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merriammusicinc · 2 years ago

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Casio SA-76 | Mini Keyboard Review & Demo | 44-Keys 100 Sounds 10 Integrated Songs

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There's no question that Amazon happens to be the primary place many people shop for goods, and that now includes keyboards. Huge amounts of keyboards are sold through Amazon every year.

We decided to go onto Amazon ourselves to see which digital pianos happen to be most popular and determine whether they're actually good buys, and whether or not they're worth all of the 5-Star reviews.

In today's article, we're going to look at one of Amazon's best sellers with the Casio SA-76 44-key portable keyboard.

Let's start with some background.

Casio SA-76 | General Background Battery Powered Option

The first thing that you should know is that this instrument does not come with a power adapter. It supports a power adaptor, but that's an optional extra that you'll have to add on if you want one. As long as you've got the right pin polarity and the right adapter size, pretty much any universal AC adapter will do the trick, so you don't necessarily need to add the Casio branded one.

You can also operate the Casio SA-76 with 6 AA batteries as the power supply, and that's probably the way most family's buying this for young kids will use it.

Super Affordable

The next thing worth noting about the Casio SA76 keyboard is how inexpensive it is. To be able to get something with any kind of piano function for under $100 is a big deal, and up here in Canada, it runs for around $70 CAD and $60 USD in the United States.

Accurate Tuning

It's easy to take for granted when you're playing on a $200, $300, or $400 musical electronic instrument that it happens to be in tune, but so many baby and toddler musical toys aren't even close to being in tune.

Some people might ask if that even matters, but if you're trying to give a young child a musical toy to start laying some musical foundation, it should absolutely play in tune.

Casio SA-76 - Key Specs Casio SA-76 - Key Specs 44 Note Keyboard with Mini Keys

The keyboard has 44 total notes, meaning it's half the number of keys you'd find on a normal piano or keyboard. The keys are also thinner and shorter, hence the name mini keys, as smaller size keys make it easier for small fingers to play. The keys are not touch-sensitive, but that's not going to matter for a young child beginner.

LCD Display

There's a helpful LCD display screen for navigating the different music options, and the interface, in general, is going to be very easy even for a young kid to use.

100 Sounds + 8 Note Polyphony

You have the option of 100 different tones to choose from, with 8 notes of polyphony. 8-note polyphony is not much but fine for the intended use of this beginner keyboard.

Built-In Songs & Rhythms

There are 10 built-in songs and 50 drum patterns, as well as a couple of different playing modes, and even a metronome.

Speakers

There are 2 small speakers and amps on each side, with a total of 2.4 watts of amplifier power.

Casio SA-76 - 3 Piano Modes Casio SA-76 - 3 Piano Modes Tone Mode

As mentioned, there are 100 sounds to choose from on this keyboard. Some of the sounds are quite convincing, while others definitely are not, but it's expected that an instrument this inexpensive would not have the most consistent sound quality.

Out of the 100 sounds, there's a mix of pianos, electric pianos, organ sounds, synthesizers, reeds, harmonica, brass, strings, guitar, bass, mallet instruments, and various others. All of this is available to you in Tone Mode.

Pattern Mode

The second mode on the keyboard is called Pattern Mode. Which is where you start getting into the rhythms. There are 50 drum patterns to choose from and have fun with and 5 drum pads.

Song Bank Mode

Then, there's a third mode called Song Bank Mode. There are 10 built-in songs that you can play back, and this is what is going to get toddlers up and dancing around the house. The songs are fun, high-energy, and perfect for getting a little one excited about music.

Who Is This Instrument For? Casio SA-76 - Young Beginners Best to Avoid If...

Who is this instrument for? Well, we can start by saying who it's not for. The Casio SA76 doesn't have any MIDI connectivity so anyone looking for a super inexpensive and compact MIDI controller or portable & arranger keyboard for production, this won't cut it.

While it is made for toddlers, it's also not the most durable, so the average 18-month-old wouldn't have a problem quickly breaking the keys, and that unfortunately won't be covered under warranty. You'll want to make sure your child is at an age where there a little more gentle with toys.

Young Beginners

So, we're left at this being aimed at young learners to see if there's some musical interest there, at the most basic of levels. This would be a really great gift for a young child, instead of a bit of a cop-out of a gift card, and having them interact with it even for a few minutes a day would probably be a good gauge of whether or not there's some early musical interest.

It's hard to pinpoint an exact appropriate age, but we'd probably it's going to be great for kids around 2 and a half years of age, up to about the age of 7. It's not quite technical enough to keep an older child interested since there's no Bluetooth or other connectors to get it working with a phone.

Perfect Musical Exposure Toy

For the price, this is a really good way to expose a child to some basic musical ideas that can serve as a great building block for furthering musical education.

The biggest downside is that there's no MIDI output which would have actually opened this up to a lot more power. There's no sustain pedal, but this isn't a big deal given the fact that the action isn't touch-sensitive.

Other than that, for what you're getting for the money, this is probably one of the best musical exposure toys on the market. And sure, you could jump for one of the Casiotone 61-key portable keyboard workstations or something from Yamaha that's a bit more substantial, but that's not really necessary.

Closing Remarks

Thanks for reading! We hope you've enjoyed this look at a popular seller on Amazon the Casio SA-76 Mini Keyboard. If you're a parent out there and you are looking for exactly what we're just described, hopefully, you found this helpful.

We'd recommend checking out the accompanying video for a more in-depth review and checking out the rest of our YouTube channel for more musical instrument reviews. Don't forget to visit our website for more article reviews.

The post Casio SA-76 | Mini Keyboard Review & Demo | 44-Keys 100 Sounds 10 Integrated Songs first appeared on Merriam Pianos

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lia404 · 7 months ago

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I'll give you Yusaku for "Send me a Yugioh character" owo

AH. Ahaha. Oh my god, okay. So for context, your ask landed in my inbox exactly when I was struggling with formatting my "Yusaku birthday post." Which means it caught me at a point when I had even MORE feelings than I usually do for this boy. I apologise in advance: the answer about Kaiba may have been a wall of text, but I'm afraid this one will become a full skyscraper of text. So go grab some tea, coffee, biscuits, whatever makes you feel good for a break, then sit back and relax while I scream at you about how much I CARE for Yusaku Fujiki.

(Whatever happens remember that you asked for it.) (Thank you so much for this, too, even if I've spent a good part of my afternoon and all my evening and part of my night on it.) (By the way at this point I really won't feel insulted if no one reads it to the end, I think I mostly need to get it all out of my system.)

WARNING: SPOILERS AHEAD, in the form of headcanons and personal analyses of Yusaku's character and his relationships, along with multiple screenshots, gif, videos, all hidden behind the excuse of an ask meme (so it's still superficial in many parts, but I feel like it's a good overview.) I'm putting it all behind a cut since I know how to use them now. (Or do I? It's the 4th time I edit to put the cut back to the place it's meant to be at.)

----------- Also, keeping track so I stop getting lost in my own blog: The original Ask meme Seto Kaiba Spectre Aoi Zaizen I still answer for other characters so long as they're from DM or Vrains!

Why I like him/why I don’t

I think it's Yusaku's resilience that I like the most. He can be no-nonsense and harsh, but he's always honest, and he always stands up. It's striking, actually, how he always manages to keep standing.

He's thrown to the ground by life, by his enemies (interestingly, many declare they are his enemies when he's not even TRYING to alienate them, and just doesn't really care.) Even his allies are the reason why he ends up beaten up sometimes. And yet, he always get back up. It's very rare to see him fully crash, which makes it even more impactful when he does.

I'm just fascinated at how even at his lowest, at the biggest blows he receives, he stands up. His strive for life is remarkable, so much so that it sometimes almost feels like a curse. Just the same way he keeps winning and winning, because he's good, of course, but also because losing is not an option. He has to stand up and he keeps doing it for himself, for others, and still manages to feel guilty for not doing enough.

(I'm afraid you'll have to do with my French subtitles, I am NOT trying to find other streams just to make screencaps, these ones were hard enough to find.)

"Sorry, Kusanagi, your brother Jin has been taken and Lightning is menacing humanity and all of this is because I'm not strong enough."

Yusaku, FFS.

This is all heavily linked to the other aspect of his character I love most: Yusaku is so human. He's filled with hope. In one of the episodes of season 3, Revolver tells him to "stop thinking with his naive optimism".

And Playmaker clearly doesn't like it, look at this face.

But he still holds onto it until the end. He's not giving up until he's forced to (and even when it's done, he takes off and tries to find solutions.)

And Yusaku cares, he cares so much. He may seem heinous and gratuitously savage with the way he shuns Shima or Ai, but you have to go beyond the words. When Shima is captured, he literally runs to his rescue, barely waiting for the van to stop before he jumps out of it to check on his classmate. Shima and other people around, no matter how annoying, will also give occasional encouragements (often hidden behind a layer of backhanded compliments, because that's how Yusaku rolls.)

Yusaku makes sure that people around him are feeling alright. He comforts them. He may not use the nicest words, he has the sensitivity of an elephant let loose in a fine china shop, but his words usually strike right where they should. He helps. He gives a lot of himself for this, apparently not caring what other people think of it.

Goddamnit, Yusaku. Why are you trying to make me cry.

And this, actually, paradoxically, might be the only thing I dislike for him. It's not even about HIM per se (he may not be perfect but I am able to admit I'm too biased to not have a hard time finding him any flaws.) It's the way he gives so much of himself for everyone leads not only to people relying on him a lot, they also tend to take him for granted. And it pisses me off. Yusaku doesn't really fight against it, which, understandable considering his character, his backstory, everything. But sometimes I wish he could stop being the hero of Link VRAINS, because he's spreading himself too thin, and he had to break at some point. Or multiple times.

What I like about his appearance

I am trying SO hard to stop myself from waxing all kinds of poetics on him, so for this once I'll go with the most obvious: his EYES.

(Yes this was all a shameless excuse to flood you with close-ups of Yusaku and Playmaker's beautiful, vibrant eyes.)

The colour is striking, of course, especially in contrast with his or Playmaker's hair. But also, for someone meant to be aloof and stoic, Yusaku's eyes are hella expressive. His eyebrows only emphasise it, and actually, this is another trait I really like: Playmaker's eyebrows are orange. Playmaker is a real red-head! It makes me irrationally happy. It's the little details, folks, and Yusaku definitely pays more attention to them than most would expect.

And the second aspect of his appearance I just can't omiss...

...Well, that's his smile, of course! If only he had reasons to smile more often. Look at him; no matter how terrible the situation, he manages to smile.

This one is from when he says goodbye to Kusanagi before the final duel agains Ai. It's honestly quite tragic, but here he is. Smiling. Why is no one in this series protecting this smile. What are they all DOING.

Anyway, I've been writing for way too long already and I still have TOO MUCH to say so that's it for the appearance. He's adorable, he's beautiful, he's gorgeous.

Do I prefer his dub names or original names?

You'd think the question is not relevant since his name is the same in both, BUT. There's actually a massive difference. I can't take the dub version's stressed Yu'SAku seriously when in Japanese it's very clearly 'YUUsaku. Also, watching parts of the dub has been very amusing once I accepted that it was a parody, but there's not much to keep. Not even the pronunciation of a name. So I'm going with original, no hesitation.

OTP

Okay, another obvious one. If you've been following me you have noticed the ridiculous amount of Datastormshipping I put in your feed.

Evil smile besties ftw.

And YET.

It's so hard to ship them seriously. There's so much to repair. I can't see them all lovey-dovey, they have to work for it, and work HARD. Because Playmaker is just... so completely defanged when he's in front of Revolver. And Revolver, while actually acting in the shadow to support Playmaker so many times in the course of 120 episodes, never spares him a kind word, a nice face, except when he thinks he's dying.

I suspect he's not doing it consciously, but the way Revolver behaves makes me feel like he takes Playmaker for granted. It makes sense, considering their backstory: Revolver has obsessed over Playmaker and endangered people he cared about because of it. He has also proved multiple times that he is very intent to shoulder the full blame for an incident he had not much to do about, so he'd rather keep Playmaker and his "stupid faith in him" at a distance. But Revolver is also Playmaker's saviour, which makes it so Playmaker trusts him and can follow him blindly no matter what.

Eloquent: everyone is wary to follow, but Playmaker is first in line, not a hint of hesitation in spite of having no idea of what lies behind the portal.

For this reason, I'm actually happy with the Revolver event in Duel Links, in spite of all its writing flaws.

In the event, Playmaker feels Revolver with his Link Sense even before he arrives, which shows that he's still VERY attuned to Revolver. And in spite of this clear bond, Playmaker really stands against Revolver and asserts his beliefs with no room for negociation, something he hasn't done since the Tower of Hanoi (...and even then, arguably, he was trying to negociate.) He is not yielding no matter how important Revolver might be for him. And, at the end of the event, Revolver seems to be relieved to have met such resistance. He even sounds sort of supportive? It's open to interpretation, but my feeling was that he actually approved of Playmaker's doing and encouraged him. The Ghost Gal and Spectre events that followed emphasised it for me. They're clearly not fighting anymore, but they also don't have this weird blind spot for each other anymore.

With this approach, I feel like they'd have better roots for a relationship that would not lean towards codependence or other unhealthy bases.

Don't get me wrong, I adore the fluff, and Datastormshipping really is the obvious end goal for me, but for this ship what I love most is them having to work for it. Because even if they clearly trust each other, Yusaku will have to learn to NOT give all of himself blindly, and Ryoken will need to learn to actively LISTEN to Yusaku, and even make him speak.

(As a quick parenthesis, because I'll get back to this topic later and I'd rather not leave any ambiguity: as much as I resent him for his treatment of Yusaku, I absolutely adore Revolver, in this terrible love/hate dynamic that makes me hate to love him and love to hate him. In spite of everything, or maybe DUE to all of this, I really like his character. I'm not sure I'll ever write deep meta about him, though, because he's already had a lot written about him and I doubt I have much more to bring to discussions that happened years ago. But who know what time will bring? Anyway, Datastormshipping FTW.)

NOTP

BEWARE: unpopular opinion ahead. I actually can't see Aiballshipping.

Again, don't get me wrong: I see where the shippers come from, and I really don't hate the ship! I've read multiple doujin and fanfictions, I enjoy the content, I enjoy the art, I love the analyses of the ship... But I can't see it, because for me, it goes beyond a romantic relationship. Ai is literally a part of Yusaku. Him and Yusaku are a package, in a way: if someone wants to be with Yusaku, they'll also have to be with Ai. If someone says Yusaku "It's Ai or me", they'd better not expect to be chosen. I understand Aiballshipping. I like reading takes on it, I like reading stories about it. But to me, what Ai and Yusaku have is not romantic. It's something obvious, a given, almost fusional. They don't kiss; they can communicate without saying a word. (Even if they spend their time throwing jabs at each other out loud.) Any other romantic relationship will come in addition to it, without being replaced by it. So I don't "ship" it. It's very much not an OTP. I have no idea which verb I could use for it, though, because I'm not really sure it can be considered queerplatonic either.

OT3

Di-sas-ter-ship-ping! It's actually my main ship, even if there's not a lot of content. Sure, if we want to make it work in a nice healthy way, it's going to be quite the challenge. BUT not everything has to be serious and reasonable or even believable (I have datastormshipping for this) and seriously, the dynamic between these three has so much potential for wholesomeness, stupid arguments and general chaos. It's called disastershipping for a reason. (Not only this, I know, but still.)

Look at them, their smug poses and their stupidly form-fitting costumes. What could go wrong, right? <3

Favourite card he uses

Contrary to my answer re: Kaiba's deck, this time I am familiar with Playmaker's deck, because I play it AND I actually watched his duels multiple times to understand how he uses it. The fact is that even if there's the usual "I magically draw the exact card I need and use if without even looking at it" effect that is characteristic to Yu-Gi-Oh animes, his deck is solid and it really allows different kind of combos to always find workaround. (Doesn't mean I don't brick often, but not everyone can be Playmaker.)

So I actually have TWO favourite cards. The first one is my little love, usually one of the first to join the field: Backup Secretary.

She's beauty, she's grace, she's always here to help me link summon my ace. She's easy to use. She may not be the best one, but I'm so happy to have her in my deck—three times. I have multiple other cards that allow me to bring her in my hand. She never stays long on the field, since her specialty is to help summoning various types of Code Talkers, but she's a life saver. And seriously her design is awesome.

And the second one is, in my amateur point of view (I need to write the disclaimer that while I'm not BAD at duelling, I'm not exactly GOOD either and I miss a lot, lot, lot of subtleties) one of the best cards in Playmaker's deck: Recoded Alive.

This card is a lifesaver. It has multiple effects for different situations. It helps me avoid having an empty field when my opponent's field is filled with monsters. It's a trap, and allows me to switch monsters when attacked if I use it during the opponent's turn. It allows me to bring another monster to the field and have another attacking monster if I play it during my own battle phase.

And even if we want to remain focused on Playmaker's storyline, it's one of the most important ones Yusaku plays in the anime. It's always here for him since the beginning, and it has allowed him to bring back so many monsters. I mean, it basically wins him a duel against Revolver. It saves him against Ai. It's just... I love this card. It took me forever to understand how it works, but now it's hard to imagine a Playmaker deck without it.

Favourite moment(s) he was in

And here I thought I had already written enough. Well, we're here for a few more hours. I hope your tea has not gone cold.

I dare hope that you KNEW you shouldn't expect me to choose only ONE moment. There are so many. I can't satisfy myself with only one, I must bring up a few more, but not too many because this post is overwhelming enough as it is.

1. Season 1, when Playmaker goes against Akira to recover files in SOL's massive datbase. I can't begin to express how angry I was with the way Akira treats Yusaku. I know it was done in good faith, but having Akira tell Yusaku "go have a normal life, go out with your friends, enjoy your life as a teenager and prepare for your future, it's important" is just horribly condescending. It's SO satisfying to see Playmaker put the Zaizen, who always seem to think they know what he feels, or what is best for him, in their place. There's something incredibly satisfying in having Yusaku say "It is MY story and it is MINE to tell".

"I don't want the story of my past to be told by someone else."

Having Playmaker defend his story like this, and not let others take it or misinterpret it (especially when they feel like they "understand"), is, to me, a very powerful moment. And as if this wasn't enough, Yusaku adds a power move to it, adding a step in his final turn that he didn't have to do to win the duel: returning the two Tindangle cards representing Akira and Aoi to the hand rather than winning by leaving them both in the graveyard. When confronted about it, he answers that he doesn't want the siblings to be in the darkness of the graveyard, that his revenge should not implicate them and that they should walk towards the light. It is incredibly heartful, AND an amazing way to show Zaizen that he will never manage to "understand" Yusaku considering the mindset he keeps displaying. That was so badass, seriously. I wish the Zaizen had learnt more from it.

2. Season 2, after the duel against Kusanagi. Playmaker won and collapsed, not waking up. The second moment I like most is there, in Yusaku's head. It's intimidating... and slightly tragic.

"I have done enough. I'm tired."

Oh. It's been building up for so many episodes, they've been straining him so much, and finally, it happens. The quietest mental breakdown, the hint of depression. It makes him so human, so relatable suddenly, and yet it's so painful. I love this moment because it really brought me back to who he is: a 16 year old kid with a trauma bigger than himself and the expectations of a whole city (world?) on his shoulders. I'm glad he gets up again, but I'm also really glad that we get to see this part of him, so tragically realistic. Now let's wrap him in a blanket and hug him, okay?

3. Season 3: The "last nice moments in the real world". I wish we had had more of those in the whole course of the series, there was SO MUCH potential for it! Look at them being teenagers. Yusaku, so happy, confident and carefree as he is working for Kusanagi (and this apron makes him look so cute.) Yusaku, being pestered by Shima who wants to know where Playmaker is (WHY would Yusaku know? Shima has weird leaps of logic.) And Aoi and Yusaku having the most AWKWARD handshake, that instantly relieved me from the fear that Aoi might be a love interest.

"This is what high schoolers do I guess. Okay, we tried, we're done, completely uninteresting, let's move on now. When's our next trauma-session already?"

That's three moments I love, but I can't resist adding a last Painful Bonus: another moment of "let's make Playmaker suffer". I'm so sorry, Yusaku.

4. Season 3: Roboppi's death; the flashback to a younger Yusaku who has just built his cleaning robot and is SO proud, so happy and welcoming, and then Playmaker, broken, begging Soulburner to strike one last time and finish Roboppi.

I feel like his eyes, at that moment, are another reminder of his age. It's one of the most terrible scenes of the whole anime (I'd say ex-aequo with Ai's final words), it's masterfully executed, the pacing is amazing, the work on the expressions is amazing, the voice acting is incredible. But really, these eyes.

Least favourite moment

Two moments come to mind, and both are in the third season. You'll see there's a recurring theme, and more importantly, the fact that I really don't like these moments barely comes from Yusaku's role in them. Even if his personality encourages it.

1. The scene at the pier. It's REALLY, REALLY not Yusaku's fault, but he's still one of the two major protagonists so it counts as a "least favourite moment." Yusaku is going for the final fight, and Ryoken catches him, sends him and almost kills him with the card that will help him win the duel against Ai. I know this scene is considered one of the cornerstones of Datastormshipping, but all I can see is... Yusaku getting rejected, again, after saying goodbye to Kusanagi with a brave and grateful smile on his face, and just before having to destroy someone that is essentially a part of him. He calls Ryoken's name, and Ryoken keeps the most distance possible. I think it may have been one of the worst things Ryoken could have done, and even the fact that the Borrel dragon is actually a symbol of how much Ryoken believes in Yusaku,.. well, it would still be not enough to recover from the blatant, cold rejection Yusaku received at that moment. Ryoken, I know you couldn't find it in you to encourage him, but you only had to say his first name. Acknowledge him more than by coldly stating his complete name. And maybe NOT use the word "farewell" this time, because twice in the few first minutes of an episode is way too much. GOD FORBID Yusaku has any sort of support from Ryoken, that would encourage him to feel like they have a bond, the horreur. (Ugh.) With Playmaker knowing that Takeru would leave, Aoi would have Miyu, Kusanagi would have his brother, having Ryoken just... coldly ignoring all tentative of closeness, and leaving without looking back, WELL. It's no wonder Yusaku disappeared solo at the end. From his perspective, he had no one left.

2. Mission begin: everyone is ready to try and stop Ai, the plan is set and Playmaker is not part of any team since he's not even here. Except...

"We can't begin without Playmaker."

It annoys me so much, because the thing is, yes, yes you really can begin without Playmaker. And you should, Heaven's sake!

Many characters at this point have told him that they would understand if he didn't want to take part in this fight, that they would shoulder some of his burden and that he could rest and stay away for his health and sanity.

The thing is, Yusaku is not this kind of person. He will take responsbility and let no one else do the job in his stead. And he comes back, in a rather flashy way, EXACTLY when they're all expecting him. And barely anyone is surprised, they all look so relieved. They were waiting for this.

This moment leaves such a bitter taste in my mouth, because here is the problem with Playmaker: he's so good and reliable that people just... lean on him and wait for him to do the hard work. No matter how traumatising. I took screenshots of the many, many times people said "I leave it into your hands, Playmaker". "I know you"ll complete the job well, Playmaker." "I'm counting on you, Playmaker." I am not putting all of them here, but I have an album of these.

In doing so, they only enable his rather destructive hero-complex.

Destructive because, consider: he had a huge trauma when he was a kid and never fully recovered. When he finally learns and fights the truth behind this trauma, he feels like his revenge is over, but the person he'd spent years and years looking for is gone after treating him quite awfully. Additionally, he releases his new "hostage/friend" and goes back to being alone. He's been a hero, and all he got was: being alone again. Come Takeru, and somehow he acquires a sort of social circle. He's not really good at it, but it exists, and he even looks quite comfortable with it, if a bit awkward. Then he's forced to watch, powerless, as all his newfound friends/trusted persons get erased one after another, all of them with parting words expressing how much they trusted him to fix this. Way to make him feel like it's great to have friends and allies, uh. Then the humans come back, but the Ignis are dead, and he feels like he has failed his self-imposed mission to find a way to coexist. Ai is gone, Ryoken sort of gloats (I understand it's probably not what he intended, but it still feels awfully like it.) He's been a hero, and all he got was: more trauma about losing people, more responsibilities he shouldn't have to shoulder, and likely no one who understands the pain he's in because the world is safe now.

And then Ai comes back and everything goes upside down, and Yusaku lives in denial all beginning of season 3.

That's what makes it a self-destructive complex, for me. Every time he plays hero, Yusaku exposes himself to the things that hurt him most. He's never rewarded. And yet, he keeps doing it, and giving people what they want from him/taking responsibility for things that should NEVER be considered his responsibility. It drives me crazy.

Note: I have a similar beef with the "epilogue", in which they all have something nice to say about Playmaker, and they're all so certain that he's amazing, that he'll be back... And yet. No one is looking. Not even Revolver, who should have it easy since he's working from the inside. Arguably, Kusanagi keeps the foodtruck parked in the same place so he has a home to go back to if he wishes

"He would be sad if he didn't have a place to come back to sometimes": I am convinced that Kusanagi is aware of how fragile the notion of "home" is for Yusaku.

So there's this at least. Arguably #2, I guess we could say they all know he doesn't want to communicate and they respect it. But the way they talk about him, it doesn't feel like its the case.

And this is why I keep saying that they don't deserve him; are they friends, or are they fans? Is any of them even really trying to do something for him, beyond "understanding his feelings" (Aoi, sigh), or rooting for him in the typical "Good old Playmaker, always knows what to do!" way (Takeru, sigh.)

Oh, Yusaku. The way they treat you upsets me so much. It's absolutely not what they're aiming for, but it's like they're encouraging you to develop new traumas instead of really helping you, and it makes me so angry.

So, yeah. I hate these moments, and these dynamics.

Would I fuck, marry or kill him

WHY IS THERE NO "ADOPT" OPTION. Well, the choice is quite easy by elimination. I would NOT kill him (in case you had not gathered already) I would very much NOT fuck him (I really doubt he'd be interested in it either, so that works well for both of us.) Soooo... marry, I guess? That would be hella awkward, but eh, if I can't adopt him, might as well use the option that would vaguely allow to, you know, protect and cherish. Even so, it's hard imagining Yusaku settling like this.

Aaaaand I'm done and off to bed, three hours later than planned. Honestly, kudos if you've read until here. Before I sign off, please receive the cutest gif of Yusaku to thank you for bearing with me for the past 2k+ words of crying over this incredible boy who deserves better.

You know, maybe my OTP is actually Yusaku/hotdog. They do deserve each other.

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