#mine: mature

[5ummit]

New Mature Content Warning Overlay (And How to Get Rid of It)

More fun community label "features"! Unlike the new mandatory label for #NSFW, this one is a bigger deal to me because it affects my entire blog and it can't be avoided by just using a different tag.

Apparently on custom blog layouts, if you happen to post or reblog even a SINGLE post that's been flagged with the mature content community label, a full-page warning overlay will appear blurring out your entire blog that must be manually clicked through every single time the page is refreshed. At first I thought this was just a bug due to my older layout but I've come to realize it's not. It's a feature (as confirmed by this recent changes post) that affects all custom themes. The formatting will vary based on your own theme but here's what it looks like on my blog:

I don't know about you but I find this is stupid and annoying. If it could be dismissed once and never seen again that might be one thing, but that's not the case. The vast majority of my blog is not "mature" enough to warrant such an aggressive and invasive warning. I also think pop-ups are obnoxious in general and I'll be damned if tumblr's going to force me to have one on MY blog.

After some desperate googling for a known workaround and being unable to find even a single mention of it, I decided to take on the challenge myself. I'm not a theme coder, so apologies if there's a better way to do this, but luckily it only took me like 10 minutes to figure out a simple fix, which I'm now sharing with anyone else who may want it:

.community-label-cover__wrapper {display: none}

Just copypaste that somewhere in your CSS and goodbye pop-up!

If you're not sure how to access your theme code, check out this help article. You can also add the code via the Advanced Options menu, which is actually even better (if you can get it to work, it depends on how your theme was coded), because it will then automatically be reapplied to a lot of themes without having to remember to manually add it every time if you change your theme in the future.

Obviously this will only remove it from your own blog for anyone who may visit it. If you never want to see this warning again on other people's blogs you can also add this custom filter to your ad block:

tumblr.com##.community-label-cover__wrapper

Unfortunately I do not have an easy tutorial on hand for this one as the method will depend on your specific ad block app or extension.

Some additional notes:

After adding the theme code and saving the changes, give it a minute to update as it sometimes takes a little while for the page to refresh.

The warning overlay only seems to appear if a "mature" post is on the FIRST page of your blog, which is still annoying and makes the whole thing even more pointless and stupid because what if someone visits any other page of your blog, and oh no, happens to see "mature" content they weren't warned about?!

The warning also appears on direct links to "mature" posts.

This hack has NOTHING to do with entire blogs that have been flagged as NSFW. It only works for non-flagged blogs with custom themes that happen to have individual "mature" posts.

[definitelyamyyy]

late replies shouldn't be considered a red flag, instead, it should be normalize. when a person replies late, it's either they're busy or they simply don't have the energy to talk. they are either sorting out their priorities and obligations, or dealing with something mentally. be matured enough to understand.

[marichive]

𝐒𝐔𝐆𝐀𝐑 & 𝐒𝐏𝐈𝐂𝐄 *

Assorted memes of a suggestive and sexual nature, intended for the spicier type of interactions. Be mindful of your partners' boundaries! Change pronouns / etc. as needed, and feel free to combine the sentence prompts with the action and / or location prompts when sending if you want.

tw: strong sexual content , minors DO NOT interact with this meme at all!

𝐒𝐎𝐅𝐓 𝐋𝐎𝐕𝐄𝐑𝐒

❝ I just want to look at you like this for a moment. ❞

❝ Do you know how long I’ve been waiting for this? ❞

❝ Your heart is beating so fast. ❞

❝ Be gentle with me. Please. ❞

❝ I’ve never done this before. ❞

❝ I want to learn. Teach me. ❞

❝ Show me how to please you. ❞

❝ I want to give you everything tonight. ❞

❝ That feels so good ─ ❞

❝ Don’t stop ─ ❞

❝ You won’t break me. I promise. ❞

❝ I want your hands on me. ❞

❝ Make love to me. ❞

❝ I need you, your lips on my skin. I need you deep inside me. ❞

❝ Can’t you see what you do to me? ❞

❝ I don’t want to repeat my innocence. I want the pleasure of losing it again. ❞

❝ There is no taste sweeter than yours. ❞

❝ Look at you, what a mess you are. ❞

❝ You’re doing so good for me. Keep going. ❞

❝ I’ll taste every part of you before the night has ended. ❞

❝ No one else can make me feel this way. ❞

❝ I am already yours. Now I want you to lay your claim. ❞

❝ Your body sings to me. ❞

❝ I know you’re close. Just let it go now. Give in to it. ❞

❝ I want to feel you come undone. ❞

❝ Shh. Quiet love. They’re going to hear you. ❞

❝ I want to feel your fire, even if it burns me. ❞

❝ You take me so well. ❞

❝ You look so beautiful like this. ❞

❝ I never knew I could feel this good. ❞

𝐈𝐍𝐓𝐄𝐍𝐒𝐄 & 𝐃𝐈𝐑𝐓𝐘

❝ God whispers to us in our pleasures. ❞

❝ I’m going to fuck you until your legs shake. ❞

❝ Take me. I can’t bear this anymore, just take me. ❞

❝ You’re dripping already. ❞

❝ Good girl, take it all. ❞

❝ I’m going to fill you over and over again. ❞

❝ Harder, god, harder ─ ❞

❝ Did I say you could stop? ❞

❝ Show me how much you want it. ❞

❝ Give me your mouth. ❞

❝ Spread yourself for me. ❞

❝ I’m going to leave you aching in the morning. And then I’m going to take you again. ❞

❝ Louder. Don’t hold back on me. Let me hear your pleasure. ❞

❝ I want to hear my name on your lips and make you come. ❞

❝ Don’t come until I tell you to. ❞

❝ If you wanted soft and gentle, you’ve come to the wrong person. ❞

❝ I don’t want soft. I want to ache for you when you’re done. ❞

❝ I like the marks. They stay with me even when you must leave. ❞

❝ Use me. Fuck me. Do whatever you want, but god, please touch me. ❞

❝ They’ll all know your mine when they hear you screaming my name. ❞

❝ You need relief. I can give you that. ❞

❝ You’re not leaving this bed until I’m done with you. ❞

❝ I want to spend every night buried inside of you, pleasing you, fucking you. ❞

❝ I like it when you lose control, when I can feel how desperately you need me. ❞

❝ You’re my good girl, and my girl deserves the best of me. ❞

❝ Such a good boy, always eager to please. ❞

❝ You look like an angel; it’s only right that I fuck you until you see heaven. ❞

❝ Your body is my place of worship, and it’s time for me to say my prayers. ❞

❝ This is my favorite seat. ❞

❝ Watch me ride you. ❞

𝐀 𝐁𝐈𝐓 𝐎𝐅 𝐀𝐍𝐆𝐒𝐓 & 𝐉𝐄𝐀𝐋𝐎𝐔𝐒𝐘

❝ Does he fuck you like this? ❞

❝ We shouldn’t be doing this. ❞

❝ I missed you beyond words. Every night I dreamt of you, of what it would be like to hold you again, and I’ll be damned if I let the chance slip through my fingers when you’re right here. ❞

❝ Why can’t I keep myself away from you? ❞

❝ This could be our last night together. I’m going to make it count. ❞

❝ Don’t bring emotions into this. This has always been about pleasure, nothing else. ❞

❝ We fuck. It doesn’t need to be more complicated than that. ❞

❝ I have no right to touch you, so why do you ask it of me when I know I am unworthy? ❞

❝ You should be mine. I don’t care what they say, you are mine. ❞

❝ You dare have the audacity to pretend like you’re not mine in front of them? We both know the truth; even now look how your body reacts to me. ❞

❝ Do you honestly think I could possibly want anyone else when this is what you do to me? ❞

❝ You’re mine. Only mine. ❞

❝ I want them to hear us. I want them to know you belong to me. ❞

❝ Claim me. Have me in a way that anyone who looks at me will see your passion written upon my skin. ❞

❝ You’re not mine. You could never be mine. Yet I want you anyway. I want you so badly that it burns me inside. ❞

❝ You’ve ruined me for all others. ❞

❝ I can’t stop myself from wanting you, no matter how much we both know we shouldn’t do this. ❞

❝ I don’t care if they see. Part of me wants them to. ❞

❝ You’re not good for me. So how can you make me feel something no one else can? ❞

❝ This is the last time, then never again. This has to stop. ❞

𝐏𝐇𝐘𝐒𝐈𝐂𝐀𝐋 𝐀𝐂𝐓𝐈𝐎𝐍𝐒

one muse gives the other oral

one muse rides the other

one muse grinds on the other

one muse takes the other from the front

one muse takes the other from behind

one muse takes the other anally

one muse holds the other down during rough sex

one muse pleasures the other with their hand

one muse sits on the other’s face

one muse controls the other’s movements by grabbing their hips

one muse ties up the other

one muse uses a toy on the other

our muses engage in edging or orgasm denial

one muse makes the other have multiple orgasms

our muses engage in sensory play (blindfolds, ice, etc.)

one muse shows the other a new position

one muse touches the other on the outside of their clothes

one muse dresses up to seduce the other

one muse undresses the other

one muse strips for the other

one muse (or both) pleasures themself for the other’s view

one muse leaves marks on the other

one muse watches the other have sex with a third party

our muses are being watched by a third party

our muses have a threesome

𝐋𝐎𝐂𝐀𝐓𝐈𝐎𝐍𝐒

in a bed

on the floor

on a couch or chair

in a bath, shower, or pool

in a semi-public place

against a wall

on a table or counter

in the kitchen

outdoors

in a tent

on a rug in front of a fireplace

in a sacred place

in a stairwell

in a ruined building / castle

in a garden

by the ocean

in an inn / hotel

while traveling

in an office or conference room

in a dream

[tampire]

Here have more of my discounted memes

[voluptuousbbwww]

Woke up in pink panties 😊

#Me

[anders-hawke]

“I’ve always liked Lady Whistledown,” Penelope said, her chin rising until her bearing was almost regal. She looked to Cressida, and their eyes caught as she added, “And it would break my heart if it turned out to be someone like Lady Twombley.”

— Chapter 11, ROMANCING MISTER BRIDGERTON

[yunogf]

"When I was little, I really liked everyone, all people. I loved everyone around me. Everyone I met became my friend, and if I were like that in the past, now I feel a bit more [that] I think about the circumstances and the situations when I meet new people. I guess you can say I've matured. I have moments where I feel pure and uplifted like a child, and sometimes, I feel more mature, without forcing to make that happen. I feel like that dichotomy of emotions exists in me." - Jaehyun, "Journey of 'J': Jeong Yuno"

[whiskeysweetheartt]

[apotelesmaa]

Maka is so funny to me because she’s like “I’m responsible and reasonable and super smart I’m the mature one out of my friends. Ok hold that thought I have to run headfirst into danger like a small suicidal animal and get distracted during the fight by petty arguments with my weapon.” She hits people with books. Her idea of conflict resolution is “you can punch me if you want.” The two other meisters main characters are a guy who eventually gains god like powers and a literal death god. Maka does not have godly abilities but what she lacks in the op powers department she makes up for with a complete lack of self preservation skills, poor impulse control, and sheer stubbornness.

[randomfoggytiger]

"My Touchstone": the Turning Point

Dedicated to the anon who asked:

I would love to hear your thoughts on how the “touchstone” conversation changed Mulder and Scully’s relationship. Was it this scene that propelled them into a romantic relationship?

To answer that question, I have to back up a bit to Fight the Future. Actually, let's back up even further-- to the cancer arc-- so we can get a clearer picture of the relationship between these two Avoidants (post here.)

FORWARD AND BACKWARD

Mulder realizes the extent of his feelings for Scully in Memento Mori.

I posit Scully's already known her feelings since at least early Season 2; but her temperament leads her to suppress, rather than express, emotional wants or needs. Never Again (posts here and here) was the result of both Season 3's on-and-off jealousy and Mulder's avoidance of a normal life (Home, post here) and search for his tragic soulmate (The Field Where I Died.) Because of this, Scully tries to pinpoint and grapple with her "endless line", realizing-- too late-- that she wanted recognition (and more) from Mulder (as spelled out in the script, here.) Mulder realizes this, too, and lets the matter drop.

For Scully, it's advantageous to keep everything unsaid, largely because Mulder isn't ready... for anything, really (as discussed in the Home post linked above, and demonstrated by this clip.) Everything he's been drawn to or attracted by has an ephemeral, fleeting resemblance to some other normalcy he craves (post here)-- but has never, ever lasted. Except Scully.

So, Mulder realizes his feelings, Scully escapes cancer by the skin of her teeth, and we arrive at Detour... where he runs from the motel, chasing after his monster case.

Some read this moment as Mulder realizing and dodging Scully's intentions, others that he was completely blind to her intentions. I file it as the latter; but we also have ample evidence of Mulder noticing Scully's actions briefly before losing focus in favor of another tantalizing mystery (ex. the beginning of The Unnatural.) He misses the forest for the trees in his personal life-- or rather, he doesn't see the value in fixating on it beyond a few superficial check-ins here and there (we'll get to that.) Scully's always by his side, they have the work, he wants answers, why change? It's the same question he asks her in other contexts (ex. "Why now? Why Boggs?" in Beyond the Sea.)

Season 5 continues. It's a rough year for Mulder (post here.) And for Scully: The End is another episode on a pile of episodes where she feels she's "failed" Mulder, leading to her dispirited goodbye in FTF.

Thus, we arrive at Fight the Future: the moment that forces Mulder to make a confession or lose Scully. To him, her importance was never in question; but the hard part is admitting how broken he feels without her. He was afraid to do more in their partnership because... what would happen if things changed? His fear is rooted in the "What if?", and holds him back from a course of action. Scully's fear is rooted in "Did I choose right?", and manifests after she decides on a course of action (A Christmas Carol's doubts after joining the FBI, Never Again after four years in, all things after the Season of Secret Sex, etc.)

Despite the good that came from his hallway, Mulder's greatest fear is realized when Scully nearly dies after he confesses he needs her. This kicks him into retreat mode (post here)-- "go be a doctor", he tells her. It's Scully who says, "I can't", and clings to his hand, who refuses to give up. That is important, because it's another example of how reliant on Scully Mulder is, to the detriment of his own growth, at times.

Mulder takes her words to mean that Scully is unflinchingly by his side-- which is true. What isn't is his next assumption: that they're on the same page.

They're not, really.

THE IMPORTANCE OF SEASON 6

In The Beginning, Scully hasn't felt the need to change-- she's a scientist, she needs proof-- but she hasn't confronted and overcome her unnecessary doubts, either. Mulder, meanwhile, demonstrates he hasn't changed, either-- and, more importantly, how far removed he is still if from a functioning relationship... as Scully suspected. Hurt that she didn't back him up before their superiors-- which resulted in them losing the files-- he hides behind frustration and anger. Scully feels rejected, and lo and behold! Diana appears; and wins back some ground with Mulder while Scully loses Gibson Praise. By the end of the episode, Mulder doesn't want to cosign to Scully's theory because her science, he thinks, betrayed them before. And lo and behold! It kind of did. But it didn't this time, when it's too late.

Where does that place them early Season 6? As an enclosed unit, with Mulder pillaging the basement-- without consulting Diana-- and sneaking off on his own or taking Scully with him on his misadventures. For all that could be wrong between them, a lot is still right; and both put in the effort to include and watch out for the each other.

Then Two Fathers and One Son (posts here, here, and here) shakes them apart: Mulder doesn't want to believe yet another ally is using and manipulating him; but gives in and goes to investigate Diana when Scully threatens to walk if he doesn't listen to her. He's speared in the Achilles Heel, however-- fatalism in the face of the inevitable-- and almost gives up completely before Scully yells him back from the brink. This happens again in Amor Fati; but he finally learns his lesson there. Scully is visibly angry with him at the end of the episode... and then we have the next few episodes as if nothing happened.

Agua Mala completely resolves their festering from One Son (yes, it's a blink-and-you'll-miss-it resolution; and, yes, I need to sit down and write that out sometime) and propels them into their old-- dare I say, lighthearted-- routine and banter (i.e. Monday, Arcadia, etc.)

An important side note: To accurately place where Mulder and Scully were romantically during this period, we have to figure out if there was lingering tension post One Son. The facts simply don't support that narrative. We see in Arcadia that Scully was enjoying herself at first-- only brushing Mulder off initially when he used her as part of his schmaltzy facade (during their arrival)-- until her partner began poking at her, too (posts here), to maintain distance between them (post here.) We see in Alpha (posts here) that their banter was fun and lighthearted until she found out Mulder kept information relevant to that case from her; and that that information was yet another woman he wanted her to trust without question because he did. (Regardless, she still looked out for his best interests and sympathized with him after Karin's death.) We are shown in Milagro (posts here) that her tops are dropping lower and lower in an unconscious desire to grab Mulder's attention; but more importantly, that Mulder still hasn't considered her in all the ways Dana Katherine Scully exists. Yet, tension only arises when Scully feels overlooked, not displaced-- a creeping of her old assumptions and Mulder's missed signals in Never Again 2.0, not a minimization of her value ala One Son. We see in The Unnatural that she's survived Padgett and is setting subtlety aside for the first time in their relationship; so no tension there at all.

In short, we see Scully moving on and wanting Mulder to move on with her, too... and Mulder either not getting the hint outright (the beginning of Arcadia and Milagro), or getting distracted by the next shiny case instead, despite her efforts (Alpha, The Unnatural.)

The Unnatural: stage one of Mulder's mature development (and you can thank David Duchovny for each of these stages, by the way.) I.e. Detour with unmistakably romantic overtures, in case Mulder missed them the first time (which seems to be a pattern for Scully: near death, survival, resolution, and overtures.) Mulder would have to be thick to miss her obvious flirting, but he still loses himself in another x-file and runs off to badger Arthur Dales about it-- meaning, at this point, Scully has his attention, but not his full attention. Scully takes this as a matter of course-- because that's how Mulder's been from Season 1 (i.e. The Jersey Devil's "Unlike you, Mulder, I would like to have a life"/"I have a life.") However, Mulder finally learns "the mystery of the heart"; and decides to test this out with Scully on the baseball field. It's a small, small, small step because he's not used to this "normal", this appreciation for small, perhaps insignificant things. More to the point, he's probably afraid to do more-- was afraid she wouldn't even show up, per his expression; and will be afraid to follow-up, per his actions in Amor Fati and Millennium. But he did it; and Scully knew what Mulder was meaning to demonstrate ("Shut up, Mulder, I'm playing baseball.), as Duchovny intended.

So, where does that take us? The IVF arc, of course (post here.) It's a failure, splat (or not a part of some fans' canon); and that keeps up moving rapidly along to the next beat in their relationship.

Field Trip. Oh, boy. Field Trip: the episode that prepares both agents for the foundational upheaval of the Biogenesis-Amor Fati arc. Scully can't solely rely on her pat scientific rationalizations; and Mulder doesn't trust her blind loyalty and belief. And both are undeniably coded as a couple throughout their "trip." The main takeaway from this experience is that they doubt themselves more than they doubt each other; and their doubts in each other pale in comparison to their unshakeable trust.

MY TOUCHSTONE

That leads us neatly to Biogenesis-Amor Fati... which we shall mostly skip for brevity's sake, as this arc accomplishes very little (despite its exorbitant screen time.)

Diana shows up, but has to admit Mulder has been asking for Scully "since last night." The barb doesn't land for Scully (while the implication highly amuses Skinner, post here); and after their resolution in Season 6-- Milagro and The Unnatural and the IVF arc and, most recently, Field Trip-- she remains unshaken in her conviction of Mulder's loyalty. She flies to Africa, touches the baby-restorer ship, and accomplishes... very little before flying back and finding out Tena has turned her son over to CSM.

Mulder, meanwhile, is stuck in dreamland. @cecilysass wrote an incredible post on the topic here; and @jaspertedd and @deathsbestgirl's theories-- that Mulder's dreams are influenced by those around him (post here)-- are interesting and pertinent additions. If true, that speaks to a deeper hole in Mulder's psyche he's yet to repair: doubting himself so much so that the influence of others takes precedence over his conscience. We've seen that before many times (one of which is Diana's manipulation in One Son, another of which was CSM's temptation in Redux II); but in each case, it was Scully-- a stronger moral barometer-- that kept him back or influenced his courage in the right direction. Mulder doesn't need to borrow her conscience, just her strength to act on his own.

"You were my constant, my touchstone"/"And you are mine" speaks volumes about where these characters are.

Mulder needed to accurately see that a life, a world where he was handed all his answers and given atonement for all his trespasses was empty and shallow without Scully. He needed, further, to shake off that side of himself that would rather wallow than fight, that put Scully in a position, over and over again, to save his life (Demons) or to talk him back from the edge (The Ghosts That Stole Christmas, though a mirage, was based in a truth.) For Mulder, Amor Fati is the crest of a long, arduous hill that took him decades to climb; and now tips him down, at last, towards maturity, self-actualization, and closure.

Scully needed to come to a different, frightening realization: that the cornerstones of her beliefs might be built on lies, too. She needed to open her mind to possibilities that challenged or even betrayed her beliefs-- to overcome the fear inside that was still inflicting self-doubt. For Scully, Amor Fati was the beginning of the end of her security in "the facts"-- but one that gave her the opportunity to step away from "the tried and true" in order to find herself: her intuition, and her happiness.

"You were my constant, my touchstone"/"And you are mine" is the verbalization of their mutual revelations.

THE END FOR MULDER, THE BEGINNING FOR SCULLY

Amor Fati, for Mulder, was a Part 2 to Redux II and a do-over for One Son: he was confronted by his conscience and learned, once again, to stand by it. But not alone, not yet. For Scully, it was the beginning of her journey, one that culminates in all things (post here.) Her relationship struggles aren't rooted in an upfront fear about moving forward in a relationship-- only what comes after, a pattern in all her relationships and major life decisions (post here.)

Yet, Mulder doesn't make a move in his hallway-- doesn't even try-- after his touchstone speech. Why?

Because Scully was overwhelmed and conflicted and needed space to work through her (Diana-adjacent) guilt-- the same feelings he'd battled with throughout Season 4 and 5: failing and failing and failing. With a little space and a little time for him to recover and a little case thrown in to get her back on track (Hungry), their equilibrium is reestablished.

And that leads us to Millennium and the Season of Secret Sex.

It's Mulder who initiated his confession in Fight the Future, it's Mulder who invited her to play ball under the stars, and it's Mulder who affirmed she was his touchstone; so, it's Mulder who initiates their first kiss. Scully continues to hold herself in a waiting position-- standing at attention, Starbuck-style, until her captain makes the first move (something that all things shifts, as well)-- but all bets are off when he does. Mulder's first step initiates all her ensuing ones: jealously knocking into him in and playing with his tie in Rush, teasing about all being "right with the world" when they (hypothetically) return home in The Goldberg Variation, and each and every fond ribbing she tosses his way. There's a resolution between the two that isn't shaken until En Ami's trickery (which... was a topic all its own, post here) and all things's doubts.

Then we arrive at Closure. This episode is the resolution to Mulder's character arc-- not only because he found his sister and, effectively, laid her to rest, but because he learned to trust to her happy ending without needing Scully to believe him. For the first time, he exercises a "conscience", if you will, separately from Scully-- she is his touchstone, still, but not his whole being. A monumental change from Redux II and Folie a Deux and Fight the Future: then, it was "I knew you'd tell me if I was making a mistake" and "no one else" on earth believes him and "I don't want to do this alone. I don't even know if I can." Now, she remains his touchstone, his realignment; but he can stand on his own two feet without curling into whatever shape will earn him love from others.

all things is to Scully what Closure was to Mulder. Her touchstone claimed her as his in Amor Fati; and Scully thought this meant Mulder promised to always be there when she navigated strange waters... and then he ditches her for crop circles in England. Mulder doesn't understand why she's making a big deal of weekend work now instead of every weekend before; and the two separate in not bad but not great spirits (ala Never Again.) Feeling adrift, Scully runs into Daniel Waterston, and we know what happens from there. In short, all things forces Scully to have distance from Mulder's influence-- as Amor Fati had forced him from her-- in order to choose, with a clear conscience, if this path, this touchstone, is the right one for her. all things finally sets her free from her inhibitions: she guides Mulder back to their apartment and lets him ramble on and on without feeling displaced or devalued by his split focus.

Scully wouldn't be driven to this crossroads and its resolution had not Mulder calmed her self-reproach and claimed her as his "touchstone", allowing her to come back to and lean on that truth in her darkest hours. As we know, she's always relied on Mulder's strength-- Irresistible, Memento Mori, Elegy, etc.-- but had yet to rely on her own. all things, finally, guides her into her own strength and abilities.

COULD A RELATIONSHIP BETWEEN THEM HAVE WORKED BEFORE?

Realistically, anything can work with enough dedication and elbow grease (from both parties.) But, actually factually, the reciprocity needed for an intimate relationship wouldn't have been equal until after Mulder's return from "another life, another world." While they loved each other, Mulder's mercurial ways would wear on Scully's security, and Scully's sudden doubts and distance would dig Mulder's insecurities deeper in.

Mulder, the FBI profiler, was more strongly aware of this than Scully; while Scully, the scientific medical doctor, was more alertly aware of Mulder's constant retreat and instability than her own conflicting, distancing, brewing emotions. He had to learn to stand on his own two feet: a man who railed against the sky and stood up to his superiors and welcomed an existence as a pariah; and who would crumble the instant love was offered then revoked. She had to learn to trust her own instincts: a woman who rigidly tried to rein in her insecurities through facts and detached logical thinking; and who would implode with doubt the instant someone she respected or trusted questioned her decisions or intuition.

Could it or would it have worked? Yes, I think so. But Mulder and Scully were, I believe, happiest to begin a relationship when they did, on their own terms. They needed to be each other's touchstone first, not his "one-in-five-billion" or her "strength."

Partners, in all things.

CONCLUSION

"My touchstone" was the awakening for both: of how far Mulder had come, and much farther Scully had to go. Moreover, it solidified the nature of their relationship: unshakeable reliance and dependable trust, even if the whole world was (is) falling apart.

In short, Anon? Yes.

Thanks for reading~

Enjoy!

[laviemorteart]

Good morning 🤭🖤

[tampire]

I'm right about my otps btw

[userkuromi]

in the source link or by clicking here, you'll find 311 268x151 gifs of eric bogosian in interview with the vampire (season 1, episodes 1-4, 2022). all gifs were made by me from scratch. my rules can be found here but tl;dr: just don't claim them as your own or repost them in gif hunts. a like or reblog is appreciated if you use these gifs but not mandatory. enjoy!

content warning(s): eating, drinking

[whiskeysweetheartt]

[succubuspuppy]

cross my heart and hope to die

[faeriefully]

C. S. Lewis is credited for popularizing the three Ls explanation for the logic of Christ’s divinity.

Taking the gospels and Christ’s own words, there are only three options. Christ is either a Liar, a Lunatic, or He is Lord of all (God incarnate).

Why is this the only logical conclusion?

Christ Himself claims to be God.

In the book of John we find many “I Am” statements made by Christ.

“He said to them, “You are from below; I am from above. You are of this world; I am not of this world. I told you that you would die in your sins, for unless you believe that I am he you will die in your sins.””

‭‭John‬ ‭8‬:‭23‬-‭24‬ ‭ESV‬‬

*note that the “he” is an addition for English translation. The Greek does not contain it. It is Ego Eimi: I Am that I Am.

—

“So the Jews said to him, “You are not yet fifty years old, and have you seen Abraham?” Jesus said to them, “Truly, truly, I say to you, before Abraham was, I Am.” So they picked up stones to throw at him, but Jesus hid himself and went out of the temple.”

‭‭John‬ ‭8‬:‭57‬-‭59‬ ‭ESV‬‬

—

“Jesus said to them, “I am the bread of life; whoever comes to me shall not hunger, and whoever believes in me shall never thirst.”

‭‭John‬ ‭6‬:‭35‬ ‭ESV‬‬

—

These two, along with others “I Am” statements in the book of John, are constructed in the Greek as Ego Eimi.

“The Greek construction lying behind this phrase is very important. To emphasize the “I” in an “I am” statement, writers and speakers would use the construction ego eimi meaning “I, I myself, am.” This is done very rarely in the Bible but ego eimi is the construction we find behind every “I AM” statement in the gospel of John. Significantly, the ego eimi construction is also found in the Greek translation of Exodus 3:14 when God declares of Himself: “I AM WHO I AM.” Over and over again when Jesus utters these “I AM” statements, He is making reference to His own deity. No first century Jew who was trained in the Scriptures would have missed this.”

— R. C. Sproul

—

Why does this matter?

Because, if Jesus is claiming the name of God, claiming to be divine, to be able to forgive sins, then there is a lot of weight on the validity of his statements.

Jesus is claiming to be God.

This means:

He is either a liar— a blasphemer in which is was correct for the Jews to attempt to kill Him. It would also mean that He is not a “moral” teacher whose lessons should be obeyed. Nothing He says is of trustworthiness. He is an enemy of God. And we should not believe, obey, nor follow His teachings. He is incapable of forgiving sin. He is a sinner. He cannot provide righteousness on our behalf. He cannot atone for sin nor bear the wrath of God without perishing. He is temporal. He is dead. He offers no salvation.

Or

He is a lunatic. A madman who believed Himself to be God and a blasphemer. Nothing He says is of trustworthiness. In which, again, it is correct for the Jews to attempt to kill him. He is an enemy of God. And we should not believe, obey, nor follow His teachings. Again, he is a sinner, incapable of providing substitution or forgiveness. He is dead. He is temporal, unable to atone for anyone, not even himself. He offers no salvation for anyone.

OR

He is Lord.

He is telling the truth. He is the Bread of Life. He is the Light of the World. He is the great I Am. He is the good shepherd. He is the lamb slain before the foundation of the world— capable of forgiving sin, able to intercede for us. He is our comforter. He is our caretaker. He is perfect, incapable of sin, deceit, lies, or failure. He is infinite and eternal, capable to bear the wrath of God without perishing for all His people’s sins, present, past, and future.

He provides righteousness and salvation for all who place their trust in Him.

He is God, our savior.

—

If Jesus is not God, there is no salvation.

Listen to our Lord who calls you,

“All things have been handed over to me by my Father, and no one knows the Son except the Father, and no one knows the Father except the Son and anyone to whom the Son chooses to reveal him. Come to me, all who labor and are heavy laden, and I will give you rest. Take my yoke upon you, and learn from me, for I am gentle and lowly in heart, and you will find rest for your souls. For my yoke is easy, and my burden is light.””

‭‭Matthew‬ ‭11‬:‭27‬-‭30‬ ‭ESV‬‬

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Come. Repent. Cast your burdens and your sin upon Jesus, our God who can remove your iniquity and comfort your grief.