#not my usual content but still

[livv-watkins]

What do you mean Enola and Tewksbury kissed in the new movie??? Enola and I are literally married???? We’re lesbians who don’t need no man together???

[jdypvy]

I don’t think u guys know how excited I am about this cast

[gcthbitch]

okay i might be done with the fic spam im sorry 😭 im romanticizing a man today clearly 😭😭

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[sonknuxadow]

thinking about how the marza twitter account has been posting a lot of art of the ghosts from night of the werehog lately and they said something about lah having plans for halloween and their most recent post is this

like please you cant do this to me you cant play with me like this

[smallfrenchstudyblr]

Justice as spectacle in Fontaine, or a too long word vomit from a tired PhD in Law gushing over Genshin 4.0

Alternative title: “Justice must be seen to be done”, a visual playbook by Genshin 4.0

Intro: This is a valid use of a PhD in law, actually.

I made the mistake of playing the 4.0 update of Genshin while I was finalizing my PhD in law and politics, and the result was my brain refuse to think about anything else than judicial performativity and the use judicial spectacle in Fontaine. So time to make good use of 9 years of University by dissecting why I absolutely love how Fontaine’s justice system is presented. It was initially much longer and covering why justice as a spectacle is not necessarily an issue or sign of a disfunctionning legal system,  then what exactly about the Fontainian justice system is actually fucked up, but it got too long so I’m keeping that for the indeterminate future. So the pitch of this thing is: Mihoyo is basically providing us with an animated First Person POV game version of legal ethnographic works on justice and the courthouse, and it is really cool.

And since I am a nerd with both too much time to read and to play, we are making this a proper academic, with literature and all, because listen to me, LEGAL ACADEMICA IS COOL, ACTUALLY, and law and literature at large is a genuine field of study that we, as a society, need to talk about more.

[also there is non-zero chance that I edit this brainrot and submit it for publication at some point]

Warning: I am basing this on 4.0, up to and including Act IV Chapter II (hence no discussion of the prison system) and if Mihoyo thwarts the whole thing with 4.1  [oops I am late so now 4.2, since 4.1 did not thwart it] then let’s do what we do when new results contradict existing theories in academia and just collectively agree to ignore it.

TL;DR: Someone at Mihoyo read Simonett’s 1966 essay on The Trial as One of the Performing Arts [Here, just read it, it is fascinating] and decided to make it everyone’s problem

Part 0: if this was not Tumblr.com I would make a recap explaining broadly what Genshin and Fontaine are but since you are reading this I’m going to assume you already know the context.

Part 1: Ok so how does the Fontanian Justice system work, exactly?

Alright, so each area of Teyvat has 1) one core theme/value and 2)a threat to that core theme/value.

Mondstadt has Freedom and people living in fear of a dragon.

Liyue has Contracts/order and the pandemonium of having Rex Lapis killed.

Inazuma has Eternity and being virtually frozen in time.

Sumeru has Knowledge and being entirely manipulated by the Akademia.

Fontaine has Justice and… Justice being parodied into a spectacle?

WRONG.

Because the spectacle of justice, especially the way it is done in Fontaine, is not antithetic to Justice itself. Spectacle is part and parcel of Justice and of any courthouse. Sure, all the dials are turned to 11 and y’know, it is legit called an Opera, but that is more the writers being a bit on the nose and adding drama for the player. The spectacle of Justice, itself, is not that far off from reality. And, hot take but bear with me: it is not (necessarily) a problem.

Ok, let’s dive into what we know of the justice system in Fontaine.

Broadly speaking, we have seen the criminal justice system, and it is an accusatorial, or adversarial model. It’s the US-style criminal procedure: you have a defendant trying to prove that they didn’t do it your honor, and a prosecutor proving that they totally did it your honor. To avoid this becoming a fistfight, you have a strict procedure to follow outside but especially inside the Court, and in the end, a neutral third party decides on the outcome or the trial.

Ok, now let’s zoom on a few things, and why the theatrics of them are actually very common.

Furina, our cringefail darling, is the prosecutor. And they get a lot of stuff right regarding the role of the prosecutor! She decides whether or not to prosecute, based on the information that she has, and whether she likes her odds or not. Fittingly since she is the Archon, the prosecutor in a trial represents the State, the interest of the State (the judge ! does ! not!). It makes sense that Furina, the ruler (theoretically) would be prosecutor and not judge. Moreover, and as we see plenty of times during the trials, Prosecutor Furina is not concerned with the victim, and not even necessarily with the truth; the prosecutor wants to know how likely they are to obtain a conviction in the end. Her job is to be convincing enough to establish a legal truth.

Neuvillette, for his part, sometimes look terribly powerless… but friends, that is what a Judge sitting during a criminal case often is. The first part of his job is to find sufficient information for the prosecution to decide whether or not to prosecute; he is supposed to be entirely neutral at this stage. He kickstarted the investigation straight after the death of Cowell, and was also the one starting investigation on Vaughn right after Lyney is proved innocent. He gathers enough evidence, hands them over to Furina and asks “So? Are you game or do you want to leave that alone?”

And once the prosecutor has decided to move forward with prosecuting, his job is to make the procedure move along, take some decisions based on new information, ensure all respect the rules (hence Childe’s immediate smackdown when he starts to act out a bit too much at the end. My man is here to make sure the rules are enforced and that also applies to Snezhnayan gremlins). In the liminal space of the courthouse, he is the supreme authority… over the procedure. He can tell anyone, including Furina, to stfu k thx. He starts and stops the trial. He allows witnesses to be heard or not.

And the last party involved at this point is the defense, usually the Traveler and any adorable twink we befriended that day [good for you, Traveler, good for you]. They present evidence, they have to be convincing, it’s basically Ace Attorney, we know that part.

Part 2: Mihoyo makes it clear that we are all actors in the Courtroom

Ok, first moment of pause.

Even though these are the most basic parts of a criminal trial, they are ALREADY steeped in drama and theatrics, both IRL and in Fontaine.

First off, Furina plays a prosecutor, Neuvillette plays a judge and the Traveller plays the lawyer.

No but really: they play their role in the Courthouse.

The game painstakingly presents Furina for the first time not as a prosecutor in a courthouse but as a cringefail princess. When we see her initially welcoming the Traveller, going “Fight Me” at them in the streets of Fontaine, she is not a prosecutor, she is just Furina the cringefail princess.  We meet Furina as Furina, and later on only, we see her with her Prosecutor face. Furina is not a prosecutor, outside of the Courthouse.

I don’t even have to explain how much Traveler plays lawyer. We are, and I cannot stress it enough, NOT lawyers (yes, even you who developed an unhealthy obsession with Ace Attorney before Genshin). The developers even took the time to develop an entire new gameplay to really, really highlight that is a behavior that the Traveler can only have in the Courthouse. Traveler is not a lawyer outside of the courthouse.

Neuvillette is a bit of a special case. We do meet him for the first time in the Courthouse, as a Judge. But once again, the moment we meet him outside of the courthouse, he is much more approachable, definitely not the same persona as when he bitchslapped my problematic Harbinger into the Meropides prison [we are so going to write something about the Meropides prison once I have played enough 4.1 my friends – update post 4.1: ok Mihoyo that was weak commentary on the privatization of prison and prison labour but I’ll take it]. Neuvillette is probably the one that is the most associated with his courthouse persona, but there is still this gap between Neuvillette-Judge and Neuvillette-reflecting-in-the-end-of-Chapter-II.

So everyone is just themselves in their daily life, but there is something about a Courthouse that turns people into their judicial role. That’s what we call the liminality of the courthouse (Hadar, 1999). And it exists IRL, in a way shockingly close to what we see in the Opera Epiclese.

Magistrates, whether prosecutors or judges, do not act in their own names, they have a role to play. Someone woke up that morning, had breakfast, swore at the neighbour who did not park properly again, spilled some coffee on their documents again ffs, stumbled a bit on the little steps leading to the courthouse, and then, they put on their costume and started to play the role of the judge. As someone who has been in what can only be referred to as “backstage”  of a court , and entered the courthouse with the magistrates, I cannot stress enough how drastic the shift in person is the moment a magistrate steps into the space of the trial room.  

From there on, they are a Role. Furina, like any prosecutor, is not a prosecutor, until they are The Prosecutor, and then they are not themselves anymore, in the enclosed space of the courthouse. Have you ever seen a lawyer talk in their daily life the way to talk in a courthouse? No. Someone is just some person, until their put on the robe and their Lawyer Face and start their Lawyer Movement and Lawyer Tone. Traveler cannot go all OBJECTION when they have a disagreement with a random shopkeeper in Teyvat. The game doesn’t even give you the option – because you are not lawyer, unless you are in the court. None actually plays a lawyer, unless they are in the courthouse.

And an adversarial model encourages this. You have character, but for it to be a play, or an opera, you need a narrative (murder, ok, that will kickstart a narrative) and you need dramatic tension. Drama is created by the opposition of two characters having opposite goals, confronting each other. Simonett, a former Minessotta Supreme Court Judge, has a fascinating article called “The Trial as One of the Performing Art”, which really ecapsulates how an adversarial system is built on this drama:

‘The trial has a protagonist, and antagnonist, a proscenium and an audience, a story to be told and a problem to be resolved, all usually in three acts”.

More than an inquisitory model (hello, fellow continental Europeans), parties are encouraged to bounce off each other, take initiative, undermine and interact with each other. US courthouse TV shows loooove that, and Genshin absolutely leaned into that. The potential for drama was so strong and intrinsic to the story that For the first time, we got to play a character that was not even with the traveler: Traveler was off investigating, and we played Navia in the courthouse, because the sheer drama of being in the courthouse is too good for the game to pass.

Do you see it yet? Here is more. A judicial role is a role. IRL, a lot of it is emphasized by the robes -the - sometimes complete with wigs and accessories- that judges and magistrates must wear before entering the space of the courthouse. You put them on like you put on a costume -defendant, prosecution, judge and even audience alike (Cabatingan, 2018), there is a ritual of preparing for the performance of a trial the way you prepare for a play. Genshin characters cannot change their clothes [give us a proper fancy-af-judge-robe for Neuvilette Mihoyo you COWARDS], so the game does all it can to realllllyy show you a separation between the judicial role and the actor playing I in the courthouse.

Part 3: Game designers said yes this an Opera and a Courthouse because these are the same thing and they are right

[The urge to include Foucault in this section, but I do not have Discipline and Punish with me rn, rip]

Ok, ok, why not. But what about the stuff that is not in your random courthouse, like a damn AUDIENCE and the fact that it takes place in an actual OPERA ?

Aight, we gotta dive a bit deeper into two things: the role of audience in the judicial spectacular, and studies on legal architecture/judicial space. I told you legal research was cool.

Let’s start with the most obvious one: architecture.

The architecture of Courthouse is actually really important for the delivery of justice. The building embodies the task itself, and targets evert single person that interacts with the building in any way? It matters specifically because we take it for granted, that this this is just a building, that there cannot be more to it. Or: “Law in its everydayness, banks on the usage of visual means of representation, for they seem to lack artifice, and thus enjoy high persuasiveness” (Kumar, 2017, also this is a study on the architecture of the Indian Supreme court and it is so good). But thi is, of course, on purpose.

My friends, your local courthouse looks like an opera. Recently, I went to a play which was entirely a trial, and they barely had to do anything to set-up the scene because… the opera looks like a courthouse, and vice versa. Fontaine’s Opera Epiclese is this on steroid, and also actually used for entertainment like the magic shows, but its architecture and structure are so close to a proper courthouse that once you see it you cannot unsee it. Not matter how different they might look from each other, all, ALL courtroom have the same setup:

Judges on an elevated position compared to all other parties : Neuvillette absolutely kills it here [my man is placed so high up I was close to writing something about the religiosity of justice.]

Prosecution and accused on two opposite sides, virtually separated by the judge, even putting the defendant in their own little liminal space in the liminal space (Zoettl, 2016, Mulcahy, 2007)

Audience space and trial space clearly separated, with interdiction for the audience to enter the trial space

Audience space allowing to clearly see all angles of the trial space

The architecture of courthouse is strikingly similar to that of an opera’s, both in its spatial organization and its grandiose. The entire building is an opera, not just the ground of the stage. You even have a lobby, the space right in the Opera but not the courtroom, which is very similar to the space where people mingle during the interlude at the Opera – the social settings were many legal negotiations happen (Hansen, 2008)

[Fun fact: I am pretty sure the design of the audience space of the Opera Epiclese was inspired by two Parisian Opera houses: the Théâtre de la Comédie Française et the Théâtre du Châtelet. The stage itself is almost more church-like ; I am curious if anyone knows what the inspiration for the “outside building” actually was, for the Opera Epiclese?]

Eltringham (2012) has some really cool writings about the architecture, and people interact with the structure of courts (in his case, the International Criminal for Rwanda) and how all these features contribute to making the courthouse this liminal space where people can play their role, whether they realise it or not.

But, Almost-doctor, I hear you say, what about the spectacle ?! The audience enjoying the show ?!

Ah, yes. The audience. Just as with an Opera, the audience and the actors enter through differentiated means (the “segregation of circulatory systems”), all with their own point of access to the stage or the seats, and never the two shall meet. It is so important to a court system that you will find this feature highlighted by the architects that renovated the Bordeaux Courthouse and the US courthouse design and planning guide [These are just fun and striking illustration I stumbled on while writing this, you can find dozens of others from any given country]. These differentiated access path help reinforce the liminality of the courthouse not just for the actors, but for us, the audience as well.

You could even agree, with Garapon, that the audience itself is “playing” the audience, in the Courthouse (go read Garapon’s 2004 book, if you read French, it’s so good I swear and like it fueled 90% of whatever this word vomit is)). You are not really yourself, you have new, liminal role of spectator. A trial has a “need for a public”, even a silent one. “'Performance always intends an audience”, for Kapferere. and we can indeed talk about a Performance of Justice, when talking about how justice unfolds in the courthouse, especially in a criminal trial (Sausdal and Lohne, 2021).

The audience is an inherent part of the spectacle of justice – because is there a spectacle if there I no audience? If comedians perform a play with no audience, did it really happen? In the words of our own European Court of Human Rights (I am quoting the ECtHR on Tumblr.com, what is life): “Justice must not only be done, but must also be seen to be done” (Delcourt v Belgium, 1970). For Garfinkel “Legal rituals ... depend on the outside witness to confer on them not only recognition but validity” (Garfinkel, 1956);

Or, to put it more eloquently: “The need for the presence of a validating public at trials is enshrined in many constitutions and built into the very fabric of court complexes throughout the world. (…) Tthe court as a whole requires its reflection in the bodies of validating witnesses in order that this created place will bring sufficient gravity to itself.” (Eltringham 2012).

If a courthouse was just about the truth, or the parties involved reaching an agreement on what the truth is, there would be no need for the theatrics. We could handle a trial in a meeting group like problem-solving session in any run-of-the-mill company. Put everyone around the table, have a moderator, have a decider. That actually exist, it’s called arbitration, and you may have never heard of it despite the absolutely enormous amount of money that are involved (we are talking literal Billions of dollars every year, here), because the whole point is that it is discrete and confidential. But that is not how trials are, anywhere. It does exist though. It is called private arbitration, a form of private justice that focuses on problem-solving, expediency and secrecy, often because my friends, it involves big names and big money.

But justice? My friend, it needs to be a spectacle. It needs an Opera. Because this is how it gains sociological legitimacy, and it needs sociological legitimacy to function. By having an audience, it gains transparency and accountability.

Conclusion: teaser on why the spectacle of justice is not necessarily always totally bad, but also I am too tired to fully argue that.

Now, you might that it’s a bad idea. That what Genshin is doing is denouncing this inherently spectacular aspect of Justice, that there is something inherently wrong in justice being public and publicized for the gain of legitimacy, and sure, spectacular justice can become a parody of justice or a manipulation of justice and this has happened many times in history. And yes, you could go for that (although show trials have typically been at the service of an authoritarian regime in a transition phase, rising or declining, and target political opponents, which we do not see in Fontaine) but… I have another take for you.

Justice being a spectacle is not…  inherently bad. 

Hear me out. Making justice into a spectacle does not have to affect its outcome. The presence of a public does not change the course of a play.

Spectacular justice brings elements of entertainment such as narrative fulfillment and catharsis. That is clearly what Fontainians want: a satisfying end to the story, the truth exposed. Justice as a spectacle help people make sense of their reality, comfort them in knowing that justice does prevail. That the guilty do not go scott-free, that the good guys win, that justice is transparent, that prosecutor need to be able to build a good story to prosecute, and there is no good story is there is not someone who caused harm, and a victim that deserves justice. And, from the information we have so far, this does not seem to lead to miscarriages of justices, or a generally biased justice system. But frankly this is too long already and I just wanted to show that the depiction of the Spectacular in everyday justice is actually present everywhere IRL, and Genshin is just providing a really handy illustration, at this point of the story.

The Fontanian system is fucked, don’t get me wrong, but that’s not about the spectacular on its own. Long story short since it be worth its own word-vomit-style essay, it’s because the jury has been replaced by ChatGPT and there is no civil court, only a criminal court, k bye.

[jils-things]

by the lighthouse.

dividers

[fluffs-n-stuffs]

Finally catching up on the Horizons episodes I missed 👍

[thecursedanon]

Amusement Park Shenanigans

Alternate title: Never agree to go to an amusement park w/ Gojo. Characters: Switch!Yuji, Lee!Nanami(technically switch!Nanami, but only briefly.) Ler!Gojo, Megumi, Nobara. (brief mentions of Shoko, Suguru and Haibara.) Genre: Fluff (also some hurt/comfort if you squint enough at certain points) Word count: 6388 Description: Gojo decides to take the students to the amusement park, and drags a very unwilling Nanami along with them... after trying to failing to convince Gojo to let him leave, and one too many grumpy remarks from Nanami, Gojo decides to do what Gojo does best... cause absolute chaos. Part 2: (click here)

It was a comfortable day, the weather was beginning to cool down as they just entered into fall. The leaves began to change into varying shades of amber or red, and everyone seemed a bit more light and cheerful at the beauty of the changing season.

Well… not quite everyone… 

You may not be very light or cheerful if you were stuck at an amusement park chaperoning a gaggle of students.

“Can we leave now?”

“Aw come on, Nanami,” Gojo pouted. “Lighten up! We're at an amusement park, you mean to tell me you're not having any fun?”

Or if you were Kento Nanami.

“Not in the slightest.” He retorted, still unsure just how he ended up accompanying them to begin with. It’s entirely possible Satoru had suggested he tag along and rather than argue with him, which would require paying attention, he half listened and just agreed to whatever childish assertion he had made. 

Satoru grinned at his friend’s discontentment. “Where's your sense of childlike adventure and amazement?? Just look at Yuji, he's having fun.”

The white haired teacher gestured to Yuji, who was currently stumbling around the park like a baby giraffe learning to walk, evidently dizzy from one too many go-arounds on the rollercoaster they just returned from.

They had stopped in an out of the way area of the park so that the boy could recover… which evidently wasn’t going well.

The pink haired teen eventually lost his fight with gravity and fell over, if this had been a cartoon you probably could have seen stars circling around his head.

“See? Childlike amazement.”

Yuji gave a grin to the others, a dazed look on his face. “I'm having so much fun!! Just tell me when the ride is over!”

Nanami gives the boy a silent look of concern as he sighs. 

“Alright alright, take five, ya finger eating freak.” Gojo laughed and bent down to pat the pinkette on the head. “But hey, don't just take Itadori’s word for it--” Suddenly Gojo was beside Nanami, whispering to him. “Because the kid is a little… strange.”

The next moment, Gojo was beside Megumi, who had a bright pink sakura flower balloon tied to his wrist and looked as though he was being held there against his will. “Megumi, you're having fun with your beloved sensei's, right?”

Megumi grunted in annoyance. “Somehow this is worse than that time you rented a bouncy house when I was ten…”

“Hey, kids love bouncy houses!” Gojo argued.

“Too bad it wasn't for them.” The edgy teen sighed, recalling what was apparently a painful memory for him.

Satoru pouted, pinching his emo son’s side, producing an uncharacteristic yip from the boy. “You can't argue that it wasn't a totally fun Friday night!”

“Fine… allow me to rephrase my question.” Nanami readjusted his sunglasses with a sigh, not bothering to cover up his annoyance with being dragged to a place full of people on one of his mythical days off. “Can I leave now?”

“Haaaah?? Why would you want to leave???” Gojo reacted as though he'd just witnessed a terrible accident in slow motion… kind of like Megumi recalling the bounce house incident . “This is family bonding day! And last time I checked you're still part of this family-- whether you like it or not!!” he quickly added at the end, sensing Nanami was about to deny it.

Nanami glanced at the group of kids they were chaperoning. “You know I hate amusement parks.” He said, this time quieter so only Satoru could hear him.

Gojo blinked in confusion from behind his sunglasses as he tried to pull a lost sequence from his memory. Did he know that? Now that he mentions it… he did recall something about an amusement park… but what?

While Satoru was silent (for once), Nanami took this as his chance to really try to convince him. “And besides… I doubt the kids would even notice I'm gone.”

Satoru stared blankly at the blonde, still attempting to force the two remaining neurons that weren’t focused on being a menace to spark the memory that was just evading his grasp… Can you hear the dial up tone?

“Hey… that’s not true!” Yuji interjected, pulling himself together as he stumbled towards his father figure. “I’d notice you were gone.”

Nanami’s face softened as he looked at Yuji. “Itadori… wouldn’t you have more fun running around with your friends? I’ll just slow you all down.” he responded, his tone less harsh than before.

“No way, I won’t have nearly as much fun without you here.” He frowned, hitting Nanami with one of the classics… the puppy dog eyes. (dun dun dunnnn)

“Y-Yuji.” Kento warned, shifting his gaze uncomfortably away from his student but no matter where he looked there Yuji was… leaning more and more into the act.

“OH! I remember now!” Gojo said suddenly, inadvertently startling Yuji and causing him to fall over, evidently still not fully recovered from all the roller coaster rides.

Nanami flinched inwardly as Gojo leaned closer to him. “What?”

“Come on, Kento… how can you say no to that sweet boy? He looks like he’s about to cry…” The chaotic teacher cooed at Yuji as he resumed his puppy dog eyes… from his new spot sitting on the ground.

Nanami huffed, turning away again as he crossed his arms. “Itadori… Just because that works on Megumi and Gojo doesn’t mean it’s going to work on me..”

“How hurtful! I think you owe us an apology for being so grumpy…” Satoru mused, winking at Yuji as if to tell him to follow his lead.

“I am not apologizing to you…” Kento grumbled, briefly shooting a glare to the white haired man.

“No? Be reeeeeally sure about that before you respond.” Gojo warned the blonde teacher.

“I said no.”

Satoru sighed softly with an almost threatening grin on his face, slowly slipping his sunglasses off and attaching them to his shirt collar. “I didn’t want to do this… but you leave me no choice.”

Nanami scoffed and turned back around to face him, upon locking eyes with the older man, he felt a familiar wave of panic flood over him. “Satoru…” Panic he hadn’t felt in a very long time.

Gojo grinned even more as he rolled up his sleeves, approaching him slowly. “Yes, Kento?”

“Wh-What are you doing…?”

Kento mentally swore at himself for backing away from Satoru, he should be standing his ground right now… but that look… he recognized that look a little too well. And he didn't like it… (or did he?)

“Well, since you’re being such a grump I figured I’d fix your attitude for you.” Gojo hummed, a predatory glimmer in his eyes as he began to close the gap between them, raising his hands. “A few pokes here, a few squeezes there… and a whole bunch of tickles right there and voila! Good as new! One happy giggly Nanami ready to spend time with us without much complaint!”

Nanami’s eyes widened as he felt the color drain from his face. “Satoru… I will end you if you do this in front of the students.” he hissed as he began to back away again.

“What students? They’ve all scampered off… well, except for that kiddo right there.”

As if on cue, Itadori hooked his arms around Nanami from behind, grinning at the soft gasp he received. “What's wrong, Sensei? You look a little nervous…” the teen grinned.

“Itadori,” Nanami struggled in his hold to no avail, Yuji was using all of his strength to contain the stoic teacher in a bear hug, pinning his arms to his sides to stop him from breaking free. “if you don't let me go right now, so help me…”

“Threatening the students now, Nanami??” Gojo gasped melodramatically, slowly reaching his hands forward towards his squirming torso. “I'm shocked! Now I really have no choice but to adjust your attitude~”

Kento paused, his eyes catching sight of the slightly wiggling fingers that were inching closer. He felt another wave of panic rush over him, but attempted to not let it show, steeling his face as he forced himself to look away from Satoru. “Yuji… please let me go. I'm sorry for upsetting you.” He tried his hand at reasoning with the student as a last resort.

Unfortunately, he didn't receive any support there either. Yuji smiled, angling his head upwards to rest his chin on the back of Nanami’s shoulder. “There's no need to be sorry… I know crowds aren't really your scene.” He sympathized. “But… I did mean what I said. I do want you here… so I'm sorry for ambushing you like this.”

“Oh, so you can apologize to him, but not me??”

“Of course I can, I actually care about him.” Nanami retorted dryly, despite his impending doom.

Satoru gasped, his eyes dancing with amusement. He leaned in closer, speaking in a quieter tone. “You know, Nanami… if you wanted to be smothered with tickles so badly, all you had to do was ask~”

Satoru leaned back, allowing his teasing words to sink in for full effect before cracking his knuckles dramatically. “Alright Itadori, make sure to hold him niiiice and still for me, okay? Our dear sweet Nanami here turns into a wiggle-worm when he gets laughing.” he grinned as Yuji nodded in support, tightening his arms around him, but not so much so that it caused him any real discomfort.

“Both of you… this is ridiculous.” Nanami sighed, hoping if he didn't give the reaction he was looking for hoping that he'd grow bored quickly and go back to whining… as much as Kento hated his incessant whining. “Can you both stop being so chi--” he promptly stopped mid sentence as he felt Satoru grab his sides, lightly fluttering his grip.

“I'm sorry, what was that Nanami?” Gojo grinned. “I didn't quite catch that… what should we stop being?”

Kento took a subtle steadying breath, locking eyes with his tormenter with a blank look on his face. He didn't even dare to so much as flinch when Gojo touched him.

“As I was saying… can you both stop being so childish?” He answered calmly, outwardly unfazed by the maddeningly light teasing touches Satoru was administering to his sides.

Inwardly though… he was struggling to maintain his composure, trying desperately not to show any signs of weakness despite how god awfully, completely and utterly ticklish it felt... 

“Childish? Nanami… there's nothing wrong with a little tickling, It serves as a great bonding experience!” Satoru said cheerfully, leaning in closer to tease the blonde. “Especially when you're as ticklish as we both know you are…~”

Nanami choked back his retort, focusing his efforts on keeping his icy composure. “Satoru… the last time you… did this- was when we were in school together.” He reminded his colleague, careful with his words so as not to fluster himself any further than he already was inside. “I've long since grown out of that childish sensitivity…”

But unfortunately nothing slips past Satoru and his infamous Six Eyes, the cheeky little bastard.

“Oho, did you now?” He raised his eyebrows in amusement at his bold assertion, taking his defiance as a full blown challenge. “Well in that case, you shouldn't mind this then… right?”

He walked his fingers slowly up and down his sides, inching closer to his ribs with each trip up.

Nanami broke eye contact with him in an attempt to not react, feeling flustered at the teasing look in his eyes. “Of course I mind it… I don't like being touched by you.”

Yuji blinked, surprised at his calm and even tone. Had this been him instead of Nanami he would've been on the ground in a heap of giggles by now. “Hmm…”

Gojo knew better though, he knew he was slowly chipping away at his defenses. He could see the subtle cues, feel his muscles twitching. “Yes, Yuji? What ails you, my dear boy?” He asked, glancing over Kento’s shoulder to meet Yuji’s gaze- well, what he could glimpse of it with how the pinkette had his face angled, anyway.

“Maybe he's right,” Itadori said with a note of genuine seriousness. “Maybe he's not ticklish anymore… I know I'd be a mess right now.”

“Well, that's because you're hopelessly ticklish~” Gojo teased his student with a wink, grinning at the flustered look Itadori shot him. “So is Nanami though, maybe even just as bad as you.”

Nanami clenched his jaw in aggravation, barely resisting the urge to blush. “I am not. And stop talking about me like I'm not here!”

“But he's not reacting… not even his breathing is off.” Itadori ignored his teacher's protest, continuing to converse with Satoru.

“Well, Itadori, that's because Nanami here is what we call; ✨stubborn✨, and also shy.” Gojo grinned at his students' newfound curiosity, using this to his advantage as another form of teasing. “He needs some gentle reassurances that it's okay if he gives in to the nice tickly tickles and starts blushing and giggling like a schoolboy.” 

“Shut up. I most certainly do not giggle.” Nanami hissed in protest, feeling his face flush.

Whoopsie, that was a big chunk of his facade chipped away, watch your step everyone…

“Aww, see? He's already getting blushy.” Gojo cooed, brushing his fingertips against the bottom of the blonde's ribs. “It's okay, Kento… I don't mind being patient. That cute little laugh of yours is well worth the wait.”

Nanami took a sharp intake of breath, hating the feeling of how each gentle swipe across his ticklish midsection was chipping away at his sanity. “It's not… cute.” He forced out from behind gritted teeth.

Itadori raised an eyebrow, feeling his sensei tremble ever so slightly in his hold. “Does he really have a cute laugh?” He asked, grinning.

“No!”

Gojo laughed at Kento's quick rebuttal. “Yuji, come now, what about Nanami isn't utterly adorable~?” He continued dancing his fingertips lightly across what wasn't blocked off of Kento's ribs. “You know what's reeeeeally adorable about him?”

“What's that?”

“That he can't handle being teased... He gets extra giggly and blushy~” Gojo grinned, leaning in to speak quietly to Yuji, but just loud enough for Kento to still hear. This somehow made the snarky bastard's teases worse.

“Dammit… st-stop it already…!” Nanami huffed, squirming uselessly.

“Naaanami… does this tiiiiickle?” He teased, cooing at him like a damn toddler.

The younger teacher let out a growl of frustration, turning his head to face away from Gojo in a weak attempt to hide his darkening blush. He felt his body beginning to tremble as Gojo completely demolished his defenses.

“Come onnn… let us hear that adorable laugh~” he grinned, deciding to take things up a notch. He honed in on the sensitive spots between his ribs, giving light scratches to the area.

“Stop… I mean it…” he growled, forcing back any embarrassing sounds that may have tried to escape his throat. 

“What's this?? Do I see a smile on your face? but I thought you weren't ticklish anymore, Kento. What gives?” Gojo teased, grinning devilishly.

“Maybe he's finally starting to have fun spending time with us.” Yuji grinned. Thanks Yuji… we knew we could count on you to not bully Nanami too.

“Ooo, maybe! Does that mean you're actually going to ride the Ferris wheel with me?”

“Not on your life.” Kento hissed, his lips trembling as they formed a panicky smile.

“Aww! You're so mean to me…” Satoru whined, an evil glimmer in his eyes as he stilled his movements. “Fine then, since you're going to be so mean, maybe I'll go for your extra tickly spots… now where were those again…?” 

Nanami froze up as he felt Gojo pull a hand back to tap his chin in thought. In the process of doing so, he skimmed his fingertips against Nanami's waist, more specifically along the edge of his stomach. “S-Satoru…”

“Where oh where were those…” Gojo mumbled to himself, unable to keep the grin off of his face as he dropped his other hand, his fingers grazing Nanami's hip. “Oh… I just can't remember… the years are really starting to affect my memory!” He reached up to gently tap Kento's forehead to add emphasis to his words, but on the way up he brushed his fingers lightly against his neck.

Each ‘accidental’ touch, caused Nanami to flinch, the older of the two making sure his victim was well aware he knew exactly where his worst spots were… in his own chaotic Gojo way, of course.

“It’s a shame, really.” Satoru sighed, while he had Nanami distracted and on edge he mouthed a command to Yuji. 

The pinkette grinned mischievously, nodding his compliance as Nanami watched his other teacher cautiously.

“But, what can ya do? That's just life… as we get older, we become slower to react.” The white haired man shrugged, making sure both of his hands were perfectly visible as he did so.

And that's when he struck.

Itadori, without moving too much, reached down with a clawed hand and clawed into the spot along his waist that Satoru had sneakily pointed out earlier, having seen that Yuji was paying attention. (For once.)

Nanami gasped sharply, barking out an involuntary laugh. Shock crashing over him. “No, I-Ihihitadohohori!” The dam finally broke, laughter pouring freely from his lips. “Wahahahait!”

Satoru let out a low whistle. “What's this? I thought big scary Nanami wasn't ticklish anymore?” He smirked.

Nanami blushed, unable to stop the laughter that spilled forth. “Gojoho Ihihihi swehehear… I'm gonnahaha kihihihill you!” He threatened, though his words were… less than intimidating to say the least.

“Wow, you were actually right, Gojo.” Yuji chuckled. “His laugh is pretty cute.”

“Itadorihihi Hohohow could youhuhu?!” Kento's complaints about Yuji's betrayal were broken up by his warm, light laughter. 

Yuji grinned, moving around with his writhing teacher. “You also weren't kidding, he's really squirmy!”

Gojo smiled at the two of them, his mischief briefly shifted into warmth as he was brought back to a happier time.

Watching Yuji and Nanami now, he sees years of anguish and pain melt away even if just for a moment. 

For that moment, Satoru can see a young Nanami being absolutely destroyed with tickles by Haibara, Geto and himself while Shoko shakes her head and giggles at their antics.

It's definitely been far too long.

Gojo blinked, bringing himself back to the present. “Geez Yuji, I told you to keep him still.” He chuckled at how Itadori was practically hanging off of Nanami's back as Nanami had managed to double over with laughter.

“Hey, it's a lot harder than it looks!” Yuji laughed, his fingers dancing relentlessly along the side of his stomach.

“You have superhuman strength and can call on the power of the king of curses… and this is difficult for you?”

“Listen--” Yuji laughed again. “I can be strong all I want, but there's only so much I can do without any help!”

“Surprisingly wise words from you, Itadori.” Gojo grinned mischievously. “Alright alright, I'll help.”

He reached forward, grabbing a hold of Nanami whilst simultaneously administering some quick sneaky tickles to Itadori.

“Hehehey! Do you want mehe to fall?!” Yuji complained, trying to shift away from Gojo's soft pokes and scribbles while keeping his balance.

“Ehh… you've already fallen twice today… What's a third time?” He grinned, tickling Itadori’s neck with one hand, and targeting Nanami's hip with the other.

“Nohoho! Sahahatoru gehehet away!” Nanami laughed, trying desperately to escape the two tickle monsters he had attached to him.

Itadori let out a childish squeal as he flailed, finally falling off of Nanami’s back. He still had a partial grip on his mentor and ended up pulling him to the ground with him.

Gojo laughed, releasing both of them from his tickly hold. 

Nanami had managed to twist around, catching Itadori and breaking his fall with his arm.

Itadori giggled softly as he recovered from the tickles. He felt Nanami carefully press his hand into the back of his neck, then his shoulder, then brush against the back of his head silently assessing the teen making sure he wasn't hurt.

Had it been Gojo who had fallen with him, he wouldn't have cared, and not bothered trying to break his fall. But since it was Itadori- he didn't want him to get hurt.

Once he determined Yuji was okay his body went limp, resting back against the ground while he focused on steadying his breathing.

“Thanks a lot, Gojo…” Yuji huffed, a smile still etched on his face.

“To be fair, I didn't say who I was helping...” Gojo teased, kneeling down beside the teen.

Kento huffed indignantly, his arms tightly wrapped around his middle as he caught his breath. “You're both terrible…” 

Satoru turned his gaze to Nanami, an evil smile on his lips. “Oh, Kento… you didn't honestly think I was done with you yet, did you?” His blue eyes sparkled with a predatory glimmer as he launched himself onto the blonde, thanks to limitless Nanami wasn’t able to put up much fight. 

“Really?” Nanami glared up at him, his sunglasses long since fallen off his face from all his struggling earlier. 

Satoru smiled triumphantly from his spot on Nanami’s thighs.

“You can’t even take me on without the use of your stupid limitless ability?” The stern teacher asked dryly, knowing any struggling his did would be pointless. He wasn’t going anywhere as long as Satoru kept limitless active.

“I thought I’d save us some time… we both know I was gonna overpower you anyways.” Gojo grinned, leaning down and draping his body lazily across Nanami’s to keep him more securely in place, and in doing so he was able to murmur teases into his ear. “All I’d have to do to get the upper hand is…”

He grabbed a hold of the blonde’s hip and began squeezing them relentlessly. “This…”

Nanami gasped sharply, unable to grab the offending hands because again, limitless. “Sahahatoru! D-Dahahahammit stop!”

“Or this…” Satoru shifted his hands upwards, scribbling his blunt nails against the sides of his stomach over his shirt, drawing even louder laughter from the blonde. The fact he could barely move to protect himself made it so much worse.

“Or… this.” Gojo grinned, pressing his lips to his neck and blowing a raspberry against it whilst administering gentle scritches.

“SHIHIHIHIHIT!” Poor Nanami couldn’t even arch his back with Gojo a firm weight against him.

“I think you should’ve just rode the ferris wheel with me.” Satoru teased, blowing another raspberry.

“EHEHEHENouGH Alreheheheady! Ahahahaha!”

“I thought you didn’t giggle, Nanami sensei.” Yuji grinned in amusement, sneaking in some teasing pokes to what he could access of Nanami’s ribs.

Gojo grinned, angling his body in a way that the pinkette had more access the right side of his body while still keeping him firmly held down. 

“You didn’t seriously-” small raspberry. “--believe him over me-” slightly bigger raspberry. “--did you?” BIIIIIG raspberry, followed by what Kento would firmly deny was a squeal. Because if he doesn't giggle, then he CERTAINLY doesn’t squeal. 

Itadori giggled at his reactions, scooting closer to scribble his fingers up and down the side of his ribcage. “No, but I also didn’t have a basis to doubt Nanami either.”

“Oh yes you did.” Gojo laughed, pulling his face away from the blonde’s neck to glance at Itadori. “You had to know he was lying the minute he denied being ticklish still.”

Well fine… If he can’t get Satoru then… “Ihihihi-- I thohohohught Ihi told you tohoho stahap talking about mehehe like I’m not here!” Kento shot his hand out, grabbing hold of Yuji’s side and giving it fluttery squeezes, drawing surprised laughter from the student.

“Aieee! Hehehehehey! Hohohohow are you moving?! Stahahap that!” Yuji squealed as Kento latched onto his ribs next. “Gohohohohojo hehehehelp!”

“Nahhh… You’re a big boy… you can deal with him yourself.” Satoru grinned, alternating between his hip and stomach side with gentle scratches. “It’ll be a good training exercise for you… let me juuust… piss him off a little more for ya~”

“Gohohohohojo!” 

“Sahahahahtoru, I swehehehear to god!”

Satoru ignored both of their protests, pushing his shirt up so he could attack his exposed skin directly. “So If my memory serves correctly, your ticklish spots are as follows,” he grinned, sitting upright. “Hips, Neck, this cute spot here~” he emphasized by fluttering his fingers briefly against his stomach sides. “Ribs are decently tickly… Am I missing anything, Nanami? Am I hitting all the nice tickly spots?”

“S-Satoru… dohon’t.”

“Don’t what? I didn’t even say anything yet.”

“I mean it…”

Satoru grinned. “But Kento, I promised to smother you with tickles… and I wouldn’t wanna disappoint you. So come on, answer my question~”

“Go to hell.” He hissed in response.

Gojo’s grin widened. Welp, nice knowing ya, Nanami.

“On second thought, maybe I will help you, Itadori.” He reached out and grabbed Nanami’s wrist and yanked it away from the pinkette, pinning it above his head quickly and firmly. In a flash, he snatched his other hand and pinned it above his head as well.

Yuji fell back with his arms around his midsection, giggling softly as he panted from the after tickles.

“Gojo, let me go right now.” Kento growled.

Satoru leaned down, grinning that evil grin at him. “Do you really think you're in a position to give me orders?”

“What are you… no… don’t you dare-- nononono!”

Gojo leaned down further, pressing his lips against Kento's exposed stomach and blowing a giant raspberry against it, eliciting an honest to god shriek in response.

“NAAAHAHAHAHAHA! GAHAHAHAD DAHAHAHAHAHAMMIT!” He let out another shriek as the arrogant teacher dispensed yet another devastating raspberry against his toned abdomen. 

Yuji sat up, stunned by the sound of his loud laughter. “Holy shit, Gojo don’t kill him!”

The teacher in question grinned, placing another raspberry against a different spot on his stomach. “Jealous, kid? Don’t worry, I have plenty of tickles to go around.” He winked at the pink haired student, who giggled nervously and wrapped his arms around himself subconsciously.

“GOHOHOHOHJO STAHAHAHAHAHAAP!” Nanami pressed out between deep belly laughs, his face flushed and his eyes tightly shut.

“Aww, but why when you’re having so much fun?” Gojo teased, placing another raspberry. “I remember this used to be your favorite~” 

“I SWEHEHEHEHEAR TO GAHAHAHAD, I WIHIHIHILL EHEHEHEND YOU!”

“Man, you’ve definitely gotten more stubborn and resilient… usually by now you would’ve been apologizing profusely and crying with laughter while begging me to stop.” Gojo chuckled, pausing his ruthless onslaught. “Or maybe…”

He leaned back to admire his handiwork, Kento a breathless blushing mess beneath him. “Maybe you don’t really want me to stop…” his grin widened when he saw Nanami open his eyes and attempt to glare at him. 

“W-Why would… you possibly think that… i…” He gasped out softly, still attempting to catch his breath. 

“Well… why else would you be so grumpy and resistant this whole time unless you wanted to egg me on?”

“To be fair… he is normally like this.” Yuji pointed out.

Satoru shifted so that he could hold both of Nanami’s arms down with one hand, using his newly freed hand to administer swift tickles to Itadori’s side. “Excuse me, but whose side are you on anyway???”

Yuji squealed and recoiled sharply from Gojo’s skilled fingers. “Ihihi wahahas just being hohohonest!”

“And now you’ve distracted me and given him time to think out his response,” Satoru huffed. “You’re definitely gonna get it later, now.”

Itadori squeaked, wrapping himself back up with his arms.

“Well Kento? I’m waiting, why are you egging it on if you don’t like it?” The older teacher turned his attention back to the now less breathless blonde, thanks to the intermission brought to you by Itadori and his big fat mouth.

“Because I don’t want to give you the satisfaction of breaking, that’s why.” He retorted, his face less flushed than previously.

“Ehh! wrong!” Satoru unleashed another tickle attack, his fingers scribbling all across his neck. “Try again!”

“Sahahahahatoru Stahahap!”

“Not until you admit it.” Gojo smirked. 

“Ahahahadmit whahahahat?”

“Admit you missed being wrecked, ya big softie!” He cooed, tracing his fingers along each rib.

“I dihihihihidn’t!” Nanami yelped, squirming as much as he could under his colleague’s technique.

“Wrong again. Itadori, be a peach and come help me, won’t you? It seems Nanami requires more reassurance.”

“Ihihihitadori dohohohon’t!”

“You’re not going to tickle me again, are you?” Itadori asked carefully, eyeing his teacher suspiciously.

“I will if you don’t get your ass over here In the next five seconds.” he responded, an evil glimmer in his eyes.

Itadori let out a sound that could only be described as a whimper as he quickly shuffled over. 

“Gojo, Itadori… don’t even--” His protest was interrupted by another shriek as Gojo blew a massive raspberry against his stomach side.

He released Nanami’s wrists, which Yuji instantly snatched up and pinned down. Gojo used his newly freed hands to drill his thumbs into Kento’s hips as he continued his torturous trail of raspberries and tickly death along his stomach area.

“NAAAAHAHAHAHA! SAHAHAHAHATORU DOHOHOHOHNT!”

“You know how to make it stop, Nanami~” Gojo hummed, administering another devastatingly massive raspberry against the side of his stomach.

“JUHUHUHUST WAHAHAHAIT UNTIL I GEHEHET MY HANDS ON YOU, YOU SOHOHOHON OF A BIHIHIHIHITCH!” The usually stoic teacher threatened between bouts of uncontrollable laughter.

Yuji snickered quietly. “He’s definitely stubborn...” the pink haired teen grinned, shifting so that he could pin Nanami’s hands down with his knee. “Let me take a crack at it!”

He began to claw at his mentors exposed ribcage, his fingers gentle but quick as they expertly sought out sensitive spots. “Nanami~ Does this tiiiiickle?” Yuji teased.

“IHIHIHITADORI! KNOHOHOHOHOCK IHIHIT OFF! STAHAHAP HELPING HIM!”

Gojo chuckled, pausing his attack to glance up at Itadori. “You’re getting pretty good at this, I’ve taught you well~” 

Yuji grinned at the praise from Satoru. “Heh… thanks. I’m just doing what tickles really bad from my own experience.”

The pinkette noticed the higher he moved up Nanami’s ribs, the more he struggled. “Gojo… are you sure those were all of Nanami’s ticklish spots you named off earlier…?”

“Hmmmm? Think I missed a spot?” Satoru played along, grinning that cheshire grin at his student. “It’s entirely possible… he never did confirm or deny if I named ‘em all.”

“Nanami?” Yuji looked down as he stilled his hands, allowing his teacher to attempt to catch his breath. “Did he miss a spot?” he asked innocently, but that smile on his face was anything but.

“I swehehear to god…” He panted. “Whehen I get my hands on you…”

“Now Nanami… that doesn’t sound like an answer to his question~” Gojo grinned, prodding his stomach side and producing a small yelp.

“It’s okay, Gojo.” Yuji responded with a mischievous glimmer in his eyes. “I’ll find out for myself.”

Then he struck. Digging mercilessly wiggling fingers into his armpits. 

And boy, did Nanami absolutely lose it. Any semblance of composure? Yeah no, gone, we don’t know her. 

Much like Yuji isn’t going to know peace when Nanami gets his hands on him. Rip Yuji lol.

“AAHAHAHAHAHAHA!” He absolutely howled with laughter, struggling with all his might to break free. “NOHOHOHOT THEHEHEHEHERE! AHAHAHANYWHEHEHERE BUT THEHEHEHERE!”

“WHOA! Gojo you didn’t just miss a ticklish spot, you missed the ticklish spot!” Yuji found himself laughing along with his mentor in amusement.

“It looks that way,” Satoru smiled, shaking his head. “So, Kento? Anything you wanna say?”

He grinned, leaning down and placing his elbows on either side of the hysterical blonde, resting his face on his hands as he watched him. In doing this, he was almost entirely draped over him again, greatly limiting his movements.

“SAHAHAHATORU I HAHAHAHATE YOU!”

Satoru chuckled, “Not quite… I think what you mean’t to say was, ‘Satoru, I actually love spending time with all of you.’ and ‘I actually like being tickled.’”

Yuji giggled, speeding up his tickles.

“GAHAHAHAHA! I-I CAHAHAHANT… PLEHEHEHEASE STAHAHAHAP!” He cried with laughter, tears prickling at the corners of his tightly shut eyes. “PLEHEHEHEHEASE YUHUHUHUJI!”

For a moment, Itadori felt a little bad and looked at Gojo, who shook his head. “Trust me, kid… you’re gonna wanna keep going.”

“Why?”

“Just trust me.” was the blue eyed teacher’s vague and careful response.

“HAHAHAHAHAHA!” His laughter started to become hoarse as he tried to hide his face in his bicep. “OKAHAHAHAHAY OKAHAHAHAY! IHIHIHI’LL RIDE THE STUHUHUHUPID FERRIS WHEEL WIHIHITH YOU!”

“Noooo… we’re way past that, the other paaaart.” Satoru reminded teasingly, pinching his side.

“AHAHAHA! FIHIHIHIHINE!! I LIHIHIHIKE SPEHEHEHENDING TIME WITH YOUHUHUHU GUYS!”

“Aaaaand?” 

Oh, Gojo was sooooooo going to get it when he got ahold of him.

“What the hell are you guys doing?” 

Yuji looked up, grinning upon seeing Megumi standing there; pink balloon and all. “Hey Megu-- ACK!”

Nobara came running out of nowhere and knocked Yuji off of Nanami. “Hey, stop picking on Nanami!” she scolded.

Satoru sighed, grinning. Eh… close enough. He rolled off of Nanami lazily, remaining propped up on his elbows next to him.

“Ow! Jeez Nobara! It’s not like I was hurting him or anything, you didn’t have to knock me over.” He mumbled, sitting up.

“He very clearly was struggling to breathe.” Megumi pointed out, eyeing Satoru. “I’m gonna guess this was your idea?”

“How’d ya know, Gumi?” He asked cheerfully.

“Whenever there’s chaos going on you’re the cause.” The edgy teen pointed out, sitting on the ground with the others to feel included.

“Are you okay, sensei?” Nobara asked, helping Nanami up into a sitting position. “Want me to kick his ass?”

The blonde shook his head, a smile still on his face as he struggled to catch his breath. “No… That won’t… be necessary…”

Yuji giggled, leaning over and hugging Nanami. “Sorry I went a little overboard… It was just really nice to see and hear you laugh… I hope you’re not too mad at me.”

Nanami sighed as he (mostly) caught his breath, he reached up and hooked his arm around Yuji’s shoulders, cupping the back of his head as he pulled him closer into the hug. “I’m not mad… embarrassed, but not mad…”

“Why are you embarrassed?” Yuji pulled back slightly to look up at him, confused.

Nanami retorted with a ‘You’re joking, right?’ expression on his face.

“There’s no need to be embarrassed, we all goof around like this all the time.” Itadori grinned, beaming up at Megumi, who quickly looked away to avoid blushing at the implication. He then turned his gaze to Nobara, who also looked away with a casual whistle. 

“He’s right,” Satoru chimed in, sitting upright. “It just means we really like you when we pick on you like this.” Yuji nodded in agreement.

“You could like me a little less.” Kento muttered.

“You rested enough to chase down Itadori?” Satoru asked, grinning.

“Not quite…”

“Why would he chase me down?” Yuji pulled away from Nanami, eyeing the stern teacher carefully.

“Ohhh… I forgot to tell you.” Gojo grinned more. “Yeah, there’s a reason I ‘forgot’ his worst spot… It’s because he absolutely destroys anyone who targets it as retaliation.”

Yuji squeaked, noticing the evil glimmer in Nanami’s eyes.

“Yeahhh… Let’s just say ratio can be used for more than pain… Suguru and I learned that one the hard way.” He snickered at the terrified look on Itadori’s face.

“Y-You set me up!”

“I did nothing of the sort, you’re the one who decided to try that spot.” Satoru grinned. “I’d probably start running if I were you… the more tired he is the more head start you have, and since you’ve wasted so much time letting him recover… I’d say you have about a minute to get as far as humanly possible before he hunts you down.”

Yuji yelped and sprung up, taking Gojo’s advice and running away, causing the others to laugh.

“Hey, Megumi, where’d your balloon go?” Nobara asked.

Megumi smirked and shrugged. “Beats me…” 

Nanami was about to get up and go after the pinkette when Gojo leaned forward, hugging his colleague, causing him to tense up. “I’m sorry, Kento… I forgot you used to go to the amusement park with Haibara on the weekends…” he whispered. “But I think he would still want you to go out and have fun… I know Suguru would want that for me.” 

Nanami untensed, frowning as he thought about his deceased best friend. He hugged him back hesitantly. “I miss him… a lot…”

“I know… I do too.”

After a moment they let go. “Hey Satoru…?”

“Yea?”

“...Thanks…” He looked away as he quietly continued. “I… needed that.”

Gojo grinned. “Anytime, buddy~”

Nanami looked around curiously. “Now then, which way did Itadori go? I need to have a talk with him…”

“He went that way.” Nobara pointed off in a direction.

“He should be pretty easy to spot,” Megumi said casually, sipping his drink. “Just look for the person running frantically with a pink sakura balloon attached to his belt.”

Nanami smirked, nodding his thanks as he got up and took off after the pink haired teen.

“I so wanna see this…” Nobara giggled, getting up too. “You coming, Megumi?”

The raven haired teen shook his head, to which Nobara shrugged at and went running after them. “Nanami sensei, wait up! I wanna help!!”

Satoru chuckled and shook his head before turning to address his adopted son. “Did ya have fun today, kiddo?” he asked as he ruffled his dark hair.

Megumi grunted in response.

A shriek nearby distracted them momentarily, causing them both to laugh. Evidently Yuji had been caught.

“I’ve had worse days.” The teen answered, standing up with his parental figure.

Gojo grinned, his face brightening as he threw his arm around his edgy emo son’s shoulders, pulling him into him as they began walking. He knew that was Fushiguro for; ‘Yes dad, I had a wonderful time today.’

“Good. Now then… let’s go get some snacks or something, I saw they were selling cotton candy as big as your head at one of these stalls…”

“I'd be more impressed if they had cotton candy the size of your mouth.”

[crescentfool]

i've been doing a bunch of tartarus runs in reload lately, and it got me thinking about how i miss certain ways FES's clunky gameplay can characterize minato… (ramble about the great clock mechanic + leveling up party members in reload vs fes under the cut)

when i got to yabbashah block in tartarus (block 3), i remember commending the developers for adding the great clock mechanic. it's a much more convenient way to keep party members at the protagonist's level- so when you think about p3 from the perspective of trying to make it easier for people to play, the mechanic succeeds in this respect.

but now that i'm in adamah block, and that i've done lots of my once-a-month tartarus runs… i think that i got a little too dependent on it, and the way that i played through reload feels like a vastly different experience from how i played FES.

in reload, my party's levels are very lopsided. minato, yukari, akihiko, mitsuru, and fuuka are all level 90+, meanwhile junpei and aigis are at level 79, and then… poor ken and koromaru are at 71 and 64 respectively. (i never got to have a great clock for them…)

meanwhile, in FES, my party's levels were much more evenly distributed and were at least level 90. i did all of this manually for every monthly tartarus run because i enjoyed having options available for the taratarus guardians and monthly operations.

with how i perceive minato, i feel that the way i played FES feels more in-line with his character than me dawdling around waiting for the great clocks in reload.

FES's gameplay loop left me with the very strong impression that minato has to work twice as hard as everyone else in SEES does. it makes sense because, yeah, he's the leader, but something about having minato run through tartarus multiple times with different groups of people just to make sure that they are adequately prepared speaks volumes about his character, to me.

and while the tired mechanic is present in reload to some degree, most notably with allowing you to freely raise your courage stat when you visit edogawa after school… the tiredness system doesn't hit the same way that FES does, i think.

the way your party members in FES will call it quits when they return to the entrance floor at tartarus when they're tired, versus minato, in spite of all his tiredness and sickness, still pushes through tartarus because it's his responsibility…. idk!!! i miss that! i feel like this really hammers home the difference between minato and the rest of SEES, how minato doesn't really see himself as a human with needs worth respecting as long as he's useful to someone.

i don't think that tartarus being tedious (in FES especially) is not what most people would describe as fun, and i can respect people thinking it's a slog. but, regardless of how it feels to play, it doesn't change that FES's gameplay loop is a fundamental building block in how i perceive minato…

of course, i do recognize that you can just opt to NOT use the great clock in reload (and it's great when players are offered the choice to not partake in mechanics)! i definitely think that if someone really wanted to, they could manually level up party members, but i do feel that kind of playstyle isn't necessarily "incentivized" to the type of people who are into playing games for Having a Good Time. it's kind of like… "why would you do that when there's a much more convenient option available to you."

in any case! despite my woes, i do want to emphasize that i'm glad that reload has a much more smoother gameplay loop than the original P3 did, because it does make the game more accessible to people. having played both FES and reload, it feels very strongly apparent to me how the core gameplay formula of persona has really been refined in the past 18 years (to think og p3 was 2006 and reload is 2024.. time flies!). and reload has made revisiting a story that i love so dearly much, much easier because the gameplay just bops!

at the same time, due to my "i miss characterization informed by weird and dated FES gameplay quirks" woes, i still think that playing FES is worthwhile. (really, i feel this way about all iterations of p3! i think it's worthwhile to see what each version and side media has to say even if it doesn't Land™ for you.) but i also understand why people wouldn't want to play it, so i will keep writing posts about things i liked from FES's gameplay because i'm still very fond of FES (especially in respects to minato. these mechanics are so telling about him!!!) 💪

[blueskittlesart]

i think you should be allowed to complain about whatever you want forever (and as someone who has been absolutely dying a thousand deaths over the currently planned live action how to train your dragon movie i completely understand this flavor of anguish)

sure sometimes positivity can be good, but sometimes u gotta start eating the walls and yelling to the sky about your misery (it’s cathartic <3). i am so very sorry you are joining the “bad live action movie made purely for money that has no shot of capturing what i love about this media” club, and i hope that at some point in the future it will be able to hurt at least a little less

it's like. idk. like i know that im at best a niche internet microcelebrity but it does kind of feel like im at the point where im being held to a weirdly high standard for. posts on a dying blogging website. like as far as i'm concerned i've never marketed this as an overtly positive space. i complain constantly. i've built this blog around media analysis and critical reads of the things i enjoy, whether those reads are positive or negative. but it's gotten to the point where any time i post an even minimally divisive opinion i get someone who is angry that i even dared to have an opinion at all. i've been very open on this blog about what these games mean to me and how much of my life is tied up in them. I became an artist in part because of my love for them. they have driven the success of my career over the past 5 years. I don't think it's unreasonable for me to be disappointed when something like this happens even if it's "just a game" or "just a movie" especially when my entire brand of content is posting about the game in question. i feel sort of insane. like, you all understand that i'm a person, right? that when i post things they come from my real human brain with real human thoughts and emotions? That i'm not curating my thoughts and opinions for you to consume? I'm just posting. i have a big audience but i am still just posting. and no one understands more than me how insane it is that i'm saying all this in response to posts on my legend of zelda fan blog. but like. i need you all to understand that you can't just tell people to not feel something that they are feeling and expect them to react positively to that, no matter what the context is.

anyways none of this is directed at you the asker im just using you as a vessel lmao but thank you for your support. i am nothing if not a hater and i will continue to be a hater until the end of time god bless 🙏🙏🙏

[icewindandboringhorror]

Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb

[virgothozul]

adfgfsgafsgvhhg 

[thefirstknife]

Some important stuff in regards to the harassment of developers came from Bungie today. They won a lawsuit against a guy who repeatedly harassed a community manager and his family (not fully confirmed in the official document, but people are fairly certain this is about A_dmg and his family). This is a twitter thread from the lawyer who went into some details about the situation. The court document is also available to read (featuring some of the horrific harassment tactics that were motivated by racism and also used racism as part of the harassment so be advised if you want to read).

This isn't just a win for the individual community manager and Bungie, but also has potential to set a bigger precedent in the future. It's basically the first time this has been done to this extent and some ruling in this case made it clear that companies can pursue this sort of legal action in the future if their employees are harassed and threatened. This is HUGE because the protection of employees in the gaming industry has been abysmal otherwise. This case will allow for the company to file a lawsuit on behalf of their employees in cases of harassment.

Before I add some of the more heinous stuff about this situation below, I want to say that the majority of reactions to this are positive. People are happy that this happened as it did and a lot of people are excited about potential big influence this will have in the future to combatting harassment of this type in the gaming industry.

Extra details and thoughts below (racism tw):

This started because the community manager highlighted a black content creator, Uhmayyze, who is himself a victim of harassment more often than not (usually of racist nature). He is most often harassed because he is unapologetically positive for which people have continuously sent him awful shit and comments. Because he enjoys the game and isn't jumping on the hate train. Just recently he commended Bungie for a ban wave and had hundreds of people hound him on twitter for his comment, including Gladd who started it by specifically replying to Uhmayyze and putting him on blast (warning for a lot of gross comments, including photoshopped screenshots of fake discord texts to make Uhmayyze look bigoted, nsfw images, r slur, suicide baiting and so on). This is important because the incident of real life harassment was fuelled over a community manager highlighting a content creator that is himself being harassed and despised online for the crime of... being positive. And you know, for being black. This situation isn't an isolated incident. The community, including other content creators, are absolutely horrible towards this one person that they feel, I guess, does not follow the content creator NPC questline of hating Bungie and Destiny.

So of course, at some point, someone from that crowd will feel confident and justified taking things further. How dare Bungie promote this person they hate. How dare they focus on a positive creator. They're clearly biased and don't want to listen to criticism, only to "toxic positivity" streamer. How dare a community manager highlight this creator. It's a personal slight to them, and "proof" that Bungie is bad and evil and "ignoring criticism." There's someone out there (and probably not the only one) that hates this creator and the game so much they were willing to harass and threaten a community manager and his family in real life.

The community manager was first harassed by phone with text messages and voice mails featuring racist bile, including apparently a voice mail telling him to "convince Bungie to create options in its game in which only persons of color would be killed." This is the worst part for me and super concerning in general, as well as showing the dedication of this person to racism, motivated by his hatred of a black creator (which also, by proxy, technically makes the streamer being harassed as well). Absolutely ghoulish behaviour.

This escalated to also harassing the CM's wife and resulted in doxing them; the harasser somehow found their address. Most of the reports on this will say that the asshole "sent them pizza" which doesn't truly capture how horrific the incident was. First, it's a random guy who has your address which is concerning enough given that he harasses you by phone already. Apparently the pizza was made to be "inedible" and the delivery was instructed to bang loudly on the door upon arrival to maximise discomfort. The order was also deliberately made to be paid on delivery to create as much pain for the victims as possible. The harasser also kept track of the delivery and then called the family again when it was done to tell them to "enjoy the pizza." The family immediately contacted Bungie who contacted the police and provided the family with protection. There's no telling how this would've escalated had they not been in the position to call Bungie and had Bungie not reacted to them asking for help. It's absolutely crucial here that Bungie is the type of a company willing to immediately assist in this situation.

Immediately following that, Bungie organised a long and expensive manhunt to identify the harasser and bring them court. That's where most of the expenses went; finding the culprit and protecting the employee and his family. This is the money Bungie earned back by this court decision because they could prove that the expenses were caused by a person harassing and threatening their employee.

This is a big win overall for the whole industry. It's Bungie setting a precedent on how a company should protect its employees. No matter what people think about Bungie or big corporations or whatever, this is how you can use a lot of money and power to make sure that your workers have rights to decency and safety. That's huge for the rights of workers and worker protections. I hope it becomes a standard and that any future harassment is prevented altogether or at least punished accordingly.

Naturally, the commentary on the news from a big part of the community is super positive. Unfortunately, there's also a part of the community that has a lot of really awful shit to say about this. The comments on twitter are littered with people who are using THIS specific moment to yell about Bungie being a greedy corporation, how the money they won should be used to "fix the servers" and "make more pvp maps" or how Bungie will greedily put this money "into Eververse" or "into Marathon." There's comments about how time was uselessly spent protecting an employee who should expect harassment anyway, instead of working on "fixing the game."

This is what I mean when I talk about how impossible it is in the current situation to have a meaningful discussion about any sort of criticism or feedback. There's thousands of comments from people who think that this specific instance shows how Bungie is greedy. This is what I mean when I say that none of these people actually understand what they're talking about. You can't make proper criticism when you can't separate game development with a company's legal effort to stop an escalating harassment campaign of an employee. The majority of gamers are simply not fit to offer any criticism or feedback. The idea that we all have something useful to say and that employees at Bungie are obliged to give us their time of the day is simply incorrect.

I genuinely 100% stand by the claim that the recent barrage of content creators promoting the idea that Bungie is "the greediest company in the world that's scamming players and increasing costs out of greed" as well as the idea that Bungie is "abandoning Destiny for Marathon, isn't working on the game anymore and is deliberately ruining it" is the reason for these comments existing. If a big streamer said that Bungie is getting too much money but also not doing anything "good" with it, then any money that Bungie receives (including compensation for expenses they took to protect an employee from active harm) is a result of greed. The nuance of any situation is lost; when you only learn the mantra of "company has money therefore company bad" you WILL end up causing harm for people and you will most definitely not be an advocate of workers rights. That's where we're at right now.

The dehumanisation of people who work at Bungie (and the harassment itself) is a consequence of this crap and other similar crap that's been thrown into the ether for the past year, disguised as "we're just offering feedback." People heard that Bungie is a "microtransaction hell" and that Bungie is only investing in Eververse and Marathon and they feel like this story reflects that; they feel like an employee being harassed is not deserving of proper condemnation and that this isn't important enough and that Bungie is a greedy corpo anyway so who cares about that. They do not understand how companies work, how games are made, the state of the industry as a whole (or the world as a whole), the treatment of employees or workers' rights, and you cannot meaningfully critique a company's business practices without understanding that. And they don't because they think that legal expenses used to protect victims, finding a culprit and bringing their ass to court is money that is being used for game development and that Bungie receiving this money should result in... new pvp maps or "fixed servers."

And there's even seemingly good commentary where people recognise how this is good, but they initiate the comment with "As much as I hate Bungie and Destiny and I think they're awful and greedy and destroying gaming as a whole..." : that's not the time and place. You don't have to excuse your support of a big win for potential new employee protection policies just because those policies are done by a company. Of course it is. Companies are the only ones capable of pursuing this sort of legal action. It's one good way a big company can put their power and money into a good place to actually help people and bring forth positive change. And like, you don't have to tell us how much you despise Bungie before you're "allowed" to admit that this is good news. Sometimes companies do good stuff. It's literally not that complicated.

I hope that this situation will help other employees demand the same protection, that other companies will follow suit and that this will also make potential other harassers rethink whether or not they will engage in this or similar type of behaviour. In the meantime, know that the community is largely positive about this, but that there are still absolutely detestable human beings who should feel ashamed of their reaction to this. They shouldn't feel welcome here. And there's still people doing this to the devs and I hope Bungie takes their asses to court too.

[cowboy-robooty]

see actually i do like an accept content that is germany and italy shipped with other characters but it has to be done accurately ie. their lives have to be absolute dogshit because theyre not together. because i can enjoy a good rusger or ameger but only if germany is literally enduring the worst torture known to mankind and doesnt even really end up actually loving the other person its more of some stockholm syndrome shit because i in fact do believe thats exactly what would realistically happen in a universe where germany and italy dont stick together for whatever reason. like for italy he doesnt need to be experiencing actual guantanamo bay torture like germany but he does need to be living a "hate my wife" syndrome existence with the other mf. because i think italy would only not get hate my wife syndrome with germany and with anyone else eventually hed end up cheating n shit lawl