I’m genuinely so fucking sick of the “you all would have loved it if it was Eddie who made that comment” take.
First of all, Eddie wouldn’t have made comment then, bc he knows how hard it is for Buck to talk about his emotions, & is REALLY good at giving him the space to talk about them, even if he does make jokes, they’re not out of pocket (the coming out scene, anyone? Breaking the tension with a joke & still being supportive without making a joke of his feelings.)
Secondly, even if Eddie DID make that comment, I’d probably still roll my eyes, but I’d be more willing to accept it. Do you wanna know why???
Who was the person that knew the details of what Buck was talking to his therapist about during their emergency session before the Buckley’s visit? Who is the first one they show at Buck’s side when he gets stuck in the warehouse trying to pull Saleh out after learning about Daniel?? Who is the one who was pacing downstairs in the station & making sure Buck was okay after the warehouse, and the one who warned him about his visitors??
Who was the one praying at Bobby’s bedside, right next to Buck in the hospital?
(I’ll give you a hint, it’s not the dude that’s had 10 minutes of fucking screen time that everyone forgot about post s1.)
It wouldn’t have been the same bc TOMMY AND EDDIE ARE NOT THE SAME. They are not on the same level of knowing Buck & understanding when to make jokes & what jokes to make. Your best friend, partner & co-parent of 6 years and the man that you haven’t even called your boyfriend yet are not on the same level of familiarity.
I get that you’re pissed that Tommy is being compared to Buck’s previous love interests (which would be the case, even if he wasn’t just as shitty & uninterested in Buck as a person as they all were) but if you genuinely think that he’s anywhere near Eddie’s level, EVEN PLATONICALLY, then I fear that you have been watching another show entirely, & I encourage you to watch more than just s7, bc that’s the only explanation I can come up with for why this fuck ass take exists.
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when sapkowski is all “i don’t believe in absolute evil” like he didn’t write like vilgefortz and leo bonhart and birkart grellenort likeeee okkkk but those guys were preeeetty evil though
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What was your interpretation of Armand calling Louis "maitre"? I saw your tags on the post about Louis calling him Arun and that Armand called him "maitre" bc Louis in that moment taught him to choose for himself, and I was wondering.
I, personally, immediately thought of that one post that talked about how Armand tries to love Louis like a worshiper loves a god, how Armand tries to create this dynamic and becomes resentful when it doesn't really work. Like this scene really felt like a reflection of that. Of Armand defaulting to and manipulating the relationship into a dynamic he thinks will keep Louis around or make Louis love him/a dynamic that Armand thinks love looks like. And calling Louis "maitre" was just a part of Armand trying to create that dynamic.
Anyway, tdlr, I would love to hear what your interpretation was.
i'm still rotating all this in my head so i might have completely different ideas tomorrow but here's my current thoughts!
louis says: "and then you can decide if you want it back." "i want you." armand claims he already knows what he wants. but he told louis earlier how he's had these different names and isn't even sure his birth name actually is arun. that he doesn't know who he is. "you sure about that, arun?" how can you know what you want if you don't even know who you are? but armand is sure. in 2x02, he says maitre is a "coven endearment". he may not be ready to leave his old coven quite yet, but armand wants to start a coven of two with louis, and to confirm that, calls him by a term of coven endearment.
louis in that scene talking about being good at running things, is basically positioning himself as an equal to armand in terms of having management experience, and then goes on to give him advice as a peer. so i took armand calling him "maitre" as kind of acknowledging that; they're both masters in this new coven of two. they can take turns being in control, creating a shifting dynamic new to them both.
"intermingling, innovating, collapsing two art forms into one, coming up with new ones!"
BUT ALSO it reminded me of some book quotes. under the cut for length and marius cw
in iwtv 1976 armand has a human boy he keeps:
The boy filled his glass and held it up now in a salute. ‘My master,’ he said, his eyes flashing on me as he smiled; but the toast was to Armand.
“ ‘Your slave,’ Armand whispered with a deep intake of breath that was passionate.
armand calling himself the boy's slave is obviously not true at all. armand has all the power here, they're just playing pretend.
and then in the vampire armand we get some background on this little game he plays.
the first time marius drinks armand's blood:
“I hurt you!” he said.
“No, no, not at all, sweet Master,” I answered. “But I hurt you! I have you, now!”
“Amadeo, you play the devil.”
“Don’t you want me to, Master? Didn’t you like it? You took my blood and it made you my slave!”
He laughed. “So that’s the twist you put on it, isn’t it?”
“Hmmm. Love me. What does it matter?” I asked.
“Never tell the others,” he said. There was no fear or weakness or shame in it.
I turned over and drew up on my elbows and looked at him, at his quiet profile turned away from me.
“What would they do?”
“Nothing,” he answered. “It’s what they would think and feel that matters. And I have no time or place for it.” He looked at me. “Be merciful and wise, Amadeo.”
For a long time I said nothing. I merely looked at him. Only gradually did I realize I was frightened. For one moment it seemed that fear would obliterate the warmth of the moment, the soft glory of the radiant light swelling in the curtains, of the polished planes of his ivory face, the sweetness of his smile. Then some higher graver concern overruled the fear.
“You’re not my slave at all, are you?” I whispered.
“Yes,” he said, almost laughing again. “I am, if you must know.”
for a moment, armand thinks he has something over marius now, that their relationship has turned around on its head. marius very clearly thinks this is ridiculous, but he indulges in this idea that his thirst for armand's blood gives armand power over him equal to the power he has over armand. marius knows this isn't true, and armand knows it deep down too. he has more power than other humans, sure, but only as much as marius is willing to give him. this equilibrium is nothing more than a comforting illusion.
louis and armand's power differential isn't as big as the one between marius and armand was of course; they're both adults, both already vampires, and neither legally owns the other. but armand is still much more powerful than louis and they both know it. armand wanting louis more than anything in the world gives louis a little bit of power over him. but only as much as armand allows him to have.
"yes maitre", he says. but they're just playing pretend, creating a comforting illusion of equilibrium.
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All the evidence in stranger things is stacked up in favour of byler endgame, but just in case they decide to do nothing with all the clues they planted and just gloss over the fact that mike and will are perfect for each other bc of studio/audience pressure, I’ll just say fuck it and never watch that show again.
Especially knowing that there are shows like Good Omens, Heartstopper, and Our Flag Means Death which have such a wide variety of unapologetically diverse queer characters. Not for plot twists, not for shock value - Just because. We truly shouldn’t be settling for any less rn. Not when all the straight couples in stranger things have been getting very obvious romantic plot lines for 4 seasons now while rovickie and byler have been getting crumbs.
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It’s still so surreal to me that the welcome home fandom (at least back in early 2023) turned Wally into the face of obsessive!yandere!kinky!dom!alpha x reader fandom smut and drew him as a tall, intimidating, smexy man when he literally looks like this
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I can’t include them all so here’s a combo of ‘came to mind first,’ ‘talked about positively most often by fans,’ and ‘stuck in my head’.
Public Apology Big Iron isn’t here. There were a lot that didn’t make the cut but that one specifically I stg I put in and only realized after posting had not. It was 100% meant to be on this list and I’ve failed us.
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I’ve been thinking back to artist stuff in high school and man people are really weird about furry stuff in a way that seems like they’re super afraid to be associated with it at all. I don’t/didn’t consider myself a furry but I recognize my art is obviously furry-adjacent at times and I don’t mind that.
I’d almost always bring my sketch book to school with me so I can draw during breaks and stuff and the amount of times people (sometimes complete strangers!) would randomly insult me for drawing “furry shit” (once this happened bc I was drawing bojack horseman characters LMAO) like ppl are usually polite when they see me (or others from what I’ve seen) drawing in public, will either ignore it or say something nice or funny if they do comment on it, unless it’s something they think is furry art.
It’s baffling to me like this is so obviously not how these people would normally behave but it feels like they’re so afraid of being seen as cringe they feel they have to point out any cringe they see so that no one thinks they’re cringe. Grown adults can do this stuff too but it was obv much more common for me in high school.
And it was so shitty how it made me actually somewhat ashamed of drawing anything that could be perceived as furry, even though I’ve loved drawing animals my whole life since I was a child, and I never had anything against furries and had both irl and online friends who were furries.
I don’t feel any of that shame anymore and just draw whatever I want (it helps that I’m no longer getting strangers commenting on my art like this irl, and that I’m not as insecure a person as I was in high school) it’s just so fucking weird that people feel comfortable acting like this
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OKAY! Chatot rant in tags below! Read at your own discretion.
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Two weeks of straight studying made this cathartic
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Priest getou and nun reader or villager reader....(anything other than the word both isnt acceptable...😡😡😡 /j) -🪄
🪄 ANON I SEE YOU AND YOU RAISE A VALID POINT but please consider…… priest!geto and non-believer!reader.
like… imagine. you just happen to waltz into a church one day. you don’t believe in god, you aren’t interested in praying, but you’re exploring a new town and the church is pretty and you figure it could be a nice way to burn time.
you enter the building to find that a sermon is taking place. a priest is speaking to the few rows of people listening; it’s a fairly small church, but paintings and sculptures and beautiful cathedral glass give it a sense of mystique that you’re drawn to. so you take a seat and halfheartedly listen, not praying like the rest, not singing along to the hymns… you stick out like a sore thumb, but hey, it’s not as if anyone is paying attention.
except someone is, and it happens to be the priest that was holding the sermon just a second ago. the same one you spent most of your time oogling once the paintings started to bore you, because he’s so pretty for a priest. beautiful long black hair, amber eyes, sharp facial features, pretty hands — and the smoothest, silkiest voice you’ve heard in your life. like a sun-soaked bundle of lillies.
… also, his cassock is just a little too tight of a fit to tear your eyes away from.
you stick around a little longer once most people have left, just scrolling on your phone and basking in the quiet, and that’s when he approaches you. he jokingly tells you that it’s always obvious when a non-believer enters a place of worship, but he’s not mad; only amused. you end up chatting a bit about your beliefs, he’s a lot more chill than you expected, and…. well. he’s just really, really charming.
so maybe you end up coming back the week after. maybe his smile is a bit like a spider’s web. maybe it becomes a kind of routine to speak to him after his sermons; you still don’t sing along to the hymns or spend any time on prayers, and he still finds it funny. maybe once in a while you end up liking a paragraph from the scripture he’s reciting, and he’s always more than happy to discuss it with you. but mostly you’re there for him. for your chats, for standing outside and badgering him about how contradictory the old testament is while he smokes and listens with an amused grin.
rain hits the ground with a steady rhythm, earthy tobacco floods your veins, spiders by the ceiling weave a web of dew, and his presence is a little more intoxicating than you think is appropriate.
suguru just… isn’t a very orthodox priest. he only believes about a tenth of what the bible says, he has his own view of god, his own thoughts on worship. he smokes. he may or may not occasionally manipulate church-goers into donating money so he can invest in another overpriced painting. you once ask him if there are any bodies in the basement you should know about, and he answers that any self-respecting priest wouldn’t conduct their blood rituals in the basement of their own church. he knows how to pick locks. he tells you once, very quietly, that he doesn’t believe man was created in god’s image. there’s a look in his eyes that you don’t comment on.
he’s funny. charming. pleasantly suspicious. your conversations are enjoyable for the both of you, and eventually the edges of his cedar eyes begin to crinkle the slightest bit whenever you walk into his field of vision. sometimes he eyes your lips for a little too long, and a honeyed irony seeps into his grin when you call him out on it. he asks you if you’re tempting him on purpose, and you shrug. whatever exists between you remains unspoken.
one day, he tells you that he believes it was god who sent you to him. you furrow your brows and protest with a mutter reminding him of your beliefs, how you believe in free will, how you waltzed into his church out of your own volition. no one else’s.
he only smiles, and flicks the butt of his cigarette. you think he remains unconvinced.
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“It’s the Jews Zionists that control the media!”
Yeah, that’s still blatantly antisemitic. Also, those famously antisemitic radio talk show hosts are also saying literally the same “Zionists control the media” schtick, so instead of parroting them maybe you need to rethink what you’re saying and where your values lie 🤷♀️
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I went back to watch the moment about Bad bringing up purgatory and really it’s just that everyone is confused and Bad needs to explicitly say if he is canonically on or off the island without some weird loop hole that gives him both lores on the both islands for one character to know.
Now the mini events aren’t always like a lore canon thing but the eggs are in lore majority of the time. This is cause the eggs are lore/rp characters the same way Cucurucho is and the only way they aren’t is when they explicitly say it or the cc says that the info they’re saying is out of rp.
But this is what happened -
Bad brought up first that he saw Tubbo that day to sunny who had been with Fit the entire day. Then Richarylson questioned him saying “Aren’t you meant to not be spiritually projecting rn” and he said “I don’t know what you’re talking about” which is just as confusing as what Richas said to him.
Then the others asked a general question just saying how was it and if he was winning not anything about any of the lore aspects. He then later brought up the quesadilla lore stuff with Phil despite it not really being the time or place, as well as him not supposedly being there to the other characters (specifically Fit and Phil think he’s kidnapped because he hasn’t clarified and they honestly act like they can’t be bothered asking anymore about it which not gonna blame them on) who all think that he is kidnapped because Bad has evaded the question and not given them an explicit answer.
So the eggs, current quesadilla islanders and the viewers are very confused.
Cause none of it make sense and Bad’s “1/3 is in purgatory”(which is the spiritually projecting thing richas is eluding to) is a struggle rp wise too because how is he meant to participate in lore or rp when he’s giving so many mixed signals if he is or isn’t canonically on the island.
Like he’s telling the eggs about their parents when they’re always meant to be in lore, then telling the other islanders that he’s on vacation which implies he’s not doing lore. So then it looks like meta gaming (because the eggs are just being told info randomly without knowing they’re getting told ie like a twitch chat that a streamer reads except eggs can’t really ignore it) from the pov of someone who has no clue if it’s in rp or not especially when it’s told to the eggs who are in rp 24/7. But then even the eggs don’t know if he’s actually there or not so they have to come up with a rp opinion about it and now think he’s lying about their parents because they aren’t meant to know about it really.
Along with this how come he can only just now separate himself in parts like this(yes things are secret but that raises the question how come he didn’t preemptively do this in purgatory 1), how is he getting the info back and forward from each “part” of him, how is it even a different part/version of him if he’s still in the same dimension(cause travelling back and forward from the island defeats the whole purpose of purgatory 1 and he isn’t a slime so how would he be able to make a clones/another version) and then why is he even telling the kids that information when they are separated from their parents which is just going to make them sad(but it is giving the eggs a rp struggle because not all of them are going to know if they are meant to know that info or not).
But really the real question is why does bad have to be involved in both lores and knowing everything. It’s not as if the others are going to keep everything from him and not tell him. Like when has anyone not ever told people about lore that affects everyone, he will be told everything all he has to do is ask. By the time he’s back the photo if the eyed workers will probably still be up as well all he has to do is ask them about it and they’ll give him an answer.
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The littlest things give Dove euphoria
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Silly sketches I did like a week ago.
Idk but the way they’re framing Dark Cacao rn with the whole “a bunch of people broke in tried to my steal my (fake) treasure and called me a fake immortal” backstory for Mystic Flour combined with the whole yin/yang symbolism in that one frame from the trailer and the fact that she still seems to want what’s best for cookiekind added onto the fact that Dark Choco (a character about second chances and forgiveness) is showing up in BY book 4…. Idk makes me think that maybe she’s getting redeemed or something.
Not a serious theory or anything, I’m totally wrong but it’s fun to think about. The beast updates actually being about the 5 heroes Friendship is Magic-ing their way into helping the beasts like come to terms with their situation and learn to coexist with the two halves of their soul jam.
Maybe that could be what the “Awakened” states are- becoming the whole soul jam light thingy. Or maybe just accepting their place as a half. Like I said, not a serious prediction it’s just fun to think about.
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i’m having thoughts about batman vs green arrow, and how the central characters shape the stories their supporting casts are allowed
like, in batman comics, bruce’s story is about being permanently shaped by a grief he can never move on from (his parent’s deaths, and later jason’s death). the premise of batman, bruce’s unyielding dedication to his mission, requires that bruce always be living in the shadow of his formative trauma, always responding to it. structurally, he can never be allowed to heal (because a happy bruce wayne isn’t batman), which means he can’t really grow. his supporting cast can develop and grow in their own right, but they can’t leave (bc they’re batman characters), so they stay stuck in the same unhealthy dynamics with bruce. this creates a narrative paradigm where positive change rarely sticks, cycles aren’t broken, and the easiest story to tell is a tragedy. bruce isn’t allowed a happy ending, so nobody who loves him gets one either.
now compare this with green arrow, where ollie’s stories are so often about having the humility, courage, and determination to take accountability for your mistakes and change for the better. transformative change is his whole deal! it’s the point of the island! and his relationships with his supporting cast reflect this. ollie messes up, he learns from it, and his relationships with other characters develop and improve accordingly. the point of the story is that ollie changes, making change possible for everyone. and so green arrow books present a paradigm where characters are allowed to grow in ways that stick, where harm can be learned from instead of brushed aside, and where happy endings aren’t guaranteed but do largely feel possible. yk?
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