My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D
The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!
The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...
Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD
Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!
Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...
... And that is my likely unexpected choice for Yao:
ZUKO.
ZUKO IS YAO.
YES.
I'M NOT EVEN SORRY.
(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)
People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)
Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:
Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).
And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...
So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.
... but this isn't all.
Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:
WHY ZUKO AS YAO, THO??
... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!
What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...
He treats Mulan as his RIVAL.
And more often than not? SHE SCREWS HIM OVER. Intentionally or not.
What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!
The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?
So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!
I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.
So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.
Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.
And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!
Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!
79 notes
·
View notes
top 5 (or 10 if you have em) scully taking care of mulder moments <3
she said IF i have 10 😭😭😭
1/ sein und zeit
i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...
my tags here:
she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.
this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."
she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.
(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)
i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.
the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.
it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)
2/ demons
god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?
i always think about this post:
and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?
and these tags:
this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.
she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."
but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.
what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)
(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)
3/ the end
"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)
i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.
in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.
this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")
following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.
(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)
4/ paper hearts
oh, starbuck. we are really in it now.
paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.
one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."
in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."
i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).
from my newsletter:
There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.
he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?
i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.
what does that mean? what is she really saying?
this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.
and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.
it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.
it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.
(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)
in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.
the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.
this post:
Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”
she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.
5/ redux ii
remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."
the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.
she cries when he won't do it.
6/ herrenvolk
okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?
this is just so scully.
she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.
these tags:
she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.
one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.
there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.
(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.
in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."
remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)
7/ anasazi
ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.
the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.
(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")
8/ fire
girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.
trish, i loved this part of your post yesterday:
scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.
she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?
he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.
trish's tweet:
really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)
(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)
meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.
yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!
(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")
9/ deadalive
oh, you guys remember that time she raised him from the dead, right?
scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.
i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.
then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”
she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.
i always think of this fic and feel so ill:
��I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”
she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.
(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)
10/ fight the future
there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).
from my newsletter:
“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)
That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.
there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.
(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)
some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)
how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.
and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.
104 notes
·
View notes
i can't stop looking at his d—d—d—d—FACE!
pairings ⸺ (SEPERATE) boy next door!gojo x reader, wrestler!toji x reader, gym trainer!sukuna x reader, pizza delivery boy!choso x reader, husband's boss!nanami x reader, perv on train!geto x reader
summary ⸺ jjk men as overused p0rn/h3ntai plots! inspired by this awesome post by the talented, brilliant, incredible, amazing, show stopping, spectacular @/osamucide! pls check it out and the rest of his work :3
warnings ⸺ SMUT (mdni), consent is pre-established in all scenarios (but dub con just in case), everyone is of age (or older), exhibitionism, infidelity in nanami’s, pussy drunk men lol, not edited (as always), cowgirl, missionary, creampies, VERY public sex in toji’s, art by 3-aem, lmk if I’ve missed anything!
a/n lolll i'm ngl this was so fun to write. some of these scenarios are so funnny hELP. this one is also for some of the anons who are so obsessed w choso and sukuna in bridgerton au. wrote them for you 🫡 choso’s is my fav hehe
general masterlist
SUKUNA RYOMEN ⸺ HOTTIE'S PERSONAL TRAINER HAS A VERY HANDS ON APPROACH!
“Brat!” Sukuna’s voice cuts through the air like a whip. “Watch your back. You’re supposed to be hinging your hips back, not whatever lazy shit you were doing.”
He steps around to your side, the heavy thud of his boots on the gym floor adding to the oppressive weight of his presence. Squatting down, he sets his hips back in one smooth motion, demonstrating with sharp precision. “Like this. Not whatever the fuck that was.”
You glance at him, your legs trembling under you. Sweat clings to your skin, a thin sheen that feels heavy after the grueling thirty minutes with your personal trainer. Sukuna definitely takes the "tiger mom" approach, every tattoo on his body echoing the sharp, uncompromising authority in his eyes. Right now, those eyes bore into you, narrowed with impatience, his hands on his hips. His scowl is practically carved into his face—stone-hard and unmoving.
Breathing hard, you slump forward, hands gripping your knees as you gasp for air. Your heartbeat drums loudly in your ears. “Sukuna, g-give me a sec. I just—fuck—” You can barely string a sentence together between gulps of air. “I just maxed out. My legs are literally shaking.”
Sukuna clicks his tongue, shaking his head in disappointment, but his voice softens—just a little. “Fine. Catch your breath. But as you do that, let’s practice proper form.”
You nod exhaustedly, not being able to think very clearly. Wiping the sweat to prevent it from getting into your eyes, you put your legs hip width apart as Sukuna gets behind you to observe your form. You bend down, trying to sit back onto your hips as best as possible, but as soon as your ass grazes Sukuna’s crotch, you lose the form in your back in surprise. “Sorry—”
“That was wrong.” Sukuna’s voice is in your ear as he puts his hands on your hips, and you are dizzy with the contact. “Here.” Both of you squat down, Sukuna’s hard body moving right behind you, and at the lowest position, Sukuna’s thumb roves over the fat of your ass, and they leave your hips to trace up your back. “Your back should be neutral, otherwise you’re going to hurt yourself.”
“O—okay,” you breathily reply, dizzy with the way he was touching you. If you listened closely, it almost sounded as if you were whimpering. Unfortunately for you, it seemed like Sukuna was more observant than you had hoped because he was looking at you in suspicion, eyes raking up and down your figure to observe your appearance. Disheveled, chest rising rapidly, sweat dripping right in the middle of your breasts—
Sukuna, out of nowhere, grabs your hand and begins walking away. “Come with me. You’re not doing them right.”
Soon, you’re led into one of the gym’s stretching rooms—the private ones, the ones meant for Sukuna to help you after the workout.
“Sukuna, what are we—” you breathlessly ask, but you’re quickly shushed by Sukuna as he hoists himself on the massage table.
“Come here,” he motions to his lap, and you wordlessly follow his directions, sitting directly on top of his lap, gasping as you realize there’s a bulge making contact with your pussy. “We’re going to try an alternative way of doing squats, one that involves a bit more cardio.” He pulls down his sweatpants, blushing, furious cock springing out as he pulls down your yoga pants.
Soon, you’re moaning as you slowly take in his cock, sliding down as his precum and your copious amount of slick mix and drip onto his pelvis. Your feet are on either side of his legs, making you squat every time you lower yourself down on his length.
“Fuck! You’re so tight.” He slaps your ass as you bounce yourself rapidly on his cock. “Pretended to not know how to squat just for me to put this fat cock in you, isn’t that right?”
You didn’t have the capacity to answer, just moan as his cock hits your spot. Unsatisfied with your pace, Sukuna flips you both over until your back is on the table.
“Oh fuck yea,” Sukuna pants, hips pistoning into you rapidly, effectively fucking you into the table, and his quads are bulging in sheer strength as they clench and unclench in reflection of his pleasure. “Didn’t know my client had such a sweet pussy.”
KAMO CHOSO ⸺ SHE ORDERS BIG SAUSAGE PIZZA AND GETS HER DEEP DICK CRAVINGS FILLED! (the title is so ridiculous im crying)
“Your total’s $14.93. You’re five bucks short.” The delivery boy—an emo looking guy with hair in space buns—responds to the wad of cash and coins you had just given him. He couldn’t look any less bored than he was as he stared down impassively at you, hot, steaming pizza in one hand.
"Wait, but I ordered a small?" You ask him in confusion. "I couldn't possibly finish a large one by myself!"
He pulls out your receipt from where it was tucked into the pizza box. "Your order said a large." Upon glancing on it, you look that he was indeed correct—right next to your pizza, the size LARGE glared at you through the sheen of the reciept's paper.
"Oh," You said, dumbly, blinking in confusion. "Well, I can pay the rest in card if that's okay."
You get an impassive "I don't have a card reader."
"Oh, okay," you laugh nervously, hand going up to scratch the back of your head and fiddle with the rest of your fingers. "Okay, well," you squinted at his nametag, "Choso, let me just check the remaining cash I have. You can come inside if you'd like."
He comes inside, dropping off the pizza you ordered on your kitchen counter as he makes his way to sit on your couch. You go to your bedroom, checking your desk drawer for any loose cash you may have stored but to no avail. Heart racing and nervous, you frantically search the upper shelf of your room, on your tiptoes as you look for your money jar, praying that there was a 5 dollar piece of cash lying around. Instead, your fingers crash against some book propped on it, tumbling down onto the floor with a large thud!
You hear footsteps coming up to your bedroom door. Choso, standing near the door. "You good?"
"Yea," you strain, still reaching up high to grasp at the jar. "I'm just trying to find somethi—”
The heat of Choso's body surrounds you as he presses closer to you, reaching up effortlessly to grab at the money jar. His groin presses against your backside, acutely aware of his breaths as he passes you the jar.
Which is empty.
"Fuck!" you curse. You turn, looking at Choso in anxiousness, as you notice he hasn't backed away at all. "I'm sorry, but is there any alternative way to pay for the pizza? Again, I'm really really sorry for the hassle."
"You have to pay for the food in some sort of way," he says with a stony face. Your mind is racing, thinking of ways you could pay but coming up short.
As a result, you end up with your face stuffed against your pillow, the hot delivery boy plowing and drilling his cock into you.
"Fuck, so irresponsible. Couldn't even pay for the pizza she ordered without a stranger's cock inside of her." At his dirty talk, you whimper and squeeze his pussy, Choso groaning as a result.
"What was that?" He grabs your hair and pulls your face up as his tongue traces the frame of your ear. "What were you trying to say, you cockslut?"
"'M sorry!" You squealed and babbled, eliciting little ah! ah! ah!'s as he continues bumping his cockhead against the gooey spot inside your pussy.
"Yea, you better be. Wasting my fucking time. I'm going to come inside, got it?" Choso growls as he continues pistoning his hips inside.
GETO SUGURU ⸺ ANIME GIRL GETS HER PUSSY FINGERED ON PUBLIC TRAIN!
He pulls you in for a deep kiss while rutting inside you. "Aren't you my good girl? Taking this cock for me like a good girl?"
You squeal, blabbering nonsense as he fucks you into next Tuesday…
You read the smut from your favorite author on Tumblr, devouring each word while remaining stony faced as the train rocked underneath your feet. In the corner facing the doors, you made sure that you were angled in such a way that no one would be able to see the filthy things you were reading on your screen.
However, the metro was slowing down and you looked up quickly—which was painful, considering you were so invested in the story—to make sure it wasn't your stop. As the rush of foot traffic simultaneously populated and vacated the metro, you paid no attention to the people behind you. After all, other people would be too busy on their phones to see what you were reading, right?
"You're going to take this cum, right? I'm going to breed you, my sweet, sweet girl." He laughs.
You take a moment to take in his pretty features. Long hair, beautiful face, all filled with lust for you...
You scan the words, blush evident on your face as your favorite writer has done it yet again. Adjusting, you squeezed your thighs for relief and toyed with the hem of your skirt, failing to notice the soft breaths trailing down the back of your neck just because of how enthralled and taken you were with the plot.
And then, a hand trailed up your thigh, catching you by alarm. You almost drop your phone in your rush to turn and look at the creep that was touching you, ready to beat the shit out of him.
But when you do turn, you stop and widen your eyes. The man in front of you seems even prettier than the fictional man you were reading about, and you take him in as he rubs circles on your thigh. His sultry eyes rake down your figure, his lips pulled back in a knowing smirk. "That's some filthy shit you're reading."
Looking at him, your heart starts beating faster solely because of the promise of what his hands would do as they were currently softly stroking your thighs, getting closer and closer to going under your shirt. "I—I—uh sorry—I—"
"It's okay, pretty girl." He gives you a kiss on the side of your neck. "Continue reading it. Can you do that, baby?"
You nod, not trusting your voice. Coincidentally, you're at the part where the man helps the girl masturbate, rubbing and teasing her pussy up and down. The man behind you does the same, teasing your lips while refusing to delve inside your panties, no matter how badly you want him to do.
"That feel good?"
You whimper. "Yes—ah—it feels good. Please touch me on my pussy directly. Please."
The man behind you chuckles, and your knees buckle at how rich his voice is. You would join a cult for this man. "Since you asked so nicely, I will. Call me Suguru."
His fingers pull your panties aside and enters, soon knuckle deep inside your cunt, and as quietly as you can, you moan his name as he continues fingering you in front of all the strangers on the train. His hips press closer to your ass, and you throb even more at the huge bulge he’s sporting. He’s sloppily licking on the outside of your ear, right where you’re sensitive, and you shiver and lose yourself in the pressure even more.
The pleasure was building in you steadily and Suguru groans. “That’s right, take it all.”
You almost jump when the PA sounds. "The next stop is Shinjuku."
“That’s my stop. You have to cum before then, or you won’t be able to cum,” Suguru whispers in your ear, speeding up and hitting your g-spot with precision. There are tears forming in your eyes as you make an effort to stay quiet, especially with Suguru giving seductive kisses to your sensitive neck.
“Fuck, you got so tight,” he groans. “Gonna cum?” He uses his thumb to rub fast circles on your clit, and you see stars.
“I will—I will,” you cry, as the throbbing and pulsing sensation grows faster and faster until finally, you cum with a muffled cry, because Suguru has his fingers in your mouth to ensure you don’t scream out on this very, very public train.
“Squeezing my fingers so much, relax,” Suguru laughs, popping his slick-coated fingers in his mouth. “You gonna do that to my dick next?”
NANAMI KENTO ⸺ BEAUTIFUL WIFE HAS TO FUCK HER HUSBAND'S BOSS! (NTR)
“Mr. Nanami,” you scrape a hand through your hair and clear your throat. “You wanted to see me?”
For a moment, your husband’s handsome boss eyes you down, catching on the top button of your blouse currently unbuttoned. You mainly did it because of nervousness, the heat of the room escalating with Nanami Kento’s presence. After a long bout of intimidating silence, he finally speaks. “I assume you can guess why you are here?”
You bounce your knee as you sit across from the man, and you suddenly start sweating. Of course you can guess. Your bum of a husband—the one currently under your charge—neglects to do his deliverables, choosing to take comfort in the fact that you were his higher-up to trust that he would not be getting terminated for his lack of responsibility.
But what he doesn’t know is that you’ve been begging Nanami not to fire him, despite the propelling and clear reasons to do so. And you fear the day he finally chooses to stop listening to you.
“Team leader, I’m going to need much more convincing. Your team has been decreasing in productivity ever since your husband joined, and it’s hindering the company,” he reminds you stoically. “I’ve seen you working overtime far too frequently to cover up for your spouse’s negligence.”
You wish time would speed up just to get this difficult conversation with. “I—I’m going to be honest, Mr. Nanami. I don’t have much warrant to continue having him on the team, but it would put my family in much…emotional conflict if this were to happen.” The said emotional conflict would really only be from your husband. You’re sure he’s going to take this as an excuse to drink himself silly, blaming you for not being able to keep him employed. Your throat dries as you finally meet eyes with your boss, silently pleading him to come up with a solution.
“I see.” Nanami crosses his arms. “I suppose there is a…favor you could do for me.”
At that, you perk up and nod your head frantically. “Of course. Anything.”
Which is why you find yourself bent over Nanami’s desk, his cock drilling inside you. He’s ripped your stockings, pulled up your miniskirt, and put your panties to the side as he moans about how sweet your pussy feels. “I’ve been waiting for this forever. Tell me, is my cock better than his?”
“It is!” you squeal. “You’re so—so big!”
Nanami moans as he ruts inside you, your walls squeezing him tight. “Darling, I c—can tell he doesn’t treat you right. You are so tight around me, pussy’s been waiting for a while for a real man.”
You moan and curse, blabbering affirmations while his dick impales you. Even though Nanami is the one who’s owed the favor here, his hands wind their way around your body to rub at your clit, simulating you even more, making you sob. “Please don’t stop!”
“I won’t ever, sweetheart,” he pants. “I’m going to finish inside her, okay? Make sure to keep it in when you go home and greet your husband.”
FUSHIGURO TOJI ⸺ BABE GETS IMMEDIATELY DESTROYED IN NAKED WRESTLING (WITH AN AUDIENCE)
Cheers surround you as you step into the arena. You know who your opponent is—-Fushiguro Toji. Even when you looked at his pictures earlier, you knew you were doomed. No matter what angle the photographer took the photos in, his muscles seemed to be bulging, effectively spelling out the sore defeat you were about to face today.
And there he is. Him in the flesh. He’s leaning against the boxing ring’s outer borders, head tilted back lazily while his manager, Shiu, was informing him quickly (and intensely) about the rules of today.
Nothing crazy. Only fuck when all clothes are off of her.
The way his neck is tilted back, compression shirt showing off his upper physique made you weak in the knees already. Additionally, judging based off of the bulge he seemed to be sporting in his grey sweatpants, you knew you were doubly fucked.
Shiu seems to be done talking, so he steps back and takes a seat. Toji leans his head back, rolling his neck to stretch it out, and in the middle of doing so, catches your eye.
You almost drench your panties.
His eyes darken, giving you a sultry look as he cheekily winks. While his cocky demeanor was warranted (he was much stronger and bigger than you), your cheeks heated up in both arousal and irritation.
The sound of a whistle is heard as music starts to play. The stadium’s screens flashes the cocky image of Toji, who saunters in the middle of the ring, flexing his muscles to his screaming fans.
When your signature theme plays, you do the same, to no shortage of fans yourself. You can feel everyone in the stadium, especially your male fans, rove over your figure. You’re wearing a very low cut top that displays the swell of your boobs and even tighter shorts that squeeze your ass and show off the shape of your pussy. As you walk towards Toji, you can feel his heavy gaze on you as you nervously shake his hand.
“Try to last long, okay?” Toji smirks, patting your shoulder. “I’ll try to drag this out as much as I can, but it’s gonna be fuckin hard if that ass is grinding against me.”
You glare at him, but there’s not much intensity there. “Yea, yea,” you huff. “For all I know, you’ll be my personal dildo today.”
And the fucker’s smile widens. “Let the games begin.”
Soon enough, the sound of the whistle draws you towards each other, keeping each other in a lock to tackle the other down in an objective to take off layers of their clothing. Your fans cheer when you have Toji underneath you for a split second, only for female ones to become more riotous as he easily overtakes you, pins your hands down, and wrenches your shorts off of you.
“Toji is currently in the lead!” The announcer’s voice in the stadium echoes of your defeat as you flail around, now bottoms only covered by your panties. Deciding to pull out your signature move, you maneuver so your thighs surround Toji’s waist and hump your hips against his bulge. This momentarily distracts and weakens Toji, and you take full advantage of it by overtaking him and now straddling him. You quickly take off his shirt, salivating at the muscles you see. The whole stadium, in fact, can his abs and pecs glistening with sweat.
Your attention is back to Toji as he chuckles darkly. “You’re going to regret that. I was going to drag this out, princess, but I gotta fuck the brat out of you.” With that, he puts his whole body weight on you and strips you down one by one.
The arena cheers as your lace bra is uncovered, your sweat shining on the screen as your breasts are displayed. Toji then unhooks your bra, and the roars get even louder as your tits pop out. He takes a moment to grope them, your whines ignored as he pinches your nipples. “What a sensitive girl,” he coos. “Too bad she was too weak. Now she’s going through to have to take my cock.
With that, he finally unveils your glistening pussy for all eyes to see and the crowd goes wild, chanting for Toji to finish inside you. Toji flips you over so you’re on your hands and knees and pulls down his pants.
You don’t look back at the monster that’s about to enter you for the sake of your mental health, but your legs are shaking in anticipation of his cock, slick dripping down your thighs.
“Fuck.” And Toji’s slowly entering you, the humiliating plap! plap! plap! of his hips against the flesh of your ass echoing multiple strangers watch your pussy get wrecked. “The fuck this pussy’s so tight for? Thought you were a slut?”
You’re tearing up, but not fucked out enough to prevent you from snarkily replying, “You’re not turning me on, small dick.”
He did not like that very much.
Toji drills his hips into yours faster and slaps your ass multiple times consecutively. “Yea, so why is she clenching so fucking much? Why is she dripping? Just for that, I’m going to come inside of your slutty pussy.”
The crowd chants cum, cum, cum! and Toji just does that. Ropes of his cum fill you, and you drop down in exhaustion to hear Toji declared as winner.
GOJO SATORU ⸺ GIRL GETS FUCKED BY PEEPING TOM NEXT DOOR!
You sigh, extending your back and un clipping your bra, letting your tits bounce free after a long, long week of college. It was finally Friday night, and with no one in the house due to a party the rest of your family was attending, you could finally enjoy your time home on the holidays, starting with a solo session.
You clench your thighs in anticipation as you scrolled your phone, seeking an audio you could masturbate to. And you were close to finding one, until you felt eyes on you.
These eyes were nothing new. The boy next door, Gojo Satoru, has also been your crush since middle school. Even though neither of you have ever made a move, you’ve made bold moves since starting college, stripping with the blinds open to give him a show. You had kind of had a sixth sense as to when the fucker would start watching you, and it flared as you slowly dragged your hands down. Bending over and shaking your ass, you slipped your skimpy shorts down your legs, giving him a clear view of your wet pussy.
But masturbating wasn’t enough for today. None of the college frat bros could make you cum, no matter how much they boasted about their fuckin roster, and you were tired of Satoru just watching. Just seeing him work out shirtless in his lawn, sun shining his sweat to give him a golden halo, was enough to make you sick, hungry for his dick. The way he was so shy and the mannerisms he had (as a loser) let you know he had a big fucking dick.
Needless, to say, you were tired of just fantasizing and speculating about his dick. Turning around, the moonlight allowed you to see the silhouette of his wrist moving up and down his length, even if he had tried to make his best effort to darken his rooms. Putting on your best show of an angry face, you grab your phone aggressively and dial his number.
The line rings, and he picks up. “Hey,” and you can tell he’s a little breathless. “long time no see. What’s up?”
“Cut the fucking act out,” you spit. “I know you’ve been fucking watching me, perv.”
Satoru’s panic is comically obvious over the phone as he rushes his words. “Wait, wait—listen, I—I can explain.”
“On how you’re being a peeping tom?” You glare at his window. “Come over, Gojo. Then I’ll listen to your fucking explanation.”
One thing leads to another, and now you’re spread out on your childhood bed, Gojo whimpering and whining as he plows his dick into your pussy. “You feel so—so good. M’ sorry—sorry for doing that. Your pussy is too good for me to look at.”
You laugh meanly and grab his chin. “You feel sorry yet, you pervert?” And Satoru can only cry out as you yank his head. “Remember, this is the only fucking thing you’re good at. Being my glorified dildo. Got it? Now, you’re going to fill me up only after you make me cum at least two times.”
a/n yea this was depraved….lmk what yall think tho 😭
comment and reblog I’d love to hear your thoughts! (also, requests are open heheh)
10K notes
·
View notes