#one of the best singer-songwriters that ever lived

[groovytimes]

Laura Nyro (October 18, 1947 - April 8, 1997)

[rachelclowny]

i truly, and i mean truly thank gracie abrams for her service to the bitches who are genuinely the problem. those who have no space for ferocity, let alone the skill to know if it's warranted. those who lay awake at night composing speeches that they'll never have the courage to mouth in the daylight. those who refuse to admit themselves insecure because a false bravado of "self-awareness" is so much safer than considering the possibility that you don't know everything.

if i acknowledge my faults, does that make me faultless in all i've done? all i haven't done? is it better to be alone than to be weak? weaker than i already am?

what if at the end of it all, when my best effort still tastes like regret and debility, i still haven't found the spirit i seemed to have lost along the way?

[taasgirl]

lover - oscar piastri

summary: y/n is a songwriter who writes plenty of songs however no one realizes that they're made by her (and about oscar hehe)!

a/n: the outcomes of the races are fictional, and the order in which these songs have been written (assume fearless was written this year ygwim?). also no face claim!!

liked by yukitsunoda, oscarpiastri, and 33, 287 others ynusername romance is not dead if you keep it just yours! lovelovelove being able to come home for race day!! i'm so proud of u osc 🩷

oscarpiastri I'm so lucky 🥰 liked by ynusername

user27633 Y/N IS A SWIFTIE CONFIRMED!?!?!

ynusername of course!!

user16372 u literally take the cutest photos of oscar

user82537 y/n quoting paris... i'm so up

yukitsunoda 😆😆

landonorris You're my favourite wag

ynusername wow how considerate

liked by taylorswift, landonorris, and 1, 287, 387 others oscarpiastri Unwinding before Japan 👊

ynusername tehee we're cute

oscarpiastri You're cuter landonorris Get a room

taylorswift ooooh she's working hard @ ynusername

user62584 WHAT THE FUCK ARE U DOING HERE???

user98274 OSCAR IS FRIENDS WITH TAYLOR HUH

user61192 i did not expect to see taylor in the comments of oscar's post tagging y/n!

user92898 no fr like what is going on

user93829 Everyone shut up about taylor look at the beauty that is y/n omd

view ynusername's story...

liked by jackantonoff, phoebebridgers, and 55, 918, 278 others taylorswift In honour of my album 'The Tortured Poets Department' release a week ago, I wanted to thank my biggest musical inspirations! Thank you Jack, Lana, and Y/N for helping me the best artist I could possibly be, without you'd guys I'd be nowhere (thank you y/n for writing the cheesiest, cutest, sexiest songs ever)!!

user51862 who is y/n

user01827 She's dating f1 driver oscar piastri but also now apparently a songwriter idk...

user72973 Wdym thanks y/n for writing?? you're telling me the twitter stans were right??

user62863 y/n is singlehandedly uniting f1 and the swifties

ynusername thank u tay 💓💓

user52868 Girl has been living a double life

user51929 ohhh so this is why taylor was commenting on oscar's post😭

liked by oscarpiastri, taylorswift, and 108, 276 others ynusername well now that the cat is out of the bag, who wants to hear a story? i assume u all said yes.

on one of our first dates, oscar made me a bracelet (yes that one) and i thought (and still think) that it was one of the most romantic gestures. so obviouslyyy i wrote 'lover' about him hehe. yes we only knew each other for at most three months when i wrote it, but i love him so much, he's my forever.

oscarpiastri I love having a singer for a girlfriend (wife one day)

ynusername hello cat boy

user18739 You're telling me that taylor's most romantic song is literally written by my favourite wag about my favourite driver?? i might pass out

ynusername haha yes! i write a lot of songs for tay

landonorris So this song is basically about ur delusions liked by ynusername

user52863 oh now i need to know exactly what songs you've written

user20939 AND PLEASE RECORD COVERS OF THEM TOO

lilymhe wait so you've been friends with taylor the whole time...

lilymhe AND THE SONG THAT I WANT PLAYED AT MY WEDDING IS WRITTEN ABOUT OSCAR?? ynusername oh my god lily HAHA

let me know if you liked this!! i know it's super short but i'm seriously lacking inspo and ideas omd. also i literally love oscar so much.

i'm also working on a few reqs, so if you have a suggestion or request, let me know because i'd love to do it!!

[love-belle]

it's golden like daylight !!!

*ੈ✩‧₊˚ in which the whole internet thinks that they're over but it's just a new beginning for them.

or

for when you know it's forever. ˚ ༘♡ ⋆｡˚

social media au // charles leclerc x fem!reader

warnings - language

author's note - hello!! my first time writing for charles so i really hope u like it!! requests are open <3 thank you so much for reading, i love you <3

≡;- ꒰ °twitter ꒱

≡.;- ꒰ °instagram ꒱

liked by carlossainz55, lewishamilton, yourbestfriend and 782,517 others

yourusername loving him was red 🍒

5,829 comments

username hahahahaha "was" hahahaha

username IS THIS A CONFIRMATION WHAT???? HELLO????

username what if this was my last straw.

yourbestfriend red is your colour fr

*liked by yourusername*

username guys..........i hate to say it but i think it's true

-> username no.

-> username lol what??? nooooOoooOOO??? they're legally not allowed to break up

≡;- ꒰ °instagram ꒱

liked by y/n444angels, f1aaliyah, wag_.updates and others

f1newz formula one driver, charles leclerc and singer/songwriter y/n y/l/n have called it quits on their relationship of 4 years, sources close to the pair claim. "it just wasn't working out," the source explained, referring to the long distance between them and their busy schedules. "it just felt like the relationship had run its course," they continued, "obviously, they still hold a lot of respect for each other and will continue to remain close friends, as there's no bad blood between them." for more details, click on the link in our bio.

1,827 comments

username what do u MEAN that the relationship just RAN its course?????

username no bc the idea that a relationship can just be over like that, just "run its course" and that you had a limited time with your person, your partner and now it's over. it's so heartbreaking. my heart is breaking for both of them, they were so in love with each other 💔💔💔

username source is like "just trust me on this" lmfaooooo

username no way im believing this shit after charles called her his "motivation and the reason he pushes himself to do much better because she deserves the best"

username her caption, their interaction the last few weeks, this 😬😬😬 it all seems to be adding up i fear

username LMFAOOO NICE JOKE 🤣🤣🤣🙏🙏🙏🤪🤪🤪 !!!!!!!!!!!

username "to my muse, i already had an idea of what love would be like but u taught me a whole new meaning of it, i love u forever and ever in each and every lifetime" and u say they broke up???? bro they're not universally allowed to.

≡;- ꒰ °instagram ꒱

liked by danielricciardo, yoursister, yourusername and 827,916 others

charles_leclerc stuck with me forever now 💌 cannot wait to slow dance around the kitchen at 3 in the morning for the rest of our lives. i didn't "fall" in love with you, i purposely, intentionally loved you and i always will, in this lifetime and all the others. any person would have been lucky to call you their love and i thank my skies and my constellations that i got to be that lucky person. here's to our forever ❤️ i love you

tagged yourusername

18,827 comments

username OH NY GOF

username SHUR THE FUCK UP WHAT OU M UHDO

username i just fell to my knees in walmart what.

yourusername forever never looked so good, i love you more than words could convey ❤️

-> charles_leclerc i love you mon ange ❤️

username hahahahahahaha!!!! ok!!!!!!!! nice!!!!!! happy for u!!!!!!!!!!!

username can't believe we really lost mother to a guy that drives around for a living

-> username i could be an uber driver just sayin 😮‍💨

danielricciardo the hardest secret to keep!! cannot wait to third wheel u for the rest of my life 🙏🙏🙏

*liked by charles_leclerc*

username I JUST SCREAMED SO LOUD OH MY GOD

lorenzotl the best sister in law ❤️

*liked by charles_leclerc*

lewishamilton congratulations ❤️❤️❤️ can finally post the pictures from that night ‼️

*liked by charles_leclerc*

username IM SO 😭😭😭😭😭😭😭😭

≡;- ꒰ °instagram ꒱

liked by charles_leclerc, arthur_leclerc, carlossainz55 and 892,827 others

yourusername it's golden like daylight ❤️‍🩹

been waiting my entire life to use these lyrics, thank u charles for finally making it happen 🙏 also, i love you and i cannot wait for our future?????? kinda sad u beat me at proposing first but it's okay bc i love the ring (and you!!!!!!) thank u for making me the happiest person alive ❤️❤️❤️

tagged charles_leclerc

19,178 comments

username THE CONTRAST IN THEIR CAPTIONS

username poetic bf 🤝 funny gf

username i love them your honour

carlossainz55 it took him 27938291 hours to pick a damn ring so u better cherish that rock

-> yourusername it's tiffany how could i not??? (it's perfect thank u for helping him out ❤️‍🩹)

username SHE'S SO AJAJSJKAJSJSKA

charles_leclerc it was about time i put a ring on that 💍💍

-> yourusername REALLLLLL (i love you so much thank u thank u thank u i love you u make me feel like all the colours of a sunset, all the hues)

username they're so ☹️☹️☹️

arthur_leclerc can't believe you're gonna be my sister in law (i love u, thank u for making him and us the happiest by being in our lives)

-> yourusername better get used to it (i love you all so much, my forever family)

[rhaenella]

CL16 | Is It Over Now? | pt.4

pairing: charles leclerc x singer!reader

genre: social media au

summary: you and charles have been everyone's fave couple on the grid, but when you somewhat unexpectedly break up, you turn to songwriting to cope with the pain

face claim: léon

a/n: all songs mentioned are by léon and some of taylor’s from the vault. also a massive thank you to my part time french teacher @xeresmalfoy for helping out and checking my grammar ❤️

･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⋆ ･ ⠄⠂⋆ ･

part 1 | part 2 | part 3 | part 5 | part 6 | part 7

･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⋆ ･ ⠄⠂⋆ ･

Liked by taylorswift, selenagomez and 1,131,489 others

y/n: Your reaction to Is It Over Now? has been nothing short of incredible. I feel your love 🤍 And that’s why I decided to give some of that love back to you. Besides my new music video, we’ve been secretly rehearsing for a special little something… 

It’s been a busy couple of weeks but I’m very excited to announce that I will be playing three small, intimate “one night only” shows in London (7/11), Paris (7/12) and New York City (7/15) next week. I can’t wait to see some of you there, let’s make it a good one x

🔗 Link to tickets in my bio!

View all 22,362 comments

sophiet: Yasss girl🔥see ya next week😘

Liked by y/n

landonorris: Surely friends will get a discount, no?

y/n: Hmm… we’ll see

yourmanager: No.

user7: i can’t waittttt!!!!!! see you in new york 😍❤️

user8: y/n really said i’m gonna use my pain and turn it into a creative outlet and i think that’s so beautiful and inspiring ♥️

user9: I CANT BELIEVE I MANAGED TO GET TICKETS

user10: omggg you’re so lucky they sold out so fast

user11: yeah i was too late :(((

user10: hopefully y/n will do a bigger tour🤞🤞

y/n: Sooooonnnnn 🤫

user10: OMFG

3 July

Liked by user23, user29 and 43,119 others

wagsf1update: Pierre, Kika, Charles and Maddy attend day eight of Wimbledon!

View all 2,235 comments

user23: charles and pierre look so gooddd 😍😍😍

user24: clone is cloning

user25: the way charles was only really talking to pierre during the game

user26: maddy and charles look so happy and in love in those pictures……. NOT

user27: so far i haven’t seen either of them smile in each other’s presence 

10 July

y/n’s story

Seen by alex_albon, kellypiquet and 3,979,114 others

11 July

landonorris’ story

Seen by y/n, danielricciardo and 3,788,531 others

11 July

danielricciardo’s story

Seen by landonorris, alex_albon and 3,244,091 others

11 July

landonorris’ story

Seen by charles_leclerc, carlossainz55 and 3,743,160 others

11 July

danielricciardo’s story

Seen by yourbestfriend, charles_leclerc and 3,028,340 others

11 July

Liked by y/n, lilymhe and 301,882 others

alex_albon: Our professional opinion: this new up an coming artist was not too bad 🧐 (and fun fact: her post-concert cravings are REAL)

View all 2,911 comments

y/n: Omg Alex…

y/n: DID YOU HAVE TO POST THAT PICTURE

alex_albon: Yes

danielricciardo: Starving performer devours a burger 🍔 by alex.jpg

lilymhe: I told alex not to do it but he never listens to me

alex_albon: I can’t help that’s what she looks like when she eats

carlossainz55: This is true, I’ve witnessed this myself

y/n: I hate all of you

maxverstappen1: But secretly you still love us

y/n: Careful champ, there’s a fine line between love and hate

landonorris: Go on, please hate them so I will get all the love since I’m the only one here taking the banger pics

Liked by y/n

12 July

Liked by kellypiquet, yourbestfriend and 998,267 others

y/n: London was an absolute dream. Thank you for an unforgettable night❣️à demain Paris 🇫🇷

View all 18,432 comments

user18: absolute dream? ABSOLUTE FIRE ❤️‍🔥❤️‍🔥❤️‍🔥

user19: BEST. NIGHT. EVER.

user20: it was emotional but oh so fucking powerful

user21: say don’t go is my new favorite song, i love it so much 😭❤️

Liked by y/n

user21: you were spectacular!!!!! please come back soon 

user22: j'ai hâte de vous voir demain, j'attends de vous voir en live depuis des années!!🙊💕 

Liked by y/n

12 July

—

It was late. Way past midnight. Maddy had already gone to bed a few hours ago. But Charles was still up, slouched on the couch in his five-star suite, a frown edged deep into his forehead.

He silently scrolled through his social media, switching from Twitter to Instagram to Twitter and back to Instagram again. You'd just posted new photos of your show in London tonight, looking as beautiful as ever.

The stage was where Charles knew you felt most comfortable, somewhere you weren’t scared to open up your heart and be vulnerable. The atmosphere you were able to create during your concerts couldn’t be put into words. It was truly something one of a kind. The way you effortlessly connected with the audience… it always left him speechless and usually with a wide, beaming smile.

In other words, he would never tire of watching you perform.

Charles had always been proud of you. And still, as he sat there reading through the thousands of posts by your fans and even some by his colleagues, he couldn’t help but feel that same sense of pride swell inside of him. 

Though, that pride was mostly overshadowed by a feeling of intense guilt. Guilt that kept nagging at him ever since the moment you’d packed your bags and left his apartment with tears running down your cheeks. His heart clenched painfully as Charles thought back to that particular day. It was his fault. All of it. He had been stupid. No, beyond stupid. It had started out as a drunken mistake. But you can’t make a drunken mistake twice, let alone thrice. 

When you’d found out and had confronted Charles, he hadn’t denied it. And in that moment, he’d witnessed that last bit of hope you’d stubbornly clung to, shatter before his eyes. Along with your heart and your trust. 

As the reality of the situation had slowly dawned on him, he’d gone completely numb. Charles had wanted to fight for you harder, but he hadn’t. If he had, his current situation could’ve possibly been entirely different. Your new song—which he had already listened to three times—made that perfectly clear.

But he had decided on another path. A decision that resulted from losing the love of his life by his own hand. Did it make any sense? To choose to stay with the girl he’d betrayed you with? In his loneliness it had made some weird type of sense. Because if there was one thing Charles couldn’t handle well, it was being alone. And boy, he’d never felt more alone than when you’d closed that door behind you, making him believe there was no longer hope for a future together.

Now, all he wanted was to focus on moving on and stick to his decision to be with Maddy. Was he in denial about his true feelings and the pain he tried to bury deep inside of himself? Perhaps. Probably.

Charles was still mindlessly scrolling when Maddy emerged from the bedroom, leaning against the wall studiously. He hadn’t even heard her until she cleared her throat, speaking to him softly but with a tinge of annoyance. 

“Charles, are you finally coming to bed?”

“Ouais, je serai là dans une minute,” he answered absentmindedly.

Yeah, I’ll be there in a minute.

She rolled her eyes. “How often do I have to tell you: speak English. I’ve no clue what you’re saying.”

“Mhm, désolé…” 

Charles paused, quickly looking up as he realised his mistake. 

“Seriously,” Maddy scoffed.

He winced at her irritated look. There was no denying Maddy had a temper, her moods changing as quick as lightning. The countless fights Charles and her had had in the past few months were enough proof of that.

“Sorry,” he tried again.

She huffed, stomping away in the direction of the suite’s bedroom, harshly closing the door behind her.

He rubbed his temple, sighing. He was just tired. And speaking in his native tongue when he was tired or upset was something he did without thinking. 

Years ago, you’d quickly figured that out as well. However, you never judged him for it. No, you were understanding, trying to acquaint yourself with his language to understand him better. To be there for him. In the end, you knew him so well that you could almost always accurately read him, the language barrier between you no longer an issue. Not that it had ever been one in the first place.

He thought back to one of the tweets he’d read before Maddy had come barging in. 

‘Charles made the biggest mistake of his life. I hope he realizes it.’

He squeezed his eyes shut, letting his head lull back against the couch’s headrest. And just like he’d done ever since that fateful day, he willed all of his doubts, guilt, and pain into a neat little box, unable to face them. Charles sighed again, pushing himself to his feet, wearily following in Maddy’s footsteps towards their shared bedroom. But as his hand hovered over the door handle, one single truth echoed through him, unwavering.

Oui, he thought. Je le comprends. 

Yes. I do realize it.

･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⋆ ･ ⠄⠂⋆ ･

･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⋆ ･ ⠄⠂⋆ ･

Tags: @sukisheadlights @eviethetheatrefreak @blueflorals @kiskso @dessxoxsworld @treehouse-mouse @dangeroustacoalienbiscuit @clown-fc @stopeatread @vanishingcherry @bb-swift @leclercdream @scenesofobx

[imaginesig]

“Could someone give a message to the smallest man who ever lived”

pt2: "Ditch the clowns, get the crown / baby I'm the one to beat"

Lewis Hamilton x Reader

SMAU

The reader is a singer-songwriter who just broke up with long term fiancé Lewis Hamilton. Of course she wrote a gut wrenching album to cope.

This is gonna be a lot of shitting on Lewis— absolutely no hate! I just love a good heartbreak and the Tortured Poets Department

Also dates aren’t accurate bc I don’t have time to worry abt all that and I totally stole all of this from real life- not an ounce of originality

yn_ln

Liked by lewishamilton, mercadesamgf1, user28, and 928,928 others

yn_ln: pinky promise to always by your side 🏎️

Tagged: lewishamilton

lewishamilton pinky promise to always be by YOUR side

yn_ln ♥️

mercadesamgf1 always a pleasure to host our pop princess!

yn_ln always a pleasure to be hosted!!

user1 looks always kill in the paddock

user2 ugh to be in the F1 paddock watching my driver fiancee on weekends I'n not touring

user3 stunning!!

user4 the pinky promise makes me physically ill😭

user5 fr WHEN WILL IT BE MY TURN

carmenmmundt gorgeous! Always a good time with you 🫶

yn_ln dinner soon?

carmenmmundt yes please!!

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lewishamilton

Liked by yn_ln, user2, mercadesamgf1, and 810,298 others

lewishamilton: could’ve been better but back to work for next week

Tagged: yn_ln

user1 being a Hamilton fan used to be fun, I used to be happy

user2 the second photo is so fanfic coded I can't

user3 omg yes!!

user4 maybe Ferrari will be championship #8

user5 hottest couple in the paddock

mercadesamgf1 watch out Australia 👊💥

yn_ln

Liked by lewishamilton, sabrinacarpender, user92, and 929,290 others

yn_ln: Argentina I’m so glad we were able to dance my best dress with you! Until next time 🫶🎇

tagged: no one

user1 BEST NIGHT OF MY LIFE

user2 babe wake up a dancing Taylor post just dropped

sabrinacarpender such an electric crowd!!

yn_ln thank you for your hype work

lewishamilton: wonderful show once again!!

user3 best night ever

user4 AHHH STUNNING

user5 manifesting tickets so hard rn

lewishamilton posted a story

Caption: Help me hold on to you ♥️

ynupdates

Liked by user1, user5, user9, and 819,109 others

ynupdates: Superstar Y/n L/n and boyfriend Lewis Hamilton after her show in Argentina!!

tagged: lewishamilton, yn_ln

user1 LMAO the update account rlly said she's everything and he's just Ken

user2 the wine was iconic!!

user3 omg that's my photo!!

user4 we thank you for your service

user5 you know she was jumping with joy bc of those boots

user6 omg irl! I can't imagine how her feet feel after heels all show

user7 they are so sweet

user8 get yourself a man who takes you out after work

user9 my fav couple fr fr

Twitter—

yn_ln

liked by sabrinacarpender, carmenmmundt, user9, and 928,029 others

ln_yn: Round of applause for Brazil for their incredible rain show!!

tagged no one

user1 the first pic 😳

user2 chills, literal chills

user3 the entire vibes of the whole show was wow

user4 I agree and I was watching through a fuzzy live stream

user5 anybody else need illicit affairs (angry verson) on Spotify now

user6 me me me!!

user7 Y/n make it happen

user8 it kinda felt personal ngl

user9 best night ever!! I went as fearless in a gold dress and to say I danced in a storm in my “best dress” with Y/n was incredible!!

user10 omg that’s so lucky!!

yn_ln

liked by user92, sabrinacarpender, girlsinred, and 928,929 others

yn_ln: Thank you South America for welcoming me with open arms for this leg of the tour!! I will miss you all dearly over break but rest and relaxation is important for an awesome European leg!!

tagged: no one

user1 I’m gonna miss the fuzzy live streams 😭

user2 gets some rest Queen!!

user3 I can’t wait for the second leg!! Let’s go Europe🫶🫶

user4 it’s go time to get my Eras outfit

user8 I need ideas!!

user4 me and my boyfriend are going as Miss Americana and the Heartbreak Prince

user9 I’m dressing in a white dress with a small veil that says “fucked in the head” and messed up makeup bc champagne problems is one of my favs

user10 I love it!!

user5 anybody else sad Lewis wasn’t at these last few shows, nor was she at any races or seen near mercades home base

user6 they’ve been together for 6 years, I’m not worried abt them spending some time focused on their jobs without each other

user7 yea and they’re really private so I’m sure they’ll catch up plenty during her break

lewishamilton

liked by mercadesamgf1, user1, user8, and 928,292 others

lewishamilton: not the results we needed but that’s what growing is all about

tagged: no one

comments have been disabled

lewishamilton

liked by georgerussel, mercadesamgf1, user83, and 718,292 others

lewishamilton: that’s P2💪

tagged: no one

mercadesamgf1 that's our driver!!🏆

georgerussell congrats man! bloody good driving today

lewishamilton double point weekend

comments have been limited

Twitter—

yn_ln

liked by user4, user9, ynhq, and 918,918 others

yn_ln: All’s fair in love and poetry, April 4th

tagged: no one

comments have been limited

Twitter pre-album release—

Twitter post-album release—

yn_ln

liked by: user433, user94, user93, and 282,209 others

yn_ln: surprise!! "The Tortured Poets Department: Eros" out now!! This edition includes two new songs, "So High School" and "The Alchemy"

tagged: no one

comments have been disabled

[onlyangel4]

Are you able to do a lando smau. Where the reader is a singer and she releases a song, dress by Taylor swift, pretty much admitting that’s she’s in love with lando and they’re like childhood friends or something. If you aren’t that’s ok👍🧡

dress. ln4. smau.

lando norris x best friend!reader

a songwriter puts every life experience into their songs, it is no different for you. but putting out a song that is about how you are in love with your best friend might complicate things. especially when you know he is going to hear it.

faceclaim: dylan

y/nfan posted a story

written: y/n just played an unreleased song at her show in birmingham. i will not spoil the song but it is steamy af. sounds like mother might have a man.

ln4updates

liked by user1, user2, user3 and 56,092 others

ln4updates: we are getting lando y/n crumbs this weekend. an interviewer just asked lando what he thinks about y/n's rise to success and he said, "i am so incredibly proud of her, i feel like we have been supporting each other so much throughout the years. she used to come help me set up for karting races and i went to small pub gigs that she performed with. i am so glad that she is finally living her dream like i am."

view all 582 comments

user1: lando y/n admit you are madly in love with each other challenge

user2: he always lights up whenever he talks about her it is the cutest thing ever

user3: i am new to f1 and i had no idea that lando knew y/n and now i am finding out they have known each other since they were ten year old omg

user4: my fav f1 friends

y/ninsta posted a story

written: what do we think? do you guys deserve new music this week?

landonorris replied to your story: you have a new song coming out that you haven't shown me?

y/ninsta: i wanted this one to be a surprise

y/ninsta

liked by landonorris, sabrinacarpenter, gracieabrams and 765,283 others

y/ninsta: i am delighted to tell you that my new song, dress will be yours at midnight. this is a song that i wrote at 2am on a sleepless night. i am incredibly proud of this song and i hope you guys love it as much as i do.

view all 12,739 comments

landonorris: can't wait to give it a listen

comment liked by y/ninsta

sabrinacarpenter: so proud of you

y/ninsta: thank you my love

user5: we all know this is about lando right?

user6: finally someone is saying what i have been thinking

y/nlandofan

liked by user7, user8, user9 and 23,485 others

y/nlandofan: chat are we all thinking the same thing?

view all 176 comments

user7: i fear we might be

user8: it has to be about him

user9: it is her best song yet but she has deffo outed herself for having feelings for lando

f1wags

liked by user10, user11, user12 and 45,983 others

f1wags: singer and childhood friend of lando norris y/n y/ln spotted in the paddock ready for race day. this is the first time she will be spotted with lando after releasing her new song, dress, which fans are speculating is about lando

view all 862 comments

user10: i really hope they are dating

user11: y/n is in the paddock, maybe lando does actually have a chance at winning

user12: mclaren's good luck charm is back

ln4updates

liked by user13, user14, user15 and 168,981 others

ln4updates: holy shit what a grand prix! lando won with a 22 second lead and we have lando y/n confirmed. at the end of the race lando's radio message said, "y/n i know dress is about me, i love you" and then when he got out the car he ran straight over to her giving her a hug before throwing his helmet off and kissing her. my heart is so full i love this couple.

view all 3,495 comments

user13: omg omg omg

user14: war is over

user15: that radio message made me cry

user16: y/n just sobbing into his chest omg

landonorris

liked by y/ninsta, mclaren, oscarpiastri and 1,283,723 others

tagged: y/ninsta

landonorris: stream dress

view all 39,837 comments

y/ninsta: omg that pool party picture is from my 21st birthday

landonorris: that was when i realised i wanted to be more than friends

mclaren: mum and dad

user17: the fact that the official mclaren account is commenting this is so funny to me

user18: the couple we all need

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[turnstileskyline]

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

[jgracie]

HOW YOU AND SINGER!LEO VALDEZ CAME TO BE ♡ for giselle ( @pinkdiorluvr ), HEAVILY inspired by dominic fike

masterlist | rules

in which you date america's (self proclaimed) favourite singer

pairing singer!leo valdez x fem!reader

warnings my lack of knowledge on how uni works sorry im only 16 i fear, matty healy reference UNFORTUNATELY iykyk (i hate that man so much guys trust)

on the radio . . . dominic fike's whole discography tbh but i made a small playlist

an listened to dominic fike and made this as a result… lmk if u want more of them 😊

You never thought you’d actually get into your dream university. Well, to be more specific, you never thought you’d get off the waitlist

When you first discovered you got waitlisted, you’d accepted your fate. Sure, you already had tons of merch and had been dreaming of your life in California for years, but not all dreams come true. You chose another school to commit to and began preparing for freshman year of university. Who gets off of waitlists anyway?

Apparently, you. As soon as you got the email confirming your spot, you thanked the heavens and immediately changed your plans, giddily packing all your merchandise and adding to your California themed Pinterest boards

Until you realised you had nowhere to live. None of your friends and family lived in California, and you really didn’t want to live in a dorm after all of the stories you’d heard about communal bathrooms (they’re my biggest fear actually). Unfortunately, it was either that or go apartment hunting and pray you could find a decent apartment that didn’t cost a fortune

Whatever, at least you got into your dream university in the end. Sharing a bathroom with a bunch of other young adults was worth it. After a few days of letting the news properly sink in, you called your childhood best friend Piper to tell her the good news

“Pipes, you won’t believe what happened!” You nearly yelled into your phone, excitedly pacing back and forth in your room. Putting her on speaker, you put your phone down and continued packing your bags

Piper hummed, pretending to think before replying with, “you finally got with a hot rockstar like you insist you will?” You huffed, rolling your eyes - she’d never stop teasing you

“No, even better!” You said, “I got into Jupiter University!”

Cue the squealing. Piper congratulated you a million times over, now pacing in her own room somewhere in Europe or Australia or wherever she was, you could never keep up with that girl’s travels

Your conversation went quiet for a second before Piper connected two very important dots, “wait… that means you’ll be moving to Cali, right?”

“Well, duh, how else am I supposed to get to class on time?” At your confirmation, Piper’s face lit up (not like you’d be able to see it)

“Oh my God, Y/N, this is perfect! I just moved back to California and my dad gave me this giant apartment all to myself, you can live with me!”

Okay, now, you were convinced some God was smiling down on you. You and Piper had toyed with the idea of living together ever since you were pre-teens, but you never thought that fantasy would ever actually come true

You moved in the following week

Living with Piper was a dream. The two of you were the same person in different fonts, so discussing boundaries and house rules was a breeze

As soon as you’d arrived, she took you to all her favourite places in California. Did this result in the two of you spending a disgustingly large amount of money? Maybe! But it was fun, so it didn’t really matter

She also promised to introduce you to all her friends, since she knew a couple people who were also starting at Jupiter University that fall. After much negotiation, you all had settled on meeting at a restaurant nearby in two weeks time, since you still needed to settle

Little did you know, you’d be meeting one of Piper’s friends earlier than the rest

Singer/songwriter Leo Valdez quickly rose in the charts after people fell in love with his unique music and his charming personality. All the hype had fueled his creativity and resulted in him releasing many albums in a very short amount of time

However, after every high comes a writer’s block, which is where Leo was at now. He wanted nothing more than to write and produce new music, but nothing seemed to inspire him - no matter how many walks he took or people he talked to, nothing good seemed to come out of him

His favourite person to mope to about his predicament was none other than Piper Mclean. He and Piper had met at some event his publicist forced him to go to a couple years ago and hit it off immediately, bonding over their dislike for how the industry worked and love of authenticity

So, after nearly breaking his guitar in frustration, Leo decided to pay Piper a surprise visit - 56th time’s the charm!

Meanwhile, you were making yourself a quick breakfast and typing up a quick grocery list. Turns out Piper had only moved back to California a couple days before you called her, so she didn’t have much to eat in her kitchen. You planned to surprise her with a variety of groceries as a little gift for her hospitality

Finishing off your list, you chose something random to watch and began eating your breakfast - well, almost

Before you could get a single bite in, someone loudly knocked on the door, disturbing your peace and causing you to nearly drop your bowl of cereal. You took a deep breath, deciding not to let this stranger ruin your day, and went to see who decided to visit Piper so early in the morning

Leo was expecting an aggravated, half-asleep Piper to open the front door, glaring at him whilst mumbling about him ruining her beauty sleep. Instead, he was met with the girl of his dreams, who looked him up and down before giving him a tentative smile

“Hello,” you said. The guy in front of you was kind of cute - brown curly hair, big brown eyes and a warm aura that radiated off of him. Something about him charmed you instantly

Fidgeting with the rings on his fingers, he said, “Uh, hi… Is Piper home?” Leo wasn’t usually shy, but you were too pretty and it was really early in the morning, he couldn’t help but lose eye contact with you

Moving to the side, you said, “yeah, she’s just asleep, but you can wait if you want.” How could he possibly turn around now?

Leo didn’t have to wait for very long, as Piper’s a very light sleeper. Hearing the conversation happening outside, she rolled out of bed, already knowing who her mystery guest is

“Leo, I see you’ve met my new roommate, Y/N,” she said, stifling a yawn as she made her way to where the two of you were sitting, “Y/N, this is my friend Leo Valdez - before you ask, yes, he’s that Leo. Please don’t feed into his massive ego.”

Your brows furrowed in confusion, you didn’t know of any Leo Valdez. Biting your lip, you began recalling all your past conversations with Piper. Various names and stories came up, but no Leo

“Am I supposed to know who he is? Sorry, I can’t remember…” you said hesitantly, hoping he wasn’t that important

For a second, everyone was quiet, then Leo said, “you seriously don’t know? I’m America’s favourite singer! Have you never heard ‘Hey Blondie’ by me? Or ‘Açaí Bowl’?” At your silence and Leo’s exasperation, Piper laughed, which earned her a very nasty glare from America’s favourite singer himself

You shook your head, now feeling bad. You really didn’t want to offend this cute guy on your first meeting, “I’m sorry, but I’ve never listened to any of your music before… I’ll definitely check you out though!”

Leo was just joking with you, but even if he were upset, he couldn’t stay mad at your kind smile and determination to make it up to him. At the same time, he felt a wave of self consciousness wash over him - what if you didn’t like his music? Leo was usually pretty confident in his abilities, but he found himself needing to impress you

Luckily, you were the inspiration he needed to start writing a new album. When Leo got home, the words seemed to flow out of him in just the right way

After that day, Leo started showing up at your’s and Piper’s apartment much more often, except now it was to see you, not Piper. When she asked Leo about the increase in frequency of his visits, Leo made up some excuse about needing you to judge his songs since you were new to his music so your opinions would be less biased

However, Piper knew the truth. Leo was in love. Was that a bit of a bold statement considering he only knew you for a week? Maybe, but anyone who knew Leo knew that when he fell, he fell hard

You were charmed by Leo too. As the days progressed and summer leaves turned brown, you and Leo got closer and closer. You began going over to his apartment every once in a while, or hanging out at parks and cafes, all under the excuse of needing to help with his songs

Just like the leaves, Leo’s songs began to shift. No matter how much he tried, he couldn’t help but write songs about you - you were on the forefront of his mind. Leo was enamoured by your bright eyes and kindhearted nature, it was only natural for him to begin writing songs about you

So, he embraced it. It was now nearing the one year anniversary of when the two of you met, so why not confess? If there was one thing Leo learnt from all the mistakes he made during his teen years, it was that there wasn’t much point in hiding things

However, he was Leo Valdez, the bad boy supreme himself, which meant he couldn’t just tell you outright. No, this had to be a special confession for a very special girl

Luckily, Leo was a pro at special confessions!

“Promise me you won’t listen to the album until the show, Y/N. I need you to get the authentic Valdez experience!” Leo told you over the phone. It was the night before the release of his new album and, to celebrate, Leo decided to host a quick and small show only a few minutes from where you lived - one you had front row tickets to

You thought this was a bit of a strange request but obliged, knowing how much this meant to Leo. At some point during his album-making journey, he started consulting you less. When you’d asked why, he said he wanted some of the songs on the album to be a surprise, which was fair enough, so you didn’t pry

Leo wasn’t lying: he did want some of the songs to be a surprise. Why? Well, because they were about you. Never in his life did Leo Valdez think he’d be writing love songs like the ones he wrote about you, especially after the horrible experience he had with his ex, Callie (wink wink)

When the night of the show came along, you and Piper got dressed and headed to the venue, matching VIP lanyards around your necks. You were really hoping to see Leo before the show and wish him luck, but Piper explained that Leo had his own special rituals to do before the show started so you weren’t going to see him. Oh well, you’d texted him a good luck message beforehand anyway

Leo rarely ever got nervous whenever he’d perform - he was used to it, after all. However, as he made his way onto the stage, his heart was beating the quickest and loudest it ever had. He scanned the crowds for your familiar head of hair, but unfortunately couldn’t spot you. However, he knew you were definitely out there

There’s no time better than the present. The crowd went silent as the first song started. The strumming of a guitar filled the venue, followed by a voice that wasn’t Leo’s

The song begun with a snippet of a voice message he’d received from you: “Fine, Leo, you’re so lucky I love you,” followed by a few giggles

Your eyes widened and at that moment, Leo finally saw you. As he looked into your eyes, everyone else disappeared. It was almost as if a show full of his biggest fans had turned into another afternoon spent in your room - you doing assignments while he played his guitar

“This is for you, I love you too,” he said, giving you a wink before beginning to sing

The rest of the concert was a blur. Was the album fantastic? Absolutely, it was one of the best you’d ever listened to. Unfortunately, you were too busy replaying that moment from the beginning of the show to be fully listening

You couldn’t believe Leo actually liked you back. You also couldn’t believe he liked you so much he was willing to announce it to the world - even though there were only a few people at his impromptu concert, the news would spread like wildfire

Somehow, you made it through the entire show without passing out. While everyone else proceeded to file out of the venue, you (and Piper) stayed behind. This conversation couldn’t wait a second longer than it already had

The security didn’t fight you as you made your way backstage, where Leo was busy tinkering with his instruments. Seeing him there as he hummed the tune of one of the songs he wrote just for you, you were filled to the brim with nothing but pure love

Piper stayed behind and watched as you ran to Leo, pulling him out of the trance his guitar pick had on him

“Hey,” he said, a goofy smile which matched yours making its way onto his face as you gave him what might’ve been the tightest hug he ever received. Leo breathed in the familiar scent of your shampoo and waited for you to pull away before saying, “I’m assuming you liked the show?”

Excitedly, you exclaimed, “liked it? Leo, I loved it! I’ve never seen anything like it!” While Leo was happy you enjoyed his concert, he still wasn’t satisfied. He needed you to acknowledge the opening song

The two of you stared at each other silently, waiting for the other to bring that up, both of you too nervous to say anything. Luckily, Piper wasn’t nervous

“Oh my God, guys, just say you’re in love with each other already!” She said, her voice cutting through the tension and allowing you to let go of a breath you didn’t know you were holding. You smiled at her then turned to Leo, your smile growing at the mere sight of him

Cupping his face, you said, “I love you more, Valdez.”

[thewinterpoet2]

ROXANNE

Jake Peralta x Reader

In which the reader is a secret vocalist outside of work as a detective in the 99th precinct, Jake becomes suspicious which leads to feelings rising to the surface.

WARNINGS: Swearing, themes of crime, theft, interrogation.

Word count: 15,654

Y/N~ Your Name

L/N~ Last Name

The first time Jake started to become suspicious of Y/N was on a random Thursday in December.

It was nearing Christmas which meant crime in Brooklyn had reached a new level of stupid, leading every Detective and Beat Cop to internally curse every black Friday sale to hell for eternity.

The squad of the 99th Precinct tended to be divided around the holidays, Boyle sprung into action, in true Boyle fashion, buying ridiculously expensive gifts for, well, everyone.

Santiago spent countless hours writing Christmas cards, and for the fifth year in a row, apologised incessantly to an exhausted UPS driver as she reluctantly returned all her holiday gifts for Captain Holt.

Gina loved Christmas and celebrated, to some, in what would be a very unusual way. But in her defence, setting up a PO box for her fans, meant she could have a very cheap Christmas. Thrifty and entrepreneurial, that's Gina.

Whereas, some members of the squad weren't as keen on Christmas. We know how Jake feels about Thanksgiving and with no suprise, this translates to his views around Christmas, too.

Rosa Diaz, although she hides it very well, spends Christmas with her family every year. Now her sexuality was out in the open, the healing her family went through have led, thankfully, to a much closer relationship. Rosa would never say this out loud, but knowing that they're fighting in her corner, is the best gift she could have ever asked for.

Oh, but if you asked she'd definitely tell you to "Mind your own fucking business before I get involved in yours" and according to her, "you definitely don't want that, do you?"

Jake Peralta was a great detective but a tricky human being. To put it bluntly, Jake hated Christmas. He hated carols, trees, "little scary elves that show up everywhere", and most of all, romcoms. Jake despised hallmark romance films. Was it because he was single for the 8th Christmas in a row? Who could tell, but he'd certainly deny it if anyone had the courage to ask.

Y/N, was definitely the wildcard out of the squad, especially when it came to the holidays. She'd told every detective the same bullshit tale of how she was going back to England to see her family for the holidays, how her least favourite gift is socks, how more than anything she hates carolling. Because, jesus, no one wants to hear her sing!

Detective L/N was a liar, for many reasons. Yes she was from England but she actually didn't mind socks and the biggest lie of all, maybe she'd convinced the detectives they wouldn't want to hear her sing... But her bandmates and their followers definitely did.

See, Y/N wasn't just a Detective, she was a trained singer, performer and songwriter. After work she tended to dodge Shaw's to head to band practice or straight to a gig, not that anyone had figured that out of course.

Not yet anyway.

Tne first time Jake became suspicious of Y/N was on a random Thursday in December.

Jake and Y/N were in the middle of interrogating a perp, nothing too gruesome or inhumane, a couple counts of petty theft and something that would hopefully have led to a new lead about a future bank heist.

William Dobson was his name.

"Why do all these perps have such boring names, why isn't he called Franco Goldminer"

Peralta turned around, slamming an evidence file onto the nearest desk. Y/N looked unamused at the topic of conversation but not surprised, it was Jake after all.

"Because I'm pretty sure 'Franco Goldminer' is A) too obvious for a criminal B) kind of ironic and C) sounds like an idiot that still lives with his mum in his 30s"

Jake's eyes twinkled at her quick and easy retort, not that she'd have seen that of course.

"Nah I stand by it, he's got a dumb name"

Scoffing Y/N stopped reading the provided statement, sighing in conclusion, rubbing her face with her hands,

"So we've got nothing, Jesus."

Peralta let out a sigh of annoyance,

"L/N why don't you go talk to him, I'll watch and see if he opens up to you"

Giving a cheeky grin he continued,

"I would say you could try annoy him into talking but you basically do that anyway"

Slapping his shoulder Y/N walked straight back into interrogation, ignoring his laughter trailing behind her.

William looks up at Y/N, recognition dawning on his face.

Fuck, this wasn't good.

"So Dobson, recount the night of the 16th for me again, seems some details don't match up from the tapes-"

Mid sentence you're cut off,

"Do I know you from somewhere?"

Y/N made a sound of aggravation at being cut off

"Small world, lots of people. Anyway the footage shows a different time to the one you claim you-"

"Roxanne on 5th right?"

Shit, shit, SHIT. Y/N's blood ran cold at the name of the club she performs at, it's nice to meet fans, just not in the middle of an interrogation.

Fuck she had to play this off cool, nochelant, like nothing happened.

"I don't care about your personal life Dobson, you're here because you're a criminal. Distraction techniques won't work with me, I don't recall being your best friend, Sir"

Awesome she thought, professional and managed to get an insult in at the same time.

"aren't you in that ba-"

Slamming her file onto the table

"Jesus give it a rest you don't know me"

Y/N's voice came out high pitched, aggravated and very, well, unlike her. This was enough to peek Peralta's interest from behind the glass, this wasn't the Y/N he knew, his coworker who hated anything boring but rarely took risks.

Hands up in defeat, Dobson backs down and the interrogation continues as it was before, absolutely useless.

What Y/N didn't know is Peralta was on the other side of the glass, a puzzled expression on his face;

This was the day Jake Peralta made it his mission to investigate further.

"Who are you Y/N?" He mumbled.

A few weeks later, Jake stopped going to Shaws with the squad.

This in itself was confusing for his fellow detectives, Boyle was practically heartbroken thinking that he'd done something to scare his best friend off.

This led to Boyle doing everything he could to try and entice Jake to their bar, regardless of how weird it was.

Boyle is Boyle, he's very extra, but he's got such a big heart and that's all that mattered to Jake.

However, Charles' interference was only causing Jake more stress, his plan needed to be a secret to be able to make this work.

It was a Friday night, the day before New Year's Eve. Y/N had requested annual leave tomorrow, something that was rarely granted on holiday's (thanks again New York) Jake managed to find this much out from a single conversation with Gina, oh, and because the holiday schedule was on a public server but that seemed too easy.

If he wasn't suspicious before, he definitely was now, something was in the water and he simply had to know what was going on.

It's not like Jake was OBSESSED with Y/N, he just wanted to know her on a more personal level and she made that incredibly difficult.

"I like to keep myself to myself, work is work, home is home. Keep them separate"

Her beautiful voice repeated the devastating series of words more times than he'd have liked to have heard them. Never. None. No thanks.

He'd invited her to Shaw's so many times he'd lost count, he'd asked if she wanted to watch Die Hard at his apartment, he'd even asked if he could do more overtime so he could spend more time with her. In the 6 years he'd worked with her he'd made absolutely zero progress, it's hard to fancy someone that doesn't acknowledge your existence.

Jake thinks Y/N is perfect.

Plain and simple.

Starring at her, lost in thought. He thinks about her eyes, how he wishes one day she'd look at him with the same love and happiness he looked at her with. He wonders what their kids would look like, okay Jake that's a bit far you're sounding a bit like Charles, he internally scolds himself.

"JAKE" Y/N snapped her fingers to get his attention, a look that can only be described as concern adorning her features.

"Huh? Oh yes, yes. I agree, yes let's do that. Whatever it was you said" He rambled at the speed of light, pretending to have acknowledged the last 20 mins that don't exist in his mind.

A smirk grew on Y/N's face, something he barely saw but made him feel like the room just got 20 times hotter.

"Oh so you were listening, yeah? Fabulous, so we can go ahead and schedule the hip replacement..."

Jake's eyes grew wide, babbling out some incoherent nonsense he managed to find two words; "HIP REPLACEMENT?"

Y/N couldn't hold back anymore and cried with laughter, barely being able to form any words.

"I was talking to you about someone I booked using their need for a hip replacement as an excuse, I joked she could use yours" wiping away tears, Y/N's laughter dies down seeing his daze and confusion.

"Are you okay, Jake?" Starring him down, he does what he does best, panics.

"I have to go" Jake stands up bolts out the room at top speed, leaving a very concerned Y/N.

Y/N has always liked Jake, he's bubbly, silly, but cares so much about everyone in his life, he'd go above and beyond for anyone and that's something you can't buy. She has wanted to let him into her personal life for a while but mixing personal and professional has never worked in her favour so she stops herself from letting things get weird and complicated again. Life is as complicated as she makes it after all.

Tomorrow Y/N's band were performing at Roxanne again for their NYE party, she was debuting the title song of their new cover album. Y/N has always been such a huge Fleetwood Mac fan, so "Go Your Own Way" definitely made the cut, providing, Jamie and Simon (her bandmates) were okay with that of course. She was excited, finally time to let her hair down and shed any stress from work.

Jake, after running out at top speed, took to his phone, made a few calls and booked a table tomorrow night for nine people.

At Roxanne.

Jake, Charles, Rosa, Amy, Terry, Captain Holt, Gina, Sully and Hitchcock.

And Y/N had no idea.

Well, neither did anyone other than Jake. This was going to be interesting.

The morning of NYE came and Y/N was ecstatic, eating breakfast at lighting speed, grabbing a coffee, brushing her teeth and then heading to the subway, felt like seconds. You know what they say, time flies when you're having fun.

Y/N arrived at Roxanne at just gone 1pm and immediately hugged Jamie who gave a huge grin seeing her arrival.

"Hi baby! Don't you look a treat, you excited for later?"

Blushing and hitting his shoulder Y/N laughed at his brash complimenting.

"Yeah, yeah, save it Jame, where's your boyfriend? He better not be hiding, we're fucked without him"

"Right here gorgeous"

Y/N jumped and let out a sharp gasp seeing him right behind her.

"Don't scare me like that, dick!"

Laughing he pulled her into a hug.

"Ready to blow the world away with your pipes tonight angel?"

Laughing gently she said "As ready as I'll ever be, right let's practice idiots. Then we can grab some food before we have to change"

Y/N had her mind free from work and Jake, but for Jake, well that was another story.

To Jake this was a stakeout, he had no idea whether he'd find a Mafia organisation or nothing at all. He phoned up Roxanne to ask about the event but all they said was to "Check the damn website, it's not 1942 anymore" and the website hadn't been updated in months.

Jake was terrified.

An afternoon turned into the evening and soon Y/N was slipping on a red sequined dress, black knee high boots, two lace black gloves, smokey, dark makeup and her hair was in curls, ready to take to the stage.

Roxanne was bustling already and it had only just gone 8, she was on in 30 mins and this was their moment.

Warmed up and excited, adrenaline coursing through her veins, she jumped up and down to hype herself up, she had got this.

Jake on the other hand, was only just getting ready, nothing too extravagant just a classic shirt, no tie and a jacket, but a clean jacket so it counts, right? The table was booked for 9 and he had no idea what was going to happen or what would be uncovered.

5 minutes to their opening call, Jamie, Simon and Y/N were all hugging and hyping up each other, knowing this was going to be the performance of a lifetime.

The crowd are cheering already, the bar is stacked and there's no space in the room, the floor is filled to the brim full of people and the only remaining space is one singular table on the balcony of the club, a reserved sign sitting neatly in the center.

"LADIES, THEYDIES AND GENTLEMEN, TONIGHT WE TAKE YOU INTO THE NEW YEAR IN STYLE, YOU KNOW THEM, YOU LOVE THEM, IT'S 'CRIME ME A RIVER"

Running out onto the stage, the heat from the stage lights hit Y/N and then everything changed, her body felt warm and she'd never felt more comfortable. The first notes started of Go Your Own Way and she took a breath then started to sing.

Loving you

Isn't the right thing to do

How can I ever change things

That I feel?

The crowd scream at the sound of her voice, the sweet melody carrying through the entire club, out the doors, into the night.

If I could

Baby, I'd give you my world

How can I

When you won't take it from me?

Y/N can't help but think about Jake as she sings, music really is true to the heart and god what her heart wants more than anything is him.

You can go your own way

Go your own way

You can call it

Another lonely day

You can go your own way

Go your own way

Jake and the squad pull up to the club, Terry already confused about why they're at such a random location on NYE when they could be at Shaws or "somewhere that doesn't look straight out of the Rocky Horror Picture Show"

Squeezing through the crowd blocking the entrance to the club, Jake heard Amy gasp.

"Oh my god, Jake"

"No fucking way" Rosa chimed in.

"This is unexpected" Gina remarked.

"Terry did not see this coming" Terry exclaimed.

Tell me why

Everything turned around

Packing up

Shacking up is all you want to do

Looking at his shocked colleagues, Jake followed their eyeline to the stage, seeing Y/N he unconsciously held his breath. She looked out of this world, so out of character from the person he shares a desk space with, but at the same time, she'd never looked more, her. His heart beating faster than the beat of the music, he turned to look at the squad once more, seeing Rosa's smirk, Amy's disbelief, Terry's enjoyment, Boyle squealing like a child at Jake's reaction.

"Oh Jakey, I knew you liked her, I knew it, I can't wait to be best man at your wedding" Charles then carried on monologuing but it all drowned out to Jake who only heard Y/N, oh boy, could she sing.

If I could

Baby, I'd give you my world

Open up

Everything's waiting for you

During this moment he imagined Y/N was singing directly to him, his heart fluttered and in that moment he knew he had to tell Y/N, he just had to. Or he'd explode.

You can go your own way

Go your own way

You can call it

Another lonely day

You can go your own way

Go your own way

All the squad started pushing past the crowd to try and get as near to the stage as possible, ignoring their table completely (well apart from Hitchcock and Scully) cheering, dancing and having a great time. Enjoying every second.

On the last note of Y/N's performance she took a breath and basked in the screaming of the crowd.

"THANK YOU! MY NAME IS Y/N AND WE'RE HERE SO YOU CAN HAVE A GOOD TIME, DO WE WANT A GOOD TIME?"

Hearing a scream of "YES" she continued by saying "OKAY SO HERE'S OUR NEXT SONG, THIS ONE IS A BIT DIFFERENT, IT'S MORE OF A POWER BALLED, ARE WE READY?"

But before the first note could be sang Y/N made direct eye contact with Jake, who was fondly shaking his head in disbelief. She smiled widely and blushed a deep red.

She knew they'd talk after, and he did too. But for now she'd show how she loved him by showing him who she really was, Unapologetically and he loved nothing more.

AUTHORS NOTE: Hey guys! I hope you enjoy this fic, might do a part 2, if you want to be added to a taglist or if you want a part 2 full stop please let me know:) unedited so it's definitely not perfect haha. Enjoy!

#jakeperalta #jakeperaltaxreader #brooklyn99 #brooklyn99fanfic #brooklyn99jake #jake #jakeperalta #jacobperaltaxreader #xreader #charlesboyle #rosadiaz #amysantiago #captainholt #terryjeffords #ginalinetti #scully #hitchcock

[allwaswell16]

A fic rec of One Direction fics where the characters miss an opportunity to be together but reconnect at a later time as requested in this ask. If you enjoy the fics, please leave kudos and comments for the writers! You can find my other fic recs here. Happy reading!

- Louis/Harry -

🩵 Next to your Heartbeat (where I should be) by jaded25

(M, 130k, cheating) All it takes for them to fall in love is one night. All they have to do is wait one year to see each other again.

🩵 I'll Fly Away by @juliusschmidt

(E, 122k, friends to lovers) Harry and Louis grew up together in Lake County, Harry with his mom and stepdad in a tiny cottage on Edward’s Lake and Louis in his family’s farmhouse a few minutes down the road. But after high school, Louis stuck around and Harry did not

🩵 Home To You by Crowsonthewire / @crows-onthewire

(E, 54k, friends to lovers) At fifteen, Harry wrote his first song for an oblivious seventeen year old Louis Tomlinson. Ten years later he’s a singer/songwriter who cant find any words for his second album and Louis is a closeted actor tired of LA.

🩵 Late Night Talking by @kingsofeverything

(E, 53k, famous/famous) Promo season gets underway with a stop at Late Night Talking, the late night show hosted by Harry Styles, and Harry Styles just happens to be the man who blew a chance to date Louis a decade ago.

🩵 It Had To Be You by @kingsofeverything

(M, 45k, When Harry Met Sally au) Ten years after their post-college road trip, Louis and Harry meet once again, but this time they become friends. Eventually, things get complicated.

🩵 Runner on Third by kikikryslee / @flamboyantommo

(M, 39k, friends to lovers) the AU where Louis and Harry were best friends growing up, but lost touch after Harry moved away. Ten years later, Harry has moved back to town, but he and Louis don't pick up where they left off.

🩵 Heart Beat by @allwaswell16

(E, 33k, kid fic) When Harry returns to start a music academy in his hometown, he finds himself face to face with his high school crush—and his charming daughter who wants to learn to play the drums.

🩵 With the Rising Sun by Tomlinsontoes

(M, 33k, sister's best friend) Louis had been living in NYC for two years now while studying at NYU, and was probably the least social 21-year-old ever. Somehow he got roped into his sister's brilliant idea of getting her college best friend to help him branch out and meet people. 

🩵 It's Been So Long by elsi_bee / @elsi-bee

(T, 31k, crush) Harry Styles' first crush was one of his sister's best friends, a certain someone named Louis Tomlinson. And Louis? He just vaguely remembers Gemma's younger brother from back in the day. A lot can change in ten years.

🩵 The Melody You Never Heard by bananasandboots

(E, 30k, camping) the one where Harry gets roped into a four-day camping trip with the boy who kissed him and never called back.

🩵 once bitten and twice shy by @pinkcords

(M, 19k, Christmas) in a rush of bravery only senior year can bring, Harry confesses his feelings in a letter to his neighbor and best friend, Louis, only for the entire school to hear it and laugh him out of their small town in Wisconsin. Ten years later, Harry's a successful lawyer at Columbia Records, coming home for Christmas for the first time since he departed for college. 

🩵 What do you mean he's coming? by MediaWhore / @mediawhorefics

(G, 15k, wedding) Now, not only does he have less than two weeks left to find something moving and inspirational to say, but Gemma just confided in him that her old childhood best friend is going to be in attendance. 

🩵 through the jungle through the dark by YesIsAWorld / @louandhazaf

(E, 15k, ex-friends) Louis and Harry were best friends, until they weren’t. Five years after they last spoke they’re forced to drive cross-country to visit an injured friend. If they can’t get over the past, it will be a very long week together.

🩵 You Turned Up (Like a Friend of Mine) by @lululawrence

(NR, 10k, parallel universes) the one where Harry disappears on graduation day only to show up on Louis' door looking exactly the same ten years later. 

🩵 Read My Lips by superglass / @gaymoustache

(NR, 6k, friends to lovers) Old Uni friends Harry and Louis reconcile for the holidays after Louis’ early success as an indie singer. NYE 1999/Y2K scare au.

🩵 We're Getting Better With Time by @haztobegood

(T, 5k, social media) the one where Louis is single, Harry is recently divorced, and they reconnect on Facebook forty years after they first met.

🩵 Any Man of Mine by QuickedWeen / @becomeawendybird

(T, 5k, childhood friends) Harry goes to visit his old friend Louis at his ranch in Texas after they reconnect during the pandemic. He learns a thing or two about cowboy hat etiquette.

🩵 Seems You Cannot Be Replaced by QuickedWeen / @becomeawendybird

(M, 5k, swimming) Harry and the popular boy in school, Louis Tomlinson, share a tension-filled night together when they're young. Fifteen years later they see each other again.

🩵 Time will tell, I suppose, or at least, these pages will. by Spiralblissx

(G, 5k, pen pals) Harry goes to a public diary reading thing at his local coffee shop and gets more than he bargained for

🩵 On a Day Like This You Know It's Meant to Be by @allwaswell16

(T, 2k, fate) Harry is certain he'll never see him again, even if they did make a pact to reunite should the Chicago Cubs win the World Series.

- Rare Pairs -

🩵 It’s About A Boy by @missrefridgefreetorator / mynameispiaivy 

(G, 4k, Louis/Luke Malak) when a mysterious boy turns your birthday celebration into a night you will never forget, or when it's like, what happens in Vegas, stays in Vegas unless someone asks for your number and you just don't want the night to end.

🩵 Costumes Must Be Sexy, Slutty and/or Stupid by LadyAJ_13 / @ladyaj-13

(T, 4k, Louis/Nick Grimshaw) It's a bit of a blast from the past to get an invite to Nick Grimshaw's fancy dress housewarming.

[kararisa]

darling, starling

— 9. iridescence — ✦ (wc: 0.6k)

“Is this going to take any longer?” you ask.

It’s an interesting feeling, having Scaramouche in your lap while he does your makeup. The side of his palm gently rests against your cheek as he does your eyeliner, his brow furrowed in concentration while you rest against the cushions of your sofa. His indigo hair and indigo eyes are barely illuminated by the dimmed lights of your living room, an insistence of his even at your protest of the horrid lighting for makeup.

“It’ll only take a moment longer,” he responds.

“You said that ten minutes ago,” an over-exaggeration on your part, but you couldn’t see how a makeover could take so damn long.

Scaramoche grins, his voice dripping in mock innocence, “Perfection takes time. Or however that saying goes. I’m not used to putting makeup on another person so just cooperate with me, will you?”

You do your best to glare at Scaramouche as he finishes up your eyeliner. The two of you have been at this for a while now, bantering while he does your makeup. When he finishes, whenever that may be, the two of you will swap places so you can give him a makeover in return. Admittedly an interesting arrangement to re-enact for a scene in his book, but you have to admit it’s been alright so far. He isn’t terrible, he just takes too long for your liking.

“Part your lips a bit. I’m putting lipstick on you,” you oblige, and Scaramouche continues while he dabs color on your lips. “Our ruse has been quite effective so far. But people seem to think we’ve been in love for longer than we’ve been dating.”

Amusement colors your voice, “I mean, I like to think it makes our whole act more effective.”

He finally leans back to inspect his work after what seems like forever and declares that he’s done — time for you to switch places. He gets off you to take a seat by your side. You take the opportunity to reposition yourself and straddle him.

Only to get a proper look at him while you give him a makeover, of course.

A few minutes of silence pass when Scaramouche speaks up, “The whole point of me asking you to do this was for us to talk. So talk.”

“Like what, the groceries?”

“Doesn’t matter. Just talk.”

“Well,” you pause, twisting the makeup sponge in your hand before getting back to work. “I think we’re running out of eggs? And we only have a little bit of flour left.”

“Did you add it to the list on the fridge?”

“I already did, smartass. You were the one who told me to talk.” you laugh slightly when you see him glaring at you, and you move your other hand to rest on his shoulder. “Stop looking all grumpy like that. You’re gonna make me mess up.”

“I am not ‘looking all grumpy’.”

“Oh, you definitely are.” you chide, dabbing his cheek with your makeup sponge. “Ooooh is my grumpy face mad at me?”

“Shut up and just get this over with, will you?” Scaramouche averts his gaze. “Absolute terror.”

You move on to doing his eyeliner before you continue talking, “I could help you cook dinner tonight if you want.”

“Absolutely not,” he answers curtly. “You’re still banned from the kitchen.”

“The thing that happened with the air fryer wasn’t even that bad.” you protest.

“Do I need to remind you what happened? You quite literally –”

“Okay fine, maybe I should leave the cooking to you today. But one day you’ll lift my ban from my own fucking kitchen.”

“Not happening until you learn how to actually cook.”

“Gonna need a good teacher for that, so why don’t you teach me?” you jest

He gives you an incredulous look before responding, “Sure. Whatever. Are you done with my eyeliner yet?”

“Stop moving and I’ll get done quicker.”

✧— previous — masterlist — next —✧

summary: being the world-famous singer-songwriter "zenith", the limelight has been on you ever since the start of your career. however, the media becomes relentless when leaks of music you never meant to release begin to circulate. your friend scaramouche, meanwhile, seems to have gotten stuck while writing his second book. with a deadline fast approaching, he comes to you with a deal: act as if you're dating him so he can gather reference material and, in turn, he'll help keep the press' eyes off of your leaks until you release your next album. a win-win in your book, so why not help a friend out?

author's notes:

they're definitely not in love guys trust me

taglist — currently OPEN:

@aestherin @unsterblich-prinz @yourstrulykore @krnzysh @syriiina @yumiaur @featuredtofu @kodzusmiles @meigalaxy @fangygf @motherscrustytoenailclippings @samyayaya @hiimera @beriiov @e0nssadrift @dazaisboner @nillajhayne @chluuvr @nillajhayne @deffenferofjustice @romyoia @xiaomainlmao @hotgirlshit5 @potabletable @letthewindlead @esuz @toriiee @kclremin @angelkazusstuff @phoenix-eclipses @sakiimeo @mayuumine @ako-ang-mahal-ko @only-cherry-blossom @keiiqq @what-just-happened-huh @n3r0-1417 @haunts-gh0st @layla240 @mamafly @duckyyyx @certified-shrimp @kgogoma @xtobefreex @aeongiies @mechanicalbeat1 @meidnightrain @nordicbananas @feiherp @erzarq

[darkinfinity]

Happy 28! Here are all the fics I read and enjoyed this past month!

☁ Call out my name by lesbidirection (E, 101k)

Apparently, it's bad PR to fall in love with the omega you hired to help you through your rut.

Harry Styles begs to differ.

A soulmate AU where two lovers find each other entirly by accident, featuring photoshoots, Gucci suits, too many takeaways, having sex and feeling sad, an alpha who feels lost, and the omega that finds him. It shouldn't be this easy, but it is.

☁ don't be afraid to love (and love again) by @voulezloux (T, 83k)

All Louis’ life, he’s known he’s been different. There’s always been something at odds about how he felt.

As the eldest daughter of seven kids, he knew something was wrong with his body. Something was off, he just couldn’t quite put his finger on it. His mum dressed him in dresses and tights, plaits in his hair as he wandered around with the local neighborhood boys. They called him a girl, called him she and Rosemary when his name is Louis. He had told the boys as such, but they would tell him Louis is a boy’s name, not a girl’s.

Louis is a boy. He knows he is.

or the one where louis is trans and afraid, harry is cis and brave, and being 100% yourself is easier said than done.

☁ Wither & Bloom by @dizzy-pixie17 (E, 65k)

No one knows that legendary Harry Styles is an omega. The record label, the fans, and even his family have no idea, leading to a very isolated and very lonely life for Harry. He knows it's for the best. Otherwise, he'd never have the career he wanted and he contents himself in the knowledge that he's not the only one. But when Harry injures his voice during a performance, his manager hires a new vocal coach to help put him to rights. Cue Louis Tomlinson, the sweetest, sexiest, kindest alpha in the world, stepped right out of Harry's dizziest daydreams. While Louis tries to figure out why there's something so incredibly un-alpha-like about 'Alpha-King of Pop' Harry Styles, Harry is busy trying to control his omega's undeniable urge to throw himself at the object of his infatuation.

Amid an accidental misgendering, getting slick in public, tour bus snuggles with awkward boners, and unprovoked drops, Harry will have to choose whether he wants to keep living a lie for the sake of remaining in the spotlight or if he'll sacrifice everything to be with the man he loves… Assuming Louis ever comes back.

☁ Give me love by @falsegoodnight & @soldouthaz (E, 41k)

Despite being an omega, Louis’ always had a blatant dislike of alphas.

Or, Louis doesn't feel like a good omega, Harry doesn't remember how to be an alpha, and they figure it out together.

☁ Freeway of love (in a pink Cadillac) by @mizzhydes (E, 33k)

Louis was on his way to Miami to visit an old friend. Harry was going there for a little R&R and take in the sights and sounds. A sudden upgrade in seating brought these polar opposites together. The universe works in mysterious ways and they are unknowingly about to embark on an adventure they will surely remember for a lifetime.

Prompt 107: Sugar daddy AU inspired by this tweet: “going to sit next to the richest looking middle aged man on my flight and scroll through my nudes for three hours straight” with rich daddy Harry and bratty baby Louis

☁ this brokenness inside me might start healing by @loveislarryislove (T, 29k)

Louis grew up in a tiny town, where everyone knew everyone -- or at least, they think they do. Then he left, and became a successful singer-songwriter, a star that everyone in the country knows -- or at least, they think they do.

But when Louis returns home for the birth of his first nibling, he meets a librarian who doesn't know him at all. And that's all Louis could ask for.

☁ Cuddlebug by sun_flowr (Not rated, 19k)

When the call from the adoption agency finally calls, Harry and Louis are surprised to discover that they have been tentatively paired with a young pup named Rami, who suffers from a multitude of issues stemming from the abandonment he’s suffered. But no matter the challenges, they know they will do everything they can to care for and love this pup as if he was their own.

Prompt: a/b/o established relationship where they finally go adopt a child and find a toddler with touch depri/abandonment issues and they build him a nest and comfort him

☁ Stars will align for us by @2tiedships2 (Not rated, 15k)

"The serial monogamist is single," Niall said by way of introduction when he sat down across from Harry in the canteen.

Harry sipped his chocolate milk. "What are you going on about?"

"Your alpha dream boat," Niall said. "That tiny little footie player? I heard from Hannah that he's broken it off with his boyfriend so he’s single and ready to flamingle. Now's the time to make your move."

Harry sipped his chocolate milk harder to keep himself from replying.

Or the one where Harry is an omega at a loss of how to get past his pining and gain the attention of Louis…especially considering the alpha is always in a relationship.

☁ now i'm tracin' all my steps to you by @alwaysxlarrie (T, 5k)

Of all the things Harry was prepared for this summer, Louis Tomlinson and his wonderful, wonderful scent isn't one of them. It probably shouldn't be as shocking as it is that it makes Harry want to nest. There's only one slight problem -- Harry and nesting aren't exactly on familiar terms. At all.

This does not stop Harry from borrowing ("borrowing") Louis' things all throughout summer, though. Oops?

☁ Send me your pillow (the one that you dream on) by fairytalefemme (G, 3k)

Harry is embarrassed to realize he's nesting but can't stop stealing Louis' things for his nest.

Short fluffy o/o gaybo drabble with lots of cuddles and softness and sock stealing <3

[filmofhybe]

a song from me to you

pairing : park jeongseong x reader Genre : Producer x singer , angsty , ex to lovers , fluff warnings : swearing , kissing 1196 words

a/n : been thinking about producer Jay after he was listed in the credit of sweet venom. So proud of my boy and I hope this comeback would be a success as always!!

> masterlist of all my work

© filmofhybe on tumblr — do not copy , translate or share.

Y/n Y/l/n, a talented singer-songwriter who had a gift for pouring her heart and soul into her music, creating songs that resonated deeply with listeners. Y/n’s career had taken off when she met Jay, a skilled producer who believed in her talent and helped shape her sound.

Y/N and Jay not only shared a professional relationship but also a romantic one. They were deeply in love, and their connection fueled their creative collaborations. Jay is always willing to guide y/n through during recording, praising her from time to time like a good boyfriend he is. Staying up late just to produce songs that are now top hits of hers, supporting her through everything. Both of them were so thankful for each other.

However, as time went on, the pressures of the industry and their personal lives began to strain their relationship. As time goes on, both of them eventually realize their ideas aren’t colliding together anymore, nothing seems to be working between them. As stress and disagreements starts involving constantly, they decided to part ways both personally and professionally. Leaving piles of unfinished lyrics and production behind.

After their broke up, Y/N had written a poignant song for Jay, a heartfelt tribute that mirrored the love they once shared. But she had never released it, believing that without Jay's production, the song wouldn't reach its full potential. It remained hidden away, a secret piece of her heart.

“So have you ever have a song you wanted to release so badly but just can’t?”

Currently, an interviewer is asking y/n about the unreleased song during an interview.

“yeah. I always will have. And it will always be that song.”

“And why’s that..?”

“I wrote it for someone, or should I say ex now. I scrapped it, not because it wasn’t nice or it brought bad memories. Is just I think without him helping me produce it, it just won’t be the same as my other songs. And it just won’t hit different.”

Y/N poured her heart out, explaining that she hadn't released it because she felt it needed Jay's touch to truly capture its essence.

“I feel like I know who it is…”

“I think everyone knows. He really means the absolute world to me. I’m just mad the industry broke us apart.”

“If you guys ever cross path again, would you release it?”

“Absolutely. 100% actually. Because this song can imply with anyone if you are still so In love with that person your no longer with.”

Upon hearing y/n’s words, Jay found himself overwhelmed with emotions. He realized the depth of Y/N's feelings and the impact their collaboration had on her music. They realized none of their music would be perfect without each other. They both needed each other without realizing it until one spoke up. Filled with hope, Jay decided to reach out to y/n, hoping to rekindle their relationship and artistic partnership.

A few days passed, y/n was initially surprised by Jay's contact

“Hey I saw your interview.. it was really meaningful.”

“haha thank you..”

“I know it’s about me. I’m willing to risk everything I’m currently doing just to work with you again. Not just work but to continue our love again. You don’t understand I only work best with you.”

“I know.. you’re the only person that gets me. If I’m being honest with you, my songs aren’t the even close to being the best without your producing. I hate how we thought us separating was a good decision.”

“Baby you know I’ll always wait for you, for you to reach out once again. So I can produce more songs and memories with you.”

“Then what are you waiting for? Come over tomorrow I miss you too much..”

they both took some time to reflect on their past and the love they shared. After careful consideration, she decided to give it another chance. She believed in their connection and the magic they created together.

A few days later, Y/N and Jay found themselves back in the studio, working side by side once again. There was a renewed sense of purpose and understanding between them, having grown individually during their time apart. They poured their hearts into their music, creating an atmosphere of creativity and passion. The studio was once again filled with laughter, pictures and Polaroids of each other, kissing and cuddling section through out, and jay’s praises filled the air once again.

“Baby you’re doing really good, I just need your voice to be more high pitch there alright? You’re doing a good job baby girl.”

“Ugh imma die from all these notes your telling me to do..”

“The other producers must be going easy on you because I ain’t, now focus.”

“Kisses for reward?”

“Always my love..”

“You know you’re so good at producing sometimes is scary.”

“And you’re so good at writing lyrics it scares me sometimes.”

“Stop making me Flattered” I mumbled against his neck. Arms wrapped around his neck as I cuddle into his lap. Watching him focus on fixing the track.

“I’m not I’m just being serious love, you’re really good at it.. the lyrics are beautiful. I can’t believe this song is about me and I’m producing it.” As jay looks at you with much adoration in his eyes

“Everything about you is beautiful that’s why the lyrics are always. And with you producing it, it makes it ten times more better!” You laughed and before you know it jay kisses you deeply before mumbling a small “thank you” against your lips.

And finally, the day arrived when Y/N felt ready to share the song she had written for Jay with the world. Titled "A Song from Me to You," it was a beautiful testament to their love and the journey they had been through. Y/N's heartfelt lyrics, combined with Jay's personal touch as a producer, made the song truly extraordinary. She was so thankful for Jay, so grateful that she can finally share this song she once scrapped to the word.

When "A Song from Me to You" was released, it made waves in the music industry. Listeners were captivated by the raw emotion and the undeniable chemistry between Y/N's vocals and Jay's production. The song struck a chord with people from all walks of life, touching their hearts and reminding them of the power of love. After a year of hard work, the song was now a top hit once again.

Y/N and Jay's reunion not only brought them personal happiness but also propelled their careers to new heights. The success of "A Song from Me to You" opened doors for more collaborations, making more memories in the future, loving each other and them continuing to create music that resonated deeply with their fans. Y/n and Jay's journey was a reminder that sometimes, second chances can lead to beautiful outcomes, both personally and professionally.

And I was delighted to know that jay and the world can hear the lyrics of “a song from me to you.”

taglist : @surefornext @spilled-coffee-cup @skepvids @amymyli @in-somnias-world @okjaeminn @nonotwice1 @thinkmyg @blubbfsh

Reblog , comment or dm to be on my perm taglist !

networks : @k-films @k-neighborhood @k-labels @kflixnet

[chinomiko]

hi! i know it must be kinga boring for you recive questions about castiel bc ppl are obsessed ober him for years but like the other person who asked you a few days ago, i follow you (and ply mcl) for like 10 years and ever since day one my fav boy has been tiel. till this day at the age of 22 he's my favorite and my comfort boy so i joke that he's not a fictional character anymore for me and that i know him personally at this point lol

with that being said, i bet you can imagine that over the years i've been elaborating his personality beyond what the game gives us but he's your boy, you created him therefore you know him and your word is canon, so i'd like to ask a few stuff!! nothing too big, dont worry but here we go.

tiel is an amazing songwriter and since he's very emotional not very good at express it (he does it a lot better now that he's an adult 🥹) i bet his lyricism is very deep and poetic so i have this headcanon that he at first wouldn't like taylor swift because obviously lol but then he payed attention to her lyrics and ends up basically being a swiftie since he likes her writing a lot. what you think about that?

and what kind of music crowstorm sings? like there are any bands that you listen and think "hey this would be in a crowstorm album!" (i have a playlist with this name btw lol). im probably wrong on this one but since this is my fav band i like to think that catfish and the bottlemen are the irl crowstorm, musically speaking

and the last one: another thing that gives me so much comfort is the lystiel friendship. not having present parents, being so closed off i know that lysander is such an important presence on tiel's life because he was basically the only close person he had (specially after the debrah fiasco); if lys didnt had taken the farm and went to college and bla bla bla do you think he would still be part of the band with castiel? im not sure if im mixing the canon with a fanfic i read a while ago (lol) but the band was more of a fun thing to lys, right? he liked writing most (i always imagined him getting into a literature degree or something like this). i also like to think that he helps tiel with lyrics at times, even if he's out of the band (in my head the canon is that they are best friends and pretty close till this day, i pretend lys never left our lives just like armin)

anyways sorry for this big ask 😭 i dont even know if you will read it all but if you do, thank you! and dont feel like you have to answer, i know its too much its just that mcl is my hyperfixation till this day like for real, i have a fanfic that i write still and i even plan on making it into a book sometime. except from the main characters (who is my oc) all the characters will be based on the game's ones :)

ilysm take care and stay hydrated!!

Hellow !

Aww thank you so much and for all your love for Castiel ^^

What a long ask, I'll try to answer in order.

Castiel being a swiftie. No sorry, I don't think he would be. If candy likes her, I'm pretty sure he would try to listen. Also he is an open minded person for sure, so I'm sure he would be curious to listen and study what all the hype is about, it could also help as some sort of far away inspiration, but I don't see him being a fan.

What kind of songs Crowstorm sings This is hard to answer because my musical knowledge is pretty limited and I'm sure I would miss on lot of potential groups or singers that would fit well. And it would require too much research time to have a real detailed and clear answer, but I still did check a bit and here is a little list of songs/groups that I think would have a fitting vibe for Crowstorm

City of the dead - Hollywood Undead The worst in me - bad omens Paranoid - I prevail Trauma Just pretend - Bad omens Ice Nine Kills - A grave mistake Catfish and the bottlemen sounds nice but I think its a bit too soft for what I imagine for Crowstorm.

What is his voice like I think something similar to this (not necessarily the song itself, just the voice. )

bonus, I think this song is so so fitting for Castiel's breakup song, I love it. Dial Tone - Catch your breath

Castiel and Lys friendship. It was'nt mentionned much in UL/LL because I didnt wish to bring too much drama by mentioning Lys when he was not there for the players, but of course Lys and Cast always kept in touch. It is very clearly mentionned in Lys' AL that they keep in touch, that Lys helps Castiel write songs and Cast also like to come to his farm to have a break and spend time together. You should play it if you havent, you'll have a good chunk of Cast and Lys friendship :) However yeah I can confirm that Lys would not like to do it serisouly and professionally, but he'll be all the way around to support and help Cast.

[pennielane]

“PAUL MCCARTNEY IS IN MY OPINION THE GREATEST LIVING MUSICIAN. He’s also one of the very few people truly worthy of the term ‘genius’. His talent, in multiple areas of music, is astounding, actually almost unbelievable, and although he is rightly respected and loved for his music all over the world, if anything, he is also the most criminally under-rated musician on the planet as well. Best bass player ever. Part of the best songwriting team ever. One of the greatest singers ever. He keeps on moving forward and isn’t afraid to experiment, but really you feel like he is primarily making music to please himself. It’s just very lucky that we all get to share it as well.” — Andy Bell