#mini character studies

[python-nebula]

I will never not be devastated at the fact that Edwin, this (forever-)16-year-old who doesn't know how to fight like Charles, or use a weapon, or anything like that, can run so much faster than Charles, or anybody in the show for that matter. Because he's had to. He's had to for 70 years. And he's still waiting for the other shoe to drop.

Crystal (in her 'past life') learnt to insult people because (it seems like) that was the only way people would listen to her (aka her parents).

Charles learnt to immediately go on the offensive (to protect others, not himself) because he can't let anyone else be hurt the way he was hurt by the person who was supposed to care for him.

Niko learnt to forgive people and take the kindest route because that was how her dad taught her to be, how he'd want her to be.

Jenny learnt to close herself off from people because she's been too open in the past, and she can't afford to be vulnerable again.

And Edwin learnt to run, because there was no point in fighting back, because the only way he wasn't going to have to watch his own corpse be horrifically murdered again and again was if he ran.

The final scene of the show is the first time he's stopped in one hundred and eight years.

[yawnderu]

I'm sorry but being with simon at the beginning of a relationship would be so awkward.💀

Like...

You can't take pics, you can't know about his routine, you can't know about his work and so goes on.

So or are you with him for the cock or because you have the syndrome of falling in love with strange men

>This turned into a mini character study. 😔🗣️

Good dick has taken you places you wouldn't even go to with a gun.

Simon is a kind man. Truly, he is. He's just... slightly strange. You don't know much about him other than the fact that he has served in the military— something he never even told you, you simply guessed by the dogtags he never takes off and the plethora of scars adorning his pale body, a privilege you didn't get until he realized he could trust you... for the most part.

For a man like Simon, vulnerability was nothing but a highly-desired privilege. Something he wouldn't allow himself to have ever again, hiding his face under different masks that caused the reactions he was looking for— intimidation and fear, the skulls doing nothing more than serving the purpose of representing all he was, a ghost. A man who died a long time ago, way before he was tortured by the greedy, cruel hands of Manuel Roba.

It's not that Simon doesn't love you, he simply doesn't know how to allow himself to be vulnerable. How to put down the walls he spent a lifetime building, serving as shelter from his father's abuse, nothing but a mere way of shielding the broken pieces of his soul, not allowing anyone to trample what little he had left.

... not until you came, at least. Sweet little thing, never moving away from his side even when Simon told you nothing good comes from men like him. Perhaps it's unfair, yet Simon only warned you once. Had a long chat with you about how you could do better— only for you to find yourself already tangled on his web, unable to leave even if you wanted to... and good for him, because the idea of leaving him never once crossed your mind no matter how difficult he could be.

For you, it was a test of patience and care, wanting to peel every single layer of the man Simon Riley is, yet for him, it's a new chance at life. The holy light, in a way, guiding him into a path he never found himself roaming, a path he never even thought he'd have the chance to see, not when he was such a tainted, dirty man, sins that would last him a lifetime easily forgotten the moment your arms wrap around him, holding him with such tenderness one would've thought he's made of expensive fine china rather than scar tissue and trauma.

It's not like Simon is a bad partner— quite the opposite, truly. He has a way with words, reassuring you that there'll be a time where he's able to reveal more about himself and what he does, having a scheduled delivery of flowers and food almost every day he's gone, wanting to keep you happy even when he's on the other side of the world, gaining more enemies by the day.

... And yet he is not afraid anymore. His enemies die with Ghost, by his punishing hand or that of an ally. The moment the mask comes off, he's your Simon. Yours and only yours, never even allowing himself to look at other women, he has the most gorgeous one by his side, one that loves him with all she has, making him feel like a proper lad for the first time in his life.

[aquapolis]

can we talk the fact that when fujiko lost her memory her first observation about lupin was how he looked like a nice person and he reacted like that was the most painful, horrible thing he'd ever been told by a woman who's literally held him at gunpoint multiple times I'M DYING TO TALK ABOUT THE FACT TH

[catchyhuh]

is there anything more insanely insane than the fact that lupin calls himself a hero repeatedly in an exaggerated jokey way to the point that there's even a fucking song about it that's assumedly sung from his pov and yet whenever someone asks him if he's a good person he goes. mm. well. hm. well no not really. in fact i'd be rather disturbed if you thought i was in all honesty!

[voided-peach]

First size difference drawing and it was fun! Looks like @vanillebuns oc wandered a little too far from home

[cinderoo]

ironhide: anime girl edition

"When are we gonna start bustin' Decepti-chops?"

[cynameru]

hi what if i told you i'm no longer sane

[orchideae]

Me over here: Yelan in her 20s? I can't warrant it. 31 is the go-to on this blog for madame.

[marvus-xoloto]

WIP Wednesday

Tagged by @dalishthunder

Tagging @choccymilky and @happyabsence and also any other creative that sees this 😊

Thank you for thinking of me! I actually have mostly stopped writing these days, not out of disinterest but because I’m in the middle of moving cross country and it has been incredibly stressful and mind consuming. But I did start working on a novel a while back! I still need to take MSPAR out of my main character, and perhaps shift it into third person 😂 this is the last thing I wrote for it:

[iolypse]

no stroke of genius

There's an empty coffee mug on the desk.

The handle is chipped. A brownish stain smears the bottom ridge, brackish liquid pooled where the slight tilt of the wood demands it. His chair is tipped haphazardly against the wall, cushion torn open at the seams. Papers and pins and red strings scatter the floor, pieces of evidence either destroyed or outright missing. The lanterns have been left up with pinched out wicks. The room still smells faintly of ash and lighter fluid, his departure painfully raw. Somehow, this is what breaks him.

Cellbit is gone.

Forever walks through the remains of a genius and does not mourn. There is nothing to mourn, no such thing to reminisce. Traitors do not deserve this kindness, pray as he might that this is all another lie.

It has to be. He shakes his head, righting the chair to its proper placement. There are no prayers to be made. There is no but. This is all Cellbit's sick, twisted, genius design.

This is under control. This has to be under control. There is no other option.

Forever backs against the desk and feels more than sees the shattering of the mug as its leg breaks under his force. It resonates within the empty cavity of his chest, the lingering pitch electric through his fingers, tangy on the tip of his tongue. It tastes of cocoa and bile. His hair raises on the back of his neck.

A splinter digs into his hand. A shard pierces the bottom of his sandle. There is not a thing in the room left unbroken.

[bethanydelleman]

Each Jane Austen Hero Writes a “Wentworth Letter”

We all love Wentworth’s famous declaration of love:

"I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.

"I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.” Persuasion

What if Austen’s other heroes wrote similar declarations of love?

Charles Bingley to Jane:

(“Oh!” cried Miss Bingley, “Charles writes in the most careless way imaginable. He leaves out half his words, and blots the rest.”

“My ideas flow so rapidly that I have not time to express them—by which means my letters sometimes convey no ideas at all to my correspondents.” Ch 10)

Fitzwilliam Darcy to Elizabeth:

Scene: Darcy is back in London after not being able to speak to Elizabeth at the Longbourn party (Ch 54). He begins to write Elizabeth a letter

Miss Bennet,

I cannot be a slave to opportunity; I must speak to you by what means are within my reach. Angry and resentful I might have been after we parted in Kent, but that has long since taken a more proper direction. Upon your arrival at Pemberley, my object has been to show you every civility within my power. I have loved none but you. I went to Longbourn to attempt to penetrate your feelings. Please tell me if you feel as your did last April, a word, a look, will be enough to silence me forever.

I offer myself to you again with a heart even more your own than when you almost broke it. You alone have brought me to Netherfield. For you alone, I deliberate and arrange. Have your bright eyes not perceived this? How can your quick understanding not comprehend my wishes? I can hardly write. You are too good to trifle with me. If you do believe in true attachment and constancy among men, believe it most ardent and undeviating-

(The letter is left unfinished as Lady Catherine is announced…)

 Edward Ferrars to Elinor Dashwood:

Scene: Marianne has just noticed the hair ring that Edward is wearing, he lies and says it is his sister’s hair but it is really Lucy Steele’s (S&S, Ch 18). He writes this letter:

Miss E. D.

I can no longer be silent; I must reveal the truth to you that I have hidden for too long. I love you, more completely and wholly than I myself believed possible. Yet, I cannot offer you a heart that is completely your own. Long before you were known to me, I bound myself to another. I am engaged to Lucy Steele and have been these last four years. I know you could not love me if I betrayed my honour and therefore, I must live in agony, without any hope of future happiness. Weak I have been, inconstant I have been, but you are too good, too excellent a creature. I could not help but love you.

I was young and foolish when I proposed to Lucy and I have learned better since. You have taught me what an amiable woman can truly be, but it is too late. I can hardly write. I am every instant hearing something which overpowers me. Why did I come to your home without any hope of securing you as my own? I cannot think and plan, I can only exist in acute misery. I must go, certain of my terrible fate. When next I enter your mother’s house, I fear it will be sealed forever.

Your friend, E. F.

 Colonel Brandon to Marianne Dashwood:

Scene: Marianne is in bed sick and Elinor has requested that Colonel Brandon retrieve Mrs. Dashwood. This letter is written before the horses are ready. (S&S Ch 43)

Miss M. D.

I write this in haste before I depart. You are too ill to be seen or spoken to; I cannot remain in silence so I shall speak to you by what means are within my reach. I love you with all of my soul. Dare not believe that there is no such thing as a second attachment! That I have loved before does not diminish the strength of my affection for you. My love did not have an early death. I would offer myself to you with a heart all your own, despite the tragedy that almost broke it, many years ago. Is it not more wonderful that a fire, extinguished thoroughly by disappointment, may be reignited? Believe when I say that a first flame, alluring as it may be, is little when compared to a deep-rooted admiration.

You alone have brought me to Cleveland, for you alone I hope and plan. Can you fail to have understood my wishes? I can hardly write. I am almost overpowered when I think of how much wrong has been done to you. You are too good, too excellent a creature! I would do you justice. He was never worthy of you- but I shall not dwell on resentment. If you can still believe in true attachment and constancy among men, believe it most fervent, most undeviating in me.

I will go, uncertain of my fate, but I will return. A word, a look, will be enough to decide if I shall remain in your company or quit your society forever.

Yours eternally, Colonel Brandon

 Mr. Knightley to Emma:

Scene: Mr. Knightley is in London, writing a confession of his feelings to Emma, when he finds out that Frank Churchill is engaged to Jane Fairfax.

Emma,

I could no longer listen to you and Mr. Frank Churchill’s flirtations in silence. I went to London to teach myself to forget you. It is impossible. Tell me I am not too late, that your precious feelings are engaged forever. You are too good, too excellent a creature- perfect in spite of your imperfections! I would not have stayed away these ten days if I thought you indifferent to him. I can hardly write. I cannot imagine Hartfield without you.

He is engaged to Miss Fairfax? Abominable scoundrel! He has deceived us all, but you will hear nothing but truth from me. Shall time heal the wound? Do I have hope of succeeding -

(Mr. Knightley put down his pen and ordered his horse instead, despite the rain)

 Edmund Bertram to Mary Crawford:

Scene: Edmund is visiting London where he sees Mary Crawford several times in large groups. He writes this the next day.

Miss Crawford

You pierce my heart! I can go on no longer in silence. Your friends are wrong. They are completely unaware of the nature of love. Every word they say oppressing me- do not say that happiness is based in fortune. Do not think that mercenary goals are virtuous! If only I could detach you from these mercenary and ambitious friends! They are corrupting you and encouraging your weakness of character. You were better at Mansfield, everything proper and caring as a sister. The habits of wealth and luxury are too strong here in London. Only you would have brought me here. I can hardly write; I am every instant remembering something which makes me grave. You do us no justice! There is true attachment and constancy among men.

You are the only woman in the world whom I could ever think of as a wife. I offer myself to you with a heart completely your own. Tell me that I am not too late; I regret every day that I did not come to the point before you left the Parsonage. Can you fail to have understood my wishes? I have loved none but you.  For you alone, I think and plan. Can you accept the house I mean to fit up for you and the income that will furnish such a second son? I live between hope and agony. I will go to Mansfield, uncertain of my fate.

Edmund Bertram

 Henry Tilney to Catherine:

Henry is never uncertain of Catherine’s affection, so this one is just for fun.

Scene: Henry has just arrived at Fullerton and is listening to Catherine argue with her brother (not James, a different one) about whether men or women love the longest. Basically, the same conversation Wentworth overhears Anne and Harville having. He cannot join in because he lost his voice.

Catherine,

I can no longer listen in silence. I need to be a part of this conversation. If only I had not lost my voice! This is agony! I have so many helpful examples to bring to the discussion. You cannot comprehend how disagreeable it is to be silent. I am every instant hearing something for which I have a rebuttal. Why is no one bringing up Romeo and Juliet? That is a true example of how both sexes can feel passionate love. And Cordelia’s love for her father in King Lear, another excellent example of woman’s constancy in the face of opposition. But you just dismissed the Bard’s entire compendium and all literature in general; it could have really helped your argument. More robust than women? Does he not consider what your mother has endured? You know how very highly I think of all the women in the world, especially those with whom I happen to be in company. Never mind, I shall survive. I am capable of not contributing.

I am slightly worried from your manner of speaking that you are doubtful of my love for you. Too good, too modest a creature! Catherine, you alone have brought me to Fullerton (really, what else could?). I am bound to you by both honour and affection. I would not have waited these two hours but that your brother will not leave us alone. I offer myself to you with a heart all your own. You must be made aware, however, that my father does not approve and I have told him my feelings explicitly. That was the cause of my voice failing. For you alone I ranted and stormed.

I know that your heart is mine, but if you wish to assure me of that fact, it can never be repeated too often. I shall sit quietly now, certain of my fate.

Yours affectionately, Henry

[finneganstudio]

Pige in Action!

patreon.com/Finneganstudio

[lemonjustfly]

[becauseplot]

what if i wrote wildly ooc cell/roommates au comfort fic. what then.

[zenmasterlover]

A reminder that Jackie truly never had anyone. Her parents? Neglectful. Cheerleading squad? Fake. Basement gang? Close, but she always had to proceed with caution when it came to them. She really was just a lost and lonely girl, so desperate to find her safe space.

Her bitchiness being her go to defense mechanism speaks so many volumes about how lost inside she truly is. She’s scared and has her guard up because the people that were supposed to protect her, failed her.

Cut her slack. She’s a perfect example of a young woman trying to navigate with many odds against her.

[voided-peach]

When you revive an old oc