#nepalse

[toomagazineperfection]

When Virginia meets Patriarch.

I am the say of the universe. So I say the greatest writer would exist to be. In a holy wind. He would read. I would say. The makeup etches say a girl confused a man if him so was her. So he apologies, into a man's time and a man would make a society. In a wind of time. Wind could rule. Women could make strength. It would break world to see my women to rule in rouge affair and tinged lips. And garner a workout of itself and he so in pledging of honor and he would seek. In sith. With you, he would. But he. Would love to make women work and a girl so would wind down time and a say would mean. I would love if a girl theories facts and makes faces of wind and she makes a say if slips of wind and a blood of celibacy. In a heart. If he could win. He would say, love you win. In a girl, he seeks and him. Would day. Would may. Would lie. Would break. Because of protection rights of women deny it's debt to be a love of notion in me. I would screen makeup times to show. Love, . makeup winds time and she says makeup like women notion property of its garner to seem a wind of skin in me and a wind of blood would win. It was a girl break. If Virginia Vest wrote the greatest poetry. We know her to be. Then wind says I was it and time. Where is the recognition of a girl cajole because you like to be a homebody to suit my laws and rules it and it's like wind and he taken care of wind would be Nepalse nation of love and she seeks man to win in a India. She likes men and girl to be gay of him and he seeks girl marriage to be a girl minor. An hospital should deny or real right because it's want of her, that's such a person. I would say, it would cry itself in deep eye ball and sake is the greatest love story of him in me. And bakes a heart cake. He owns his selfless skin and she would run the world makeup of sacred men to tea with him and ask a man! What is law of a girl that is luggage of his and a baggage of time and a there would be an around of him and he would win sex to be sexy and he would intellect to be her and in time he would win body and seek a man to find a girl theorist essay bridge and seek and a picture of you sent to me would be a mean of prey and she would love and you make a former president cry to sing him sleep and such a man in win is him. He.The sex of time would love you so ask itself how, because time stopped and he would ask, why I. Why I would seek into question him, a man question, a major of minor occurred and he asks a lover and he sees. He sees a person in love of glory. He seeks a win of bleak war in women and a walk of fame would rather be a societal win and it died love's koi and dilemma of dilute man's rest of a face in makeup of a girl taking pace of prostituted land would ever sever death sentence in pardon beg judiciary. He answers, I would need. I would love and seek sweet and man to mean of a girl beg pardon. I would be a knowledge of a man, if he sees and researches me in a couple of instead, in time grew, they had kids and I too. First love notion. How much man could?

Sums a whole theory girl affair state, wows man and leaves. I.

I, red. Reality reeks. Society seeks. In smaller measures, I make him.

I would make dinner. I would be included in love and died in men to say, I won. I won.

In seems of a society. Beg jeopardy of a nation and leaves. I was win.

Sir myths and English Colonia in my man's head. In imagines. I make. A woman Blake. I would read a novel beat of his. And say. That's man.

Sunidhi

[foulladybasement]

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[ginzyblog]

Gary Snyder & Peter Orlovsky  In front of the domes of the mosque in the Red Fort, New Delhi. March 16, 1962.  Allen and Peter finally met up with Joanne and Gary:

“so we were sitting in the middle of all this in Delhi with India dawning on us when Gary and Joanne his wife hit town after long months in trains and Benares and Calcuttas and Bubanishwars and sex temples and Ceylons and Madrases and Nepalses and we all meet, and hang around Delhi sightseeing a week.. “ (Allen Ginsberg, letter to jack Kerouac, July 1962, from the Essential Ginsberg, ed Mike Schumacher, Harper Perennial)

photo: by Allen Ginsberg #garysnyder #peterorlovsky #joannekyger #allenginsberg #newdelhi #poetrycommunity #writers #poetry #poets #india (at Red Fort)

[famousgurkhakukri]

#kukri #kukri Gurkha #kukri cold steel #kukri Damascus #kukri Nepal #kukri Nepali #kukri Blade #kukri House #kukri Pathfinder #kukri for sale #kukri tactical #kukri condor #khukuri #khukuri Nepalse #khukuri Blades #khukuir Nepali #khukuri Nepal #kukri #kukri #kukris #gurkha Kukris

[degreeprojectjg]

Mini Interview

To get better insight and to really explore the project through the means of asking myself questions and my motivation towards the project can be therapeutic yet informative. I have made some sets of questions for myself which can been seen as ways to talk more about the work and talk about things that I have been doing unconsciously, this is where I confront these topics and answer genuinely. 

Background of ‘Mero Pahichaan’ Project

I want to explore my personal experience in relation to my Nepalese identity. My work is quite personal as I explore various themes of identity, isolation and belonging, my wok is simple a response to that. I re-examine this notion of  having an Asian identity and the feeling of being distant in terms of linking to your heritage.

 Photography is a universal language to me that I want to access and to talk back to the world.

-Title of the project, what does it mean?

‘Mero Pahichaan’

It translates to ‘my identity’, the title is Nepalse which is romanized in English, this is something that I play around with my captions as well. I wanted the title to be informative yet informative. The title hints at a familiarity yet is not English, it refers to completely different language and meaning which is a representative theme of my project.

Also in the captions and the work, not only the photographs are autobiographical in the sense of interpreting a sense of own experiences in the pictorial narrative sense but they are also accompanied by autobiographical titles and paratexts by myself.

-What is the project about? / Project synopsis

This project focuses on my fading Nepalese identity. I'm a British Citizen who has lived in the UK for nearly 14 years now. Despite having lived in the UK more than I have in Nepal, I still feel a strong sense of belonging in Nepal. This underlying theme urges me to rekindle my relationship with Nepal and it’s rich culture. Using my camera as a tool that functions as part anthropological enquiry and part personal story from my depleting Nepalese identity to explore intimacy, distance and often tensions between my torn identity. The project attempts to manifest a sense of attachment to my Nepalese identity but also comprehends my separation from it.

-What do you want to say?

I simply explore my family and how our relationship, memories and bodies are intertwined. The project is very intimate, in which it underscores the closeness and the bond of my family as well as my vulnerable identity. Although deeply personal, the work welcomes you into it's confused world, evoking a sense of understanding and vulnerability. This is fuelled by my own experience of seeing which is in this peculiar mix of both eastern and western culture.

- Why do I want to tell this story?

This project is a very personal story, it's my journey so far as I confront my identity and heritage. The overarching feeling is of an outsider yet an insider, who's a queer mixture of the east and the west, out of place everywhere. Photography for me, contributes to a collective space that creates conditions of citizenship and participation. Through this, an ongoing dialogue opens between the project and the audience where their own experiences of growing up and dwelling within the region are introduced. Although, it's a personal story, there are some universal themes of having a sense of belonging and questioning of identity that resonates with everyone.

 - What is my emotional connection to this project?

At the core, the photographs are my recollection of my memories regarding my childhood experiences and my sense of attachment to a place, to Nepal and UK. In a way, the project is much about nostalgia. The photographs within the project don't document the way things really were but instead, they communicate my selective, romantic memories of growing up in a specific place and time, coloured by my present circumstances. The images are felt as warm and familiar by many, because they stimulate embodied memories of some common experiences of place. The work evokes a kind of playful nostalgia.

 -Project promotional PDF & industry audience

UK is home to one of the largest Nepalese diasporic communities in the world which is supported by the past ongoing relationship between the two countries. This project reflects this movement as I attempt to tell a story about a sense of place. The images express my personal nostalgia for a period of my life and the places of my childhood. Thus, 'Mero Pahichaan' are my experiences of a deeply felt identity of a place. I believe that they also inspire feelings of nostalgia in many of the people who view them.

It's an ode to my childhood, our Nepalese British childhood and personal experiences.

 -What will your colour schemes/tones be? How will you create a unifying visual consistency to your images?

The project embraces an experimental approach with it's uses of experimental medium such as polaroid and film to investigate the personal and cultural topics around memories, migration and displacement within my Nepalese identity. The variety of the medium and the different look of the images represent the diversity of people and the differences. The photographs are imperfect, they're not always well composed or properly exposed. A wonderful analogy is created of me and my memory. We understand a historical document intellectually, but we understand a human document emotionally.

The photographs in the project has an underlying warm tone, it welcomes you with the soft of pastel colours which evoke a feeling of warmth and understanding.

 Key Words

Identity, exploration, lost, confusion, intimacy, vulnerability, relationship, isolation, nostalgia, attachment, separation, culture, citizen, sentimental, memory, heritage,

A little foolishness mixed with an introspective thought.

 -Talk about your technical mishaps in the project / Stylistic choices

 There are some 'technical mishaps' such as colour cast, wonky film borders, inaccurate exposures, crop factor, etc. All of these 'mishaps' works with the project. You are reminded almost every time that you are looking at a photograph, each photograph has their own character. You are looking at an experience, my experience. Those experiences might be hazy, unclear or inaccurate, but they embody my fading identity.

 - Fragments of Nepal in UK

 Initially, I photographed remnants of the Nepalese culture in my home at UK. Personally, I don’t have much personal objects that links to my cultural heritage, but my parents do. My house at UK has lots of personal objects and strong attachment to Nepal such as the cultural clothing, food, religion, etc. Coming back to my family's house almost feels like I'm in Nepal where I am surrounded by the Nepalese culture and people constantly. With this surrounding, I explore the environment, using my camera as a tool that functions as part anthropological enquiry and part personal story from my depleting Nepalese identity.

 As well as with objects, I photographed lots of my close family members here in the UK. Some of them are staged and some were in the heat of the moment. The photographs was a result of conversations that I would normally have with my parents regarding my fading Nepalese identity. Sometimes, I photographed my parents in a cultural attire or sometimes, I photographed them in everyday situations in order to get this contrast between their own British & Nepalese identity as they differ to create a strong juxtaposition.

 -You feature your family a lot in this project. Was this a conscious decision?

 Photographing my family became a way of confronting my confusion about being identity. My parents has always guided and supported me throughout my life, they made me who I am. It made sense to trace back my idea of my identity back to my parents. In this project, I focus on my family and how our relationship, memories and bodies are intertwined.

 -Your photographs vary from still life, portraiture and landscapes. What was the reason behind it?

 The photographs vary from still life, portraits & landscapes, the series of them are interconnected in terms of their subject matter, a deeper layer of meaning is created in their being set in relation to one another. The work represents the whole experience, the ideas of my Nepalese identity. It's this strong urge to preserve my Nepalese identity that drives me as I attempt to rekindle my relationship. The whole project has been a way of creating a sense of attachment to my Nepalese identity but also my separation from them.

Personal Intake

Answering these questions have been rather challenging, yet it was therapeutic to write. I realised that I wrote some things that I genuinely wouldn’t known if I haven’t asked myself those questions. It’s a great way to get your reasoning behind your work and your motivating behind it. It feels diaristic in the sense that I become quite open and revealing in my answers. I want to explore more of this in the future as this is quite convenient and informative to some people who might not ‘get’ my photographs, the writing can help shape them an understanding of the project and the reasoning behind it. In the future, I wish to use this alongside my photographs to share amongst my peers and tutors to further introduce them to my project as well as to communicate my own personal insight to the project. Writing this has certainly helped me to feel closer and connected to the project.

[tokyoreporter]

https://www.tokyoreporter.com/crime/drunk-nepalse-nationals-dropped-bicycle-onto-railway-tracks/

[hassangill]

At least 49 Killed, as Bangladeshi Plane Crashes in Nepal

At least 49 Killed, as Bangladeshi Plane Crashes in Nepal

Cloudy weather led to a Bangladeshi plane crashing in Nepal on Monday, killing 49 people in the process. The plane is said to have crashed while trying to land at the airport of the Nepalse capital, which is surrounded by hills.

Imran Asif, US-Bangla Airlines’ Chief Executive Officer, opted to point the finger towards wrong signals provide by the air traffic control of Kathmandu, Nepal’s capital…

[nepal123]

Nepal’s prosperity, private sector’s responsibility: Rana HETAUDA: Federation of Nepalse Chambers of Commerce and Industry (FNCCI) Chairwoman Bhawani Rana has said that Nepal will now move towards prosperity led by the private sector.

[selectbeads]

sterling silver filigree beadcaps - floral silver bead hats - beadcaps for round beads - jewelry caps in nepalse style -6mm beadcaps -30pcs

[selectbeads]

antique silver beads - big hole Tibetan style beads - doted Nepalse style metal beads - metal beads for bracelet - 7.5mm alloy beads - 20pcs

[selectbeads]

Excited to share this item from my #etsy shop: sterling silver filigree beadcaps - floral silver bead hats - beadcaps for round beads - jewelry caps in nepalse style -6mm beadcaps -30pcs https://etsy.me/3146Ga0 https://www.instagram.com/p/CX-pwIVPT47/?utm_medium=tumblr

[selectbeads]

Excited to share this item from my #etsy shop: sterling silver filigree beadcaps - floral silver bead hats - beadcaps for round beads - jewelry caps in nepalse style -6mm beadcaps -30pcs https://etsy.me/2VG5KTm https://www.instagram.com/p/CCKfIl4BEhr/?igshid=1442mzsi4861o

[selectbeads]

antique silver beads - big hole Tibetan style beads - doted Nepalse style metal beads - metal beads for bracelet - 7.5mm alloy beads - 20pcs