#once again on my way to post in a dead fandom

[relaxxattack]

The most crucial factor in Rose's character, in my understanding, is that she thinks herself much more mature than she truly is. She uses this both for egoboosting & self-degradation.

yes, you’ve hit the bullseye. the thesis of all my posts is this.

however, paradoxically, she’s also putting up a front in this way— although she thinks of herself as mature she’s also constantly trying to convince herself of that. pretending she’s special and unique and smart for her poser tumblr girl behavior.

it’s the same as dave trying to convince himself that he’s cool.

rose knows deep down that she isn’t quite as mature as she says she is, and to compensate for this she decides to get all wise about lampshading it, like “oh you think my cartoon fandoms are ridiculous? well i do too. in fact i made an entire theory video about how the squiddles are secretly dead children who are trapped in purgatory. all ironically of course. oh you think wizards are stupid? don’t worry i do too, so i jokingly wrote an insanely complex wizard porn fic that is so dense it’s unreadable, to mock the idea.”

rose lalonde falls back on irony more than dave does. she’s counting on the people she’s talking to to think that she’s just hilarious for doing this, and that way they won’t notice that in actuality she just… really fucking likes a kid’s cartoon.

rose is a bundle of little fronts. she KNOWS she’s way less mature than she acts, so she has to sidestep that by joking about it, by being like “haha aren’t these things i like stupid?”, and then once she’s done that she thinks she’s incredibly smart and mature again.

she’s relieved that at least she now looks way smarter than those people who naively like a children’s cartoon GENUINELY.

basically, she’s like those recent marvel movies that are so cynical and ungenuine that they joke constantly about their own premises thinking that makes them immune to audience criticism.

because hey, knowing you have a problem means it can’t really be real or affect you, right?

knowing you’re immature means that you are, in fact, mature enough to recognize that, and SUPER self aware.

probably.

[trashrat420]

This is how I see the triple threat dynamic

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[crushedbyhyperbole]

Whiskey on the Tongue

Pairing: Dean Winchester x Reader

Summary: You are the forbidden fruit Dean had always wanted to taste, and when you steal his whiskey the way you do, he is powerless to resist.

Words: 2.2k

A/N: This is my first ever Supernatural fic after having started watching the show just before Christmas. I know I'm late to the game but is it ever really too late to start loving a fandom? I've tried to make the reader generic in every way other than being cis-female, and Dean finding her hot.

It's been an absolute age since I wrote anything and probably longer since I posted anything here on Tumblr but I'm getting back into it now. Hopefully this finds its way to people in the Supernatural fandom who love a bit of Dean smut.

I hope you enjoy and, as always, I value your comments and feedback.

Warnings: Smut, explicit smut, alcohol consumption, mentions of people who have passed away, profanity as standard with pretty much everything I write.

*** Minors do not read or interact - 18+ content ***

Dean let his head fall back against the headboard, clenching his fists to try to distract himself from the deep ache in his left leg.  It had been falling asleep for well over an hour now, but he didn’t want to move and disturb you.

The door to his room in the bunker was closed.  Locked, in fact, though he did not remember doing it.  You didn’t comment or so much as move when Sam brayed on the door and tried the handle, calling out for Dean to return his book.  The very book that was in your hands right now.

“I need that book back, Dean.”  Sam grumbled.

“Not now, Sammy!”  Dean called back, hoping his little brother would just go away.

“I’m researching Nephilim to help Cas with the Kelly situation, Dean.  It’s important.”  Sam became more insistent.

“I said NOT NOW, SAM!”  Dean hollered with a kind of finality that even Sam wouldn’t argue with.

Outside the door, Sam huffed and stalked away.  Dean looked down to see you looking up at him from your position, lay on his bed.  Your head was resting on his left calf, his leg bent with his foot tucked under his right knee.  You had your knees up with your foot tapping along to his banging playlist, your jeans tight around your thighs and with your head tilted back he could see all the way down the deep V of your t-shirt.

He was going to hell.  Straight there.  Do not pass go.  Do not collect two hundred dollars.  And he probably deserved it.

He snapped his eyes up towards the ceiling but it was too late, he could feel himself stirring uncomfortably in his jeans.  If Bobby was alive he would have skinned him raw just for having you in his room.  Bobby was always protective of you, his niece.  You were only a couple of years younger than Sam but Bobby had made himself very clear that you were off limits.

“If you touch one single hair on her body, I’ll make you regret the day your balls dropped.  Do you hear me, boy?”

Bobby Singer.  That man did not mince his words.  And to this day, Dean had taken that threat as gospel.  Even now that Bobby was up there with the Angels, that son of a bitch would find a way to keep his word.

You shifted, causing a painful twang to shoot up his leg.  The reflexive grunt he failed to stifle made you look back up at him, giving him that glorious view again.

Dean decided he could die like this.  If having a dead leg was a legitimate threat to his life, he would go out happy with the view of your rack in that lacy black bra he could see within the V-shaped window of that too-tight t-shirt.

He raised his eyes, once again to heaven, asking Bobby to forgive him or give him strength or something because – god help him – he wanted to take you right then and there.

It wasn’t unusual for you to seek him out after a case when you didn’t want to be alone, but you didn’t want to talk.  You would just sit while he drank, reading or working on spells.  You said he quieted the noise in your head.  Hell, he wasn’t going to argue, you were a sight for sore eyes every time he came home.  You were wicked hot and sexy in a non-slutty way.  Not that slutty was bad.  Dean liked slutty.  But that wasn’t you, you were different.

A drink.  That’s what was missing.  Dean needed a damn drink, especially if you were going to torture him by laying on him all evening.

He reached over to his bedside unit, for the bottle he kept in there for special occasions.  A bottle of twenty-five-year-old Speyside single malt that he liberated from the British Men of Letters on his last interaction with Ketch.

The pour made you stir again but it wasn’t until he raised the cut crystal tumbler to his lips did you move.  Your hand came up and claimed the glass from underneath, twisting it as you sat up so as not to spill any.

“Where’s yours?”

The cheeky glint in your eye had him pursing his lips in mild annoyance.

“Don’t pout.”  You lifted the glass, turning it until the mark left by his lips touched yours and you sipped, looking him straight in the eye.

Dean’s jaw went slack.  The glisten of the whiskey on your lips and the satisfied hum you made when you swallowed – he swallowed unconsciously when you did – made his mouth go dry.  He had never seen you like this.

You moved to kneel on the bed and walked your way slowly closer, giving his leg a tap; an instruction to move it aside.  He did, causing pins and needles to infest his nerves like ants swarming on a log to escape a flood.

Knelt between his spread legs, you brought the glass to your lips again, sipping at the amber liquid.  You leaned in.

Dean watched you, breathing shallow, attention rapt.  You hadn’t so much as touched him, yet every nerve in his body felt like it was on fire in the best possible way.  The closer you got the shallower he breathed until he was almost holding his breath, looking down his nose at how close your lips were.  His eyelashes looked to flutter against his cheeks just as yours did when you brushed your whiskey dappled lips against his.

He refused to lick where you had been.  He couldn’t.  As soon as he tasted, he would pounce, and…

“Don’t.”  He croaked out when you moved to lay your lips on him once more.

You looked confused but at least you didn’t look hurt.  He couldn’t bear it if you looked hurt because of him.

“Bobby…”  Was all he could say through his constricting throat.

You smiled then, full of amusement, lips brushing against his, you whispered “he’ll understand.”

Dean tried not to respond to you but you coaxed his lips apart and teased your tongue to meet his, short circuiting his brain.  The taste of the scotch and the sweetness of your mouth made him groan.  He had fantasised about having you for years, but never did he think it would be you seducing him.

His hands on your hips guided you roughly to straddle him, the bulge in his jeans pushing up against you as you settled.  He took the glass from your hands and downed the contents, his eyes on yours as he dropped the glass carelessly on the bedside unit.

Your lips met his again but this time you devoured each other, tongues stroking together, moans stifled by each other’s mouths.  He trailed his hands up your body, dragging your t-shirt along with them.  Finally, he could see what he had been having glimpses of this whole evening.  Plush breasts cupped in scant lace that was completely impractical for a hunt, Dean realised, like you had meant to come here like this.  You had intended this from the beginning.

He tore at the lace, dragging it under your breasts to free them, shoulder straps slipped down.  Pawing at them like he had never touched a tittie before, all he wanted to do was suck and nip and nibble.

Your breathy sigh was divine, and the moan that followed was filthy.  You cupped the back of his head as he took your nipple into his mouth and sucked hard, pressing him further, asking for more.

While he worked on your breasts you undid his belt and fly, reaching into the front of his shorts to release him from the awkward angle at which he was trapped.  You stroked him, firm but slow, feeling him for the first time.  You had always wondered what he had going on down there that every woman he had ever been with would come back for more at the drop of a hat.  You weren’t disappointed.

Dean lifted his hips, you thought to allow you to push his jeans down but instead he flipped you, making you squeal.  Once under him, he ravished your breasts anew, pinching one nipple hard while licking and sucking the other.  Soon you were a mewling mess, hips writhing, begging for something he hadn’t given you yet.  Excited that he had taken control away from you, you watched him sit up and yank your jeans down, lifting your legs until they were bare.  Your knickers followed and he spread your legs without preamble, lowering himself between your thighs until his hair and eyes were all you could see above your mound.

“Jesus Christ of Nazareth!”

You groaned as he suckled against your sensitive spot.  Fuck, he was good with his tongue.  Everything about him was good except his image.  Bad boy Dean Winchester.  He was every woman’s wet dream.  He had been your wet dream since you were seventeen.  But now you were plenty old enough and finally getting what you wanted.

Bobby had told you to stay away from him when you were a kid.  Dean had a reputation as a ladies man even then, but he respected your uncle Bobby enough to keep his distance… until now.

Dean dipped two fingers inside, creating pressure in exactly the right spot.  You gasped and gripped his hair as your pleasure began to crest, tugging on it for dear life.  He looked up at you then, to see your eyes closed against the intensity of it, neck and face flushed red with your oncoming orgasm.  When it came, the pulsing of your core was his sign to slow down.  He left off his suckling and stroked you through the pleasure, watching you all the while.  You were a beautiful mess.

“That’s my girl.”  He praised you in that deep rough tone you adored, helping prolong your climax until you took his hand away yourself.  “Are you ready for me?”

You nodded, allowing him to lift your knees up and stroke the weeping tip of his cock over your swollen clit.

From the front pocket of the jeans he still wore, he pulled a foil packet with Trojan embossed on it.  He was swift with its application, aiming his tip just so.

When he slid home, your eyes rolled back and you reached to grip his forearms.  It was something Dean would never get tired of seeing but it felt that much different with you.  You were the forbidden thing he had always wanted but could never have.  Even now he didn’t know whether he would come to regret this.  God, he hoped not.

Balls deep in you, he leaned forward to kiss you, wrapping your legs around his hips.  His instinct was to fold you in half and pound the living shit out of you, but you were already overwhelmed and he wanted to make this soft for you.

“Tell me what you need.”  He spoke softly as he nuzzled your neck.

“Just you, like this.”  You sighed.  Who knew Dean Winchester was a considerate lover.

His slow, measured thrusts brought you closer to the edge, your core fluttering each time, he could feel it.  It surprised him how quickly is climax built at this pace, but the added connection you both shared seemed to turn him on.  He would never give up Busty Asian Babe porn but he could get used to this with you.

You didn’t close your eyes against the pleasure this time, you watched him come undone above you, gasping as his orgasm made his legs and arms shake, muscles clenched tight to keep his weight from collapsing on you.  When he swelled you dug your fingers into his hips to pull him deeper with each stroke, and when he spilled you also came, eyes fluttering shut finally.

Dean knelt up, slipping the rubber off as soon as he was clear of you and, tying a knot in the end, tossed it in the direction of the trash can.

“Shot.”  You said with a smile as the sticky bundle went straight in the can.

He quirked and eyebrow and give you a slightly smug lopsided smirk that said:  What can I say?  I don’t miss.

When you moved to sit, he stopped you.

“Here, lemme get that.”

“Thanks.”

He stripped his t-shirt off and used it to clean up the wetness between your legs.  Though none of it was his, it would still dribble when you moved.  Afterwards he tucked it under your ass and flopped down on the bed at your side, moving his arm behind your head so you could rest it on his chest.  You were both content.  Both had goofy grins on your faces.  Both disbelieving that you had finally gotten what you wanted.

A loud knock at the door started you.

“Are you done?”  Sam said.  “I need that book.”

“NO!”  You and Dean shouted back in unison, laughing afterwards.

“Bobby’s gonna kill you.”  Sam called back through the door.

“I KNOW!”  Dean yelled gruffly, pulling you closer.

There might be a time in the future where the ghost of Bobby Singer came to make him regret the day his balls dropped and, if it happened, Dean would be happy to see him again.  In the meantime, you and he could work on a whole bunch of reasons to make the cranky old bastard come down from up high for a visit.

Dean pulled the sheets over both of your heads, nibbling at your neck until you moaned his name.  Aside from the roar of Baby’s engine, he had found his new favourite sound.

[scftpcws]

Star Crossed| Armando Aretas | Teaser

✩Description: Requested by @nelo0wesker : “Enemies to lovers Armando X reader. Readers in the mafia while Armando in the cartel”

✩ Pairing : Armando Aretas x Fem!reader

✩ Genre : Dark Mafia Romance

✩ Warnings: 17+ (smut in later chapters, Violence, Drug usage, Gang Violence, Sexual/Dark themes, Child endangerment, source accurate violence, bad language, death, my awful spelling and grammar, my terrible Spanish translations (i’m a little rusty), made up characters

✩ Fandom: Bad Boys

✩ Taglist : @nelo0wesker @twinklestarslight @mzbeautii96 @geneziesm @mcotton0928 @omg-mymelaninisbeautiful @sunrisesfromthewest

✩ A/n: i didn’t know how i could put this in one post so its going to be a multi part fic! i really hope yall enjoy this . i should be updating weekly (hopefully..) pls lmk if you wanna be added to the taglist or if you would like a rundown of the characters xx

anywayss…

Teaser under the cut !! * *‧.₊˚*੭*ˊᵕˋ੭.*

enjoy!! :)

Star Crossed| Armando Aretas

“But Dad, why?” she huffed, throwing her arms in the air in frustration.

“Because i said no.”

“But thats not a good enough answer.”

“Y/n, seriously, leave it alone.” he responded, shooting her a glance.

“But I have been training my whole life for this! How am i supposed to take over one day if you can’t trust me to do this?!” she was seething with rage, her nails digging into her palms. She had been told she could ‘go out in the field’ once she had completed her training and was now being denied that right. To say it pissed her off was a serious understatement.

“Mom would want me to do this!”

“Your mother is dead! She cannot want anything! You’re not going and that is final!”

She took a step back, tears welling in her eyes. Ever since her mother had died on a mission, her father had become cold and distant. It was almost as if he never cared for her.

“Thats not fair , and you know it,” she spoke through gritted teeth, her hands balled up in fists at her sides. “If you really don’t want me there despite me being your best agent, fine. But when it all goes to shit, don’t ask me to help.”

She left her fathers office, the thud of her boots following her. Her father sighed, holding his face in his hands. Y/n was just like her mother, dedicated, hardworking, and undeniably stubborn. She couldn’t understand why her father wouldn’t allow her to assist the team on this mission. She thought he was coddling her, holding her back from her full potential. But in reality, he was protecting her.

She stomped all the way to her room, throwing herself on the plush mattress. Her bedroom door clicked open, the sound of kitten heels on the hardwood floors piquing her attention.

“Little one, what did i tell you about shoes on the bed?” the sweet and comforting voice of her childhood nanny, Rosetta, made her huff out a breath she didn’t know she had been holding. “Sorry Miss Rosetta.” she apologised, unlacing her boots and placing them by her bed. “Good, now what’s with that face? Pretty girls like you shouldn’t frown like that.” Rosetta smiled softly, sitting next to her. Her hair was bouncy and smelled like shea butter and coconut oil. Her makeup was light and refreshing, making her look younger than she really was, though Y/n would never point that out because she knew how sensitive Rosetta was about her looks. she dressed unlike the house staff you would expect to find in a home like Y/n’s, more like a rich aunt rather than a nanny.

“Dad is being difficult again.” Y/n grumbled, crossing her arms, her lip slightly jutted out. Rosetta smiled softly at her, the wrinkles by her eyes becoming more prominent. “Now Miss Y/n, you know he is just looking out for you. He doesn’t want you to get hurt, or worse.” she reasoned, petting y/n’s hair. Rosetta was painfully aware of what had happened to Y/n’s mother, and knew it was a sensitive subject, so she made sure to tread lightly.

Y/n stood from her place on the bed, pacing around her lavish room. “But i am not a baby anymore and he knows that! I am one of the most skilled people on the team but he still treats me like a child. It’s not fair!” she argued, her frustration becoming more and more apparent in the way she spoke.

Rosetta smiled, “Well i can’t blame him when you act like this. If i didn’t know any better, i’d say you were having a temper tantrum,” she joked, her tone light, a gentle grin on her face. Y/n rolled her eyes in response, walking back to her bed. Rosetta held her arms open for her, as she used to when Y/n was younger. She laid her head in Rosetta’s lap, allowing the older woman to rake her fingers through her hair, the tension melting from her body.

“Look, Munchkin, your Baba cares about you. He wants you to be safe, and so do i. He has already lost so much, he cannot lose you too.”, Rosetta affirmed, looking down at the sweet girl in her lap. She looked almost the same as she did when she was a child, still soft and precious, but fiercer and somehow more headstrong.

Y/n often despised the way that no matter what Rosetta said, she made sense, she always made sense. “Now dinner will be ready soon, will you be coming down?” She asked, looking down at the girl curled up in her lap.

“I will, but i’m not talking to him.”

The dinner was quiet as ever, just Y/n and her father sat at the table on opposite ends, the same way it had been since her mother died. Rosetta stood off to the side, refilling their glasses whenever they emptied.

“Silent treatment? Real mature Y/n, real mature.” he father stated, taking a sip from the glass of water Rosetta had poured for him. Y/n stood her ground. She wasn’t trying to be childish or petty, she was trying not to to say something she would regret later on, for she did not have a good grasp on the sharp tongue she inherited from her father. Though, it did make arguments with him all the more interesting. “The target is called Benit-”

“Im not going remember? why would you tell me?” she interrupted harshly, her jaw clenched and eyes glaring daggers at her father. “You exhaust me, daughter, you really do.” Her dad sighed, taking a forkful of food and putting it into his mouth. “I’m just trying to fill the silence that you insist upon, because you are too spoiled to take no for an answer, but i guess that is not good enough for you, because nothing ever is.” he grumbled, knowing perfectly well that she would hear every word.

“I insist on the silence, because at least when it’s silent my very existence isn’t being insulted.” she quipped back, cutting up her food and shoving some in her mouth in a hurried attempt to shut herself up. Her father may be head of one of the most powerful mafia families in the world, but that didn’t mean he wasn’t her dad.

“Well maybe if you just did as you were told for once, without questioning my every decision i wouldn’t have to call you out on your petulance!”

“Oh I’m petulant? Says the man who won’t let anyone do anything because he’s too afraid!”

“You are just like your mother, always flying off the handle, not thinking before acting!”

“Mom never listened to your stupid demands and orders!”

“Look where that got her!, the silence was so deafening you could hear a pin drop. “Honey I-”

“How could you say something like that? She did nothing but love you and this is how you talk about her? You berate her for the only mistake she ever made, which was protecting me! She was perfect, never cursed, was polite and knew how to handle herself without getting herself into trouble. You tell me i am just like her?! Well i wish i was like her, maybe then you wouldn’t view me so negatively . Or maybe you would, because that’s exactly how you view her.” Her fists slammed against the table as she rose from her chair.

“Miss Y/n-”

“Miraculously my appetite has gone, thank you for the food though Rosetta.” and with that, she left to her room.

“I dont even want to hear it, Rose” her father huffed, his brows furrowed and his hands clenched together.

“You are both in the wrong. That’s all.” She smiled, placing her hand on Claude’s shoulder, her thumb grazing the fabric of his well tailored suit.

“I know.”

“Hey Boss?” a tall man, of a muscular build walked up to the table, papers in hand. “Yes Lorenzo?” Claude responded, rubbing his temple with his fingers. “I got everything i could on our target from our guy inside, but his tracker just went dead.” Lorenzo admitted, his head low, making sure not to make eye contact with his boss.

“What do you mean his tracker went dead?” Claude breathed, his fist slamming on the table top, causing Rosetta to jump while she cleaned up. “I mean his tracker was on and then it wasn’t.” Lorenzo asserted, huffing out a breath.

“You think this is funny, Enzo?” Claude stood up, grabbing the collar of Lorenzo’s shirt in his fist and and pulling his face closer toward his own.

“No boss.” Claude stared right into Lorenzo’s eyes, his teeth clenched in fury.

“Fix it.”

“Well, we think he may have been discovered, and you know, blown his cover.” Enzo responded calmly, knowing if he reacted the way he wanted to he’d be out of a job, and possibly a life. “Damn you Aretas.” he sighed, his knees suddenly becoming weak.

“Boss!”

“Claude!”, Rosetta ran to his side, holding him up as Lorenzo helped her situate him in the chair. “Kill him, i dont care what you have to do to make it happen. i want him dead.”

“Miguel. Ven aqí (come here)” a gruff voice demanded silence from a small group of men playing a round of Cheat, at a table in the middle of a worn down garage.

“Yeah Jay?” Miguel answered, a sweet smile gracing his lips, his two gold canines on full display.

“Did you do what i asked you to?” he was strangely calm, his left eyebrow slightly raised in mock amusement.

“Yeah of course i did.” Miguel answered, his hands moving straight to his pockets. He was lying.

“What did i ask you to do, hmm?” Jay’s hand made its way to Miguels face, squishing the skin in his hand, as the panic started and sweat began to settle on his forehead. ‘oh shit, what did he ask me to do,’ he thought, trying hard to remember the simple task he was asked to complete.

“I asked you to count the money.”

“Oh yeaaah count the money,” his response was delayed and drawn out, a clear indication that he had not in fact counted the money like Jay had asked him to.

“You see, Compa (friend), i asked you to do one thing,huh? Una cosa (one thing) , and you couldn’t even do that,” Miguel looked his ‘friend’ up and down, he was clearly upset, he fucked up.. bad.

before he could utter an apology for his incompetence he felt the cool end of a gun against his temple. “One thing buddy, thats all i asked. Look man, I knew you were stupid, but i didn’t know all that food you ate inhibited your brain functions!” Jay’s words were like venom. He was never nice to anyone but this was too far, even for him.

“Look man, i got distracted, I’m sorry, i’ll count the racks up before Boss gets back, i swear just don’t shoot.” he begged, tears beginning to well in his eyes.

“I should shoot ya’ in ya’ head, maybe it’ll rearrange your brain, make you useful, hmm?” he spat, digging the barrel of the gun further into his skull. “Or maybe i should shoot ya’ dick off, maybe then you’ll spend less time thinking about las putas (the whores) we see on the street and more time thinking about the simple fucking things i ask your dumbass to do!”

“Please man, you know i have a wife and kids, man. I am begging you.”

“Damn, i forgot about that pretty little thing you call your wife. fuck, you think if if i shoot you i could play step daddy for you, hmm? Keep your side of the bed warm. Snuggle up with ya’ Mrs, give her some good- ”

*Bang*

The sound of a gunshot resounded through the garage. Miguel checked himself over for bullet holes as Jay’s body hit the ground with a heavy thud, his gun falling from his grasp.

“Louis.” Armando said, watching the blood pour from Jay’s lifeless body and pool around him. “Yeah boss?,” a young boy, no older than 19 stood abruptly from his seat at the card table, almost knocking his chair over.

“Clean that up will you? I hate rats.”

“Yes boss.”

“And Miguel? Go count the money before i bury you with him.”

“Yes, boss.”

Hope you enjoyed the teaser!! the first part will be out soon xx

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#36: The Ressurection (1.04)

gif cred: @riickgrimes

Wow. 😭 This love scene was stunning and profound. A true resurrection of Richonne. 🙌🏽🥹

This scene also illustrated one of my absolute favorite things communicated in TOWL: that without Michonne, Rick can’t be alive but even more so - with Michonne, Rick can’t be dead.

Try as he may to fight being alive, if Rick is with Michonne he will always come back to life through her. And I love seeing that depicted in this moment where both of them powerfully and passionately begin to restore each other...

So the buildup scene prior to this was Richonne's sexiest scene yet. And then I love how as we transition to this bedroom scene they maintain that mesmerizing sensualness of course, but they also dive into some serious emotion, pain, and powerful love between these two soulmates when the unexpected happens during this long-awaited and blazing moment of intimacy.

Now, before the episode aired there were enough people with screeners using cowgirl hat/boots gifs and emojis as hints to give an idea of what to expect for this bedroom scene...but I still wasn’t ready lol.

They transition to the bedroom and I love that Richonne’s first time or first time again gets to be in such a nice romantic setting. It’s such a sensual environment with sheer curtains and the perfect warm lighting. And considering the grandness of Rick and Michonne finally getting to have each other in this way it’s only right that the environment feels elevated as well. 👌🏽

gif cred: @nerd4music

Once the camera slides pass the sheer curtains we see Rick and Michonne beautifully getting to have this moment of intimacy after years. And I love the way the breathing is the soundtrack for this love scene. Like there’s this pretty music too but the breathing is the real music here if you ask me. 😌

gif cred: @msanonships

I love that when we enter into the scene they’re all into it and as close as humanly possible but still pulling each other even closer. And then there's a tighter shot with Rick looking down and looking like he’s taking a moment to appreciate that his wife is so good at...literally everything in life.😋

gif cred: @nat111love

It’s interesting that the first time Michonne gets to see Rick outside of the CRM soldier uniform is when he literally has to take it off and be bare with her. He put the uniform on for her all those years ago, and now he's finally removed it for her as well.

And y’all, the Richonne fandom is educational because I learned a new word through the thoughts shared on this iconic scene. I saw someone mention how Rick looks up in supplication for Michonne’s kiss, and I hadn’t heard the word 'supplication' before. But once I searched the definition, it was the perfect word to describe this moment when Rick looks up at Michonne. 👌🏽And you know Michonne’s our little genie so she told Rick 'wish granted.' 😋

gif cred: @kimwexlersponytail

Also y’all, I know we say 'they’re wild for this' a lot regarding Richonne...but this whole licking moment between them and then the way he’s literally dripping off her lip after, and the way they subtly stick out their tongues once more like they were about to do it again…never have I meant it more when I say THEY ARE WILD FOR THIS.

There aren’t enough air conditioners in the world to cool down the hotness of this whole kiss. 🔥🔥🔥

gif cred: @lousolversons

I’ve heard that they debated whether or not they’d have an intimacy coordinator and then they decided on having one. And I cannot claim to know exactly everything that job entails and I'm sure she was great, but for some reason, I have a very strong feeling in a post-2020 world it was not an intimacy coordinator who suggested all that tongue stuff lol. 🤭

No, my bet would be that this particular moment stemmed from two gifted actors who know their characters very well, including knowing their character's shared level of freak, and as true professionals devoted to the role they let the spirit of the characters coordinate this kiss.👌🏽 I mean, we trust the captains for a reason.🫡 😋 They know how to play every shade of Richonne to perfection.

gif cred: @lousolversons

I'm glad that this moment right here didn’t end up on the cutting room floor. Since Danai was the showrunner of this stellar episode I know she mentioned she also got to have some involvement in the editing process. And every time I see this kiss I just imagine her in the editing room saying 'let's keep this part in the scene' and then looking right at us Richonne fans like...

They were filming this scene like they had something to prove about Richonne’s physical chemistry and baby, while it didn’t need to be proved they still proved it all the way. 💯❤️‍🔥

In TWD, they only ever showed Richonne's lead-up to sex or the after moments, but now that they were going to show the 'during' they said let the world know Rick and Michonne really get down. #LethalAmountsofChemistry

And what I especially love is that you can just sense their bodies remembering each other after years apart. After shutting this part of themselves off when they lost each other and only turning this part of themselves on for each other, it's made so clear that their mind, body, and soul connection is still as strong as ever.

It really is special how much Richonne's physical intimacy is a powerful manifestation of how intimately they love each other in every other way too.

gif cred: @nat111love

So they keep kissing and the camera switches angles as things appear like they are ramping up which you can hear in Rick’s breathing and moaning. But then as he’s touching her and about to get even more immersed in the moment the scene takes a compelling and heartrending turn...

Rick has a panic attack. 🥺

There is so much to dissect about this impactful panic attack moment. It’s just so well executed, painful, powerful, and vulnerable. 👏🏽

gif cred: @nat111love

First; I was very curious to examine why they have this panic attack occur right when it does. Because Rick and Michonne were pretty into it leading up to this so why this exact moment?

My extra self's personal interpretation is that as they were getting more into it, it looked like Rick was about to let loose a lot more and even be more of the assertive person he used to be like getting on top of her, and I feel like that assertiveness rushing back to him like that was jarring a bit.

gif cred: @nat111love

Plus, he can feel her, and they're heating up and I feel like he’s become so used to moments this good quickly coming to an end in his dreams so it’s like he’s bracing for that. Bracing for the part where this dreamlike state burns away and the woman of his dreams disappears, leaving him alone and in pain. 😢

gif cred: @andy-clutterbuck

Also with the whole poison vs. cure thing, I think it’s like Rick's mind starts freaking out because while here he and Michonne are clearly providing each other pleasure, he’s anxious that ultimately being together will cause him to be a poison to her.

He still is convinced Michonne will be in danger if he’s with her and having this passionate moment together will only make it harder to part when that’s how he thinks it has to be. So this moment of intimacy is both this euphoric thing and this panic-inducing thing for him. 

At the start of the panic attack, Rick pulls away and starts struggling to catch his breath and I’ve always loved the detail of how when he first pulls away he still puts his hand up to reach to her, almost like he's both needing her and wanting to be reassuring to her even despite the fact that he’s in full panic mode. 🥲

gif cred: @riickgrimes

Rick has a quick glance at Michonne and then hangs his head down, out of sorts. And even just seeing the scars on him in this moment makes me so sad. 🥺 He’s been through a lot and for years he’s endured it all alone. This bedroom moment is one of the first times in a long time that he even gets to go through this internal anguish with a partner by his side.

gif cred: @nat111love

And again, the fact that this panicked breathing is similar to the anxious breathing he had when Michonne walked out the door earlier in the episode, goes to show he’s scared to be without her and to be with her. 

gif cred: @riickgrimes

Rick is struggling to look at her but Michonne gently takes his face in her hands and he looks at her as she assesses the situation, quickly knowing he’s having a panic attack. It makes me weepy how ready Michonne is to ever-so-gently help him through this. 😭

Also, y’all I’m in the camp of people who hear Michonne whisper “Look at me, baby.” If she didn’t say it…yes she did lol. 😋 And I love it. 😍

gif cred: @riickgrimes

Rick continues his labored breathing and Michonne does just the most beautiful thing ever when she takes his one hand and places it over her heart.

I love this more than words can explain - and yet, I’m still going to try to explain why I love it. 🥹😭🥹

Like the fact that her heartbeat is what can calm him in this moment. I'll never be over it. 😭  Something so incredibly beautiful about Michonne’s heartbeat bringing Rick back to life is that he’s feeling the heart that beats for him and has for years. She in every sense gave him her heart all those years ago, so it’s not just her heart he’s feeling it’s his own because they truly are one.

gif cred: @riickgrimes

Richonne’s hands have always been given great moments throughout their epic love story, and this moment has to be up there as one of the best Richonne hands moments. 👏🏽

I love the way she’s able to get him to open his hand and relax as she keeps her hand comfortingly over his.

gif cred: @nat111love

It reminds me of their final handhold in s9 when Rick had his hand in a fist from frustration and Michonne was able to open his hand and have him hold onto her instead. That was their last real moment side by side in TWD and now here they are doing that again x10 in TOWL. Just beautiful. 🥹

And I love how you can hear how placing his hand on her heart is effective as Rick’s breathing does steady from feeling her heart. A heart that has beat for him all these years. 🥲 Never have the two felt more like one than in this moment. And I will forever adore and appreciate that this is how Danai wrote for Michonne to be able to calm Rick amid his trauma. He needs her heart. 😭 Always has.

They’re the ones who live and this is Rick becoming so aware of Michonne being alive and with him and it starts to ignite his own return to humanity.

The way Michonne looks at him with her eyes dilated and filled with love and tears as she so clearly resonates with the pain Rick is in that he has yet to express. 😭 You can tell she so badly wants him to trust that it’s okay to be present in everything he’s feeling with her and not go through this pain alone anymore.

gif cred: @riickgrimes

The way Michonne fully wraps Rick in her love during this panic attack is just the most moving thing as she silently assures him he’s in the safest most loving arms in the world. Like I knew those actors were wildly talented but what they both captured in this scene took it to an all new level.

And the way Rick has tears under his eyes. I can’t. 😭 The tear alone says so much. Like he's overcome with so many layered emotions, especially as it hits him that a moment this beautiful with Michonne is real - the most real moment of connection he's felt in years - and it's not going to be taken away from him this time.

So Rick looks up at Michonne for a moment and it genuinely feels like he’s looking up at the sun. And then he looks down at their hands on her heart. I love seeing Michonne softly slide her other hand down his face with her finger right where his tear has fallen.

gif cred: @clonecaptains

And then I am just blown away at Andy’s performance when you see something click for Rick as he truly just resurrects through Michonne’s love. 🥹

After looking at their hands and letting this moment of connection resonate, Rick looks back into Michonne’s eyes and I always liken it to when a PC computer turns on and makes that one sound. I feel like you can visibly see the moment Rick’s humanity turns back on in full force as he looks at her.

Rick really resurrected back to life by becoming one with Michonne, his undeniable other half. 🥹 Richonne is the unequivocal greatest depiction of soulmates. 💯

gif cred: @nat111love

So Rick, and Michonnne's Rick this time, looks in Michonne's eyes like he’s genuinely become human again after years and then he tilts his head and it feels like he’s finally seeing Michonne in her entirety now. Like he’s finally seeing her without the lens of fear or what could happen next.

After having been so focused on the fear of losing her, it feels like in this moment he's finally just being present in the fact that he found her.

gif cred: @nat111love

And in finding Michonne, his soulmate, Rick begins to find himself again too.

Michonne's effective approach of calming Rick with her touch and her heart helps Rick embrace that this isn’t a dream and she’s not going to burn away. Michonne may be burning up because of him but she’s not going to vanish.

By feeling her heartbeat it was like Rick finally let it sink in that she’s still here and she’s with him completely. She’s real. They’re real. They’re back together truly. It was a profound moment of the two becoming one being again.

And then the way they both have these dilated pupils and get this new wave of energy from that moment and their breathing starts syncing up and picking up as they return to kissing. Their beauty and the beauty of this moment are ravishing. I love that neither wanted to stop making love and once they have this moment they’re even more present in the lovemaking than before. 

gif cred: @riickgrimes

It really feels like there’s this transfer of energy between Rick and Michonne in this moment as she feels his visceral but suppressed pain and he feels her visceral deep love and we see love win out over the pain as Michonne helps Rick literally turn his humanity back on at full strength.

And then as Rick’s heart is literally jump-started again by feeling the love of his life’s heartbeat, he sends all that love right back to her because it’s so clear in this scene that everything happening to him is happening to her too. Like as he comes back to life it ignites her in a new way as well and just affirms so strongly to both of them that they’re back to being one the way they’re always meant to be.

So they continue kissing and Michonne has her hand tightly in his hair because of course. It's clear from Michonne’s noises that Rick has seemed to amp things up, we’ll say lol. Plus, Michonne hasn't been able to grab his curls like that in an even longer minute since Rick's hair was short the last time they were together, so you know she's happy to have that back as well. 😋

I love how Rick was finally realizing he’s not just someone who can harm her but who can heal her too and she’s not only someone to protect but to love limitlessly. We see Rick finally go from mission-minded to Michonne-minded and let the Alive Rick take the wheel from Dead Rick. 🙌🏽

gif cred: @lousolversons

In the last 24 hours especially, both Rick and Michonne have been through every emotion and at its most intense - intense fear, intense sadness, intense frustration, desperation, anger, longing, hopelessness, hurt, concern, etc, and now intense passion and pleasure. All of that could easily have caused a system overload or system shutdown for them. But I love how instead of just shutting down, they navigate this together and then get even more locked in with each other.

And then you really know the real Rick is back when he flips Michonne over and gets on top of her. It’s his favorite place to be, that's just canon. 😌 And you know Michonne loves seeing Rick take charge like this. Her man is always assertive with his affection and Michonne always seems here for it.

gif cred: @nat111love

It is such a sweet shot seeing Michonne looking up at Rick as she tenderly holds his neck. She loves him so much. It’s written all over her face. 🥹

gif cred: @nat111love

And then y’all, this show said you don’t have to wait until the Olympics to see some swimming on National Television. 🤭🏊‍♂️

Cuz they proceed to give us some um very up close and personal insight into Rick and that signature vein as the camera is all up in his face while he finally lets himself feel the full extent of pleasure for the first time in years.

For a while, whenever I saw this moment I was like can this camera back up a bit cuz now I feel like I'm intruding lol.

But the moment is very sweet in the regard that Rick is no longer fighting the fact that he can feel pleasure and be present in this moment with his wife. For so long he seemed to be punishing himself and killing himself and so it’s a big deal to see him finally stop that and enjoy this.

I think part of him thought he could engage in this intimacy with Michonne and only make it about pleasing her while remaining dead inside but again he can't be dead with her - and so in this moment he no longer tries to be, and that’s really heartwarming. 🥲

Seeing him smile knowing that this is the only woman in the world he wanted this experience with - it really is like a homecoming in a sense. Michonne’s hand on him the whole time is sweet too. And I just love that they waited for each other to open this side of themselves up to again. And to think, it wasn't even technically 'waiting' since they genuinely didn't know if they'd ever be together again. But they still only reserved this level of intimacy for each other. Rick and Michonne are it for each other, truly.

Then the scene ends with a really lovely sensual shot of Richonne through the sheer curtains as they kiss and just savor each other like they do best. ❤️

gif cred: @nat111love

And now I know I might be diving right into delusional territory with this next thing I say but I know some of you saw this too --- I am convinced that Michonne tells Rick 'I love you' in this zoomed-out shot. ‼️

For a while, I thought one of the only things we surprisingly didn’t get in TOWL was Michonne directly telling Rick 'I love you.' That was an interesting omission for an epic love story, especially cuz I def feel Michonne would say those three words outright at some point, after not being able to tell Rick those words for nearly eight years. Don’t get me wrong, she’s said I love you very clearly and meaningfully in many other ways, but still she’d say the direct words too. So it was odd when it seemed like that didn’t happen.

But now...y’all, my extra self is choosing to declare that it did happen. Because I promise she’s saying it to him in this bed. I'm telling you, she is. For real, she is! 😋 Look🔎 ⬇

gif cred: @nat111love

And again, if she isn’t…yes she is. 😇 Michonne-Says-ILY-In-This-Scene Truthers, rise. ✊🏽😋 And if by chance my eyes deceive me then let them lie just this once lol.

If it is the case that Michonne told Rick 'I love you' in this moment, it's extremely sweet. Especially because I had a feeling she’d say it once Rick was finally out of that CRM gear. Once she knew he was slowly but surely becoming him again. So while it's a non-audible, blink-and-you-miss-it moment I think we did get at least one Michonne 'ily' in TOWL. 😌

I love the way the scene ends with the piano and their silhouettes. Michonne is the sun to Rick so I love the way she aligns with the sun-like lamp and the way the last thing you see from the scene is her putting her hand in his curls again as they just continue to make love. And let me tell you, a scene like this is why it’s called 'making love' because truly this passionate moment was such a perfect manifestation of their deep, one-of-a-kind, soulmate love.

gif cred: @ricksmarlene

This is Richonne’s first full-length sex scene and it was done so masterfully, memorably, and meaningfully. It was the perfect way to pull off such a significant anticipated moment between them and make it tastefully titillating. It genuinely feels like they turned that chemistry they have up to its highest volume and something rare and otherworldly was captured. 👌🏽

The way it wasn’t just physical but truly pivotal for their relationship and the story. The way it was as hot as it was heartfelt. The way they both came alive and restored broken parts of each other through a shared heartbeat. The way they profoundly depicted Richonne becoming one again. The way it was more than a love scene it was a resurrection.

Rick felt human after years of feeling dead. Michonne felt truly held and loved after years of not feeling safe. Tens across the board and truly an impeccable and impactful scene from beginning to end. 😌👌🏽

[cal-writes]

I thought about Zoro, again. And how he stays calm when all other mugivaras are in disarray. How he has to be the last pilar standing, because if not him than noone. And how some people deam him emotionless and uncaring because of that, because he keeps his cool and talk logic in hard situations. (Like whan they had to leave Vivi behind, or all this mess in inies loby). And I thought how I want someone to see it, and hug him and let him be vulnerable for a bit.

I dunno if I mean it like a prompt, or just want to cry with someone over Zoro. Maybe both. Anyway I would love to hear your thoughts on the matter in any format :')

god yes i knooooow. going insane over him tbh. like i went into this in my previous meta post about him, esp in enis lobby/water seven arc where he is so clearly affected by everything going on but can't show it. (or feels like he cant)

this reminded me of a thing i havent seen many people talk about, which is that zoro is very often 100% spot on with his predictions, gets ignored, and eats shit for it.

like zoro isnt stupid (despite what some characters and parts of the fandom think) hes incredibly perceptive and his cold read on most people will be accurate. theres several moments where he will predice something happening, rationally explains it to the crew how the best course of action is one thing and then luffy being stubborn and the protagonis does what he wants

not to say that thats a bad thing! i think its awesome to show their dynamic

like back on zou when they find out sanji left to marry big moms daughter and everyone wants to go and get him back

zoro is harsh in his wording bc he always is but the core of the matter is this: if they go mess with big mom, while they are already anatagonizing kaido, they'll end up having to deal with two emperors. he understands that sanji knew that which is why sanji left the way he did (partially).

and we all know how that ended

not only that i think this fight is a fantastic display of zoro's core character trait. unlike the three captains in this fight, he doesnt have an ego about it. he's not posturing or peacocking, he knows immediately shits gonna go down (killer too probably but with the mask its harder to tell what killer is thinking) and he's the one person that keeps an overview of the battlefield that includes everyone. law eventually does once he gets over his control issues

and of course thats not the end of it in wano

"ill suffer twice as much after" and he doesnt care, beats king, nearly dies or maybe does die and nobody knows about that whole thing

then of course in more recent chapters (spoilers for egghead below)

we have his fight against lucci which i find striking in how the other characters perceive it

like jimbei can be excused, he doesnt know zoro all that long but the crew acts like this is a point of pride to zoro, to finish the fight. when we've seen zoro run away from fights plenty of times. and to me what he doesnt get to say is exaclty what ends up happening

if lucci isnt taken out, he will tell the elders about the plans he was privy to in eggheads lab. which of course he does when zoro is dragged away

if the vegapunk hadn't stepped in

zoro would have fought the elder and most likely lost

same way he knew he'd not be able to win against kuma

he's telling everyone to stay out of it because he wants to protect them. its not an ego thing for him. he knows the second he stepped up to that fight hes probably going to lose. he's going to do his best to win but he's not delusional

and i find it noteworthy that we are continuing this plot line of the crew not understanding zoro or not trusting him and not to mention this

lucci telling zoro he's dead weight

and a little bit later, sanji telling him the same thing

like, thats not their usual banter. this doesnt make zoro angry to like be able to fight off lucci better or sth. the panel of him standing there just, flinching honestly haunts me. (i eat it up oda please do somehting with it)

esp curious paired with my above example where i think zoro understands sanji quite well where i dont think sanji does in return. (another reason why i cant see them romantically im sorry itd require so much legwork for me to make that work)

i think it can definitely be read as a setup of zoro feeling apart from the crew. i think part of that is just due to the nature of his position as first mate in everything but name. like in a literal sense he is their superior the same way luffy is all of theirs. and we know from the usopp argument that he takes that a lot more seriously than the others. so i dont think - at this point in canon - zoro would open up to anyone except maybe luffy but even then thats not really the kind of relationship they have - and i dont think any of them actually see whats going on or what zoro has been doing basically the entire time.

zoro hasn't been vulnerable since his fight with mihawk

[woodchoc-magnum]

idk. i'm annoyed.

i realise i am a fandom old at this point

and i have seen some shit in this fandom; witnessed the discourse.

and i don't post meta or spec or much of that stuff; i usually put all my ideas into fics.

but guys seriously. seriously.

eddie's current arc is not about buck.

buck and eddie are not currently dating.

buck is eddie's best friend and vice versa.

eddie is not cheating on buck.

eddie is lying to buck by omission, yes, but that is not a friendship ending offence.

eddie is on the very cusp of cheating right now. he went on a date with another woman, yes. he has not kissed her or slept with her. we are at a tipping point. we do not know what is going to happen next.

he only went on a date with another woman because she reminded him of shannon, who he is not over, who he has spent seasons trying to replace.

the point of this show is that none of the characters are perfect - and especially not buck and eddie. they all make mistakes. they have all made mistakes and will continue to do so because in real life, people don't always make the right decisions 100% of the time.

this black-and-white, morally righteous way of thinking, like eddie is suddenly evil now because he's on the cusp of cheating; that it's going to end his friendship, that buck is going to be angry at him for lying - do you have friends in real life? like, i am genuinely asking.

because if my best friend suddenly started cheating on her husband, i wouldn't be mad at her - i would be worried. am i alone in this? like i would be genuinely concerned and trying to help figure out what's going on.

all the shit i'm seeing in the fandom today, all of the spec posts and commentary about the episode and what might potentially happen, just feels like, once again, an attempt to paint eddie as the villain in the story to prop up buck. let's make eddie so terrible that buck has to have custody of christopher, right?

clearly none of you understand how a will works. it's for after you're dead. not for when you're alive.

but the main issue is this - now that buck has tommy, the people who tolerated eddie can stop pretending to like him. there's another option for buck now, so you guys don't need eddie anymore. right? am i fucking right??

i love drama as much as the next person, but in what world would buck turn on eddie because of this? in what world would the 118 shun him? he is their friend! they love him! they care about him! they are a family!

my god, nobody shunned hen when she cheated on karen. nobody shuns bobby and he indirectly killed 140 people!

eddie is a good person who makes mistakes, just like every single other character on the show.

that is the fucking point.

and the way ryan was talking in the interviews - isolation could mean any number of things. we know eddie has a tendency to isolate himself when he's feeling stressed out - does anyone remember season 3? season 5? buck literally broke down his door!

i'm just fucking tired of this bullshit.

eddie's not a bad guy because of this. he has done shitty things, yes. they all have. that's the fucking point of the show, and if you can't understand that or appreciate adult story-telling, then fuck off and watch riverdale.

[djpachipikachu]

doodle dump of unreleased aus that r still actively in my Brain Often but i dont post shit about them

⚠️warning for old art and blood and injury drawn and death mentions⚠️

———

magic lily au:

main theme -

summary is that leo is transported to the samurai rabbit universe instead of his family’s arms through a trifecta of his ninpo, mikey’s mystics that begged for him to be safe, and the ki stone sensing a hero in need

when leo lands in the world, he doesnt know any japanese aside from simple phrases he grew up with; “thank you”, “please”, “excuse me”, “help me”, “i love you”, etc

him and yuichi fall in love and he remains there for a few years ! however . theyve all known since the beginning that the ki stone would take leo back once he was healed. she was clear on the fact he was only there to be helped , not to live there . so yuichi and leo hold off the inevitable, despite leo missing his family horribly and knowinf they think hes dead , despite knowing how selfish it was to have one more day with each other , they avoided the ki stone until they go to the temple together and leo is ripped from the world without even a chance to reallt say goodbye to everyone

uhhh etc etc they were their first and last loves as they were both on the aro spec and didnt have a need to find that kinda love again they just . wanted each other and blehhh

i have a playlist for it as well ! my oldest au , started since i got into the fandom

UUAU:

[temp name]

my original usagi/tmnt iteration with miyamoto usagi as the main protag ! i still want to create a comic and really officially send this out so i wont spoil a lot, but !

the basis is that usagi lives in a post apocolyptic solarpunk society and is forcibly sent back in time to a cyberpunk city where the seeds of a war have begun to sprout, dropped in the middle of the highest tensions between three turtles and their eldest brother who is on the enemy side

doomed siblings, doomed toxic yaoi, doomed Everything, its inspired by idw and 2003 so what else is there to expect

only showing the beta design for usagi ! i have a lot of other drawings for this but again, spoilers

historical graves au:

this one is the most recent of the bunch, just putting my version of yuichi for rise into a more usagi yojimbo styled setting ! the story is entirely different from the fanfic and im still working on it But

yuichi is the great grandchild of miyamoto usagi instead of a distant ancestor , so the debt of the shogun’s assassination is that much heavier and Far more dangerous to hold. yuichi and his adoptive little sister, hana, have recently escaped the mass murder and pillaging of their rabbit village (the same one that mariko and kenichi and usagi grew up in) and are on a journey to find their aunt for sanctuary

along the way, they run into a lot of familiar faces, such as the hamato clan , who has karai as their jōnin ! also yuichi gets possessed by jei at some point

hes trans too so he “disguises” himself as a boy to be more hidden as they travel

ive got one more original iteration but theres like . nothing i want to share from it rn lmao

SOOO THATS IT basicallt !!umm if anyone wants to know more about any of these aus id be happy to answer ! u can request doodles of them too !

if u read this far ily and im kissing you

[itsclydebitches]

Hazbin Hotel: Let's Talk About Cursing!

Trigger warning for lots of cursing in this post (obviously) and discussion of canon abuse scenes

As I delve further into the Hazbin Hotel fandom, I’ve inevitably come across a variety of people who dislike the show for an equal variety of reasons. One criticism I’ve seen with some consistency is in regards to the cursing and yeah, I get it. That’s not going to be everyone’s cup of tea. However, the repeated claim that the cursing is only there as a—failed—attempt at bad, lazy humor got me thinking about why I personally liked the cursing, and why I think it serves a greater purpose in the show.

Now yes, some of the cursing does function as an arguably simplistic joke. The most common setup I’ve noticed is one that leans into a contrast in tone/personalities. We see this a lot with the polite, comparatively timid Charlie as she navigates her distinctly vulgar domain.

Charlie: “Hi, mister!” Demon: “Go fuck yourself!”

The entirety of “Happy Day in Hell” plays with this contrast, setting up Charlie’s slightly skewed, but significantly optimistic perspective of Hell. We are shown again and again how her lyrics are contradicted or twisted into something less innocent through the visuals: a “revealing” street where it’s “hard not to stare” has BDSM going on in a nearby window, Charlie will “open the door” for her people and then literally does so... for a guy who’s already dead. (Or, you know, temporarily out of commission until he heals, or whatever demons do when they’re ‘killed’ by things other than angelic steel.) The entire point here is to contrast the happy, skipping girl claiming that there’s a “warm, fuzzy feeling” in the air with the actual environment of unchecked fires and decaying limbs. And yes, that can be amusing. Not necessarily for everyone as humor is highly subjective and dependent on context, but distilling this contrast down to the shock of a polite greeting getting a “Go fuck yourself!” in response is a kind of entertainment. Especially when Charlie’s reaction adds another layer: for me that’s a very funny—and currently relatable—expression.

We can potentially make the case that this humor format overstays its welcome, but I personally think the show does a good job of keeping Charlie’s cursing both simple and comparatively rare, so that when she is put into these contrast situations the humor lands better. The best example I can think of in the latter half of the show is Susan. There we get the whiplash of polite, trying-to-get-these-people-to-like-her Charlie reaching a breaking point to become “FUCK YOU, YOU OLD BITCH” Charlie. It’s a moment that builds off of the earlier surprise of the courteous Alastor calling someone an “Ornery old bitch”—while Rosie is trying (and failing) to find a nicer way to phrase this.

However, as stated above I think the cursing serves more of a purpose than to just be funny for (some) viewers. Beyond those who simply find cursing distasteful, I’ve seen a fair bit of, “This is so stupid. No one even talks like that!” going around.

Except... I do? I talk like that.

See, I like cursing. I was born to former hippie parents and grew up playing MMOs, so cursing was something I became pretty acclimated to. Personally, I’m glad I was because I’m fascinated by language and cursing—for better or worse—is an integral way that many people communicate. I was taught to see cursing not as the Bad Forbidden Thing You Must Never Ever Do, but rather as just another form of expression, something to be used in moderation and under specific circumstances. Once I became an adult I already understood how I wanted to curse and when it was appropriate to do so. People at work are often shocked when I tell them I curse a lot because no, of course I’m not doing that at my job. That isn't considered professional in this space. Among my friends though?

We can sound a lot like the Hazbin crew.

Undoubtedly the most common curse in the show is “fuck” and its variations, which very much tracks with my personal experience among other people who curse. In fact, it’s so ubiquitous that it barely counts as a curse at all in some groups. It’s more of an easy, accepted way to add emphasis. Vaggie’s “What the fuck was that?” about Alastor’s commercial is a perfect example. She’s pissed and simply saying “What was that?” doesn’t carry the same weight, no matter how angry she may sound when she says it. Vox’s long “Fuuuuuuuck” at the end of “Stayed Gone” conveys an emotion you just can’t capture any other way. No dialogue at all would create a fundamentally different experience of Vox’s feelings and another non-cursing response is just gonna hit different. Not necessarily bad, just different.

“I don’t want to go to the party!” “I don’t want to go to the freaking party!” “I don’t want to go to the fucking party!”

The above represents three distinct characters to me and I think Hazbin Hotel gets that. Cursing isn’t thrown around randomly because something something cursing supposedly sells; it’s all linguistically logical. Characters curse when something surprising or bad happens, or when something unexpectedly good happens, when they’re angry, trying to be sexy, or they want to add that emphasis. That’s a lot of different situations where cursing can be useful and when you use “fuck” in your daily life a lot you become pretty desensitized to it. As said, for many it’s barely a curse at all. Which means that when you really want to curse you’ve got to up the ante. It doesn’t surprise me one bit that the two uses of “cunt” I can recall—a word that is generally considered far worse than “fuck” and makes a lot of people understandably uncomfortable—is used by two of the worst characters in moments that are meant to horrify the viewer:

Adam: “Can’t wait a whole year to slaughter those little cunts / I know it’s just been a week, but we’ll be back in six months!” Valentino: “When I say you’d better get that fucking cunt out of my studio, you say...?”

This horror is especially emphasized in Valentino’s scene. The creators know this word is coming up and deliberately build towards it. Angel is currently being abused and has been reminded that Valentino “owns” him. The above question is a part of a trio that Valentino asks (a standard structure in writing), wherein the third option is the outlier/most shocking of the three. The animation leans into that shock, with the music building and Valentino grabbing Angel to pull him close right on the word “cunt.” Perez even puts emphasis there because he knows that this is a significant word that will change our understanding of Valentino.

Despite having hit Angel multiple times and taunting him with the contract, this is the moment Valentino stops playing the ‘nice’ employer. This is the real him. No more fake compliments and endearments aimed at Charlie, no more fake comfort/intimacy aimed at Angel. That “cunt” conveys a hell of a lot about how Valentino really sees them and when you have a cast of characters who are already cursing on the regular, it takes a word on that level to do that kind of work. If Valentino had said, “get that fucking bitch out of my studio” it wouldn’t have had nearly the same impact because he’s the kind of guy who uses "bitch" even when playing ‘nice.’

Adam’s line from “Hell is Forever” does very similar work. The scene needs a word to align with the horrific reveal that another extermination is just six months away, that conveys Adam’s deep disgust for Charlie’s people, and that still catches the viewer’s attention even though he’s the character (I believe) who curses the most. Here the music drops and Adam is a little closer to speaking than singing; there's this shift because, like with Valentino, our perception of him is shifting. This isn’t just some egotistical idiot who wants to be called “Dick Master,” he’s the leader of an army coming to gleefully kill them. Framing a whole world of people—people Charlie loves—as “cunts” while treating their murder as a holiday that can’t come soon enough creates an, 'Oh shit. This guy is actually a threat' understanding that you can’t quite get with anything else.

On a smaller scale, cursing does other character work throughout the whole show. I watched a number of cursing compilation vids for this meta (that was a trip lol) and again, cursing is not thrown in randomly. Each character has a unique way of cursing that aligns with their personality and motivations:

As said, Adam curses the most in the show which helps sell his truly over-the-top, irreverent personality. Linguistically, the amount he curses also allows for some fun grammatical play. Lines like, “Fucking love putting my name on shit, shit’s the best!” help convey the versatility of cursing.

Also as said, Charlie curses a fair bit but she’s comparatively polite and her cursing tends to be a result of genuinely big emotions—like saying “Crap” when she’s shocked and falls, or “Shit!” when Adam locks her out of the room—rather than sprinkled into her conversations as a modifier. That leaves space to create those moments of amused surprise when Charlie really let’s loose.

Sr Pentious curses even less than Charlie which fits his secretly gooey center. He talks a big game at the start of the show, but he’s actually quite bad at being, well, bad (especially the Amazon version compared to pilot!Pentious). His idea of getting one over on Alastor is ripping a bit of his coat. He loves his Egg Bois and “doesn’t want to live” without them. He has no desire to go into battle without minions/a big machine to hide behind and, of course, he’s the first to be redeemed. He's too much of a secret sweetheart to curse a lot.

Interestingly, Niffty doesn’t seem to curse at all. At least, not enough for me to think of examples off the top of my head. Right now I’m inclined to read that as an extension of her lived experiences/design—the cute 1950’s housewife archetype who is obsessed with keeping things clean doesn’t [gasp!] curse—as well as a way to maintain her legitimate creep factor. As said, cursing is common among the hotel residents and is a way for them to linguistically fit in. Niffty, however, is positioned more as an outsider (despite how much they all obviously love her): she’s actually scary in a way most demons aren’t and despite how weird this whole world is, she stands out as someone no one else can make sense of (even Alastor). If cursing is normal, Niffty is a character who is decidedly positioned as not normal.

Angel curses a fair bit, though his irreverence is conveyed more through innuendos. Angel is great at verbally twisting others’ words (especially Husk’s) to give himself a conversational advantage:

Husk: “Go fuck yourself” Angel: “Only if you watch me~”

Husk: “You’ve come—” Angel: [very loud orgasm noise] Husk: “...to the right place.”

Meanwhile, Husk uses “fuck” plenty, but he’s also one of the few characters who use “bullshit" too. I wouldn’t say there’s anything particularly revealing about that choice, but just giving him a go-to curse that’s otherwise used infrequently helps make his character distinct in a cast of other cursing characters.

Vaggie occasionally curses in Spanish, showing us her heritage if she used to be human, or a distinct knowledge/verbal preference if she’s always been an angel.

Heaven, as the ‘good’ side, doesn’t curse as a general rule, which leaves room for cursing to do more of that silent character work. We’re reminded of the stuffy, overly critical beings she’s dealing with when Charlie receives the combined judgement of the court for saying, “Fuck yeah!” In contrast, we understand just how shocked St. Peter is to see a Morningstar when he lets out an unintentional “Fuck!” The angry vindication of Charlie’s “That’s what the fuck I’ve been saying!” lands harder after multiple scenes of very little cursing, and Lute’s “Some crack-whore who fucked up already? / He blew his shot like the cocks in his mouth—” helps set her apart as an exorcist + Adam's second in command: her shocking violence comes through in her word choice too; words that supposedly don't belong in Heaven.

In what’s arguably the funniest line in the whole show, Lucifer undermines his dramatic standoff with Adam by going, “You mess with my daughter and now I’m going to fuck you.” Beyond just cutting the tension, that fits his bumbling, oblivious personality perfectly. Lucifer is crazy powerful and can absolutely wreck Adam. He also has none of the classy intimidation that, say, Alastor displays when he tries to convey that. This is a depressed himbo who makes ducks in his free time and settles on, “Hey, bitch!” when greeting his estranged daughter. Of course he’s going to accidentally turn a threat into a promise of sex.

Which finally brings me to Alastor, someone whose cursing is already understood well by the fandom. He’s characterized as manipulatively courteous, using manners to both hide his true nature and draw attention to his power—’You’re so beneath me I’ll just calmly sip my coffee and politely ask who you are, despite the fact that we've fought multiple times.’ This is a guy who calls people “My dear” and unironically insults them with the phrase “wacky nonsense.” So when he curses you can BET it’s gonna have an impact. It sure did for me. I had to pause the episode after Alastor’s first “Fuck you” because it was so shocking to hear that language from him. And that’s the point! The scene wants that reaction from the audience. The "Fuck you"s visceral anger contrasting the fake laughs he and Lucifer have been giving, the quick-fire exchange that’s suddenly cut short by Alastor’s choice of a direct insult, the fact that he’s officially dropping the polite veneer they’ve both been indulging in and raising the stakes before Charlie intervenes, the loss of the radio filter that otherwise demonstrates his control over a situation... all of it screams, ‘THIS IS AN IMPORTANT CHARACTER MOMENT.’

"Fuck you” reveals that, for the first time in the show, Alastor is legitimately threatened by someone. Which makes sense given that, you know, Lucifer is the King of Hell. Cursing for Alastor isn’t normal, so when he does curse it’s going to reveal something about a guy who otherwise is obsessed with being unknowable. Having the King of Hell dismiss him is actually infuriating in a way Sir Pentious’ threats could never be and the exchange kicks off a rivalry that rattles Alastor in ways Vox’s never has. (Side note: is it any wonder people ship them? Character A making control freak Character B feel vulnerable is classic!) It’s no surprise to me than that the one other true curse we get from Alastor is, “I’m about to end your fucking life,” delivered to Adam who, like Lucifer, poses a legitimate threat and does end up beating him. I say “true” curse because calling Susan a “bitch” does similar work for him, but the takeaway is humorous rather than dramatic. It’s funny that the only people who can piss Alastor off enough to curse are the First Man/a powerful exorcist angel threatening his life, the literal King of Hell... and Susan.

So there’s a lot going on here, more than what many viewers might assume if they approach the show as just “stupid,” needlessly vulgar entertainment. As shown above, I don’t think the cursing is needless, especially given that, well... they’re in Hell. They’re sinners, supposedly the worst that humanity has to offer, so of course they're going to curse a lot. Does cursing mean you’re a bad person? No. Can you craft a hellish world that doesn't rely on cursing to convey a group's immoral nature? Sure.

Does it make sense that a writer would equate a sinful, irreverent cast with linguistic rebellion and would want to convey a certain vibe that, frankly, you just can’t get without dropping an F bomb?

Yeah, I think so. No one has to like that kind of creative decision, but it’s worth acknowledging it as a deliberate choice.

That’s all! Thanks for reading this fucking long post ✌️

[joeloverture]

comeuppance | qz!j.m. x f!reader

masterlist | notifs blog

pairing: qz!joel miller x f!reader summary: [post outbreak] when your recklessness causes an arms deal to go south, joel makes sure you regret it. warnings: (18+ mdni) qz!joel, age gap (late 20s/early 50s), written with hbo!joel in mind but with game!joel lore, guns, mentioned executions, misogynistic names outside (and in!) a sexual context, canon-typical violence as in murder (joel kills a soldier 'on-screen'), reader is a little shit but joel is worse, darkish & dubcon, spanking as a punishment, gunplay, attempted boot humping, degradation, humiliation, one kick to the cunt, mean!joel, orgasm denial [no use of y/n] word count: 2.7k a/n: this is my (admittedly late) submission for @iamasaddie's writing challenge 2.0! my prompt was 'you can't hide forever'. the genre was technically dark but joel himself isn't scarily dark here. thank you so much to aly for, once again, bringing this fandom together with her challenges. it's a steep task but she does a great job every time! and even more thanks to @joelsdagger and @lovesickonmybed for helping me brainstorm! (i have half of a brain without my wonderfully creative friends).

It only takes one deal gone south to fuck everything up.

You know the compass is already ticking that way the moment you and Joel, your longtime smuggling partner, enter the abandoned warehouse. Much like everything else in the Boston QZ, it’s falling apart. The corrugated metal walls are pitted with rust, and old blood is caked all over the floors. In another life, it might’ve been a slaughterhouse, but there’s no real way of knowing. It’s been long enough that any signage has deteriorated. The building’s state of decay, however, isn’t what messes things up.

It’s the singular man that walks in from the opposite side of the atrium.

FEDRA’s favorite executioner. Slitted eyes far apart, thinned out lips, and graying black hair. Rarely seen away from the gallows, only recognizable to you from all of the nightmares you’ve had of his face being the last you see.

If it were drugs, you’d think nothing of it. FEDRA soldiers buy quietly from you all of the time – but they have no need for guns that they don’t already have.

Joel steps forward, merchandise in the duffel bag over his shoulder, none the wiser. A knot ties itself in the base of your throat. You’re too busy trying to figure out what to do, what to do, what to do that you barely even realize that the soldier has a gun aimed right between your eyes until you’re looking right down the barrel.

Your hand jerks to your holster, drawing your pistol in one swipe.

“Drop your fucking gun!” he barks in your direction. It clatters out of your hands. “Don’t you dare fucking move.” Your hands fly up as you take a step back, nearly stumbling into a nearby crate. “Joel Miller and his bitch,” the man sneers. “What a lucky find. You two have quite the bounty on your heads.”

“Don’t do anything stupid,” Joel says, face completely blank.

“Easy for you to say,” the guard says with a nagging smirk. “Your little cunt here already did. Pretty fucking dumb not to check who you’re selling your merchandise to, huh?”

Joel tenses, ultimately huffing through his nose. “Can we get this over with?”

“I’ll make it easy, Miller. Come with me alive so I get paid, or come with me dead so I still get paid.”

Joel’s fingers twitch behind his back, and after almost three years of working with him, it’s impossible not to pick up on the subtext. Keep him busy. His hand is already reaching for the revolver in his back pocket.

“Turn the other way. I can make this worth your time,” you say. “But you’re lucky if those sons of bitches you work for even offer you half the reward they’ve posted for us. Dragging the bodies from Area 5 to the closest checkpoint… you’d have your work cut out for you.”

“Yeah fucking right,” he spits. “You two have been running around free for too damn long. Causing too much trouble. Not anymo–”

The man’s mouth freezes around the words by the time the bullet soars throat the canvas fabric of Joel’s duffel bag and through the man’s jugular. The soldier’s hands claw for his throat while he gargles on the blood as he begins the descent to the ground. New blood, still pumping directionless from the split artery, joins the old.

Much like him, where he’s slumping against the ground, chest moving until the very end, your hands clutch at your own throat. “We need to go,” you say, knowing the rest of FEDRA will come looking for the firefight at any second now. Joel doesn’t move. “Joel!” You reach out to tug his sleeve, but he doesn’t react. “Jesus– move!”

Joel turns to face you, gun still hanging from his hand. His fingers flex around the grip. “What the hell were you thinkin’, little girl?” You can hear his breathing, amplified from how close he is to you. His once inexpressive face is now red, lips curled, skin tight like a crushed soda can. 

“I– what?”

“Not vettin’ your buyers. First fuckin’ thing I told you all them years ago, wasn’t it? Gotta check so you don’t sell shit to the wrong guy, yeah?” He stalks closer to you – you stumble back.

Not vetting the now dead executioner, whose blood is currently creeping up to the soles of your boots. Your mistake, yes, a potentially catastrophic one that you’ll definitely never make again after this, but he’d been on your ass about finding buyers and after an entire day of burning bodies, the last thing you wanted to do was go asking around about the ‘John’ in search of guns that you’d talked to over the radio tower.

“We’re alive, aren’t we?”

Joel finally jerks his sleeve away from your grip. Your hand falls slack by your side, burning from his fire stoker touch. “And you oughta count your fuckin’ blessings for that. Dumbfuck of a girl, gonna get me killed,” he spits. Spittle flies across your neck. 

You flinch – and not because you’re scared. You’ve never seen him like this before. You hear noise in the distance, the moving of FEDRA trucks, no doubt. “Joel! We can do this later – we need to fucking go–”

“Then you better start running,” he says gruffly.

You don’t need to be told twice.

You sprint out of the atrium, cursing as your bloodied soles carve tracks behind you. A stack of crates blocks the door, which you vault over and shimmy your way through the broken glass panel. The hallway ahead of you is dark, and you have no idea where the fuck you’re going, only that you can’t stop. Each impact of your foot on the ground is like being struck by lightning, carbonating the racing blood pumping through your body. More glass crunches behind you, and a shock of terror pierces you when you hear Joel’s snarls filling the corridor.

There’s a metal cart in your way, which you send whirling in Joel’s direction. He grunts, presumably hitting him in the stomach before it goes clattering on the ground. You make the most of the diversion, hurtling forward and lurching through a cracked door.

Dead fucking end.

An office, by the looks of it. Desks all over the place, leftover tasks still pinned on cork boards from outbreak day, chairs on their sides. You hear Joel huffing and puffing behind you, and fear forks through you. You fall to your hands and knees, crawling underneath the labyrinth of desks and tucking yourself against a wall, carpet-burned hand to your mouth to muffle your breathing. Your chest avalanches with every single breath.

“You ain’t off the hook,” Joel says, voice getting closer with every word. You can hear the thump of his boots against the carpet. See the spread of his shadow roaming across the wall. You squint through the seam of two desks. He's looking over his shoulder when you haul yourself across the room to the next closest desk.

You look around for anything that might get you out of this long enough to slip back out of the door. If you can make it back to the apartment, maybe he can cool off on his own walk back. You reach up for a stapler and take a brief second to peek over a filing cabinet before flinging it against the wall. It snaps open, spilling decades old staples all over the floor.

“Only a clicker’s fallin’ for that,” he tuts at you. His boots land on the floor again, one, two, three steps closer to you. You wince, balling your hands into fists. 

All you can hear is the thrashing of your own heart. You scooch away from the desk – maybe if you throw something small at him, like a pack of sticky notes, it’ll be enough to abduct his attention long enough for you to slip by–

“You can’t hide forever,” Joel goddamn coos at you. You see him bending at the waist, scoping out the undersides of desks, seeking you out–

You crawl out from under the desk and book it to the door.

Stupid. Fucking. Idea.

Joel hauls you back by the belt loop, laughing as you cry out. You try squirming away, kicking at him, but his other arm wraps around your torso. It hits you then that you have no idea what he might do to you. You’ve trusted him with your life before, but what would he do when you risked his? You’d always been too scared to find out. He spins you, slamming you over the desk. You cry out as your chest meets the wood. His hand drags your wrists together, pinning them at the small of your back.

“Let me – the fuck– go!” you yell at him, trying to bend your elbow at the right angle to nail him in the chest.

He tightens his grip so much that you can barely move an inch. “Made your fuckin’ bed, gotta lie in it, sweetheart,” he tuts, shaking his head at you. His hand grazes over your ass, and you stiffen as he looms over you. He is just a man. Your mind spins to the worst-case scenario. No, no, no, no–

“How about an… old-fashioned corporal punishment to set ya straight?” Within the next second, he’s yanking your jeans down your thighs.

Oh. Oh fuck.

“Joel–” you exhale, breath shuddery. “Knock it off–”

“No panties? I was gonna be nice and spank ya over them…” Joel frowns at you. “Poor baby. ‘S gonna sting real bad.”

You snap at him, “What, you want me to go to the local QZ Victoria’s Secret?”

Joel swats, hard, across your asscheek.

You’ve seen how intense Joel’s brute strength can be. You’ve just never been on the receiving end of it. A cry pushes out of your throat, and you hunch over the desk as you struggle helplessly against Joel. Tears spring at your eyes.

Mercifully, Joel runs his calloused palm over the smarting skin. “Shh, shh, shh, shh. ‘S okay, Jus’ gotta teach ya a lesson. Make sure it sticks.” He strokes the nape of your neck as you whimper into the desk.

You tense up in preparation for the second hit, but, if anything, it just makes the impact worse. It prickles your other cheek, leaving your knees shaky. And God help you, your clit twitches. Twitches. Your thighs are already heating up, and you can’t help but squirm in a good way underneath Joel. A single tear slips over your waterline, and you have to tilt your head into the shoulder of your shirt to wipe it off. You don’t want him to see you weak – not that weak.

The next spank makes him grunt from how hard he swings his palm into your backside. “Joel!” you shout, pain nearly splitting you in two. Your feet raise off of the ground as you prop yourself up on the desk, kicking uselessly at his shins. All he does is chuckle at you.

Horror sinks like a cinderblock in your stomach when you realize that your hole, leaking slick, is practically fucking winking at him. You thank the darkness. It’s about the only good thing about this place.

“You don’t like that?” he mock-pouts at you. It’s enough to make you throb. The opposite, you’d say if you could.

A series of spanks follows, but at least these are lighter, and in rapid succession. Still, you jerk with each impact, squirming so that your fingers dance in his grip. “Stupid little girl. Thought you could sell our shit to a FEDRA bitch and get off scot-free? Really thought you could get away from me, huh?”

You try clamming up, desperately attempting to close your legs together. You squeeze your thighs together, relieved at the pressure – and then you hear a resounding click behind you.

You still.

Joel’s gun, still fucking hot from the bullet it’d fired right into the executioner’s throat, traces up the small of your back… all the way to your throat. “Could put one right here,” Joel whispers, more to himself than you. “Show ya what happens to girls that don’t follow orders.” He jams it into your skin, and you hiss at the pain, at the bruise it’s sure to leave. And in spite of it all, you fucking gush. God, you’re fucked up.

He wouldn’t kill you – he needs you more than you need him. But common sense isn’t enough to prevent the thrill, the arousal smiting your body from head to toe.

“I’ll reconsider if ya give it a kiss.” He nudges the barrel carefully against your lips and you stop breathing for a second, maybe two. “Go on. Give it some lovin’. Suck it like a cock. I know you’re good at it. Hear all the guys you bring over.”

You whimper at the thought of Joel listening to you getting your hook ups off – at the thought of him fisting his own cock while he listens. Obediently, you part your lips, slowly, ever so slowly, taking the gun down your throat. It fills your mouth up in such a strange way – all hard edges. It’d be freezing cold if not for the fact that it’s a weapon of death, a scythe in its own way. One press of the trigger, and you’d be just like the guard. You suck even harder at it, eyes rolling back in your skull. Your thighs twitch, stripes of slick running down your thighs. 

Joel reaches between your legs, grabbing at the meat of your inner thigh to spread you open. Instead, he gets a handful of the arousal that’s been pooling between your legs since he first bent you over the desk.

You freeze, pausing your ministrations on the pistol. He himself freezes before he drags his hips over your folds. His finger pads hover over your swollen clit before he properly rubs you once, and then twice. Your hips cant into the closest thing – his hand.

Joel makes a disgusted noise and swats your leaking pussy before shoving you forward and stepping back. You’re panting, properly fucked out even though he’d barely touched you. Cross-eyed, tongue hanging out, face hot. He looks you up and down, brows furrowing with revulsion. “Horny fuckin’ bitch. Creamin’ all over me. That long since you got action that a spankin’ and a gun in your mouth is all it takes to get you riled up? Pathetic.” He shoves the gun back in his pocket, still shining with your saliva.

He wipes your wetness all over your leg, grabs the back of your collar, and drags you to the floor in one foul swoop. You fall on your hands and knees again, ass still stinging from his treatment, lightheaded from how needy you are. Even his brutal treatment makes you whimper. 

You reach for his calf, pulling yourself up to brace your dripping cunt against his boot. You rut against it, not even fully cognizant of your movements as you roll your hips, praying that he lets you have this if nothing else. Your orgasm, wetting his boot thoroughly. Your scent, clinging to him on the walk back to the apartment. You buck into the boot, moaning as the toe bumps against your clit. It might be enough, if you could just do it one more time–

Joel tears his shoe out from underneath you, face pinched with aversion. “No!” you cry, still grabbing for his calf. You fall onto your back, legs spread and panting. Your ass needles from his spanking. The ceiling tiles spin above you. 

The same toe you’d been humping kicks into your cunt, and you yelp, curling in on yourself. Another tear slides down your burning cheek as you reach down to cup your sore pussy. Even that pressure feels like touching a live wire. 

Joel looks down at his shining boot and makes a disgusted noise. “Does humiliatin’ yourself always get ya dicked down?” 

He turns around, already walking away from you without a care in the world. The gun grip pokes out of his pocket, taunting you.

“Pull your goddamn pants up and get a move on. Curfew’s soon.”

[buckets-and-trees]

Imagine Bucky coming home to see you wearing nothing but a red ribbon tied in a bow around your waist and can’t help but stare at you while licking his lips. You stand there and say “are you just gonna stand there or are you going to unwrap your present?”

Well...

Would you complain if I added one more thing to this little ask, too?

And this was undoubtedly meant for Christmas, but... my Christmas tree is still up, so maybe other people still have their decorations out, as well...

Fandom: MCU Collection: The Brooklyn Boys Title: Big Red Bow Characters/Pairings: Bucky x female reader x Steve Word Count: 593

Content Warnings: Steve stays post-endgame, established threesome, periphery/secular reference to the Christmas holiday, nudity, kissing, light fingering

Logistical Notes: Probably fine to read if you haven't read any of the series, because this is legit just spicy fluffy stuf, literally no plot. We just haven't seen these boys in a LONG long time, and I thought this might be nice for them. Dividers from @firefly-graphics and @saradika-graphics.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

You take a deep breath as you hear your boys come in the front door. Steve walks past the doorframe, heading down the hallway, his arms laden with bags from their supply run. Bucky, however, glances into the living room, then turns his head back and stops dead in his tracks. He sets his bag down and quietly straightens back up, stepping into the room, eyes riveted on you.

You had been waiting for them, for this, and yet your stomach still flips and your cheeks heat as you see the hungry look wash over him.

He licks his lips, but continues to stare, unmoving from his place in the doorframe.

Your heartbeat is racing, but you will yourself to remain still, kneeling next to the Christmas tree, in front of the fireplace, hands folded delicately in your lap, in nothing but a large red ribbon, painstakingly tied in a bow. You had tied it around your chest, below your breasts so that the large loops of the bow just covered your nipples.

"Did you hear me?" Steve calls back down the hallway to Bucky. "I asked if you know where the–"

"Steve, come here," Bucky cuts him off.

You hear Steve's steps coming back down the hallway. "What? What is - oh," his voice drops when he turns up behind Bucky and spots you waiting for them. "Oh," this time more of a groan, and his tone sends a shiver down your spine.

But when they don't move, you bite your lip and drop your eyes. "Are you just going to stand there, or are you going to unwrap your present?"

"It's past Christmas and New Years, honey," Bucky teases.

You huff. The last two weeks had been so busy, and you'd just thought when you saw the discarded bow from your nephew's bike that it might be fun to play with, but today had presented the first possible moment you finally had time for something like this. "Sorry, it's a little corny."

"Ow." Steve thumps Bucky from behind, and you start to move, but Bucky says, "Stop!" and you do, surprised by his abrupt command. "'I like corny. I'm looking for corny in my life.'"

Immediately comfortable again, you grin and giggle at the very apt quote from The Holiday, which you'd watched twice with them - once after Thanksgiving, and again a few days before Christmas.

They both swiftly approach you now. Steve gets to you first and kneels in front of you, leaning in to capture your lips in an kiss. Kneeling next to you, Bucky trails his fingers over your shoulder and down your arm. He presses his lips along your shoulder and back up to your neck, nudging his way in until Steve moves away, and Bucky steals the chance to claim your lips.

Bucky is quick to lay back on the floor, pulling you to lay on his his chest. You can hear Steve quickly undressing.

"Who says we need to unwrap you in order to play anyway?" Steve asks. Then he's settling in behind you, kneeling in the space between your and Bucky's legs, spreading them wider to accommodate him. He draws his hand down along your spine, over your lower back, and he lets a finger tease down between your cheeks.

You gasp, and Bucky chuckles. "Always so responsive for us, and so pretty like this."

"Mhmm," Steve agrees.

"But I can think of quite a few ways we can use this bow tonight," Bucky adds, grinning over your shoulder up at Steve.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

[the-quiet-youve-been-longing-for]

Okay time for another small (I hope) analysis on IWTV, mainly the way it's written and its place on current television. I'll try my best to format this so it's not ramblings all over, I promise.

IWTV and plot points

I watched a good amount of television in my time, and one thing I noticed here is the fact that it doesn't hold your hand. It doesn't tell you "hey, this thing x is important, now we will tell again why x is important, now here see x being used, the important thing we talked about so far, did you remember, audience?".

Let's take as an example the "don't drink the blood of the living" thing. It's said to a young Louis (telling also to the audience in the 2nd episode how vampirism in this setting works) and then every time it's brought up it's indirectly (Lestat spitting out the sick man's blood, we see Claudia buying Laudanum and we know what it will be used for, but they don't tell us "Hey, Claudia is planning to poison someone so that Lestat drinks it, because remember audience, dead blood kills them"). Sometimes not only it doesn't hold your hand, but shoves you in a different direction, especially in S2. It contradicts himself, backtracks and then it's up to you to spot it.

For example, attentive viewers may have noticed that Sam was in 2 places at once in the trial, one episode before the actual reveal. It isn't a gotcha they came up with in the finale to give more gravitas to the revelation. When they tell us Lestat mass manipulated the audience, it makes sense for the storyline too because we already saw him do that with the soldiers, we have a previous example to refer to, Armand never used that particular power.

In a time where we see so many social media adopt the "short videos" gimmick, like reels and shorts etc, having a piece of media that references back in this way is super refreshing.

2. Character complexity

Complex characters are the backbone of this show. It's easy to place a character in a box and leave them there. You see it with the stereotype of the villain, the best friend, the hero. Some tv shows may have the character shift into a different box, but it's almost never permanent (think of the times where a hero gets corrupted by the Evil Power, but then reverts back to their hero status after Defeating the Evil Power because they remembered the Power of Friendship).

We have Louis, well meaning vampire who is capable of horrible deeds when pushed to the brink. Lestat, who feels so much to the point it hurts the people around him. Armand, whose trauma and fear bring out the need to control, but at the same time he needs to do that without actually controlling. They are all these things at the same time, and it's impossible to see them in a black and white perspective.

3. Details

A line almost always has its parallels to another line in the show, gazes always mean something, props are detailed and shown (I made a post looking at Daniel's notes in 2x05, which were shown for a second only, but you can also think about Claudia's diaries, all handwritten, or the astonishing amount of folders that were in Daniels computer from the Talamasca. That is all prop work done to be shown for a few seconds at most).

4. Analysis

This is more of a fandom thing than the show itself, but I was suprised by the amount of deep analysis that people here on Tumblr did (but also on other social media). Long essays on the meaning of a scene, or on the many many topics the show brings to light (the fallacy of memory, the impact of trauma, the meaning of free will and agency).

Similarly lots of people said that the show brought them back the urge to start creating, whether it's gifs, video essays, edits, fanart, fics, what have you. I started going back to Tumblr after years (last time I was here was during S4 of Sherlock).

And I feel like this is only possible if you give your audience something to work with, something to talk about and to dissect, rather than simple "entertainment".

5. Final thoughts

Of course, this isn't to say IWTV is error free, all perfect, without flaws. Nor is it the only one that has had this amount of labor and impact. But it's still miles ahead from most media we have available at the moment in my opinion, and I really hope its success brings other showrunners or directors to want to try and dare, to trust in their audience, to avoid shortcuts and to pour love in their creation.

If you got this far, I just want to thank you for taking the time to read my ramblings again! Have a cute Louis as a reward, and see you next time :)

[emeryhiro]

My take on the current fandom discourse

As well as a little reminder.

It hurts and is unfortunate to see many people on here and on Twitter who are worried and hurt by things they saw within the new teaser and sneak peek and their interpretation of what it means.

So I've decided to post this as a little reminder of who Daryl and Carol are to each other and how much they truly mean to each other, hoping that it can reassure at least a few of you.

I won't be disputing people's interpretation of the teaser and sneak peek, but I will be using a parallel I saw within the sneak peek and another similar scene. I'll let the gifs below speak for themselves for a moment before I continue, and I think most of you will know exactly where I'm headed with this.

She gets hurt She dies She catches a fever She gets taken out by a walker... She gets hit by lightning Anything... anything happens to her, I'll kill you.

- Daryl Dixon TWD 07x10

These were Daryl's words when the Kingdom, Alexandria, Hilltop, and everyone he knew were in danger, and even then, not even for a split second was he willing to put Carol's life and safety on the line.

There is not an ounce of doubt in me that Daryl feels any differently now; in fact, his love for her has grown even more because of everything they've been through since and all the time he's been forced to be away from her, never knowing if he'll ever see her again.

If the way he cared for the people of Alexandria, Kingdom, and Hilltop combined couldn't outweigh how much he cared for Carol, there is ZERO chance that Isabelle, Laurent, and the people from Nest ever could.

When Daryl finally lays eyes on Carol in season 2, compared to her, nothing else will matter to him anymore. The second Carol is ever in danger, Daryl will immediately prioritise her safety over all else.

Of course, he'll help the Nest as much as he can, and so will Carol; that's who they are, but if it ever came down to choosing between one or the other, they will always choose each other.

Yes, it's his nature to always fight for people who need him, but his feelings towards Carol led him to overcome that nature once, and he'll do it again without a second thought.

Trust the man who risked his life looking for her daughter

Trust the man who instantly ran into danger to protect her

Trust the man who ran into her arms when they reunited

Trust the man who would risk death to keep her safe

Trust the man who held her when she lost her children

Trust the man who ran to shelter her from seeing her son dead

Trust the man who puts himself between her and danger

Trust the man who stood by her when she lost herself

Trust the man who always made sure she was okay first (this)

Trust the man who has always put Carol first

Trust the man we've known for 13 years!

In 07x10, as a last attempt to convince Daryl to follow the plan and sacrifice Carol to save everyone else, Richard says:

"What we have to do requires sacrifice one way or another... Guys like us... we've already lost so much"

Daryl responds by saying:

"You don't know me"

Because it's true, Richard didn't know him, he didn't know what Carol meant to him, he couldn't imagine, but we do. And just like Richard, the people in France don't know him and don't know how much Carol means to him, hence why they don't understand him no matter how many times he has said that he has his home to get back to and promises he needs to keep.

So why don't they understand? Why doesn't he tell them about her? Why doesn't he explain who he wants to get back to and why? Wouldn't that just make things easier?

The amazingly insightful @haircoveredwriter reminded me of something here: Why didn't Richard expect Daryl's reaction towards Carol being put in harm's way? Why do Isabelle, Laurent, and Losang not hear Daryl when he tries to explain himself?

Daryl has always held the people he cares about the most as close to his chest as possible, like they're his fragile secrets, like he's scared of sharing them in case they get hurt or he loses them. Of course, you might say that that's more something we do as children, but we can't forget that Daryl never got to have a childhood, and he lost the only people he ever loved while growing up, so no, I can't fault him for trying to protect the person he cares about most, even if it's not in the most conventional ways, instead of talking about her and sharing her with anyone he has an acquaintance with.

This is also a way for Daryl to protect himself; I can see how he believes telling others about her is like advertising his weakness, his achilles heel, like holding up a sign to them that says "Here, this is where you can hit me if you want it to hurt the most. This is my weakest spot. This is how you take me down".

Speaking about her out loud is too painful; a reminder of how much he missed saying her name, what he can't have and may never be able to see again.

Listen to the hesitation and the way his voice softens when he says, "There's a lady named Carol" after Laurent asks who he misses from home, and how within a second, we see his guard go right back up again.

Look at how he can't help but smile when he hears her voice saying his name again after however long, or how he can't stand still, and his shoulders move like someone who's overwhelmed by an emotion that they're trying to contain.

The Daryl we see in the new teaser/sneak peek and the Darly we'll be getting in TBOC season 2 is the exact same Daryl he has always been, the one that's always seen as distant and guarded on the outside and a man of few words but incredibly loud actions; almost all of these have been developed as a self-defence mechanism, but none of these means that internally he isn't dying to leave France and get back to her, to hold her again, to see her smile again, to make her laugh again, to wipe her tears when she cries, to be her support and man of honour again.

The list from earlier in this post is just a few examples (of many) of how he has repeatedly shown us, through his actions, that she is the most important thing in the world to him.

~~~~~~

To wrap this up I just wanted to say that I can't wait to see how their bond strengthens even more in season two because I see these two as the definition of soulmates.

I love them, I love how they love each other, and I always will.

Or in @lola-andheruniverse's wise words (her post), which have stuck with me:

"I'm choosing to hope [and trust] and ignore the fear of disappointment... I'll always love them... They changed the way I understand love, and I'll never regret a second spent loving them."

For those who want to watch the scenes mentioned above, the timestamps are as follows:

TWD 07x10 scene between Richard and Daryl is 8:45 - 14:27.

TWD: DD 01x05 scene between Laurent and Daryl 9:20 - 10:50

TWD: DD 01x05 radio call between Carol and Daryl

Thank you to those who read through this; I know it's a little long, and I could have honestly made it 3x longer because I always have so much to say about these two, but I hope it helped ease your minds, even if it was just a little bit.

[neiptune]

aot boys x guilty pleasures

a/n: this is me being self indulgent and having a lil fun so forgive the shitposting but also feedback is always appreciated mwah

eren loves the shit out of nature documentaries you'll leave him alone one saturday night and you'll come back to find him sprawled on the couch watching life of mammals or some shit on netflix lmao you'd be on a date and he'd get suddenly excited enough to hit you with random facts like “btw did you know that the average blood pressure of a giraffe is around 300/190?” he'd literally barge in rooms with a “babe omg hummingbirds are like the only birds that can fly backwards” and you'd just be sitting on the toilet with a very unimpressed look but he's cute 12/10 would make a good park ranger or whatever

armin is lowkey obsessed with youtubers like he legitimaly sits down and watches hours on end of unboxing/reaction videos or travel vlogs jfc and it's always the dumb stuff ya know like person x unboxing the same phone in 10 different colors or person y reacting to drake's new single and THAT controversial lyric. it's exhausting really he'd be in bed at 3am still going through chrissy's 27 min travel vlog about some bali vacation gone wrong and don't even get me started on drama and internal feuds or breakups oh my god he has a whole playlist of breaking my silence videos on youtube to keep track of who's said what so he can pick the best side

you've introduced jean to the world of fandoms and fanfiction and at first he was all like nah that's too weird but now he has his own ao3 account and eats the weirdest most hilarious shit up, will also use acquired terms in the wrongest way like you'd be watching bridgerton together and he'd suddenly nod to himself with a OOOO TRIGGER WARNING THEY BOUT TO FUCK lmao he's obsessed tbh his twitter is filled with commentary on random chapters he's screenshot and that I WILL GO DOWN WITH THIS SHIP titanic gif posted over and over again like no honey you will not we've moved past that 10 years ago

oh god connie is such a chronic playlist creator he'd have one for EVERYTHING and he genuinely spends hours selecting the perfect most appropriate songs and titles for each one, you best believe before you first started dating he's made one for you called “i like you idgaf about your boyfriend” which came with a weird ass mix of sweet stuff like just the way you are by bruno mars and cash shit by megan thee stallion lmaooo he's so random he thinks he's good at it too and you don't have the heart to tell him that “get down dirty bedroom sexy lapdance music” ain't a good title. it's kinda attractive that he's not a music snob tho like he'd be blasting country music classics while cooking, rap mixtapes when he's taking a shower or full on broadway showtunes when driving, he also has a cute voice that cracks on higher notes but it secretly turns you on how deep in the moment he is while screaming to defying gravity in the car

levi gets a weird kick out of serial killer documentaries or real footage of their interviews/trials, also listens to A LOT of true crime podcasts and TAKES NOTES about the most interesting cases to check if he'd be able to solve the unsolved ones and he'd always test you as well? you'd be reading a book in bed and he'd plop next to you with a dead serious look on his face asking shit like “would you help some random guy with a cast on his arm carry his bags?” 🤨 out of the blue like ?????? baby that's kinda weird can you not but it's really just him trying to flex his big big brain thank fuck he's not an actual cop he'd be insufferable (and way less hot)

to absolutely no one's surprise reiner's guilty pleasure has to do with you, the man's all about you (and hockey), you've asked him to take a bath with you once and now not a single motherfucking week goes by without him looking at you big big puppy eyes asking “bath???” most evenings after work. it doesn't even have to lead to anything he's just content basking in warm water and bubbles with you in his lap, he gets to massage shampoo into your scalp if you want to wash your hair and is now a pro at creating the perfect atmosphere with oils and dimmed lights and omg don't even get me started on candles, he's memorized your favorite scents and now also has his own preferences, catch him walking around a yankee candle store at least twice a month, girls working there ask this big scary grumpy guy if he needs help and he'd reply with the softest most polite & specific hi hello yes actually i need to stock up on sparkling cinnamon and snow globe wonderland tyvm

porco 100% checks his naked self out in the mirror lmaooo i know this shouldn't count as something people wouldn't believe he'd do but it's kinda a guilty pleasure i guess??? he finds putting clothes on a lil depressing and knows he's hot. sometimes you'd catch him doing that after showering and the man would be so fucking thirsty for compliments cause what is he supposed to do with muscles and abs and prominent biceps if you won't drool over them a little? he's annoying & also gets soooo whiny if you don't indulge him like :( do you not think your dashing boyfriend is cute :( while flexing, also always tries to convince you to take your clothes off as well for “inspection purposes” to which you simply flick his forehead lol whether you end up pressed against that very mirror 10 minutes later it's between you and him xoxo

[biocrafthero]

Why Sunny’s Halloween costume is a mummy instead of a vampire

Okay strap in guys this is a long one

(Under a read more because I have lost my mind)

(Also for some stuff I’m using Wikipedia as a source this isn’t a professional essay or anything)

Something I have noticed with Omori fans is that, much like with other fandoms, people like to assign fun Halloween monsters to their favorite characters. For a character like Sunny, I have noticed that many people opt to make him a vampire, which is a choice that seems quite understandable. The idea of the modern vampire can be traced back to many different authors, the most popular one in the minds of most being Bram Stoker’s Dracula, which was published in 1897. Some of the visual and behavioral trademarks of a vampire has to do with things such as aversion to sunlight, pale skin, fangs, and the need to feast on the literal blood of others to stay alive. Vampires have always been considered undead, which aligns with their history throughout folklore; there were several instances where corpses were staked after being accused of vampirism.

Reading this, its easy to see why fans would assign a character like Sunny to the idea of vampires based on all of the common traits of vampirism. However, while I do enjoy AUs and such of a vampiric Sunny, I disagree with this common interpretation and instead propose the idea of Sunny being associated with a different kind of undead monster: the zombie.

(“But Kaun, didn’t you say in the title of this post that Sunny is associated with mummies?” Yes, but we’ll get there.)

The origin of the zombie can be traced back to several different sources throughout the world, the most well-known one being Haitian folklore during the 19th century. Regarding modern depictions, popularized by the film Night of the Living Dead, zombies tend to be slow, rotting, human undead (while it must be noted that undead animals isn’t particularly uncommon either). Much like vampires, zombies need to consume humans to survive, but the difference is that, while vampires only need blood in most depictions, zombies tend to eat all parts of the body. The idea of the brain being the specific target is something that’s only come up within the last fifty years throughout pop culture; adding to these newer additions, it was only within the last twenty or thirty years that the idea of the running zombie was introduced and subsequently popularized.

So what does any of this have to do with Sunny?

Well, thought Omori, we are shown clear evidence of why the idea of the zombie resonates with his character. The most obvious example is with Hellsunny, who can be found throughout the entire truth sequence, in some parts of Black Space, and in a very particular cutscene in the Hikikomori Route.

Now, while its easy for us to assume things from the POV of Sunny himself, sometimes its important to take into account the intent of the creator in order to interpret things such as this. So, once again, why a zombie?

Well, the choice of the zombie is quite obvious to me: the fact it is commonly referred to as the living dead. Now what does this allude to regarding Sunny? It most likely correlates with his emotions in the wake of Mari’s death, especially considering he’s the one who killed her in the first place. It is commonly said by people who have experienced the loss of a loved one feel as if they’re just drifting through life after their passing, and the same can definitely be said for Sunny. At the time the real world sections of the game take place, its been four whole years since the incident had occurred, and Sunny has both figuratively and literally wasted away in his own home. Characters comment on how he seems very skinny and/or frail, and how he clearly hasn’t been taking care of himself. In a way, its like a part of him died alongside Mari.

This is where we get to what some would consider to be an extension of the zombie archetype: the mummy.

Regarding its depiction in horror since the history of real mummies is an entirely separate conversation, the modern depiction of the (male) mummy can be found dating back to the 1932 film The Mummy. While most historical, real life mummies had their organs removed before burial, the mummy from the film (named Imhotep) was deduced to have been buried alive after it is discovered that its organs had not been removed at all. Now while the rest of the film’s plot isn’t quite as relevant to our analysis, I believe these details are important to note. The idea of the mummy being something sealed away, only later to be awoken again as some kind of living dead, is very interesting considering the parts of Omori that make this comparison to Sunny. The allusions to the idea of Sunny’s own home being some kind of coffin or tomb adds to these ideas.

This is why I think the vampire comparisons simply do not fit. The idea of the vampire inherently implies that the afflicted needs to take something from others in order to survive, and while the same can be said about zombies it must be noted that within recent years the idea of a kind zombie has been slowly making itself known. Additionally with mummies, aside from the blatantly orientalist bullshit regarding its history in pop culture, don’t tend to be depicted with having to consume any physical part of the human body (but physical violence in general is still on the table for them. They tend to be depicted as more on the level of vampires in terms of their intelligence).

In contrast, the living dead (referring to both zombies and mummies) tend to be much more passive. Most don't go out of their way completely to hunt humans, only hunting if one crosses their path—mummies even more so, with them not even needing human flesh to maintain themselves. When not hunting, these monsters tend to just... exist, not doing much of anything at all. They don't expend energy on actively looking for what they need to survive, instead opting for what they need to find them, wasting away all the while. And the thing is with zombies: they rot. They decay, bound by more realistic things than mummies are (which tend to be sustained my more magical elements in pop culture).

While the idea of having to actively go out and hurt others to sustain yourself is very interesting, when specifically regarding Omori’s canon, it doesn’t quite fit in line with Sunny’s character and his arc. In contrast, him neglecting his own needs and wasting away is more in-line with all of that, which is why he’s more commonly depicted as being a zombie or a mummy by official material.

I know this post is extremely long-winded, but I think this kind of analysis is very fun. Additionally, you don’t have to take my word as gospel, either. I enjoy AUs where Sunny is a vampire, since he’s in a position where he has to violate his own morals in order to sustain himself. I think it acts as a very interesting way to deconstruct his character, and to push him to his limits (including the brink of death if he refuses to hunt).