#of their arguments before
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littlespoonevan · 2 years ago
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episode 6 is the best episode of s4 of sex education and i'm 150% sure it's because all of the main characters actually got to sit in a room together and interact for the majority of it
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aprillikesthings · 1 year ago
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“Bamboo is antifungal”
Because it’s rayon
“Eucalyptus fabric is cooling!”
Yeah, because it’s rayon
“We make clothing called seacell out of seaweed!”
Yeah I looked on your website it’s made by the lyocell process, which means-
-wait for it-
It’s fucking rayon!!
Listen. There is a list of actual plant fibers that are directly made into fabric: cotton, linen, ramie, some hemp. I’m sure I’m missing a couple.
But if you’re wondering “huh how did they turn that plant material into fabric,” 99% of the time? It’s RAYON.
All rayon is made by putting plant material in chemical soup, dissolving out everything but the cellulose, and turning the cellulose into filaments/fibers.
The source of the cellulose has zero effect on the eventual fabric.
Rayon made from bamboo or eucalyptus or seaweed is not any better than rayon from any other sources.
Don’t let companies mislead you!
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somewhereincairparavel · 7 months ago
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gentle reminder that jason has striked a god with his blade causing him to bleed, when the god was INVISIBLE, simply based on the movement around him.
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lucabyte · 1 year ago
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i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.
i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.
anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.
#[isabeau voice] am i insane or does sometimes loop talk like they might have killed their whole family. is that just me? just checking.#nille design highly inspired by @kiwibrain's since its the one that imprinted in my mind. liberties taken since i didnt look @ reference#anyway i have a lot more thoughts on this? i guess ill hide them in the tags...? scroll down i suppose.#isat#in stars and time#isat spoilers#in stars and time spoilers#isat act 6 spoilers#isat loop#isat siffrin#isat bonnie#isat nille#isat fanart#in stars and time fanart#doodlebyte#----------------------------------------------------------------------#anyway the extra thoughts. are literally just my general thoughts on postcanon. (and thus are the context for all of my postcanon doodles!)#which is i think nille joins the party before loop reappears for a start (either from a period of nonexistence or just wandering around)#and that like. i think the party should be able to integrate loop as a completely new person. because they are! the secrecy isn't great but#They and Siffrin shuffle into different ecological niches in the party (eg. i think sif is more squeamish after it all but loop isnt)#and while it's not *exactly* what Loop wanted they get that beggars can't be choosers. and its pretty good#(i am glossing over how i think loop's reappearence drags both them and siffrin into a massive behavioural backslide and is likely a bit#distressing to watch go down. cycle of argument -> lovebombing -> normalcy -> repeat. etc etc. but since they are no longer literally#stewing in the worst pressure cooker of all time they do resolve it via productive conversation on their own time. its fine)#the party well-meaningly tries to deduce things from loop's vagueries and are able to pin down the DEAD FAMILY vibe pretty quickly.#but eventually the question of their prior identity falls by the wayside because well! they're just their friend loop! (also change belief)#as for how The Truth Come Out... this is what i mean by The Isabeau Torment Nexus(tm). which is that i think... isiloop should almost occur#BEFORE isabeau knows who loop is. he's just genuinely charmed by them eventually and tries to close the open end of the polycule#which FREAKS LOOP THE FUCK OUT because thats just too genuinely sick and wrong. and obviously w emotions high its not a great confrontation#ANYWAY told u i had more thoughts. if i were normal itd be a text post but.
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fairuzfan · 2 years ago
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i have a special hatred for liberal zionists who say "you're not helping Palestinians" and pretending to advocate for us. keep our names out of your mouth. you do not speak for us. only talking about how you feel victimized while we watch people die of bombardment and starvation. i would rather you admit your selfishness than for you to pretend to care about us only to use us for your own self interests.
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keferon · 4 months ago
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Two Peas in a Pod: part 4/?
Hopefully the dialog isn't confusing.
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"Still dizzy?" 
"Not really," Jazz answered with a comfortable smile, though stole a quick glance over to the gate. The first since Blaster had arrived for the morning routine. The other mer wasn't awake yet last he saw, but he was shifting more. The medication had obviously long worn off by now, but Jazz still hoped they weren't in too much pain. 
But Blaster noticed and it prompted him to pause his checks to ask, "did he wake up last night?" 
"Kinda? He could have been talking in his sleep though." 
"Hm, there's a good chance he'll be up soon, then." 
Jazz's expression of his usual cheerfulness shifted, just slightly and if it had been anyone other than Blaster, they would have missed it. He flipped the clipboard over in his lap and rested his elbows against his crossed legs. 
"You're nervous," Blaster pointed out gently and gave Jazz an encouraging smile. "Is this about their injuries, or is this about making a friend?" 
The mer's face soured and he looked away. "I thought I wasn't supposed to ask." 
"That was about the gate, and I'm sorry about that." It was just the two of them on the pier, but Blaster still practised a surveying sweep of the area with what looked like stretching. Then with a lower voice, he continued, "The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. I argued that it would put them under a lot of undue stress, and you because you knew the Mer was here. Which is part of why it took so long for–" 
"–and it's fine to say this now?" Jazz snapped and turned back to him with a small scowl. 
"Jazz, how many staff members were in your area yesterday? When we talked about the gate?" 
He paused, trying to recall. Blaster was with him and the group that went into the bay had five… seven? 
"There was thirteen, Jazz," he supplied, knowing that any answer coming would be incorrect. It was a lot of people, and with Blaster already known for making waves on the regular, the sudden addition had eyes and ears on him. That, and because he had fought so hard against the 'great idea' brought up in the first meeting after emergency treatment had ended. "You didn't even clock the vet on standby at the pier entrance." 
Jazz huffed and laid out flat, resting his chin on his crossed arms. Okay, so he wasn’t paying attention to who was around. "Then what is it about the gate? I get the bit about climbing the walls, but…" 
"That one is on me, I was – am – being overly cautious. Not of you, but of others misunderstanding your excitement or anxiety as aggression. And I know how persistent you can be when something catches your interest. But that's not the point, what is, is that if the team reports you showing signs of aggression, they'll… remove him." 
Now looking worried, Jazz glanced from Blaster to the gate. "But what if he shows aggression?" 
"We're expecting that, at least at first." Blaster wanted to reassure him, but there were still too many unknown variables. "Unknown place with an unfamiliar face, and likely limited communication. There is bound to be backlash." 
Jazz looked down with an expression of growing despair, before dropping his face against his arms. His words muffled, "so whether he stays or not depends on me being able to talk with him." 
Blaster reached out and placed his hand on the orca's shoulder. "Listen, buddy, this might be hard to hear. But let me explain, okay? … So far it looks like there are no issues and the current plan is to have him released once he recovers." As he feels Jazz tense, Blaster frowns in understanding and begins to rub his shoulder to comfort him. "There is only one reason that the aquarium wouldn't go through with it, and honestly, I don't want that to happen. It's all sorts of fucked up and would only make things worse– but I don't want you to distance yourself from him. I want you to try and befriend him." 
"… why," Jazz asked weakly, cursing him for telling him the truth – for reminding him of the truth – for breaking his small piece of hope of not being alone anymore. If he was going to be taken away, if he was just going to lose him no matter what, then it would hurt less if he just ignored him. 
All sorts of answers bounce around in Blaster's mind. From wishful thinking – because I want you to go with him. To long term goals – anything we could learn could help Mers everywhere. But he settled on as close to the truth as he could. "Because I'm trying to make sure that no matter what happens, it's the best result for both of you. But I can't do that if the two of you can't at least work together. So, I'm asking you to try." 
"Right," because he doesn't need to be kept here to survive… he just needs time to heal. Where I – "–right. Okay, I'll try… but where do I even start?" Jazz took a deep breath to compose himself before he lifted his head. 
"Well, why don't we see if sleepy-head is waking up? Maybe he'd like breakfast." Blaster offered, first with a reassuring smile, but then twisted it into something more mischievous. "And maybe you could find out if he's got a beautiful name, too." 
It took a second to realize what Blaster was getting at, and for the first time in his life Jazz felt bashful. "W-what are you talking about?" He hid it terribly. 
"He's beautiful~" he whispered dramatically, and Blaster learned that mers could in fact blush. 
— 
When Blaster left to get food for the wild mer, Jazz calmly made his way over to the view port. Only to be taken by surprise, he was looking directly at Jazz. Though, glaring, might be more accurate with how his face was pulled tight with focus and the sheer intensity of his stare. 
But otherwise, they were completely calm. Jazz wasn't sure if that was a good sign or bad. Yet, it didn't stop his nervous excitement from returning. He waved with one of his best smiles – one without teeth – and greeted him with a friendly, "hello!" 
What he got in return was a slightly more intense furrowing of their brow – irritation or confusion? 
"Oh! Sorry, habit." Jazz switched to mer. {Hi!} 
The tension didn't leave his face, but there was slight movement and, again, Jazz didn't know how to interpret that. But he did answer, {||၊|။||||•။၊|။|။|၊|။||၊၊၊|?} 
"Uh…" Yep, didn't understand any of that. 
Then the door opened on the edge behind them and Jazz for a moment thought that it would startle the wild mer. But they didn't even flinch. And while their eyes remained on him, Jazz was fairly sure now that they had been using their sonar to track the human's movement. 
"Are they still asleep?" Blaster asked, puzzled. 
"Nope, very much awake." He shifted lower to try and get more than the man's boots in his sight. 
"Ah…" He sounded uneasy and began to make small careful steps around the edge closer to Jazz while he spoke as calmly as possible. "Well, I'm going to keep talking, just so you don't think I'm trying to sneak up on you." 
When he reached the point where he was straight across from the wild mer, they lifted their head to turn their glare on the human. Blaster to his credit did not flinch, but he did freeze. "Whoa– that's – wow, t-that's quite the look." 
A series of slow clicks came from them, but their lips did not move. Jazz didn't think it was echo-speak, as it reminded him of his own searching clicks when he was trying to get a better picture. "Oh! I think he's trying to see what you have." 
The wild mer glanced to Jazz, becoming silent once more before looking back up at Blaster. 
"Fair enough, alright new buddy, I'm going to be real slow about it okay?" Back to narrating his actions calmly as he knelt down. Showing the long pole with a thin, blunt hook, "just an arm I don't mind losing if you decide that you don't like the breakfast I brought," and poured out the fish from the bucket. 
Still the wild mer glared, unblinking and watching every little movement. 
"Okay… I'm not sure what to make of this, so far everything has been nothing like previous encounters." 
"Ya, didn't you say he'd be freaking out?" 
"You got anything to calm or reassure our new buddy here that I ain't going to hurt him?" Blaster was doing his absolute best at trying to remain calm, but even his hands were starting to tremble under the pressure the wild mer was giving him. He wasn't even moving, just watching, but it felt like the human was being stalked. 
Honestly, Blaster was probably one bad move from being lunged at. Though, if that was the case, he had maybe one chance to get away. The hammock would throw him off on the first strike, the supports could probably take two or four hard thrashings before it snapped under the mer's strength. Injuries be damned, this mer was in peak physical condition. 
Jazz gave a small chirp to try and gain the other's attention, and failed, but continued with trying to talk. {It's okay, you're safe.} 
He was given a very tiny dip of his finial facing the gate – a tell that he had heard him? 
{You're safe,} Jazz repeated. 
The mer didn't look away, but he did at least respond. {•၊၊|•|၊|။။၊|။•|||။||||။၊|။•၊၊||၊|။||||။•၊|။•၊၊||၊|။||||။၊|။•} Though, far too fast for Jazz attempt to understand. 
"I'm hoping you two are talking about your favourite fish." Blaster joked to cover his nervousness. 
Jazz sighed and admitted the truth, "I haven't a clue to what they're talking about…" 
"Just let me know if I should run, kay?" He shifted slowly on his knees, trying to find a comfortable spot without making himself too vulnerable. 
But Jazz hadn't given up yet. {Hungry?} He tried instead. 
More chirps and clicking that didn't translate. 
{Hungry? Yes? No?} 
The heavy huff that came from them caused Blaster to flinch, but the mer finally focused on Jazz. There was clear irritation in their face now on top of glaring. And the damns broke, he started ranting at him loudly. 
"Hey, don't yell at me, I'm trying okay!?" Jazz glared back, not backing down. Though wasn't all that intimidating with him just having a little porthole to look through. 
"Jazz, buddy, please don't aggravate him." He, after all, was the one in the room with the wild mer. 
"He fuckn' started it!" 
Silence came quickly as the wild mer plunked his face into the soft floaty that had been his pillow. Blaster would have found it utterly hilarious if not fearing for his life currently. With another heavy and long huff, the wild mer looked back at Jazz, still glaring, but slightly less than before. {•|||။||||။၊|။•၊၊||၊|။? Yes? No?} 
Jazz blinked at him for a moment, depending on the question, no could be a yes. {No…?} He answered tentatively instead. 
{It's safe? Yes? No?} And he pointed his nose towards Blaster briefly, but clearly wasn't happy about it. 
{Yes!} Jazz nodded vigorously and smiled for extra encouragement. Out of all the staff, Blaster was safe, Jazz held some trust in the human after all. {[Blaster] safe.} 
"What about me?" 
"He asked if you're safe and I told him you were. Relax a bit or something to show him." 
Easier said than done. Blaster cursed, but did his best to ease the tension from his shoulders and smile a little. Even, daring to slowly lift a hand to wave. 
The mer did not seem convinced, but his glare lessened some more and looked over the human with more curiosity than before. 
{Hungry? Yes? No?} Jazz tried again. 
There was a long pause, but they sighed and answered. {… yes.} 
"Progress!" He cheered and then stuck his hand through the little window. "Blaster, hand me one of the fish. He's hungry, but I have a feeling that he'll trust you more if he sees me eat what you have." 
"Okay." He made sure that it was clear as possible what his intentions were. Taking a fish under the gills, Blaster looped the blunt hook in and out the mouth. Then, very slowly, began to feed the length of the pole towards Jazz's waiting hand. Once Jazz felt the tail touch his palm, he grabbed it and waited until Blaster twisted enough for the fish to slip free. Then the pole was just as slowly drawn back. 
The whole time the wild mer watching the exchange intensely. 
Jazz pulled the fish over to his side, chirped for the other's attention before he swallowed it whole. Smiling once more as he said, {safe.} 
Blaster had to admit, he was surprised when the mer shifted slightly in the hammock, and then cautiously held out his right hand. The glare never left, but this one felt like a threat, that if he messed this chance up, there would not be another. 
Though this was the first time Jazz had been able to see any of his injuries. The colourful tape-bandages almost covered every inch of his skin from his hand up to his bicep. It reminded him that just yesterday he had been mortally wounded. Which was probably a key reason the wild mer seemed so calm, they had only started to recover and every action was either painful or exhausting. Likely both.
Jazz watched closely as Blaster went through all the careful steps as he had with Jazz and held the fish out. The only difference, was that the human's grip was loose, just in case the wild mer decided to try and yank him into the water with it. But they didn't, doing exactly as they saw before, allowing Blaster to release the fish and retreat. The whole process was so slow that the wild mer's arm started to shake from being held out. 
But both Jazz and Blaster let out a breath of relief as there had been no backlash. 
He eyed the fish in his grip with a mild sneer before he swallowed it and then held out his shaky hand for another. It was clear that the pain was getting to him, but nothing in his expression showed weakness. 
The feeding got easier and quicker as Blaster relaxed a bit, not fearing that a normal pace would come off as threatening to the wild mer. 
When the shaking got bad enough, the mer rested his arm back in the hammock, but kept his eyes on the remaining fish. As if to convey he wasn't finished, just needed a break. Blaster was more than happy to comply and gave him a few praises, even if they didn't understand. 
"Hey," Jazz called gently, chirping for the other's attention. He waited until they looked his way, then pointed at himself. "Jazz," and then to the human, "Blaster," and back to himself once more, "Jazz," before pointing to the other mer with a questioning tilt of his head. He hoped it was clear what he was asking for. 
When the silence stretched on for a bit, the human also joined in. "Blaster," to himself and to his mer, "Jazz." 
There was a brief moment that Jazz could see that they were working over something, opening their mouth a few times before the sound of a sharp zip came out. "… 'tzz?" 
Jazz snorted, before breaking into a few chuckles. "Ya, missing the Ja, but you'll get there. I'm Jazz." He placed a hand over his heart. 
The gesture was reflected, {•၊||၊။} 
It was his turn to try and work out the sound in his head. Jazz tried the word out soundlessly on his tongue once. It was like a popping roll? {•၊||၊၊၊၊၊?} 
{•၊||၊။} they repeated, firmly correcting him. 
"Nice to meet ya, {•၊||၊၊၊၊၊}!" While the mer scowled at him for not even trying to fix his pronunciation, Jazz just smiled brightly.  
"So... what is his name?" Blaster asked for a translation, very interested in the development between them.  
Jazz laughed, "I have no idea." 
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Don't ask about my attempt to make sound-wave-like-text, it's gibberish, lol, and going forward only •၊||၊။ (Prowl) & •၊||၊၊၊၊၊ (Prowler) will be used until Jazz has a English (common?) name to attach an understanding to.
Keferon, I just wanted to say that every comment or tag you leave on the fic is like serotonin being injected into my veins. Every silly little image is like rolling down a grassy hill in the warm sun while I laugh with manic joy. When you add art, it's like an adrenaline shot to the heart that makes me want to run across the globe just to frantically wave hello with both hands, give you a hug and run back to get started on the next part.
And the next part will be Prowl joining Jazz in the main pool and Jazz learning just how fast he is, even while injured. >:)c
-GLC
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Me looking in my inbox and seeing that there's two peas in a po
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Odjndgdjdkfhdkm PLEASE. Blaster is so nervous EVERYONE IS SO NERVOUS Ooohhhnooo he's gonna freak out and kill everything he can reach oh no we all know how all those wild stupid creatures are oh no watch out While Prowl is trying to blow their pancakes with mind
And I juswannasay I love it so much ehehejgknfbfkdn THE SOUND WAVE SPEACH? I LOVE THE LOOK OF IT EHEHEH
Always a big fan of creative ways of showing imaginary languages. This thing?? ||ll•|Il It looks hella stylish >:O
Aaannnndd I got excited and made some art hehe
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#maccadam#transformers#apocalyptic ponyo#jazz#prowl#jazzprowl#blaster#Blaster is slowly but steadily growing on me....huh#kinda torn apart with his design because technically all staff has to wear swim suits around pools. But also the whole Blasters design?#it screeeeammms “big hoodies and jackets”. he is SO blocky in canon. I can't imagine him in a swim suit lol#also IM SO FUCKING EXCITED FOR JP TO GET IN A SAME POOL OHOJFNFB ITS GONNA BE SO FUN#I love how you write them#I LOVE how I read the fic and from time to time I go#“huh I didn't consider that before”#like. I loooove when characters in a fic can do stuff in a way that is smarter than what I expected#and I have this little “oh wow okay” moment#it's not even about big plot. just. little things haha#also ahahahah I love how Jazz keeps “talking” to Prowl while simultaneously having NO idea what are they even talking about#like of course they have to have their first argument before they can even properly understand each other. My favorite JP flavor right here#fuck wait I need to add important tags before I run out of the space for them#ponyo jp writing#GLC#............I just realized I drew almost identical sketch with Jazz and this tiny ass window......#the pose is literally the same but it's drawn from scratch. lmao. oh well#Blaster is actively fearing for his life is the only real one here😔✊#Ohhhhoho Prowl is about to see how fucked up Jazz's situation is#everything. how he is too thin how his fins are curled and fucked how he has to perform for humans EVERYTHING#This fic is a fucking national treasure of this blog I tell you
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mariacallous · 2 months ago
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What sucks is that the US, due to the Build Back Better Plan (with legislation like the IRA and the IIJA and CHIPS and so forth) actually was re-establishing a really solid manufacturing and industrial sector and creating a lot of opportunities for new jobs to replace outdated industries and professions, particularly in rural and geographically diverse areas...only for it all to become totally fucked by Trump and the GOP and their bullshit.
We had a flourshing domestic manufacturing and industrial sector, in places that often got overlooked by policies and governments. And it's all being slaughtered.
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meloartist · 1 year ago
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"i simply do not see it. i am looking away"
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c-kiddo · 1 year ago
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i forgot all abt this comic until right now. the text is from a tumblr post of a discord message lol
[id is in alt text]
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labotor · 24 days ago
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most swagless bitch in santa monica 🩸🐺 (and that blonde guy idk I think he runs a baby formula company)
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somewhereincairparavel · 7 months ago
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'i hate jason grace because he thought he was worthy enough to compete with percy' I'm sorry have y'all SEEN jason. this man defeated a TITAN without weapons and his bare hands to the point the titan wanted to rise from the UNDERWORLD with the help of a GODDESS to seek vengeance over him. I think we can cut him slack for having some well deserved self respect bc I'd brag too wtf
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casually-eat-my-soul · 8 months ago
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One stupid headcannon I have for the reason that Arthur forgot Merlin during the Dolma thing is that Arthur just subconsciously registers Merlin presence.
He knows what it feels like to have Merlin in front of him and that what it felt like so obviously Merlin isn’t missing. It takes him a bit to register that Merlin isn’t really there becuase his body knows that he actually is.
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paiigemahoney · 7 months ago
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#give hen a raise
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greenbunny7 · 3 months ago
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*Stan and Ford walking down a dark alleyway when a guy with a knife shows up*
[Stan&Ford] Quick get behind me *they both say in unison*
[Stan] I already lost you once, I'm not doing that again. Get behind me
[Ford] Well, I lost you twice! So you are the one who is going to get behind me
[Guy with a knife] Umm, I'm like trying to rob you guys
[Ford] Can't you see we're busy!
[Stan] Very rude to interrupt
*The guy with a knife takes a swing at them*
*Ford just shots him with a dimension gun and goes back to arguing with Stan*
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justvea18 · 1 month ago
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Patroclus was an adult while Achilles was a child so they're proship?
No?? At least for me they're not
While Patroclus is indeed older than Achilles, as explicitly said in the iliad, acting as his advisor and such, in book 23, Patroclus himself said that he was taken in by Phthia as a boy - a child, most likely - and was raised alongside Achilles. Even saying that they did grow up together.
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So it's most likely their age is close enough for Patroclus to be Achilles' supposed role model (in terms of wisdom) and at the same time, young enough to be his childhood friend.
Then again, I am by no means a literature expert and these are just based on my observations. And the iliad is a very old poem and their ages are not said or specified, only described.
Source I used is Robert Fitzgerald's translation btw
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bennetsbonnet · 26 days ago
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Much has been made of Mr Darcy's "confession" to Elizabeth that he does not converse easily with strangers. It is repeatedly used to support neurodivergent interpretations of his character. And I suppose that when taken at face value, a character confessing that they do not easily converse with strangers and struggle to catch their tone or appear interested in conversation can absolutely scream AUTISM! (I say as an autistic person myself)
But this line is often taken in isolation. When considered in terms of the passage in which it appears in Chapter 31, it appears far less of a smoking gun than may initially be suspected. After some discussion about Elizabeth and Darcy's prior acquaintance in Hertfordshire, Colonel Fitzwilliam asks Elizabeth for information about Darcy's behaviour there. She readily supplies it:
'Pray let me hear what you have to accuse him of,' cried Colonel Fitzwilliam. 'I should like to know how he behaves among strangers.' 'You shall hear then—but prepare yourself for something very dreadful. The first time of my ever seeing him in Hertfordshire, you must know, was at a ball—and at this ball, what do you think he did? He danced only four dances, though gentlemen were scarce; and, to my certain knowledge, more than one young lady was sitting down in want of a partner. Mr Darcy, you cannot deny the fact.' 'I had not at that time the honour of knowing any lady in the assembly beyond my own party.'
What Darcy leaves out here is that it was he himself who chose not to be introduced to anybody. As we learn from the description of his behaviour at the Meryton assembly in Chapter 3:
Mr Darcy danced only once with Mrs Hurst and once with Miss Bingley, declined being introduced to any other lady, and spent the rest of the evening in walking about the room, speaking occasionally to one of his own party.
Anyway, Elizabeth correctly does not buy his excuses. Not only does she respond with a cutting sarcastic remark, but she tries to bring the discussion with an end by speaking to Colonel Fitzwilliam:
'True; and nobody can ever be introduced in a ball-room. Well, Colonel Fitzwilliam, what do I play next? My fingers wait your orders.'
But Darcy does not get the hint and continues conversing with Elizabeth rather than quitting while he's ahead. However, I don't believe him to be missing a social cue here. Rather, this is an exceedingly conceited man who cannot conceive that anyone would not want to speak to such a Superior Being as he and more-so, is determined to defend himself from a perceived slight against his impeccable character.
Then we come to the passage containing the oft-cited line which allegedly contains proof of his neurodivergency:
'Perhaps,' said Darcy, 'I should have judged better, had I sought an introduction; but I am ill-qualified to recommend myself to strangers.' 'Shall we ask your cousin the reason of this?' said Elizabeth, still addressing Colonel Fitzwilliam. 'Shall we ask him why a man of sense and education, and who has lived in the world, is ill-qualified to recommend himself to strangers?' 'I can answer your question,' said Fitzwilliam, 'without applying to him. It is because he will not give himself the trouble.'
Once again, Elizabeth does not buy his excuse for even a single second. She's fully aware of all the advantages a man such as he will have received in society (opportunities not open to women, might I add!) and draws attention to that fact. It's a brilliant, cutting line from her and she really set that one up for Colonel Fitzwilliam to deliver the knockout blow.
Not only do we have the testimony of Mr Darcy's cousin, that 'he will not give himself the trouble,' to appear cordial to strangers, but we have evidence from Wickham too. Although after this statement, Wickham quickly goes onto misrepresent Darcy's kindness to the poor, which contradicts Mrs Reynold's later testimony, I do believe Wickham to be telling the truth (for once!) here, when he tells Elizabeth in Chapter 16:
'Mr Darcy can please where he chooses. He does not want abilities. He can be a conversible companion if he thinks it worth his while.'
Which, again, demonstrates that Darcy is capable when he wants to be. That is the crucial point. Autistic people fundamentally lack the ability to understand social cues, they cannot turn it on and off as they please because they are snobs.
So, now we come to the infamous line about Darcy's supposed social struggles, and I hope that I've provided enough context to the line to make you see that it should not be taken at face value:
'I certainly have not the talent which some people possess,' said Darcy, 'of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done.' 'My fingers,' said Elizabeth, 'do not move over this instrument in the masterly manner which I see so many women’s do. They have not the same force or rapidity, and do not produce the same expression. But then I have always supposed it to be my own fault—because I will not take the trouble of practising. It is not that I do not believe my fingers as capable as any other woman’s of superior execution.'
Again, Elizabeth is not buying his excuses for even a single second and tells him if he feels like that, maybe he should put the effort in. She has seen him in numerous social settings and been thoroughly unimpressed with his behaviour which, when you consider his rudeness to her at the Meryton assembly, she has every right to be.
So, what do I make of the line?
Well, I think it's abundantly clear that Darcy absolutely can speak to people when he wants to. Perhaps, in his mind, he struggles to make that deeper connection and make friends easily. But making friends is not always easy, it's a process you must invest time and effort into. If you do not do that, it stands to reason that you will struggle. Plus, if you hold others to ridiculous standards (as Darcy does) without recognising and fixing the flaws within yourself, you're not going to have deep, lasting friendships.
While this quote may appear to be a moment of vulnerability where he does confess a fault of his, which is astounding given his pride, personally I do not think it was not a soul-searching exercise. It was to make Elizabeth stop grilling him. It was self-serving. Although, I don't think he's entirely lying. Darcy is veeeery careful with his words and though this statement is not considered and perhaps comes out rather abruptly, it doesn't necessarily follow that it isn't true. I can imagine that it is probably something he's felt for a while, yet it is a rather desperate attempt to defend himself from a woman who sees right through him.
I think perhaps Darcy does realise that he isn't as naturally gifted as other men he knows (such as Wickham, Colonel Fitzwilliam and Mr Bingley) when it comes to forming acquaintances. However, he looks outwards and turns that bitterness against the world rather than looking inwards, reflecting upon himself and improving his manners which would be the correct thing to do. Thankfully, he later does this, but it took him twenty eight years...
In addition, Darcy appeared to have been under the illusion that he could coast by on Pemberley's reputation... which has always worked... until he met Elizabeth. For perhaps the first time, he encounters a woman who is not awestruck by him and his reputation and delivers the rebuke that he always needed.
So, while personally I'm inclined to believe there is some truth to his statement, as Mr Darcy is many things but he isn't a liar, I think it is said in desperation. His feeling stems from him knowing what he should do, but he can't be bothered to enact it... rather than any inherent social deficiency stemming from being neurodivergent.
Although, even if he does struggle socially, it's still no excuse for the rudeness he displayed to Elizabeth! My main issue with neurodivergent readings of Darcy is when they are deployed to defend his behaviour, when they attribute his rudeness to any potential neurodivergency and when they excuse his laziness. That is an awful message! Autistic people who struggle with social cues often do not, nor should they, go around insulting others. They should and often do put plenty of effort into being considerate and polite. In fact, I think, if anything, a love of rules makes us more likely to have good manners, rather than the reverse.
Ultimately, I'm not sure this line makes Mr Darcy the sympathetic-poor-sweet-innocent-shy-boy-autistic-representation that people want him to be. In fact it makes him look even worse, if anything. On matters such as these, he is every inch the conceited proud man he was widely believed to be at the Meryton assembly. Luckily, Elizabeth is an incredibly smart woman, who doesn't fall for it and immediately calls him out on his behaviour in a way that he has never experienced before. As she should!
#mr darcy#pride and prejudice#jane austen#elizabeth bennet#colonel fitzwilliam#mr wickham#my analysis#nd things#let darcy be flawed you cowards#<- but we don't necessarily need to pathologise him lol#now i'll whisper quietly in the tags lest the ableist sections of the austen fandom tear me limb from limb#(not saying EVERYONE who disagrees with nd readings of some of darcy's behaviour is ableist just some ways it's countered are... Not Great)#that i don't actually MIND nd!darcy headcanons when done WITHOUT a view to excusing his behaviour#and being clear that it is NOT what the author intended but. autistic boys get away with murder even today so it isn't hard to imagine that#especially with someone with as much wealth and status as darcy... his worst traits could've gone unchecked for so long#but he main reason i don't inherently have an issue with nd!darcy is because nd people existed back then but we weren't accommodated#i get that if he was nd there is an argument the narrative is just about him learning to mask but... a) the concept of masking didn't exist#and b) if he was a woman he'd have had to do it long before 28 sooooo. let the big boy face consequences for his actions!#i think there's something in darcy interpreting his fathers advice so literally with no room for nuance#that it leads him down that path of conceit when he's not actually a bad man at his core and never has been#bc that's very black and white thinking which makes me wonder... but on the whole i'm not sure#i'm not saying either way and ultimately it doesn't matter but it's fun to consider#within reason ofc... it's comforting to see evidence of autism in classics it's one of my FAVE things#but not sure darcy is the best example of this#if you want autistic characters in p&p mr collins and mary are RIGHT THERE lmao#but perhaps they are even worse representation so maybe not lmao#anyway wanted to make this post for a while and the Words came to me today so yay#also i didn't mention adaptations but they don't help... especially A Certain One but i've moaned enough about it for one week#and not in a fun way
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