#might as well write my dissertation on this

[kyouka-supremacy]

Who in sskk would you say has the higher IQ?

IQ as in, conventionally smart? Then definitely Atsushi does. I'm sorry. I've said it many times before, but I don't think Akutagawa is a particularly perceptive person. Or witty. Or intelligent in general. It's due to external factors, he never got the chance to have anything that could resemble a proper education; but it's also a matter of his nature, he's just so impulsive, and narrow-minded, and stubborn, he really has the thickest skull ever. But seriously, especially in a world full of geniuses, Akutagawa simply doesn't shine for sharpness of mind, and is way too impulsive and instincts-driven to be a person that relies on reflection or rationality. Everything that Akutagawa does is the epitome of irrational, it's one of the greatest appeals of the character.

Atsushi is smart,,,, I've talked about this also, and I think it's less sustained by canon than for Akutagawa, but I like to think he's a very observant and perceptive person whose intelligence doesn't show because he's constantly surrounded by geniuses, but still he is smart. When it comes to observations skills, I find it easy for him to have them due to his childhood of ill-treatment and abuse: as a defense mechanism, he learnt to be especially observative of people's behaviour in order to tell what sets people off and be able to prevent any escalation, I think that's a widely shared abuse survivor experience. Something among these lines is shown in chapter 51:

I also think Atsushi is a very fast learner. He's observant, and that results in him constantly absorbing other people's knowledge. He's often asking for explanations for Dazai and Ranpo's reasonings, and although I know more often than not it solves an expositive role in the storytelling picture, there's still the fact that it makes Atsushi a person who's constantly trying to understand the reality surrounding him. Atsushi is also shown to be very cool-minded and calculating in fight: from him sliding under Akutagawa and attacking him from behind successfully eluding having to face him front-off in chapter 4, to him retracting his tiger limbs to escape Rashomon's bonds in chapter 12, to the strategy he elaborated with Tanizaki (and his ability to catch up on that) to defeat Lucy in chapter 16, to his attempt to outsmart Fitzgerald in chapter 34 (that, although failed, was still driven by rational thinking nonetheless), and the list could go on. The way in fight Atsushi is shown to ponder over and implement the advices people like Dazai or Mori offered him further makes me believe he's really good at absorbing information. And Atsushi is probably book smart, too! He's compelled by reading to the point he would even risk the orphanage director's punishment just to sneak into the library and read (not explicitly supported by canon, but I can take a guess). According to the second guidebook, he spends his leisure time borrowing books from the library and studying. Overall, he really seems to be rational in all the places Akutagawa is on the contrary driven by impulses¹.

It's like… A physics law when it comes to sskk, that Akutagawa will have the most despicable trait while Atsushi has the trait that is conventionally considered the best; or at least that's as far as my characterization of them goes. Atsushi is beautiful, Akutagawa is ugly². Atsushi is polite, Akutagawa is rude. Atsushi is pure, Akutagawa is stained. Atsushi is smart, Akutagawa isn't. Atsushi is lovable, Akutagawa is destined to cause repulsion in everyone he meets³. In the end, none of this matters: they're no different where it counts, that is, Atsushi isn't any more morally just than Akutagawa is. Atsushi in not any more good than Akutagawa is (I actually suspect the contrary is true). But as far as appearances go, it's still important to portray them as opposites, because Akutagawa being unlovable and Atsushi receiving all the love Akutagawa didn't get for being his contrary - even though deep down they're the same - is almost everything their relationship is about. It's also a big part of why they act like they do towards each other: it's source of Akutagawa's bottomless envy for Atsushi; it's source of how devoted and loyal he will grow to be for him - reaching the point of giving his life for him -, because he can't see Atsushi as anything but perfection. It's source of confidence and of that certain justified hatred towards Akutagawa Atsushi feels because to his eyes Akutagawa is about the worst person to have ever walked on earth. It's source to their wish to annihilate the other as the opposite they can't exist at the same time of. It's the reason Akutagawa had to die, because he's not the good one. Overall it's also expression of Akutagawa's thematic struggle to be good and unavoidable failure at that because of the constraints of a narrative that never wanted him to be good.

But I also think they can make it work. More precisely, I think sskk can make it work when both of them can overcome and defeat the narrative dichotomy they found themselves stuck into: by recognizing that deep common ground of “we're the same” and that where it matters, in morals, neither of them is better or worse than the other. The Beast universe exemplifies that for us readers, but they don't know Beast, so they'll have to realize it by their own. About that, I think Akutagawa already caught on, because he was faster to call out the hypocrisy of Atsushi's good guy façade, and from that it's a short distance to realizing that, as much as he hates to admit it, at his core Atsushi is not that different from himself. It's taking a little more for Atsushi to realize, because it's harder to get down from that higher moral pedestal he believes himself to be on, but with his whole reevaluating Akutagawa after he stopped killing and sacrificed himself for him (and then saved him again. And then showed him how formidable of a team they are when they find a common ground.), I think he's getting there.

Tl;dr: Atsushi is smart and Akutagawa is stupid and yes it fits their personalities, but way more importantly it's consistent with the themes they carry that translate in what their relationship is like.

¹ For further reading on how Atsushi can be witty, please refer to @/gloomierdays's tags on this post. ² For further reading on how Atsushi and Akutagawa's looks can be used to reflect their characters themes, please refer to this post. ³ For further reading on how Akutagawa being not smart (as far as conventional definitions of smart go) ties to his character themes, please refer to this post.

[selfconsumerofmywoes]

me applying to do a dissertation on literature like: no i have not read an entire book since starting here, no i am in fact extremely bad at analysis, yes i have only ever done one literature module, no i do not know if i have actually passed it yet

[thepsychewrites]

guess who is now doing three research papers this semester instead of two 😎 this dumb bitch right here THATS WHO

[astradyke]

Please write the dissertation on how phil deals with dan's self deprecation :)

hi! i am not certain what exactly you are referring to, but i will be using my best guess that you are referencing what i talked about in this post about a certain minute and a half from a certain video. if that's not what you meant, shoot me another ask! but assuming that's it, well, without further ado...

a deep dive into 19:57-21:26 of What Dan and Phil Text Each Other 2

What Dan and Phil Text Each Other 2 was released December 21st, 2021 on AmazingPhil's channel. this video was released around two and a half years into Dan's hiatus (two years from their joint hiatus). setting aside the several YouTube Originals including Dan as talent, the next upload released on his own channel would be Why I Quit YouTube, released May 2nd, 2022. the sole reason i mention this video is for the contextualization of what was occurring during What Dan and Phil Text Each Other 2-- this video was taken at some point after Dan had learned that his dream show, Dan Is Not Okay, was not going to be actualized, a reality that he described as traumatic.

i want to be explicitly clear that i am NOT intending to speculate on what was transpiring in private, nor am i romanticizing severe trauma. this is a frame by frame commentary post about publicly available content.

the outro to this video begins at 19:52, with a single frame that cuts at 19:57. At 19:57, Phil says: "Bunch has happened with you that we did not text about," to which Dan emphasizes, "That I can't talk about." Dan begins speaking on his own at this point, but you see Phil's face shift as he prods Dan to "talk a bit" about what is going on-- his eyebrows furrow, he's making direct eye contact with the camera, and he seems to be frowning. As Dan talks calmly yet vaguely about the circumstances we later learn about in Why I Quit YouTube, Phil's face shifts from the previously described expression to one where his cheeks puff up, his eyebrows still furrowed-- clearly annoyed. This shift happens as Dan is talking:

"Look, quite a few things, dreams of mine-"

"-got quite catastrophically torpedoed..."

Phil's face is like this for only a second before he relaxes it, though he still looks noticeably unhappy after. There is a jump-cut ~20:12, where Dan now has his hand resting against his face, while Phil emphatically expresses: "Like, Dan has been so close to almost giving you something, and then it's been taken away."

at this point, Dan carefully starts saying that several of these projects might happen in the future-- to which Phil looks a little defeated:

before looking irritated, even more-so than before, when Dan says: "... but I cannot to just wait for them or be gone in the meantime."

again, relaxes again after a few seconds, and only begins to look positive when Dan describes that "somehow, some way, in the new year, I will be back."

... okay, so why did i show you any of that? mainly because i think it is significant to contrast the way that Dan approaches this subject versus how Phil does. Dan is plagued with vestiges of bitter professionalism and a sort of sadness as he tries to allude to the nightmare of his last two years, which makes sense in the context of his indecision over how to respond to what happened. all that Dan has experienced has forced him to constrain his emotional responses, as he has spent two years walking along a very similar edge with his literal dreams at stake. Phil, meanwhile, has a subconscious reaction to what Dan is saying, and without intending to, expresses across his face the shifting emotions that Dan feels unable to show.

to me it mirrors something we see in the I TRY TO GIVE DAN A HAIRCUT!! video. In this video, Dan continuously expresses uncertainty about promoting his book, being repeatedly encouraged by Phil to talk about it-- only for Phil to insert a segment at the end of the video to promote it more fervently. Dan is forcibly holding back, versus Phil openly expresses what Dan feels he cannot do in that moment. when Dan is wading through complicated emotions in order to treat the subject of his recent trauma respectfully, Phil is pantomiming what Dan cannot say in that moment, what he is not safe to say: that he got completely fucked over. Phil is communicating what we would spend five months knowing nothing about, in a way that exposes nothing except the fact that he was by Dan's side, feeling a fraction of his pain, throughout it, and that Dan didn't deserve it. that Dan is not at fault for his own absence.

at 20:35, Phil perks up and expresses that "the world has missed your sarcasm," voicing not only his own excitement ("I'm braced") but also the audience's excitement to see Dan return to YouTube. Dan laughs, before asking: "have they, though?" here, Phil very earnestly says, "yeah!" he is slightly shrugging, eyebrows rising (i couldn't capture a good visual here, sorry). the conversation is quickly hijacked by Dan, who continues to say "maybe this has been good for the world"-- Phil makes an expression here that is convoluted to read, mixed with both irritation/skepticism but also losing a degree of seriousness-- and starts laughing to himself as Dan goes onto say, effectively, that maybe things are better without him there at all. this is a very noticeable part of a lot of Dan and Phil content: Dan makes a self-deprecatory remark, Phil responds very earnestly, and then Dan continues to take it in a joking direction, so Phil picks it up and jokes back.

this feels jarring, at first, because at the time that this video released, i remember being surprised at how dark Dan was being, in a place that was clearly meant to be laughed off but was not executed like his typical cynicism. Phil follows along with laughing about it, because they are professionals and moving along is a quick way to handle something that does not need to escalate to an intervention/argument, but Phil does not joke about this from the beginning-- he is very earnestly assuring, at first, before realizing that Dan is doubling down, and he backs off. and he actually does this a lot across their videos: following Dan's lead.

20:48 is when Phil starts the actual outro of the video. at 20:51, after thanking the audience for watching the video, he gestures at Dan and turns to say: "Thanks, Dan-" to which Dan cuts him off to say, "Thank you for tolerating my presence." Phil continues his earlier sentence, correcting Dan by saying, "for treating us with your presence."

this is done (1) immediately and (2) deliberately. there is no shift in Phil's facial expression, no muddling or joking about what he is saying. Dan, in this moment, is reverting and doubling down on the self-deprecation we started to hear just a moment ago, and Phil is responding to it not by cutting Dan off, or bantering about it, or scolding him, but by very clearly correcting it. Dan is asserting what he believes to be the truth-- this does not read like his regular cynical humor-- and Phil is, in turn, asserting his truth just as confidently: that Dan is, as he said at the very beginning of this video, "a gift" for the audience. That Dan is creating something beautiful, that it's not his fault what is happening to him, and that both the audience and Phil want him.

the outro continues on, and Phil does his promotional stuff, explicitly including Dan in pretty much everything he promotes. here's my best attempt at a screenshot where you can see how close the two of them moved together over the course of this video; this is Phil telling people to subscribe to Dan.

Dan then says, at the very end of the video, that "it has been... a year." Phil doesn't express much facially, but he does say a very clear, "yeah." as Dan goes on to close out the video. in the end cards, Dan's end card says: "DANIEL!" obvious excitement and endearment here.

... okay, that's cool Mare, but you started writing this two hours ago and i don't understand why i needed to read any of that?

this video holds a very different tone to the others in the series, which is possibly why it is not a favorite for many people. it is a funny video, undeniably, but it is very clear in hindsight that this was shot while Dan was in a relapse. which is why it is so meaningful and loud to me that Phil not only brought this series back unexpectedly, but also exhibits this 'pressing forward and pulling them both back' strategy. they laugh about texts, Phil does their joint promotions, and then Dan says something self-deprecatory-- Phil steps up to sincerely counter it, and then pulls them both back as the next jump cut happens. the two of them are in-step, here, matching each other: Dan and Phil alternate discussing Dan's solo work issues; Phil picks up when Dan is trying to make a joke and joins in on it; when Dan self deprecates, Phil takes the same exact sentence and changes a singular word without a visual second thought. they do this all together.

there are a lot of ways to navigate self-deprecation. notably, when arising from a serious internal crisis colored by depression, you can't reason them directly out of it-- it's an immutable truth, to them, something that the world has affirmed. when Dan says that the internet would be better without him, that his presence is merely to be tolerated, you can tell that in the moment of this video's filming he did genuinely believe this. Phil recognizes that any attempt he makes to combat this has to be subtle enough to look over, but clear enough that the audience registers it in their head. it has to be said like it is an obvious truth, because to Phil (and us) it is an obvious truth. and it has to be done in line with Dan, not cutting him off or speaking over him, but by giving him the agency to express how he feels, and informing him, gently, that Phil is in love with him even if Dan is struggling to love himself.

Phil wanted us all to know in this video that Dan was being mistreated, even before any of us knew what that actually meant. even as Dan dealt with the psychological repercussions of this on his own mentally, it reminds us that Phil was there the entire time, Phil saw it and he grieved, too, because if the hiatus showed us anything it is that Phil loves Dan's solo work and his creative mind more than pretty much anything, aside from Dan himself. he also tried to emphasize, at the beginning and the end and even in the foundations of the video, that Dan being there was a treat! not something to be taken for granted! that Dan was something special, something the world desired, and yes that may sound obvious given that we were all there eagerly waiting for joint content, but in the context that Dan was being used for billboards and specials and whatever the fuck just because he could, that he was conscripted into projects and then forgotten about, that his own dreams 'fell through the cracks'... yeah.

a major reason why the hiatus years are so fond in my heart is that they are a clear period of time where you can see Phil's relentless devotion to Dan. he does the most that he can to support him-- he brings him onto a fun joint video, he promotes his merch, he really promotes his book, he coaxes Dan to talk more about solo projects, and he emphasizes that he wants him there. and this is all why this video in particular is so meaningful to me. it's the two of them, unexpectedly for us, bringing back a series where they revel in their insane psychic connections with each other, and it's Phil saying over and over and over again-- this person is with me. i am by his side. i am proud of him, and i radically refuse to take him for granted. he can never go anywhere that i won't follow him.

and that, that is everything.

[crescencestudio]

๋࣭⭑ Devlog #41 | 5.28.24 ๋࣭⭑

It's hot girl (/gender neutral) summer season

HAPPY MAY!!

Hope you're all doing well <3 We're already getting into summer, which is a little crazy to me. The year is flying by! Before I get into what we actually did this month, it wouldn't be a May devlog without our annual Mermay celebration!

Look at those locks. His Ariel/Rapunzel era fr

Since I already had updated Mermay pieces for the Alaris LIs, I decided to do one for our beloved Van this year ^^ Hope you all like it!

For writing this month, I spent a lot of it catching up on Etza edits. Being totally transparent, I wasn't Completely Happy with their route when their draft was finished. But now that I've started the editing process with Wudgey, I'm really excited to see how their route is shaping up!!! We've been fleshing a lot of little interactions out with their route, and I can already see Etza's character really starting to shine with these edits ^^

I've also been chipping away at Kuna'a's route! While it's nowhere near finished, I'm hopeful that this upcoming month will be the month of Kuna'a now that I don't have a bunch of releases I'm trying to balance. His route is also one of the ones whose outline is more fleshed out (Druk and Etza I would say were the least fleshed out, which might be why they also took a bit longer). So I'd love to see Kuna'a's first draft complete/almost complete by the next devlog!

This month, I had to dust off my art skills tbh LMFAOIJSDF. It's been.... a WHILE since I've made CGs since I've been in the writing and coding dungeon for so long. So most of this month's art updates are me getting tilted from redrawing an ugly sketch over and over.

I DID manage to get the Van Mermay piece out. And I also was able to sketch out Kayn's Tragic End CG; that leaves only one CG that has to be sketched out! Currently, six of their CGs are finished, two need to be rendered, and one needs to be drawn still.

And since Kayn's CGs are mostly done, I've started drawing Fenir's. I was actually able to finish one because I basically Locked In when I made it, so here is a sneak peek!

Kisses his little pink nose

You might notice there's not toooo many updates on this month's devlog. The reason for that is because this month, I spent a lot of it recovering both mentally and physically. April shenanigans and those back-to-back releases took a lot out of me, and after going full speed basically since this year started, I learned I REALLY needed a break. That coupled with the concussion I got made it so that most of this month was focused on recovering and then getting back into the groove of things.

Another thing I tried to focus on this month was finding a balance in my workflow. Going into this month, I felt like I was on the verge of a mental breakdown almost every day, in large part because I have a lot of big things I'm trying to accomplish this year. Between finishing my dissertation, Alaris, and a personal big event that I have to plan, I have a lot on my plate this year, and it's made it easy to get overwhelmed as the months pass by. So I wanted to find a balance between all three that didn't make me feel like I was also falling into insanity. After talking to beloved Wudgey of @herotome fame, I've started adopting a schedule that gives me enough structure and flexibility to feel like I'm making progress without going crazy and getting lost in the sauce.

While it's still early in the process, I'm really happy with the balance I've hit, and I'm feeling much more like myself now compared to a month ago!

I caught up on quite a few things in my backlog this month, which made me happy ^^ I always like to learn from and support other devs, so finally being able to return to that helped with the recovery process <3

I don't have any actual fanart pieces, but there are a couple of games I'd like to highlight!

First of all, of course I must talk about our hot girl (/gender neutral) summer cross-promo. If you haven't checked out these games, I can't recommend them enough!!

Links to each game can be found on the Alaris Game page under the magic and mystery otome section!

Specifically, Save the Villainess, The Good People, and Thorn for the Villain are amazing games if you're into thriller/political games layered with mystery

The Silent Kingdom (which I played recently and is AMAZING) and Dual Chroma (Otojam 2023 ALLY) have added mechanics of RPG for exciting action-adventure fantasy stories

Lost in Limbo, Obscura, and Snow White Ashes are BEAUTIFUL dark fantasy games. I've played all three of these and they have some of the most beautiful writing and visuals... BIG FAN OF ALL OF THEM.

Mask Beyond Lies and Sigh of the Abyss have that epic fantasy adventure appeal to them, in a way that I think is similar to Alaris! And Pearlglow Cafe (another Otojam 2023 ALLY) is a very lighthearted and charming game for those of you who like the comfy vibe that most of my stories have!!

Some other games that I played are Favor (@favorvn) by beloved @concreteparasite which is SOOOOO stylish. If you've played Binary Star Hero by Connie, you can expect that same stylish, dark, sultry vibe from Favor. If you haven't checked out either of those games by Connie, I can't recommend them enough, especially if you like yanderes. There is so much aesthetic and atmosphere to them!

I also played Where Winter Crows Go by @prikarin who is a VERY talented developer (and one I'm sure many are familiar with). I had a lot of fun romancing Crowe and both the MC and him have such strong personalities, it was so fun seeing their dynamic!!!! The CGs were also made by anta, who is the dev behind Thorn for the Villain, and they're BEAUTIFULLLLL. Each one has so much style and rly has a professional look to them. Can't recommend enough if you haven't played already ((heads up that it is another yandere game for those who can't do yandere!))

Okay I've yapped enough. If you've made it this far, you are god's strongest soldier LFMASLDIFJ. See you all next month with hopefully some exciting progress!

[starfallforest]

Stop putting 'Too Sweet' by Hozier in your Sylus playlists

I am sorry—this was clickbait. I don’t actually care what you do with your life. But I need you to hear me out for just a second, okay? I am extremely not neurotypical about two things: Love and Deepspace, and Andrew John Hozier-Byrne. And I have seen more than one person in the tags talk about "Too Sweet" by Hozier being a perfect song for Sylus and MC. My only discourse about this is that Too Sweet is a song about a man who makes continuous self-sabotaging life decisions being incompatible with a partner who has her life put together. In my humble opinion, both Sylus and MC are hot messes of people in completely different ways. Anyway, it’s a good song so I don’t blame you for putting it in every playlist ever. In fact, you should. But if you're into this song, I want to show you a couple more pls pls pls 🙏​

I might just be autistic, but both Hozier's music and Love and Deepspace have something extremely important in common… and that’s BEAUTIFUL MEN YEARNING!!!1 And that’s not even to mention the haunting, raw sexuality we can project onto the stories that each of these things feeds to us. That's why I needed to make this post on the 1% chance that someone might hop on this brainrot train with me. So let me present, for just a moment of your time (if you're willing): other Hozier songs that fit Sylus so well I want to combust about it.

De Selby (Parts 1 & 2):

“At last, when all of the world is asleep You take in the blackness of air The likes of a darkness so deep That God—at the start—couldn't bear.” [azlyrics] [gaelic translation]

Imagine just casually writing THE love song that so beautifully says, “Before you were in my life, I kinda understood how God felt before he created the universe.” Excuse me? Andrew just dropped this stanza on us without so much as a cw: fuck you. And if that sickening portrait of gnawing loneliness isn’t enough, we have all the Genesis God references. Since all the LIs in the game are at some point likened to gods or rivaling gods with their power, then add the reverberating instrumentals and chillingly slow vocals in this 2-minute killer, tell me how this song does not fit Sylus. Not only that, but we also have imagery of his lover descending upon him like the night (which is invoked during Part 1 in the Gaelic verse), and I know that’s on the nose for Sylus but come on. I need you guys writing smut to have an orgasm during De Selby (at least Part 2) because it might change ur brain chemistry I'm just saying.

“When you fall on me like night—I wanna kill the lights.” [azlyrics]

This song still rules irt its playing with darkness symbolism, but it also refers to the darkness in the singer’s lover—which in Sylus’ case is MC and we all were there when she shot the guy in the heart like his freaky eye was telling her: “And your heart, love, has such darkness—I feel it in the corners of the room…” my goddddddd stop right there I can’t handle the METAPHORrrr. You think Sylus gives a flying fuck about MC’s frivolous morality bullshit? No he wants her to embrace her own darkness, sit under the blankies with him and cuddle after doing crimes and a beat poetry session. This is some fucking Hannibal Lecter beyond-dark-romance shit. I’m not even trying to write a dissertation here (and yet…)

Talk (from Wasteland, Baby!):

“I'd be the sweet feeling of release mankind now dreams of, That's found in the last witness before the wave hits, marveling at God… Imagine being loved by me.” [azlyrics]

Not only does this song utilize insane Greek mythology metaphor and Biblical comparison but the overall meaning of it is, “I want you so bad, I need to speak poetically to hide how down bad I am for you.” That sounds kinda like Old World Sylus and all his pretty nicknames to me.

NFWMB:

“If I was born as a black thorn tree, I'd wanna be felled by you, held by you, Fuel the pyre of your enemies… Ain't it warming you, the world going up in flames?” [azlyrics]

This whole song just some hard, deep and steady yearning for 4 and a half minutes. Are you kidding? The acronym in the title stands for Nothing Fucks With My Baby, which is sung in the chorus like some quietly violent war chant—soft, dark, and powerful. Anyway don’t tell me Mr. Sylus “Give me a list and then go to bed. I’ll take care of it” Loveanddeepspace wouldn’t scorch the earth for the love of his life—or do one better and stand by her side while she scorches the earth herself; here’s the protective/supportive mans anthem you ordered babes.

It Will Come Back:

“I know who I am when I'm alone—I'm something else when I see you. You don't understand, you should never know How easy you are to need.” [azlyrics]

This song has repeated imagery that warns of the dangers of taking care of a feral animal, and then compares the feral animal to the singer as a lover. Like fuck off, that’s sexy and haunted. And we know that not only does Sylus love animals more than people, but he’s pretty animalistic himself if we are to believe that maybe he’s secretly a demon or something.

Arsonist’s Lullaby:

“Don't you ever tame your demons, but always keep them on a leash.” [azlyrics]

Remember in Lost Oasis when MC goes on some tangent wondering what Sylus' past was like? Well it was this song. It's about troubled youth and learning to grow in your darkness. Also how cool is that imagery of demons? Hey Sylus, what do you have to say about demons? I'll wait. In the meantime I'm tattooing this shit on my clavicle

BONUS ROUND Through Me:

“Everytime I’d burn through the world, I’d see that the world—it burns through me.”

We got a man and we got some fire allusions so there ya go.

Blood Upon the Snow:

“To all things housed in her silence, Nature offers a violence.”

Blood upon the snow—it's red and white! Red!! And white!!! Also kind of a Sylus x Zayne anthem lbr

Ok I hope you found another song that inspires you to make Sylus art or fanfic with!! And before you ask, yes I've already assigned Hozier songs to every other love interest in the game. Ok thanks for reading!!! 🏃‍♀️​💨​

[wittlesissyb4by]

How did you and your Mommy meet? Did you tell her immediately that you were a little sissy baby? Does she lock you in chastity before putting you in your diapers and dressing you in cute clothes?

She liked one of my stories on my page. We got to talking—and by “talking”, i mean “started writing full on dissertations to each other”—and really hit it off.

She had a budding interest in abdl and me, well, I have a mild interest in it, you might say.

Unfortunately, we live in different states, but we make it work through Facetime, and have plans on meeting up in a few weeks!

She locked me in chastity yesterday to help me get some writing done. As a reward for getting my chapter finished, I got to get unlocked and make a *very* wet diaper (probably the biggest i’ve ever done) and hump the floor to submission. She is currently shopping for sissy outfits for me, and is going to ship them out to me soon. Idk what it’s going to be, so i’m giddy like it’s Christmas!

We have an interesting switch dynamic going on where we’re both kind of able to drop in and out of the top/bottom role with relative ease. Idk how, it just works. I got to “put” her in her first diaper the other day and I was pleasantly surprised at how much it turned me on to see her melt into a little puddle (and make a little puddle of her own in her pampers 😜). We talk a lot about how domming is a different type of high than being a sub.

More than just the kink stuff, she’s a really great person. She’s very kind and considerate in all things. She’s got a great sense of humor, and she matches my weird in the best ways. I haven’t been this happy in a very long time. I feel accepted and cared for and am able to be my 100% true authentic self around her without feeling judged. I consider myself lucky every single time she messages back.

She will likely be reading this, so I will stop being all mushy gushy before her head gets too big, but i’m excited to see what our future holds. I’ve gotten an incredible amount of support from this community, and I know she appreciates it too, you guys are the absolute best!

[19burstraat]

queering futurity in crooked kingdom

if I had any real time for this (I do not) I'd be tempted to write a real essay about it, but I have a dissertation and two other real essays for my actual degree, so let's do a bad tunglr bullet point analysis. I'm... largely generalising and paraphrasing here, and I suspect this has a billion things to iron out or that I forgot about, but I hope this might be a bit interesting regardless of how much you may or may not know abt queer literary theory lmao.

in extreme short, there is a subset of queer theory around what is, in essence, queer time. there is a heteronormative future/'futurity', and it is marriage, children, a good job, a nice house, and dying at a good age after a fulfilling life. queer* and trans people both reject and often cannot access this: plenty couldn't/cannot get married or have children, or had to surpass lots of obstacles to do so, many queer and trans people were or are killed young, or died prematurely in the aids crisis. and so we get queer temporality; a resistance to the heteronormative future that is refused or inaccessible, and to reproductive futurism; the concept that people value the future over the present... and this manifests in kicking back against things like the symbolic 'child' as a representative of futurity. not real children, but empty platitudes like think of the children! think of the future for your children! there can also be a development of a death drive, which is sometimes literal and sometimes metaphorical, which is, again, basically a rejection of 'the future'.

while the grishaverse doesn't have homophobia as such, you can still do queer readings, bc it is ofc influenced by our world, by virtue of being Written By A Person From Our World. and especially in kerch, there's still stuff like patrilineal inheritance... buuuut reproductive futurity & friends are very deliberately destroyed by the end of crooked kingdom. mostly by the usual culprit (taps sign that says IT'S KAZ AGAIN LOL) but by the narrative and the other characters as well. walk w me! I don't think this is a real analysis more just a lot of Thoughts but... nvm

*used here as an umbrella term since the theory I'm pulling from is the field of queer theory

the two men (van eck and rollins) who are most concerned with reproductive futurism (having heirs and a legacy, 'building something that will outlast them'), are promptly buried under the rubble of their building efforts by our usual culprit. kaz uses the mentality of legacy and lineage against them both; he kidnaps van eck's pregnant wife to use as a bargaining chip, and he uses rollins's son and heir against him, because he knows what's most important to these men is their line, their work being handed down. he deduces that rollins has a son through rollins' vanity around building something to 'last', and his naming of the kaelish prince. rollins is literally themed around monarchy and descent; the king of the barrel, the kaelish prince, the emerald palace. kaz, for his part, is the bastard of the barrel. the illegitimate son, not produced by any conventional family structure, ketterdam his mother and profit his father... and therefore he is the perfect person to blow up this imagined monarchy

wylan is rejected by van eck for his disability, for being supposedly incapable of continuing his father's legacy; and so we gather that the actual child doesn't matter to van eck, it's what The Child represented to him, which was the future of the van eck company. the illegitimate kaz restores van eck's disowned son to the succession through sheer trickery, and jan van eck's trading empire is succeeded by his son he attempted to reject, and his farm-boy barrel-tough boyfriend. they bring home the first wife that van eck had committed, for failing to produce the 'perfect' heir. no perfect heteronormative future here!

(also by virtue of wylan and jesper being a mlm couple, there is now way less emphasis that can be put on the idea of biological children 'continuing' the line, and it somewhat stops the expectation that ruined wylan's life from being passed down)

the two m/f couples are also very distant from this idealised reproductive futurity. matthias dies, ruining any idea of a 'conventional' future he could have had with nina, and while his death is generally more about the extremist brainwashing stuff explored w the drüskelle, it does blow to shreds that futurity even more, and nina's power is also a very literal HEY GUYS. LET'S THINK ABOUT DEATH... plus she leaves ketterdam to take matthias to be buried at the end of the book.

kaz and inej both do very dangerous jobs and separate for long periods of time. they may marry or they may not, they may have children or they may not, they may be physical with one another or they may not. it doesn't really matter; they'll try, but we don't get to find out how far they may or may not get, which honestly I kinda like. their future is open, the river running carrying inej to the sea. also, inej makes an explicit rejection of this kind of 'normal' future:

So he wasn’t fit for a normal life. Was she meant to find a kindhearted husband, have his children, then sharpen her knives after they’d gone to sleep? How would she explain the nightmares she still had from the Menagerie? Or the blood on her hands?

we don't really know whether or not kaz as a character is queer (I do not think kaz knows either lol) but it doesn't really matter, you can still read him as a queer figure both a) just if you want to! and b) in this sense of queer temporality, bc he's the crux of a lot of it. we already covered the bastard thing and his happy habit of kicking reproductive futurism when it's down, and as Edelman says: 'If the fate of the queer is to figure the fate that cuts the thread of futurity...' well, kaz 'build something new. watch it burn' 'he knew exactly what he was going to leave behind: damage' brekker is our man!

he does not give a single flying fuck about the future. he destroyed van eck and rollins' legacies, and he'll do that shit again. he doesn't have enough of an ego to consider a 'legacy' for himself besides destruction, which is a rejection of a legacy in itself. his plans for the future amount to fucking shit up and making a bunch of money to use to do more damage, until he gets shot/stabbed/hanged/drowned/whatever, which he constantly anticipates.

kaz also has a massive distrust and disdain for traditional family structures, because he's seen them crumble twice; his actual family are all dead, and the hertzoon con was built on creating a convincing family mode to lure them in. "my mother is ketterdam, she birthed me in the harbour; my father is profit, I honour him daily" is a sneer at paterfamilias type families where the mother is there to just give birth and the father is the head of the family, to be honoured and served, rather than loved. he also has zero sympathy for the 'think of the children!' thing, bc he knows it's disingenuous; who thought of him? no one. rollins was happy to con kids with the false promise of family and safety, and all the people he paid off were happy to turn the other way. was there no one to look after you? no, there wasn't. his mother is ketterdam: filthy, feral ketterdam. no nurturing mother has he!

So he threatens Alby and Hanna with no qualms, because while he doesn't actually ever intend to hurt children (...not physically anyway, apparently upsetting them is fair game FJJFJD), he knows the power of the threat— the idea of the child— is often more impactful than the actual act itself. ("Inej, I could only kill Pekka’s son once. He can imagine his death a thousand times.") it certainly works on rollins and van eck! he'll make you think of the damn children alright!

inej takes direct action to defend actual children, not just the idea of them, and then we hear in rule of wolves she's hated by the kerch government for it because she's fucking with their profits. (look also to how they flapped about searching for wylan, one rich man's kid, and are completely useless about hundreds of forced indentures. what a surprise...)

she reunites with her parents, but she worries persistently about whether or not they will accept her for who she has become, and we are never quite told whether or not they do. we like to think so, but we don't actually know. and although she gets to see her parents again, her future is on the wraith, not with them.

most people have dead or splintered families, actually. only inej has both parents, and for three - four years, they didn't have a daughter.

The general proximity to death in general is very potent; nina's power, kaz's whole backstory, the camping out in a graveyard. jesper's recklessness and love for fights, inej being ready to die rather than be a captiver again and kaz's response to that being 'not just yet', rather than not at all...

all following into the whole no mourners, no funerals thing!!! the fact that they know they won't be remembered or cared about if they die!!!

Edelman: 'Choosing to stand, as many of us do, outside the cycles of reproduction, choosing to stand, as we also do, by the side of those living and dying each day with the complications of AIDS, we know the deception of the societal lie that endlessly looks toward a future whose promise is always a day away.'

SOC:

Inej's mother and father might still shed tears for the daughter they'd lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. 

“No mourners, no funerals. Another way of saying good luck. But it was something more. A dark wink to the fact that there would be no expensive burials for people like them, no marble markers to remember their names, no wreaths of myrtle and rose.”

pick up what I'm putting down guys please please I don't have time to tease this out properly but like. I think kaz and wylan are the linchpins here. (again)

[becca-e-barnes]

I've been writing my dissertation like that gif of the cat frantically slamming a keyboard (you know the one) but it's got me thinking about professor Bucky and how he might incentivise you to get your work done for his class 😏

"You're not getting an extension. Don't even think about e-mailing me for one." The hardest part of dating your lecturer isn't actually the sneaking around; it's that he's a hell of a lot tougher on you than the rest of the class.

"But Bucky I-" You begin but he cuts you off and you know by the look on his face that there's no point pressing it.

"No. You're more than capable and you've got plenty of time to get it done. You don't need an extension, you need to apply yourself."

God, he's annoying. You know you can do it, you never said you couldn't. You just don't want to. There's a massive difference.

He pulls his copy of the required reading out of his bag, setting it on the desk beside your laptop and it takes everything in you not to bury your head in your hands.

"There. I've helped you enough." He nods towards the textbook but when you don't move, he flicks through the pages with a sigh, leaving it open at the chapter you know you should start with.

You sit there for another few seconds in a foul mood, mentally preparing yourself to sit here for the next few hours.

"How about I help you? I get the impression you need an incentive." He knows you too well, there's nothing more motivating than a little treat. "You have 12,000 words to write. For every 1,000 you write this week, I'll give you an orgasm."

Maybe you should complain about his assignments more often.

"Deal." Hell, if you'd known this was coming, you'd have started ages ago.

"Good girl." He laughs, amused at the rate at which your fingers begin to dance over the keyboard.

Getting started isn't too hard. You type out a quick plan of your chapters, dropping in the sources you know you'll need before starting your introduction and with your focus on your work, you hardly notice Bucky sinking to his knees under the desk.

You feel his warm, open mouthed kisses trailing up your thighs under your skirt and his soft groans drag your attention away from the laptop.

"Don't stop working." He insists, licking your sex through your cotton underwear, letting you enjoy the delicious friction on your cunt. "You're almost at the first thousand and it reads well so far." You feel his hot breath against the now wet cotton while one of your hands falls to tug his hair.

"If you stop typing, I stop licking." He threatens, pulling your panties to the side, gliding his tongue against your skin and groaning at the taste of your arousal.

You have just over 200 words until you reach your first thousand and it should be so easy but it becomes even harder when he sinks two fingers into you and you're able to hear how wet you are already.

His lips engulf your clit, sucking gently while flicking his tongue in vertical strokes in time with his fingers curling inside you. "Such a smart girl. I'm so proud of you." He hums before giving you a few broad strokes with a flat tongue.

He knows what his praise does to you and with your thighs clamped around his head, you fly your way through a few hundred more words. He chuckles when you proudly announce you reached a thousand but you don't stop typing at the same frantic pace.

"Sweetheart, if you want to get all 12,000 done this evening, I'll sit here as long as it takes." He smiles against your skin before giving you everything he knows you need. His tongue flicks quickly over your clit and his fingertips rub against the soft, spongy spot inside you and in no time you're gushing against his face, gripping his hair and riding your high out on his waiting tongue.

[mumms-the-word]

The Shadow Curse Events

If you haven’t already, please enjoy my unnecessarily long totally not me avoiding writing an actual dissertation irl thorough deep dives into Ketheric Thorm and the Shadow Curse!

They are…well, very long, but I wanted to incorporate in-game texts and conversations to give an overall “lore-finding” feel to each post as I was working my way through theories and ideas about how these events unfolded in more or less chronological order.

Each post is written with an attempt to combine elements of in-game books, letters, and conversations with my reasonable(?) conjectures about how things might have happened and an occasional foray into stylistic nonfiction-style writing (which, you know, is interesting when you’re writing about things that didn't actually happen in real life). Basically this started as something I thought was cool and ended with me having, perhaps, a bit too much fun in the nerdiest possible way.

Maybe you’re into that and maybe not. But if you are, then welcome! Please enjoy these deep dives, all of which are linked below c:

Shadow Curse Events Part 1

Ketheric, Selûne, Shar, and Aylin

This first part covers Ketheric's descent from Selûnite devotee to Sharran general following the death of his daughter Isobel. Not only does it touch on him building and training a Sharran army, it also goes over the Selûnite resistance building against him, including one desperate mason named Morfred who makes a deal with a certain devil.

---

Shadow Curse Events Part 2

Harpers, druids, and the battle against Ketheric

The second post is all about the Harper/Druid war waged against Ketheric and the days involved in the battle itself. I present this idea that the Harpers and druids sieged Reithwin for several days without attacking and then launched a three-day battle against Ketheric. But a lot of this is conjecture since I'm trying to piece together a bunch of differing accounts about the actual days devoted to fighting and surviving the brief war between the two armies.

---

Shadow Curse Events Part 3

The first 40 days

The final post is a kind of walkthrough of the first 40 days of the shadow curse from the moment Ketheric dies to about 40 days later. I chose 40 only because it's vaguely symbolic in various cultures, but also because one diary I used to construct the timeline here ends on day 35, and that felt like a weird number to end on too, so...I added a few days. Anyway, this might be the most experimental of the posts, but it was fun(?) to try and place myself in these past events to imagine how the landscape changed into what we see 100+ years later walking into this area with our Tavs and companions.

---

In the end, these posts were just for fun and are not meant to try and convince anybody that my theories are absolutely 100% the way things happened. What I find interesting about this little deep dive journey is that it mimics trying to piece together actual history too. Everyone will have a different account or perspective on historical events, so trying to stitch together a narrative 100+ years later becomes an exercise in drawing sensible conclusions and admitting you can't fill all the gaps.

I could very well be wrong in my theories, and someone else could come up with a way better logical conclusion than I did. That's awesome! Maybe these posts will help others come up with cool theories too.

But anyway. Enjoy my long-winded ramblings about fictional events in a video game that I have put way too many hours into :)

[janmisali]

Hi Mitch,

My name is Joey and I'm a PhD candidate in linguistics at the University of Arizona with focus in semantics. I really like your video on /hj. Like, really really like it. So much so that I am currently planning to write a pre-dissertation prelim investigating the semantics and pragmatics of half-joking from a formal perspective (using scoreboard theory, if you're hip). I think I've got some really cool insights that both you and the academic publishing circuit might want to hear.

My question is this: I understand you're cool with derivative works given proper citation. But when it comes to citing you, how would you prefer I do it? I could be minimal, saying "Inspired by [this video](link)," or just put you in the acknowledgements. My ideal attribution, though, would be to go more in-depth, giving a little bio description of you as a youtuber with an interest linguistics and a [insert degree? in linguistics here]. I also wanted to ask if it was ok if I framed your video from the neuroatypical angle-- "misali, an autistic creator describes their frustration with interpreting half-joking statements and gives several semantic definitions . . . etc." I feel that it could be meaningful to attribute such deep pragmatic introspection to a unique neuroatypical perspective.

Just to be upfront, I will be problematizing your definitions given, but it's much more of a yes-and then a well, actually. Very academic. I also will of course give you advanced access before it's submitted for publication or even review.

Please do let me know. You can either respond here or at my professional email joeybalke@arizona.edu.

Thanks for your time,

-Joey

oh, you have my enthusiastic support to do this. this is a wonderful idea

to answer your specific question, a standard academic citation would be sufficient of course ("Misali, jan" is technically incorrect but so funny that I endorse formatting it this way regardless), but if you also want to include a bio then, one, I have no formal linguistics education or degree of any kind, and two, it is appropriate and I'd say very relevant to mention that the video comes from an autistic perspective.

[radiantcircle-if]

it's august 1! 😩

my goal in july was to write 500 words a day as part of this challenge. i'm not someone who can write everyday; sometimes i want to make a collage or play around with profiles and backstory or write a random flashback to help with characterization. but also i had a summer teaching job this month, so about half my time has been dedicated to that.

...so i let myself skip days but always made sure to catch up. i ended the month having written 17,342 words. so i met my goal 😭 which means i can do it again next month, right? no students! no office hours! but i do have to work on my dissertation... (sobs)

story-wise, i added 5,287 words. i'm almost done with the first plot beat of chapter 1. you arrive home, reunite with your brother and spend some time with one of your dads, reminisce about when césar, rafa, and arseau used magic around you--intentionally and otherwise. in the next plot beat, you'll arrive at your family's solstice party and reunite with césar and rafa. i'm pretty excited to get there 😏

coding-wise, i've been doing some some as i go, just to be sure i can implement certain ideas. i'm somewhat satisfied with this simplistic design for now, at least for testing purposes. i started from scratch so there's a lot left to do and learn besides that lol

anyway, here's a preview 😳

(don't be surprised if i completely change the design.)

i plan to continue trying to write an average of 500 words a day for august and get at least half way into chapter 1 both story-wise and coding-wise. i'm prioritizing writing for the story over everything else in august for sure, so i might be slow slower with asks. thanks to those who have sent asks so far btw! it's been really motivating and encouraging.

profiles for césar, rafa, gazi, and deniz will be dropping this month for sure. they're mostly done, but for some reason i feel like i'm missing something, so i'm letting my subconscious ruminate on that for me for now. i have some other writings on magic and the circles as well that i might post soon 👀

this update is way longer than i thought it'd be? but i guess i'm really happy with my productivity this month? even though i was working. i'm having a ton of fun, so that probably contributes. here's to having even more fun in august!

[anghraine]

I know most of you aren't here for my Legend of Korra villain feelings in 2024, but ... lol oh well. I took a break from my dissertation yesterday to write six pages of meta about LOK's main villains and why I think LOK is better for them despite its flaws and frequently uneven execution.

This had always been a show that, for all the centrist trappings, was willing to transform its own setting. It might tapdance around this in awkward ways, like with the offscreen transition to an elected non-bender president, there might be unpleasant side effects like the spirit vines in Republic City, the more drastic changes might be unpredictable or frightening for the characters, and people don’t always know what the political changes they advocate will lead to, as with Zaheer inadvertently setting up the conditions for Kuvira's rise. But I think the overall arc of the show is one of broad and sometimes drastic social change towards a better world.

[doctorwhoarchive]

as someone who absolutely adored Sam/Melissa in Scream 5 while most everyone else was hating on her and her acting, I’ve been thinking about this for a while and can honestly write a whole dissertation on this SO

Melissa was never a bad actress in 5. I’d argue it all comes down to how Sam was written and that she was intentionally a little more stoic. And then, as soon as Melissa had more input on the character and fought to give Sam more complexity in 6, suddenly everyone loved her and was praising her for “getting acing lessons”. Someone doesn’t just improve their acting that much in the few months timespan between when 5 came out and 6 was filmed, she was always that good!

The real reason I’m writing this though is because there’s a certain subtle aspect of Melissa’s acting that I’ve never seen anyone talk about before, but it might just be my favorite thing about her portrayal of Sam. MELISSA’S BODY LANGUAGE ACTING IS INCREDIBLE AND IT’S TIME WE SPEAK ABOUT IT!!

Maybe it’s just the mental illness in me that sees the same things I do in her, but a lot of little things she does/the way she carries herself stick out to me and I love it so much. The way she crosses her arms like she’s closed off whenever something particularly bad or uncomfortable is happening (she does this in shrine scene when Tara catches her talking to Billy, at the police station after Gale is attacked, and in 5 when she begins to tell Tara about finding the diary), the way her leg bounces when she’s nervous/anxious (like when she’s talking to Danny after the ladder scene), the way she fiddles with her hands (like in the scene right after she’s attacked in the hospital in 5), it all really catches my attention and it’s so subtle but perfect.

Melissa’s crushing it as Sam, and was way before everyone finally started appreciating her performance in 6. When I see her do those things I’m like!! I do those exact things too! It may not be a big deal to anybody else and they may not even notice it, but I notice it and absolutely love it and feel seen by it. It just feels like Melissa really put the time, effort, and thought into Sam and her mannerisms to make her a more well-rounded character, and I just think we all need to talk about it more.

[crescencestudio]

๋࣭⭑ Devlog #44 | 8.29.24 ๋࣭⭑

why did august feel so long and so short at the same time

And hot girl summer finally comes to an end! Can you all believe we're already getting into September? That's..... crazy.

Before I get into the devlog this month, I want to make a small announcement! It's a bittersweet one, but overall, I do think it's more exciting than anything.

Crescence is FINALLY CLOSE TO GRADUATING!!!!

It's crazy to be able to say this. For anyone who's an OG fan of Alaris, you'll know I basically started game development at the same time I started my Ph.D. program. It's been a wild ride having to balance game development throughout this entire journey. Funnily enough, when I started Alaris, I saw many game developers say a game that was around the same length as Alaris would take about 4-5 years. So at the beginning of my program, I remember thinking, "Ahh... So even though it sounds so intimidating to work on something for 4-5 years, that basically means by the time I finish my Ph.D., I'll be done with Alaris, right? Might as well start then! If I'm going to spend those 4-5 years getting a degree, might as well also use that time to make a game :D"

*Graduates before I finish Alaris alosjdfliasdifj*

inserts a little fanart montage of recent fanart players have made to break up the text

Anyways, it's crazy that I've been on this journey for both parts of my life as long as I have. Both my dissertation and Alaris have equally tested my sanity, but words can't describe how rewarding it is to see the finish line finally in sight for both projects.

The thing is...

If I want to graduate this semester (which I so, so, so, so, SO desperately do), I have to write my entire dissertation (about 60k words) in about..... a 1-1.5 months, haha.....

On the bright side, it's feasible (Crescence says delusionally). On the not-so-bright side, it's going to test my sanity. And if there's a 5% chance I'll be able to make those deadlines and graduate this semester, that chance goes to 0% if I try to balance Alaris on top of that.

Which means...

I'll be taking a two month break from Alaris development, which is the first time in all of development that I'll be taking a break that long. For those who have followed me on this journey, you may know I've worked on my firstborn baby almost continuously since I first started this project. While I've balanced other games during development and sometimes taken short breaks where I don't make as much progress, I've never just Not Worked on Alaris. So it's a bit terrifying to imagine two months not working on Alaris at all.

But graduating this semester is important to me, and at the end of the day, as much as I love game development, it's very much my hobby. I don't talk about my IRL obligations on here too much, but I do have them, and finally getting my Ph.D. degree is one of my biggest IRL obligations and priorities.

So it's with tears in my eyes that I say Alaris will be on a break until the end of October. I'll still be around to answer questions (thank you to everyone who has been sending them in and showing sm curiosity and love for the cast!), and the Patreon will still be up for those who want to play Druk's beta. But aside from that, I'm taking a Full Break on Alaris so that I can buckle down and focus on the final stage of my degree :')

I know this may come as a disappointment to some of you, especially those who have followed me for a while and/or are eager to see the full game release. It pains me to have to step away from Alaris for such an extended time, especially since the weight of full game release does weigh on me with each day lmfao. I want this game out just as badly as the rest of you, and especially because so many of you have trusted me with your money, time, and support, please rest assured that this decision didn't come easy. It's my biggest hope that when I return to game development after finishing dissertation matters, it will be full steam ahead now that I'll no longer have degree obligations hanging over my head.

With that out of the way, let's go into this month's devlog! I'll try to make it as juicy as possible for you all as a thank you for your patience and support while I Get That Degree <3

Thankfully, this past month was much more focused in the writing department! While there was some small editing happening in Fenir and Druk's routes, it was minor changes compared to July. Most of my attention was on Kuna'a, and I'm very excited to say that the first draft of his route is OFFICIALLY FINISHED!!!

THAT MEANS ONLY ONE ROUTE IS LEFT FOR ALARIS TO BE WRITTEN!!!!!! It is so crazy to finally reach the last stretch of script writing. While I'm sure there's much editing to be done, the idea of having the base drafts finished is honestly hard to believe considering how endless script writing has felt.

A sneak peek of Kuna'a's route to celebrate

With how plot-centric the last three routes feel, it's also rewarding in a different way to officially write out a lot of the main plot details into the script, instead of just dropping bits and pieces here and there.

It makes me sad to pause Alaris development right when we're getting into the last meaty bits and pieces, but hopefully this just means when I return to development, I'll be hitting the ground running after missing working on the game ^^

Art has also been making lots of nice progress this month! I finished about half of Druk's CGs and our current CG counter is.... 25 out of 54! Which means we're just about reaching the halfway mark with CGs as well ^^

One of the CGs was so hot, it broke my iPad and almost lost ALL MY ALARIS ART ASSETS!! ha!! ha!! ha!! That was a fun part of this month!!!! Anyways, this isn't the CG in question (that one would be too spoilery to show, though it is on my Patreon for those who want to see it, heh), but this is a CG that I'm particularly fond of that I finished recently---Sneak Peek!

What lipgloss do you use, my man

CGs, aside from sprites, are the last main art assets that need to be done for the game. So knowing that they're just about at the halfway mark really shows that we're getting into the last stretch of the game's development!!

Finally, in extremely exciting news, we launched Druk's beta recently! WHICH MEANS..... HALF of the routes are beta coded for the game!!! WHAAAAT!!!!

Obviously, I'll be going in later to fix up some things, add in more sprite expressions, the CGs, etc. at a later time for these routes. But the fact half of the game is basically coded is so surreal...... I remember when these updates were just me telling you I was still writing and that was literally it LFJALSDJF.

Now, we're here on our third route to be beta tested!!!

everyone thank @minthe-drawings for drawing our beefy boy in all his beefy glory

Druk's beta will be up for a while since I'll be on break from development, but if you'd like to play his beta, sign up for Hydra on my Patreon!

This month, we've also started including drabbles to the Patreon for free members. So if you don't have funds to support through paid tiers but would still like some extra content, I've started writing drabbles that are free for anyone following my Patreon to read ^^

Finally, as one last thank you before I go on my break, we recently reached this milestone on itch.io!!! Y'all have downloaded Crescence games 100k times and played my games over 200k TIMES.... (we technically reached 200k plays a while ago, but I wanted to wait until the downloads number was a pretty 100k).

not to mention the other milestones we've hit. thank you all for your support ;_;

It's crazy to even see this kind of number on my page.... I remember I used to see other amazing devs post these kinds of numbers and I could only dream that one day I'd be able to experience that kind of engagement. And so seeing that number for myself.... it's just really humbling to know you've all supported me for this long and to know I've reached the amount of players that I have <3 Thank you as always for the support and love you've all given my games. One day I will reward you all in kind and release Alaris....LFMALSDIJF

For market research this month, I have been trying to play Fields of Mistria in the small pockets of free time that I have. March and Eiland my beloved. But what I really want to highlight this month is...

No one is surprised that I am, once again, telling you to support @ravenstargames

Lost in Limbo is a phenomenal dark fantasy VN that just released their demo and went live with their Kickstarter. The team is made up of some of the kindest, funniest, most hardworking, and talented people that I know, and I can't recommend the demo enough. The cast is diverse and has so much character (I literally love every character). The writing is beautiful, and the art is absolutely stunning. It's the team's first game, but you wouldn't know it from how polished, immersive, and breathtaking the demo is! Please consider supporting the team, whether it's playing the game or backing the Kickstarter. They deserve every ounce of success they get, and if you're a fan of fantasy and stunning storytelling, you will LOVE THIS GAME!!! Envy stans RISE!!!!

That's all for this month (and for the next two months.... wah.... don't forget about me everyone...)! Hope everyone stays well and warm as we enter fall, and I'll see you all in November <3 I'll miss you all dearly (I say this as if I won't still be around to answer asks), and hopefully when I return, I'll be making my debut as DR. CRESCENCE!!!! \o/

[ghoulphile]

I absolutely love ur fics!! And I want to write fics of my own soon (not for fallout yet..) can u give me any advice/tips? How do u try to write down the characters as accurate as possible?

Aww thank you so much!!

That's awesome, I'm glad you're getting into writing ❤️

I'm more than happy to talk about what works for me; however, no two writers are alike so some things might resonate and some might not.

Take what does, and leave what doesn't.

Read - a lot. Published works, fanfic, poetry, novellas, series, oneshots, longfic; read it all. Explore different genres and storylines. Find what you like about them, and what you dislike. What makes them good or bad in your opinion. Play around with what you'd do differently if it was your story. All of this will help you figure out a few things: one being what you personally like in storytelling, and two the basic structure of storytelling/what makes it compelling.

Find your voice. We all have a unique tone when telling a story, verbally or otherwise. Figuring out what your personal voice is will help you write authentically but also I can guarantee you're going to be 10,000x more happy with what you come up with.

Showing vs telling is a delicate balance. Sometimes things need to be written out plainly, and other times it works better if you add more meat to the sentence. An example would be: she's angry vs her heart rate pulsed in her temples, her fists shaking at her sides as a wave of heat rolled through her body. While they both convey the same thing, one can be more engaging to read over another.

Sometimes you have to write the boring bits - and write them plainly - to further the plot.

Most people are not a walking thesaurus, and using big fancy words like you're writing a dissertation can be very off putting. Absolutely use stronger words if you can, but you don't need to be using furfuraceous to replace scaly.

Additionally, forward momentum: one action should always lead into another which leads into another and so on.

A first draft is never pretty (if you decide to do multiple drafts) and that's okay.

If you get stuck, go back several sentences. Sometimes we write ourselves into a corner without realizing. OR add what you want in brackets and move on if you're getting hung up on certain parts. An example being something like: He was [find word for mix of angry and sad] but had to stiffen his upper lip and move about his day as if [insert phrase mentioning what happened earlier]. Worse case, put it down for a day or so and come back to it later with fresh eyes.

As mad as it makes me, and as hilarious as it is... writing in Comic Sans helps. RIP.

Saying your sentence out loud can help you figure out if something is off, and saying your dialogue out loud can help determine if it's something an actual person would say.

Taking your time and being patient is the best thing you can do for your creativity otherwise you might burn yourself out.

I find music helpful so I create playlists for every fic I write that matches the vibe I'm going for. Additionally, I have pre-writing rituals that help me get into the headspace.

Yes, cryofreeze your darlings - put them somewhere safe for later. You can use those sentences for something else, they don't need to be completely deleted.

As for keeping characters... well, in character, it depends. Watching/listening to/reading whatever media they're in and paying close attention to the words they say + how they say them + if they have any specific phrases, the way they move + their actions + how they react to things helps a lot. Personally, I keep little lists of things I've noticed that I can refer to if I need them. And sometimes, you just have to suspend your disbelief a little and determine how someone might react to the particular situation you've put the character in. When it comes to that, I tend to think back on when I've been in similar situations or have felt the way they should in that scene, and use how I've reacted as a touchstone.

Write what YOU'D want to read.

And most importantly, HAVE FUN.

I hope this helped, nonnie~!!

Happy writing, you've got this 🥰