#mouthpieces

[immaculatasknight]

Entering a new dark age

[p4nishers]

crowley, drunk off his ass: and i was yk just some fucked up soul born in cold and rain but he was my fucking sunlight or whatever

hozier, frantically writing on a napkin: HHHMMMM TELL ME MORE

[the-apocalypse-is-upon-us]

are you guys seeing this shit

[slivapatissonnorm]

FLINT!!!!!

[fortheloveofexy]

it's a pet peeve of mine when ppl frame Andrew as hating Aaron and being needlessly cruel to him... bc while yes, their relationship is fractured and strained, Andrew genuinely cares about his brother and wants the best for him, he just doesn't know how to show that in a normal way.

like he might not know how to express it in a healthy manner but Andrew LOVES Aaron, like he truly just wants Aaron to be healthy and safe. It's like, his whole Thing. Aaron is one of the most important people in his life. Andrew wants him around. He'd do anything to protect him.

I guarantee Andrew wants to be emotionally close to Aaron too, he just doesn't have the tools to do that and the thought of letting someone in terrifies him. He also has no concept of what a healthy sibling relationship looks like, so he has no frame of reference to work from.

[queenvhagar]

Something I've realized about the women characters of HOTD is that they seem to be aware of modern politics and sensibilities in that they seem to be detached from their time and place in a sense.

Realistically, women in these worlds would want the same thing men do in the situations that they're in. When their families' lives are threatened, when their power is threatened, they are willing to go to war. They want vengeance and justice. They want their enemies to pay for what they've done. They want power and security for themselves and those dear to them. Some have hard power, like dragons or skill with the blade, that they can and will use to achieve their goals. In ASOIAF this is Daenerys, Brienne, Arya, and more. Some have soft power, like charisma, influence, and political knowledge, that they can and will achieve their goals. This is Cersei, Sansa, Margaery, and more. All of these tools and weapons are willingly yielded by their users to help themselves and their families to survive and to thrive.

Yet the women of HOTD seem to view these things differently. They stay stuck on the fact that men don't listen to them, instead of using the tools available to them to do anything about it and help themselves as GOT characters would. When Rhaenyra is talked over by her small council, instead of making a show of force or demonstrating her ability to lead and make competent decisions about warfare, all she does is accept what others tell her to do and then complain about it in private. When Alicent is ignored in the small council, instead of using her influence to convince her vulnerable son the king to do as she wants, she puts him down and isolates herself further. Despite the many decisions that these women could take to help themselves or act in any way that could help their situation, they are stagnant and passive.

It's almost as if these women are stuck on their victim status, in that they view themselves as victims in ways that the GOT women have either long accepted as truth or have been socialized to view differently. The women of HOTD know it's not okay for women to be talked down to, they know it's not okay for women to be interrupted or ignored, they know it's bad that nobody takes them seriously, whereas this is barely a thought of the GOT women, for whom it is a part of the world they've already adapted to and they know how to navigate around. Somehow it seems like the HOTD women are consistently shocked and surprised into inaction by the very fact that sexism exists in their world, despite the fact it's been there their whole life and they've never known differently.

This is what I mean when I say that the women of HOTD feel as though they're separate from their time and place. It's as if they exist outside the narrative, outside of this time and place somehow, based on the decisions they make and the way they behave. Instead of acting as others would in their time and place, they frequently seem as if they are aware of modern sensibilities and politics and it's these things that guide their thoughts, decisions, or dialogue. Their awareness of this prevents them from going to war when they have good reason to want to, and realistically any woman in this universe would willingly go to war, and it makes them say certain things that seems almost out of place in the context of the time and place that sound at times as if the writers are using them as a mouthpiece.

Yet the men of the story behave more faithfully to time and place. They desire action, they desire vengeance, they are allowed to feel angry for themselves and they are allowed to want power for the sake of it. They get to be more fully fleshed out in their motivations and personalities. They're believably a part of this time and place. The men behave no differently than the men of GOT save differences in character and context, but the women are so distinctly different from the women of GOT in terms of how they're allowed to feel, speak, and act.

[solobodor]

GUESS WHAT GAME I got into ...

i wanted to doodle flint and belle for gene .. first TTCC fanart... in love with the idea that Flint love to visit grandma dama for her cookies ...

+ Bonus, my toon character ..

[cogs-incorporated]

how many gender

[zedleaked]

[VENDING MACHINE OF LOVE]

HAPPY PRIDE MONTH FROM DAVE BRUBOT 🏳️‍🌈🎶

[art-is-kayos]

A familiar face

[immaculatasknight]

Disconnect your cable

[artsy-1diot]

yippee

(feel free to use with credit :3)

[yourlocaltoad]

so uh I've been playing corporate clash lately 🧍

[colliholly]

My full piece for the 1.3 Clash Zine! I was honored to have drawn the cover for this project.

Happy zine release day and one year anniversary to the update that's inspired me for the past year ⚙️💖

[eggzwithfeetz]

The calm before the storm. (Breakout au)

A mini comic before a certain important event in the au, also have some extra buck doodles !

[whyamihereat4am]

Death Note AU where L isn't fluent in Japanese and Light isn't fluent in English, so instead of their conversations having ridiculously long pauses due to 5 minute internal monologues, it's because every time one of them speaks the other has to discreetly whip out a dictionary and flip through it before responding (they are both pretending to speak the language better than they actually do because they're idiots)