#new romantic song 2019

[youcouldstartacult]

Reverse side of the selena song question - do you think any of hers are about him?

souvenir without a doubt lol

[cobragardens]

Just finished a S1 rewatch and am ruminating on things that stood out...

The first thing Aziraphale does as soon as International Express have collected the artefacts and he and Crowley are done with the whole Armageddoff business is take Crowley's hand on the Oxford London bus. And the very first thing thing Aziraphale does as soon as he and Crowley have established that Heaven and Hell will "leave [them] alone...for a while" is ask Crowley to go to lunch with him at the Ritz. Like he told Crowley in 1967 he hoped they would "perhaps someday" be able to do in a conversation that was about the status of their relationship.

The very moment he feels it's safe enough, Aziraphale goes faster, in a way that both S1 and S1 establish and Crowley understands as romantic. Twice in a row in the space of 24 hours.

So he's not waiting for Crowley to move them forward. Aziraphale knows what he wants with Crowley, and he immediately reaches for it the moment it's in view.

Which means not only does something happen between 1941 and 1967 (when, we suspect, "A Nightingale Sang in Berkeley Square becomes diegetic) that causes Aziraphale to slow both of them down, but something happens to slow them down between 2019 and 2024, too.

The spouses make a decision, after holding hands and after dining at the Ritz and after hearing their song played there* that despite what they both want, the closest they should get to each other before the superpowers start back on their bullshit is to "not really" pretend they're not a team.

Both of them are aware of that decision and abide by it for 5 years: the bookshop remains (technically) Aziraphale's and the Bentley remains (technically) Crowley's and their lives remain (technically) separate. The fact that the ineffable kiss is such a huge deal for them both says to me that kissing isn't something they're doing on the regular. The way Crowley reacts when Aziraphale touches him in the pub says that even casual, friend-like touching isn't something they're doing either, at least not publicly.

And when Nina makes it clear to Crowley that the romantic nature of his relationship with Aziraphale is apparent to even a casual (human) observer, Crowley freaks right the fuck out, afraid he has revealed as much to Aziraphale's vindictive, murdery boss.

So it's obvious why they make that decision: a lot of very powerful people want to hurt them both, and the very best way to hurt a person is to hurt someone they love deeply.

But how did they come to that decision? What happened after 2019? Did they both understand their clasped hands on the bus and that meal at the Ritz (that night at Crowley's flat) to be a fleeting celebration? Was there an event that made them both afraid again? Or did they just have a conversation and come to a new arrangement? If the latter, which spouse started that conversation? Because Aziraphale's actions at the end of S1 and at the cotillion ball and Crowley's panic about their love being clockable suggest that, despite his reputation as the one who goes faster, it could just as easily have been Crowley as Aziraphale who slowed them down again.

*played on the piano by a woman's hands like the hands of God shuffling cards for Her next trick

[redclercs]

DELICATE✰ CHARLES LECLERC.

v. i gave my blood, sweat and tears for this

— the one where both of you have given everything to be where you are.

warnings: misogyny, sexual harassment, this is how monaco went btw i accept no criticism. barely proofread, sorry. 3.7k words (+ article, podcast excerpts)

masterlist ✢ next

'Have we let y/n y/ln get away with way too much?'

By Alan Gomez

Yes folks, it might be our own fault, we have created a monster in the form y/n y/ln. Mediocre actress at best and with an even worse personality, if the latest events are any indication.

But how could we let this happen? Come on, we're smarter than this!

The thing is, y/n brainwashed us into believing that her doe-eyed, no-brain characters were actually her. Don't beat yourselves up over this too much, even I was a victim of those pretty eyes. But now that the blindfold has fallen, we have come to realize we have let y/n get away with everything!

You might know y/n from Supercut, the romantic comedy that took the world by storm in 2019, where she starred alongside Aidan Kim and it lead to these two becoming one of the general public’s most cherished couples. At least until two months ago, when their breakup was announced via Inside Out. Although there haven’t been any official statements, given the circumstances, we believe it was the actress who broke it off with Kim.

RELATED:

→ Aidan Kim and friends at Cannes Film Festival

→ Y/N supports alleged boyfriend at charity football match

But whether she’s dating a new guy now or not, why do we keep letting her do whatever she wants?

How did she actually brainwash us into thinking she’s anything close to an “it girl”? After Supercut, all she’s done is the absolute bare minimum to keep people talking about her, it’s all RomComs and no effort. I didn’t want to be that person, and you have to believe me on this, but Aidan Kim made her.

Let’s remember Aidan built his career from the ground as a member of Star-5 the early 2010’s boyband that split in 2018. He was the ‘someone’ in the relationship. How can people even compare having the hit song “Round and Round” in your résumé to being in Scream (Netflix) and The Mist (again, Netflix)?

Aidan made us like her and the writers of Parisian Valentine, The Hating Game and Last Night In Love, did her a HUGE favor by consolidating her as the “Queen of RomComs” by what standard? Well, don’t ask me.

The truth is, we accepted y/n into our hearts and homes, thanks to Aidan Kim and an unbelievable amount of luck, and we haven’t held her accountable for anything ever.

Here’s what I’m talking about, if you’re still wondering what the point of this article is, click on every link to be taken to the whole context, you’ll thank me later:

❍Y/N yells at paparazzi to leave her alone as she walks around Beverly Hills with Victoria Presley.

❍ Y/N praises Taylor Swift while tearing down several male artists for writing songs about their personal experiences.

❍ Y/N says in interview with ELLE that not every movie has to be “profound”.

And just for fun:

❍ A collection of Y/N’s disastrous looks.

It’s time we realize y/n y/ln is talentless, has a horrible personality and feigns innocence she certainly doesn’t have. You will NOT continue to take advantage of us, y/n! It’s all over for you, so I’m glad you’re dropping your pathetic career to become a WAG. #Y/NIsOverParty.

↺ FROM ❛WE WATCH❜ PODCAST

Paul Byrnes: Can y/n really do another role now, after all she’s known for are romantic comedies?

Anna Sanchez: well, I really liked her in The Mist, she did great as character in a horror it was—

Paul Byrnes: No one cares about The Mist, Anna, just you.

Anna Sanchez: all I’m saying is she’s a good actress, she can do other things. That was your question, Paul.

Paul Byrnes: Well, in my opinion she can't and that's it.

↺ FROM ❛IT TALK❜ PODCAST

Greg Zane: Let's talk y/n y/ln and her fashion choices now that she's an F1 WAG. What do we think?

Riley Green: She's a what now? How long has it been since she broke up with Aidan Kim?

Martha Vincent: I think she's looking great, I just wish she'd let go of the ugly caps.

Riley Green: No seriously, how long did she stay single?

Greg Zane: I agree Martha, but caps are big in Formula 1, nothing we can do about that. I'm wondering if she'll go for a more glamorous look in Monaco.

Riley Green: guys? hello?

Martha Vincent: Oh Riley, we're not talking about her love life, let it go.

↺ FROM ❛HOLLYWOOD VIBES❜ PODCAST

Pauline Oscar: [cont.] I'm just so curious about the reason of their breakup, why hasn't anyone said anything?! It must be juicy.

Brenda Yim: I feel like it's bad for one of them, most likely y/n. Hello, can anyone offer one of their friends some money? Just like old times!

Pauline Oscar: [laughs] Definitely! We need to know! Can it get any worse than the fact that she's already with another guy? What's his name? Charles Le what? She soooo cheated.

liked by charles_leclerc, vicpresley, mati.bassi, carlossainz55 and others.

ynfreesia UM THE LIKES?

xxynbaby it's "monaco" of course

aidanluvs you don't even have the decency to pretend like you're alone? fuck you

ynredstar i cannot defend you if you pull this shit girl

mati.bassi great view for breakfast with my best girl!💕

ynredstar oh ynredstar nevermind thanks mati ↳ feels4aidan don't be so gullible she's obviously covering up for them

THE COMMENTS FOR THIS POST ARE DISABLED.

May 27th, Montecarlo, Monaco.

THERE are tears in your eyes, and despite your best efforts not to let them run down your cheeks, it's futile. The worst part is that you're the one doing this to yourself. There's zero need to read 'articles' from pseudo journalists on how a man gave you your career and how you're tossing it into the trash for another. Not to mention the cascade of curses you received for a picture on instagram, where everyone thought you were with the other man.

Has your life really come to this? People don't talk about you unless a guy is involved? You loathe it. Your career was never about Aidan, and it's not about Charles now. Who only makes things worse every time he shows up and yet you can't manage to bring it up to him.

It's embarrassing. You don't want to walk up to him during whatever free time he has in a hectic weekend, and ask him if it really doesn't annoy him everything the press has made up about the two of you, or if he's really that unbothered by being paired up with you in the wildest scenarios, and tell him that he can shut them down whenever he feels like it (you wish he would already), and let him know you won't mind whatever he says about not being involved with you.

But no, Mr. Leclerc is busy giving unclear answers at interviews and liking your instagram posts, as if this isn't already a wildfire.

You put down your phone and pick it back up almost immediately, Vic's ringtone fills your hotel room and you wipe away your tears before answering her FaceTime request.

"Were you crying?" it's the first thing she says, moving her sunglasses to the top of her head. There's a lot of noise in the background and you can barely make the words out, but she comes so close to the phone that all you can see is the tip of her nose. "Why were you crying?"

"It's nothing, Vic. What's up?" you sigh, rubbing your eyes only makes things worse but you don't want to worry about that now.

"I just got to Monaco, babe," the phone is at a safe distance from her nostrils again and you can see around her, the airport where you landed a few days ago. "I'm with my parents," she rolls her eyes, lowering her voice. "But if you could get me into the Ferrari Suite I can hang out with you tomorrow!"

They allowed you one guest and the spot has already been taken by Mati, so there really isn't much you can do in terms of getting her into the Ferrari Suite. "Well, let me see what I can do, okay?"

"Okay," she sounds unsure, you know Vic enough to be sure she expected a different answer. "I mean my parents have Lounge privileges but it's more fun to be with you."

Had she said something about coming to Monaco you might have been able to do something, but as far as you were concerned she planned to stay in France all week, enjoying Cannes and mingling.

"I'll do my best Vic, but you know how they are," you exhale heavily, "Plus it's a crazy-ass weekend."

"Isn't it always?" she's yawning now, "We can meet for dinner later and you can tell me what's up alright? Being with my parents is so boring."

You shake your head, "Be nice, they just want to hang out with you. I'll call you after Quali," you check the clock on top of the nightstand, it's 10 am. You have to get ready for FP3, which you don't care about attending or not but Stuart Schaffer asked to see you, so you haven't got much of a choice.

"Sure babes, love you." Vic pulls her sunglasses down again and blows a kiss to the screen.

"Love you too," it's your turn to yawn as you tap the hang up button.

You look at the special edition Ferrari cap you received as a gift yesterday on top of your suitcase and immediately discard the idea of wearing it. No caps. And then the wave of disgust invades you, are you seriously going to do what some random man said on a podcast you came across by accident?

The answer is yes, unfortunately.

─────────

You would rip your leg off if you could, at least it would mean you’d be able to get out of this chair and away from Stuart. But his palm resting on top of your knee feels like a death grip and you’re frankly afraid to move in case it goes further up.

Mati decided to skip FP3 and you’re really hoping she’ll be on time for Quali because you have no one else to talk to, Stuart is just parading you around again and keeping you way too close for comfort because he’s in a great mood since both Ferraris maintained their top spots and things are looking hopeful for Qualifying.

You know it’s your chance to ask if you can bring Victoria around tomorrow, and you know the answer will be yes, but you don’t. You don’t want to ask things from this man, he’s the type to never forget a debt.

You barely catch a glimpse of Carlos and Charles as they walk by on the way to their debrief and Charles waves at you quickly, with a single-dimpled smile. He’s wearing the same cap you refused to put on.

“I’m going to call my friend,” you blurt out once Charles is out of sight, finally moving your leg back to make Stuart’s hand drop. “She had the worst hangover, I have to check up on her.”

“Oh, you girls get wild in Monaco,” Stuart cackles as you sprint away from him, actually resisting the urge to wipe your knee clean.

"Hey y/n!" Mati's voice can barely be heard above the EDM playing wherever she is. "What's up?"

"Where are you?" you whine, looking back inside the Suite. "Help."

"What's wrong?" you picture her frowning as she tries to walk away from the noise helplessly.

You feel guilty for worrying her so you sigh. "Nothing, I just hate being here. Are you coming here for Qualifying?"

"Yep," she pops the 'p' and laughs. "Listen, why don't we have lunch here at the yacht and then go back for Quali?"

"Yes!" once again you look over your shoulder to where the Elix men are laughing at their own jokes and patting each other's backs. “I’m on my way, okay?”

“I’ll be right here, also don’t scare me like that again, please.”

“Sorry,” you chuckle, embarrassed. Maybe you’re a bit dramatic at times, but it’s really all good-natured. “See you in a minute.”

You turn to the door of the Suite, giving a short jump back when you open it at the same time as someone else.

“Oh, god,” you sigh, stepping inside as Charles moves out of the way to let you in. “Thanks.”

“Sorry I scared you,” he smiles, closing the door again once you’re fully in. Charles is once again holding a closed Elix can, tapping his fingers on the side.

You eye it suspiciously, wondering if the thing has really grown on him. After all, one of the first things he told you was how much it disgusted him.

“It’s alright. I thought you were in your debrief?” You grab a can of Elix yourself, looking good in front of the sponsors cannot hurt.

“It was a short one. Keep doing what you’re doing kind of thing,”

“Right. Well, good for both of you,” you look around for Carlos but he’s nowhere to be seen. “Would it jinx it to say ‘good luck’ for later?”

You know many sportspeople take their jinxes and rituals way seriously, and you don’t want to be the one to blame if something goes wrong for the local star.

Charles considers this for a second and then shakes his head no. “Wish me luck,” he smiles.

“Good luck, Charles.” You beam back at him, enjoying—despite yourself—the way his eyes burn into yours.

─────────

You’re back at the Suite with Mati 10 minutes before Qualifying starts. The tension that had seeped out of your body in the form of laughter and loud singing with Mati is already making its way back to your back and jaw. You’re not ready to be around the Elix people again, but you must. However, first, you make Matilde promise she won’t leave your side.

Stuart Schaffer is already patting the empty seat next to him when you make your way through the refreshment tables. You smile at him, a muscle in your cheek falters as you walk past him on your way to the balcony, to catch both Ferraris leaving the garage.

“Oh don’t drink that,” you whisper when you see Mati walk your way, two cans of Gold Elix in her hands. “Don’t.”

Matilde snorts, “You’re literally the ambassador of this thing, and you don’t like it?”

“SHHH!”

“Fine, but those guys are looking at us so we have to at least sip it.”

You groan, opening the one she offers you and then taking a huge gulp. “Yum,” you mock.

Mati laughs again before her face goes sour with the taste. “Oh my God,”

“Warned you,” yet you take another sip. You think that if it grew on Charles it might grow on you, but you don’t really see it happening.

Q1 and Q2 go by smoothly, at least for Ferrari and you’re on the edge of your seat for Q3. This is the race you’ve been more excited for, but it’s not like you’ve attended many others. Still, Monaco just hits different.

The end of Q3 almost gives you a heart attack, although you also blame your almost empty Elix. You didn’t even notice how much you drank, but the thing that really gets your heart jumping out of your chest is Victoria’s ringtone.

Begrudgingly, you turn away from the track. She has texted you a thousand times, without exaggerating, since Quali started and you know it’s because she’s bored out of her mind at the Lounge with her parents. But you’re starting to find this genuinely entertaining and you are bothered by the distraction.

“I told you I’d call you after Quali, Vic,” you singsong, looking up at the screens inside the Suite.

“Well Quali is almost over, no one cares about the last three minutes.”

You do, Max Verstappen is in first place, then Charles and Checo in P3. You’re crossing your fingers for Charles to manage to get above both Red Bulls. And for Carlos to squeeze in there too.

You don’t say anything else, too enthralled by the battle on the screen.

“Y/n?” Vic raises her voice, “Are you listening to me?”

“Yes Vic, what is it?”

“We’re going to be at Ferrari together tomorrow, right?”

You wince, glad she chose a phone call instead of FaceTime this time around. You haven’t asked and you don’t intend to. Vic still has VIP Lounge access, she’ll be fine.

“They said no, Vic.” You lie, your eyes scanning the screen, it’s the last lap before they get the checkered flag out. “I’m sorry.”

“What? Why? Did you tell them I can give them publicity? I have one million followers!”

“Monaco is different from Miami,” you explain gently, “But you’ll still be at the VIP, you have a great view.”

“Yeah, whatever,” she’s beyond annoyed now, as it happens every time things don’t go her way. You can’t blame her, but you also think it will be good for her to spend some time with her parents, whom she refuses to visit although they live in Malibu and pay her mortgage. “We’re still up for dinner though, right?”

“Yep! I’ll meet you at your hotel.”

“Okay see you then, babes.”

By the time your eyes return to the screen, Charles is in P1, Carlos in P3 and the Ferrari Suite is exploding in cheers.

YOU’RE up painfully early the next day. Vic and you went back to your respective hotel way past three am and you’re exhausted, but at least you had enough self-control to avoid today’s hangover.

Nevertheless, the morning goes by in a blur between breakfast with Elix people, calls with Mildred and Walter, your manager, and two casting agents that tell you that no, you don’t need to go for an in-person casting, you’re not getting the role.

By the time you get to the Suite you have a headache and the knot on your throat is progressively getting harder to swallow. You only make things worse by rage-reading tweets with your #IsOver hashtag.

People claim, with more force every day, that Aidan gave you everything and you are starting to regret ever meeting him.

You have worked your ass off for years, taking on small roles, commercials, stock-photo deals. Learning scripts and going to castings and taking classes, you have been criticized and rejected for more things than just “not fitting the role”.

You have given everything you are and everything you have, and people assure what you got in return you owe it all to some man.

“Hola y/n!” Carlos is the first one to get back to the Suite and you wish he would rub off some of his good mood on you. “How are you today?”

“Hi Carlos, I’m alright and you?”

“You definitely look it,” he says, semi-sarcastically. “Something on your mind?”

The knot is back in your throat so you shake your head no. “And yours?”

“Nada de nada.” he smiles. You’re still growing on each other, but this is the most comfortable you’ve been while sharing the same space.

Charles arrives while Carlos, Mati (who is hungover from her party at the yachts) and you are comparing workout playlists. Wearing what now seems to be like his comfort cap, and a pair of ugly ripped jeans, he smiles brightly at the three of you.

You’re happy to see both Ferrari boys so smiley after the past couple races. Miami especially. And you hope they’ll do well; but you’re particularly scared for Charles, and whatever it is that made him unlucky in his hometown, you don’t want this day to end on a sour note.

You spend about an hour talking to them about anything, your movies, their races, Mati's tour with Romeo and Juliet. Music, hobbies and quirks, Charles and Carlos have an opinion on everything and they are actually quite fun to be around. Then, a Ferrari Team member comes to get them for the Drivers Parade so you wave them goodbye, wishing them a smooth race.

"You're not going to wish me luck, y/n?" Charles asks, the smirk on his face is one you identify as mischievous, and it makes a small wave of anxiety run down your back.

Mati stops the bottle of water halfway through her mouth to ogle at the two of you, and the palpable tension that has installed itself in the space.

"Good luck, Charles," the smile you return falters in one corner, but Charles doesn't seem to mind as he adjusts his cap and says thank you before leaving behind Carlos.

Mati has forgotten about her need to hydrate and is staring at you with both eyebrows raised. "I thought you were not doing that?" she gestures with her head towards the door through which both drivers vanished.

"I'm not doing anything," you reply, defensively. "He's being—"

"y/n, you could cut the tension there for a minute," Mati finally takes a swig of water and you wait for her to continue talking. "Like I said, I don't recommend it but... you're free to do whatever you want." she isn't unkind while wording that last part, but it still stings you with annoyance.

"Thanks, Mati." you bite the inside of your cheek, leaning back into the sofa.

─────────

The Ferrari Suite explodes in cheers once the checkered flag is out. After a frankly insane race with rain, crashes and too-long pit stops, both Ferraris have crossed the finish line, and most importantly Charles has finally managed to get rid of his Monaco curse. His enlarged picture appears on every screen with P1 right in the middle. Carlos is P4, but the points are extremely important in the long run, so people celebrate nevertheless.

Before you know it, Mati and you are being dragged down to the track for the podium celebrations. You're buzzing with excitement, holding Matilde's hand as you run to one side, where the mechanics can't crush you as they jump up and down.

Even above the general screams of happiness, you can hear talks of 'Charles deserves this so much', 'It was about time' and 'His hard work is finally paying off at home'.

At least someone's blood, sweat and tears are valued.

YOU are probably not living down the Charles dating allegations this weekend. Which is not your fault, honestly, had they enlarged the picture, it would have shown Mati just as excited for Ferrari as you were. She's Italian, and she bleeds for Ferrari.

But right now, surprisingly, you're not overwhelmed with whatever it is they're saying on Twitter. Although it took Mati snatching your phone away and tossing it in her own purse before sitting you down to retouch your makeup for the celebration party.

Victoria is joining you too, because a 'the more the merrier' applies to any sort of party happening in a Monaco club, especially if it is for the unofficial prince.

It is the first time in three months you let go of your worries, even if it is for the shortest amount of time as you dance with Victoria and Mati and drink anything you please and whoop every time the DJ mentions Charles and Carlos.

You're happy to be with your friends, away from Elix and celebrating two people who can become something more than coworkers to you. Although through the night you see them on a few occasions, Carlos waves at you as he passes by a few times only stopping in the third time to let you congratulate him with a quick hug that's more of a shoulder squeeze than anything.

Charles is obviously harder to approach, and to be fair, it's not like you're even trying. He's surrounded by his hometown friends and by anyone who wants to have his attention for a minute, for a picture or a dance or to buy him a drink.

It's past three am when Victoria is beyond buzzed and you're starting to feel exhausted so you decide it's time to leave. Mati has found someone to take home so she's been gone for around forty minutes, minding her business.

"Come on, let's go," you are grabbing Victoria by the wrist as her ankle twists. "We've both had enough," you laugh, Victoria joins your laughter as you snake through the crowd of people pumping fists in the air, some of them point and wave at you and you smile back at them politely.

You hear your name being passed around a few times, but you focus on finding the exit while keeping Victoria by your side, who has started to whine about not wanting to leave.

Once you break into the outside, you take a breath of fresh air, the coolness makes your skin rise in goosebumps and you shiver, letting go of Victoria to lift the hair on the back of your neck.

"It's too early!" Victoria complains once again, her eyes are glassy and she's just as sweaty.

"It's not, plus you're drunk, we should leave," your ears still feel drowned in the sound of music. “My feet are killing me.”

The exit opens again, and a couple stumbles out laughing and they tell Vic and you goodbye in drunken French. Before the door shuts again, Charles is out on the street too.

"I heard you were leaving," he says in what you're sure it's a too loud voice. But your ears have barely stopped ringing, so you can't blame him. "Are you two okay?" he eyes Victoria, who is starting to lean down on her knees to soothe her dizziness.

"Oh we're alright, we've just partied enough," you smile at him. Charles is rosy, bright-eyed and sweaty. Is it corny to describe someone as painfully handsome?

"I didn't get to congratulate you," you add, trying to keep your attention on Charles while being aware that Victoria might start retching at any given moment. "You did amazing."

Victoria straightens immediately, her glassy stare focusing on Charles. "You're such a good driver, Charles, for real."

"Thank you," Charles nods awkwardly a few times as Victoria pokes him with her left index finger. "And thank you y/n."

"Come on, Vic," you chuckle, keeping her hand away from Charles. "Seriously though, I'm happy for you."

Charles smiles again, running a hand through his hair. "Thank you, really. I'm sorry I didn't see you earlier," he points behind him, to the club.

"It's your party, you can't be everywhere,"

Vic is yawning loudly, and you roll your eyes, amused. "We better get going."

"y/n, when are you flying to Spain?" Charles blurts out, the moment you turn to lead Vic down the street.

"I'm not sure, Wednesday probably?"

"You know, I can still show you a place or two in Monaco. If you want." He sinks his left hand in the front pocket of his dark jeans, and you wonder where the mischievous aura from what seems like ages ago went.

You pause, letting Vic put her whole weight on your shoulder as she finally gives up to the exhaustion. "Um well..."

The same tension that appeared at the Ferrari Suite is back, and the more you hesitate, the thicker it becomes.

Victoria pulls you down with her as she throws her head back, yawning again. Charles is just in time to hold you back up, his other arm pulling Vic back to a standing position.

"Only if you want," he says, he is far too close now and you can smell the mix of alcohol and cologne on him.

And maybe it's the alcohol in your own system, and you'll regret this once you sober up and realize that you told Matilde several times this is exactly what you were not going to do, but you say yes.

─── team principal radio: ❝thank you for reading! I hope you've enjoyed this chapter. I want to say thank you to everyone who interacts with this series, it means a lot to me to know that you're enjoying it!♡❞

✰ paddock club members: @majx00

[yurimother]

'Whisper Me a Love Song' Yuri Anime Now Streaming

The first episode of Cloud Hearts and Yokohama Animation Laboratory's high school Yuri romance anime Whisper Me a Love Song (Sasayaku You ni Koi o Utau) is now streaming in North America on HIDIVE. The first episode premiered on April 13, and new episodes are simulcast every Saturday at 12:30 PM EST.

Whisper Me a Love Song follows first-year high school student Himari Kino, who, at a welcome ceremony, witnesses Yori Asanagi singing and instantly falls in “love.” She immediately confesses her admiration to Yori, who misinterprets Himari’s feelings as romantic. However, once she realizes her mistake, Yori swears that she will make Himari fall for her for real. The anime will run for 12 episodes, according to HIDIVE.

The anime is based on the manga of the same name by Eku Takeshima. The manga began serialization in Comic Yuri Hime in February 2019. As of March 2024, Ichjinsha has published nine collected volumes of the series in Japanese, and Kodansha USA has published eight in English.

The anime, which was delayed from its initially announced January premiere, is directed by Akira Mano at Cloud Hearts and Yokohama Animation Laboratory. Mano replaced the initially announced director, Xin Ya Cai, due to “health reasons.” Additional staff includes character designer Minami Yoshida and script supervisor Hiroki Uchida join Mano.

The anime stars Hana Shimano as Himari Kino and Asami Seto as Yori Asanagi. Additional cast includes:

Konomi Kohara as Mari Tsutsui

Mikako Komatsu as Aki Mizuguchi

Ai Kakuma as Kaori Tachibana

Yuna Nemoto as Shiho Izumi

Reina Ueda as Momoka Satomiya

Chika Anzai as Hajime Amasawa

Aoi Koga as Miki Mizuguchi

You can stream Whisper Me a Love Song today with English subtitles on HIDIVE in North America, the British Isles, and Australia.

[taytaay131313]

DEBUNKING THE “KARLIE BETRAYED TAYLOR BELIEF”

Disclaimer: this post is taken from Reddit and it was put together and posted by this user : OddDragonfruit6179 I just made it into Tumblr post.

This is for people who might be new to Gaylor side of the fandom and to those questioning the “betrayal” surrounding Taylor Swift and her masters and Karlie Kloss. This is also an answer to anonymus messages about the line in the song It’s time to go believed to be about Karlie Kloss / When the words of a sister come back in whispers that prove she was not in fact what she seemed not a twin from your dreams she's a crook who was caught.

PSA - Personally, I exist as a Gaylor because I love interpreting Taylor's Queer themes that don't specifically revolve around certain muses & the beautiful way they can exist on their own. I am also not 'Late-Stage'-Anything, haha. But, saying that, it's amost impossible to ignore the elephant (or Giraffe) in the room when it comes to Karlie & Taylor's storytelling since Reputation. It seems there are some very firmly-held beliefs about 'what happened' (including Gaylors), and a lot of them revolve around the idea that Karlie 'betrayed' Taylor during the Master's Heist era of June/July 2019, 'feeding information to & siding with Scooter Braun' - which are often used to debunk Gaylor interpretations as a blanket shut-down. Given the latest drama with Selena & how she recently spoke up about slandering Taylor on TikTok, it reminded me of how we have a lot of evidence from both Taylor & Taylor's inner circle that this was probably not actually the case, and how quickly rumours & interpretations get adopted as 'fact' without any proof - something I think Taylor's also tried to get across with her music, too. I wanted to do a little deep-dive into this side of things to remind us all that we simply cannot believe everything we hear - there's always a lot more to celebrity stories than the loosly-held general beliefs :)

What was the big 'betrayal' in 2019?

If you're new here, welcome! The supposed 'betrayal' revolves around Taylor's Master's Heist in summer 2019, when Scooter Braun (millionaire celebrity manager) bought Taylor's entire back catalogue of music, leaving her without ownership of all her previous music. Taylor was at a turning point in her career, having just ended the 13 year contract that she'd been tied into since she was 15, and was just about to release her first fully-owned album 'Lover' She wanted to buy all her past music, allowing her to have full freedom & ownership going forward - yet it was allegedly sold to Scooter from underneath her, meaning he would be the one profiting from all of her life's work from Debut to Reputation & leaving her without any ownership rights of all her past work. (This is now why she's re-recording her 'Taylor's Versions' of her past albums.) How does Karlie tie into this? Karlie had been a huge part of Taylor's life since 2013. As Gaylors, most of us believe they were much more than friends & Karlie was the main muse for Reputation (2017) & multiple songs on Lover (2019). Karlie had signed with Scooter Braun in 2015. In 2016, Scooter was involved in the Kimye 'Taylor Swift is over controversy', being included in a photo Justin Bieber posted online to taunt Taylor (which Justin later said Scooter had nothing to do with). As she was Scooter's client, Karlie was immedietly caught up between Scooter Vs Taylor rumours, leading her to tweet this:

In early 2017, as the Kimye drama grew, Taylor stopped sharing her private life on social media. From 2017-2018 she releases Rep, goes on tour, ends her contract with Big Machine & begins working towards releasing Lover. All the while, rumours are consistently following both Taylor & Karlie about 'whether or not they're still friends' because they'd not been seen together. A lot of people believe they were still in each other's lives (there are multiple masterposts going into the possible romantic side of things), but the narrative is all over the place: In March 2018, Karlie tells the NY Times: 'don't believe everything you read' & that she and Taylor as still 'very close'. In July 2018, Karlie announces that she's engaged to Josh Kushner and Taylor doesn't publicly comment. In August 2018, Karlie attends the Rep Tour & is brought to the front pit when Taylor sings 'Dress'. In October 2018, Karlie has her first 'wedding' with Josh (up for personal interpretation if this is Lavender or not) - Taylor doesn't publicly comment. The same month, Karlie's YouTube shows her apartment is still full of photos of Taylor & her family/friends (not Josh):

In the first half of 2019 Taylor is finishing writing Lover, which include themes indicative that she is extremely up/down, full of anxiety & has push a 'lover' away: "I'm terrified if you ever walk away" (Cornelia Street), "We were crazy to think this could work, but we might just get away with it" (False God), don't wanna keep secrets just to keep you" (Cruel Summer), " jump from the train, I ride off alone" (The Archer), " blew things out of proportion, why'd I have to break what I love so much? I need to say hey, it's all in my head, I'm the one who burned us down, sorry that I hurt you, I don't do this to you, I don't wanna loose this with you" (Afterglow), "Saying goodbye is death by a thousand cuts, I look through the windows of this love, even though we boarded them up, chandalier's still flickering here" (DBTC)

What actually happened in Summer 2019?

Taylor begins promoting the release of Lover. In April 2019 she unveils a butterfly wing mural which looks extremely similar to Karlie's butterfly wings from the VS Show where they met & then continues to be ridiculously gay-on-main. She releases You Need To Calm Down, where she's the Sherriff of the Gay trailor park with Bi hair, and ME! on Lesbian Visibility Day... there's endless flagging in clothing/theming. She was getting very 'loud'. Many people believe she may have been leading up to 'coming out' officially, either with the album and/or the Miss Americana documentary that was in the process of being filmed. On 23rd/24th June, Karlie has her second 'wedding' (a big party). Taylor doesn't attend. Scooter does (he's close friends with Josh).

Within a week after he's at this party with Josh & Karlie, Scooter then flies to Nashville and completes the sale of Taylor's masters. The sale is partially funded by the Carlyle Group, who is in business with Kushner Companies (Josh's family's business).

On 30th June (the following weekend), Taylor announces that the Master's Heist has happened & how distraught she is. Lots of celebrities speak up against Scooter & many of his clients (Demi Lovato, Justin Bieber etc) speak up in defence of him. Karlie remains silent & doesn't make a statement either way.

On 3rd July, Perez Hilton starts stirring shit by saying that 'Taylor is no longer close to Karlie because she found out Karlie was telling things about her & her career to Scooter! It began circulating that 2 of Taylor's close friends, Ashley Avignone & Claire Winter had liked the tweet, 'confirming' that this was the case to those that follow gossip sites. Karlie is then photographed at events/lunches/trips with Scooter multiple times throughout the rest of 2019 - further ‘cementing' this idea for fans.

The final blow for this theory came when Taylor released Folkmore (2020): in the song 'Time to Go' she sings "When the words of a sister come back in whispers, that prove she was not in fact what she seemed, not a twin from your dream she's a crook who was caught", which many fans immedietly assumed was about Karlie.

Where are the cracks in all this?

Taylor's other friends: Obviously, social media is only a partial glimpse of a story, but it is very suggestive of behind the scenes information. The reaction to the current Selena controversy was what reminded me of her friendship with Taylor, after she stuck up for Taylor on a video of Hailey Bieber. Selena's been very close to Taylor since they were teenagers. In October 2019, shortly after the Master's Heist, she did an interview where she was in tears talking about how important her friendship with Taylor was, and how much she loved her & her family:

...so she would've been very much on Taylor's 'side' if Taylor has had an awful betrayal from Karlie, right? Yet in November 2019, just 5 months after the Masters Heist , she's very publicly supporting Karlie, too:

..and they have both consistently continued to support eachother ever since, right up to Selena's latest birthday:

In terms of social media, many of Taylor's current close friends & people she's worked closely with continue to follow Karlie (despite following a very limited number of people). This includes Taylor's oldest childhood friend, Abigail (who only follows 285 people - Karlie still follows her back), Haim The Band, as well as Danielle & Alana Haim on thier individual accounts, and Sadie Sink:

Karlie also continues to follow Taylor herself and Taylor's brother, Austin:

We also have two more of Taylor's very close circle, Ryan Reynolds & Gigi Hadid, liking posts about Karlie's 30th birthday in 2022:

What about Perez Hilton's claims? Baring in mind this is the ONLY 'evidence' that exists to support this story, I tried to find the original tweets about 'Karlie telling things about Taylor to Scooter', and low & behold: they're ALL gone. That includes Perez's & the 'Taylor Swift Updates' tweet that was supposedly liked by Taylor's friends. Gone, deleted, non-existent. Why would they have been deleted if they were true & Taylor wanted that story out there? Who made sure they were, from all accounts involved, and only those? Interesting.

What I did find, however, was some tweets and likes from the same friend, Ashley Avignone, discussing how none of Scooter's clients have been able to speak out against him or leave him because of their contracts (this would include Karlie):

What about Karlie 'siding' with Scooter & continuing to work/hang out with him? There were definitely pictures of Karlie continuing to spend time with Scooter after the Masters Heist. However, she was under contract. She never defended him or tried to reason about what he'd done. In fact, she left Scooter as soon as she possibly could. She hasn't been seen with Scooter since 2019 & she signed a new contract with a different manager in 2021. It's also relevant to note that Taylor's other close friend, Ed Sheeran, was also managed by Scooter at the time & didn't speak up publicly either. Taylor reportedly attended Ed's wedding in September 2019, yet Ed continued to stay with Scooter & publicly party with him well into 2021 (so, clearly, if there is an issue with Karlie it wasn't just because she continued to work with Scooter in 2019).

Last but not least, the music:

Throughout her albums since the Masters Heist, Taylor has consistently written about heartbreak & betrayal in different ways. Although 'It's time to go' has been grabbed by many fans as 'proof' that Karlie betrayed her, but most stories just aren't that simple. Taylor is a storyteller. One song doesn't equate to every emotion/situation that Taylor was feeling. As many of us do, I believe there's a clear arc of Taylor painting a picture throughout multiple songs, of how she thought she had been 'betrayed' & the pain of that, but later realising she was just blaming the person she had loved in order to get through it all. Others have done amazing, full analysis of these songs, but in terms of 'betrayal' specifically: In Hoax we see the raw pain of feeling hurt by the one she loved alongside what happened with the Masters Heist (this song is full of Karlie references & Taylor very clearly says she was writing about both love & the Masters Heist in the LPSS): "My eclipsed sun, this has frozen my ground / You know I left a part of me back in NY / You know it still hurts underneath my scars from when they pulled me apart, but what you did was just as dark, darling this is just as hard."

In Closure, we see that she's harbouring a lot of anger & isn't ready to move forward or past her pride: "Yes I got your letter, it wasn't right the way it all went down, looks like you know that now / I know that it's over, I don't need your closure / I'm fine with my spite / Guilty, guilty, reaching out across the sea that you put between you & me"

In Coney Island, we begin to see her taking accountability for her own role in the relationship breaking down in the first place (which ties in with Afterglow): "Sorry for not making you my centerfold / It gets colder & colder as the sun goes down / What's a lifetime of acheivement if I pushed you to the edge / Did I leave you hanging every single day / Did I paint your bluest skies the darkest gray?"

In Happiness, we see this accountability clashing with the hurt she still feels about the way it all ended, but ultimately acknowledging she can't make Karlie the villain (suggesting she never actually was one) & wants to forgive her whatever role she did play (when she's ready). Hope she'll be a beautiful fool who takes my spot next to you, no sorry, I don't mean that, I can't see facts through all of my fury / I can't make it go away by making you the villain, guess that's the price I pay for 7 years in heaven / All you want from me is the green light of forgiveness, You haven't met the new me yet, but I think she'll give you that"

Later, in The Great War, we see a continuation of reflecting back on the same themes - telling the story of feeling hurt & betrayed, shutting the other person out, but realising the other person was also being equally hurt by it all / was never the person she should've been blaming: "Cursed you as I sleep-talked, tore your banners down, took the battle underground / I drew curtains closed, drank my poison all alone" (processing her pain through putting an end to the loudness of Lover & writing Folkmore). "Somewhere in the haze got a sense I'd been betrayed/ telling me to punish you for things you never did, so I justified it" (Taylor's acknowledging once again that the other person hadn't actually done what she thought they had) "You drew up some good faith treaties / Tears on the letter / My hand was the one you reached for" (could be a callback to the letter' in closure & suggests the person was trying to make peace). "Your finger on my hairpin triggers, soldier down on that icy ground, looked up at me with honour & truth, broken & blue, so I called off the troops" (icy ground could be a callback to 'you have frozen my ground' back Hoax).

So where does that leave us?

Who the hell knows? No one does, but I love reading all the theories when the rest of the music is tied into it all! But in regard to there being a 'betrayal', given how there was never any concrete evidence that Karlie did anything wrong in the first place (& how the only tweets alluding to it have mysteriously dissapeared), the continual association with Karlie from some of the closest people in Taylor's life, Karlie leaving Scooter at the first chance she got & the arc of the 'thought i was betrayed but I was really just heartbroken & being dramatic' story from Taylor, I am now a firm believer that there wasn't a 'big betrayal' from Karlie in regard to the Master's Heist.

The rest of it is all up for guesswork. Taylor definitely felt betrayed by something at first. We know there were already break-up songs on Lover written before the Master's Hiest which suggest Taylor was the one to push her lover away, yet they were still dappled with hope that she'd get them back. Potentially, Karlie had already been pushed away & had sought security in her long-term partnership with Josh/decided to marry him. After the engagement & 1st wedding, this is when we see Taylor's very 'loud' Lover Era - could this have been an attempt to 'prove herself' to Karlie & make a statement about what she was willing to do? However, Karlie was already comitted to Josh & had gone through with the 1st wedding. Within a 1 week period of June 2019, Karlie doubled down on going through with her 2nd wedding to Josh & her manager bought Taylor's Masters, making it extremely risky for Taylor to continue to make a career-changing choice of 'coming out' (if that's what she'd been intending to do). Could it have been orchestrated by Scooter (& Josh?) in order to keep Taylor closeted? Could Josh have been involved financially in order to put a stop to the rumours about Karlie after they'd already comitted to marriage & keep his business deals/ family connections safe from speculation? Could Karlie simply have been trapped in the middle of all of it & torn between her loyalty to both Taylor & Josh, causing an already heartbroken Taylor to 'kick the cat' and initially put the blame on Karlie for the way it all happened? (If you factor in the possibility that both Karlie & Josh might be closeted & had eventually comitted to a consentual Lavender Marriage, it makes the risk of Taylor exposing them even bigger. Josh was tied up in Billionaire conservative circles & relied heavily on his business partnerships in the Middle East & Asia, as well as pressure from the Trump side of the family. We have no idea what kind of pressure he & Karlie may have been under behind the scenes).

Who the hell knows - but if Karlie had directly, intentionally been involved in such a big betrayal to Taylor, I HIGHLY doubt her best friends/family would be having anything to do with her.

Folkmore shows a clear theme of working through different, conflicting emotions, & then in Midnights we're back to seeing the Karlie-coded songs being portrayed as a big, authentic love (not one that was hate-filled or hurtful)...so at the very least, I'm definitley on the team of believing they have worked through whatever they needed to & have drawn a line under it all :) + a little update since the Eras tour started we have seen some of Karlies friends attend the show such as Derek Blasberg (her long time best friend), Cara Delevingne…Gigi Hadid revealed she will attend the Eras tour and go to as many shows as she can and she was just recently seen with Karlie in Mumbai. I hope this post made some things more clear for everyone not knowing this side of the story.

[philaet0s]

So I decided to start posting my social media AU here, in parts, and without the few bits that happen off social media that will be on the ao3 version <3

As an introduction, here’s a little bit of context:

Baz is an world-famous singer. At the beginning of the story, he’s about to go on tour for his 5th album

He and Simon are in a relationship but it’s not public. Simon asks Baz if he can make a twitter account where he claims to be Baz’s boyfriend because he thinks it’d be fun to see how people react

Baz’s albums, because I’ve thought about them a lot —except for the first one— lol:

Ergo, - 2019

→ he just wanted to be pretentious with a latin word honestly + the word “ergo” has this intrinsic meaning of consequence. for something to have a consequence, there *has* to be a something, but there’s nothing that comes before the album. it’s his first. it’s a sort of oxymoron with just one word, something contradictory at its core, Baz likes that

I don’t really know what Baz’s first album is like. the themes would probably be rather dark, but I don’t have a clear idea of what the album would represent like i do for the others. and yet i know there’s an album before those others. something that started it all

Flowers in the Water - 2020

→ a reference to Ophelia from Hamlet, who drowned surrounded by flowers. in this album baz explores his feelings after his break up. he was the one to leave his boyfriend who he was in a pretty toxic relationship with though he still had love for him. so he never had much agency during the relationship (as Ophelia doesn’t have agency during most of the play and her life) and the one time he acted on his own, he ‘ruined his life’ -the feeling of despair after a break up, when you think you’ll never find love like that again, even if it was bad (as Ophelia did when she killed herself). Cliché image of the break up as a sort of death, but you can be cliché when you’re heartbroken

baz’s ex used to buy him flowers, so there was this vase in their flat that for a long time always had flowers in it. after a while, towards the end of the relationship, baz noticed that it had been a moment since there had been flowers in the vase, and that was one of the things that made it hit that his bf didn’t care about him anymore

BUT the ‘vase’ is replaced by ‘water’ in the title of the album – a nice metonymy – to better fit the Ophelia reference.

Portrait of the Artist as a Madman - Feb. 2021

obvious reference to james joyce’s Portrait of the Artist as a Young Man. Baz reread the book during lockdown so he had that title in mind. he used Madman instead of Young Man because we all went a little crazy during lockdown so that was his state of mind when he wrote the album

his most reflexive album, in which he writes very personal things about who he was and is, but also his persona as a singer and the way the music industry impacts him and his life

The Prophecy - Sept. 2021

baz really wanted to use the word prophecy in a title. it’s his favourite word in the english language. it’s a very meaningful word, prophecies were a huge deal for ancient civilisations, prophets are important figures in the abrahamic religions + he likes the idea of a prophecy, something being foretold, an inevitable end, no matter what one does. it’s very tragic, he likes that

this album is about his new relationship with simon, a romantic piece about how when they met, he felt like their story had already been written and all they had to do was play it out, he felt this inevitability that he associates with prophecies. simon is the love that was foretold for him

Metamorphoses - 2022

in reference to Ovid’s metamorphoses. Baz reuses some of the stories in the Metamorphoses while also applying them to his life, creating songs that are a blend of mythology and personal. (his fans love trying to guess what is merely his interpretation of Ovid’s stories and what is personal elements he added to the songs). the songs are ordered in a way that shows how baz was transformed throughout his life to become the version of himself he is at the time of writing the album. a sort of memoir told through a dozen songs

Paroxysm - 2023

paroxysm: a sudden sharp attack (of pain, rage, laughter, etc)

the meaning of the word is why baz chose it as a title. he thought it fit the album, which he wrote very differently from his previous ones –in bursts. his creativity was renewed after Metamorphoses, which was a project that felt to him more like writing a book than songs, and it expressed itself differently. in this album, the topics he writes about are all different, with nothing to give a coherent theme to the album… which is the theme in itself. all the songs are little paroxysms

[tayloralisonswift]

did you ever post your analysis of thank you aimee being about k*rlie because i think about that every time i listen now

I DIDN'T.

okay, i'll start by recognizing i'm making some assumptions: that more post-2019 songs are about karlie than people think (regardless of the platonic vs. romantic debate); that karlie (again regardless of debate) meant very much to taylor and her betrayal meant more than people think (see post linked above); that karlie did betray taylor in 2019 and is not like. being manipulated by scooter braun and held on that yacht at gunpoint; that taylor is smart. yes, i needed to clarify the last one, because some of you guys seem to think she's a fucking idiot when it comes to this song!

why do i think karlie's betrayal meant that much? karlie represents new york to her (evidence: every interview about new york and karlie that taylor ever did) and taylor had to leave because of her: we've got hoax, my tears ricochet, exile, the lakes, all talking about running away from home (and that's just on folklore.) then there's mad woman, which is about scooter braun, but also everyone on that yacht - like karlie. that's not even considering evermore (divorce album of all time), some of midnights, and maybe some on ttpd other than this song but maybe not.

when i say people treat her like she's a fucking idiot, i mean the argument that it's about kim even though she clearly says it's about someone else:

like she's very clearly saying that if it seems like it's about kim, it's not. she wouldn't say this and then forget to make it not about kim. and i think it can have multiple muses - i think the way she's incorporated YE in the title now is funny. but i think it's just the title that's coming for them.

these lyrics speak to a secrecy within her songwriting about this person. she covertly writes about karlie all the time. it also references a child, and she loves to talk about karlie's kid(s) negatively (happiness and right where you left me).

the rest of the song has similarities to other songs i think are about karlie: the blood gushing reminds me of it cut deep to know you, right to the bone (which reminds me of cruel summer, of course); the throwing punches just reminds me of knockout; the references to the small town make me think she's describing new york as something she's grown beyond - she can go anywhere she wants just not home, but that's okay now; screaming to the night sky is the exact same lyric as i still talk to you when i'm screaming at the sky.

ultimately, though, i think the song is about karlie because if it hadn't been for their (platonic or romantic) relationship, taylor would not be who she is now, and i don't just mean in terms of her success. i mean that who taylor is - the secure-in-herself person - was built not from a kardashian, but from losing her best friend. nothing changes you like that. that person who she is now was able to have the success she has because she rebuilt herself.

anyway, i'm amenable to consider other people it's about (though i can't think of anyone off the top of my head), but i don't think it's about kim specifically because she clues us in that it's not. she's just being petty with the title, and good for her.

[kpopscatterbrain]

Kdramas/Movies with strong female characters

Dramas

Eve (2022): Lee La-El (Seo Yea-Ji) When Lee La-El was little, her father died unexpectedly. Powerful people were responsible for his death. After her family was destroyed, Lee La-El prepared for the next 13 years to take revenge. Starting by targeting Kang Yoon-gyeom, one of the main culprits who orchestrated the death of her father. Along the way she becomes torn between her desire for revenge and her feelings for Yoon-gyeom.

It's Okay To Not Be Okay (2020): Ko Moon-Young (Seo Yea-Ji) Ko Moon-Young is a popular children's book author with antisocial personality disorder. She had a troubled childhood and a turbulent relationship with her parents. She develops romantic feelings for a psychiatric caregiver after a coincidental encounter and often goes to extreme lengths to get his attention.

Hotel Del Luna (2019): Jang Man-Wol (IU) Jang Man-Wol is the moody owner of Hotel del Luna. The hotel catering to the dead has been bound to her soul in order to atone for the sins she committed 1,300 years ago. Through the new manager Gu Chan-sung, the mysteries and the secrets behind the hotel and its owner are revealed

My Name (2021): Yoon Ji-Woo (Han So-Hee) Yoon Ji-Woo’s father gets murdered suddenly. She wants to desperately take revenge on whoever is responsible for her father's death. She starts working for a drug crime ring that her father was a part of. Ji-Woo joins the police department as a mole for the drug ring.

Vagabond (2019): Go Hae-Ri (Bae Suzy) Go Hae-Ri is an NIS agent and is currently working undercover at the Korean embassy in Morocco. She is tasked to help the bereaved families of a fatal flight. She helps Cha Dal-Geon whose nephew was on the flight uncover a darker and more sinister conspiracy than they expected.

Sisyphus: The Myth (2021): Gang Seo-Hae (Park Shin-Hye) Gang Seo-Hae is an elite warrior. She can take down the biggest men with just her bare hands. She is a sharpshooter and a bombmaker. She learned these skills to survive in a world that is dominated by gangsters and military cliques. One day she time travels to save a genius engineer.

Mr. Sunshine (2018): Go Ae-Shin (Kim Tae-Ri) Go Ae-Shin is an orphaned noblewoman and a member of the Righteous Army. Her parents were independence fighters who died in Japan due to their colleague's betrayal. She trains as a sniper. An american soldier Eugene meets and falls in love with Go Ae-shin. 

The Glory (2022): Moon Dong-Eun (Song Hye-Kyo) Moon Dong-Eun was a victim of high school violence. She waited for the bully ring leader get married and have a child. Now she is the homeroom teacher of her tormentor's child. Her cruel revenge plot begins.

Tomorrow (2022): Koo Ryeon (Kim Hee-Seon) Grim reaper Koo Ryeon is the leader of a crisis management team. The teams objective is to save suicidal people. Choi Jun-Woong (Ro Woon) is a young job seeker who is unable to secure a job. One night, he accidentally becomes a new member of the crisis management team.

Remarriage & Desires (2022): Seo Hye-Seung (Kim Hee-Seon) Seo Hye-seung who lost everything in an instant after her husbands affair and su*cide. She signs up to a matchmaking company Rex for the upper class, and participates in the race of her desires for her revenge.

Under The Queen's Umbrella (2022): Queen Hwaryeong (Kim Hye-Soo) Queen Hwaryeong is supposed to act with grace and dignity, but she has troublemaker sons. The queen decides to abandon strict protocols to transform her sons into deserving princes through education and personal growth, all while navigating the complexities of motherhood and royal life.

Juvenile Justice (2022): Sim Eun-Seok (Kim Hye-Soo) Sim Eun-Seok is an elite judge with a personality that seems unfriendly to others. She hates juvenile criminals and gets assigned to a local juvenile court. There, she breaks custom and administers her own ways of punishing the offenders.

K-Movies

Kill Boksoon (2023): Gil Bok-Soon (Jeon Do-Yeon) Gil Bok-Soon is a single mother and a contract killer working for M. K. Ent. Highly regarded by her peers, she has a 100% success rate and is one of a few killers rated "A" by her company. Right before Gil Bok-Soon is set to renew her contract, she gets involved in a kill or be killed confrontation.

Ballerina (2023): Jang Ok-Ju (Jun Jong-Seo) Ok-Ju used to work as a bodyguard. Ok-Ju is friends with Min-Hee, who is a ballerina. Min-Hee asks Ok-Ju for a favor. She wants Ok-Ju to take revenge.

The Witch: Subversion (2018): Ja-Yoon (Kim Da-Mi) A young girl escapes from a mysterious laboratory where she was trained to become a murder weapon. 10 years later, the girl, named Ja-yoon, is living a normal life, apparently without any memory of her past, she becomes involved in a crime.

Special Delivery (2022): Eun-Ha (Park So-Dam) Eun-Ha is a special driver for deliveries. She delivers anything or anyone for the right price. Her success rate is 100%, but she gets involved in an unexpected delivery accident.

Brave Citizen (2023): So Shi-Min (Shin Hae-Sun) So Shi-Min used to be a boxer in her student days. She now works as a contract teacher at a high school. She confronts a school bully, who frequently torments other students.

[taylortruther]

I wonder if the "parts of you that only glow in the dark" might come up in the idea that she and Joe spent time being sent together and her wondering in 2019 if she could ever write breakup songs while happy and in love. It's the perception of someone with depression that the pain and misery are part of them, and with someone like Taylor who created art out of her own pain, I'd imagine she sometimes wondered if that pain was something she should be grateful for

that's partly how i take it! and that's threaded into dear reader, as well, this idea that she cuts herself open for us to learn from or feel seen - but in her darkest moments, she's a stumbling drunk lonely cursed mess. she's a mirrorball, reflecting what people want to see, trying so so hard to be loved, all the time, and people lean in with hunger to see her shattered edges glisten. she's no guiding light, but she shines so bright, like a mirrorball.

to me, it also harkens back to new romantics: we're on the road to ruin, we play dumb, but we know exactly what we're doing. there's excitement and drama in pain, or putting yourself in situations that will lead to hurt. as a young person, that's learning; as you get older, it can be self-sabotage.

also also, maybe part of you DOES light up in darkness, when you're doing things you're not supposed to. maybe another man's hand lights up your darkest nights, because your love has been frozen, promised to another. maybe you DO always wash your hands of your past relationships in a dark club, after you've left like an asshole outlaw. maybe you DO play with people's hearts, never say sorry, and like it.

[svtminji]

𐙚 ‧ RELATIONSHIPS ─── romantic

I 𝓲. I johnny (nct) x oc ୨୧ jeonghan x oc warning: mentions of a miscarriage in johnny's section

╰ johnny + minji -> johnji popularity: 89% - type of relationship: best friends

johnji : 🌺. ─── basic info.

age difference: six months (feb. 1995 & aug. 1995)

time span: may 2018 - sept. 2019

how it began: since both of them were trainees under sm, they managed to create a bond as they were mainly english speakers. although minji did depart from the company three years prior to johnny’s debut, they managed to stay in contact with each other. after a few years of only seeing each other through a screen, johnny asked out minji and she said yes.

dating announcement: it was announced by dispatch on december 31st, 2018. dispatch stated that the couple had been dating months prior to exposing this.

break-up announcement: all good things must come to an end and the couple had realized that. they loved each other deeply but they knew that in the entertainment industry, dating is looked down upon. both of them made the conscious decision to stop their relationship due to their busy schedules and it was announced by their respective companies.

their relationship now: BESTIES!!! omg i cannot stress this enough. friendship dates & many visits to the dorm. mizuki became friends with all of nct by this

⠀⠀⠀⠀⠀ ⠀⠀⠀⠀ 민지 ⠀𓍼⠀⠀⠀𝐉.⠀⠀⠀쟈니

johnji : 🌺. ─── etc.

how the public responded: people criticized both of them due to their two-three year dating ban once debuting. they later accepted that their hate couldn’t break them from loving each other. some netizens still criticized minji for being lazy enough about her career.

reason they broke up: the tough schedule between idols dating was easy enough for them to manage. though both nct & svt were getting popular during this time and it lead to them seeing less and less of each other. they both made the conscious decision to break up for the sake of their careers because minji was receiving much stress from the upcoming tour. the pair ended in good terms and still see each other as something that was long ago.

during the time they were dating, minji had morning sickness which led to a pregnancy test. it had came back positive and it was exciting news for the couple. although the sudden news was early in their relationship, both of them knew that they would definitely be good parents. minji and johnny both ended up with the name sienna for their babygirl, or hyunwoo for their babyboy; yet their dreams of having a family would end up shattered.

a song that represents them: best friend - rex orange country & sienna - mizuki

╰ jeonghan + minji -> jeongmi popularity: 101% - type of relationship: engaged besties

jeongmi: 🌺. ─── basic info.

age difference: three months (aug. 1995 & oct. 1995)

time span: nov. 2020 - present

how it began: after a few years of on-and-off flirting and flings, mizuki realized how much she really missed him on nights when she was alone. he was her other half and they were always stuck together like glue.

dating announcement: as always the couple was exposed by their favorite news reporter, dispatch. yet dispatch was not the first signs of their dating accusations. their first stages of trying out new things began with a soft launch. saesangs & carats would see them two by themselves going on "friend dates". although dispatch was the one to announce it, both of them properly announced their relationship once they felt it was time for everyone to understand their relationship. january 6th, 2021 was the day they announced it.

engagement announcement: the couple announced their engagement on february 15th, 2023. both minji and jeonghan had made an instagram post celebrating their engagement, with their comments disabled. although many fans were happy, some netizens had their concerns about the future of seventeen.

⠀⠀⠀⠀⠀ ⠀⠀⠀⠀ 민지 ⠀𓍼⠀⠀⠀𝐉.⠀⠀⠀정한

jeongmi: 🌺. ─── etc.

how the public responded: many netizens supported it as they were both getting into the age of settling down and placing roots. though, a few people slut-shamed minji for dating a fellow member but was later thrown off due to the massive support.

q&a: do they see having kids in the future? yes, both of them have ... :3 and they always talk about their relationship regarding the future. although minji might have some unresolved pain from a prior pregnancy, she does not mind trying once again to have a child.

a song that represents them -> style - taylor swift & kingston - faye webster

lol i decided to update this post bc the layout was HORRENDUS. omg... never again. i cant spell but thank you for either reading or rereading!

[aeolianblues]

Thinking about Fontaines D.C. again. They’re quite different from any other band of the 2020s that I can think of, somehow they’re simultaneously both completely of this decade in their themes, context and sound, and still have something almost old-fashioned, maybe even timeless about them.

Like they’ve got that sound, depth and emotional complexity that makes people believe there’s something more to them, they’re no flash in the pan, they aren’t chasing any trends or whatever. And still, their post punk sound was so placeably 2018-2022 that you’d listen to it and you have to say yep, these lads came up in the wake of bands like IDLES at the same time as bands like Shame, very 2019.

And you never think, ‘oh I wonder what happened to them, I haven’t heard from them in a while,’ despite the fact that they are basically not active at all on social media. They have the band IG and each member too, but half of them last posted in like 2022 once. They aren’t doing any ‘trends’ or challenges or too many behind the scenes stuff— nothing. It feels almost like a classic band, like someone from the 90s or for the last time, the 00s.

And yet they feel modern, maybe it’s just that they speak to pretty modern fears and anxieties. I don’t know. But then, they’re also still doing the band grind. They’re not famous for anything except their music. No gimmicks, no collabs, they’ve never had a viral hit. People buy their whole albums because nothing they do misses. They sell more on vinyl than some of artists who are much bigger than them and monopolise the record pressing plants (coughs and dies).

Their best known songs are widely known because of fantastic televised festival performances in 2019 and 2022 (Boys In The Better Land, R+L 2019, R+L 2022 when they had that 18 y/o fan join them on guitar; Big Shot with the strings and piano and I Love You, Glasto 2022). Nothing about that is modern, and yet here they are. I couldn’t really see them coming up in another age, not because of the music but the context and themes.

I know, some of their songs sound like they could’ve been observational poems by Keats, Yeats, modern ones like MacGowan. Grian has said he’s still drawn to nature poetry despite being a city boy, but you listen to something like Oh Such A Spring and tell me he couldn’t write an ode to a landscape. Songs like I Love You, the album Skinty Fia in it’s whole. I personally nearly cried hearing it the first time, because as much as musicians have often written about being misfits, about not fitting in, it wasn’t very often that you’d hear someone explicitly framing that from the theme of an immigrant, of someone away from home, neither any longer a part of their home place but noticeably a stranger in the new. About having his Irishness almost heightened by not being in Ireland anymore. All of that. Oddly for the times, and very relevant. Songs like Bloomsday as well. Going back home and realising why you left in the first place. In some ways, Fontaines could only be a band of the now. And yet, there’s been something so traditional about their ascent.

Got big off the back of solid songwriting, they come off as clear-eyed romantics, still with a bit of the mystery and distance afforded to a rockstar of the past, yet not rockstars because they’re such ordinary people. The everyday poets, with a bit of mysticism about them. Amongst many of the bands that have got big in the last four years, they’re the only ones who are still truly independent, all the rest are on Island (UMG subsidiary). They have, if anything, gone more independent now: they’ve moved from Partisan to XL Recordings, both independent labels, and XL is part of the Beggars Group, perhaps one of the largest to still remain completely independent. At this stage in their career: chart topping albums, huge physical sales, a Grammy nomination, Irish Choice Prize nom and a BRIT win, surely if they wanted to, they could easily get on any of the majors. They could bypass the subs and go directly to like, Warner. They’d definitely get signed if they wanted. They’ve chosen to remain independent, admirably.

In some way, it adds to the appeal of the band. There’s a bit of the old band charm to them. I want to be careful not to over-romanticise or turn to folklore a group of very real human beings who have indicated at times that they are perhaps not very comfortable being put up on a pedestal (they are right), and I respect and honour that notion. But there’s certainly something special about this band. And perhaps Starburster has only reignited my admiration for this band, man they’re good.

[madbard]

“You said that you would stay with me…”

As much as I love the 2019 original broadway cast recording of Hadestown, I will always miss the 2017 original cast recording for one major reason: the song “Promises.”

This song comes right after “Epic lll.” At this point, Orpheus has just made his greatest gambit, singing the song he’s been working on for years in the hopes of restoring balance to the world, now in a desperate plea to free Eurydice. After years of bitterness, of loneliness, rejection and pain, Hades and Persephone have finally embraced each other. They are dancing, and as they dance, Orpheus and Eurydice realize that they did it. They can go home.

In the 2019 recording, this moment is pure sweetness as Eurydice immediately reaches out to her exhausted lover, asking him to take her home. After the emotional hurricane that was the rest of the musical, there is a sense of joy and relief. The lovers are reunited. The story is almost over, and they are so glad to see each other again. It’s romantic, certainly… but something is missing.

In the 2017 recording, Eurydice still sings first. But she doesn’t ask Orpheus to take her home. Instead, she reminds him of the promises he made to her. She reminds him of his sweet words, of how those sweet words were torn apart by the winter winds, the pangs of hunger. She doesn’t absolve herself of blame, either. The music is soft and sad as she admits to breaking her vows, to flying away when times got rough. Orpheus replies in kind. We can hear the strain in his voice as he reminds Eurydice of the promises she made him, the future he had dreamed of - the future she may have destroyed. This conversation is quiet and heavy. Both blame the other; both accept blame. In the quiet, they admit to the pain and suffering they put each other through. They lay each broken promise bare. And then - they make a new promise. They choose to walk together.

Hadestown is such a multifaceted musical, intersecting with environmentalism, capitalism, greed, and so many other themes. For me though, the core of the musical will always be its story about failure and forgiveness, about the ways the people we love can hurt us. For me, Hadestown is a story about the risks we take when we forgive those people, and about that shining, quiet hope that maybe, just maybe, they won’t turn around this time. Maybe, we can find our way back home.

The 2019 version might be sweeter, more romantic. But it is the 2017 version that resonates because it shows, in the moment of calm after catastrophe, exactly how painful forgiveness can be.

[yurimother]

'Whisper Me a Love Song' Anime Adaptation Announced

On Friday, Ichijinsha announced that Yuri romance manga Whisper Me a Love Song (Sasayaku You ni Koi o Utau) will be adapted into a television anime. The manga is written and illustrated by Eku Takeshima.

According to the newly launched website for the anime adaptation, Xin Ya Cai is directing the anime at Cloud Hearts with animation production supervision by Yokohama Animation Lab. Additional staff includes series composer Hiroki Uchida and character designer Minami Yoshida.

It will star Hana Shimano and Asami Seto as Himari and Yori, respectively.

The announcement means that Whisper me a Love Song will join a long list of new and upcoming Yuri anime, including the likes of The Magical Revolution of the Reincarnated Princess and the Genus Young Lady, Yuri is My Job!, I'm in Love with the Villainess, and The Vexations of a Shut-In Vampire Princess.

Whisper Me a Love Song is a school Yuri romance series following first-year student Himari Kino, who “falls” for her senior, Yori Asanagi, after watching her sing at the new student opening celebration. Enamored with the older girl’s talent and demeanor, Himari confesses her “love” to Yori, who misinterprets her feelings as romantic and responds that she has fallen in love at first sight as well. Throughout of the series, both girls explore their feelings for each other and consider what it means to love someone.

The manga, which began serialization in Comic Yuri Hime in February 2019, is incredibly popular. It won the top spot in the 5th Yuri Manga Sousenkyo, a popularity poll among Japanese Yuri readers held annually by Yuri Navi, beating out the widely beloved Bloom Into You for the first time since the poll’s inception. It also won 18th out of 50 nominees in Niconico and Davci’s Next Manga Awards in 2020.

Whisper Me a Love Song has also received positive reviews from critics. YuriMother awarded the first three volumes a combined score of 8/10, praising the art and the compelling characters and relationships.

Ichijinsha published Whisper Me a Love Song in Japanese and will release the seventh volume on January 18, 2023. Kodansha publishes six volumes of the series in English.

[thatscarletflycatcher]

So you have heard Rick Astley was the unexpected sensation at Glastonbury this year...

and you'd like to get a taster of his music, but you don't know where to start, because you are only/mostly familiar with Never Gonna Give You Up?

This post is for you!

I'll give you a quick overview of his discography, and a recommendation of what I think are the best tracks of each album and why. Aggregated playlist at the bottom of the post.

Whenever You Need Somebody (1987)

This was Rick's debut album, and the one that included Never Gonna Give You Up. If you have heard the piece of trivia that says "if you drop the pitch Kylie Minogue's I Should Be So Lucky, it will sound like Rick Astley"... there's a very easy explanation for that: both were composed by Stock Aitken Waterman, a trio of music producers that wrote several of the most well known eurobeat hits of the late 80s and early 90s (i.e. You Spin Me Like a Record), based on the principles of... well, being very generic and catchy. Half of the tracks of this album were written by them.

Thematically the album is strangely obsessed with cheating, cheating women, and being in love with cheating women, and being heartbroken over them. I don't know what to tell you, sometimes I forget how common this was around that time for the romantic ballad outside of the US (?)

Anyways, of the 10 tracks of the original album, the best (and also most Never Gonna Give You Up-like) are Together Forever, Don't Say Goodbye, and Whenever You Need Somebody.

The album closes with a cover of When I Fall in Love, that to me feels very out of place. Perhaps it was one thing Rick himself was dead set on singing?

This album had a 15th anniversary expanded remaster in 2010, including 3 ""old-new"" songs and 4 remixes (one of them is an extended version of NGGYU). I'll Never Set You Free is remarkable for being one of the creepiest songs this side of Every Breath You Take.

The 2022 remaster:

This one includes one "old-new" track that is a severe earworm, My Arms Keep Missing You (it does deserve the THREE remixes it gets in this album), several remixes of other songs, three instrumentals, AND, most notably for me, three "reimaginings" of NGGYU, Together Forever, and Whenever You Need Somebody as slow piano ballads, very very worth listening if you are into that sort of thing (these were first released in the compilation album The Best of Me (2019)).

It also includes a new version of When I Fall in Love, that really highlights Rick's growth as a singer and an artist, very worth comparing the 1987 to the 2022 one.

The remixes and "old-new" tracks in these anniversary editions come from compilation albums Rick Astley - 12" Collection (1989) and Dance Mixes (1990).

2. Hold Me In Your Arms (1988)

If you liked Whenever You Need Somebody (1987), then Hold Me In Your Arms (1988) is just the thing for you, because it's more of the same, but louder, catchier, and now with less cheating obsession! This time it's 3 out of the 10 songs that are SAW written, one is a cover of The Temptations' Ain't Too Proud To Beg, and the remaining 6 are all by Rick himself, but the tone doesn't shift that much between them.

The first half of the album is non-stop top danceable tunes: She Wants to Dance With Me, Take Me To Your Heart, I Don't Want To Lose Her, Giving Up On Love (big involuntary "I'm killing off Sherlock Holmes" moment for Rick, the not giving up didn't even last a year :P), and Ain't Too Proud to Beg; the second half is not as strong, but also not bad either. It definitely helps that the tracks are ordered in such a way as to slowly slow down till the beautiful sweet soft ballad that closes the album and gives it its name: Hold Me In Your Arms.

I Don't Want to Be Your Lover, the penultimate track, is the first song that feels more like what Rick writes and sings as a more mature artist.

The 2010 expanded remaster is just remixes of some of these songs, I'll Be Fine (which is, quality wise, between the rest of the tracks of the second half) and My Arms Keep Missing You, again.

The 2022 remaster includes even more remixes, reimaginings of She Wants To Dance With Me and Hold Me In Your Arms (I'm not a big fan of either, but they are interesting, as they are much more modern ballad sounding) and instrumental versions of Take Me To Your Heart and She Wants To Dance With Me.

3. Free (1991)

Almost like a pun, this is Rick's first album "free" of SAW. He even grew out his hair! (probably one of the rare cases of a guy to having gorgeous hair that somehow suits his face horribly). The tone moves away from the 80s eurobeat hit into the soul-ish + gospel-ish ballad, which seems to be more like the territory he feels comfortable in. It's a bit of an "experimental" album, in the sense that he's trying new things and new sounds, but it's all very tentative, and the unsure footing is noticeable.

Even so, Cry For Help, written and sung by him was a hit all the same, although it isn't a favorite of mine. In general it's difficult for me to pick favorites here; none of the songs stick out to me as particularly good or particularly bad. If you like slow ballads, you will probably like Cry For Help, Wonderful You, and Behind the Smile. Really Got a Problem is a first sample of a "social" song in his repertoire. Move Right Out, Never Knew Love, and The Bottom Line are more the essence of what his music evolved into later on, whereas In The Name of Love, Be With You, and This Must Be Heaven are dead on the sort of generic adult-contemporary of the early 90s.

4. Body and Soul (1993)

This album takes a more... lounge-ish turn I do not relish. You'd say, okay, but what sets Rick Astley apart from the general adult standard lounge music of whatever decade he sings in? Difficult question to answer, as all questions about vibes are. To me it is a mixture of A) cringe is dead, long live cringe B) earnest feeling C) plain, direct and sometimes quirky lyrics D) It sounds like he's having a good time singing them.

I just cannot really buy the constant "baby" and "lover" in Everytime, for example. And while none of the songs in this album are bad, most of them aren't even fun. Body and Soul and Enough Love I think are the two most interesting tracks here.

That same year, Rick got on hiatus.

5. Keep It Turned On (2001)

This comeback album is a bit of a rarity -it was released in Germany, but never in the UK (although some of its tracks made it to compilations later on), and it's therefore rare to find, which is a pity, because I think it is one of his best!

It is also one of the most early 2000s sounding things ever. It is to 2000s eurobeat and pop ballad what Whenever You Need Somebody and Hold Me In Your Arms were to 1980s eurobeat and pop ballad, so if you are into it, this whole album will be for you.

I have a particularly soft spot for Sleeping, and the way it just sounds like what a 2001-2007 summer night sounded to me; it's very nostalgic. The lyrics, just like the ones in the ballad Breathe, give heartbreak what I perceive to be a more mature tone that I like much more than the treatment it gets in previous albums.

Other highlights are the very danceable Wanna Believe You and Keep It Turned On (this last one a very pick me up song), and on the ballad front, I think Romeo Loves Juliet has the most delicate, enjoyable sound, but Full of You has better lyrics.

6. Portrait (2005)

This album is a collection of covers of classic pop standards, so there isn't much rickness to it at all, and it is to me, personally, a skip; while I usually like Rick's covers in other albums (and I think his reimaginings of the SAW songs are interesting) these are... off. I just don't think the style he picked for them suits at all.

Between this and his following album, Rick released two independent singles: Lights Out (2010) and Superman (2012) which I think are both peak Rick and worth a listen; earnest, simple feeling and catchy sound.

7. 50 (2016)

This is my favorite Rick Astley album, and it seems I'm not alone in this! It was the first album of his to be number one since his debut one. He sung AND played all instruments for it, and it really feels like a personal project, that brings the artist close to the audience.

From the very title you know you are in for something: the 50, Rick's age in 2016, is a tongue-in-cheek homage to Adele (whose albums have all been titled after her age at the time of release), that also speaks of this sense of being a middle aged artist in an industry and particularly a genre or family of genres that leans so heavily into youth and coolness.

In 50 Rick leans on instead of shying away from the fact that he's not young (In either the heartfelt "Don't fake it, I can't take it/My heart is, close to breaking/It reminds me of my youth" or the humorous "I got to thirty and you show a little wrinkle/One more big plate/Now I'm putting on weight/Skinny jeans but nobody's fooled"), cool, or detached, but that doesn't make him jaded, heavy, or self important; the songs of this album are filled with a sense of hope, gratitude, generosity, and... fun. It's a curious marriage of the lighthearted beat of the pop that made him famous, and a mature version of the soul-ish style he seems to love and that he tried first in Free. Although there isn't a single skip in this album for me, the most representative, and that have what in my opinion is the best sound, are Keep Singing, Angels On My Side, Wish Away, Pieces, I Like the Sun, Let It Rain, Let it be Tonight.

8. Beautiful Life (2018)

There's little I can say about Beautiful Life in general, other than characterize it as an echo of 50. Same ideas, same themes, same tone and sound.

The highlight tracks are: Beautiful Life, Last Night on Earth, Rise Up, and Try.

Since Beautiful Life, Rick has released a compilation album (The Best of Me, 2019), a few remixes and a couple new singles; of those singles I'd highlight Giant (a true banger), Every One Of Us, and Unwanted.

Rick's next album, Are We There Yet? releases in October this year (2023).

[suchagallabitch]

🫵weekly wednesday tag 🫵

omg I (simple old me?) have been bestowed upon the honour of coming up with these questions??? i would like to thank the academy for this most sacred honour 😋

1. if you could switch bodies with anybody for only one hour who would it be and what would you do? I think I gotta say taylor swift OBVI. first off im gonna dropping ME! acoustic version. Then I’m gonna hope lover deluxe is already recorded, drop that. If not i will make sure to text Jack and tell him that we need to record it so that i get it either way 😼. Then I would find out the definite truth of what happened between her and Karlie Kloss. I’d wire myself (as in me- me) a few million dollars, pet the cats and then post something really random on her instagram story. Literally want to make the public go absolutely bananas trying to figure out why taylor posted a random twitter meme. I have a lot of faith to believe this could all happen in an hour but I would try. SO hard.

2. whats your most trivial / dumbest hot take?I don’t think we should still be discovering animals. like what do you mean in the year of our lord 2023 we are STILL finding animals?? no they should all be discovered and if they havent been then i think they should stay undiscovered.

3. if you had to teach a college course what would it be in? I feel like we’re all expecting me to say something Taylor related but honestly I could teach a masterclass on the psychology of Ryan Murphy. I hate that man and i have so much to say about him and his productions

4. season 12 of shameless is suddenly happen and youve been put in charge! what plot point(s) are you gonna make happen? I cant think of anything substantial to actually contribute but i want Carl Gallagher to have a fruity little vape. I also want to see him quit the force and flourish in a new job!

5. who would be your godly parent? (can be any mythology). I’m gonna go with greeks as a Percy Jackson stan. I asked my bsf who is an expert in greek mythology. She said: “you’re a Aphrodite child cuz you’re a hopeless romantic and you appreciate beauty. You’re very particular in how you’re viewed and how everything you produce is viewed (what you write, how your feed looks like, etc.)” - I’m gonna have to agree with her on Aphrodite

6. what’s something you love about yourself? I think i’m so very very funny

7. describe your day in 5 emojis: 😴👁️👩‍💻✈️☕️

8. what shameless character do you think you could beat in a fight? Realistically i think the ONLY person i could beat in a fight is Liam and honest to god im not even sure i could.

9. tell us 2 truths and a lie, we’ll try to guess the lie!

- I’m double jointed

- I sleep on the left side of the bed

- I’ve never had pumpkin pie

10. do you have a pet(s). if so how did they get their name? I do! my son (cat) is named Chidi after the good place!

11. show us a meme (or picture) that captures your essence

self explanatory.

12. whats your typical coffee / tea / beverage order? see i gotta have a special lil drinky drink everyday and i mean my little drinky drinks are free so i am likw 80% gingerbread chai at any given time. Alternatively, an iced chestnut praline latte w/ praline cold foam.

13. use a song to describe the last 5 years of your life?

2019- its nice to have a friend- taylor swift

2020- ribs - lorde

2021- nothing new - taylor swift

2022- first love / late spring- mitski OR orlando- leith ross

2023- true blue - boygenuis OR now that we don’t talk - taylor swift.

Thank you friends thats all i got :)

I Tag: @deedala @darlingian @michellemisfit @mybrainismelted @too-schoolforcool @gallawitchxx @gardenerian @sam-loves-seb @thisdivorce @xninetiestrendx @scarcrosseduntouched @juliakayyy @y0itsbri @grumble-fish @grumpymickmilk @transmickey @surviving-maybe @metalheadmickey @heymrspatel @auds-and-evens @deathclassic @flamingbluepanda @crossmydna @sleepyfacetoughguy @vintagelacerosette @depressedstressedlemonzest @thepupperino @squidyyy23 @energievie 🫶🫶

[folklorebae]

𝐒𝐢𝐧𝐜𝐞𝐫𝐞𝐥𝐲 𝐘𝐨𝐮𝐫𝐬

𝐃𝐫𝐚𝐛𝐛𝐥𝐞 𝐈𝐧𝐬𝐭𝐚 𝐀𝐔

Cast(s)/Genre: Actress!Reader & Actor!Suna/Fluff

A/n: Based on this request!

Viral. Everything about you and your boyfriend goes viral. You’re lucky that your manager loves you. If she doesn't, she’ll quit the day you announce your relationship to the public. Phone calls and emails, she receives every minute. You and your boyfriend probably are one of the busiest actors right now.

But fortunately, the two of you might finally cross paths at just the right moment to take GQ Couple Quiz together. You two’s managers have chosen a perfect day in New York City to shoot the video and by the GQ's team, you and your boyfriend are set to sit next to each other, but a little coffee table keeps you apart.

“Hi!” You wave your hands to the camera, showing off your sweet smile. “I’m Y/N L/N.”

“I'm Rintarou Suna, better known as the boyfriend of this stunning woman.” You couldn’t help but chuckle and kick his leg with yours because of his foolish introduction.

“And this...”

“And this is the GQ Couple Quiz!” You two attempt to say it in unison but fail anyway.

“Okay, are you ready?” You ask the black-haired man next to you.

Suna playfully cracks his neck, showing you that he is more than ready. “I am.”

“Okay,” you pause, reading the question from the cue card you’ve been holding. “What is the last movie we watched together?”

“Easy, ‘Don’t Worry Darling’.”

“It was like two months ago.” You comment as you carelessly throw the card.

Suna nods, agreeing with you. “I know, we’ve been busy.”

“I know places we can hide, babe.” You wink, half-joking before continuing. “Next question is… Oh it’s the easy one.”

“Shoot.”

“Who is my celebrity crush?” You ask, smiling as the thought of him clouding in your head.

He shrugs, pointing himself. “Me.”

“You’re not wrong, but we know it’s not the right answer.”

He sighs, dramatically running his hands through his hair. “It’s Keiji Akaashi. Forever jealous of him.”

“Good.” you nod, throwing another cue card. “Next…” you pause, smiling at the question you just read. “What music video have I been in?”

“Oh, oh I know! It’s Ariana Grande’s song” Suna looks down, trying to remember the single’s title as he hums the song. “I’ll be switching… positions! Positions!’”

You happily nod, smiling at him. “Bonus, if you can tell me in which scene I appeared.”

“You were in that scene where…”

“Hm?” You raise your brows, signaling him to continue.

“Where Ariana was the president and you guys were doing meeting stuff.”

“Correct, Mr. Suna and now the last question.” You announce. “Outside of the set, where did we have our first kiss?”

Suna shakes his head, biting his lower lip to stop himself from smiling. “How could I forget it? It was on new year's eve in 2019.”

“But, at that time I thought we kissed as friends.” You explain, eyes looking at the camera. “I didn’t realize that I was in love with him.”

“It’s because you were dumb and I had to kiss you again at our show after-party.”

“And I finally kissed you back in a romantic way.” You add.

The director instructs the cameramen to stop recording before the two of you move on to the following session, where you will respond to Suna's questions. While your makeup artist is retouching your makeup, one of the crew approaches Suna to give him a quick briefing and the cue cards.

“Roll camera.” The director tells the cameramen before looking at the both of you. “Whenever you’re ready.”

“Okay, Y/N L/N...” He pauses, dramatically taking a deep breath. “What did I wear on our first date?”

“Nothing.” You innocently answer his question, which causes the entire studio to break out in laughter.

“You embarrass me!” Suna speaks out, throwing the card at you.

“No, no.” You shake your head, chuckling. “We agreed to have dinner at his place, and when I arrived he only wore a towel. But then a few minutes later he was dressed in a sweatshirt and sweatpants from H&M.”

Suna's eyes instantly widened, and you hastily covered your mouth after sensing his change of expression. One of the most important rules every public figure should be aware of is: never mention a brand that you are not affiliated with.

“Please censor that. Anyways, next question for Ms. L/N.” He announces before reading the next question.

“What’s my love language?” He asks, then tosses the card to the floor.

“Physical touch.” You state. “You literally need to touch me whenever I’m around you”.

“But, not a fan of PDA.” He adds and you nod, agreeing with him. Getting attention from paparazzis or crazy fans are the least thing both of you want to happen. “Okay, next...”

“What would my job be if I weren’t in entertainment?” He asks, throwing the card away again.

“Volleyball player!” You excitedly shout, pointing at him. Suna’s lips curl up into a small smile. He raises himself slightly from his seat and gives you a high-five.

“She knows everything about me.” He mutters to himself but somehow loud enough for everyone in the studio to hear and makes your cheeks get warmer.

“Aren’t I the best?” You ask as you playfully flip your hair.

“You are, baby. But let’s see if you can answer this last question.” He tears his gaze away from you to the last card on his hands. “What is the meaning of my family name in different kanji? I’ll give you two points if you know the details.”

You tilt your head to the side, trying to recall the conversation you two had a few months ago. “It’s a fox? Like, Sand Fox?”

Suna shakes his head, pretending to feel disappointed. “Tibetan Sand Fox. But I’ll still give you two points.”

“Well, I think that’s it! We did great!” You exclaim, doing a high-five with your boyfriend.

A beautiful smile of the green-eyed man appears, completing his pretty face. He raises his hand, waving to the camera. “Thank you guys for watching!”

“Bye!” You mirror his gesture before blowing a kiss to the camera, sending all the love to the fans who will watch the video.

After the director tells the cameramen to stop the recording, he thanks the two of you. “Have a great day guys!” He waves a goodbye before both of you leave the studio and walk towards the dressing room.

“I’m hungry.” Suna yawns, scratching his back. “Do you–”

“Sorry, Mr. Suna. I need your girl for a photoshoot.” Your manager speaks, popping out of nowhere and standing in front of the two of you. You look up at Suna and quickly notice his expression, feeling irritated by how frantic your schedule is.

“I’ll be there for dinner.” You say quietly while moving your hand up and down on his back.

“Okay.” He curls his hand around the back of your neck and presses a soft peck on your lips.

Another a/n: Pls don’t cancel Suna and Y/N for making a mess by throwing the cards all over the place. They’ve already picked them all up before leaving lol