Yes, and you should.” You stood up. “This is not because Sienna “the perfect girl”, broke up with you that you should run to me.” “Listen.” “No. You listen to me. I’m not a toy. I’m a human with feelings and so on.” You pointed at your chest. “You hurt me so much that I managed to erase you of my life. “You don’t need to do it because I will fix it. I promise.” “Don’t come to look for me anymore.” You grabbed your bag, leaving before he could add something. Even though you said that you erased him of your life, you didn’t and honestly, you don’t think you would someday. You will just need to live with the pain.
257 notes · View notes
hologramband · 4 years
Text
The Hollywood Ghost Club p1
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(gif by me) 
Luke x Reader
Word Count: 3k
A/N: In this chapter I reference the song “Welcome to Wonderland,” By Anson Seabra, and yes it was partly a tiktok trend a few months ago but I really liked the idea of having it work here. Anyways give it a listen while you read for a fun time and let me know what you think! (I rly love feedback 🥺)
Link to the pre-Summary thing (x)
It was a busy day at the club, Caleb had more than the usual number of new additions to the club so you had to spend most of your day running around and getting the rooms ready. 
This is the most stressful part of the incoming process, but the one that you thought was the most important. 
Coming to terms with your death and realizing that you will be living in this hotel for the rest of your undead-life is hard to grasp, and it seems to be taken a little easier when the room is nice and cozy looking, with little welcome notes and words of encouragement from you saying they can reach out whenever they need. 
That was your goal, to make sure that they had someone, who had their best interest at heart, to be there when they felt low, or needed help. It’s what you thought you had in Caleb, only to find out just how wrong you were. 
Caleb wanted power, that’s the only reason he was so sweet to you when you got here. He saw the potential you had and wanted to get his hands on you so you wouldn’t use your powers against him. 
As soon as you found out what he was doing, you made a vow to not let him do it to anyone else, if they had powers like yours, you couldn’t let him get his hands on them. 
You had just just finished setting up the last room when you heard the familiar sound of wheels on carpet around the corner from where you were. 
“Willey, I told you not in the hotel! You’re gonna tear up the carpet!” you scolded as you rolled your eyes. 
Willey came into view and you could tell something had happened, his smile was unusually wide at the moment.
“You know the boy I was telling you about? The cute ghost I ran into the other day? He and his band want to talk to you, they want help understanding their ghost stuff, and I mentioned you, so uh.. I’m bringing them over this afternoon!” He rushed everything out in one breath and started jumping up and down in excitement. 
You smiled at his actions and shook your head,
“You seem to really like this boy, don’t you?” You eyed him and giggled as he started to blush. 
“I should be done with my incomings by 1:30 if you want to bring them then, and Caleb should be out until show time this evening so we should be good on that front. I’m excited to meet them.” You smile and look at the boy in front of you get worked up again. 
“Oh, (y/n) you’ll love them! They are so much fun, Reggie can be a little slow sometimes, but I can see you really getting along with Luke, he has some similar attitudes that you do, and then Alex, ugh what’s not to like about him?” Willey was falling into a daze and you placed your hand on his shoulder to bring him out of it. 
“It’s gonna be great, but I do have some newbys to welcome before you bring them here, so I gotta get going, see ya later!” You smile and walk away towards the entrance gate. 
--
Welcoming the new ghost was both rewarding and tiresome, you did what you could to make each person feel welcomed and at home, but some guests were harder than others. 
“Okay, (y/n), we’ve got one more, she should be here in 5 or so minutes. Here’s the profile you asked for!” One of the other ghosts, Kendra, said as she handed you a folder with some basic information on the new ghost. 
Kendra didn’t have powers like yours, but she wanted to help you in any way she could, it was her idea to start collecting data on the new ghosts for you to use to make this an easier process. 
You opened the file and your mouth dropped in shock, tears prickling behind your eyes. 
“Kendra,” You gasped out and she came back and looked at the file with you, “she’s, she is only 6 years old.” You shook your head to get your thoughts straight. 
“Okay, we’re going big for this one. Get some of the dancers for tonight down here in fancy dress, I have an idea.” You decided and she nodded. 
You don’t typically do anything more than hand a personalized welcome bag to the new ghosts or give them a small memento to help them feel like they were in a new home. 
You have never had someone as young as her, this child died at such a vulnerable age, what could Caleb want with such a young ghost? 
You were in the middle of rushing to set things up when you heard the voices of Willey and some other boys coming your way. Checking your watch you realized it was 1:30 and these were probably the boys that he wanted you to meet. 
“(Y/n)!” Willey called and his face fell when he saw your expression, then looking around and saw other ghosts rushing to clear the space. 
“What’s going on? Did something happen?” He continued and grabbed your arm to stop your movements. 
All you had to do was hand him the file and he understood. You turned your attention to the group on boys that came with Willey. 
“Hi guys, I promise I’ll have a more formal introduction in a bit, but right now I really need your help, you sing right?”
The group nodded and you stepped into action. With a snap of your fingers you had changed them all into suits that resembled something out of the “Alice in Wonderland” movie, as that was your goal. 
“Woah,” The blonde boy took a step back and looked up to Willey to see him poofing into a similar style outfit, “Look, not that I mind an outfit change, but what’s going on?” He asked. 
“My job here is to welcome new additions to the club we belong to, I play a somewhat vital part of making the transition from life to death a little easier for those struggling to accept it,” you took a breath as the next part still made you feel a variety of emotions, “We have a new ghost that is coming any minute now that dies last night, she was only 6 years old. I can’t even imagine what she is going through or what she is thinking so this is going to be the most magical and happy welcome I have ever put on.” 
The boys all had a sad look in their eyes, looking at each other and nodding, solidifying their decision to help you with this process. 
Willey handed you back the folder and squinted his eyes, noticing the dim color in your own. 
“(Y/n), how much magic have you used today?” He went to grab your face to look closer but you poofed away, knowing he wouldn’t like what he saw. 
“I’m fine, just follow my lead and, well, catch me when I finish.” You smirk and snap your fingers, causing the room to change from the open ballroom to the looks of an open field with trees and small flowers. 
Hearing a small knock on the door you smile big, 
“Here we go,” you clap your hands and the music starts, the melody of “Welcome to Wonderland” flowing from the band. 
The girl walked in and you smiled and sang the first few lines of the song, opening your arms wide and gesturing to the scene around you. 
“Welcome to Wonderland, we've got it all, Potions and pastries that make you grow tall” 
You snapped your fingers again and a tray of drinks and small snacks that the young girl liked appeared beside her, she grabbed one of each and looked back at you. 
You squatted beside her and motioned to the rest of the room,
“Forests and cottages, castles and cards that can talk” You sang again, allowing her to take in the many sights that the room held. 
“Welcome to Wonderland look where you're at, maddest of hatters, the Cheshire Cat, magical cabins and lovely white rabbits with clocks” As these words were sung you motioned some of the actors to skip out and do a small show of dancing and fun. 
You grabbed the small girls hands and spun her into a dance of your own. 
“Dancing through a dream, underneath the stars, laughing 'til the morning comes. Everyone that leaves has a heavy heart. Oh, Wonderland I love.” 
You take a step back and bow to the child while signing the next line, taking her  hand  directly after.
”Welcome to Wonderland, I'll be your guide. Holding your hand under sapphire skies” 
With another snap of your fingers you change the ceiling to appear a deep blue, with lots of small stars peeking through, pointing out a shooting star to the girl.
“Let's go exploring or we could just go for a walk, Welcome to Wonderland, where should we go?” 
You lead the girl down a path where you see Willey and the boys wait, instruments in hand, ready for their cue. 
“There's a tea party along down the road, make an appearance and maybe they'll sing us a song” You sang, then the boys launched into a slight solo that you all danced around to. 
“Dancing through a dream, underneath the stars, laughing 'til the morning comes”
While this part played out,  you put fireworks in the sky and had everyone come back out to dance with you. You kept snapping your fingers, using more and more of your limited magic to make this the most magical moment for the child. 
You look down and see her eyes gleaming back up at you, bringing a warmth to your chest. 
Knowing you had to wrap this up, you start snapping closer to the girl's head, making her sleepy, and filling her mind with warm and happy thoughts. 
“If this was a dream, then at least I've got memories for when morning comes.” 
You continue the snaps, feeling your magic fading with each one, leaning on a chair for support. You’ve learned in the past that your magic seems to be directly linked to your energy levels, so you knew you had a short amount of time left before you collapsed, so you gave this last part your all. 
 “Now that I must leave with a heavy heart, Oh, Wonderland I love.”
You smiled at the girl as she fell asleep in your arms. You quickly handed her off to Kendra to take her to her room, which you quickly poofed the snacks and other goodies to so she had them when she woke up. 
Knowing this place needed to be spotless before Caleb came back, you used the last of your power to clap and the room put itself back together. 
Directly after you felt your knees start to buckle and you gasped as you started to fall, but knew you wouldn’t hit the ground. 
Within an instant Willey had caught you and poofed you over to a couch where you could rest. 
“That was AMAZING!” the dark haired boy exclaimed, “I do have a question… were those bunny people real?” he moved in closer, “where did you send them?” he had his eyebrows scrunched and was looking at you very seriously. 
“Ah, you must be Reggie,” you laughed, then looked at the blonde boy, “and Alex, I've heard alot about you,” this caused both him and Willey to blush, “and I guess that makes you Luke.” you turned to the brunette, meeting his gaze. He smiled in return and then coughed to break eye contact.
“Ehm, yeah. So, you’ve got some serious power, what you did for that girl, that was truly amazing.” Luke looked around and back to you. “Are you okay though? You look, um…”
“Dim? Yeah, she doesn’t know how to limit herself,” Willey handed you a glass of water, “She has some limitations to how much she can use at once, and then when she succeeds, this happens.” 
You roll your eyes at Willey and take a sip of the water. 
“I’m fine, really, I’ll gain my energy back soon enough,” You brush off the worry and try to change the subject, “So, Willey was telling me you guys had questions?” 
The boys looked between each other and back at you. 
“Well, there's this one girl who can see us, and then when we play music with her everyone can see us perform. We are trying to figure out if there's a way that we can be seen even when we aren’t playing?” Luke stepped forward to ask. 
You tried to hide the shock on your face when Luke said they could be seen, if Caleb knew about this then he’d mark them, so you tried to steer away from that. 
“So there’s nothing I can think of right now, but I can definitely keep my ears open to see if anyone else has ideas. Who is this girl that can see you?” You responded after a bit. 
“Oh! Julie! She’s great, so is her dad, he’s really good at taking pictures and stuff, and her brother-” Reggie got cut off by Alex putting his hand over his mouth.
“Dude, she asked about Julie, not her family tree. Julie was cleaning out her mom’s studio when she found an old CD of ours, when she played it we kinda, just, fell into her life.” He explained. 
“Did you guys die recently?” Taking a once over at what they were wearing you knew they hadn’t, but wanted to give them a chance to explain. 
“We died in ‘95. Uh, an accident of sorts…” Luke scratched the back of his head. 
“We ate bad street dogs.” Reggie dead panned and Luke turned to him in annoyance. 
“DUDE! Not everyone needs to know.” He threw his hand to his forehead as you giggled, then launched into a cough fit. 
“Ah, little bird, why so weak?” Your eyes shot open and met a matching scared expression from Willey. 
You shot to your feet, mustering all the power you could into holding a strong stature. 
“Caleb! I thought you were out until the show tonight?” You questioned.
“Finished early,” he traced a finger under your chin so he could look in your eyes, “why so dull?” 
You gulped and planted a smile on your face.
“Just welcoming today's batch, it can really take it out of me,” you turned to Willey and motioned with your gaze to take the boys away, but sadly not quick enough. 
“Ahh, and who do we have here?” You close your eyes and try to think of something, Willey speaking first. 
“Just some ghosts I met, we were just going,” He tried pushing them away but before they could get out Caleb called them back. 
“Oh, don’t rush on my account! Please, stay for my show tonight, or if you have to go, at least come back for it?” He clapped his hands together and you felt a burn start on your wrist, and his gaze shifted to you. 
“(Y/n) is performing tonight, she’d just love it if you boys could join.” He smiled down at you and the burn intensified.
“Ah, um, yeah! You guys should definitely come back!” You faked a smile and looked back at Caleb. 
“Uh,” Luke started, smiling as he switched his gaze from Caleb to you, “We have a gig at 9, but I’m sure we could swing by for a bit, I’d love to see you again.” He looked at his band mates and they shrugged. 
You winced when he mentioned they were playing tonight, knowing Caleb would ask you about it later, and you couldn’t lie to him, the mark made sure of that.
“Excellent, I look forward to getting to know you boys tonight.” Caleb smiled and started to walk away, but turned at the last second, “(Y/n), darling, can you meet me in my office after you show the gentlemen out?” 
You nodded and he continued on his way, as soon as he was out of sight you turned to Willey. 
“Um, I guess I’m gonna go talk to him, but uh, wanna meet me in my dressing room later?” You prayed he knew what you meant, you guys had to talk about how to go about this situation. 
If you tried telling the boys not to come, you would get shocked, same if you tried to warn them, it was a lose-lose situation. 
Willey nodded and turned to the boys, all of them about to start leaving when Luke turned to you quickly, 
“See you later (y/n)! Can’t wait to see you perform!” He smiled wide at you and you couldn’t help the grin that broke on your face. 
You waved as you watched them leave, the smile falling off your face as they disappeared, knowing what was coming next.  
You slowly walked towards Caleb's office, delaying what was inevitably about to happen. 
Eventually, your walk came to an end, you raised your hand to knock, but before you could, the door opened on its own, Calebs voice speaking from within. 
“Ah, my little songbird, nice of you to join me.” He smiled a wicked smile and the door closed behind you. 
“So, tell me about these boys.” 
.
.
.
Tag List! (inbox me to be added) 
@lolychu 
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Flutterings & Tequila - Part 13
A Klaus Mikaelson Imagine
Pairing: Niklaus Mikaelson x Reader
Summary: you’ve decided to go clubbing with your best friend the last summer before college starts to take your mind off of the Mikaelsons who have invaded your life this summer. Specifically, you’re trying to distract yourself from Niklaus Mikaelson and the flutterings he has caused you. Tequila is your friend tonight.
Part Summary: Clue hunting.
Warnings: typical stuff you’d see in the show
Word count: 3,115
Tags:  elle88531,  violentmommabear42, pisicakawritesshitatfour, a-quarter-horse-called-biscuit, hoeofnjadaka, thegingerthatwaited, despressolattes, aomi-nabi, pie46733, (let me know if you want to be tagged or I missed you out on the tag list!)
Authors note: so I’ve been saying I’d get back to this for ages. I know. But truthfully I hit such a brick wall that writer’s block as a concept had to add another tier to it’s existence just for me. Thankfully, for no clear reason whatsoever, it poofed away as some strong desire to write this again came to me after work. So... tada? Also I am sorry but so so many of you asked to be tagged (I’m very flattered!!!) that I think I’m missing a bunch of people. If I missed you send me a message and I’ll add you to the list. Enjoy 😊
Part 1  |   Part 2  | Part 3  | Part 4  | Part 5  |  Part 6  | Part 7  | Part 8  | Part 9  | Part 10  | Part 11 | Part 12
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You’re trembling slightly as you walk down your stairs, breath coming out shakily as you try to calm yourself down. You had 24 hours to find out at least something about what the Mikaelsons were doing here. 24 hours and no clue where to start.
  Through the back window you could see Klaus and Elijah making their way out of the guest house. Their expressions were drawn and Klaus had a small black bag clutched in his hand. Your eyes darted to the door to the house. Were you that stupid?
The fact that your feet were already moving you forward gave you a clear yes, but at least you could report back to Josie that you did, despite her belief, have some sort of self-preservation. It was just a really fucked up kind.
  The door to the guest house opened with ease. Of course the Mikaelsons didn’t think to lock it. What was the point? Who would try to get in to their home without their permission and who would live to tell the tale?
  Well, hopefully you.
The painting supplies were still right where you left them. Your eyes swept across the room in front of you, cataloging what you saw. You’d helped Josie redecorate last summer, but it looked like the Mikaelsons took it upon themselves to do some of their own renovations. It was a little bit embarrassing how little of the place you’d payed attention to when you were here with Klaus.
 They’d rearranged half the furniture for gods sake and you hadn’t noticed at all. With a frown on your face, you examined the new layout of the room. You wondered what prompted the rearrangement. The couches being moved about made sense to give Klaus extra space for his easels. But what was the purpose of switching the office area with the dining room?
  The office, which you were truthfully rather proud of last summer, looked like Elijah’s doing. Two bookcases now sandwiched in the desk against what was supposed to be the accent wall of the room. Not a single bit of the pop of color on the wall was visible now. The imposing set up didn’t even look touched. You could feel your eyebrows tense as they tried to furrow further with your deepened confusion. Dust collected across the books on their shelves. You swiped a finger through it. Coated.
It surprised you that Elijah wasn’t as much of a neat freak about his environment as he was abou his appearance. Though, you suspected if he was he’d have spent most of his millennia+ on earth cleaning up after his siblings. You snorted to yourself. Didn’t he already do that?
A blank space on one of the shelves drew your eye. Amongst a sea of books and paperweights, a patch of dustless real estate on an otherwise packed bookcase stared back at you. If those Nancy Drew books you read as a child had taught you anything, that prominent rectangle of empty space meant that something had been moved. And recently.
That, you smiled to yourself, was a lead.
A scan of the desk and the rest of the shelves confirmed that whatever it was hadn’t simply been reorganized. You pulled open the drawers of the heavy oak desk. Pens, paperclips, highlighters, sticky notes, stapler, hole punch, scissors, and more pens. No. Notebooks, empty folders, the coffee maker’s instructional guide. No. Empty space with a single pen cap rolling around. No.
A dead end.
You got down on your knees. The floor was clean. Under the couches, too. The ottoman with the lift up storage option, empty. The side tables small draw with it’s tendency to stick (a single missing screw from Ikea can really screw your building abilities), empty. You moved to the TV console, frustration building.
Nothing. Nothing. Nothing.
You checked the shelves. You were too short to reach the top ones but the Mikaelsons weren’t. You grabbed a chair and stepped up. It was in vain. Careful to put it back as you’d found it, you moved the chair in defeat. You checked the kitchen. Drawers and cupboard were empty. The fruit salad in the fridge seemed to judge you and you sighed. You didn’t expect it to be in the fridge but it was almost eight at night and you’d torn the downstairs of this house a part.
 The Mikaelsons could be back any minute and you’d found nothing. What if there was nothing? Had you wasted hours of your short time frame on trying to find something that didn’t exist?
It dawned on you that Klaus’s little black bag just might have –
A groan escaped your lips. What a colossal waste of time. Time that to you did not have to waste. You closed the fridge, head coming down to lean on the cool stainless steel door in defeat. Maybe there was a clue you could find back in the main house. Josie’s room might have something that you could give Jess.
With a deep breath, you straightened up. No point in giving up until Jess’s voice was ordering you to kill yourself. Josie would expect nothing less from you, and in truth, so do you.
As you walked through the house to the door you passed by one of the many shelves you checked and just like in one of those long rumored witch’s intuition stories, something pulled your eye to it once again. Something pulled your eye directly to an unassuming wooden framed photo that you didn’t register as new. So, something you’d had to have seen a million times by now, surely. But why then did it feel so very important to look at it?
You walked over, cautious of this intense urge in your blood. It was often hard to tell with magical urges if something was for good intent or bad.
  The photo was in black and white. A little girl sat on a dock, one tooth missing right in the front. A man in an ornate three piece suit that had to predate the Georgian era stood by her, looking out of place but pleased with himself. Beside him was a boy that looked around your age. He was scowling in the photo. In his had he held something tightly, as if he would die if it were ever lost to him. Your eyes scanned the photo back and forth, that feeling still present. What was it? What were you supposed to see?
  The background of the photo was just water. A lake most likely. There were no lakes here. Where were they? Who were they? You leaned in to get a closer look. The photo quality was bad and it wasn’t until you looked hard that you realized it wasn’t a photo at all. A painting. A small, incredibly detailed painting.
  Klaus?
But no. How? You knew this painting wasn’t unfamiliar to you. You also knew that some how you had never noticed it. How could you go so long seeing something so often, convinced it was just a photo of something unimportant?
Almost like magic. Why would anybody spell this little painting with an unnotable spell? More specifically, why did Josie (because it had to be her) cast this spell when you were the only other person than her to see it? You didn’t have guests usually. It was why you had been so surprised when she had announced the renovation of the guest house last summer.
  The moment the skin on your fingers touched the painting’s surface, a vision clear as an actual photo slammed into your mind’s eye. Blinded by the image, nothing existed but it and you were enraptured what you saw.
  It was the exact image that had been painted, but the details were sharp. You could see the threads of the man’s suit. The pours of the little girl. The splintered wood of the old dock. Everything of the moment preserved perfectly in a snapshot.
  There was no sound. You felt nothing from the scene. This was not a vision of the past that let you experience the moment with those in it. You could see the wind sweeping through the girl’s locks but you couldn’t feel a thing. This was the scene of the painter through the painter’s very eyes.
But who’s eyes? And who were these people?
You looked focused on their faces. The little girl’s slightly downturned nose and her rounded jaw clicked in your mind as your eyes rested on her’s. Josie. A young Josie. This made sense. This was a memory Josie had that she wanted to keep private. But why? And why keep the painting if she wanted it secret? The man beside her was probably her father, right? 
As your eyes shifted to his features and they sharpened into view for you, Josie’s body blurred away. No, you realized. That was not Josie’s father. Though you had never met the man or seen his photo before, you knew this was not him. Because this was Elijah Mikaelson.
  At least it made sense now how they knew Josie. Old friends indeed. But what on earth was Elijah doing standing on a dock on some lake with a Josie when she was a child and a boy? As your eyes darted to the boy, the change of the image didn’t surprise you. Josie and Elijah blurred and he came into focus.
  Despite not having known him for as long or studying his face too much, it was clear by his eyes that you were staring at a teenage Jess.
You gasped and were ripped from the image.
  Around you, the guest house came back into view. In your hands, clutched tightly, was the photo. Your heart rate was up and you didn’t know when you had started to breath so quickly or so hard. You blinked your dry eyes. Josie, Jess, and Elijah?
  The sound of wheels pulling up on the gravel drive had your head shooting up. They were back. You didn’t have time to get to the house and though beautiful, Josie’s flower filled garden didn’t actually give you much cover to hide. Without a second thought, you dashed up the stairs.
  The bathroom door was open and from downstairs, it was easy to see. Too obvious someone was here. The bedroom beside it was locked and you didn’t have time to find the spare key somewhere on top of the door. The closet next to it was too small with the vacuum in it. It wouldn’t do. You spun around, unsure how close the Mikaelsons were and if they were listening. 
The other bedrooms had their doors open. Shit. Too suspicious. One door, directly across from the stairs remained. Could you even make it before they opened the door?
You didn’t have a choice. The handle to the room jiggled and the door clicked open. You slipped inside and went to close it as gently as possible when the front door opened. You froze. The door was still a jar. They’d notice if for sure.
“Well that was fun,” Kol sighed and you heard him flop onto the couch.
  “It wasn’t supposed to be fun,” Rebekah huffed and her heels clicked on the floor as she made her way through the house.
  “Drink?” Elijah asked nobody in particular.
“I’m going to bed,” Rebekah said with a short tone and you almost squeaked in fear as you realized she was starting up the stairs.
  “Don’t be so dramatic, sister!” Kol called after her.
  “You’re a reckless idiot without a scrap of self-control,” she seethed back.
“It’s not like he actually liked you,” Kol scoffed.
Something expensive sounding shattered followed by Kol’s laugh.
  “May I remind you that this is not our home?” Elijah’s calm voice of reason came.
  You waited with baited breath for something to happen next. If Kol could get one more quip in to make Rebekah break something else you could use the distraction to close the door properly.  
“What happened?” Klaus said, evidently just entering the house.
  “I’m going to bed,” Rebekah stated and you closed your eyes as a curse tried to come out of your lips.
  “Sister,” Klaus stopped her and his voice was much closer now. He was on the stairs with her, you guessed. “You cannot get angry every time one of your many suitors gets eaten by our brother. You know how he is,” he explained in a hushed voice with a taunt.
Something smashed against the wall again.
“KOL,” Elijah reprimanded.
  A thud sounded against the wall and you reached for the door, ready to close it if another opportunity struck.
  “Enough property damage,” Klaus told his brother.
  “It was her fault anyway. You know it,” Kol argued.
“I was getting him to trust me,” Rebekah’s voice was further away. She must have joined her brothers down stairs again.
“And that involved opening your legs for him, did it?”
You knew it was coming so as Rebekah jumped to attack her brother, you ceased the moment to shut the door. The soft click would be lost to them as they tried to pull their sister and brother apart.
  The room you were in hadn’t been touched since the renovation. You walked over to the window to see if there was any feasible way down.
  “Deal with it,” Klaus’s voice came from just outside the door. 
You whipped around, eyes wide, as you realized they solved the little dispute far faster than you thought they would. You dropped to the ground as you heard Elijah reply to his brother. The door clicked open as you lifted the duvet and scooted yourself as quietly as possible under the bed.
  Luckily, Klaus’s instructions invoked a lot of opinions from his siblings. He stood in the doorway and barked out orders at them. Something else was thrown. As you spelled your breath silent, you spared a thought for all the things you’d have to replace by the time the Mikaelsons moved out.
Klaus shut the door with a harsh thud and switched on the light by the bed. You squeezed your eyes shut at the sheer bad luck you had that this of all the rooms was his.
  Klaus moved around the room, silent except for his steady breathing. Something was placed delicately on a surface in his room. Then, he moved to the window and you heard it slide open. He breathed deeply. The rustling sound of fabric peaked your interest. Something landed on the bed. The unmistakable sound of a zip had a flush come to your face. Oh no.
  Another thing was thrown on the bed. You imagined Klaus’s shirt and jeans piled on his sheets. This was bad. He was going to bed. You were going to be stuck down here for the night.
Klaus opened his door. Huh? And then he left. Wait what?
Cautiously, you lifted the duvet and peeked out. Nothing. You scooted to the other side of the double bed, wincing as the underneath spring of the bed caught your hair and it pulled. The other side confirmed that he had definitely left and shut the door behind him.
  Apparently the plus side of hiding under the bed of a paranoid hybrid with even his siblings at times out to get him was that he kept his room strictly closed off to everyone else.
  You scooted out from under the bed. The window, now open, was your best bet. Who was to say if the path to the door was empty or if you could open the front door without alerting anyone. A well timed cushioning spell would make the rose bush you’d land on hurt a little less. The thorns would still be a bitch though.
  A sudden realization hit you that you forgot the painting at some point in your scooting. You rushed back to the bed and had to scoot back under a bit to reach it. As your hand touched it, you were once again rushed into the snapshot of the scene.
This time you knew you weren’t the painter. You looked down to your right at the top of Josie’s head. To your left was Jess. This was Elijah’s view. Which meant, if you looked straight ahead you’d most likely see –
It wasn’t Klaus.
  You frowned. You were sure it would be Klaus. But you didn’t recognize the man painting on the tiny canvas in front of him with a concentrated look on his face. He had brown thinning hair and a sullen face with cupid bow lips and a nose people would pay good money for. He was an odd man that was handsome and not. You wondered who he was and tried to get the image to focus in further to find some distinguishing feature of some sort.
You were once again ripped back into reality as you registered the sound of footsteps outside the door. The window would have to wait and you dived back down and rolled under the bed, hitting you head as you did so. You bit your lip in pain as the door opened.
Klaus was back.
  You couldn’t say if he was gone long or not as you had no idea how much time you had been lost to that vision. It didn’t seem long, but then again they never did.
  Klaus sighed. The distinct sound of a towel rubbing against hair was the only sound in the room for a while as you put together that he just came from a shower. So, he was probably naked. You bit your lip for a different reason. You listened as Klaus toweled himself dry. He pulled a drawer open and assumingly put on some kind of clothing. You hopped it was at least a pair of underwear.
The bed dipped as Klaus sat. The lamp was clicked off. Shuffling from above. The bed dipped in different places as Klaus got comfortable. As luck was not your fan, he settled directly above you. You didn’t dare scoot one way or another. He’d surely hear it.
So you were spending the night here then. Great.
Klaus fidgeted above you again, having the gal to not find a comfortable position for the night. You stared at the springs and mattress centimeters from your face in annoyance. To be fair, this could have been the comfiest floor in the world and you still wouldn’t be sleeping tonight. Not with Klaus above you and the rest of the Mikaelsons scattered about the house. No hope of escape until morning.
  A sharp inhale cut through your self pity. Another one. Was he…?
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sodamnbored · 3 years
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I so badly want a Roman prequel series. More than a Solangelo book. There could be so many great things in it.
Ideally, we’d get a series, basically original PJO but on the Roman side, presumably then following Jason in the same way we originally followed Percy.
But that would just be rehashing what we’ve already seen! Jason’s story would be too similar to Percy’s! - I hear you cry. But bear with me.
Yes: there would be some big similarities - following a son of one of the big three as he grows up and masters his powers and all that. And yes it would also conclude with him fighting a titan. But! I also think they’re different enough that it would read more as parallels than just copy and paste. It could be really interesting.
For one thing: Jason is starting way earlier than Percy. And I am desperate to know about the wolves thing. Correct me if I’m wrong, but all the info we have thus far is pretty vague, no? We know he went to the wolves when he was about two years old. But we don’t really know how long he stayed with them.
There’s the idea that he was raised by wolves (which don’t get me wrong I love that) and only went to the Legion when he was older - for parallels sake say about twelve. But we don’t know that’s the case for sure. He might’ve just spent the more or less normal time period with the wolves, or even if he were there longer than most - a year, two years even - he might’ve toddled off to camp still pretty young.
Cause this is another thing: we know very little about Camp Jupiter. In CHB you see for a fact that there are plenty of young demigods there, talking ten and under. Unless I’m mistaken, we never really heard mention of any little kids in the Legion right? Hazel was what, thirteen, in SoN, which is fairly young, but I don’t think there was any mention of anyone much younger than that. There was the little girl helping Terminus, but she was from New Rome not the Legion. And the Legion isn’t a summer camp of course, that’s a crucial difference.
They are quite literally an army, preparing for war should one ever arise. So do they have a minimum age requirement? Would not be unreasonable to assume they would. We know the majority of Legionaries are legacies from New Rome as opposed to actual half bloods, so it’s not unreasonable to think these kids live normal lives in New Rome until they hit a certain age and get conscripted/have the option to join the Legion for training.
If this is the case, then Jason might not’ve been with the wolves for years at all. He could’ve done his time and then been passed along to the care of New Rome. Set up somewhere to go to school and grow up and have something of a life to prepare him for his future in the Legion. That would be an interesting difference from Percy who had grown up not knowing about his heritage, for Jason to be fully aware of his godly parentage and to grow up knowing he was heading to the Legion as soon as he was old enough. I’m not sure about timings because in The Lost Hero pretty sure he’s fifteen and has twelve lines on his tattoo “for twelve years of service in the Legion” according to the wiki; but the wiki for the tattoos alone says the lines can be for years at Camp Jupiter or for completed quests and such, so it could mean he was toddling about CJ at three years old in mini Legionnaire armour like Caligula (oh the irony), or just that he crammed a crap load of cool stuff into just a few years when he was older.
So the series could quite happily start with him joining the Legion and maybe just summarise his life before that, have the important parts explained as relevant to the plot, I dunno. But it would give us more info on how Camp Jupiter actually works because personally I am clamouring for more info on the Romans.
Presuming that Jason is at least a Probatio by the time he’s about twelve (and it’d be cool to see him earn his full place in the legion too), that also means we’d get to see other people’s stories happening alongside his.
We know he fought the Trojan Sea Monster at some point, so that would be a cool quest to see play out. We don’t know a lot of other things he’s done, but we can assume he’d have been in the Legion when Reyna turned up, which would also be a really interesting story to follow.
We know from tSoM that Reyna and Hylla were on Circe’s island, when Percy was about 12/13, and it seems in SoN that he and Reyna were both around the same age, 16 or so. We know Reyna and Hylla spent some time after tSoM on Blackbeard’s ship before she made it to Camp Jupiter. So somewhere between ages 12-16, she would pop up at camp and I firmly believe she would’ve been Jason’s friend before they both became Praetors. And I would kill to see it. I wanna see them go on a quest together so badly. They would be an awesome team.
But we’d get to see Jason go through the steps, Probatio to Centurion to Praetor. We’d see him improving the Fifth Cohort’s standing in the Legion. We’d see Reyna become Praetor. (We’d ideally see Jason and Octavian gently bitch at each other like with Percy, but that’s just for me.) We’d get to see Jason and Reyna being Praetors together for a bit hopefully. That would be cool. And no doubt the series would conclude with their side of the Titan War, with Krios’ defeat - which would be so cool to see!
Being able to see more of their side of the war would also be really interesting as well. Because surely, there was more to it for them than just that one battle out of nowhere right? They must’ve been aware of the war and enlisted by the gods to help out right? Maybe there were some other titans for them to fight, maybe they had defectors too? Perhaps they were under the impression Kronos was still chopped up in little bits and Krios was running the show, either wanting to take Kronos’ place as the big cheese, or thinking the titans were working to reform Kronos, but they were kept out of Luke’s side of things so they didn’t realise that he already had been? Who knows. Certainly not me, cause we don’t have any books on it.
And there would be opportunities to have almost crossovers. Particularly regarding the war. They might just overhear things that don’t necessarily make sense to them but that we get, stuff like that. See some aftermath from one of Percy’s visits to the area. So many options.
Oh also actually, just for added angst and a different view than Percy’s, there was that freaking tragic bit in HoH I think where Jason thinks about his mother. The part about following orders and rules bothered him, but he insisted on doing so and keeping his promises because his mother had abandoned him and broken her promise. That would be an interesting aspect for the narration and his point of view because it’s the exact opposite of Percy. Percy doesn’t mind pushing the limits with the gods and exploiting loopholes or calling them on their faults, focused on surviving till the end of the day when he can go home to his mother and forget the gods and their stupid rules. Jason, on the other hand, doesn’t have anywhere to go back to. Camp Jupiter and the roles he’s given there are quite literally it for him, so even though he may resent it as much as Percy, he feels the need to bite his tongue and do everything in his power meet expectations and stay in line, etc. And yes, it’s for the benefit of others like he said in HoH, but maybe also the threat that if he makes too much trouble, where else is he gonna go and who else outside the Legion does he have?
Unfortunately we wouldn’t get to see Frank and Hazel come into it as newbies because that would’ve only happened after the war, so unlikely the series would continue after they beat Krios. But it’d still be a good set up to lead back into HoO alongside original PJO.
Also, I wanna know if Jason would’ve been particularly aware of his dad handing him off to Juno, or if she took a back seat until yoinking his memories out his head and dumping him on a dusty bus. I quite like the idea of him knowing, that she wouldn’t have been shy about popping up now and again as his patron, maybe sending him quests, offering occasional assistance like Poseidon did for Percy. Juno cared about her little champion, you can’t tell me different. I’d like to see her drop by from time to time. Or if he just accepted he was Jupiter’s and his dad basically never wanted to talk to him, and was a bit blindsided when Juno popped up after his hit on Krios.
Maybe he was just heading to bed after a long day of Titan slaying, thinking what he’d have for breakfast tomorrow and poof - Juno staring at him in his PJs, doesn’t he feel underdressed. Barely gets out an “um-?” before she’s like “got a quest for you. Surprise!”
(Since we got The Fall Of Jason Grace from Apollo in ToA, this series could be called something silly like The Rise Of Jason Grace to mirror it. I dunno.)
Either way, I need this. We deserve this. I will literally pay like 20$ per book if we could get this.
Wrote this hella sleep deprived and without sources and I’m still in ToA and haven’t read the extra books yet like demigod files and the Probatio one, so anything I’ve missed, had been answered, or is just plain wrong, let me know.
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burberryfaerie · 3 years
Text
If Tonks had a younger sibling Pt 4 :
Pairings : Cedric diggory x gryffindor!reader
Warnings : Angst, fluff, character death, torture, crying, swearing, a war basically, possible spelling mistakes
A/N : In case if you're asking, yes i was crying during writing this.
Tags: @loveitsonlyforthebrave ❤️
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Hermione apparates you to a place called Tottenham Court Road.
“The heck is a cappuccino? Is it better than butterbeer?”
Your ring suddenly rings violently and you can't understand why?
Dolohov and Rowle rudely interrupt your thoughts.
Going to Grimmauld place knowing damn well you're being followed.
Arthur Weasley's patronus reassuring that everyone is okay.
Remus's unlikely visit.
Muggle-borns are targeted by the ministry.
Your father and best friend are targeted.
Dora's pregnant.
You'll have your own niece / nephew.
But he wants to leave her.
“Me and my family went through shit Remus, and I won't let you break my sister's heart.”
Hating Remus with every inch of you.
Because how dare he breaks Dora's heart.
Kreacher's tale.
Regulus died as a good person who lived beneath the shadows of his prejudiced family.
The locket is with umbridge.
well, fuck
You know what's fucker?
Snape is headmaster
“WHAT ABOUT MINNIE?”
“who the heck are the carrows?”
Going to the ministry after drinking polyjuice potion and morphing in your case.
"Magic is might"
Seeing 'Umbitch'
Harry stupefying umbitch.
Escaping the ministry before Yaxley gets hold of you.
Apparating to a mysterious place.
A forest apparently.
Ron's splinched.
Hermione's protection spells.
“How do you have time to learn all this stuff? Last time I checked we go to the same school,”
“Last time I checked you don't study a word.”
Taking turns in wearing the locket since you can't destroy it.
Feeling so cruel once it rests around your neck.
It's a part of voldemort's soul afterall.
Ron leaving three months later.
Crying your eyes out every night because you miss your best friend so much it hurts.
Same thing with Hermione.
“Why haven't you told him Mione?”
“Tell him what?”
“That you love him”
You give her a knowing look, she returns it with the faintest of smiles.
Going to Godric's Hollow.
Looking at the statue of Lily, James amd baby Harry with sadness and awe.
They were too young to die.
Too innocent to die.
You visit their grave.
You smiled because you suddenly felt their presence, two warm souls watching over you.
Bathilda Bagshot.
Fuck that's a snake.
Voldy is here and he was about to murder the three of you right before you apparated.
Fast forward when Ron returns.
You're so. bloody mad at him but can't help it and pull him into a hug.
“You're such an idiot, Ronald Billius Weasley.”
Hermione's so mad too but you know damn well she still loves him.
Ron and Harry telling the events of last night, first horcrux is destroyed, wohoo.
Visiting Xenophilious Lovegood.
The deathly hallows and the tale of the three brothers.
Luna's painting of you, Harry, Ron, Hermione, Neville, Ginny and her.
“She's so precious.” you think.
Xenophilious's betrayal.
Hermione wiping the fuck outta his memories.
fast forward a couple of days later.
listening to potterwatch. the norm.
lee jordan's voice
“Let's take a moment to report those deaths that the Wizarding Wireless Network  and Daily Prophet don't think important enough to mention. It is with great regret that we inform our listeners of the murders of Ted Tonks and Dirk Cresswell.”
Feeling the worst heartache you've ever felt.
feeling as if every muscle, every cell in your body stopped functioning.
“No”
he can't die.
he was always okay. he can't just die.
he's expecting a grandchild. he can't just go.
The trio rushing to hug you.
Harry not able to meet your eyes.
“I'm so sorry” Hermione sobs into your neck.
You don't cry.
You can't cry.
You just sit there, feeling emptiness.
You suddenly get up, shoving everything in your way.
Ron holding you back.
"it's okay, I'm here” he reassures you.
You letting out a heart-wrenching scream that came out from god knows where.
Thank god Hermione has protection spells.
The trio tuck you into bed, making sure you were asleep.
You slept almost instantly, dreaming of your father who speaks to you.
“I'm always here, watching over you. Don't give up sweetheart, fight for your mom, dora, Remus and Cedric.”
“How'd you know about Cedric? ”
“I knew all along” he smiled
Waking up feeling slightly better the next day.
Fast forward when the snatches caught you.
Taken to Malfoy Manor
Bellatrix torturing you and craving "traitor" on your arm.
She also tries to slit your throat.
“You know? I want to murder you so badly, so you'd end up like your mudblood father, but I'll torture you, unril you beg for mercy.”
Literally screaming throughout the whole process.
“I know about Diggory, he's quite of a traitor, but his blood is pure, he won't want a filthy half-blood traitor like you with him.”
“SHUT UP, YOU DON'T KNOW HIM, SHUT U—”
being cut of with her dagger cutting your skin.
she moves on to Hermione next while you watch helplessly.
Dobby, Harry and Ron save you two.
Apparating to shell cottage.
You spot a small, weak figure in the distance.
You try reaching out for it, but you're too weak.
You loose consciousness in Ron's arms.
Next thing you knew you were in a room, Fleur watching over you.
Learning that Dobby's lost his life.
Feeling so weak.
Remus visits.
Little Teddy is born!!!
Can't help but feel so happy and hugging Remus, forgetting about all the drama.
Harry's Teddy's godfather.
yay
Gringotts
You hide under Harry's cloak.
You get caught.
Robbing Bellatrix's vault.
Getting the horcrux and giving griphook the sword.
Aaaaaand Griphook betrays you.
Escaping on a dragon.
Basically having to head to hogwarts.
To get the horcrux.
Hogsmeade at Abeforth Dumbledore.
Ariana Dumbledore's portrait.
NEVILLLEEEEEEE!!!!!!
Him looking terrible yet dashing at the same time.
From your conversation, you concluded that the carrows and Snape are absolute assholes.
Reuniting with all your friends!
Harry goes to Ravenclaw tower with Luna.
The order is here .
Cedric spots you.
He literally just picks you up and kisses you.
infront of everyone basically.
including the adults.
feeling sorta awkward but you don't care.
“YOU ESCAPED GRINGOTTS ON A DRAGON?!! DAMN IT LOVE HOW CRAZY CAN YOU GET?!!! ”
Harry interrupts your adorable moment.
Voldemort wants Harry.
“Potter's right here! someone grab him”
yeah of course, pugface parkinson.
literally everyone jumping in to defend Harry.
The battle has started.
You seeing Dora and running to hug her.
“MY BRAVE SISTER!” she shouts.
“Once we're outta here, we're spoiling Teddy with every inch of me.”
“I kinda approve though”
Duelling multiple death eaters.
Including Dolohov, Rookwood, Rabstan Lestrange.
Saving Malfoy's arse from the flames in the room of requirement.
Going to the shrieking shack to face Voldemort.
Snape's dead.
He's acting weird all of a sudden.
Voldemort wants Harry to meet him in the forbidden forest.
The chaos has calmed down.
You enter the great hall.
Your eyes roam around the room to find the redheads huddled together, the Diggorys, somewhat crying?
You take a closer look, seeing what they're all mourning.
You shake your head in disbelief.
Remus and Dora?
Your sister?
Your soulmate?
They just had a baby.
You felt Fred and George hug you, Hermione and Ginny hugging eachother.
You kneel down.
Your world is crushing.
They're dead but they look so peaceful.
You hugged Dora.
Ever so tightly.
The last time you'll ever hug her.
You wished you can turn the clock back, to listen to to weird sisters together, to giggle behind the Malfoys back together, to annoy your mother together.
Perhaps you could've been able to save her.
You rest your head on her chest.
Muffled voices of everyone else speaking were in the background.
But you didn't care.
You let out a cry, a small one.
You let out a slightly louder one.
You felt your chest tighten, your stomach churn, you felt your eyes twitch underneath your lids.
You heard Cedric's comforting voice.
“Shhhhhh.. I got you love”
But his words are not comforting you.
You just lay there on Dora's chest.
By that, you knew your hair will never turn pink again.
You don't know how many minutes or hours had passed by.
You heard the familiar snake-like vouce of Lord Voldemort.
“Harry Potter is dead He was killed as he ran away, trying to save himself while you lay down your lives for him. We bring you his body as proof that your hero is gone. The battle is won. You have lost half of your fighters. My Death Eaters outnumber you and the Boy Who Lived is finished. There must be no more war. Anyone who continues to resist, man, woman or child, will be slaughtered, as will every member of their family. Come out of the castle, now, kneel before me, and you shall be spared. Your parents and children, your brothers and sisters will live, and be forgiven, and you will join me in the new world we shall build together.”
You slightly lift your head.
The great hall was deadly silent.
You were sure he was lying.
You slowly walked up, holding hands with Ron and Hermione, exiting the great hall.
Voldemort and his army stood and your eyes spotted Hagrid.
He was carrying someone.
It was Harry.
Your body can't lift you anymore.
Mconagall let out a terrible scream followed by yours , Ron, Ginny, Hermione and Cedric's then everyone else.
Neville standing up to Voldemort.
He- he killed the snAKE??!!!
You just watchung Neville like a proud mom.
Cahos erupts once more.
Harry's gone?
No like seriously, he's just vanished.
poof
Spotting Cedric taking over three death eaters all at once.
Just being so proud of him.
You duelling Rodolphus Lestrange.
Took over him (as you should)
Moving to Bellatrix Lestrange.
Duelling her with Hermione, Luna and Ginny.
Bitch just aimed a killing curse at Ginny??!
About to make your move but-
“Not my daughter you bitch”
literally internally screaming because MOLLY WEASLEY DID NOT JUST CUSS???
Bellatrix's downfall.
Just felt a bit relaxed.
Voldemort is about to kill Molly but—
FUCK??
HARRY??
DID THIS MOTHERFUCKER TURN INTO A GHOST TO KILL VOLDEMORT?!!
Voldemort's downfall.
The man who everyone feared sayimg his name, just, fell down.
dead
Post-battle
You hug your mom so tight , she knew about everything.
You raising Teddy along with your mother and Harry.
You still have nightmares and trauma from the war.
But, Cedric was always there for you.
Not like he was any better, but you two comfort eachother.
Him placing soft, small kisses around your "traitor" scar after telling him about the Malfoy Manor events.
You, Harry, Ron amd Hermione gather at the burrow, just sitting there in comfortable silence, holding eachother.
Three years pass by and Cedric's on one knee, asking you to be his forever.
You frantically saying “Yes” before hugging him.
You were now an auror, just like Dora.
The wedding was so simple.
You had Hermione, Ginny and Luna as your bridesmaids.
Looking at the empty seats made especially for your father, Remus, Dora and Sirius.
Saying "I do" before leaning in and kissing him.
And for the first time in three years, your hair turned pink again.
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