#must go back to work

[seekers-who-are-lovers]

Miri’s voice actor, Hina Kino, was asked which episodes/sequences truly embodied her characterisation as a four-year-old and her feelings about them. On the other hand, she found the interaction between her costars, her daddies, on episodes 3 and 11 (both the ending scenes) mostly impressive.

Uchiyama Kouki (Rei Suwa) wanted to know how it was possible that Kazuki was not killed instantly during the first episode. Kazuki, using only the tray, was surging towards the child when one of the goons peppered him with ammunition.

If you have a serial number for the blu-ray/dvd purchase you can watch the livestream that was aired recently.

The juxtaposition between Volumes 4 and 5.

PS: they held games including completing the letters of Buddy Daddies but they didn’t beat the time. They were short of y.

PSS: Next livestream event will include Kyutaro Kugi’s voice actor Tomoyuki Morikawa.

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[yum-cy]

the real reason mikey way used to be so quiet and stoic was because his jeans were too tight for anything to fit in his pockets, so he held it all in his mouth

[obikindred]

I hit chilchuck with harpyfication beam for 500 mana and blow him into one million pieces. Drivel below vv

I think chilchuck is some kind of likeeee wren? Chickadee maybe? Maybe even a cardinal? Some kind of small songbird, i just wanted him to have some kind of warm-colored wing with white speckles (my lazy ass did NOT use a reference for these shitty little doodles but if I ever end up making solid refs for them I’ll do more research), I thought about maybe hummingbird wings butttt idk I couldnt get the shape right and I wanted him to have more of a traditional harpy look. I combined elements from my harpies (wings and arms, jewelry/piercings, feathered tails) and canon harpies (FEATHER TIT WINDOW‼️ kind of feral, sharp teeth, etc) and kind of mashed them up. I TOTALLY FORGOT to give him jewelry on his arms and stuff but maybe I’ll go back to that laterrr idk like i said these r quick shitty doodles. So i guess hes kind of half harpy. I was like MANNNN wouldnt it be funny if he got his soul fucked up and had to navigate the rest of his life as a chimera. Lol. What if he had to relearn how to be human. What if laios had to teach him. Haha would that be fucked up or what. He could have also just been like that when they first met him and that would be cool too i think. What about the Implications??? Are his wings sensitive? What abt his tail? Are his senses even sharper?? Does this change his diet? Are his taloned hands still clever enough to pick locks? THEN i started thinking about the others…. Laios n Falin r some kind of owl. Snowy owl probably their northern asses but I also like the idea of them being some kind of seabird. Big ole albatross Touden sibs. Senshi is probably also sone kind of owl, maybe even some kind of chicken? Vulture might also be cool. Marcille is definitely a duck or swan tho (GASP unless SHES the hummingbird!! I will come back to this later). Izutsumi is already a cat, but if she had wings too shed be a corvid of some sort fo sho. Idk about yhe others because I cannot lie to u idgaf about them. ANYWAYS i love to talk about wings and harpies and how that affects team and overall social dynamics so if anyone has anything to add please do‼️

[thepersonperson]

I can't believe it's genuinely canon that Geto was jealous of Sukuna being the one to fill up Gojo.

I know Gojo reassured him but we saw he thought of Toji as the last person who satisfied him. No wonder Geto ended up on a crusade against no cursed energy monkeys.

Geto's insecurity with his place in Gojo's life really was his downfall. (On top of not having access to Karl Marx.) He kind of just assumed that Gojo being in a league of his own after awakening meant they could never be together as The Strongest duo.

That insecurity was so pervasive he initiated their break up by objectifying Gojo for his strength. And he later assumed Gojo stopped loving him too.

But you might be onto something with Geto's jealousy starting with Toji. Though he didn't see Gojo awaken (which was essentially "la petite mort" or the little death), Geto was around to hear Gojo call Toji アンタ (Anta). And that particular usage of Anta was really weird.

(Yeah this is one of those asks that poked my neuroses in just the right way.)

-Content Warning: Brief discussion of teenage sexuality.

-Mangareader(.)to for the raws.

-TCBscans for everything but Vol 0.

(Click images for captions/citations.)

Gojo's You Pronouns

I kind of lost my mind over Sukuna's you pronoun usage if you want to know why this kind of thing matters to me. Thankfully, Gojo's you pronoun usage is much more straightforward. Which is why the use of Anta for Toji sticks out a lot.

Gojo usually uses オマエ (Omae—masculine, informal, between peers or to look down on the addressee) for absolutely everyone. Friends, enemies? Doesn't matter, he's using Omae. It's either that, 君 (Kimi—affectionate towards juniors) with his students, or he avoids using you pronouns to be polite. He has only deviated from this pattern with two people—Uraume with てまえ (Temee—hostile and offensive), and Anta with Toji.

Anta is a contraction of あなた (Anata) and both are used in the exact same way. It's an informal you mostly used by people learning Japanese since normal use suggests a familiar and casual relationship with the addressee. That can be rude depending on the context. In the context of love, it's a romantic thing, colloquially called the wife pronoun as its often used by a wife to her husband. The only real difference between Anta and Anata is the indication of class. As a contraction, Anta is seen as more low class/uneducated than Anata.

So what did Gojo mean by his use of Anta with Toji?

Since Anta can indicate the speaker is casual/friendly, uneducated, or flirting, we'll have to infer what Gojo meant with context. Sometimes, it's easier to look at how other characters use this pronoun to get an idea.

For example, Hanami uses Anata for everyone which is why there's nothing flirtatious about them using it. This is just how they talk in general and they aren't singling anyone out in a special way.

A male character who uses Anta for most people in the way Hanami uses Anata is Ike from Fire Emblem. (I'm so sorry this is the only guy I can think of using this as a default you pronoun and he's from a completely different series.)

Ike uses Ore (masculine, informal) as his personal pronoun and he was raised as a mercenary with no formal education, so the Anta in context is more of him being from the lower class and casual. Anta is also less masculine than Omae, so this is also gives Ike that soft edge to his roughness that everyone loves him for. When he uses Anta while speaking to nobles in Path of Radiance Ch 14, they find it extremely offensive and get pissed because they perceive it as him not showing enough respect. (And he does call them out for being dickholes using Anta which makes them even angrier.)

If I recall correctly, (sorry I only really remember Zelgius and Sephiran's pronouns because it subtly confirms them a queer couple), Ike uses Omae (or Temee? The fudging accessible JP transcript went poof.) for the Black Knight and no one else. The Black Knight killed his father and Ike hates him for this. This Omae is not friendly, it's hostile.

I use this example because it shows how for one character these pronouns mean one thing and other characters it the polar opposite. Gojo uses Omae to be friendly, Ike uses Omae to be hostile. Ike uses Anta to be friendly, Gojo uses Anta to...

I don't know.

I don't know why Gojo uses Anta for Toji. It's really fudging odd and he never uses it again or for anyone else. Gojo for Toji uses Anta then Omae then Anta.

First it's confusion over being stabbed. I think in this context it means more of "hey there, buddy" in the way someone might try to talk down an aggressive person by trying to be chummy.

At the time, it probably told Geto something was really wrong because Gojo never uses that pronoun.

The Omae he swaps to is normal Gojo usage. He explains how Toji screwed up with killing him in the way he's been talking at all the assassins that came after Riko.

But internally? Toji remains Anta. This is weird since Gojo usually just sticks to Omae or some kind of nomer when he doesn't know people's names.

Leading up to this internal monologue, Gojo is not angry. He's extremely zen. So much so that he apologizes to Riko for not being upset she was just murdered. This makes me think the Anta isn’t meant to be disparaging.

Anta has always been less harsh than Omae in comparison. It can imply a distance between the speaker and addressee or it can suggest they're very close.

I can't tell if Gojo is trying to express a unique kinship he feels with Toji or if he's putting Toji on a pedestal of strength he idolizes and considers himself separate from. Perhaps it's both and this confusion is intentional. Gojo is a teenager figuring himself out in the most traumatic way possible here. My point is that this use of Anta indicates Gojo feels some kind of way about Toji he doesn't for anyone else.

Toji is very special to Gojo.

Most people are aware of Gojo picking up certain habits and speech patterns because Geto. Rereading JJK after learning about Gojo's history with Geto turns a lot of his silly quirks into things that are really depressing.

Toji is second to Geto in terms of influencing adult Gojo's behavior I think. Not just in the paranoia he experiences of being made vulnerable again, but some of his speaking mannerisms. Gojo asking for last words before he kills someone started with Toji.

He has that same empty look when he does it each time too. This doesn't seem to be like him mourning Toji in the way he mourns Geto by speaking in the way his beloved suggested. It's like he's reliving trauma. And dear lord did Toji traumatize Gojo. The kind of terror in the faces teenage Gojo makes while being hunted and killed are never made again.

But despite this, Gojo as an adult seems to look back on this awful experience fondly sometimes. When Sukuna starts to make him think he's about to lose, Gojo smiles as he recalls this feeling.

Satisfaction? Being killed by this guy was satisfying? I suppose it makes sense, this temporary death did awaken him to immense power that made him feel amazing. In that sense, Toji was Gojo's greatest teacher. And as a teacher, Gojo molds a philosophy from that experience and tries to imbue it on his students in a less traumatic fashion. (I say tries because this still killed Yuji by accident and caused a lot of unneeded stress for the second years in Vol 0.)

As you can see here, Gojo thinks this way because he did die alone despite having strong allies. And because his death made him stronger, he thinks growth can be triggered in a similar fashion. Geto calls him out on how fudged up this “tough love” is.

Gray morally aside, these beliefs and actions are because of Toji. A lot of what Gojo is as an adult is one giant unhealthy coping mechanism for Toji, fondness included.

When Nanami calls Gojo a Jujutsu Pervert he isn't wrong. Gojo is a freak that gets off to fighting in part due to Toji. It's like this horrible little ball of fear, denial, and horny with him. Thinking about Toji being the last person who satisfied him in that way over Geto isn't out of character. The types of blissed out faces he made during that fight do pop up in the Sukuna fight.

We also have to acknowledge that Toji is at the got dang afterlife airport with everyone else. For some reason, despite all the pain he inflicted, Gojo admires him on a similar level to the people who didn't want him dead.

Toji is a lot of Gojo's firsts. His first fear, his first death, his first awakening, and most importantly his first exposure to revolution. Toji is the first person Gojo met that escaped the bindings of Jujutsu Society and obtained freedom. He defied the Zenins and started a life outside of them. His pride and grief brought him back, but for a few years he was the impossible success story.

Though Geto heavily influenced Gojo’s morality, Toji was the basis for Gojo’s revolutionary ideas. It shows in how he trains his students and values the strength of non-sorcerers. He correctly identifies that Toji only wound up this way because of Jujutsu Society, mainly the higher ups, and vows to do something about it.

Is this to prevent another Toji because of fear? Is this how Gojo honors his memory too? Both, probably. Toji basically asked Gojo to be the godfather to Megumi, his son named Blessing, and prevent him from being raised a Zenin. In other words, he gave Gojo his blessing to do better than him and break that awful generational cycle. Gojo has taken that very seriously.

Megumi knows next to nothing about the Zenins until he's made the head after Naobito dies and Maki massacres them. The fact that Megumi being made the head ultimately triggered Maki's massacre of the Zenin Clan is like Toji getting exactly what he wanted from beyond the grave. A mini revolution made possible with Gojo laying the groundwork by providing a space where Maki can exist without hate.

Geto's Jealousy

As Geto was spiralling, he probably thought back on Gojo’s use of Anta with Toji and got a little jealous. After all, Toji was the reason Gojo grew so much as a sorcerer instead of him.

Can you imagine? The love of your life keeps telling you that together you're The Strongest and that's why he's with you. But he goes off with some dude after calling him something he's never called you and comes back a god. He grew more in those few minutes with this rando than the years he spent with you combined. Inadequate wouldn't even scratch the surface of that feeling.

It was always a one-sided admiration—Toji was a bum who leeched off women as you would expect any straight dude would coming from an immensely misogynistic household. He killed children for money and had beef with an 8 year old after looking at him once. But Geto still might've been envious that a non-sorcerer did more for Gojo’s growth than any sorcerer.

Geto’s Coping

The aftermath of Toji put a strain on their relationship in more ways than one. First and foremost, it made Gojo The Strongest. As I said earlier, this caused Geto to become insecure with his place in Gojo’s life. But what I didn’t mention is that the higher ups exploiting this newfound strength is why this never got addressed until it was way too late.

As shown here Geto’s condition gets worse because not only is he mentally isolated from Gojo, but physically as well. A horrible little detail—changes in weight can be very gradual. If you're with someone all the time, you'll likely never notice it. Gojo was kept separate from Geto for so long that this difference was noticeable.

They fall out of sync because Jujutsu Society has decided that their labor is more valuable apart. The problem here exploitation. Toji made it extremely clear to both Gojo and Geto that was the problem. Geto unfortunately came to the wrong conclusion on how to deal with it.

Tags from @nyan-bynary on this post sum up my feelings on this nicely.

#OK OK I HAVE BEEN THINKING ABOUT HOW GETO GOT RADICALIZED BASICALLY INTO FASCISM BC HE ENDED UP BLAMING THE WRONG CLASS FOR THEIR OPPRESSION #LIKE THIS IS SO VERY MUCH THE CASE WITH LIKE RANDO WHITE LIBERTARIANS AND SHIT IRL TOO LIKE THEY NOTICE SHIT SUCKS #BUT THEY END UP BLAMING THE EVEN MORE OPPRESSED PEOPLE INSTEAD OF TAKING THAT ANGER UPWARDS TOWARDS THE ACTUAL PPL DESTROYING EVERYTHING

#like geto saw a man who was so fucking abused and treated like shit by his clan that he basically ran away and started a new life #where he resents the people who were oppressing him but he still had to work for similar people to make ends meet #and in doing so was made a pawn for the internal power struggles of the higher ups #which hurt the other people lower in the hierarchy as well including gojo and geto #but instead of seeing the hand that guided everything here he blamed the toy in the hand instead #devoting himself to destroy every single toy which unknowingly included himself and the sorcerers he wanted to protect so badly as well

#like in his efforts to gather sorcerers he ended up doing a better more inclusive job of gathering sorceres from EVERYWHERE he could reach #he had the true potential to make real grassroot connections with fellow oppressed people but he was misguided on who the target should be #like it's ironic that the only black sorcerer that we see is in the group of the guy that calls non sorceres 'monkeys' #because it says something about him that his problem actually wasn't racism (against non-sorcerers) #it was the high risk terrible lifestyle forced upon every sorcerer in the name of non-sorcerers #WHO DON'T EVEN KNOW YOU GUYS EXIST AND ARE BEING EXPLOITED LIKE THIS IN THEIR NAME IN THE FIRST PLACE MAYBE TRY TO FIX THAT AT SOME POINT???

#it's all so sad bc the moment he chose the wrong people to blame his fate was sealed and it sucks bc he could've done real good things #gojo was the closest to doing anything remotely revolutionary but he went the too peaceful route and it cost him everything #he didn't organize or protest with enough destruction or maybe he thought he couldn't until it became a last resort

#like I find it funny that despite everything gojo wanted to do bc his form of resistance was so lax he ended up alienating hakari and kirara #and the elders. the divide and conquerers that they were used it to expel them from the school #just ahhhhhhhhh so many thoughts I wish they could've done more I wish I wish I wish

In that post, I joked that Karl Marx could’ve saved Geto, but that wasn’t really a joke. Trying to address exploitation without the theoretical framework to be productive about it is like swimming against an ocean riptide at night. You can recognize that you’re drowning, but not knowing where the shore is or that you need to swim at an angle instead of directly against the current dooms you.

The really sad thing is that Geto never realized that non-sorcerers were exploited just like him. Nanami worked directly alongside them and realized their exploitation was one in the same.

He realized that this exploitation was a systemic issue. Gojo realized that those in power were responsible for enforcing it. Both of them lacked the drive to be aggressive about that in the way Geto was. Together, the 3 of them really could’ve unionized to obtain the work-life balance they desperately needed.

But that was never going to happen. The higher ups isolated them until their communication skills and therefore relationships deteriorated alongside their mental states. (Notice how even outside of Jujustu Nanami has no friends. He's just as alone as those two.)

Geto's Love

I don’t think Geto ever learned how to love properly after Toji in a very similar vein to Gojo. Though he more outwardly shows affection to his family, there’s this sense of distance he has between them as a cult leader. His children call him Master and do not take his last name. He’s worshiped as a figurehead and for his beauty. And no one really understands him in the way Gojo used to.

And it must also be noted that the anguish from his family and daughters at his possession did not cause his body to stir. Only Gojo calling his name did.

It's not that Geto doesn't love his family, he just loves Gojo more despite having spent less time with him. (10 years with his family vs 3 years with Gojo.) Even Geto himself says that his family isn’t enough for him to be truly happy.

A world where sorcerers are not exploited is what he thinks will fix this. He wants this for himself, his family, and Gojo. Especially Gojo.

Their breakup was caused by Gojo being exploited more than anyone else. Geto has always objected to that. A world of only sorcerers hypothetically gets rid of the labor exploitation Geto hates for every sorcerer. And it also creates a world where Gojo doesn't need to be The Strongest. It's a world where instead of being overworked, Gojo will have all the time in the world for Geto.

This love Geto holds for Gojo underlies his actions. Him setting this ridiculous plan into motion on December 24th is a grandiose romantic gesture. You can feel the resentment and the longing. He tried to fill the Gojo hole in his heart with a new family and hatred only to fail.

Gojo reciprocated. He always did. But neither of them realized the love was mutual until both of them were dead because work came first.

So yeah anon, Geto was jealous. Both Toji and Sukuna got to know Gojo in ways he couldn’t because being an enemy of Gojo ironically gives them more direct attention from him since that’s a part of work.

Jujustu Society vs Queerness

Even if Gojo and Geto realized their love before everything went to hell, I'm not sure if they would've acted on it due to societal stigma.

Like @nyan-bynary mentioned, Kiara's transness is something the higher ups no doubt rejected. The type of conservatism modern Japan is under does not embrace the open queerness of the past that was especially prevalent during the Heian Era, you know the Jujutsu Golden Age. In a reflection of these politics, the Zenins embody the type of sexual hierarchy wanted by the elders—men run everything and women have children. Even though Hakari and Kiara are a straight couple, they're unable to have children together which is rebellion in of itself. Why Gojo didn't do more for them is kind of baffling.

To be fair, Gojo kind of sucks at sticking up against injustices like this. Hakari and Kiara aren't the only failed in this way. When Geto is verbally discriminatory towards Maki, Gojo doesn't refute his beliefs, Yuta does.

This is honestly, pretty fudged up. Gojo just lets Geto be horrible and offers a weak "don't do that" as a response instead of arguing for Maki's personhood. And we know for a fact he is strong enough to do something and be taken seriously. After all, he did threaten the elders to protect Yuta's life. He didn't stop Geto until he became a large-scale physical threat. For some reason, that's the only type of discrimination Gojo will act on—violent acts that will result in death.

I think this is because Geto told him he needed a really good reason to kill other humans before he snapped. It took a lot of convincing for Gojo to slaughter the higher ups as the result of this. His inaction here could also stem from Gojo being so used to dehumanization that he hardly recognizes it as a problem. But Gojo did force Nanami to address Yuji as a human child instead of Sukuna's Vessel later, so perhaps he reflected on this exchange and tried to do better. (Despite allowing everyone else from Kyoto to be weird about Yuji.)

Regardless, it's this passive mentality when it comes to non-violent discrimination that makes me think Gojo wouldn't have acted on his feelings for Geto.

There's probably a lot of pressure on Gojo to have progeny of some kind (aka be straight and have babies). I do find it a bit odd we've seen nothing of his Clan to the point that Megumi also knows nothing about it. (Though this was probably to spare him the politics drama for the enjoyment of his youth.) They did spoil Gojo rotten, but that doesn't mean backwards societal expectations weren't thrust on him from birth. He was raised to be a living weapon you know. Suppression of his own queerness was likely a part of that education.

And though Gojo is pretty rebellious when it comes to challenging the status quo, like antagonizing those older than him and letting those younger than him speak freely around him, he still has some toxic ideas from his youth he hasn't let go of. He prioritizes his strength over bonds and allows himself to be exploited while trying to make sure his students don't wind up like him...by having them prioritize strength through pushing their limits.

In other words, Gojo would likely just repress his feelings for Geto if it meant obtaining his goals. A queer relationship would be used against him by the higher ups since it rebels against the expectations of Jujustu Society in a way he hasn't pushed hard against. (I'm so sorry Hakari and Kiara.)

With that being said, it's not all that surprising that a lot of the curse users are openly queer. They've freed themselves of exploitation and expectations. Their genders and sexualities are theirs to control. None of them are shy about it. Larue openly loves Geto, Sukuna will kill you for not respecting his disinterest in romance and sex, Uraume will kill you for not respecting that, Kashimo will hit on a man as he's being killed by him, Kenjaku is Kenjaku.

I don't think it's a coincidence that Gojo is at his horniest when he's fighting other men. It's like the one space where he's allowed to engage that side of himself without fear of repercussion because at the end of the day, one of them is going to be dead anyways. (His flirting with Nanami when they're alone together not included.) Sometimes queer people want their love with violence because it’s the only way they can have their sexuality without guilt. That punishment absolves the sin.

Jujutsu Society as it stands is not compatible with queerness. Gojo has a really fudged up way of expressing his attraction to men as the result of this. And if you ask me, I think Toji is the one who really got his wires crossed.

[dungeons-and-dictions]

Just two cannibal overlords and their daughter.

So supportive and proud of her accomplishments.

Cute photo of mom and dad!

[zu-is-here]

serpent || x-orcist 3rd anniversary

(@clownyclowns shared her idea about Shattered looking more like a snake while @marinatyulpanka sent me this and it was a sign from above (๑･̑◡･̑๑)♪)

[socksandcrocs]

should I finish this slop

[imaybe5tupid]

if you see absolutely anything that has kabru in it. And are unable to stop yourself from making it about L/abru (even when Laios doesn’t even appear or is irrelevant to the content in question!) and reduce kabrus entire deuteragonist-level character into wanting to fuck laios. I’m stealing something out of your house!!!!!

disclaimer: If you ship l/abru and gaf about kabru and don’t do this then this post isn’t about you 🤓

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[yuwuta]

I LOVE UR BRAIN SO BAD 😭😭😭 YOU ALWAYS POST THEBBEST HEADCANONS AND THOUGHTS LIKE. WORK HUSBAND GOJO. AND JUST HAVING A WHOLE IMAGINATION OF THE OFFICE W NANAMI AND HIGURUMA AND TOJI I?????? I WANT TO LIVE IN YOUR BRAIN

TEEHEEEE you’re so sweet <33333 the work husband to actual husband to househusband gojo pipeline is so so real to me and the office au that comes with it truly does take up space in my brain, so here’s some more loosely established points 

satoru has been your work husband since you got your first job in undergrad. you two met in your dorms, and became friends, and eventually you thought a job would help with your time management skills, so you got a very low-maintenance position at the front desk of the library. satoru applied right after you and schmoozed the two little old librarians into giving him the same shifts as you. that was probably the first moment satoru knew he was a little bit in love with you—because he had no reason to have a job while in school, but this small change in your schedule made him miss you so much that he was moved to get his very first job, probably ever, just to spend more time with you. 

he wasn’t bad at his library receptionist job, but he technically wasn’t good at it, either. if a student asked him for a laptop charger or to check out a book or something, he could do that, but anything else he’d just smile and say, “oh, you’ve gotta ask the pretty girl right there about that, she knows way more than me,” and bat his eyelashes at you. except, then, when you did need to get up to grab something for someone, satoru would just spring up instead, and tell you he’s got it. it’s like… he was incapable of helping anybody else unless he got to flirt with you, and then help you out to help them out……… strange boy 

anyways, satoru makes it a habit to assist you through your student jobs throughout undergrad, and then follows you to the same law school and repeats the process there. (also not to elle woods-ify him a bit but his father heavily questions him going to law school btw because satoru has never showed any interest in working, let alone following in his footsteps to be a lawyer, and now he’s going to law school? his mom is a bit sharper though, because when satoru tells his parents he’s going to the same law school as you, she just smiles and sips her tea and wonders if her son has already made a trip to their family jeweler). 

the firm is large, but the floor you work on is a pretty close knit group. there’s hiromi’s office at the tail end, which is the largest because he’s managing partner and he practically lives in there. on the other end, both you and nanami have decently sized offices. satoru doesn’t like hiromi at first because he thinks he’s mean. then satoru watches him play a little prank on kento, and suddenly the two of them are best friends. it would be a surprisingly wholesome friendship if their common denominator wasn’t irritating kento, and acting as guard dogs for you. 

kento’s office used to be just the bare necessities—law books, his degree, basic furniture, maybe a fancy paperweight, until satoru got his hands on it and decked it out. which is not something kento asked for, nor he thinks is necessary, but that doesn’t stop satoru from continually adding little trinkets and decorations and art to his office to make it livelier. when kento first meets you, he’s surprised when you tell him satoru gojo is going to be your secretary because kento interned for satoru’s father for two summers during law school, but when kento sees you and satoru together for the first time, it answers all of his questions. satoru couldn’t be more of a lovesick fool if he tried. 

listen the ex-convict to single father to janitor to lawyer toji pipeline is so real to me. while toji is working as a janitor at the firm, satoru slips once and then jokes that toji shines the floors too aggressively on purpose to make him slip, toji tells him to fuck off and he can sue for harassment. they truly don’t like each other at first, but once satoru steals toji’s masterkey to get into your office one night after you’re gone to leave flowers, and handle some paperwork to lighten your load in the morning, toji is sort of impressed. he still almost hits him with a broomstick, but even someone as gruff as him can see that satoru had pure intentions. toji is a lot of things, but he’s not immune to or devoid of love or passion. so, eventually he and satoru develop a weird sort of banter and respect for each other. one day someone actually tries to accuse toji of not putting the wet floor sign down and how it’s gonna be a lawsuit because some lowlife janitor fucked up his $3000 suit. satoru catches the argument as he’s heading upstairs and recognized the schmuck as the stuck up lawyer on the other side of kento’s case. satoru’s ready to jump in, but toji’s displaying an impressive amount of physical restraint and legal knowledge that when the dust is all settled, satoru asks him if he ever considered being a lawyer. toji laughs at it at first, but after a month of serious consideration (and megumi becoming a college freshman), he figures it can’t be all that bad. and turns out, toji’s a half-decent lawyer—once you’ve spent so much of your life skirting (or blatantly breaking) the law, you become pretty good at getting people out or around it, too. and with his life experience, he’s a pretty good judge of character; so when it comes time to lock up the bad ones, toji makes sure they get the maximum sentence.

except he has a bad habit of sending out emails with “URGENT: NEEDS ATTN” in the subject, which prompts you, kento, and hiromi to rush to his office, just to see toji with his feet up on his desk tell you that, “the emergency is i hate the opposing counsel, and now that i work on this side of the law i’d really like to not kill him, so somebody else should take this case.” 

anyways back to work husband secretary satoru. he pulls you out of boring meetings under the guise of an urgency, just for him to admit that the emergency is that he missed you, and you two were gonna be late for your lunch reservation. because he’s actually a licensed attorney, he can actually carry out duties an associate otherwise would, which saves you a lot of time and trouble; and it means that satoru gets to work even more closely with you, which is always an upside for him. sometimes you ask him to hand you documents and instead he just hands you his hand. and then pretends to blush and preen like a schoolgirl which always draws way too much attention to the two of you, but there’s no way to stop him either. he takes your coat off of your shoulders when you arrive in the morning, and helps you put it back on in the evening. when you tell him you’re looking for an apartment closer to the firm, he has eight places lined up for viewing, and one surprise at the end which happens to be the other vacant penthouse suite in his apartment building; which, conveniently, would make you satoru’s neighbor. he claims that it’ll be just like in college, but it certainly doesn’t feel that way when you finally move in and satoru can now loudly and proudly proclaim, “see you at home!” in the halls at work now. 

[ywpd-translations]

Ride 774: Kiji, coming!!

Pag 1

1: Welcome, to the Emperor's throne!!

My aim is the double crown!!

Pag 2

4: Ahhh... you're fast, the two of you

I thought I could catch you for sure at 2km left

Pag 3

1: But it took me until “1km left”, yon!!

Pag 4

3: Ah!?

He

4: caught up!? Who....

Pag 5

1: who the hell are you!?

2: The two people in the lead are taking the curve and passing the sign that says that there's 1km left until the sprint line.....

Pag 6

1: No, it's three people!!

Three people passed the “1km left” sign!!

2: There's more people!? Since when!?

Wasn't it two people!?

What happened!? Who's that? That jersey-

At the last curve, suddenly-

3: It's not “who are you”....!!

Dammit!! I know!! This guy!!

Pag 7

1: There's one more person who we need to pay special attention to

2: Gunma Ryousei's third year, Kiji Kyuui

3: Ohh, Kiji? Who's that

Oi, I already told you about this in advance, Manami!! Come on, at the sea

Is that so?

4: What's your data about him?

5: There's basically no record of him in road racing

6: He's an..... “assassin” from the MTB world, huh

7: Is he aiming for the goal?

8: Yeah.... the goal...

That's right....

We should be glad

Pag 8

1: That he's only aiming for the goal

2: Hayaaaa!!

3: Dammit!! The first result.... so you're aiming for the sprint too!?

4: Since they said you were aiming for the goal I thought you were a climber like Manami!!

Pag 9

1: Let's speed up, Orange!! He'll catch up!!

2: I've seen it before!! This guy's jersey

3: That day.... he appeared suddenly on that bike with the thick tires

Pag 10

1: It's the guy who chased Onoda-san and the Hakogaku guy with the bouncy hair!!

2: Before that, Onoda-san said they were friends and that he's “strong”!!

3: He's coming to catch up to

4: mine and San-na's battle

Pag 11

1: He really is strong!!

Let's switch, I'll pull!!

Pag 12

1: Orange!!

3: They're in tune

You have amazing judgment and explosive power!!

4: When I caught up at the last curve

5: Even though they could have also accepted me and made me join them

Without making eye contact or calling out to each other, in an instant at the same time they made the decision

6: that they would “cooperate” to leave me behind!! Yon!!

You're really....

Pag 13

4: What's that

He's lowering his stance and pushing on the handles like he's about to dance....!!

5: Hayaaaa

Pag 14

1: You're really close friends!!

Pag 15

4: He lined up to us in one go!?

Pag 16

1: This guy!! Was it an optical illusion? Just now, I saw something like a cloud of dust behind me

2: Takadajou told us this

Be careful

3: I've been told that the power that a MTB rider can produce in a short time

4: is 1.5 times that of a road racing cyclist

5: This guy can match this top speed!?

8: Ah!?

9: Huh!?

Pag 17

2: In between!?

He came in between!?

Ah!?

3: You bastard, usually when one catches up he joins in the back

Pag 18

1: It's road racing theory!!

4: This guy doesn't know the theory?

5: 800m left until the sprint line!!

6: 1

Pag 19

1: 2

What's this- San-na, did this guy suddenly started counting

2: What's this

The sign for an attack?

3: 3

Pag 20

2: Alright, I recovered

5: Well then, I'll go

Pag 21

1: Ahead, yon

2: So it really was a sign for attacking!!

Who's that guy!!

[princesskkfish]

@intotheelliwoods I love your art and comics and I drew this based off your newest update i hope you like it :]

the newest update for 2AL oh my gosh emotions go brr. Like noooo big Leo and Casey are leaving nooo but also yess cuz Casey and Leo need to go experience the world again but mann

(I did a background and a no background version cuz I couldn’t pick which I liked better)

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[jesncin]

omg can't wait to see you write kendra and j'onn /j

I'm flabbergasted to be bestowed such an honor /j

please enjoy the stark difference between J'onn kissing Kendra vs J'onn kissing Arthur

Happy Pride to Martian Manhunter only

[iguessitsjustme]

An Appreciation Post of Sorts 6/?