#of the 2 main characters one just felt completely flat to me.

[idkmanwtfishumanityanymore]

No I’m sorry Y’all I’m seriously still so fucking pissed off abt this episode, and I have to scream into the digital void about everything wrong with it and how downright mocking it felt or I’m gonna EXPLODE-

FIRST OFF, MY BIGGEST FUCKING ISSUE. Moon, near the end, says that “Bad people are bad people, no matter what dimension it is” or something similar.

HOW THE FUCK DOES SOLAR EXIST THEN, HM?

BECAUSE IF I REMEMBER CORRECTLY, SOLAR STARTED AS “NICE ECLIPSE”, BUT WAIT.. HOW CAN THAT BE POSSIBLE WHEN “BAD PEOPLE STAY BAD, NO MATTER THE DIMENSION”??? CAUSE I’M PRETTY FUCKING SURE ECLIPSE WAS BAD WHEN THAT HAPPENED, AND SOLAR WAS A GOOD VARIANT OF ECLIPSE.

YOUR LOGIC FALLS COMPLETELY, FUCKING, FLAT.

IF SOLAR, A GOOD ECLIPSE CAN EXIST, WHY IS IT SOOOOOO FUCKING IMPOSSIBLE FOR A GOOD BLOODMOON TO EXIST? HM? ANSWER ME THAT, HYPOCRITE.

THE ONLY FUCKING REASON, THEY WERE EVEN CONSIDERED “GOOD”, WAS BECAUSE THEY DIDN’T KILL. SOMETHING THEY ORIGINALLY, HAD TO FUCKING DO OR ELSE THEIR INSATIABLE BLOODLUST, WHICH WAS HARDWIRED INTO THEM, WOULD FORCE THEM TO GO AND KILL BECAUSE IT WAS PAINFUL TO IGNORE IT.

AND DON’T EVEN FUCKING GET ME STARTED ON HOW DISRESPECTFUL THIS FELT TO ANYONE WHO WAS (REASONABLY) PISSED OFF ABOUT HOW BLOODMOON’S CHARACTER WAS HANDLED, AND THE PEOPLE WHO ACTUALLY HAD AN ATTACHMENT TO HIM???

THIS WAS THE DEFINITION OF “If I give you what you want, will you fuck off?”

THE WRITERS, (probably fucking Davis), JUST TOSSED SOMETHING BLOODMOON RELATED AT THE FANDOM, TO GET US TO STOP CRITICIZING HOW HORRIBLY THEY HANDLED BLOODMOON AS A CHARACTER.

THEY JUST CHUCKED IT AT US, AND BASICALLY SAID; “Fuck off already, look, they can NEVER be actually good, they’ll always be bad, now stop whining”.

WE LITERALLY SAW THAT THEY COULD BE ATLEAST DOCILE-ISH IN A WAY, BACK WHEN THEY VERY BRIEFLY LIVED WITH FOXY AND FC. FOXY THOUGHT OF A WAY TO KEEP THEIR BLOODLUST AT BAY, THEY HAD ENTERTAINMENT IN THE FORM OF THE BOUNCY CHICK, AND THEY ACTUALLY SEEMED KINDA OKAY WITH LIVING THERE.

BUT NOOOOOOOO, THE FUCKING WRITERS GAVE US A GLIMPSE OF WHAT A VAST MAJORITY OF THE FANDOM WANTED, AND IMMEDIATELY RIPPED IT AWAY LIKE 3 OR 2 DAYS LATER BY HAVING THEM BOTH ABRUPTLY GO AFTER FOXY, AND HARVEST GOT FUCKING KILLED.

THEY WERE FUCKING DEPENDENT ON EACHOTHER TO SURVIVE AND FUNCTION, THEY WERE LITERALLY EACHOTHER’S OTHER HALF. WE CAN CLEARLY SEE THIS WHEN BLOODMOON IS STRUGGLING WITH PLANNING AND CALCUTION, BECAUSE THE OTHER TWIN HANDLED IT. THE OTHER TWIN KNEW HOW TO PLAN, AND CALCULATE SHIT FOR THEIR PLANS, THE REMAINING TWIN WAS THE BRAWN, AND THE OTHER WAS THE BRAIN IN SIMPLE TERMS.

AND DOUBLE DON’T GET ME STARTED ON HOW BLOODMOON WAS LITERALLY HARASSED AFTER HIS BROTHER WAS KILLED???

MONTY AND PUPPET, BOTH, FORCED BLOODMOON TO SIT ON THEIR STUPID LITTLE FUCKING PODCAST, AND PROBED HIM WITH ENDLESS QUESTIONS ABOUT HIS BROTHER.

FOR FUCKS SAKE, MONTY’S FIRST WORDS AFTER THE TIMESKIP WERE “How’s it feel bein’ an only sibling?” OR SOMETHING INCREDIBLY SIMILAR, AND YES, I’LL GIVE PUPPET SOME CREDIT, SHE SEEMED A TINY BIT DISAPPOINTED WITH MONTY FOR OPENING WITH THAT, BUT LIKE 5 OR SO MINUTES LATER, SHE WAS PLAYING THE FUCKING DEATH OF BLOODMOON’S BROTHER, ON FUCKING LOOP, AND EXPECTED HIM TO WATCH.

AND THEN THEY HAVE THE GALL TO CALL THEIR COMMUNITY, ONE OF THE MAIN REASONS THEY CAN EVEN HAVE SUCCESS FROM THEIR CHANNELS, CRAZY, FOR THINKING THAT THEY WENT TOO FAR, AND HAVING EVEN THE SLIGHTEST BIT OF SYMPATHY OR EMPATHY FOR BLOODMOON.

THEY CLAIM WE’RE INSANE FOR HAVING BASIC HUMAN REACTIONS TO SEEING SOMEONE LOSE A LOVED ONE.

THEY CLAIM WE’RE MENTALLY UNSTABLE FOR SYMPATHIZING WITH THE TWINS AND THEIR TRAUMA, WHICH MIGHT I ADD IS NEVER FUCKING ACKNOWLEDGED??

IF ECLIPSE IS ABLE TO HAVE A REDEMPTION ARC, BECAUSE HE’S “NOT THE SAME PERSON”, AND “A CLONE”, WHY IS IT SO IMPOSSIBLE THAT THE TWINS, WHO ALSO WEREN’T THE SAME PEOPLE, AND WERE ALSO CLONES, TO BE EVEN SLIGHTLY REDEEMED??

I DON’T FUCKING CARE IF THEY WERE STILL KILLERS, IT WAS STILL HARDWIRED INTO THEM, IN BOTH ITERATIONS.

I’m not going to touch how predatory Ruin was with them back in October right now, or ever, because I’m honestly appalled that the writers WENT THERE with their script.

Every fucking argument made in this stupid fucking mockery of a video falls flat, and directly conflicts with past fully canon information, and I’m fucking pissed.

on a lighter note, more (JUSTIFIED) complaints about the loan-shark!twins;

OKAY WHY THE FUCK DID THEY SEPARATE THEM INTO “BLOOD” AND “MOON”, COULDN’T THEY HAVE ATLEAST TRIED TO CONNECT WITH THEIR COMMUNITY AND USE ONE OF THE MANY RENAMES WE’VE HAD? BLOODY AND HARVEST, SYTHE AND HATCHET, CRIMSON AND MAROON TO NAME A FEW, BUT “BLOOD” AND “MOON”??? GOD HOW FUCKING DISCONNECTED CAN THEY BE?? THERE’S ALSO ALREADY A MOON THAT EXISTS, SO HOW THE FUCK DOES THAT WORK? HOW CONFUSING DOES IT GET WHEN THEY’RE IN THE SAME ROOM AND SOMEONE SAYS “MOON”, BUT ONLY MEANS ONE OF THEM???

And then the sheer fact that they were literally traumatized by the thought of drinking blood- like I’m sorry but that is NOT enough to traumatize anyone, unless they have like, a crippling phobia of blood. Hemophobia or something like that I think. And considering they say they “bleed people dry” (financially), I don’t think they have a fear of blood, or they wouldn’t use the saying-

So there ya have it, me, in the dark, at 10:33PM on a Friday night in July, on the 26th, writing a whole ass essay assignment because of how PISSED OFF one single episode made me.

I’m gonna go die now. (For legal reasons I mean go to bed /Gen)

[utilitycaster]

Regarding Editing and Innovating in the space, 2 people who get a Fraction of the credit they deserve are Ivan Van Norman & Marisha Ray. I mean, they created and developed one of the original mixed media cinematic interactive actual plays, Sagas of Sundry: Dread, and then Sagas of Sundry: Madness, and Marisha (later hiring Ivan as well) has continued that trajectory in some of the more intriguingly edited mixed format Actual plays at CR, like Call of Cthulhu, Undeadwood, and others, and being Instrumental in the developments at CR. Like, when you do watch the interviews you get a sense of just how Much of CR's current content designs, ttrpg intentions, and series are marisha's brainchilds, and it sucks that she doesnt get the credit others involved in similar projects, and even those projects, do.

This is a great point. I've mentioned this before w/r/t the fandom - Marisha, perhaps more than anyone, gets reduced even by many fans to "she's pretty and her characters are like what if a girlboss were a girlfailure" and her creative direction goes unheralded. It feels like this has gotten worse in recent years; I was baffled at how many people seemingly resented Calamity or Candela for taking up space they felt should go only to the main campaign when those were not only showcases for Marisha as a performer but also clearly something in which she had a strong hand in designing. Whenever people whine about there only being two main campaign episodes in a month because of Candela Obscura, I do think "You realize this was probably Marisha's call?"

I was focused in my response much more on Daggerheart, and so on the game design side (quick side note - reviews of A Familiar Problem, which Marisha worked on, were pretty positive; I wonder if something's happened in the past 2 years since that's when I've really felt this Damn Critical Role energy among actual play journalists), but I had been thinking about Sagas of Sundry and Undeadwood! I think I mentioned Sagas of Sundry in one of my posts about how Kollok isn't, in my mind, impressive. I loved Dread but never finished Madness before Alpha folded, but actually I was imagining something like Madness - fully on a set, people walking around like it's a play - for Kollok! When I saw everyone at a table with that rotating rock I was like "is this...it?" And, you know, Sagas: Madness wasn't entirely for me, but you can't fault the innovation. Similarly, when I think about the (baffling) criticism from one of the prominent actual play journalists I've had in mind while writing this, that Candela Obscura the show did not fully teach people Candela Obscura the game, I think about how Ivan Van Norman did straight up teach Savage Worlds during Undeadwood. Whenever people gush over the shadow puppets in Burrow's End I think it's deserved, but when they claim it's utterly new? Nah. Call of Cthulhu: Shadow of the Crystal Palace did it first. And Marisha had a guiding hand in the creative direction of all of these.

I think this is sort of elaboration on one of my points in my original post: I think a lot of the journalists are really out of their depth. I don't remember seeing their names when I first started watching CR in 2018, or when I got deeper into the fandom in 2019. My first actual play was TAZ, which I binged in late 2017. I really think a lot of the journalists flat-out don't know Sagas of Sundry or Undeadwood because they didn't show up until after Alpha folded. I've mentioned this elsewhere but so much of the claims of novelty and innovation are completely incorrect and not even terribly obscure. Look, I've seen/listened to most or all of 9 actual plays (this is counting D20 and CR each as one single unit, by the way - I've seen all but scattered one-offs from either), and seen or heard an episode or two of many more. I think that simply by doing that? I know more than a lot of these journalists.

Again: Worlds Beyond Number? The innovation is with the Witch class and the Wizard of the Citadel subclasses, and the allowance of extremely long downtime, but: longform podcast actual play with sound design? RQG did it starting in 2015. Griffin McElroy and Emily Axford have been composing their own music since 2017 or 2018 for their respective shows, both of which are also longform podcast actual plays. Again, Brennan pretty explicitly said "I don't think D20 is new, nor longform" in a quote and the article that quotes him argues that Fantasy High is new and longform...and that article also talks about how before D20 most AP video was livestreamed before talking about how boundary-breaking D20 was for having a livestreamed second season (you know, the thing that they just called old hat a paragraph earlier) that quickly pivoted to remote (even though remote livestreaming was actually quite common in smaller productions well before the pandemic, since you don't need anything but laptop cameras to produce it). I don't even keep up with much in the really indie AP scene, but those people I know who do are even less impressed by the state of Actual Play journalism than I, because D20 executes a lot of things extremely well, has a very talented roster of performers, and a budget most productions cannot hope to match, but a good deal of what it's credited for inventing (and which, again, it never claims to have invented. I want to be clear that the journalists decided to be like this for no clear reason) already existed. And, by placing this heavy emphasis on production, they are automatically making it hard for indie productions to impress them. For all they claim to be going after the 700 lb gorilla, they are simply cozying up to the 600 lb gorilla. It's real "um, why don't you try this little indie game called Pathfinder" hours.

I am fairly sure a lot of the people in prominent journalistic positions in the actual play sphere today came in only after the collapse of Geek and Sundry, is my point, and so I think they literally do not realize how much the medium owes to, for example, Marisha Ray and Ivan Van Norman, because they weren't watching in 2016 nor even skipping through the G&S archives, as I did as a new CR fan. I think they're absolutely out of their depth, and most of them don't even realize it.

[tzilatza]

NATLA Review - spoilers

Woke up today still feeling annoyed after finished the Netflix ATLA remake last night, and I think I've figured out the core reason.

It's the fact that: If they had held truer to the original source material, we could have had a truly great show. I disagree with those calling it a complete disaster. The acting was good, great in some cases. The effects were very well done, the bending looked about as good as it can in a live action media. The scenery was lovely.

But what happened in the writer's room?! The way they just reveal all the back stories up front EVERY TIME is honestly insulting to the audience. It's like they're so terrified that smartphone culture has made the public so accustomed to instant gratification that they have no faith we will stick around and keep watching if they make us wait for anything.

They're also clearly terrified of complexity. One of my biggest gripes with this remake is Jet's story. They completely took out his plans to murder a whole town of innocents in order to get a few enemy soldiers. Now, Jet isn't my favorite character, but his story is so important. Because it is real. The world is full of people who have been so brought down by injustice that they lose their sense of right and wrong, and we need to see that on screen. If Jet is too complex for them, how will they handle Ba Sing Se in the second season.

This goes along the same lines as removing Sokka's sexist moments. They felt they had to do it to make him more 'likable.' Yet the writers themselves went full sexist on Katara's character. They've taken out so much of her spark, her righteous and justified anger, and they've done it because even in 2024, people expect women to be more passive to be palatable. Enough people have already commented on them removing Aang's choice to run away. Heaven forbid the main character not be an absolute paragon. Did y'all notice that they even made Hahn likable? Hahn?! What reason do you have for making Hahn likable Netflix?! His role in the narrative is to be an example of toxic masculinity that is clearly the bad choice compared to Sokka who has learned and grown out of his own.

Don't even get me started with what they're doing with the fire nation family, I'm not ready to tackle that. In general, I have no problem with Azula getting a little more backstory and humanizing, but why season 1? Throwing in all these extra scenes just sacrifices screen-time where they could've actually fleshed out the real season one plots instead of rushing through things at breakneck pace. (ex: Aang escaping Zuko's ship in about 2 minutes flat)

At the end of the day, the scenes I most enjoyed were those that held true to the original like the Blue Spirit sequences. They could've easily done more of this, held onto the important plot points and even more important character complexity, while maturing it for an adult audience. I'm not disagreeing with every change they made. Go ahead and take out the silly Nickelodeon gags, add cussing and more realistic violence to get your mainstream viewers. Go ahead. They could've easily made a darker more mature version of the show and still held onto all the old fans in my opinion. But claiming that you're making a 'more mature' version and then removing the complexity and subtlety because they didn't think viewers could handle it...

What makes me most sad is that there are a lot of people who will experience ATLA for the first time through this show. There are a lot of adults who are not willing to watch original ATLA because they refuse to acknowledge an animated series can be anything other than a kid's show. Those people will watch this and think it's the real deal, and that just makes me sad.

If you've read this far, a very sincere thank you for listening to my rant. If you're an OG fan who enjoyed it, I have no problem with you. It was a fun watch, I was just hoping for more. If you are a new viewer who has never seen ATLA before, I sincerely want to hear your opinions. Is it a great show to someone who isn't holding it against the context of the original? And do you plan to watch the original now?

[charbies]

I'm mashing together my review of totk and reactions to random encounters with the masterworks I've had lately into one stream of consciousness

Totk should have had true continuity, not a 6 year time skip that we never get to see, experience, and feel. It's not that hard to bridge 2 games with a 1-2 min cutscene, esp in a zelda game. Majora's mask starts with quick, but meaningful exposition that bridges OOT to MM! The intro to wind waker is a 6 minute long cutscene!! This series thrives with its detailed, intriguing intros, so what happened?? Before I even launched totk the night it came out, I booted up botw and replayed the final boss & ending because I was so stoked to see the transition in story/world and wanted to honor both games. Instead boom, we're walking in a cave w/ no context.

I was so disappointed that zelda wasn't a companion character to link in totk, it was disempowering to her character arc. Really thought this game would build off of botw's snippets of link & zelda working together in memories. The teasers and trailers for totk gave this perception that she would be there (which would also "break tradition" like devs wanted, ffs). When I was on the tutorial island I was fully convinced I'd be finding her and we'd reconvene like "ok what's next." When I realized 20 mins into the game that she was GONE gone, as in will not reappear likely until the end of the game damsel-in-distress-style, my verbatim thought "wait... really? Is this still going to be good?" Which was kinda sad, for a game I waited so many years for :/

I had major pet peeves with the copy/paste nature of the cutscenes with the old sages. The dialogue, bgs, pacing, literally all identical. They just hot swapped the character models for the sages and said that was good enough, wtf!!! I live for cutscenes in games, I have since I was like 5. This felt lazy, and seriously demotivated me from completing the dungeons bc I knew there was going to be nothing novel or intriguing to look forward to

The secret stones were gimmicky af. Sorry. Also stupid name, they couldn't even opt for "sacred?" Ik in other languages they have way cooler names, which would have helped. Link's fucking thanos glove of stones was a stupid gimmick, I cannot believe they didn't think to alter that concept to be more mythical, or creative, or just original. I would have killed for the stones to relate to the triforce in some way, or to do away with the stones and have this game connect to the triforce, since the whole direction of this story was going back to ancient myth & lore.

the Zonai lacked depth, and honestly just felt like a boring distraction even tho they were supposed to be a central focus of this game. I 1000% agree with other folks posts on the take that rauru was a flat, 2-dimensional colonizer. Sonia got sidelined. yikes. ew. no thanks.

^similarly, ganon really was given no character or depth imo. It's like they did a fantastic job making him visibly LOOK scary, so they didn't bother to give him motives beyond "I'm bad, I do what I want."

the cliche "back to normal" at the end irked me. Link could have come out with no arm, keeping the zonia arm, or at least scars w/ the zonai arm pattern and that would be meaningful. Zelda got factory reset from irreversible draconification in a method that for all intents and purposes, could have been done as soon as link got rewind ability. There was no investigation or inclusion of the other dragons, which seemed like a missed opportunity. Actively working on reversing her could have been a main quest in game!! Like 1. Complete all dungeons/get all stones, 2. you can now go round up the spirits of rauru & sonia and reverse zelda yippee, 3. you and zelda go beat the shit out of ganon together. The dragons fighting was beautiful, powerful imagery, but honestly I think too much potential was traded away just to execute that one fraction of the boss fight.

The masterworks book annoys me, which is sad bc I love concept art. I wanted to be a concept artist growing up, I can accept that you'll often see things that never make it into the final cut. I was enamored with early posts abt things like zelda's haircut, char designs, etc.

But more recently I'm seeing the anthology side of the book taking major liberties that it didn't even bother showing us directly or alluding to in the game, and I think that's such a cop-out. They are literally telling us instead of SHOWING us in the game they release a year ago, and spent SIX YEARS making. There was a festival celebrating the return of zelda/defeat of ganon?? Freaking show us that!!! Show us link & zelda acclimate to post-calamity life. Show us imperfect, non-linear healing and resilience. I would have loved a festival scene w/ link and zelda that conveys the nuance of celebration and recognition of their efforts, and the contrasting weight of what they went through. Show me zelda, exhausted after a festival struggling with guilt and indecision about whether to bring back the monarchy with hyrule's restoration. Throwing in a "oh btw imagine if we actually had done this" post-game makes me so irritated and feral. It's like the post-release canon is sidling up to fanon and saying, "hey look we can do that too! look at our fan art" idk if that makes sense, I don't think I'm explaining it well. But it just feels disingenuous.

I'm not a timeline purest, I don't need everything to interconnect, but I don't love how assertions in this book invalidate connections and lore of other games. Also really don't love how this game overwrites and sidelines the sheikah.

I know majority of my disappointment stems from my own, personal expectations of a game that, let's face it, was probably given many mandates and initiatives to appeal to *everyone* in broad, lackluster ways. I still love the world and characters of zelda, if anything, totk reaffirmed what I love and want to prioritize in my art that I didn't see present in this game. Fun fact I used the world of botw to learn a lot about drawing landscapes & composition. It actually inspires me a bit to try to learn to do comics, which has been a longtime goal I've been too busy and/or timid to pursue lol.

mmm anyway if u read this and any of this resonated DM me and lets froth at the mouth and commiserate lol

[victimsofyaoipoll]

Round 2

Propaganda Under Cut

Elizabeth Midford

She started as just a cutie fiancée trying her best, turns out she's also a swordfighting genius, very under pressure to perform feminity in the Victorian Rose type of way. Fandom crucifies her bc she's Ciel's fiancée and they want him to be with his butler, Sebastian, the demon he sold his soul to for revenge

anime was a shitty canon divergent adaptation that butchered her character down to her "cutesy silly girly" persona, which obviously made the 2008 anime fans hate her with a passion (nothing wrong w being girly I'm just saying the adaptation made her super one dimensional) anyways fujoshis used to treat her as a villain because she's the fiance of Ciel,, who as u might know already was HEAVILY shipped with his butler, Sebastian back then (now it's kinda looked badly upon, nice tbh that ship sucks ass xD) She's a bit similar to Misa Amane from death note in the way she was treated. (Like an obstacle the yaoi ship must overcome rather than a person)

she's my silly little rabbit! i could gush about her character but i'll keep it short and just say that she's really well written and one of the best characters in the series. anyways she's ciel's fiance and she's like, rightfully annoying as any other 13 yr old girl would be but the fanbase fucking crucified her for even existing. she gets demonized for being 'annoying', but then ciel gets yaoishipped with an even more annoying guy. there is 100% an argument that lizzie/ciel is weird bc they're cousins (i personally don't ship it) but that falls flat when her detractors then ship the 13 yr old ciel with an eons old demon who Canonically looks like his father. the anime also never reached her main character development until years after its peak and that was only in a movie, so she really got the bad end of the stick here. not me though i had a giant crush on her when i was 12

Katara

Katara is constantly mistreated by the fans in favor of the Zukka ship (Zuko × Sokka.) They make her out to be mean, homophobic, and completely out of character just to add drama to the Zukka ship. In reality, Katara is very compassionate, and would never act that way toward anyone. 

Zutara was a popular ship but when zukka got popular over covid during the atla renaissance there were a million posts about how zutara was problematic while zukka was perfect usually for racist reasons. Meanwhile katara and sokka are siblings so it didn't even make sense. They did not have to be so illogically rude to her to ship zukka and it was weird

Katara is FANTASTIC I fucking love her to pieces she is so cool and yet the entirety of the ATLA fandom treats her like garbage because she “talks about her mom dying too much” (even though she BARELY does & also was parentified from a young age due to her mother’s death) and, of course, because she’s a more feminine women when compared to her counterparts. Even in the show itself she’s mistreated: she’s ALWAYS shown cooking for the rest of the gaang, doing their laundry, any ‘womanly’ task. She ends up with the guy who kissed her twice without her consent & who she never showed any real attraction to and apparently (despite being a badass warrior-doctor!!!) after the show ended she just… settled down in the South Pole and had a bunch of kids and never did anything else. She didn’t even get a statue :( Anyways during the ATLA renaissance, despite Zutara actually not being canon, people felt that Katara threatened the sanctity of the new almost entirely baseless yaoi ship, Zukka. Unfortunately for them, due to the fact that Katara and Sokka are siblings, the usual anti-Zutara arguments didn’t work as well. So they resorted to just… slaughtering her character. If she was lucky, they’d just make Katara a background character, wingwoman, &or throw her together with her canon love interest. If she was unlucky they’d do anything from make her homophobic (??) to killing her off! Fuck’s sake, she never even got a token spare-the-pairs wlw ship! Sorry for getting so heated, that whole debacle made me FUMING MAD.

[mostofthingsmostofthetime]

My thoughts on The Ballad of Songbirds and Snakes movie

I don’t know if I liked it as much as the original films (maybe Mockingjay 1 & 2 as they are pretty emotionally draining), but I still enjoyed it.

I think where it fell a little flat for me is 1. The beginning was a bit slow (tbh I only really started getting interested when Lucy Gray stuck that snake down that girl’s dress & even then I enjoyed the story more when the setting changed from the Capitol to the district) 2. I knew Snow would survive 3. I’d already been spoiled online for a lot of stuff that happens & 4. while I know the director did his best to make Snow as “likeable” as he could for as long as possible, even before he started getting “a little too comfortable” with killing & snitching I didn’t find him as sympathetic as Katniss or Peeta (but that is probably again down to the fact that I know what he goes onto do & there’s no real way around that), this made engaging with him difficult for me.

The world is fascinating. Getting to see all the new locations we never had access to before as well as old locations now in a totally different light (for example district 12 which, while still clearly suffering, seemed like such a bustling industrial town compared to how it is in Katniss’s time). It might have a much more retro aesthetic but there's also just a more vibrant, natural, wild & lawless atmosphere to this movie compared to the others in the franchise. The whole scope of the film just felt more cinematic then I remember the others being yet also weirdly intimate. Maybe because it was one contained story & we knew the main character’s fate from the start. I also loved the title cards signifying the start of each section of the story like from the books & wished they'd done something similar for the other films. It just added a certain flair to the whole thing. Almost gave it the vibe of a tragic play.

The costuming was great. The bright red of the academy uniforms.  Flickerman’s snazzy suits. Snow’s dapper black & white outfit. Both peace keeper uniforms (despite one of them giving very ‘1930’s Germany’ vibes) looked great. Grandma might have been a bigot, but at least she was well dressed. Everything Dr Gaul wore (except the top that looked like a used tampon, lol) was exquisite. The main ladies of fashion, Tigris & Lucy Gray slayed. Our Future Capitol stylist looked like some regal yet exotic bird & Miss Survivor was giving Bohemian, country girl realness the entire time she was on screen. Even the extras were serving (like that random couple Snow walked past on his way to the reaping ceremony).

The music was amazing. Every song that played was fantastic (shout out to Olivia for her end credit contribution). The lyrics & instrumentation were beautiful & my god does Rachel Zegler have pipes! Anyone who says the singing scenes are cringy is just stupid like I’m sorry you can’t appreciate art. Also, the words ‘ballad’ & ‘songbirds’ are literally in the title. Plus, Lucy Gray is from the poorest district, so what exactly do those people want her to do in her free time? She can’t exactly hop on an X-box for a few hours. Not too mention that (as the offspring of someone who’s musically inclined) I can tell you, it’s completely realistic for a musician to use their craft to help them deal with trauma & Lucy Gray clearly had more than her fair share of that.

The Grandma'am helped to paint a sadly very realistic background for Snow. As who among us hasn’t met at least one delusional old person who thinks that their/their group’s suffering (regardless of the severity of it or the reason behind their former/newer status in society) means that no one else are deserving of even the tiniest shred of humanity & there are some people who are unlucky enough to not only be related to these people but be raised by them.

Hunter schafer as Tigris is clearly the superior Snow when it comes to things like empathy & overall mental stability but I do kind of wish they’d been more for her to do. Credit where credit is due though her & Tom did actually look like they could be related & I did buy their familial bond (which makes her appearance in Mockingjay so much sadder in hindsight).

Peter Dinklage as Casca Highbottom was a bit of a mix for me just due to his purpose as a character & the limit of film as a form of media. Like sure the audience know that Snow’s going to become an irredeemable monster in the end but without a window into his mind it really does just seem like the Dean is just out to get him & even when we find out why it seems kind of unfair. Like sure his dad sucked but haven’t the Games shown that blaming children for violence caused by others is unjust (& like ok he hates Coriolanus & probably the grandma but Tigris hadn’t done anything to deserve living in poverty, as she can’t control who she’s related to)? Plus, it felt like he could have at least tried taking Snow under his wing at some point to try to hinder Dr Gual’s influence. Saying all of that, though, Peter Dinklage is great at playing an addict with depression & the idea that some drunken rambling could lead to such long-lasting suffering is terrifying. Also its pretty realistic that living with that kind of guilt & in such a cruel environment for that long would make most people jaded & bitter, even if they did have good intentions.

Omg we finally get a Mayor family on screen & they’re assholes! Madge would be so disappointed 😭. It was interesting to see how harsh & overall “boot licky” the mayor & his family seemed compared to decades later, which makes sense as the war wasn’t that long ago for them so the dad probably felt more incentive to align himself with the Capitol as well as not feeling very connected to the district people as 12’s decline probably didn’t fully set in until they really started running low on coal & Snow became president (oh I just know he wanted to blow that district off the map 😆). I also wouldn’t put it past Billy to come up with some sob story of how he really does love Mayfair but wicked Lucy Gray is somehow preventing them from being together. Still no excuse to try to send her to her death twice in one week, though. Definitely not a girl’s girl.

Ok, so a liar. Cheat. Drunk & someone who hits women. Is there anything good about Billy Taupe? Also, trying to get your ex back, while your current girlfriend is literally standing right next to you? Dude, have some god damn back bone! You made a choice, now stick to it. Also, fumbling Lucy Gray, for a girl like that? What’s it like having no brains or taste? Well, too bad, coz you’re stuck with her forever now, lol.

Viola Davies, the actress that you are. What else is there to say? Dr Gaul is almost comic book levels of insane. Like she is how the Right see women in STEM, on crack! I don’t know what she did to get into character, but whatever it was, it worked.

Jason Schwartzman as Lucretius Flickerman is a very interesting addition to the story despite playing such a small & seemingly insignificant role. He is strange in how unthreatening he is while also extremely blasé about the abhorrent violence he witnesses that it’s as funny as it is disturbing. Making him come across as  more human yet harsher than his son, who at least pretends to care about the tributes (in a very Capitol way, obviously but still). There’s also a polish & confidence to Tucci’s performance that I think Schwartzman did a great job of avoiding copying (despite knowing what audiences were probably expecting) because not only are their characters in entirely different stages of their careers but the whole ethos of the Hunger Games is different in Snow’s youth than it is in Katniss’s. Caesar is a well established presenter & during his time, the games have always been a success (minus the year with the tundra) that the entire Capitol is invested in & seemingly in support of. On the other hand Lucretius had the unique task of not only coming into a job like this with zero experience (I mean imagine going from announcing the weather to presenting the fucking hunger games) but also there were no vibes to try to emulate let alone guidelines to follow because he truly was the first person to do this. On top of that, the "event" his presenting has been panned for years as both boring & unethical. Schwartzman brought a slightly awkward, experimental, yet try hard vibe (like a comedian who's desperate to get a laugh) that I think worked wonderfully for the character.

Tom Blyth's performance was great & he was visually perfect for a young Snow (the power of a good wig! Who knew lol). Even having the cool, analytical stare of Donald Sutherland, down pat. While his appearance was very Eminem during his peacekeeping days, his realisation in the cabin and subsequent breakdown in the woods were crazy. There was so much tension between him & Rachel in that scene that for a second, it literally felt like all the air had been sucked out of the room. I could almost hear the record scratch for both of them, & all that building paranoia finally coming to a sudden crescendo in the way that it did? Pure cinema!

Josh Rivera, as Sejanus, was honestly a mix for me. Obviously, I agree with his morals, but his way of going about it did seem a little dumb. However I do think it’s pretty realistic that a teenager, especially a rich one, would be rather naive. Also I’ve heard that he’s smarter in the book & I think at times my frustration with him is more just down to the fact that I’m seeing him from Snow’s point of view. Meaning scenes that would be portrayed as noble in any other film instead come across as almost painfully inconvenient because the focus is always on how they affect Snow rather than the actual victims of the situation. Lastly, sorry, Snowjanus shippers, I just don’t see it (especially on Snow’s end), but whatever floats your boat.

Rachel Zegler played Lucy Gray with the perfect mix of natural charm & emotional vulnerability with clear pride in her culture & a refusal to let the world around her change who she is. Yet there was also an air of mystery & a subtle resilience to her that makes her potentially surviving out in the woods for years without being detected actually believable (though I don’t buy the theory that she went on to become president Coin). Definitely the highlight of the movie for me.

PS. I'd love to know what you think of my review in the comments/tags & am open to criticism (as long as it's respectful) just remember that I'm only talking about the movie so please don't reference anything spersific to the book.

[outofthemouthsof]

15-Day BL Challenge in 1 Night!

I'm more of a lurker than a poster but Tumblr's my fave place to wallow in BLness. My 2nd favorite place is the spreadsheet where I track the shows I've watched (172 completed in just over a year), so @negrowhat 's challenge was irresistible. I'm gonna cram my answers in one post. Here goes!

Fave OG Actor Pairing: Some of the ones I think of as OG are only like 4 years old, so this was tough. And the 18 shows that have gotten my top score aren't very old. But I went through those 18 and picked the oldest, and it was the 2018 Korean microfilm Some More. Because it's so short it's super rewatchable, but even if I wasn't able to watch the whole thing a half dozen times (which I have), I'd still have gone back & watched the sweet moments and sex scene about 25 times (which I have). So I guess my fave OG actor pairing is Park Chan Ung and Kim Joon Bum! How they got me so deeply invested in their love in mere minutes is beyond me, but they did!

Fave Rookie Actor Pairing: Does Japan do the CP thing that Thailand does? I don't think so, but one couple I wish had about a dozen more BL series together lined up are Kouhei Higuchi and Atsuki Mashiko of My Personal Weatherman! Their chemistry was visceral and they're too pretty to be believed.

Side Dish That Should've Been the Main Course: While I enjoyed the main pairing a lot, they were nothing compared to the crazy rollercoaster side plot (how'd it go from so funny to SO dark to so sexy to so sweet and wholesome like that??) of Vegas/Pete from KinnPorsche!

Fave Ship Dynamic: Obvs from answers 2 & 3 I am not against D/s ships at ALL. Also a sucker for tough-but-submissive-bodyguard with mafia-brat-prince. Honestly I like tons of different dynamics from innocent to toxic, but one that gives me major butterflies is a guy who thinks he's straight but when confronted with the idea of liking another guy, doesn't have a macho freakout or run away, just kind of straightforwardly & sincerely searches his feelings until he figures it out. And then takes care of his baby. Why's that so HOT and sweet? Some of my fave examples: Pete/Ae in Love By Chance, Le Jian/Amber from DNA Says Love You, and Ida/Aoki from My Love Mix-Up!

Biggest Flop: This is expectations vs. execution, right? There's loads of shows I've abandoned, some I've stuck with for no good reason, etc., that are way worse than what I consider my personal biggest let-down. I was so enamored of Perth from LBC that I assumed he could do no wrong, and the bully-to-lover, rich/poor pairings often do it for me. So I guess I just assumed Dangerous Romance would be amazing, and it was REALLY good for a couple episodes. It wasn't the worst thing I ever saw, but so much of it just ... felt ... flat. Very surprising.

Fave Line From Your Fave Series: Well I know my fave series--Cherry Magic Thailand was the most perfect, entrancing, heartwarming series EVER, OMG, it was staggeringly good and stuck the landing in a way few shows have managed. I can't really think of one standout line--the script was so on point & there were HUNDREDS of sweet tingly moments. There were some epic ones in ep11 tho: When Achi says "The voice inside your head is so loud" and Karan (the boldest he's ever been) replies "Don't worry; soon you won't be able to read my mind anymore." (But then clearly uses that power one more time to gain the sweetest nonverbal consent EVER.) Then, Karan: "Do you regret losing your power?" Achi: "I'd regret not loving you." (OMG how I squealed.)

Fave Villain: This was so tough. An over-the-top villain I loved to hate (and an actor I loved from his sweetie-pie green-flag role in SCOY) was obvs Heng Asavarid as Chalothon in The Sign. But an actor who was so excellent at being loathsome and malicious toward the main couple, with just enough of a redemption arc that I didn't totally despise the character by the end (but did hate most of the way through): Park Hae In as Eun Ji (Jae Won's ex) in The Eighth Sense. It was a typical "faen fatale" role but so well done. So a tie between 2 totally different takes on the destructive ex.

The Trope You Hate Except When It's "This Series": OK, "hate" is a strong word for how I feel about the drop-of-rain-makes-you-ill so love-interest-takes-care-of-you trope. It's OK. But holy SHIT is it overused. Holy shit. I sigh resignedly when I realize we're going there. EXCEPT. When P'Phayu goes to visit Rain in Love in the Air when he's sick, and his version of caregiving? Forcibly applying medicine in the form of a rectal suppository. It is so funny, weirdly sexy, very in line with their dynamic (doesn't get in the way of their romance moments later at all), & it shoves a big middle finger up the overoveroverused sick-bed trope.

Most Visually Pleasing Love Scene: Okay, THE scene in The Sign is the clear winner in my & many people's books. But there are so many runners-up: the post-race one in Love in the Air. Just about every one in Pit Babe (both couples) & My Personal Weatherman. (A lot of other faves don't quite qualify as visually or emotionally pleasing--lustfully pleasing should be a 3rd category in this challenge!)

Most Emotionally Pleasing Love Scene: Again, I have a clear winner: Cherry Magic Thailand. So full of emotion, so well deserved, so everything. Sigh. But lots of runners-up: same scene in The Sign, both kissing scenes in DNA Says Love You (tame but soo emotionally satisfying), Ray & Sand's camper reunion in Only Friends, the post-prison love scenes for both couples in Kiseki: Dear to Me, the 1st time in I Feel You Linger in the Air ...

Breakup That Should've Stayed Broken Up: Maybe it's because I try to be choosy in what I watch all the way thru or maybe I'm a big softy who tends to root for every couple no matter how lame. In all my completed shows, I could only think of 2 breakups where I wasn't at all invested in them getting back together (and maybe against it): Tian/Poon, What Zabb Man and Top/Mew, Only Friends.

Wedding You Wish You Had an Invite To: If we're talking weddings that actually appeared in the show, Achi and Karan's in Cherry Magic Thailand, obvs! If it's hypothetical weddings, I'd be desperate to go to one of ANY of the characters in Playboyy! I'd wear a bulletproof vest & bring my own flask of booze, but it would be the trashy chaos-filled social event of a lifetime.

Give 5 Good Boys a Gold Star: Just 5? OK, some I haven't mentioned yet. 1. Shin Woo, Light on Me, 2. Palm, Never Let Me Go, 3. Mohk, Last Twilight, 4. Thun, He's Coming to Me, 5. Neua, Secret Crush on You. Best boys!

The Top 5 Most Sad Boys: I'll limit it to ones where the suffering was kinda pretty, not just painful. 1. Way, Pit Babe, 2. Akk, The Eclipse, 3. Kaipa/Gaipa, Moonlight Chicken, 4. Hae Bom, Cherry Blossoms After Winter, 5. Kiyoi, My Beautiful Man

Bestest Besties: Just one? Gah! Fine, Pearl & Gavreel in Gameboys. She got those boys together in quarantine!

[skitariiposting]

Okay, I've just finished watching episode 1 of Marvel's hit TV show Secret Invasion, and I've gotta say: eh. Especially coming off of binge watching all of adventure time and experiencing it all over again, then immediately watching AI Builds again and suffering another mental overload despite it being one of my favorite pieces of media ever. Heck, even if I have to compare it to another Marvel thing; Loki season 2 was way better. I really should have watched something bad before watching this, I'm coming down off of the "Rewatching AI Builds and fucking crying myself to sleep, again" high, but here we are.

This show feels especially "the writer strike, struck." Given that I haven't heard anybody really talk about this show at all, good or bad, I will be undertaking the task of relaying things I enjoy and/or find annoying.

Spoilers, obviously.

1. Look, say what you will about AI stuff, trust me when I say I'm pissed with it possibly taking my job eventually too, but for once it felt like it was used for a stylistic choice as opposed to just trying to rob people of a job.

The intro is obviously made with AI. However, I feel like they're trying to use it to make it feel alien and foreign, something inhuman or unearthly, and it works. It's visually interesting. However, I just wish we could get something like that without having to rely on this shitty AI stuff to do it. Imagine how cool it'd be if it wasn't for the immoral and outright theft involved with sourcing for AI.

2. The main plot is wacky, goofy, and utterly silly sauce. "Oh damn this giant catastrophe that effected literally half of all life all at the same time and made a bunch of people disappear made Nick disappear, that means he's totally not going to honor his deal with us because he's disappeared, time to terrorists!" I hope that the plot gets more fleshed out or something, but off to a bad start in episode 1.

3. Nick feels both simultaneously great and awful at the same time. He's still cocky and charismatic, which is something I love about his character. However, he feels like he's dumb. He's not the same Nick Fury from Avengers and Winter Soldier, and I don't like that. Sam Jackson's putting in a lot of the footwork here to keep the character from falling completely flat; line delivery is on point as always with Sam, but it feels like the writers are just dishing out some crappy plot stuff he's having to work with.

4. They set off three dirty bombs in a square full of people, with all three protagonists within range of it, and yet its a gunshot that almost kills one of them, not the bombs nor the "dirty" part of it, which I feel like they kinda forgot about. These are supposed to be radioactive for a reason: skrull are immune to radiation according to 30 minutes ago in the episode. As I've not seen any spoilers or anything plot related to this show (since nobody has really had anything to say about it at all, good or bad) I am forced to make the super easy prediction that there will be a big reveal where Nick is actually a Skrull.

I will continue with the show now and bring updates as I go.

[super-paper]

Manga spoilers!

I wanna give the benefit of the doubt to hori bc i know this isn't the last chapter and he could always continue and mend stuff in upcoming chapters. With that said, this chapter does feel rushed and off. And i'm not talking about action wise as most fans on twt think, but i'm refering to the conclusion(?) of shigarakis character arc. Regarding the whole afo/yoichi talk, hori could get away with it a bit, but as for shigaraki.... that's another conversation. There were moments in this chapter that i loved, i really liked izuku understanding of afo deep down, and the little ,although rushed, talk between the brothers. I loved that scene of the ofa users (minus toshinori i think, why????? He deserved to be there lol) and shigaraki punching afo, i love the idea of shigaraki also being a part of that and i find that panel of his and izukus fists connected beautiful in all ways. But then at the same time it's so rushed! I heard some fans think izukus character got ruined by ending the series quirkless, (....?.....) but what bothers me is actually izukus lack of reaction. It's valid and understandable for izuku to not forgive and be upset at shigaraki, but for the same kid that was so set in saving that crying boy for multiple arcs and through this one, and all the compassion izuku felt for tenko, for izuku to not react shigaraki crumbling into dust and disappearing feels so weird and out of character for him. Can one even count that as him saving that crying little boy?? Now, i do expect hori to bring back tomura/tenko somehow, but if not.... well then that's disappointing and i have to wonder what happened with his character arc??

Like, I'm really trying to be optimistic but 😭

Like you said it was extremely rushed and jammed what should have been 2-3 chapters worth of content into a single chapter-- it makes everything seem unfocused and flat. Like, whatever happened between Tenko and Nana getting offscreened completely neutered the emotional impact and "triumph" of Tenko's "return". AFO getting psychologically dressed down by Izuku, confronted by Yoichi and the vestiges + Tenko, and ultimately "exorcised" deserved its own focus chapter rather than being forced to share breathing room with the (equally gimped) exits of two other characters. Tenko and AFO's relationship gets zero focus/introspection-- Instead we have Tenko literally getting lumped in with the rest of the vestiges instead of getting any sort of unique dialog/interaction with AFO even though his dynamic with AFO (and their melding/untangling from one another) has been a MAJOR part of the series. Honestly, if I think about Tenko/Tomura and his treatment any more I'll probably make myself sick-- other people have already said enough on why this would be a terrible ending for him/MHA as a whole if it sticks.

It's just, such an incomprehensibly bad and cowardly chapter lmao.

(heavy criticism re: Izuku's writing under the read more)

I think my main issue is that even if it is a big fakeout, there's just.... no salvaging Izuku's character for me after this chapter. His entire arc and what was supposed to distinguish him from other heroes hinged on this. Like, you can't have your "intrinsically compassionate sees-the-heart-in-everyone" MC smash through the dying remains of a character who is literally begging for Tenko's life and expect ppl to still root for him??? Shiragiri sacrifices himself to plead on Tenko's behalf and remind everyone there that Tenko is a human who has people waiting for him-- but tonally, him getting utterly steamrolled still gets treated like a hype/heroic moment by Bkg's inexplicable arrival on the scene. It's incomprehensibly tone deaf and makes Izuku's almost complete nonreaction to pretty much everything that has happened to both Tenko and himself stand out all the worse.

As a Izuku fan it boggles my mind that other Izuku fans seem to think this was a good conclusion to his character arc. Like. There's literally no way to backtrack or put any kind of positive spin on how Izuku behaved during this fight evn if Tenko does survive, and it kills me. There's no way to spin it that doesn't boil down to Izuku thinking that Tenko was an acceptable loss if it meant erasing AFO from the world.

There was not even a smidge of internal conflict or hesitation or even a single thought spared for Tenko. Zero introspection from Izuku and zero grappling with the weight of the life he's about to take (because from his perspective, even if Tenko *does* miraculously survive, Izuku had no way of knowing he would and still made the decision to whale away on his body as it crumbled!). Like. Zero reflection on the reveal that Tenko was manipulated from birth, zero attempt to reach him or even speak to him again to see if he was still "in there." Zero attempt to minimize the damage to Tenko's body, zero attempt to engage w/ the sole other character invested in trying to save him (💀💀💀) Zero communication with his fellow heroes about Tenko's situation and his desire to save him so THEY could all make an informed choice, zero hesitation in repeatedly whaling away at Tenko's dying body, zero attempt to "go beyond" and change the ending/future. like. Everything abt Izuku's writing in this chapter is utterly ghoulish.

But hey, Izuku's final punch made the rain stop or whatever. Ugh. 🙄

[hostilemuppet]

Congrats on finishing Trollstopia! What are your final impressions?

okay, closing thoughts, none of which are particularly "clean" or "organised" or whatever but theyre what i think

so many of the morals were either nonsensical (keep it up) had good intentions but fumbled the execution (race to the crest) or outright harmful (potluck poppy). the show is at its best when you treat it like a sitcom, and not a cartoon that was teaching kids that other cultures foods are icky and undeserving of respect if they arent exactly like their own

it was so. so sorely felt that they were forced to have a song in EVERY episode instead of every other episode. dont get me wrong, some of them were good! (off the top of my head, i like "make some noise" and "a song so sweet" (synth has a really nice singing voice and they shouldve let him use it more!) and all of dantes ones were really funny bc they were usually silly lyrics on top of real life classical pieces) but most of them were........ well. forced. i hope in the tbt cartoon they go back to one song per 2 episodes, so they can make the songs actually DECENT (most of the time)

val started off as a HORRIBLE character, utterly unlikable in every way and it made every episode about her intolerable. she slowly got better though, after s1 it was like the writers realised they made her a terrible person (did they see the reaction to her? WAS there a reaction? did people love her back then?) and they toned her down and slowly made her actually develop as a character in ways none of the others did, and she actually ended up being pretty good! i like how she started mean, then grew to regret how she used to be and wants to be better. its just... yknow. its trollstopia. they fumble the execution sometimes. val did nothing wrong in murray duty, thats a dumb rule

as much as i love holly darlin........ i wish they went in the exact opposite direction for her character. in world tour, country trolls are established as being pretty gloomy (but not complete sad sacks!) so having holly be optimistic and upbeat to the point she rivals (and surpasses!) poppy? it does NOT make her a good representative of her tribe, and for the most part it seems like they forgot country trolls are supposed to be gloomy anyway... but they remembered in "the farmer and the hound"! overall i wish holly was a more subdued, melancholic character. she can still show southern hospitality (actual southern hospitality. not just her SAYING she has southern hospitality. also lonesome flats isnt even in the south of troll kingdom) but she can be a lot more quiet about it. maybe holly can ALSO develop as a character the way val did, and slowly start to show more outward joy as the series progresses, similar to branch getting happier. she and branch could even have been besties, since branch said he liked country music in the movie!

i wish they spread the focus a little more. obviously val and holly were the "main" ambassadors and i fully expected them to get the most focus, but it felt like dante got way more focus than like, the entire funk tribe combined. and to an extent i get it i mean dante is an incredible character and was clearly the crews favourite so it makes sense they used him a lot even if he wasnt the star, but... couldnt it have been spread out more evenly? maybe when you look at like, statistics itd look better but it felt like dante was always at the scene of the crime (it was a lot better in s7 though! perhaps they learned...) and i wish characters like laguna and lownote got a bit more love

and finally: i cant wait for the tbt cartoon. i know none of the main trollstopia characters will be in it and ill miss them dearly but im so excited for whats in store

[rorschachisgay]

how would you make fallout better

i mean idk if i have a good way to Save Da Franchise but what i would ideally like for a new game is for Bethesda to 1) break out of the mould they set in 3 + 4, and 2) focus more on making side quests meaningful and in some way thematically intertwined with the main quest.

i think personally if i were to create a sequel my first dictation would be for it to be a territory we flat out haven't seen before and know nothing about, or that has only been featured in a non-canonical spinoff. the north east coast like washington state, somewhere southern like texas, a far northern region like Minnesota. somewhere where there's a drastically different environment and that isn't already affected by established history. that way you can actually build up some new and inspired ideas and i think if you do choose somewhere with a very different biome you can come up with great new monster ideas too, as well as consider new ways that societies could be rebuilt.

i think one of the biggest demands from the fans i agree with is a protagonist who is not a vault dweller. i don't care about this as much, but having a more blank slate character that is given a higher level of customizability is also something i think would be a real mixup for the franchise at this stage

bethesda's last two games have been very heavy on 1) family dynamics for instant drama and 2) the story idea set out in the van buren game docs, which i think at this point is completely tapped out. to me what fallout needs more than anything at this stage is new ideas. my ideal new sequel wouldn't have any of the usual factions in any major capacity (and definitely no BoS), it wouldnt rely on supermutants, it wouldnt be that heavily focused on vaults or vault-tec.

i think that a huge issue fallout 4 had was that it was incredibly set on one way of play and i think after the recent successes of stuff like baldurs gate, disco elysium, and other big indie RPGs, people are responding to that less than ever as you can judge by the lack of success of starfield. fallout 4 was really bad for having any skills or perks other than charisma matter, and they really need to take a serious look at how players interact with the game and what players today are enjoying.

a big issue i had with fallout 4 as well was the reliance on repeating radiant quests that felt very unrewarding and didn't move the story forward. i also felt like there was a clear lack of thought about actually carrying out the philosophical questions of the story... it was a ridiculously complicated narrative for very little payoff and very little creative vision... they would be better off just focusing on a dramatic story that plays with the political goals of different factions and their impact on humanity, which is what i think the best fallout games are about! fallout is about war and fallout 4 was like weirdly about like... espionage? and not even good.

ok. ummm. the other thing that it should have is you should have a ghoul companion you can fuck who is actually sexy and not cringe this time.

[flower-boi16]

I Watched The Hello Neighbor Cartoon (It's bad)

So just today while I was scrolling through my recommendations on youtube I saw a review of the Hello Neighbor cartoon that I never knew existed up until now. Just by looking at the show I didn't have very high expectations but I randomly decided to watch it cuz why not? I mean, it has an 8.6/10 on IMDB so surely it must be good right?....ya no. Anyways...the show sucks, here's why.

1. The Animation & Vissuals

The animation is...bad. It just looks very stiff and cheap looking, and the characters aren't that expressive either, they all look bland and soulless (which also describes their personalities incredibly well too). So much of it feels choppy as hell, like I'm watching a show made with two dollars on flash. I would say that this looks like a cheap Canadian cartoon (and I say this as somebody from Canada) but...even then there are Canadian shows that look more appealing than this.

The art style also looks bland, again, the characters barely have ANY real expression to them, and it really looks like a low-effort kids show more than anything else, which makes the show's attempts at being "scary" fall flat. Don't have much else to say here, the animation just looks that bad.

2. Comedy

There are a few times when the show tries to be funny...and it fails. None of the jokes here really made me laugh....at all. Though there were times when the show did get a laugh out of me...and they were when I wasn't supposed to laugh. Like that scene in episode 2 with where our main girl sees a bunch of neighbor heads I just couldn't help but find it VERY amusing, plus the credits which is just the neighbor goofily staring through the window where "dRaMAtiC" music plays in the background and it just looks VERY goofy. Aside from that, when the show is trying to be funny...it's not. It's just not.

3. Characters

A majority of the characters are honestly not worth talking about aside from Trinity and Nicky ig, they are all just...so boring. None of the kids' personalities are remotely endearing in the slightest and they are all just extremely one-dimensional.

Trinity is our main character and...I'm sorry but she just isn't interesting in the slightest. She has literally no personality or depth as a character and makes her a very boring protagonist for the story. She's also pretty inconsistent in episode 2 where she's all like "no we can't follow around the neighbor" when last episode she was perfectly on board with that and Nicky's plan? Then there's Nicky who also kinda sucks. Like the other characters he isn't that interesting or endearing at all, and they also don't even give a reason for why he thinks the neighbor is a murderer. Like, what made him assume the neighbor murdered his own kids??? It honestly would've been really cool if they merged aspects of Dipper from Gravity Falls and Webby from Ducktales 2017 together for his character because I could really see the potential here, but what we have now...ya.

The other kids are, again, not worth talking about because of how boring they are. They aren't funny or entertaining to watch at all, they all feel so bland and soulless. The other kids simply just exist and not much else. I really don't have that much else to say about the characters.

4. The "Horror"

So the show tries to be scary...but it isn't. Honestly, It's hard to pinpoint what parts the show wants me to be scared of because it's really hard to find a show with this art style scary in the slightest. Nothing about it is that "creepy" at all, though I don't even know this is supposed to be a horror show despite it being based on a horror game since I never felt scared watching it all.

I guess the show's overarching mystery is kinda intriguing...? But when the characters are so bland it's hard to even get invested in it. Don't have much else to say here.

5. Plot Holes

Ah yes, no bad show would be complete without plot holes, now would it? I'll just list some of the plot holes in each episode here:

Trinity SEES THE NEIGHBOR KILL SOMEONE IN THE STORE and for SOME REASON decides to run away instead of, oh I dunno...TAKING A PICTURE WITH THE EVIDENCE OR CALLING 911 IMMEDIATELY!!!!

Speaking of that murder, wouldn't have that got onto the news or something? Like, did nobody report it??? And if we assume someone DID report it, since the neighbor was the last one there who COMMITTED THE MURDER, wouldn't the officers put two and two together and realize it was the neighbor?

Also why did the neighbor commit the murder in the first place??? What was even the point of that???? Did he not have any money to pay for it???? Why????

The fact that there is just. A tunnel under the school. For some reason, which NEVER gets explained by the way.

When Nicky gets captured by the neighbor, where tf are his parents???? Did they not recognize their child is missing??? Why didn't they file a missing child report or ANYTHING???

There are more plot holes than these but these are the most egregious ones to me. Also the ones I already mentioned in the characters section. Besides, this post is getting long enough already so I'll just end it here....

6. Conclusion

So ya, the show sucks, 3/10, see ya.

[koorinokujira]

Yakuza Kiwami is an AMAZING game and I'll shove my love for it in everyone's faces now

So, I kinda realized I didn't make this post yet, and I literally finished Kiwami 2 yesterday, so... whoops? But no matter, better late than never, as they say! Spoilers below, like always, so keep reading at your own risk!

So, Yakuza Kiwami. I've actually seen a full playthrough of it a few years back, so I roughly knew what was waiting for me, but my memory is not my greatest strength, so I luckily forgot most of it. And honestly, even knowing some stuff didn't take away my enjoyment at all!

Now, I gotta say, playing this right after 0 was insane. It made my immersion so much better, and really made me feel things more strongly. I was violently dragged out of the relative peace I got after the whole fiasco with the Empty Lot, the familiar streets with shops and minigames I knew and loved into a new, unfamiliar version of Kamurocho along with Kiryu. It was rough- a lot of things stayed the same or at least similar, but there were enough differences for it to feel like a mockery of all the things Kiryu held dear. He was lost in a place he used to know intimately, and that really got to me, because I had just finished the previous journey with him and Majima.

And slowly unraveling what happened to Nishiki and seeing him fall so far from the bro we used to know genuinely hurt. Especially knowing that he wasn't a bad person before and that he was a sensitive soul that got completely crushed by the circumstances in his life.

As for the story and characters in general, I loved it, it got me in the feels and I was hooked the whole time! While I still think 0 is the best from what I played so far, this story was also amazing. Majima going all out in all the fights and with costumes and disguises, Date-san being an incredibly pathetic man and father who pulled through in the end and sorta sharing that with the Florist, Haruka being a little badass, Reina's tragic, misguided love... there was so much that I adored about this game, and the characters in the main story never really fell flat for me. It also made me love Kashiwagi even more, I just love it when he's there. And the ending was pretty heartwrenching too, though I wish it focused more on Nishiki's death than Yumi's, as I felt their brotherly bond ran way deeper than Kiryu's relationship with Yumi. But that's just my opinion, I still cried and thought it was pretty solid!

Then there are the sidequests. Hoo boy. I have to admit, I didn't really like those that much. They just lacked the spark that the ones from 0 had, and seemed somewhat repetitive in their themes. And there was of course also those very questionable ones. Of course, there were some pretty good ones too! And I had a blast in the whole Pocket Circuit saga, I love Fighter with all my heart.

Speaking of Pocket Circuit, the minigames were still really enjoyable, but I really missed Disco, to be honest. I wish you could groove in a club somewhere at least. The Karaoke gave me whiplash because it was so different (post Yakuza 0 immersion strikes again), and I hated the new version of Heartbreak Mermaid. But I have to admit, I absolutely loved Iji Sakura 2000 and definitely sang it way too many times.

Gameplay was pretty good too! I didn't really like some changes to the fighting system, but overall, it was still really enjoyable to punch everyone in close vicinity. I learned to use Dragon Style a lot more, in 0 I barely used it even though I had it. Tiger drop is spectacular, I will never sugarcoat anything ever again. The upgrade system took some getting used to, but it ended up being my favorite as it was more clear-cut and it was mostly stuff I'd actually use. The Majima Everywhere thingy was pretty fun most of the time! It could get a bit tedious to find specific Majimas, but I got through it like a champ.

So overall, amazing game as the title says, and I will also make another post with some funny screenshots for this game soon! Thank you for reading, and like always...

Have a great day!

[shuttershocky]

As an avid (?) Dota player, what's your opinion on other games in the genre such as HoTs, LoL, HoN etc?

I'm an avid Dota fan, but only a casual player as evidenced by my playtime

Anyway to answer your question, I've tried quite a few in my time!

Heroes of Newerth - This was Dota 2 before Dota 2. Had many old heroes from Dota but with a ridiculously fast turn rate and overall game speed. I didn't get to play it much, but a ton of the current pros in Dota 2 came from the HoN scene. I'm still hoping Icefrog ports some HoN heroes over (though some abilities like Puppet Master's Crazy Puppet have already made their way into Dota through skills like Winter's Curse) now that HoN is, you know, dead.

League of Legends - I had a lot of fun with it as a more action based take on the genre, but i disliked the general streamlining of strategy. Replacing trees and high ground for vision breaking with tall grass that just makes you invis while inside didn't really sit right with me, as well as how tame skills and items were compared to Dota (an ultimate stun in League is about the length of a regular stun in Dota, as League does not have an equivalent to BKB. Something like Flash moved you only a tiny hop compared to Blink Dagger's screen wide teleport, because of how busted introducing Dota-style mobility would be in League of Legends). Loved certain members of the cast though. My faves were Leona, Orianna, Lux, and Ezreal. The last time I played, they had just newly introduced Yasuo (I think this was in 2013?) so I'm sure a lot has changed since then.

Heroes of the Storm - It was a party game. I don't know how else to describe it. Way too gimmicky and casual for my taste, though I thought its talent tree was really cool (and Icefrog did as well apparently, patch 7.00 brought HotS talent tree into Dota). They also had some ridiculously cool ideas for character skillsets, Abathur was completely insane, and the Lost Vikings were a very unique take on one hero who is many (such as Meepo).

Smite - I played Smite in the beta and didn't play it anymore after it actually released. the 3D angle felt novel, but I really didn't see the point of switching to a 3rd person action control scheme vs isometric point and click when the map was just as flat with no verticality whatsoever. You can't make a classic MOBA map and then make someone run around it in 3D, without verticality it feels very boring and stale. I'm sure they improved it post launch though. It was also really fun to have main menu animations in the beta where the gods of various pantheons would be palling around. If I remember correctly, the Play button was a Norse deity (i forgot who) giving Ra a bearhug and ruffling his head while they smile at the player. So cute.

Battleborn - Every day I have to contend with the knowledge that Overwatch lived and Battleborn died. I liked Battleborn. i will never get to play Marquis or Phoebe again because the servers are deactivated. Fuck.

Super Monday Night Combat - Yes it was flawed. Yes making your level act as a multiplier of your stats (meaning being just 1 level above the enemy gave you an insane advantage) was really bad for game pacing and made games stompy. Yes every character having a grab attack meant that every character in the game had a channeled stun. I don't care. It had Captain Spark, a weird Rocketeer- Shark Boy fusion, and the most fun blink in the history of PVP games. This dude could teleport through walls and floors, letting knowledgeable players potentially get the drop on people from ANYWHERE (if they dont teleport to their deaths anyway) and that 360 degrees of possible angles was so fun I still daydream about getting to play Spark again. I can't. They deactivated the servers. I loved this game so dearly I wrote up character guides and posted on the forums every day. SMNC is where i got the name of this blog; my username used to be Camerashy, then it became Shuttershy, then people playing against me in SMNC thought this was a my little pony reference, so Shuttershocky it was.

Gigantic - They killed the perfect video game. I was there since Alpha testing. I have a shirt from the developers. Gigantic had some of the best character art in the history of video games. Playing it felt amazing, like someone finally figured out how to do a 3D MOBA, and it was to flip the whole concept on its head. Rather than defend a base, you had a massive kaiju on your team that kicked ass, and your objective was taking down the enemy kaiju while yours literally tore the battlefield apart. God. It was everything. I loved it so much. It had so much life left to live, but nobody played it, another victim of being a cartoon 3D team game that dared to be around when Overwatch arrived. Players who came in during beta or release never even got to play my favorite character of the Alpha test: Roland, because they took Roland away for some reworking and promised he'd come back, only for Gigantic to die before Roland ever returned. Tyto. Tripp. Mozi. Especially Beckett and Imani. I miss all of you every day. This was as close a PVP game could get to perfection in my eyes and it's gone. I will forever grieve what could have been

[strawsoldier]

Spring 2024 Anime-Round Up

I tend to do this Round-ups before the next season starts but thanks to my vacation it was delayed until now. I still haven't caught up on all my spring shows, but I did watch and finish the shows that are going to be written up here.

Anime of the Season: Sound! Euphonium 3

Best Opening: The Parade of Battlers (Black Butler: Public School Arc )

Best Ending: Twinkling Ash (Delicious in Dungeon)

Drops: Wind Breaker, Unnamed Memory, Blue Archive: The Animation

Plan to Watch at a later date: Girl's Band Cry

Completed:

Delicious in Dungeon - (9/10)

Imagine being a popular, well-written, and beloved manga and getting an anime adaption this good. Most of the time, the anime gods are cruel, but sometimes they can be merciful. Soooo looking forward to S2

Demon Slayer: Kimetsu no Yaiba Hashira Training Arc - (6/10)

Not sure how much milk the cash cow has left, but you can be sure the good farmers at Ufotable are going to keep squeezing that teet. I find it incredibly ironic that one of the complaints about DS when the manga was still ongoing is that the story progressed way too fast and now people are complaining the anime is too slow. At the very least, the switch to movie format should help the pacing issues...I hope.

Kaiju No. 8 - (8/10 (kek))

Real shit. (Kikoru spinoff when?)

Konosuba! 3 - (8/10)

Don't really have much to write tbh. It's still funny. Sucks the character designs are not as expressive as they were in the first two seasons, but we're here for the cast and they are still as good as ever.

Mushoku Tensei: Jobless Reincarnation Season 2 Part 2 -(6/10)

Didn't I say I was going to drop this series? Must've forgot. Anyway, watching this for Norn, would shot up to being the best character in this show, was worth it. Still don't care for much of everything else. Rudeus still sucks.

GO! GO! Loser Ranger! - (6/10)

The Boys- I mean. Loser Ranger is a show with a good concept and plot and some of the best direction I've seen in an action show. Unfortunately, it's boggled down by the fact that most, if not all. the characters in this show are not endearing or just flat out suck. I don't know if I'll bother with S2 but this was fun despite my lack of investment.

Jellyfish Can’t Swim in the Night - (7.5/10)

I don't think this was as good as everyone was praising throughout it's run, but it's a very strong story nonetheless. The themes that it tackled hit a little too close to home and the drama felt very genuine. Kiui was my favorite.

Laid-Back Camp Season 3 - (7/10)

Peak comfy is back!! This time with a new studio and much more RL backgrounds. Both of which I did not like lol. Granted, eight-bit at the moment is very stretched thin giving how many shows their are working on. Maybe in the future more staff can jump on future installments of Yuru Camp and make it better than what we got. Please add Aya to the main cast

Sound! Euphonium 3 - (9/10)

Kyoani is back and stronger than ever as they bring Kumiko's high school journey to a close. The drama this season was some of the best Eupho has produced and the new characters were fantastic additions to the cast. I am sad we didn't get as many performances but the one we got in the finale more than made up for that, and even made me cry a bit. This series is so important to me and I'm glad it got to reach it's conclusion at the level. Well done Kitauji!

The iDOLM@STER: Shiny Colors - (4/10)

Remember when I said how cruel the anime gods can be?

Black Butler: Public School Arc - (6.5/10)

Never saw this show ever coming back. And with a fancy Ishihama OP to boot. Hopefully a sign that more is to come.

[pumpkin-spike18]

✨Weekly Progress 2024 #13-15✨

I thought I missed 2 weeks, but turns out it was 3 🤐

Weekly Progress #13

Submitted DGM Page

Submitted 1/2 Fan Project checkin

Fleshed out about 1/3-1/2 P^3 outline

Read through + ID'd illustration points for Fan Project #2

Weekly Progress #14

Made SYVNH Script plan

Copied SYVNH + Side B to renpy

Talked with SFB musician

Drafted a pitch

Initial scripting pass for SYVNH main story

Sketched SFB Dove & Avia sprites (additional poses + outfits)

Linearted SFB Raven sprite

Weekly Progress #15

Initial scripting pass for SYVNH Side B

Finished 19 new additional SYVNH art assets

Coded in additional SYVNH art

Programmed in Side B link in main menu

Scripted in additional SYVNH art

I had a lovely two weeks of scripting 🙂🙂🙂

Yes, I lost my mind. Yes, it was mostly missing to begin with so no harm done.

Stuck in a Yandere Visual Novel...HELP!!

As I discussed before, I do my scripting in multiple passes. Though, this time I checked to make sure my staging is good before doing sound bites and audio. I'll admit that it's mostly so I can listen to streams as I go through the rather mindnumbing task. There were 10 files for the main story remaining so I tasked myself to script 2 files per day. Each file varied from as little as 150 lines (like 1 file) to 200 lines (most files) to 300+ lines (1 ending) and completing 2 files/day took about 6-8 hours.

Scripting mistakes result in both above and below. ...This is what I get for calling MC's sprite "mcs" and the male extra sprite "ms" One missing letter gives me a black shadow jumpscare.

The Side B scripting was a bit forgiving. It's only 28 pages compared to Scenes 5-6's 55 pages. So altogether Side B only took me 2 days for first pass scripting. That gave me time during the rest of the week to draw... new art assets... that I realized I needed during scripting. Some of them weren't required, but I felt would make a scene flow better.

And since I'm an artist?

Of course I did all 19 of them.

Wait, this wasn't updated- Just trust that I did 19 new image assets, including 3 new sprites 😂

Here are some previews. Is that a familiar character? Maybe~

So yeah, I've coded and scripted in all the new art, but I haven't tested everything yet. I plan to do that when I add in the soundbites.

A Sky of Falling Birds

...Still don't know what sort of visual I want for the game so I just started making sprites and lineart. I might make a demo with just the flat color at this rate tbh.

I got some positive reactions on their sprite sketches, so that makes me shy happy ;//v//;

Peter Pan Project = P^3

Still no title, but I've gotten used to calling it P^3 right now haha.

I didn't get very far with this project in the last 3 weeks, but about a third-half the story is outlined.

The story comes in 2 parts. The first part is 2/3rds outlined (1.7k+ words). The second half of the story is two bullet points lol. Granted, The second half may be a rapid descend to a conclusion. The planning document is already 2.3k+ words, which surprised a few folks...? I think my longest planning document was 11k+ words.

Hopefully next time I update, I'll have more info to share.

[Fan Projects]

Not too much/anything I can show yet as project rules have me not sharing until specific dates. It will be for Ace Attorney and D. Gray Man c: