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#not her fault her sort of redemption episode is lost media
tstain-is-an-idiot · 3 months
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Dotty appreciation post bc she doesn't get enough love
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kittyprincessofcats · 3 years
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RWBY Volume 6
So, I pretty much binge-watched this one in a few days because I really needed to know how things go on after Volume 5 and it was just so good! Lots of messy thoughts to come!
[There will be spoilers for RWBY up to Volume 6 in this post (duh). Please don’t leave any spoilers for anything after Volume 6 on this post, or I will block you.]
Thoughts under the cut because this ended up getting a little long.
- The character short for Adam was really cool! It was cool to see how the White Fang began, to see Sienna, Ghira, Ilia and Adam in action, to see the irony of Sienna being a mentor to Adam and encouraging his ways when you know he’ll end up killing her, and to see a glimpse into Adam and Blake’s past relationship (and how the stuff he said to her was textbook emotional abuse). However, I do have one criticism, and it’s something that really bothers me: There’s a continuity mistake with Ilia’s age. Let’s think about this: Ilia was always implied to be the same age (or around the same age) as Blake. In the part of this short where Ghira was still leader of the White Fang, Ilia appears and doesn’t look younger than in canon. But we know Ghira stepped down at least a few years ago. If Blake is meant to be a teenager in volume 1… there’s just no way Ilia could have been there and already been an adult. She’s supposed to have still been a kid when Ghira was leader, unless she’s at least a few years older than Blake – which I don’t think she’s meant to be? Yeah sorry, this kind of stuff just bothers me. I get that timelines can be hard to keep track off, but that was a really obvious mistake and it ruins my immersion a bit.
- I loved the whole opening fight on the train and just seeing team RWBY fighting together again.
- I’ve got to say, I do feel bad for Weiss: After everything she went through to leave Atlas, she now suddenly has to go back there. I mean, that must suck.
- I’m a bit sad they just but Ilia on a bus, but I get that her main conflict is pretty much over and they had to go back to focusing on the main characters’ quest. I still wish we’d have at least gotten a scene of her interacting with the other members of team RWBY, though.
- I really liked Ilia and Blake’s goodbye at the train station, though. (And the whole “wrong tree” moment with Neptune really made me laugh 😂)
- Also just wanted to say I love Ilia’s new outfit (and the fact that she has spots on her belly – this is really important information, okay?)
- There’s a certain irony in the Faunus becoming more accepted because they STOPPED Adam’s attack on Haven.
- I think Jinn and the whole concept of how asking her questions works is super cool.
- I totally get why everyone’s pissed at Ozpin both before, during and after Jinn revealed his and Salem’s backstory. He has been hiding an awful lot from everyone, even after promising not to anymore, and he actively tried to stop the team from finding out the truth. Plus, the whole fact that he doesn’t have a plan for defeating Salem and is potentially risking everyone’s lives for nothing. (That said, can they not take it out on poor Oscar, please? None of this is his fault.)
- Oscar fighting Ozpin from within and telling them how to summon Jinn was a really badass scene. And I feel super bad for Oscar overall. Not only is he kind of at war with someone who lives in his brain now, but he also just found out that he’ll eventually only become a part of Ozma. And on top of that, people are punching and blaming him for stuff that’s not his fault. That’s super harsh.
- I’m kind of glad Cinder’s alive, because as I said, I was hoping they’d develop her more and make her a more interesting villain… but I don’t feel like this volume did that. Right now, she’s still pretty superficial, unfortunately.
- And now, time to get into one of the highlights of this volume for me: Salem’s backstory! Because holy shit, that was one hell of a backstory! When I said back in my post about volume 5 that I hope Cinder’s alive because I would like to see them make her a more interesting villain, I didn’t expect them to do just that, but for Salem. I love villains that are interesting, but I didn’t expect Salem, the literal big bad of the show, to be the interesting one here! I am pleasantly surprised by this, though! (And just to be clear, because some people love to misunderstand this: When I say “interesting”, I don’t mean “She has a sad backstory, this excuses everything she’s doing”, I mean “She has a sad backstory, this makes her more compelling as a villain”.)
- So, about that backstory: Do we all agree that the gods are major jerks, or what? I mean, initially not bringing Ozma back to life was fair, death is a part of life, they can’t upset the balance, I get that – but making him repeatedly disintegrate in Salem’s arms after she just thought she’d gotten him back? And then making her immortal just to make sure she couldn’t be with him? And then killing ALL of humanity just because of the actions of a few? But still not letting Salem die? And then bringing Ozma back after all (because now it suddenly doesn’t ‘disrupt the balance’ or what?) and kind of tricking him into that whole relics task because he wanted to be with Salem? The god are jerks, I rest my case - and I’m not sure if bringing them back is a good idea.
- Also… I get that she’s like… evil and all… but am I the only one who thought Salem got way sexier after jumping into the pools of grimm? Is that just me? Because damn… I’m kinda into that version of her. (Come on, she’s a sexy goth witch and I’m a simple lesbian, what do you expect?)
- So yeah… in an unexpected turn of events, Salem might be one of my favourite characters now? Oops? (*insert obligatory ‘this does not mean I condone her actions in any way’ disclaimer here*)
- I feel super bad for Salem and Ozma’s kids, though. I hate kids getting hurt in media in general. (I imagine the grief over them stayed with Ozma forever. And I like the theory that he gave the original four maidens their powers because they reminded him of his daughters. In general, I don’t consider him to be the bad guy in this backstory at any point. His only mistake is not being honest with the people who are helping and protecting him in the present.)
- I am now convinced that this entire show has to end with Salem and Ozma dying. That’s the only way all of this can end. Salem will have to either be killed somehow or learn the lesson the gods tried to teach her and die. Ozma will have to fulfill his task and die as well – either through Oscar dying with him (😢), through only Ozma dying but Oscar getting to live without him, or through the reincarnation cycle ending and Ozma/Ozpin recognizing that Oscar is going to be his last life. Something like that would be my prediction.
- Speaking of interesting villains: This volume also did a great job with Emerald and Mercury! With those two, I’m actually hoping for a redemption now. (And Hazel is a great guy as well. The fact that he was willing to take the blame for their failure at Haven to protect Emerald and Mercury is something I really respect.)
- I also I want to say I find Tyrion super entertaining.
- It was great to see Neo again! (I’ve gotten so used to Chibi!Neo it was almost weird to see regular Neo again.) Her fight with Cinder was EPIC.
- (I basically feel like this volume did a great job on all villains except for Cinder. But hey, maybe that’ll still happen.)
- This was an interesting volume for Qrow. On the one hand, I get why hearing Oz’s backstory drove him into a sort-of depression and made his drinking habit worse and I feel bad for him, but from the point-of-view of Ruby and the others, it must have also been super frustrating that the one proper adult in the group couldn’t keep it together and everyone else had to keep doing the hard work.
- Maria is a super cool and epic character! I really hope she sticks around with the team for Volume 7 because she’s amazing and I love her. She was super badass in her backstory (that moment where she lost her eyes was painful just to watch), I love the fact that she was Qrow’s hero growing up (and that he based his weapon on hers!), that we finally met another character who has (well, had) silver eyes, and that she’s that funny, cranky, but also wise old lady now who mentors Ruby and is just super funny all around. Good stuff, I hope we see more of her!
- The Apathy are the creepiest grim yet. The whole concept of them draining you of your will to live without you even noticing is just SO scary – I love it, but I’m also low-key terrified. The crew’s trip to that farm estate could have easily gone very wrong. Pretty much nothing but Ruby’s silver eyes even worked on them. I like how those episodes set the whole thing up – Team RWBY having emotional conversations while they were in the house, everyone having doubts (which makes sense at that point in the story, so you don’t really question it at first), and then the sneaking realization of what’s going on. Also, the guy who sealed in those Apathy grim in in the first place was just so dumb. How could you think that was a good idea? Good job getting everyone killed, dude.
- I’m glad this volume gave us more on Ruby’s silver eyes! I like that she finally got to use them before the season finale (though I loved that joke on RWBY Chibi), and I also like that she first used them to protect Blake. (I don’t ship them as much as Bumbleby, but I feel like Ruby and Blake’s ship/friendship is super underrated.) It was also nice to learn more about how the Silver eyes work in general and how they came to be. (If they came from the god of light, I’m assuming all the people with silver eyes are the descendants of Ozma’s past lives? TV Tropes kind of helped me out here: Apparently if you freeze the picture where you see one of his past lives with his kids, you can see the kids have silver eyes.) People with silver eyes being hunted also comes as no surprise to me, that’s kind of what I was assuming already. (Which raises the question: Just how did Summer Rose die?) Also, interesting fact that they only work on the Grimm...
- That moment where they reunite with JNR in Argus was really sweet. I also loved the design of Argus as a whole.
- I LOVE Saphron, Terra, and their son!!! I love that we got to meet one of Jaune’s sisters, I love that we got some more LGBT+ representation, and their baby is adorable!! (I loved that scene of everyone cooing over the baby. Also, that moment where Ruby realized Jaune and Saphron were siblings. Also, that moment where the baby helped them distract the guards by crying.) Basically, I just love the Cotta-Arcs. (Also, I just want to say that Saphron is super pretty.)
- Cordovin and her two goons are hilarious. I mean, I also hate them because they’re overly patriotic Atlas-people and Cordovin was racist to Blake – but they’re also super freaking hilarious. Every little line of Maria and Cordovin’s beef with each other had my dying with laughter 🤣 (mainly it was Maria’s lines that had me dying with laughter).
- That whole scene with the statue of Pyrrha was such a tearjerker 😢. First the leaf, then the sad music, then Jaune talking to that red-haired lady (I’m guessing she’s either Pyrrha’s mom or sister?), and then Ren and Nora joining and giving Jaune a pep-talk 😭 😭. I think this was a really important moment for Jaune, not just to get closure, but also to stop blaming himself and putting himself down. I’m glad Ren and Nora told him they don’t want to lose him too, and that the red-haired lady said she’s “glad Pyrrha was surrounded by such amazing people”. Gosh, now I’m tearing up again writing this 😭. I miss Pyrrha 😭 😭.
- I love Oscar’s new outfit. It was time for him to finally drop the farm boy look.
- I love how Jaune is so down for crime that his plan is just “They only let Atlas airships though, so we steal an Atlas airship.” I mean, makes sense.
- I think their whole plan to steal the airship was super cool and although I get why things can’t be that easy in shows like this (and I love that we got the showdown with Adam), I still kind of wish it had worked just because it was a really cool plan and everyone had their part to play in it. Heck, even the baby got to help (and it was awesome)! But yeah, Adam just had to ruin everything, nothing new there.
- So, about Adam: First of all, he’s a major creep for victim-blaming Blake (again) and stalking her. I like how creepy his behaviour is from a story-telling perspective (and from an angst-loving “I like seeing my faves suffer” perspective), but his story was getting a little old, so I’m not too sad they killed him off now. It was a good point in the story to do it. (That said, holy shit is he a creep! “I wouldn’t have to be doing this if you just behaved”? Wow. I get that he’s meant to be abusive and controlling; that’s the point of his character (and like I said, I’m here for the angst), but… yikes, poor Blake.)
- And then we had Blake and Yang’s rematch with Adam. EPIC STUFF. First of all, I like that Blake was able to hold her own against him for a bit (and same for Yang later). I also love the whole dramatic setting by the waterfall and the fact that Blake lost her coat (this is important, okay? it symbolizes vulnerability – and also it just looks cool), the scar on Blake’s belly (from their fight at Beacon, right?), the face reveal of Adam – I just love how all of this was set up in such an epic, dramatic way. But the most epic moment, at least from the start of the fight, has got to be Yang just jumping down there with her motorcycle hitting Adam and that amazing music. I’ve said before that Yang is just too cool for words and I will stand by that. The fight itself was epic too, though I was so stressed the whole time I couldn’t completely pay attention. Blake and Yang fighting Adam together was definitely the best part, though. And I loved the irony of Yang’s metal arm saving her. In general, I like that Yang and Blake got to fight and defeat (and kill) Adam together because he’s been a demon for both of them, and I like that they clarified they’re doing it as equal partners. “We’re protecting each other” was a nice callback to earlier when Blake tried to reassure Yang she’d protect her, and to even earlier when Yang was protecting Blake at Beacon.
- Let’s talk about my other highlight of the volume: Bumbleby! Because sorry not sorry, there’s no way you can deny their romantic subtext anymore at this point. Early in the volume, there’s the conflict of things being weird between them, and Blake not knowing how to deal with her guilt and thinking she needs to protect Yang (and do stuff like getting her bag down for her) – while Yang feels insulted by this and thinks that Blake sees her as being incapable of doing anything now that she lost an arm. Then, when Blake first leaves to disable the comms, they give each other those really sweet, loving looks. And of course, it all leads up to them confronting their nightmare together, holding hands, and declaring that they’re protecting each other. Add Adam’s jealousy to that (He was making comparisons between himself and Yang and asking “What does she even see in you?” – that’s not a sentence you just say to your ex’s friend) and you’d have to be willfully ignorant to not see the subtext. And those soft moments after the fight just killed me: Blake breaking down crying, Yang immediately running to hug and comfort her, Blake’s promise not to leave, Yang reassuring her and wiping away her tears – I LOVE hurt/comfort stuff and I’m so soft for these two! They love each other so much!
(Pretty much the only downside of all this is that a few major parts were spoiled for me in advance. Look, it’s pretty impossible to follow lots of blogs that post wlw ships and not see that picture of Bumbleby holding hands, or the one of them hugging (or the one of them killing Adam) at some point. So yeah… I’d seen all three of those pictures before and knew this would happen. But it was still really nice to see it all come together and see how we got there!)
- The fight against Cordovin and her giant mecha was also pretty cool! It reminded me a bit of the Legend of Korra finale. Ruby going inside the arm canon was an especially epic moment. And I also liked that small moment when they were flying on the Queen Lancer and Ruby had her arms around Weiss’ waist (a bit of White Rose, yay!).
- I like that moment when the Grimm attack and the team first realizes they just destroyed the only thing capable of stopping them – but to be honest, that was mostly Cordovin’s fault. She brought out that mecha for something it wasn’t meant for and started the fight that attracted the Grimm in the first place. Also, how exactly did she think the people of Atlas would take it if she had actually hurt Weiss? So yeah, most of that mess was on her, tbh. I’m glad she at least came though to help in the end, though.
- Back to Bumbleby: Honestly, the strongest romantic undertones weren’t even in the fight with Adam or directly afterwards for me, but in the last episode when they’re all on the ship together. So, Blake is blaming herself for the plan going wrong, and Yang has an arm around, her, still half holding her and reassuring her. And then – and this one really gets me – Ruby hugs Blake and gives Yang that knowing look over her shoulder while Yang suddenly looks away shyly. They’re communicating without words and Ruby totally knows what’s up. She’s basically saying “So you and Blake, huh?” and suddenly Yang – YANG – is feeling shy. This isn’t subtle. And then later Bumbleby hold hands again and look at each other like that… they’re in love, I don’t make the rules.
- And finally, we of course have Ruby’s epic silver-eyed moment in the finale, which was AMAZING. I loved all the flashbacks and how they’re drawn pictures and not just stills from the episodes, I love how the memories of her friends motivate her, I love how much of Penny there was in there (bit of Nuts and Dolts, yay!), I loved seeing adorable little!Yang, and of course the first look at Summer Rose! (I still want a Team STRQ backstory episode at some point.) Also, the music during that scene was so good!
Gosh, now I’ve talked for way too long again, but there was just so much to say about this volume! Long story short: Loved it, can’t wait to continue! (I know exactly 1 major spoiler for volume 7 because it was unavoidable on social media, but that’s it. And it’s a spoiler I really didn’t mind knowing, so…)
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My unnecessary and irrelevant reviews about the transformers media I have consumed.
Please let me have this. I was doom scrolling and transformers is my comfort fandom.
G1: I have not watched all of it, I do plan on doing so but I did watch it when I was younger and does invoke nostolgia. I watched it on Teletoon Retro (does that even exist anymore?) ((just googled it, rip teletoon retro)). For some reason I really like the episode The Ultimate Weapon. I am a huge fan of First Aid and it was because of this episode and I have no idea why. Rodimus is the main character of that episode with First Aid just having a very prominent role in the side story of that episode. I really liked the Aerialbots and their storyline with the time traveling and the not knowing if they’re on the right side was really cool. Honestly the animation errors and weird inconsistent story are part of the charm I guess.
RID 2001: another show I’ve only seen tidbits of. I watched this one via random episodes illegally uploaded to YouTube in the early to mid 2010s and now all those videos are taken down. As a lover of camp, this is camp. I love it. Transformers as a concept is pretty camp (which is why I adore it) and I definitely will watch all of this one day. Though Sideburn is cool and all, I do wish he didn’t chase a red sports car every episode. Otherwise he’s one of my favourites cause himbo rights I guess.
Transformers IDW 2005: So... I read the entirety of the idw comics purely because I found out Thundercracker was a screenplay writer and I wanted to read the entire story so I got the complete context of his development from scary fighter jet to an Oscar winner. I was not disappointed, I was met with queer and trans representation of all sorts, a diverse storyline with action filled parts, comedy elements, slice of life, political drama, adventure, horror, and the best road trip through space. Honestly I was not expecting transformers of all things to have queerness represented so casually and quite well in my opinion (though technically they are guilty of bury your gays, I don’t count it cause there was a clear reason for that death) Thundercracker was marked as one of my favourites cause of this series. I did experience a wonderful story because I wanted to see how he got his happy ending. My biggest criticism of idw transformers is that I love their interpretations of characters and sadly I know I’ll probably never get to seen them like that again. But if I want to experience those characters like that, I’ll just re read it I guess.
Transformers Animated: I have watched the entirety of this great show twice and it still love it. Funny characters, a human character that has a purpose, and a fun change to the formula, Transformers Animated has one of my favourite Optimus and made a Bumblebee so lovably loud they had to take away his voice so he wouldn’t become too powerful. Loved all of the characters except the human villains, Headmaster did not age well and I wasn’t in love with Ratchet’s design but his personality more than made up for it. If you want more animated, I love Transformers ReAnimated the void is filled by that series and channel. While I wish it got another season, it’s ending was satisfying enough I guess.
Transformers Prime: Smokescreen is great and was underutilizes -100/10. Just kidding, kind of I really enjoyed Prime. I’ve only watched through it completely once cause when I was a child I did not like the designs since apparently as a child I was a G1 loyalist I guess. Though now Prime has one of my favourite styles that still holds up today. Dramatic story with actual character development, I can over look that the plots a tad slow. I wish Breakdown was utilized more and it also could have benefited from an extra season but the movie wrapped it up much better than animated’s ending. Knockout is an amazing character and I was spoiled while I was watching it that he turns Autobot though I didn’t realize that wasn’t until the literal end of the series. Would’ve like a completely fleshed out Breakdown and Knockout or at least Knockout redemption arc but there’s always fanfiction I guess.
Robots in Disguise 2015: I didn’t hate it? It definitely helped that I watched this before Prime for some reason. I liked the designs, Sideswipe... himbo rights. Biggest flaw is the lack of character growth. I just want nice things for Sideswipe, Strongarm and Fixit. Grimlock was fun, I like Bumblebee trying to be a good leader and Optimus should have stayed dead. The crossover and referenced to Rescue Bots was fun and Blurr and Sideswipe was the rivalry I didn’t know I needed. But the one I really needed was Smokescreen in there too. The ending arc was interesting though not executed the best and Steeljaw did a lot of the heavy lifting for the villain side to a point where they over utilized him and his character suffered as a result. Windblade was not as bad as people online said she was, splitting the group up into two was stupid cause I’m bitter and still don’t want Optimus there. Also long list of underutilization: Denny and Russel Clay, Jazz, all the characters from prime except Optimus and Bee, Jetfire and Jetstorm, More Rescue bots, and many more! Like that girl that’s Russel’s friend that I literally don’t remember because I’m pretty sure the writers forgot about her! Anyways, in retrospect the show probably wasn’t great but I liked it I guess.
Rescue Bots: This show is way better than it needed to be. I actually love the no Decelticons and war. I’m a sucker for slice of life and especially slice of life with a twist. Human villains that were actually interesting, actual character development, continuity (somewhat), great human characters all while being target for children. I’m so happy I watched this show while I was kind of the target age and rewatching it for the third time was great cause some of the science jargon actually made sense to me. Satisfying ending too and honestly it can just appeal to everyone. Love all four of the main rescue bots and constantly wish they made evergreen designs and toys for them so they could at least make cameos in other transformers media. Sometimes it’s nice to have transformers being wholesome I guess.
Rescue Bots Academy: ... I was not the age democratic for this show and I somehow still liked it? Maybe it’s the fact that I’ve been gravitating to more wholesome content due to current events but it was actually good? Love all the students, I do miss the old crew and characters like Doc Green and Frankie are under utilized and the Burns family is almost nowhere to be found :(. Once again there’s some actual character development and Hot Shot’s mentor relationship with Heatwave is super sweet. Also actually having positive post war Decepticon and Autobot relationships in this children’s show? Woah. Biggest issue is like RID 2015; the lack of continuity and characters completely disappearing. Perceptor was fun and I was not expecting him to appear. And I love me some microscope dude. It was a good send off for the aligned continuity I guess.
Cyberverse: ending too soon. I was about to be upset that bumblebee didn’t have his voice but he had his voice in his head which was great. Episodes like the velocitron one was really good and it definitely got better with each season and peaked in the Quintesson arc and then rolled to the cancellation date. Thundercracker shouldn’t have been killed off but I’m very biased. Seeing the rebuilding of Cybertron was cool. Windblade and Bumblebee had a fun relationship. I really liked this iteration of Grimlock. Perceptor was super interesting but then they did nothing with him after the Quintesson arc which was a shame and I would have liked to see better relationships between the Autobots and Decepticons after the team up. Also wholesome Whirl was fun. Honestly this needed one more season so bad. I just think it could have been great if it got one. But it’s still good I guess.
War for Cybertron: ...let’s see how I feel after Kingdom comes out but right now, meh. For me my favourite transformers characters usually end up being side characters due to me wishing they had more screen time so in this case, Red Alert is great please show me more of Red Alert. I get what all the people are saying about the voice acting and whatever but I can look past it (though please give us Peter Cullen or let the current VC make his own Optimus voice). But one thing is that all the YouTube reviewers be saying that I completely agree with is that it’s dark. Like lighting wise. I occasionally had trouble making out what was happening because it was dark. Honestly my biggest issue isn’t a fault of the show. I like development of multiple characters to be shown so I can fall in love with a multitude of characters but due to short seasons, it makes sense to focus in completely on one character at a time. Siege in my opinion at least let me see more of the background characters rather than Earthrise but I’d probably like Earthwise more if I was a bigger fan of Optimus. I’m going to watch Kingdom but I’m not expecting to be wowed I guess.
In conclusion, I should watch Beast Wars, I’m going to re read the ending of Lost Light again and revel in the melancholic ending I adore and I really like Thundercracker and First Aid. One great thing about transformers and other franchises that have been around for awhile, if you don’t like the current thing, there’s plenty of last media and you probably won’t need to wait too long for the next piece of media you’ll hopefully like.
Please be good idw 2019, I’ve read a bit of you and I have a scrap of hope. Oh please please please be good. Give some characters the Thundercracker treatment.
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emperorlotorr · 5 years
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Adam not “deserving” a redemption arc is bullshit
Y’all were thinking I was just gonna write about my unpopular opinion as an Adam stan but ha! Maybe read this to see why i think Adam still might not be entirely gone
I see this everywhere one tumblr and reddit whenever someone brings up the words “adam” and “redemption arc” in the same sentence. But the notion that someone doesn’t “deserve” a redemption arc is the most ridiculous thing I have ever heard off. I’m gonna start with telling you all what a redemption arc actually is, where it’s been done and then we’ll get ot the subject of Adam Taurus who doesn’t “not deserve” a redemption arc but rather, is a character that doesn’t need to and just wouldn’t work out as “a good guy”.
What is a character arc?  According to wikipedia it’s “The transformation or inner journey or character over the course of a story. If a story has a character arc, the character begins as one sort of person and gradually transforms into a different sort of person in response to changing developments in the story”
What is redemption? “an act of redeeming or atoning for a fault or mistake, or the state of being redeemed.”, or in a more religious context “ The action of saving or being saved from sin, error, or evil”.
A redemption arc is not inherently: being easily forgiven by the one you’ve done wrong to. An arc suggests a gradual change, it’s a journey that changes one of the defining character traits a character has, how, why and to what result varies. So basically: your character can, for whatever reason you might think of, change their way of thinking/acting, change a core aspect of themselves, gradually and wether or not the character is “forgiven” at the end has nothing to do with “deserving a redemption arc”. You all mix this up, your reasoning is: Character X has done Y to character Z and he should never be forgiven for that therefore does not deserve a redemption arc. But the character can go through the arc and ultimately not be forgiven. Any character is allowed to review their actions and see wrong in them. There also seems to be some consensus about what line a character has crossed, to be so undeserving (of both redemption and forgiveness) but I’m not sure what it is. The line does not seem to be murder, torture, mutilation, kidnapping, sometimes even genocide. When taking Adam in account, most of the arguments anti’s make is that he’s an abusive stalker ex boyfriend, the murders he committed are rarely referrenced? Some people want mercury and Emeral to be redeemed, even if they murdered hundreds at beacon and Vale. That doesn’t seem to make them “irredeemable” for some reason.
Where do you draw the line of actians that are “redeemable” or “forgivable”? Who gets to decide that? What kind of morality is it based on?
Let’s look at some redemption arcs from different media: Darth vader (Star Wars), Zuko (atla), Agent Kallus (Star Wars Rebels) and Strickler (Trollhunters) Major spoilers alert! Duh
Darth Vader: The most obvious example, Darth vader cut off his son’s hand, slaughtered millions, tortured thousands. There little to no build up to his redemption, his arc isn’t even very gradual he just up and decides to save his son instead of obey his master. Later on the tragedy of his life is revealed but that’s not what this is about. Fans accepted it quite readily. People call it a redemption arc, to my knowledge, we don’t really know if the few who are still alive that he tortured and maimed forgave him but I’m willing to bet they didn’t. 
Zuko: atla really is the gold standard for literally everything concernign storytelling ain’t it <3. Zuko’s redemption arc is basically perfect. It’s gradual, he doesn’t just decide to be good one day, he still makes mistakes, struggles with the changes he’s going through. One major point to be taken into consideration: Zuko was never inherently evil in the same way, eg Darth vader was. To my knowledge, his worst crimes were burning down a village (no deaths), kidnapping Katara and trying to capture a 12-year-old kid. It was shown very early on Zuko was never a monster. In the Storm, he values the lives of his crew above his mission, his tragic past is also revealed in that episode, gaining sympathy from the viewer. Later on he reaches out his hand for Zhao who would have gladly wringed Zuko’s neck himself. The fact that Zuko is shown in a sympathetic light early on and continues to be throughout the show is a big reason why his redemption is so perfect and fitting.
Agent Kallus: In Star wars rebels, kallus is at first shown to just be a ruthless ISB operative who participated in the genocide on Lassan and even shows pride in it. Then everything changes when he gets stuck on a frozen ice moon with Zeb a member of the protagonist team. Kallus is semi-retconned into being someone who truly believes in the justice and reign of the Empire, someone who does not enjoy taking lives (despite his smirk when a traitor he revealed gets sentenced to death) and an all round pretty decent person, if only he weren’t on the enemy’s team. Kallus’ redemption later on works out basically because of this episode and later episodes that reinforce his good qualities above his bad. It’s a bit unpolished in my opinion, but it’s a decent arc. He slowly starts to question the empire, ultimately leading to him concluding he’s been in the wrong the entire time and deciding to atone by becoming Fulcrum. Kallus works as a good guy, nonetheless, the moment he’s truly revealed as such, his appearances are significantly fewer in number for a reason.
Strickler: or Stricklander from trollhunters is a case of love redeems all and whatnot. Much like Zuko though, he gets sympathy points very early in the story. he genuinely cares for Jim, he faces racism and bigotry because of his Changeling status and later on, is shown to truly care for Barbara. Despite all of this, he is shown to smirk when miss Nomura gets punished for his mistakes, orders Jim’s death and has no problems with the quasi-enslavement of Angor Rot (yes Angor is a remorseless killer, slavery is still quite bad tho people), he is also manipulative to Barbara and lies straight to her face while also endangering her life multiple times. But still, Strickler gets a redemption. And still it works and still it’s generally accepted. Again the number of appearances Strickler gets once he starts on the redemption part are signifantly less than back when he was the bad guy. He’s still a side character, he didn’t need to become front and center to get the redemption and once it was done he was sidelined again.
I could go on forever about this, the previously mentioned Angor Rot gets a “Redemption equals death”, Scar from fma is “easily forgiven” to some people, Honerva from vld got a mix of redemption equals death and easily forgiven etc etc. Some of these work, others...not so much. but mostly the problem is not “they didn’t deserve it” but more “it was handled poorly”.
On to this bullshit of “not deserving a redemption arc”. I honestly do not know where you’e supposed to draw the line. But even so, there really is no line to draw at all? A redemption arc is a character trying to atone for what they did, anyone can try that? Anyone who realises their mistakes can get a redemption arc. Like I said before it’s not about if they’re deserving to be forgiven or not, it’s about how well the arc is written. 
Others argue that people who want Adam to either get a redemption arc or survive just want Adam to be the main character. Somehow they struggle with the idea that a side character can be properly redeemed or changed without taking away the spotlight from the main protagonist forever. If done well, a character needs only a few seconds every episode to indicate change. Adam’s character short is 6 minutes and it shows his descent into madness and evil? Even if you decide that a redemption needs more time for some reason, even double it. That’s barely one (1) episode of rwby. Hardly making Adam the main character considering ozpin and Salem got more than 12 minutes to establish their motives and backstory and didn’t take away from the story one bit. (You can argue that salem is so tied into the story, it doesn’t count but a faunus subplot is easliy added, very much wanted and oh so easily tied into Adam’s story)
Now Adam taurus should not get a redemption arc as he is right now. And quite honestly, I don’t think he should ever get one. Adam works as a villain, he really does, for Adam to become a good guy, you would change not one or two but a lot of core aspects to the character. He wasn’t made to be a good guy, he was made to an antagonist and those are just as valuable to a story as the protagonists. Yes a good redemption story, a good villain turned good story is delightful. But Adam just doesn’t fit the bill. Adam has so many aspects left of his character unexplored, perfect to still be an antagonist, not a protagonist. Adam is violent, a skilled fighter, an opressed minority a person out for vengeance and takes decisive action. Take that all away to let him become a good guy and you’re left with very few things.  People who want an Adam redemption arc just want Adam to be someone he’s not, in my opinion. Unless the writers actively set up a redemption arc, it feels out of place. What most of my examples have in common is very clear: their redemption arcs were being set up before the character showed any signs of change. Whether or not those set ups were well done, well timed or “deserved” doesn’t matter. Adam has almost no set up. he has his brand to get the tragic backstory requirement but that doesn’t make him a person who realizes he’s doing the wrong thing. He has his previous hesitance to kill but he lost it literal years ago. Adam is not a good person and there’s no reason, as the show is right now, to make him one. The only way a redemption arc would truly work out for Adam is if the show takes the time to develop him in such a way but I don’t really see that happening. They’re much more likely to just not to a redemption arc at all or rush it if they do, ruining not just adam as a character but probably harming their central story as well (aka the good vs evil motif they’re playing)
Coming full circle with the post I wrote earlier: Adam can get out of this with fundemental differences to what he was without becoming an entirely new person. As an antagonist with a new purpose narratively speaking but also in general but not as a goodie-two shoes unless it’s set up properly.
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