I think you know enough hq characters at this point so, who do you think in haikyuu would fuck their step-sis and why is it tsukishima (also ushijima but hes more lowkey)?? - 💔
🥲 if u were to crack my silly little head open and take a look inside. this would be the only thing u see. just pure hell pure chaos nothin else. NONNIE.. do u really want me dead :(
cw stepcest, dubcon, timeskip tsukki n ushi
sob sniffle sister fucker tsukishima. i am literally going to lose my mind thinking about him. he’s so mean, shrugs all your tears and whining off whenever the sibling banter pushes a few too many buttons. it’s just how he is and you’ve grown used to it — his snarky comments and how he could spark all sorts of deepest insecurities w just a few teasing, light hearted comments. but kei nii doesn’t rly mean that, and you know it. it’s just how he is, with the kindest heart buried somewhere deep under the cocky demeanor — that’s what you think, until you come home from uni for holiday break and go out one night.
you take a few shots too many, those airhead friends of yours that kei never really liked busying themselves w some random guys, and you end up calling him to pick you up. there’s some creep at the club that just doesn’t let up, you’re a little scared, and your phone is almost dead. he’s the only person you really know that’d actually pick up at this late hour and come get you — he’s your brother after all. and yet, you regret ever calling him in the first place as soon as you get in the car, listen to him calling you even dumber than he’d thought of you, jaw slack and eyes firm yet tired behind his glasses as he drives. you hold back tears on the way home, and for the very first time in your life, you feel like kei nii might actually hate you :( and that he meant every single jab he’s gave you throughout all these years. he tugs you inside the house, unaware of your silence, and grumbles something about u being lucky that mums not home to see you this fucked up. you sit at the edge of your bed, shaky fingers struggling to undo the straps of your heels, and kei lets out an exasperated sigh as he crouches down in front of you. he slaps your hands away, works on unclasping the straps and tells you you’re hopeless. you’re just so annoying with how reckless you’re being, he’s got practice tomorrow morning and yet its 3 am and he has to deal with you — careless as always. he sets your shoes aside and is about to get up and leave when he hears the choked little sound. a tear or two falls on his hand and he looks up — breath hitching in his throat upon his step sister crying. he’s seen it so many times before, being the very cause for your tears more often than not, and yet this time, he’s confused. you wipe at your eyes, a poor attempt to hide the heartbreak, and swallow back little muffled cries. you tell him you’re sorry, that you never wanted him to hate you. you’re sorry that you’re annoying, sorry that you’re being a bother as always. kei watches in sheer astonishment as your bottom lip wobbles, still glimmering with your gloss. just don’t hate me, nii chan. he almost feels bad, for the first time in forever, as you sit there in your tiny black dress, with those pretty long falsies on, and cry your heart out — for him. its the exhaustion, he thinks, it has to be as he reaches a hand up and rests it on the back of your neck. he calls you silly, wipes a thumb below your eyes and furrows his brows a bit — he could never hate you, why’d you even think that? you really are a dumb thing. he’s just tired and not thinking straight, kei’s sure, as he leans up to press his lips to yours and taste you. your tongue is heavy with intoxication and shock, and he makes out the faint vanilla of your lip gloss and remnants of liquor as he kisses you, languid and sloppy, something to slow down the haywire in your mind. he could never hate you, he repeats, easing you down on the bed and hiking your dress over your hips — groaning when you give him the prettiest wide eyes, glossy with tears still but oh, so hopeful. kei nii is a good brother, despite his sharp tongue and teasing nature — and makes sure you never, ever doubt his love for you again :(
ushijima though,, he’s a whole another story you’re so right. i’m p sure he doesn’t even give you any remotely dirty thought — anything that would be immoral considering your relation. you’re his little step sister, and there’s nothing more to it. sure, he’s never been too close with you — always solely focused on his career — but he does appreciate you. you’re nice, sweet and caring with the way you always pick him up from the airport or fly over to some of his games. (you always cheer for him the loudest, and grin wide as you tell the couple sittin next to you that the ushiwaka is your older brother.) you always welcome him with the warmest hug, standing on your tiptoes to wrap your arms around his neck, and laugh as he squeezes you — welcome back, nii chan, i missed you lots. he’s no fool and sees how you’ve grown into a beautiful young woman, too. he’s aware of all the looks you get when you two walk down the street and how it’s hard to keep count of all the boyfriends you’ve mentioned before. for some reason, none of them lasted, though, and yet you’d always brush it off and give him a small smile when he asked if you were okay. wakatoshi doesn’t know a lot about girls in the first place, but you’re a whole another enigma. like i said, i think he wouldn’t even dare think of you in any other way than purely platonic — and so, you render his entire giant frame putty when you first crawl into his lap with that pretty little glint in your eyes. barely a minute earlier you were just scrolling down your phone, w your legs in his lap as he goes through his calendar — next thing he knows, his little step sister is grinding down on him, breath minty on his lips as you moan. large palms rest on your hips and it takes all your willpower to stand your ground, considering he wouldn’t even have to put any work into pushing you off. he fixes you a confused look, eyebrows knit together and voice low when he asks what are you doing, why are you— you cup his handsome face in your hands, a manicured thumb pressing to his lips and it shuts him up ridiculously quick n effectively. s’alright, nii chan, it’s nothin’. you need him bad, you tell him, and prove your point by the sinful roll of your hips against his hardening cock. you see he wishes he could deny you, that he could tell you that it’s wrong and fucked up and that you can’t be doing this — cause you’re siblings, blood bound or not — but his silence gives him away. always so blunt and straightforward, your nii san now sits completely quiet, and you know that the cogs in his mind must be struggling, but if he had any second thoughts abt all of this — he would’ve already told you. but he doesn’t tell you anything, doesn’t speak at all before he exhales and pulls you flush against him, lips finding yours with way too much ease. toshi nii doesn’t have to speak at all — his actions do it for him, as he has you all spread out n making the prettiest noises for hours on end that day </3
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Hi Bel,
I keep seeing comments about people complaining about the quality of destiny’s writing and story in the last few weeks. I haven’t really engaged with destiny since season of defiance, what’s currently gotten everyone so riled up? I thought that people were enjoying Season of the Deep/Witch in terms of narrative, why is Season of the Wish causing people to deride the destiny writing staff again?
I don't know!
Deep and Witch have been absolute bangers in every aspect to me. I've been enjoying all interactions and lore tabs we've received. A lot of them are stuff that we've never had before, a lot of reunions and closures, a lot of development and interactions between characters who you wouldn't really think would have much in common.
Sloane's return and healing from what she's been through has been fantastic, Drifter opening up with her to help her because he also got help from others was fantastic, Sloane reuniting with Aisha and Shayura brought me to tears (Shayura's descent into madness was triggered by immense trauma of Sloane staying on Titan and Titan disappearing), everything with Sloane and Zavala...
Witch was just incredible in every single way; the focus on Eris, the amount of Eris and Ikora content!!!!! Everything about Xivu and Savathun and their interactions together!! Eris finally fulfilling her goal she promised Savathun YEARS ago, getting that closure.
Wish so far has been equally great to me. All the new stuff about Ahamkara is amazing, finally giving us proof for long-standing speculation about Ahamkara and how they aren't universally evil creatures and expanding on them as a species. I love all interactions we've had so far; finally we have Petra back, Mara's singleminded focus on figuring out how to defeat the Witness and her continuous work to improve as a person, ALL SJUR MENTIONS!!!!! I won't talk about the "leak" because we have no context for it so I will wait for the full story to be revealed before I can pass judgment; something that I think should be a lesson to learn from this entire year. Maybe wait for the story to finish before judging the story.
Literally everything this past year that involves Osiris, but especially this season now that he's back in his element with the Vex. And of course every little detail we get of him and Saint. Osiris honestly shaped this year for me with everything that he's done to uncover the biggest mysteries. I think a big reason is that a lot of people just don't like Osiris, which I consider a massive skill issue.
Other than that, I don't know what are the issues people have besides just not being interested in any of these storylines and attributing it to a nebulous "bad writing" claim. I also genuinely believe that way too many people get wrapped up too much in fandom, imagine storylines they want to see and then get disappointed when the actual story doesn't go there. Almost like people forget that this isn't their story and these aren't their characters. A lot of it is also fandom completely warping characters into not what they actually are and then feeling like the canon story is the one that's wrong.
Whatever is the reason, I guess everyone is entitled to their perspective of the story and everyone is free to explore the story in different ways through fanfics and AUs and whatever. I do that too!
But I would definitely ask people to be normal with how they engage in criticism, especially in the current state of affairs. Writers are developers; they experience a ton of harassment and negativity from the community and also from inside the company. And they are online: they can see what we're saying. It's been documented that community commentary has been used to harass writers:
Imprint this into your brain and never forget what these people had to go through. Let's not forget also the way people treated Seth Dickinson on social media when he was active with Destiny fans. "Fans" were actively arguing with him about his own work (telling him that HE is wrong) and were utterly disgusting towards him when he tried explaining what he wrote. His works are now hailed as the best writing in Destiny and people want him back. If I were him, I wouldn't want to come back ngl, not with how he was treated and not with how fans are still treating writers (and hey, Seth wrote LF Collector's Edition! So he was back, technically, this year!). Let's not forget that a lot of writers are members of various marginalised groups. And I'd definitely not want to go back with zero support from leadership.
Which is also an important aspect for all developers, including writers: sometimes they have orders they may not like, but can't argue against. They do the best they can with what they're given, the time they have and directions they receive. And with that in mind, I am enjoying everything we've gotten this year, obviously with some specific complaints about things I didn't particularly enjoy (like the universally mid reception of Defiance; I've spoken about my gripes with it before, a big one being the shafting of Suraya who should've at least been mentioned in a lore tab).
I can tell that there is passion in their work, even if maybe they would prefer to do more with it, but can't. Maybe even if they want to take different routes, but can't. But from what we got, I can feel that they care about this world and these characters. I can tell that someone lovingly wrote about Sloane and her friendships with two grieving women. I can tell that they deeply cared about Sloane's friendship with Zavala and that they loved showing us Saint and Drifter caring about a fellow trauma survivor.
I can tell that the writers are immensely careful and loving towards Eris; everything she went through was crafted with love and passion from both writers and her VA. Eris' story is such a fundamental aspect of Destiny and I can tell that this was important to the writing team and that they gave her everything they could to do justice to her character and her arc and her healing and her release from the cycle she was trapped in for so long.
I can tell that there are writers who care a lot about Osiris and Saint and their relationship. I can tell that someone cared a lot about expanding on Ahamkara and giving them more personalities. I can tell that someone cared DEEPLY about Sjur and Mara and that her repeated mentions are the passionate work of writers who want us to remember her.
I could go on. And I know that not everyone sees it this way, which is fine; we all have different ways of perceiving stories. I enjoy discussing things we in the fandom disagree on and I enjoy hearing different perspectives! Unfortunately, this has recently become rarer and rarer. And for the love of god, please try and treat writers with some respect, especially now, especially those who are still working and doing their best with the shitty situation they're in. None of the cries of "poor devs" ring true to me unless the same is given to writers, instead of treating them like punching bags.
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Yes, she decided. The moment she continued to go in his chamber, she could advice him to wed laena instead of trying to have a relationship with him, she could have remember him of his duty. She had a choice as everyone has
clearly logic is something that will not reach you no matter what I say but let's try again shall we.
first off, Viserys married for pleasure, not power or political gain. he knew his duties he knew what was best and had no interest. he married Alicent because that's what he wanted. it would be insanely inappropriate for a girl to advise a king on political matters AND it should not be the job of a 14 year old child to tell a king what he should be doing.
second off, she had a father to please, cause again, to reiterate, she was his daughter and she had a duty to him and her house. this was not a duty she wanted, but she didn't have a choice. she was young but se wasn't stupid she knew what her father expected of her, and if word got back from Viserys that she was actively advising him to marry someone else, she would then not only bring disobeying her father but going against him.
thirdly, and more minorly, "she should have pushed him to marry laena" isn't the gotcha you think it is. laena was even younger than her, and even if it was politically expected of him, still fucking gross.
lastly, cause I apparently can't stress this enough, SHE DIDNT HAVE A CHOICE, plain and simple. she had no agency, she had no power, she had no out, she was at the mercy of her father, she had to obey him, she had to do what he said, even if it meant walking herself to slaughter. once she met with the king, he took a liking to her and DEMANDED her presence, he the DEMANDED her hand. again, there was no point she could have said no. she couldn't say no to her father, she couldn't advise the king (he barely tolerated it when she was literally the queen, let alone if she had just been some girl entertaining him in his chambers), she couldn't deny the king of anything, she didn't have a choice.
she was 14 and scared, 14 and trying to survive, 14 and trying to please her father, 14 and sent to a man 3 times her age's chambers, 14 and lusted after by the king, 14 and knowing of her place in the world and what was expected of her. like every other woman in their history, she couldn't escape, she couldn't, there's no plainer way to say it. she faced her duty with poise and a stiff lip, cause that's what you had to do, but she was just a child.
you can't expect her to have been some radical icon, there were none, women who went against their station in life were punished or killed or put into god awful betrothals to lessen the shame brought to her family. she was a nobleman's daughter, she had a house to bring honor to. she did the heartbreaking thing of giving up, for the benefit of her father and house, doesn't mean she wanted it, doesn't mean it was ok, doesn't mean she isn't deserving of pity. giving in to your duty =/= wanting it.
"she had a choice as everyone has" she had a choice every woman has; accept it with grace, be forced into it, or damn herself to a fate much worse (and that's being generous, most didn't even have that many choices). it's the men who had choices, Otto offered his daughter up, he didn't have to, he had no obligation and nothing to lose if he didn't. Viserys had every choice, he could have married whoever he wanted, he could have denied her the second she entered his chambers. the men in her life had every choice to change her fate, yet they didn't take it, and you would rather blame her over them?
and listen, I know your set in your mindset of victim blaming a child bride who was raped until her husband didn't have the health or stamina to keep it up, and that you'll choose to blame her over the men in her life who damned her to such a fate. nothing I say will ever convince you, cause you clearly hate her past where logic will reach. you can keep sending asks with your terrible takes that have no backing or logic and actively ignore the political and societal state of the times and what it means for her as a young noble girl, and I'll keep answering them cause I have nothing better to do and I'll defend my girl to the grave.
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Spider-Man India, but... where from India?
A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.
I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.
If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.
So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.
The outcome was not what I expected. As you can see, out of 83 votes:
THE RESULTS
South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?
Then I thought about the layout of the poll: Title, Options, Context.
Title: "Tell us who you want to see…"
Options: North, Northeast, Central, East, West, South
Context: I want to make art of the boy again
At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.
Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.
But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:
Where did Spider-Man India come from?
FROM A CULTURALLY DIVERSE INDIA
As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.
But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.
We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!
I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.
So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.
BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?
Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.
It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.
Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.
This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.
So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.
BUT THAT'S THE THING — HE'S FICTIONAL
I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.
I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.
I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it.
You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.
It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.
AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA
He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!
“But his surname originates from ______” okay but does that matter?
“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?
“But his skin colour is darker so he must be ______” okay but does that matter?
“But he lives in Mumbai so he must be ______” okay but does that matter?
I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.
Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:
Are you trying to convince me on who Pavitr Prabhakar should be?
...
but why shouldn't i?
I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.
It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.
SPIDER-MAN (INDIA) IS JUST A MASK
“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”
Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?
Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.
But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.
There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).
And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.
Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.
What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.
Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:
It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first three are written in Hindi. The fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Tamil there, much less any other South Indian language. Seeing this for the first time, you know what went through my head?
Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!
I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.
It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.
It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!
Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!
And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer.
So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.
We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.
THE POLL: REINTERPRETED
This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.
Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this.
So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”
(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)
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WIP WEDNESDAY
It is the first WIP WEDNESDAY of 2024 and in preparation for the start of the new year I have something fun for you!!! All of my WIP posts going forward into this next year will be for multichapter works that I have coming out sometime in 2024.
So for today, a current shortlist of multichapter works coming out + some little snippets
Giftmas
12 fics of Giftmas: 9 one shot works left to post that will resume in a “10 days of posting in a row” festivities once I am settled into my new home in a new country after a very abrupt move over the holidays
Looking for Orion
6 CH | art by @okayandre_art
5+1 Alive Arthur fic, five times Henry had important conversations with Arthur while hunting for Orion and one time Alex did. You can read my snippet here.
Olympic Proportions
3 work follow up | art by @noodles_and_tea
follow ups to my fic Because I’m A Scoundrel following the boys on their Olympic journeys to Paris 2024 (in real time) with the qualifying events and the Olympics themselves
Mind Over Matter
14 CH | Canon Divergence
Magical Mindreading AU; when Alex is granted the gift of being able to hear thoughts about him from those he is most compatible with, everything goes… slightly different.
Sweater Weather
9 CH | Letters Focused
Childhood Best Friends to Lovers over the course of their first year in college on opposite coasts as D1 Soccer players (yes it is football I know, apologies, they are playing in the US)
the ties that bond us
10 CH | art by literally almost everyone (not kidding)
Bond/Q actor AU following the boys over the ups and downs of shooting and promoting a new Bond trilogy and the epistolary view from the outside world as they get together!
[Redacted] co write with @celaestis1
15 CH | Dual POV
Strangers to Lovers AU, what happens when you don’t have that DTR, and the hilarious differences in the understanding of “what are we”
Ice Ice Baby
37 CH | Zukka | ATLA | art will be commissioned by @jasminedragonart
Olympic Figure Skating AU that follows the gangs journey over nearly a decade in the limelight. Yes that’s right. A full length ATLA work that has been outlined for 2+ years. I figured it was time. ;)
[redacted] for The Pairing
… yes that’s right I already have an idea for a work 👀 can’t wait to get my hands on the book and languish in it
Thank you to everyone recently for the tags in the end of year games ~ I have just complied them ALL below both as a thank you for tagging me and a tag back + some amazing wonderful people I would like to see how you are doing in this new year <33 (also open tag PLS SHOW ME THE THINGS!!!)
I am in the middle of an abrupt move and have not been as present taking care of those pesky real life things that adults must partake in.
@absolute-audacity @adreamareads @affectionatelyrs @alasse9 @anchoredarchangel @anincompletelist @arand0mdutchgirl @athousandrooms @babiemonk @celeritas2997 @cityofdownwardspirals @clottedcreamfudge @cricketnationrise @cha-melodius @14carrotghoul @dumbpeachjuice @daisymae-12 @everwitch-magiks @firenati0n @gayrootvegetable @hgejfmw-hgejhsf @happiness-of-the-pursuit @heartitinthesilence @historicallysam @hypnostheory @iboatedhere @indomitable-love @kiwiana-writes @leaves-of-laurelin @matherines @nontoxic-writes @orchidscript @onward--upward @peachesobviously @read-and-write- @rockyroadkylers @raysletters @smc-27 @saintlynomenclature @suseagull04 @songliili @three-drink-amy @tintagel-or-cockleshells @treluna4 @vonpeepsisback @welcometololaland @xthelastknownsurvivorx @zwiazdziarka
And there are more but I am limited by tagging conventions shakes fist
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