#not counting the outline for the backstories series or the timeline document

[2demon2slayer]

(from clemsharmony)

questions on the sun hashira au,, that i’m having to send through submissions because i hit the character limit for asks LOL

do you know roughly how old you see the characters as? i know tanjirou is 21 and nezuko biologically 12, but i don’t think you’ve said about anyone else! i’m seeing giyuu as pretty young since i generally imagine him being no older than thirteen in final selection, so even though in KNY canon he’s one of the middleaged hashira, i see sh!giyuu and think he’s one of the youngest of the not-friend-group.

makomo must be 22 or 23 now if she saved little tanj when she was a ‘remarkably young hashira’, and the other hashira’s ages are pretty easy to figure out since you’ve said tanjirou’s 21. inosuke is probably 21, genya zenitsu kanao and aoi 22. senjurou has no *explicitly* confirmed age, but he is said to be the same age as mui in a light novel, so i think it’s safe to say however old yuui and mui are, he’s roughly the same. the tokitou twins would be 20, and you say senjurou is younger than yuui, so he could be 19 or 20 too.

so yeah, i’ve figured out the hashira’s ages pretty easily. it’s the tsuguko’s / slayers ages i’d love to know! are you sticking with their canon age order, or messing them about a bit? i’d like to imagine gyoumei still being the oldest of them all, maybe 18, though if he was that old then there wouldn’t be many years between him and genya. like i said before, i love little giyuu too.. but you could very easily say that his final selection was when he and sabito were a little older, or he’s trained under tanjirou for a good few years, so would be old enough to stay in the middle-ish age range of the not-friend-group.

if you can’t tell, i absolutely love analysing character ages.

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i also put a lot of thought into character ages! luckily for you, they’re one of the first things i wrote down! so here’s a big ass list:

so first off, you got basically all of the hashira right

kamado tanjirou - 21

makomo - 25

rengoku senjurou - 19

agatsuma zenitsu - 22

tsuyuri kanao - 22

kanzaki aoi - 22

hashibira inosuke - 21

tokitou yuuichirou - 20

shinazugawa genya - 22

i kept their age differences relatively canon, and used senjurou’s age in kimetsu gakuen where he’s a first year in junior high which would make him 12/13 ish in actual canon. aoi doesn’t have a canon age beyond “at least 16” so she’s just the same age as kanao and genya

(continuing below the cut because wow, this got a bit long)

the littler guys are a bit weirder because their age differences are a lot crazier. so i changed some stuff up and squished some age differences so the entire group is just kind around 15 (with the obvious exception of muichirou, who is the same age as his brother)

tomioka giyuu - 15

sabito - 15

kochou shinobu - 14

rengoku kyoujurou - 15

uzui tengen - 16

kanroji mitsuri - 14

tokitou muichirou - 20

shinazugawa sanemi - 15

himejima gyoumei - 17

iguro obanai - 15

kochou kanae - 15

kaigaku - 15

did you know that we don’t actually know how old giyuu was when he and sabito went to final selection? canonically, his sister died when he was thirteen, and that’s also when he started training with urokodaki, but we don’t know how long he trained for, if he went to final selection the same year he came to urokodaki. anyways, in this au, giyuu trains for two whole years with urokodaki before going to final selection

and here’s just . a list of a bunch of other characters, both major and minor

kamado nezuko - 20 (physically 12)

murata - 15

kumeno masachika - ??? somewhere in his 20s

ubuyashiki kagaya - (spoilers, i’ll talk about this eventually)

ubuyashiki kiriya - (spoilers, i’ll talk about this eventually)

nakahara sumi - 19

terauchi kiyo - 19

takada naho - 19

gotou - 16

suma - 15

makio - 15

hinatsuru - 16

haganezuka hotaru - 14

kotetsu - 19

yushirou - over 300

tamayo - ~30

tsugikuni yoriichi - over 300

if someone isn’t listed, i either do not care about their age or i do not know what to put. most of the demons are left alone because i didn’t want to actually go through the trouble of swapping them around. sorry

[hsvh-hp]

Do you reread each Harry Potter book while writing the Draco-centric companions?

I do! A full process has developed since I started writing the series a year and a half ago, which is almost embarrassing with how intricate and systematic it's become, lol. But I think for a project this size, especially a canon-compliant one where I'm doing my damndest not to just rehash canon, it was necessary.

I'll write out what the process has been so far on writing 4th year, since I think the first 3 years were where I honed it. I'll note here that I've read the HP books so many times that I'm pretty intimately familiar with them. It's the fine details and wrenching the narrative away from Harry that makes most of the work.

Reread the 3 previous works in my series and make note of what character/plot points will be either resolved or continued in the 4th part.

Reread Goblet of Fire and use post-it notes to mark Draco's stations of canon. Open a document in the 4th year Scrivener project to jot down general ideas of what could be going on in between those stations. Make note of things that happen in Goblet of Fire that I could use to start foreshadowing for the later years.

Reread Order of the Phoenix, Half-Blood Prince, and Deathly Hallows and make note of anything I want to prelude in the 4th part of my series.

Go over all the notes and see how they all jive together in a single narrative. Copy over the Character Information document from 3rd year and update it (this is things like birthdays, years of other students, character backstories/special notes, etc). I'll note here that I also have a Class Schedule doc for seven years worth of Slytherin lessons, because I'm extra like that. 🙃

Create Timeline and Outline documents. Canon events on the Timeline doc are in blue to give them special attention. Make note of Goblet of Fire word count and average chapter word count as something to aim for, for pacing purposes.

My inner gardener takes over here. I write the outline as I go. Outline chapter 1, write chapter 1. Update Timeline doc and mark which things from steps 1, 2, and 3 above have been incorporated. Expand on them for later, if applicable.

Finish first draft.

Do what I call a chronological reread. I'll read the fic alongside Goblet of Fire in chronological order of chapters to make sure I haven't missed any tiny details. For example, here's the chronological reread order of Philosopher's Stone/Boy Who Lived: HP1, HP2, DM1, HP3, HP4, HP5, DM2, DM3, HP6, DM4, HP7, DM5, HP8, DM6, DM7, DM8, HP9, DM9, HP10, DM10, HP11, DM11, DM12, HP12, DM13, DM14, HP13, DM15, HP14, DM16, HP15, DM17, HP16, HP17, DM18.

Edit, edit, edit. I cut mercilessly, since I tend to overwrite in first drafts. Will to Power, for example, had an initial word count of 137,000. Its final word count now sits under 114,000.

Start posting in weekly increments, and move on to the next one!

[faejilly]

I was tagged by @la-muerta​ & @facialteeth​ & @thedivinemissema​ for the WIP/Title Game

rules: post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. send me an ask with the title that most intrigues you and interests you and i’ll post a little snippet of it or tell you something about it!

AND THEN  by @shadoedseptmbr​ @msviolacea​ & @ravenclawnerd​ for the “stories you want to write... but for some reason haven’t yet”

so this will be a mish-mash of both? The WIPs will mostly have blurbs in this case (to fit the second meme) but you are still welcome to ask follow-up questions, if you’d like ;) Assuming you make it through the list, it is uh. Not Short.

Anyone who would like to play with their WIPs, please consider yourself tagged in either or both of these. :D

Misc Fic Folder:

“untitled document” - where I’m working on fictober fills so I have word-counts for my GYWO tracker. I am not working on these because Brains Are Dumb and also Going Back To Work Is Exhausting

I made a file called “YULETIDE!” which has nothing in it but I’m determined to finish this year so that is definitely technically a thing in the Unending WIP List of Doom worth mentioning. (Tho obviously that’s all I could say even if I had started, because anonymous.)

“coda-fics, rewatch!” -yes, that exclamation mark is important! it’s to keep me motivated! (it didn’t work). Much like untitled, this is for putting stuff so I can do word count tracking even if I don’t know what I’m doing. Currently I think it just says “MARYSE” because I was working on my SH 1x6 coda-fic and then got distracted and haven’t typed anything up yet. (Yay notebooks? Boo notebooks? Not even sure at this point.)

WNIP (works not in progress) Folder:

“TOG” - I had one vivid mental image of how Nicky & Joe met (blood-stained evil smiles?) but then no idea for a follow-up story and also the fandom is insane and I’m not sure I want to deal with all of *gestures vaguely* all that

“Shan Xia Notes” -for a TTRPG that never quite got off the ground; she was a semi-tragic selkie who was still in love with the evil queen/lady who stole her skin and I got to play her for like one session and she was surprisingly chaotic neutral, which wasn’t at all what I’d been expecting. But the game never really got off the ground, so I never had enough info to really delve into writing backstory fic

“post-Kruschev” -Kruschev’s List was the last episode of Scarecrow & Mrs King, and I was debating writing an epilogue in place of the s5 we never got, to try and tie up some loose ends, but the fandom’s three old-ladies in trench coats and I never quite worked up the gumption to get it anywhere

“Code Realize warm as silk sequel” -there is literally nothing in this file except “SEX! Only a little angst” because I wanted to write some “we can’t actually touch each other” smut but never actually did. 🤷‍♀️

BioWare (also all Not-In-Progress Anymore)

“seb/adelaide”, “Theia” & “DAI Erana” -these WIP folders were cannibalized for ficlets for the last few times I did fictober, and while originally I had ideas for longer epilogues for all three of them, at this point I don’t think any of the remaining bits could support a story any longer.

”whispers in the dark” -Maia Ryder never really got much fic at all; the cancellation of any further Andromeda stuff was really disheartening, and at this point I’d have to play the game again, and I don’t think I’m gonna manage that any time soon

”TSP” -a Mass Effect 3 Shepard AU collab project that kind of went off the rails, and our mutual brains/lives never quite seem to line up so we can try and rebuild it ”Ngaio & Tane” -my one truly ruthless Shepard (Alliance background, who romanced Traynor) whose father Tane Shepard was, I think, in PsyOps, and I wanted to figure out their complicated relationship but never really did know where I was going with it

”JE Zu & Yaling” -so I’ve rambled about my Tragic Sagacious Zu Romance Thoughts regarding Jade Empire more than once (#Icy Yaling should have most of it) but apparently I want to yell about it more than I want to actually write it? Whoops.

”CI sequel: 5 times fic?” -Cruel Intentions is a kinkmeme fill that I started and then it sat for like five years before I actually finished it, and I liked the ending, but it does leave a giant fucking question mark in terms of how those people got from there to where they are after the game, and I kind of wanted to write a proper h/c fic rather than just... leaving them wallowing in all that trauma?

But I didn’t. I don’t even remember for sure how I wanted to frame the 5/1 of it all, besides it being something sad about allowing people to see you or touch you in some way. (Prayers maybe, since I think there was definitely some Sebastian & Fenris & faith stuff going on in there.)

“candles” -Merribela prompt fill that I never was happy with? Not sure what I might do with it at this point, so it’s just sitting there all sad and lonely and neglected-like.

Shadowhunters

pt1: WIP LIST ONLY

“Persuasion” -so I keep trying to write Persuasion AUs in many fandoms because it’s my favorite Austen, but I think I like it too much, I have no real solid concept of how I’d transform it, and if I don’t have anything else to say about different characters within that framework, I have no push to actually write anything? Also this SH version of it suffered from MASSIVE scope creep when I started outlining and it got too big for me to handle so I like, killed it twice? Whoops. This one is really probably never gonna happen.

“oosdt sequel” -I wanted to write more about the Forest That Eats People and Magnus & Alec as Guardians Between Worlds, and also some background Magnus’ Found Family & Lightwood Family Feels (maybe some clizzy?) and I left a Madzie plot-thread dangling from the first one on purpose even but I think this one had too many ideas and not enough focus so it’s sort of sprawling all over a doc with a lot of “???” in it

“procedural-ish” -this was originally going to be a sex-farce. and then it turned more serious. and then maybe kind of copaganda which was uncomfortable in terms of the Everything That Is The News in 2020, and then maybe it was more a Mafia AU and at that point I had self-inflicted tone whiplash and I wished the voices in my head were a little more forthcoming about their plans so I stopped before I brained myself on my computer monitor in frustration.

“I had rather a rose than live forever” -I started a reverse!verse Malec (Shadowhunter!Magnus, High Warlock!Alec) for bingo last year, and I couldn’t quite get it together in time, so I made a moodboard inspired by the bits I’d started instead. I may see if one of my prompts from Bingo this year help me finish it?

“fall fright fest (practical magic  au)” -exactly what it says on the tin! almost exactly a year old & neglected! IDEK ANYMORE (I talked about this one with the WIP meme last time tho: here)

“priest!kink theology?” -I thought it was gonna be smut? I like priest!kink. I have made other people like it and yell at me even! But then I kept diverging into demon!Magnus thinking about Priest!Alec’s faith and as usual, IDEK ANYMORE *laughs*

(If they’re remotely canon-adjacent or divergent, a bunch of these are in here because I need to rewatch the show to get the pacing/timing/tone right and I haven’t, and I don’t know why, because I enjoy the show, but BRAINS! Are Dumb! So I guess that’s it?)

“I do” -I have tried to write this damnable Malec arranged marriage fic like six different times. I have signed up for fic exchanges and bangs with it, I have rewritten massive sections, trying to change tone or structure or POV or whatever, and it basically comes down to they like each other too fast and I keep not gutting it enough to get back to a useful pace, but by the time I realized that I was on take six and kind of sick of it. I may get back to it eventually

“wing!fic” -canon divergent in early s1, trying to deal with the consequences of Simon’s kidnapping as the Truly Serious Event that it should have been. It uh. Got heavier than I expected with those consequences (considering it was originally just supposed to be Alec’s wings flirting with Magnus) and also see above re: rewatching for pacing.

“2x20 aftermath/date night/pandemonium porn“ -yes that is the actual wip title. It used to be “spite fic” because I was originally inspired by fighting against a lot of fic!Alec characterization that was clearly based more on the books and ATG syndrome than the Alec in the show, which is the Alec I know and like and want to read about. BUT, pacing and etc. again, I think. Also I have somehow entirely lost my knack for writing porn, which makes it difficult to finish something originally intended to be smut!fic. Or even teasing almost!smut.

“rubbish heap” -so this is about three different fics that I realized complemented each other really well so they’re now all in the same file as I try to turn them into the sequel of “with an if in its soul”. It includes amnesia, parabatai lore shenanigans, a s3 rewrite, and some truly awful Owl adjustments that make me wince in horrified authorly delight and pain. BUT, as with the other ones in this file, the scope is large and I normally write short-fic and I kind of just threw up my hands in exasperation. I may have to break it back up into the three different fics instead, if I ever actually want to write it. Them? But also I need to take better notes on s3 to make sure I have what I need in here.

SH Pt 2: Started posting or not yet in hiatus because it’s actually almost ready to be a thing in the real world! maybe!?

“kisses (firsts)” -I actually started publishing this one, a “series of firsts” that was supposed to be kind of relationship milestones and kind of an excuse for smut, and then there wasn’t that much smut and I lost momentum and also dear lords & ladies the timeline is stupid, wtf. I may not ever add to this one, tbqh. It doesn’t stop in a terrible place, and they’re all ficlets so they stand alone all right.

“clizzy epilogue” -this is blank atm, it’s more a reminder for me to keep poking away at my “girls who can’t breathe air, only fire” collection BECAUSE I WOULD LIKE TO ACTUALLY GET TO THE CLIZZY AT SOME POINT

"mer!alec" -pts 2-4 of a series, but apparently having an actual plan gets in the way of me *writing* the thing, and I haven't managed to throw the half an outline far enough away from my brain to be able to write again. Or something like that.

"ibhww" -if broken hearts were whole is a soulmate fic I started a million years ago, and purposefully set aside to finish some other WIPs because I thought they'd be quick, and now it's just buried under two and a half years of regret and shame so it's hard to get back to it

"iafy" -i am for you is a delightful & frothy semi-epistolary fluff piece that also just lost momentum because Life & 2020 & etc. It's far and away the most popular thing I've ever posted on AO3, which also makes me feel weird sometimes, and I feel like the fact that there's no grand conclusion planned, just a bit more fluff and settling in, might end up being disappointing? Basically, it's the first time I think I've psyched myself out about reader expectations, and until I get over that I'm going to have trouble finishing the last couple chapters. (There really are probably only two more chapters though. IT’S SO CLOSE, I wish I could just... write it. And yet?)

“fake-hating” -I do not like fake dating as a trope that much, I just do not get it, but I love outside POVs and arranged marriages and there’s this delighful tumblr post about how they wished there was more fic about people who were together but had to pretend they werent’, and uh. This may be that? Eventually? I’m not exhausted by my failure to finish it yet, so it’s still in the regular folder rather than the hiatus folder, even though nothing’s been posted for it.

AND I THINK THAT’S IT?

Not as terrible as it could be, but still. MANY WORDS THAT MAY NEVER SEE THE LIGHT OF DAY. Posting the equivalent of one’s old ratty sketchbook is always a weird feeling. :D

[third-rail-vip]

fic writer interview

Tagged by @adventuresofmeghatron

I’m late so you’ve probably already done this but tagging:  @laurelsofhighever  @tanaleth  @asaara-writes  @allisondraste  @pchberrytea  @red-hot-chili-tiefling

Thank you for tagging me!  Sorry it’s taken me forever, my imposter syndrome has been laughing loudly in my face at the idea of being considered a ‘writer’.  Please, come in, sit down and have a look see at my complete lack of process or general idea of what’s going on :) 

Name:  Ginger

Fandoms:  Fallout 4 currently.  Dragon Age a while back.

Where you post:  I put all my full fics on AO3 and if it’s a shorter one then I post the whole thing here on tumblr too.  If it’s giant then I post a snippet here with a link to AO3.

Most Popular One-shot:  Based on kudos The Wanderers - yeah i’m surprised too.  It was my first venture back into writing after taking time out and it was a whole new fandom and a game I was new to.  It was a fun silly little exercise in me learning my new otp and working out their fairly early days dynamic.

By comments, it’s Complicated.  I’d had that one in mind for a while before writing it (probably why it took 4 rewrites before it felt how I wanted it to).  It’s a good bit of post-feral encounter wound tending and hurt/comfort with some feels starting up (or becoming harder to deny).

Most Popular Multichap:  I don’t have any multichapter fics any more.  Once upon a time I had a Dragon Age Origins one.  I’m not good at the commitment of multichapter.  I made it 14 chapters into that one and it took me so long to drag myself out of Lothering I took it out back and shot it.

My Fallout one shots are part of an ongoing series - Then I Met You - which is a series of snapshots of Ivy and MacCready relationship (it’s still in pre-relationship stages right now).  It’s mostly character driven rather than main plot driven, but it does fit within the fallout 4 canon with some backstory and timeline canon divergence.

Favourite story you’ve written so far:  You know what, it’s my least popular Fallout one, but I have a soft spot for Blood & Rain.  It’s the second one I wrote and it’s Ivy’s pov with a hint at her pre-war life (she’s a non-canon origin sole survivor).  I got to indulge myself in writing descriptions and some action - my old faves from when I used to write (pew pew is way harder to write than stab stab).  It’s also got a really important bonding moment between Ivy and MacCready.

Fic you were nervous to post:  Every damn one.  Sharing anything you’ve made really is putting a little piece of your heart out on a platter for everyone to see and waiting to see what will happen to it.   I guess The Wanderers was extra nerve wracking because it was the first thing I wrote after telling myself I’d never go back to writing, it was kind of a make or break experiment.  Blood & Rain because of the potentially triggering material, hoping I’d touched personal subjects with enough sensitivity but also still telling the story I needed to.  

How do you choose your titles:  hahahaha WELL, I finish faffing with the main story in AO3 and then am outraged that I’m expected to have a name ready before I can post it.  Honestly though, I’ve no formula.  They all have working titles in google docs which tend to be either a vague description of what’s happening, or a song title/lyric that’s running through my head while I write.  Like, the current fic I’m working on is ‘mass pike pt 2’ which is a useless title since the part 1 was actually called Gunners & Grudges.  And I won’t know until posting day what I’m going to call it.  

I did put some serious thought into a title for my series - Then I Met You.  I was cycling through song lyrics or things that might be a general vibe for them but settled back on one line from MacCready’s final affinity chat, “then I met you”. And it just fit so well.  Meeting each other is a turning point for both of them; whether you just look at it as making a friend in the wasteland, or finding some direction after drifting for too long, or there finally being a glimmer of hope after a long time in the dark (this all counts for both of them), something changed when they met.  

Do you outline:  Sort of.  I have a massive ‘fallout notes’ document where i just jot down whenever i have an idea of something i want to write, or just random bits of dialogue that spring into my mind (that may never see the light of day again).  From there, if I want to expand them I tend to bullet point with plot ideas, more dialogue, key backstory or important things I want to cover.  I tend to have multiple fics I’m doing this with at once and I bounce between them depending on where my mind has drifted off to that day.  By the time I actually come to write something, I tend to have a lot of notes to work from, in fact quite often I have to cut back on all the ideas I wanted to cram in and some things get slotted back into the giant fallout doc for future reference.

Complete:  I only have one shots, so technically they’re all complete and can be read, for the most part, individually without you needing to have read the others.  They will make sense, there might just be some context from previous one shots in there.

In progress:  Then I Met You is an ongoing series for my Mac x Ivy one shots.

Prompts?:  I do put prompt list out there for Mac x Ivy when my brain isn’t cooperating and I feel like a need a little extra inspiration.  For the current series I’m hoarding them and working them into the context one shots I have planned.  Pretty much all my Dragon Age Origins one shots over on AO3 were prompt fills.

Upcoming work you’re most excited about:  Ugh guys we’re getting close to them getting together territory and boy do I wish my brain was being cooperative so I could get these couple of stories in between down on the page and could start working in earnest on those ones.  There’s a lazy morning in bed after a big party fic I’m really looking forward to writing (I’m looking forward to both tbh) - any excuse to explore stories behind scars and tattoos and I’m there for it.  I’m even getting a commission from the amazing @tarberrymentats  for it *discord wiggle*, so yeah, I’m excited about getting to that one!

Anyway thank you for reading my ramblings x

[femsff]

4, 8, 11, 13, 23, 30, 34, 38 :)

Oooh, awesome! Thanks. 

I’ve included already answered ones below.

A Writer’s Ask Game

agwitow:

Send me an ask with the number(s) you’d like me to answer!

The Basics1.     Do you listen to music when you write?2.     Are you a pantser or plotter?

Started out as a pantser but after a few fic, I decided to give plotting a try. Am now a fully committed plotter.

3.     Computer or pen and paper?

Definitely computer. My fingers tend to cramp up even when I write a little bit and when I write a page or so in a notebook (I often carry a notebook with me when I go somewhere but don’t want to drag the laptop with me), about 3/4th of it illegible to anyone who isn’t me. In a way, that’s a good thing I suppose considering some of my smuttier fics, but overall it’s just a pain. And I always get disappointed when I get around to typing out the notes because it looks like a lot more when written out!

4.     Have you ever been published, or do you want to be published?

No, I have never been published. Maybe one day I’ll try my hand at it, but right now I don’t feel like my writing is “good enough” yet. No idea for an original novel either.

5.     How much writing do you get done on an average day?6.     Single or multiple POV?7.     Standalone or series?8.     Oldest WIP

Oldest WIP I’ve written for or does plotting also count? If it’s just written, then it’s probably my abandoned Down the Rabbit Hole (FFnet | AO3). I just... got stuck. And it was so incredibly frustrating and really stopped me from enjoying anything fic-related that I finally just said to hell with it and dropped it. I just checked and I stopped working on it in 2013... I still have the outline and everything though, so who knows?

9.     Current WIP10.  Do you set yourself deadlines?

The Specifics11.  Books and/or authors who influenced you the most

To be honest, I have no idea. I don’t know, maybe I’m rare but I’ve never been one of those people who held specific authors up as their ideal. I used to read a lot of books (nowadays less so, because 1) am adult and have to adult and 2) because I read fanfic and often would rather write my own fic than read a book) and have some favorites  (all fiction) but nothing that really stands out.

12.  Describe your perfect writing space13.  Describe your writing process from idea to polished

Hahaha! Are you sure you want to know?

Okay, so I get an idea. Often when I’m half asleep/dozing, in the shower or just doing something mindlessly. The ideas are usually specific scenes that I can see play out in my head, but occasionally it’s just a conversation/some dialogue. If I like it, I’ll try to force more by really focusing on it. If the muse wishes it, that tends to work. I’m rarely super excited about an idea that I’ll start working on it right away, and prefer to let it roll around for a while. See if it keeps popping up and more details are added. If it’s worth my time and energy, I suppose.

Once that happens, I’ll start writing down notes. I use OneNote to organize my fic ideas/plotting and have one notebook that’s simply for ideas; one section per idea and depending on the idea, it’ll just be a stream of consciousness (often peppered with questions for myself) or a bit more organized in different pages. Again, depending on how excited I am about the idea, this can be done in a day or it can take weeks/months where I’ll occasionally add some info.

Then, when I feel like I want to work on it some more, I’ll start to delve into the details. When is it set? What’s the beginning, middle and end? Which events do I want include but have no idea where yet? Is there specific dialogue or are there actions I want to maybe include at one point? If it’s an AU, AR or AT, I’ll start working on the differences from canon (who is in it, what’s their role, how does it deviate from canon). How long do I think this fic will be? I need to set a max number of chapters for myself, otherwise the story will just keep growing and I’ll keep adding stuff and in the end it’ll read like I just came up with more and more stuff simply so I wouldn’t have to end the story, rather than telling the story I wanted to tell in the beginning. 

Anyway, I start creating pages for the chapters and fill in the few things I already know. At this point I often also involve my beta and discuss the fic idea with her. Everything from that conversation goes into the ‘brainstorm’ section and I’ll work on the questions and suggestions that arose during the conversation. Then, I’ll start focusing on filling up the chapters with general outlines. That can be anything from “scene 1 Sam telling Jack (Sam pov); scene 2 introspection about changes (Jack pov)” to a paragraphed summary or even a scene completely written out. Sometimes it’s just “some shippy stuff here”, to let me know that at one point I need to lighten it up or bring them closer together. I go over all the chapter pages that way, but don’t necessarily fill them all out. I also make one page with a chapter overview, which is usually the numbered chapters with one or two lines about the content so I can see in one quick glance which things need working on. 

More thinking on the fic idea, sometimes even when sleeping and brainstorming with the beta usually follows, which in turn results in adding more details. The chapter pages get more specifics or maybe a “don’t forget to mention [character]”  or “now [# weeks] pregnant, mention that/include symptoms”. Also, depending on the story idea, I might need to do research. That can be canon/fanon stuff, but also scientific stuff, maybe a different language, create background information for original/rarely used canonical  characters, timeline, locations, RL world events, and so on. That also gets included in the notebook and, at some point, added to the relevant chapter.

Once my outlining is done and I feel comfortable to start  writing, I tend to just create a master document and start writing. Now, that’s not to say my whole outline is complete or that it’s something I must strictly adhere to. Additions and changes are made all the time, sometimes I’ll get stuck or realize a scene doesn’t work the way I envisioned it or the beta tells me something is missing. So, I go back to the notes and work on it. Then I go back to the fic and write, write, write.

Oh and I usually ask the beta to go over a chapter once I’ve finished writing it (or, if I’m stuck in a scene, I’ll ask her to look at it right away) and then I’ll go over the feedback, make changes, possibly discuss some of the things she mentioned, do some more editing and then I’ll go to the next chapter and write some more.

14.  How do you deal with self-doubts?15.  How do you deal with writer’s block?16.  How many drafts do you need until you’re satisfied with a project?17.  What writing habits or rituals do you have?

Hmm. I’m not sure? I do know that when I’m stuck I tend to make a fruit salad or get snacks out in the hopes of it resulting in the required brainpower to keep going.

18.  If you could collaborate with anyone, who would it be, and what would you write about?19.  How do you keep yourself motivated?20.  How many WIPs and story ideas do you have?

The Favourites21.  Who is/are your favourite character(s) to write?22.  Who is/are your favourite pairing(s) to write?23.  Favourite author

I don’t think I really have a favorite author... I don’t like non-fiction, I always read fiction and often thrillers. Some of the books I always order and often reread are ones by Jilliane Hoffman and Ingrid Black.

As for fic, see my favorites/bookmarks on my profile on FFnet/AO3.

24.  Favourite genre to write and read25.  Favourite part of writing

Ooh, difficult to choose. I really love doing the research and plotting, but I think the best part of writing is ending up with the story you imagined before you even ‘put pen to to paper’. Also, managing to convey the emotions through the writing - like when a reader comments with how they also teared up, they had to stop reading a few times to catch their breath/get a grip on their emotions or were just overwhelmed by it all. That’s pretty neat.

26.  Favourite writing program27.  Favourite line/scene28.  Favourite side character29.  Favourite villain30.  Favourite idea you haven’t started on yet

I have quite a few fic ideas I haven’t started writing yet. Not sure I can choose one. But one that I’ve had for a long time, like ~6 years, and even started writing on (but then discarded that because it wasn’t a good opening) is for Woman In Blue. It’s a first-person fic, a style I actually kinda hate and would probably back-button right away if I saw one of my favorite authors use in a new fic... anyway, it’s Mark Carter in first person, writing about Sam (and to a smaller extent, Jack) and all the things he learned about her life after her death - she and Jack died in a blaze of glory, defending Earth against a Replicator attack that also prompted Disclosure.

The Dark31.  Least favourite part of writing32.  Most difficult character to write33.  Have you ever killed a main character?34.  What was the hardest scene you ever had to write?

There are so many scenes I’ve struggled with, most recently in Unmade Plans (chapter 8 specifically, that one really was a fight and I’ve rewritten it probably a dozen times) but the hardest was probably the Sam/Klorel scene in Only the Stubborn Survive. Those of you who’ve read the fic will know which scene I mean.

35.  What scene/story are you least looking forward to writing?

The Fun36.  Last sentence you wrote37.  First sentence or your current WIP38.  Weirdest story idea you’ve ever had

I’m not quite sure. A lot of them start out as weird ideas! The end result as you see them are soooo different. Maybe Consequences of Being Touched, because there were quite a few risque scenes in there?

39.  Weirdest character concept you’ve ever had40.  Share some backstory for one of your characters

The Rest of It41.  Any advice for new/beginning/young writers?42.  How do you feel about love triangles?43.  What do you do if/when characters don’t follow the outline?

It depends on the situation and the outline. I’ve thrown outlines out of the window at times because something else turned out to work much better once you actually reach that point in your story, but I’ve also rewritten a scene a dozen times before I got it exactly the way I wanted it in the outline.

44.  How much research do you do?45.  How much world building do you do?46.  Do you reread your own stories?47.  Best way to procrastinate48.  What’s the most self-insert character/scene you’ve ever written?49.  Which character would you most want to be friends with, if they were real?50.  [Other question—ask me anything]

Well, those were fun but also tricky! Guess I shouldn’t have skimmed the list before rb’ing, haha. No just kidding, I loved answering them. Thanks!

[fountainpenguin]

P & Q

P: How much do you plan in advance versus letting the story unfold as you go?

Story-wise, ends and general events are always planned early on (All 130 Prompts, most of Identity Theft, Hawthorn Haven, Little Imperfections, No Anesthetic, Factor It In, Devil’s Backbone, and so on are already planned even though I won’t be posting some of these things for years), so it’s just a matter of doing the actual writing. Beginnings come next and middles come last.

For me, writing is a matter of saying, “Here is my destination. Where are we coming from and how do we get there?” Depending on what I’m writing, sometimes where I’m coming from is the previous chapter, sometimes it’s a specific point in my timeline. Chapters don’t require a lot of set-up because readers should more or less remember what’s recently happened to a character, but with one-shots I have to clarify not only the setting, but recent events as best as I can. There’s a different mindset there.

Origin, Knots, and the Prompts are divided into over a hundred different files in Google Docs, so I can’t give an accurate word count, but I probably have 200k words on hand for both Origin and Knots and at least 300k for the Prompts. I wrote scenes I consider significant early on and I’m working my way towards them, correcting inconsistencies along the way.

What I plan worldbuilding-wise for a fantasy series is another topic altogether (Expanded on below the cut).

Sociopolitical Aspects

For my Mario works, for example, the first thing planned was how the Koopa Kingdom is laid out, and where the Koopalings fit into my ideas. Then it was a matter of deciding which parts of canon I want to draw from and what I want to do with it. I didn’t rule out the new kingdoms revealed in Odyssey, but I definitely didn’t erase Sarasaland and the Beanbean Kingdom either. I worked out the political systems of a few countries, what the social norms and big crimes are, and the basics of Bowser’s inclination towards violence.

I have a document noting what the people of each land are called and what their native languages are so I don’t have to worry about contradicting myself later, which has been extremely useful. I even determined populations for different kingdoms, with the Mushroom Kingdom at about 235 million people, the Koopa Kingdom almost twice that, and the Beanbean Kingdom a measly 4 million. Even if this info never comes up in story, it helps me understand how people interact with one another and fit into this system.

In my FOP works, I worked out the history of Fairy/Anti-Fairy conflicts, drawing from aspects of canon such as the known war over human godchildren. The Pixies fit in there too as the neutral party. Then there’s the matter of fitting in the aliens and humans. Deeper yet, the Ghosts and Beasts. Figuring out the international relationships up front works best for me, and then I can later determine how characters with this background interact in this environment.

In my Danny Phantom works, I drew from a comment Butch made once that although King Pariah was a tyrant, he did keep the Ghost Zone organized and it’s fallen to chaos since he was overthrown. I worked out Ghost-Skeleton relations, how the Observants play into things, and what the space within the world might be like.

In my WordGirl works, determining how Hexagon functions was crucial to what I decided to do with Kid Math: In this case, his planet is obsessed with math to the point they only have spoken language, not a written one. They use numbers and mark up blueprints, but written language is for the Lexiconians [Insert snobby scoffing].

When writing Rhyme and Reason backstory, I worked out how common powers are, how those with certain powers are treated by society, what kind of education kids with powers get pushed towards, what laws might exist, how many heroes there might be, and how police involvement works in cities that have heroes. In this alternate world, there are things called charm schools that are “finishing schools” for kids with powers, and Rhyme was almost sent to one until she ran away.

Physical Aspects

I made the Mushroom Kingdom an archipelago and chose Indonesia as my main inspiration country, researching the climate, seasons, plants, and meals typically found there. I know exactly when the dry season ends and the wet season starts and how this affects the Piranha Plants.

In FOP, I understand the landscapes of Fairy World and Anti-Fairy World, what kinds of mountains and water features they can have, and the flora and fauna found in each location. I know ways to move between locations, what travel is possible with magic, and what happens in times there isn’t any magic. I know what the major buildings are, where they are, and what they do.

In my DP works, there are certain stable parts of the Ghost Zone and certain unstable parts. It’s easy to get lost if you’re new there and not used to things moving around, but as you learn the rules of the world, you’re able to identify landmarks. I know which populations live where and what those landscapes are like. I came up with rules for how lairs work and how far things can move about the Zone. I know how things work and which characters know X amount of information about their surroundings.

Cultural Aspects

I pored over a LOT of small details in canon for my Mario works. I took painstaking notes about the Soybean civilization, the ancient Luffs, the fallen Bask Kingdom, and all sorts of historical tidbits and worked those into modern canon. Some stuff didn’t cross my path during my personal gameplay, but I like knowing about it anyhow.

I considered Peach’s pathway to becoming queen and how she fits her role, especially compared to her predecessors. I made stars important in Mushroom Kingdom culture and the moon important in Koopa culture. I created lore for why karting exists, canonizing all locations and the general idea of kart racing even if I’m not going to make every kart track canon or organize each game in a timeline.

FOP worldbuilding involved gathering as much canon from the show as possible, collecting info from folklore, plucking bits and pieces from insect and bat biology, and marrying the three together. It was important to me to give Fairy World a distinct culture different from any on Earth, and really examine how magic affects daily life in this world.

Anthropomorphizing insect behaviors gave me Fairies who lick faces as a form of greeting and who favor those with freckles above those without. Not exactly accurate to show canon, but it works great. Gyne and drone relationships have been fun to build, and I made sure my timeline included points in the past where such relations were different than modern times. Changes in relationships over time is something that really fascinates me.

Anti-Fairy World also gets a unique culture. Since they’re evil antagonists in show canon, I certainly didn’t want to race-code them like any group of people on Earth. I’ve tried to design them their own culture, heavily inspired by bats and a belief in luck above all. Bats aren’t sociosexual, but they are promiscuous, so I don’t stick wholly to bat behaviors either: they’re partially based on bonobos. Most importantly, I made sure everything I did was fun for me to write.

With my particular writing style, it works to have deep, complex culture for the Anti-Fairies. If I wanted to write short, lighthearted pieces, that would impact where my worldbuilding priorities lay (Probably lots of cute holiday traditions and less focus on why Anti-Fairy culture revolves around causing others harm).

General Research

Heights, timelines, food, and clothes are all things I settle as soon as possible, and I keep ref sheets on hand so I can fact check myself at a glance. Fairies and Anti-Fairies, being a species who live in the clouds, have easier access to silkworms than cotton plants. That determines what their clothing is made of, what products are expensive, and what gets worn on certain occasions. 

I draw from canon where possible, using screenshots or known character heights (Mario canonically 5′1″) and comparing them to others. Being of a different height can impact how others view you. Dining etiquette is a fun cultural difference that can create conversation or social awkwardness and really set the mood.

With fanfics, I dig as deep as I can. Did you know Wario canonically doesn’t know how old he is because his mom never threw him a birthday party? Or that he keeps a matchbox of ants in his cabinet and is “waiting until they worship him as a god”? I drink details like this by the gallon.

I prefer nailing this stuff down before getting far in my writing because that’s what works for me personally. I worldbuild further over time as I think up new questions I didn’t already have answers for.

Unique Aspects

Magic systems are complex. They generally take me longest and are more work than play. I like to have an outline of how a magic system works, write the story, figure out what I absolutely need magic to do and what I don’t want it to do, and then tighten the system during the revision process. For example, I weakened shapeshifting in my FOP works so you can’t easily hold another form while aroused- I personally didn’t want age changes to be involved in lovemaking. That expanded to making it hard to hold a form when you’re drunk too.

It was important to me in my Mario works to have 1-Up mushrooms exist and be capable of saving your life, but I also needed a reason why people don’t walk around with 99 lives and consume 1-Ups at all times. After wrestling with plans for a while, I decided to make them time-sensitive. You have to consume them often to have more than one life on a regular basis, and they’re pretty rare. As long as I can justify why someone has access to this rare item, I can utilize a 1-Up’s power, but I can also justify killing someone off if enough time has passed since they last consumed one.

With Fairly OddParents, I’d seen enough episodes to understand the basics of wishes, magical backup, and Da Rules. When I became serious about writing FOP ‘fics, I started noting the times Cosmo and Wanda failed to use magic for reasons other than Da Rules (Not in sync with each other, low battery, lack of belief in magic, Big Wand toppled over, etc.) and built my version of the FOP magic system to accommodate as many of these “inconsistencies” as I could. My take on magic is complex, but I can stretch the system many ways, so it works great for me.

Will I use everything I’ve worldbuilt in story? I might not say it directly, but having a pool of information I can draw from helps me find ways to flesh out a character’s life. Some stuff makes it in, other stuff is only vaguely glimpsed. To me, diving into worldbuilding is fun. Taking what I have and creating something with it is even more fun. I could whip out a bunch of one-shots about basic slice-of-life events without doing all this work, but tying my stories to social, political, or culture aspects of the world is what I really enjoy.

Q: Do you have any discarded scenes/storylines/projects?

//Laughs

I don’t like deleting things, so I move them to scrap docs instead. Origin, Knots, and the 130 Prompts each have a scrap file of 50+ pages (91 pages of scrapped Prompt scenes) and I can usually remember keywords so the deleted scenes are easy to search for if I need them. Some get recycled, even back into the same chapter I originally deleted them from, but a lot stay dead because they were either irrelevant or inconsistent with the final material. 

Fortunately for me, I have a good memory of what I kept vs. what I scrapped. I’ve compiled some favorites in my deviantArt Sta.sh and linked them in my FOP sideblog because they’re my version of sketchdumps. Even if they’re unfinished, I still think they’re interesting to look at.

For some reason I don’t delete much from my standalone one-shots, just my multi-chapter stuff. Most of what enters my standalones survives.

The projects I’m most hurt to have left hanging are my Total Drama stories The Beatin’ Path and Lions Under Palm Trees, keeping with my tradition of writing stories about eliminated contestants at that season’s elimination location from the perspective of the first character eliminated. I have a good 15k words written for the former and 25k for the latter, and I just… let them slip through my fingers in favor of Fairly OddParents years ago.

Arguably letting them go is for the best because I took the “cartoon physics are canon” concept and RAN with it, so I have an entire plot arc about one character coming into puberty and having his ability to utilize cartoon physics switch on for the first time. I personally consider Lions one of my best works in terms of matching my niche interests, but the acknowledgement of cartoon physics does stray from Total Drama canon, and I just couldn’t get over that enough to keep posting it.

Some of my all-time favorite scenes and characterizations are in these stories. I’m glad I have what I do for myself because these works make me smile even all these years later, buuut it’s probably best if I keep most of this nonsense private. This is probably my favorite snippet of the entire Lions draft, though:

“What’s in the box?”

Don’t say the hearts of small animals, don’t say the hearts of small animals.

“Stuff for my girlfriend.” It wasn’t untrue.

The least loved always end up my favorites somehow. I’m still so in love with my delusional wizard. I honestly might love Leonard more than I love any of the FOP characters I write about nowadays; he was the best I ever had. I mean, look at this FREAKING CHILD-

====

“Hand me my dice.”

Beardo dropped the dice in his hand. Leonard rolled them across the grass. Nine. He groaned. But, obediently, he knelt and poked his head inside the damaged zeppelin.

“Roll me an observance check.”

“Snake eyes.”

“Seriously? It’s dark. Try again. Higher this time.”

Beardo gave the dice another toss. “Lucky lucky seven.”

Leonard let out a high whistle between his front teeth. “No response,” he said after a moment. “I don’t think there are any animals down there, except maybe a few rats and some bugs. All right, I’m jumping down. Keep an eye on my back.”

He slid through the gap and dropped out of sight. Beardo heard him say, “Lux up,” and click the penlight on his keychain.

====

“Incriminatus, television.”

No reaction.

“Incriminatus, television.”

No reaction. The Christmas advertisements blared on. Leonard raised his wand to his eye, then slapped the tip a few times against his palm. “Come on, wand. Tammy isn’t here anymore. Why aren’t you working? I still believe in you.”

The door eased open. “Hey, Leonard,” Jen said in a voice of false cheerfulness. “I got your toothbrush out of… the other room.”

Leonard didn’t try to switch off the TV and faced the window instead. “Brushing teeth is for people who can’t do it with magic.”

====

“Wait.” Leonard raised both hands above his head, squeezing his eyelids tight. “Wait. What you’re saying is, Scarlett pulled a Courtney to the extreme and hid her secret identity as an ‘evil’ mastermind supervillain shaman queen this entire time. She played a character so well that even her closest friend – not to mention Chris – couldn’t see through her act until she chose to reveal herself. At which point she then convinced everyone that she was actually said ‘evil’ mastermind supervillain. You’re telling me there was a LARPing goddess in my presence, and I completely missed it.”

“I didn’t put it in those words for a reason,” Jasmine said, “but at its core, yes.”

Leonard pressed his hands to his cheeks and stared into his salad. “Holy flipping plot twist. I am so turned on right now.”

“No,” Jasmine said, jabbing him in the chest with one finger, “No you are not.”

Amy clicked her tongue. “Leonard, you have a girlfriend.”

“Not anymore. That’s it. I’m breaking up with Tammy for real this time.”

Beardo slapped him on the back of the head and made a sound like a police siren.

====

One Lions chapter was named “Baa Baa Blackmail” if that tells you anything. Ah, memories… It’s probably for the best if these projects stay retired, but I love them so very much.

Fanfic Ask Meme