EVENT TIME EVENT TIME
how about.. 4:44am & dr. ratio? 🫡
AUGHH THANK U GWEN i lvoed writing ths..... first time writing dr ratio be gentle on my fragile soul
my 1k event!
—°+..。゚。゚+.*.。.—
When Doctor Veritas Ratio walks into his very-private, very-locked, very-secluded study, he’s greeted with the unfortunate sight of you—sitting on the floor, an easel with a wide canvas set up low to the ground, oil paints sprawled absolutely everywhere.
“What the hell are you doing?”
A sheepish smile pulls at your face, as if a sweet expression will get you out of the mess you’ve made of Ratio’s personal space. It’s far too late— late? Too early? Regardless. The hour of the night-slash-morning that you’ve decided to paint in his room is not appropriate at all.
“I can explain,” you say, followed by a complete lack of an explanation as the two of you stew in silence for another half a minute.
“Why are you even awake at this hour?” Ratio scoffs, stepping around you and your hazardous art set-up as he places some irrelevant stack of books on his (thankfully untouched) desk. “You should’ve been in bed a long time ago. Soon you’ll experience delirium from lack of sleep.”
“Oh, please,” you argue, swatting a hand in his general direction playfully as you turn back to your canvas. It’s full of nauseating color, clear shapes and lines that don’t blend together in the slightest, vague animal-like forms that overlap with each other. “You’re awake too, aren’t you? Unless I really did hit delirium, and you’re just some Veritas-ghost floating around in my subconscious.”
Ratio does not get a kick out of your very funny joke. An annoyed huff escapes him, tainted with something like weariness and exhaustion. Your eyebrow twitches.
“And to answer your first question,” you prattle on, mindlessly scrubbing dried paint from the side of your hand with a wet rag, before picking up a fan brush, “I’m painting. This room is really well-ventilated, which is nice, because it would be a shame if all the fumes got to my head and zapped away my few remaining brain cells.”
That one gets a laugh out of him, probably because it’s at the expense of your own intelligence.
“There are a hundred other rooms that are exactly the same as mine,” he argues, finally turning away from his pointless shuffling of materials on his desk and facing you, looking at you while he talks to you—you know, like a normal person would. “There was no reason to infiltrate my own private study for your… painting. The door was locked, too. How did you—”
“Don’t ask silly questions, Veritas,” and you like the way each consonant of his name clicks against your lips and teeth and tongue, “I have my ways. Does it bother you that I’m defiling your good room with my frivolous fine arts endeavors?”
“Ridiculous,” his face screws up in displeasure at your assumption that he’d be so elitist to deny you of your passion. He walks around your spread of supplies again, carefully, before kneeling by your side to watch you work. As much as he’s loath to admit, you’re one of his few soft spots, and it shows in the way he traces the lines of your paint with his gaze, and the fact that he has yet to kick you out of his room. “The humanities are just as important as any other field.”
“Spoken like a true scholar,” you quip, trying to hold back the shakiness of your hands and the swaying of your body. It really is too late for this, but you’d slept through the day and felt much too awake by midnight. Setting up camp in Ratio’s room was a natural instinct.
“Go to bed,” he says, commanding yet gentle as he tugs a paintbrush from your hand. He doesn’t touch your hands, never really does, but he’s gathering your scattered, wrung-out tubes of paint and the little containers of linseed oil hidden under the easel. “It does neither you nor your artwork any good to be exhausted.”
“I’m not even tired!” you complain, dragging out your words in a whine as he nudges you with his foot in a wordless command to stand up. There’s something like a cot in the corner of his room (because he does sleep, sometimes, and often it’s between textbooks and files and loose leaf paper) and a cozy patterned blanket that’s definitely yours.
“You will be tired the second your head hits the mattress.”
“This is a really awful mattress, Ratio.”
“Don’t complain,” and his tone is harsh but you know he doesn’t mean it, because he’s pushing you back onto the little sleeping corner and tucking you into the blanket, nothing short of kindness in his hands. “You still have to clean your mess in the morning.”
Sure, you think, already drifting off. By the time you wake up, you know that your mess will be packed away in a neat pile, floor wiped clean and canvas propped safely against the wall.
—°+..。*゚。*゚+.*.。.—
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I am going to keep slutting Ghost out, he deserves it. Respectfully. But also the man cannot dress himself, he has no drip. He's got 20 black t-shirts, he's got jeans and fatigues and that's it. He thinks skull and skeleton motifs are cool. Soap and Gaz get him a skeleton sweatshirt/sweatpants fit as a gag gift and laugh themselves hoarse when he wears them around the base.
I'm not saying he doesn't look so fucking good in a black tee and fatigues, but the man does not have style. Not on purpose. He wears his usual black tee and maybe some black cargo pants, wanders around town in his big army boots and gets stopped by goth kids and tech/streetwear folks. He doesn't know what the fuck they're complimenting him for. He doesn't know why they're talking to him. He tells Gaz about it and Gaz almost chokes on his drink, has to call Soap over to hear this. Ghost doesn't know fashion trends, he doesn't care, he's going to keep doing what he's doing.
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no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.
and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.
the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.
and none of them was celebrating.
mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.
and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.
for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.
but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.
the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.
i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.
how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.
and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.
it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it
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