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manicpixiefelix · 9 months

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head, heart, hand. {Felix Catton/Reader/Oliver Quick}

Part 5.

Summary: Reader, Oliver, and the mortifying ordeal of being known. Plus clubbing, costume parties, and Oliver being a fucking tease.

{ masterpost }

Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.

Warnings: drinking/intoxication/drug use

A/N: 3148 words. now we're cooking with gas, folks! i might be too sleepy for a real author's note, but just know, as always, its unedited and i love you. have fun, please let me know what you think!

TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)

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"Can I be bold for a minute?" On the roof of one of the dorm buildings, you and Oliver are waiting for Felix. It's twilight, the sky painted lavender by the setting sun and encroaching night, and everything feels a little dreamy.

"If anyone would appreciate boldness, Ollie, it's me," you tell him blithely around the cigarette you're trying to light. Still, he's quiet for this one moment, watching the way you cup your hand around the little flame to shield it from the wind.

"How did you and Farleigh ever get so close, considering how he treats you?"

You're pretty sure you know why he's asking you, considering what few interactions he'd witnessed between yourself and Farleigh, but it's still unexpected coming from him. For a moment, your gaze flicks to him, eyes narrowed, not quite sure what to make of the interaction. When your gaze meets his, he's looking at you with that intent, inquisitive look he got in moments like these, moments he seemed to fish for information without seeming like that was what he was doing. The silence and look that you level at him seem to throw him off guard, and immediately he drops his gaze to his feet, swinging off the edge of the building.

"That is bold," you finally settle on, watching Oliver fidget. His ankles cross, his shoulders slump; again he makes himself as small as possible. You deliberately make your tone lighter when you continue, "what's got you worried 'bout me an Farleigh?"

"I mean, all I'm saying is that he was being nasty to you, but now you're both kind of acting like he wasn't."

It's true; since his apology that Sunday morning Farleigh had been keeping his word about not being too bitter about Oliver to or even around you and Felix. You, in turn, made a special effort to spend time with him, pay him attention, made him feel like your priority on occasion. Both you and Farleigh were well aware of what you were doing, but he always enjoyed your company and attention, so it wasn't like he was going to complain.

"Farleigh and I understand each other."

"He slept with your girlfriend."

"India's not my girlfriend."

"He- he keeps calling you a dog."

That hit a nerve. You hadn't realised he was paying attention to that back at the pub. You swallow hard and look out at the horizon.

"And?" Raising the cigarette to your lips again, you don't look at him as you take a very long drag on it, "there are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy," you breathe out with the smoke.

"Doesn't seem like the way friends should talk about each other is all," Oliver says quietly, notes of apology in his voice; you can see him looking at you again out of the corner of your eye.

"Best friend, actually," you finally sigh, letting the tension drop from your shoulders and the moment. As you look at him over your shoulder, you give a faint smile in the face of his confusion, "we've known each other long enough that we can say pretty much anything we want to each other. Only problem is that Farleigh knows that pushing my buttons also pushes Fi's buttons, which is why he does it so often. He's a shit-stirrer, but you haven't known us long enough to know he doesn't really mean it," you tell him with surprising fondness in your voice.

"I'm sorry for prying," Oliver says earnestly, and you smile wider.

"I'm sorry for being so defensive; I realise how it must look from the outside."

Before anything else can be said, the door to the roof bursts open, and Felix greets you both with a hundred-watt smile and a packet of fish and chips in his hands. You descend on him like a seagull, swapping your cigarette for the hot food, tearing into the paper wrapping and settling by the wall at the edge of the roof near Oliver once more.

There's a beat where Felix is watching you and Oliver, his smile soft and fond and endeared, but there's something in his eyes that's been there since that lunched they'd shared at the pub -

"I shouldn't say -" there's a lot of things Felix shouldn't do that he does anyways. Considering his wealth, he could get away with a lack of self control, "I just genuinely didn't know, I mean I might have guessed- did you know?"

"Know what, Fi?" You're still in his bed, bleary-eyed and desperately wanting to go back to sleep when he'd come back from the pub buzzing instead of tired, as he'd predicted.

He'd spent the better part of the afternoon with his head on your chest, explaining the almost Dickensian tragedy that was Oliver's life. Sure you were listening, but you didn't have much to contribute other than faint noises of interest while your fingers carded through his hair.

There's something about the way Felix recounts all this information to you, the way he finds it salacious and heart-breaking all in one. You can hear in his voice that he'd captivated, that he's endeared by the struggle that has followed Oliver throughout his life. As much as you loved him, you'd watched time and again the way he'd fall for tragic tales and the people who'd recount them; Felix had a saviour complex, and it was the only thing the two of you had ever fought about.

Last year it had been Eddie, the worst of the bunch so far. Like Oliver but in the opposite direction; too much, too loud, too confident to hide his ugly secrets and desperation to be wanted. Eddie had been Icarus, taking for granted the wax wings Felix had given him, the good life, attention, a comrade who almost understood him. But he'd played with fire, played with Venetia too many times, and the wax wings melted. Not that you'd cared; you were the one who spotted them, you were the one that told Farleigh, you were the one who listened to Felix's furious rants every few days for the rest of that Summer. You'd never liked Eddie like Felix liked Eddie.

Oliver was different. You wondered if he was different enough.

Still, as much as you liked Oliver you could see it in Felix's eyes, hear it in his voice; he was already getting himself addicted to the idea of how much better he could make Oliver's life. But Felix had hated it the last time you'd pointed something like that out.

("Then why the fuck would I keep you around? Maybe it's because I don't pick my friends based on whether they're charity cases!")

So you keep your mouth shut. Maybe it's worth it for the way Felix smiles -

"I don't -" Oliver's fidgeting when Felix asks him to tag along to a costume party, "have anything to wear, really," he admits. Immediately Felix is offering to let him borrow something. There's a flicker that looks almost hungry in Oliver's eyes amid the gratefulness, and you wonder if he knows how many people would kill to get into Felix's pants. Still, he's humble, "you don't have to do that."

"I don't have to do anything," Felix shrugs with the easiest smile in the world. Then, in the next sentence, completely glossing over the act of kindness he looks at you, "tell me you aren't still expecting Farleigh to commit to that devil costume with you."

"He told me he'd put effort in this year -"

"He tells you that every year," Felix laughs, and you lean into Oliver's shoulder to explain.

"Me and Farleigh always organise to go to one costume party per year as an angel and a devil -"

"And every year," Felix rolls his eyes with a good-natured exasperation, "Farleigh wears some vulgar t-shirt and two party hats for horns, while Y/N puts weeks of effort in and wins best dressed every time-"

"Not every time," you protested, while Oliver looked faintly impressed, leaning back against you too.

"The only times you haven't won best dressed was if there was no competition to win," Felix points out, before looking past you to Oliver with an amused smile, "so I can't promise you a Y/N-level of costume, but it'll be more than two party hats."

"If you wanna give me two party hats, I'll wear 'em," Oliver says, hands coming up as if to placate the both of you. Instead, you grin wider, throwing an arm around his shoulders.

"We'll make you all pretty, Ollie, don't worry."

Unsurprisingly, on the night of the party, Farleigh showed up to 'get ready' at your dorm, which meant him lazing on your bed, drinking and sharing his coke with you while you put arguably too much effort into your makeup. He, of course, is wearing two party hats, and t-shirt that simply says 'EASY', and though you pretend to be annoyed for all of five minutes, he gives a shit eating grin as you chew him out.

"Fool you once, shame on me, sure; fool you six times, that's on you, Y/N."

You flipped him off with a grin.

"There they are!" India cheers from the sofas where your other friends are gathered when you arrive to the party. Farleigh, on your arm, makes a show of his entrance, "not you, Farleigh, obviously." India rolls her eyes, but thankfully Farleigh wasn't too put out. Instead, he swans towards the group to claim a seat.

"Give us a spin, angel," Annabel insists with a coy smile, and you oblige her to the whistles and cheers of the rest of your friends.

"You outdo yourself," Felix told you fondly as you dropped into a beanbag by the sofa he and Oliver had been occupying.

Felix is looking at you, that kind of dangerous look when he thinks you're especially hot and there's only a thirty percent chance that the two of you will even make it to a dark corner. For just a moment, however, your gaze flicks to Oliver, by his side, and he's watching Felix too, absolutely rapt by the way your best friend looks at you.

"Only in comparison to Farleigh," you shake your head, forcing yourself to be Felix's self restraint, especially so early in the night, "besides, look at you; you've certainly grown into this since I last saw you try it on," and you leaned forward as best you could, looking across the circle of friends to the pretty, redhead in the slinky nurse outfit, "how fucking good does Felix look, Annabel?" You ask pointedly, and you can see Felix give a restrained chuckle before turning his attention to his own not-girlfriend, who seemed glad for the chance to gush about him.

Sitting back, you chance a glance once more at Oliver, and somehow aren't surprised to see him looking back at you. All you do is smirk, well aware of what you were doing.

Felix's clothes are too big on Oliver. The costume, though you're not exactly sure what he's meant to be, kind of wears him instead of the other way around. Felix, of course, looks all kinds of gorgeous as a police officer, while Oliver looked rather like he's wearing his big brother's hand-me-downs. But he's rolls up the sleeves and always looks up at Felix with these blue, doe eyes shining with gratefulness, and no-one else cares enough to comment either way.

You wonder if anyone else has noticed, the way Oliver's personality changes with his focus. It's not in large ways, perhaps others think its like a trick of the light, but the way he looks at others, the way he behaves, it seems to vary from person to person. Tactile, distant, closed off, hesitant, open, honest, warm, skittish, never truly the same with each individual. It's like he watches, figures out what people want to hear, what they want from him, and does his best to give it to them. It's almost painfully familiar.

Oliver gives Felix what he wants in a way you know you never can; Oliver gives him someone to help, someone to feel like he's saving. As long as Felix is happy, you tell yourself, that is enough, and it's easy to like Oliver in your own way. The only problem you've found is that as much as you like Oliver, as intrigued as you are by him, you can't quite get a read on him, what he wants, what your place may be in his life. He's always watching, always searching for something, but you're never sure of what.

So you decide to show him love, show him appreciation the way you know best.

More and more you choose to stay by his side when you're all out, at the pub, at clubs, either of you are not with Felix, or if you're not otherwise occupied by someone requesting your attention, you'll be with Oliver.

Tonight, at the club, a girl from town had been occupying Felix's personal space for the better part of an hour, and by the time he has her against a wall down a dark corridor, Oliver's absconded from the dance floor to get another drink, but hasn't returned. You find him skulking against a wall, half drunk pint in his hand, gazing out through the crowd. When you join him, when you follow his gaze, you can see the silhouette of Felix and the girl, his hand up her shirt through the haze.

"It doesn't bother you?" Oliver asks, loud enough to be heard over the music, but not by anyone else.

"The girls don't bother me," an easy, languid smile spreads across your face, "the girls love me," you amend, smile turning a little smug as you watch Felix and the girl whose name you can't even been be bothered to recall.

"Felix's girls?* Ever-hesitant Oliver, even here and now, sounds carefully demure amongst his curiosity, "do you -?" He makes an awkward gesture, but you read his intentions and laugh dismissively.

"No, no... well," you pause for a moment, "occasionally I have my fun, I suppose, but not like that; girls who are into Felix aren't traditionally into me like that, no," you shake your head with an an missed smile, "but that's why they like me, I'm not a threat, see?"

Even through the haze and flashing lights, you can see Felix's hands on the girl; he's warm and rough and the way he holds always feels so fucking secure -

Looking away sharply, you're surprised by how intently Oliver's watching you. Its genuinely startling, and though he seems to understand this but doesn't look away. For just a moment your breathless, caught up in the night and the jealousy and want for your best friend that you usually have much more control over - your own words echo in your head; I'm not a threat, see? A smug lie, a joke at all those poor girl's expenses since you knew they were never going to last.

Oliver's gaze burns when you finally look him squarely in the eyes; he knows.

"I get the impression people assume a great many things about our Felix," he wets his lips, casting his gaze to darkened hallway, to where you had seen Felix with his mouth on the neck of his girl of the night, but you can't look away from him. Our Felix. "And about you."

"And you?" Your tongue darts out, wetting you lips as you draw Oliver's attention back to you, tone flirty. There's something exhilarating about this man that you can't help but want to tease out.

"Not much to assume," he gives a faint smile that doesn't quite reach his eyes, "I'm more the observant type than one whose observed."

"You make the assumptions."

"I make the assumptions," he actually smirks, a bit of that usual gentle hesitation that he approached the world with slipping for just a moment.

"And?"

"And what?"

"Do you have a lot of assumptions about Our Felix?" You tease his earlier wording, but once again his gaze drifts to your best friend, if he still is in the crowd. Them, quieter, almost as if you don't mean to you murmur, "or me?"

"Had."

"Had?"

"Had a lot of assumptions," there's a kind of mischief in his eyes as his tone takes on an air of nonchalance, "'bout him, 'bout you too." As he speaks, you step towards him, hand on his arm, moving steadily higher. He can feel it, you know he can, but all he does is smile wider, refusing to break your gaze.

"Like what, Oliver Quick?"

Leaning in, Oliver takes your face in his hands, bringing you close, sharing breath, lips inches from his.

"Like how they write Odysseys about your kind of loyalty," he mumbled, and you feel like his gaze alone could swallow you whole. There's a aching, yearning that you feel in this moment, when you crush your lips to his. It's quick and desperate, and he pulls back, "like how you show love with every fuckin' bit of that body of yours," this time he pulls you in and it's rougher, it's needy, he bites at your lip and you whimper against his mouth, press yourself against him, "like-" he kisses you quickly, "like- like-" but as you find yourself trailing rough kisses down his jaw, he seems to lose his train of thought.

"Yes?" You prompt with a laugh.

"Like how you're desperate to feel needed."

"Observant," you tell him softly, raising your head, arms still around him. In this moment, his expression is open, watching you, waiting for you to react, "more observant than anyone else."

"You wear it on your sleeve, sweetheart," he says bluntly, but something about being seen, about his unwavering honesty, that sets your heart beating, burning in your chest. Or perhaps it's that he called you sweetheart; it's rare that someone is so sweet to you.

"Then need me, want me."

"I do," this time when he kisses you, it's gentle, full of warmth and unexpected love, and the way he holds you close makes you feel so precious and desired at once, "but not like this, not now." And he's letting you go, despite the way your lips tingle and the damn butterflies in your stomach. You desperately want to cling to him, to ask him what the fuck he means, but he kisses you on the forehead and tells you to get back safe, wearing an almost smug, knowing smile, disappearing into the crowd. You can't even go after him, he's made you damn weak in the knees and all you can do is lean against the wall for support.

Felix and his girl have disappeared.

Your friends are still living it up on the dance floor, you're sure, but you have only one thought on your mind.

Oliver Quick is a fucking tease.

#felix catton x reader x oliver quick #saltburn x reader #felix catton x reader #saltburn imagine #felix catton imagine #felix catton x y/n #felix catton x you #oliver quick x reader #head heart hand fic #oliver quick x you #oliver quick imagine #manic writer

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featherquillpen · 2 years

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Gained in Translation

I speak four languages (at varying degrees of fluency) and do translation both for smooth and peaceable family reunions and for fun, with works of literature I enjoy. It's practically a truism at this point that meaning gets lost in translation; in fact, I'm currently reading an excellent book, Babel by R.F. Kuang, in which there is magic powered by the meaning lost in translation. But a topic I hardly ever hear anyone discuss is how meaning can be gained in translation.

Example 1: References

A type of meaning that can be gained in translation is that when you translate from language A to B, you can make references to other texts in language B that the person who wrote the original in language A wouldn't have been aware of. Here is an example from a translation I did of a Pablo Neruda poem:

Yo te recordaba con el alma apretada

de esa tristeza que tú me conoces.

I remembered you with my soul gripped

by the tragic ordeal of being known by you.

These lines in Spanish reminded me a lot of the meme based on the viral New York Times article about how you need to submit to the mortifying ordeal of being known in order to reap the rewards of being loved. So I decided to make a subtle reference to that quote in the way I phrased the English translation. This meaning, of course, doesn't exist in the original Spanish; I added it in.

Example 2: Meaningful Distinctions

Meaning is often gained in translation because the target language makes a distinction that the source language does not. The translator has to choose one side of that distinction, and so meaning is gained.

Here is an example from the Spanish localization of the Japanese RPG Fire Emblem: Three Houses. There are two unlockable scenes in which the character Hubert is given a gift as a romantic gesture. Now, I don't speak Japanese, but through reading the analyses and translations done by Japanese speakers, and by checking for consistency in the kanji, I can see that the same word for "gift" seems to be used throughout these scenes. However, in Spanish, there are multiple words for "gift" with rather different connotations, which becomes relevant in the localization.

In Spanish, there is no generic word for "gift" that applies in every situation. There is a distinction made between gifts that are personal, between people who care about each other, and gifts between people who are not close, such as charitable gifts and formal gifts given to a diplomat. The translators of the game had to choose which of these words to use in the Spanish, and they used the distinction to add some very interesting meaning to these romantic scenes.

In each scene, what happens is that Hubert notices the person has a gift and comments on it, thinking it's for somebody else. In these lines, in Spanish, Hubert uses the personal intimate word for gift. Then, when he finds out the gift is for him, and reacts very awkwardly, he switches to a formal word for gift, creating an emotional distance between himself and the romantic token. This is excellent characterization and adds a layer of meaning in translation.

Example 3: Meaningful Ambiguity

Sometimes, the opposite phenomenon occurs, where the target language does not make a distinction that the source language does, and that ambiguity or vagueness adds something to the translation.

I have a Finnish friend who has told me that fiction that plays with gender is often more meaningful for him in Finnish translation than in the source language, because Finnish does not have gendered third person pronouns. Where books like The Left Hand of Darkness or Ancillary Justice have to make a conscious decision about which gendered pronoun to use for characters that fall outside the Western gender binary (The Left Hand of Darkness uses "he" and Ancillary Justice uses "she"), the Finnish translations can just use the default neutral pronoun they use for everyone, and never have to resolve that ambiguity in any direction. My friend has told me that there are some books about non-gender-normative characters that he wishes he'd read in Finnish instead of English because the experience would have felt more authentic in some ways.

What It Means

The reason why I bring all of this up is that the concept of meaning lost in translation is tied to the idea of translation as an act of violence. Indeed, there is a saying in Italian, "Traduttore, traditore," which means "Translator, traitor." I agree that translation can definitely be an act of violence that destroys the intended meaning of a text and warps it to suit the needs of the speakers of the target language. But when we focus only on what is lost in translation, at the expense of what is gained in translation, then we deny that translation can be an act of liberation and power.

I was raised in a bicultural household speaking both English and Spanish, and when I translate between these languages, it makes me feel empowered and proud of my heritage. It feels insulting to me to claim that when I translate, I can only ever deplete the meaning. That is not true. Every translation requires a translator, and we are more than thieves and traitors. We are more, even, than archivists, trying to minimize loss and decay as much as possible. We are creatives and inventors who can add something beautiful and meaningful to the text via our translations.

#translation #on writing

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