One thing I really do love the Sins of Youth storyline in YJ98 is that really does show how good at Young Justice are at being superheroes.
Because all the adults get de-aged and it’s absolute chaos and they can barely keep their shit together and Young Justice wonders if they’re that bad and the answer is “actually no you’re not, you’re actually doing pretty solid for your age in experience and you’re being held up to an unfair standard that invites more criticism to your actions”
It’s also a fascinating exploration of how adult anxieties are unfairly projected on to teenagers and while they of course still have room to grow and change and mature, the kids are, in fact, alright and actually capable individuals who do need support and guidance but aren’t helpless idiots by any means
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A prolific NASA asteroid-hunting mission has come to an end.
Engineers sent a final command to the agency's NEOWISE (Near-Earth Object Wide-field Infrared Survey Explorer) spacecraft on Thursday (Aug. 8), ordering the probe to turn off its transmitter after nearly 15 years of operation in low Earth orbit.
"The NEOWISE mission has been an extraordinary success story as it helped us better understand our place in the universe by tracking asteroids and comets that could be hazardous for us on Earth," Nicola Fox, associate administrator for the Science Mission Directorate at NASA Headquarters, said in a statement on Thursday.
Continue Reading.
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hello for the ask game 9: any theories on stuff unexplained by the game?
I always love theories and thoughts and worldbuilding hcs etc so anything in that vein works :3
I think my favorite little worldbuilding headcanon is that Ka Bue is super chill about aromanticism and asexuality! Not in the same way as irl activism, but it's something that is understood and respected in their ideology, like transgenderism in Vaugarde. So if we combine the powers of everyone in the crew we'll get an entire queer-friendly worldview going lmao!
Maybe... Something about an overarching philosophy of understanding the self? In Vaugard they see the self as something you refine through making, creating and destroying and rebuilding, but in Ka Bue you're supposed to be uncovering and polishing what's already there. And part of that is understanding your position in relation to others, so they have a lot of little descriptive words for flavors of relationships and dynamics, and being the sort of person who seeks those dynamics. Like "oh i'm usually the comedic straight man of the friend group and i seek out jokesters who play well off of that". And that means that nonsexual romance, nonromantic sex partners, QPRs, etc, are all understood dynamics, and various kinds of friend and family and colleague relationships are seen as distinctly important, and being alone is seen as a valid dynamic!
Now that I've typed this out I love it more and more... I was originally just thinking about the metaphor of cutting and polishing a gemstone, but having a lot of little Dynamics that various people may find more or less relevant to themselves is a similar approach to having thousands of Expressions! And it meshes with the transphobia as well - you can describe yourself as having dysphoria but you're not supposed to go and try to change that.
And there's that Odile + Isabeau conversation where she gets really specific about their relationship: "We're not friends, we're associates. Colleagues. Allies at best." And she's obviously joking, but this hc puts some extra weight behind her making that particular sort of joke! Plus she's the one who's like, "I wouldn't call you all friends, that would be weird, we're more like family," and she gets mad about being called the mom. I love the idea that she has Very specific dynamic classifications in mind for her relationship with each member of the crew, and gets pissy that Vaugardian doesn't have the same nuance/connotations!
And this philosophy being the total opposite of the Change belief is so interesting for Odile in particular! It would definitely flavor people's perception of her in Ka Bue - oh, she's one of those fickle Vaugardians who change masks every day and will never truly understand themselves. No wonder she wanted to get actual Vaugardian perspective on their belief. Oh, how lovely it will be for her to synthesize the two extremes, and both discover and create who she is!!
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i think something that frustrates me about ted and rebecca even beyond the whole no-romance thing (crying forever btw 😢) is that they never really got to have a coherent storyline together again after s1 and the christmas episode, and uh ..... i think it would have been cool to have more of those shared between the two leads of the show. like, in a way, i think i would have been more okay with it not being shippy if they'd had more storylines and more of a definitive overall series arc together, because presumably then at least we would have seen them interact regularly enough and in a variety of conditions enough that i would've gotten more of a feel for why it wasn't a romantic thing and what, in fact, it was? i don't know! i just really wish they'd given that dynamic wayyyyyyyyyyyyyyy more to do and way more interest after s1. it just felt like they were deliberately written to be ships in the night, all the time, no harbor ever, which feels crummy. like, s1 sets them up to be very close friends with these parallel struggles, but then they barely have even a shared b-plot together ever again after the christmas ep. the closest thing is one shared scene followed up by one phone call in 3.08, right? and then the series finale, where they do actually finally have three whole related scenes together, shock of all time.
anyway. so weird. SO WEIRD! such a funky writing choice that i am not a fan of.
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Down the rabbit hole (dp x dc)
"Shit, shit, shit," Danny mumbled to himself as he frantically looked around to see if anybody had noticed the glowing green portal that had opened up underneath the giant overpass.
As he desperately tried to pull the dimensional hole closed, he couldn't help but curse his lack of sleep. If he hadn't gone to sleep so late because of the Doom event that was taking place on his server, he would've woken up in time for him to get to the airport to take his flight connection back to Amity.
Instead, he had woken up so late, his only chance of getting there on time was flying himself as Phantom. Apparently, a lack of sleep meant his control on his powers got a little wonky and he'd ended up face planting right into the overpass and through some sort of unlucky coincidence, as he instinctively grappled to catch himself from falling, he'd inadvertently clawed a rift right through to the ghost zone. Truly, this was the worst timing to discover what would otherwise be a very cool new power.
Danny grabbed at his hair desperately, as he walked to and fro, while still floating a few centimetres off the floor. On one hand, leaving an open portal to the ghost zone would be terribly irresponsible. On the other, he knew from experience these types of portals never lasted long by themselves, at most a quarter of an hour. But that was a quarter of an hour he did not have.
What to do, what to do? If he missed his plane, Jazz was going to kill him. Danny bit at his lips as he looked around to the deserted area. The chance of somebody finding the portal in the next ten minutes were astronomically low. Maybe if he put up a sign or something...
Looking around, Danny spotted an old piece of cardboard, just large enough to cover the portal. With a last look around, Danny got a sharpie from his bag.
Stephanie was about to turn in for the night. She grappled towards the Dini bridge, where she'd gone a few times to catch the first rays of light touching on the city. It usually made for a nice ending to some of her long nights, and Stephanie was due for a nice pick-me-up.
As she got there, she noticed a new feature that hadn't been there before. About five meters off the ground, there was a piece of cardboard, nailed to the bridge with what looked like a metal ruler. Stephanie squinted. In black sharpie, in an uneven calligraphy was written the following: "DANGER! PORTAL TO ANOTHER DIMENSION. DO NOT REMOVE"
Curiosity piqued, she shot a line up at the railing of the bridge, before starting to reel herself in until she was hanging in front of the cardboard. Attaching the line to her belt to free her hands, Stephanie grabbed the bottom of the cardboard and lifted it up. Her eyes widened as she came face-to-face with a whirling green portal.
"Ok," she whispered to herself a little bit uncertainly. "Guess the sign wasn't lying."
She was about to flip the cardboard back down and call Oracle for some backup, when the foothold she was using to push herself off the wall shifted and Stephanie felt herself swing right into the green gaping maw. With a cut-off scream she fell right into it, though luckily her grapple line was still tense and solidly anchored to the bridge's railing.
If Stephanie had been a bit luckier, this would have been an easy fix, as she would have swung right back out thanks to her momentum and the anchor up above.
Unfortunately, at this precise moment, the portal ran out of time, and closed just behind Stephanie, leaving behind a few strands of blonde hair, a cut grapple line and a hanging piece of cardboard behind with its ominous message on it.
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"i just want byler to happen, Mike's sexuality doesn't need to be defined for that" is all well and good but doesn't acknowledge that it would actively devalue byler
for a ship to be compelling and universally enjoyed (not just by a subset of fans who's been hyperinvolved with the ship for years) it needs to be built up and executed well... which means BOTH characters need to have depth and a coherent character arc in order for people to get why the ship is happening and why they should root for it
if we never even get insight into the most surface level "did he even like El romantically at some point" questions, his character is absolutely fucked forever. goodbye main character Mike, Will might as well date a random new guy then if they were to reduce Mike to an actual prop with nothing worth exploring on screen. Byler would have no hit to it and would be a waste of a childhood friends to lovers and mc/mc romance
just Will having a compelling arc with his sexuality isn't enough to carry the ship if the other party gets brushed off with a "he likes Will back so we don't care about anything else he's got going on". especially when Will thinking Mike was straight so he had no chance with him was a main plot point of the previous seasons. Mike can't just suddenly do a 180 with no further explanation without it being bad writing. that's just the fact of the matter. byler would be rushed and bad writing if it was executed like that, no shipping goggles or love for their characters would change that
if you "just want byler to happen" and want it to be done in a way that doesn't have people hate it you DO actually want Mike's sexuality to be addressed. because one requires the other to happen
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