can you rec some of your fave dnp from your playlist? :) currently going through some of their older content and always up for recommendations since there’s a lot out there
yess of course, happy to!! my "faves" playlist has over 100 videos and i love all of them, so i'll list the ones i rewatch most often, and ones that just mean a lot to me. i didn't include many of their newer videos or any of the pinofs though, cause they're all so great. hope u find some that u really like :)
both:
a festive day in the life of dan and phil
dan and phil play undertale (the series)
halloween baking - pumpkin spice pumpkin cookies
halloween baking - monster pops (just all the baking videos lol)
14 year old phil's game - dan and phil play: the mark of oxin
dan and phil play cards against humanity
dan vs phil: yasuhati
making a phandwich - dan and phil play: overcooked #2
amazingdan
the tree
a day in the life of dan and phil in london
the photo booth challenge
dan and phil play just dance
dan and phil play the impossible quiz #2
will dan and phil be millionaires
the wardrobe
blindfolded cat face game
something we want to tell you
dan and phil play golf with friends (the series)
what dan and phil text each other 2022
dan and phil play incohearent
phil:
viewers pick my outfits
a static lullaby - toxic (britney spears cover)
meet my mum
reacting to my baby videos
draw my life
draw my life: part 2
i got attacked by a squirrel
the hand - a dan and phil fanfiction by phil lester
coming out to you
trying to see without my glasses
trying to catch and rescue an injured wild pigeon
dan:
trying to live my truth
i nearly blinded myself
our awkward fancy meal
dan reacts to his childhood videos
the urge - a dan and phil fanfiction by dan howell
basically i'm gay
butterfingers (first solo dan vid i watched & which made me sub to him lmao)
dan's diss track - roast yourself challenge
my bahamas travel disaster
we are in a relationship
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Friends & family byler fic recs!
all I know at the end of the day by @strangerange1s
Holly thinks that she likes Will the best from all his friends. Lucas and Dustin are kind, but there’s something about Will that makes Holly feel happier. Maybe it’s because he lets her borrow whatever toys or crayons he’s brought to their house. Maybe it’s because he absent-mindedly plays with her hair when she’s close to him, and it feels nice.
Maybe it’s because Mike smiles the most when Will is around.
Or, in which Holly observes her older brother's relationship with his best friend. (And maybe they get Holly'd along the way.)
Dustin Henderson, the Scientific Method, and Homosexuality by crow_of_crimes (Theyna_Shipper)
Dustin Henderson is, if nothing else, a firm believer in the scientific method. As a bug collector since age 4, an aspiring computer scientist since 5th grade, a member of Hawkins A/V since 6th grade, a science camp attendee since 7th grade, and a boy with a lifelong passion for science, he recognizes its principles: careful observation, study, and peer review.
So when strange things begin to happen in Hawkins, that fall outside the usual nature of strange things that happen in Hawkins, he returns to his roots to find the answers. After all, the scientific method applies to social science, too. And if any observation ever needed careful dissection, it was this one.
Or: Dustin Henderson applies the scientific method to figure out why two of his best friends have been acting so strangely.
The Darkest Eyes by @light-lanterne
1988.
It’s a year after the gate to the Upside Down was closed for the last time, and the people of Hawkins are trying to readjust to normal life. Some of them went to college, some others are just finishing high school, and all of them are trying to figure out how to move forward after fighting to stay alive for so long. For the most part, they are doing fine. And Jim Hopper couldn’t be happier: he married the woman of his dreams, his daughter is safe and happy, and he has two amazing boys to look after now.
There’s only one pesky little problem in his life. Someone he sometimes wishes he could have thrown through the gate right before it closed, never to be seen again: Mike Wheeler, who has somehow managed to sneak into his life again and, even worse, who Hopper has started to not hate.
What has his life come to?
or: a semi canon-compliant character study of mike wheeler, his unaddressed trauma and his relationship with will byers, told through the eyes of a very tired jim hopper who can’t help but to become attached to the boy who keeps dating his children.
the yellow box by @zombiewheeler
Holly watches from afar as Mike Wheeler slowly comes to terms with his love for Will Byers.
why you are always alone by @willow-lark
Poor Mike Wheeler, Vecna condescends. You lie to yourself. You lie to your friends. You are the worst kind of person—a conformist, trying to pretend it doesn’t eat at you like it does.
“You don’t know anything,” Mike cries out, voice cold and strangled.
You’re not a kid anymore, Michael. What did you think, really? That you were never going to have to buck up and face it?
Or, Mike Wheeler gets the Nico di Angelo treatment.
Smalltown Boy of Hawkins by @withoutanynamefics
After the Byers family leaves, Mike is left with feelings and thoughts he rather wouldn't face. Unfortunately for him, there are times when you have to confront your fears to be able to finally breathe.
@bylerficrecweek
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Sleep Token x The Phantom of The Opera
Spooky season and ST brain rot gave me ideas - this has been on my drafts for quite a while now, and finally I've had the time to finish it. @polteergeistt here as promised! I hope I made it justice! Please accept my humble offering 🙏🖤
[brace yourselves folks, this is a LONG post]
So, for context. We know that Sleep is a deity that comes in dreams (and nightmares). We know that Vessel has been visited by that deity, and offered his worship in exchange for glory and such. I know there are plenty other theories of what is Sleep, but for this to make sense, let's go with this one (the og provided by the band). With this in mind, let's take a look at the POTO's title song lyrics, shall we?
[Christine to Erik aka The Phantom]
In sleep, he sang to me
In dreams, he came
That voice which calls to me
And speaks my name
Hummmm. Sounds familiar, doesn't it? Let's proceed.
[Erik to Christine]
Sing once again with me
Our strange duet
My power over you
Grows stronger yet
Oh???? You see where I'm going with this right?
[Christine and Erik alternately]
Those who have seen your face
Draw back in fear
I am the mask you wear
(It's me they hear)
Funny how Christine is the metaphorical mask, or vessel, for the Phantom's music and talents, and Vessel is a literal vessel for Sleep, donning the mask as to signify the connection with Sleep. Both Vessel and Christine bear their phantoms' faces and spirit on their voices - Vessel taking it further and giving up his own identity in lieu of them.
[Christine and Erik in unison]
Your/my spirit and my/your voice
In one combined
The phantom of the opera is there
Inside my/your mind
There we go. It is hard to ignore the Sleep x Vessel parallels in this. Seeing Sleep as a deity that not only inspires, but instructs and maintains a mentoral (?) relationship with Vessel, carefully curating and polishing his talents, and slowly taking over him. Of course, in POTO, Erik doesn't actually comes in dreams - for he is not a phantom but a man -, but in Sleeps case it is very much fitting. Both of them have a deep connection to the dark, the night, the subconscious. In the last verse of the song above, they mention a labyrinth, as a dark place where the Phantom lies. "Thread the Needle" is a perfect companion to it (that whole ep and most of Sundowning in fact)
Thought the musical, both the Phantom and Christine refer to each other as "Angel of Music". For Christine, the role Vessel embodies, she sees the phantom as a supernatural entity directly connected to her voice, to her music, to her father. A real angel in all senses of the word. She also mentions that the Angel of Music is someone who looks after her, who teaches her; someone who protects her - a shelter. In his music, Vessel often alludes to Sleep and/or their relationship/love as a shelter, someone or something that protects him (or should at least - in "Higher" we see that's not quite the case).
Also important to notice, Christine is as much in awe by the Phantom as she is frightened - she knows something about him isn't quite right; he holds a tremendous amount of power over her, the only one who seems to be aware of his existence; he his as seductive as he is possessive. She later describes his eyes as "eyes that burn", eyes which there is no hiding from, for he sees all. All of these qualities can be applied to Sleep, even more if we consider the romantic and sexual aspect of their relationship with Vessel, and how much more entwined they are in each other. Just like the Phantom is "inside her mind", Sleep resides within Vessel, possibly taking over him at times; possibly having dominance over his mind
For the Phantom, however, he sees in her the pure, bright, untarnished qualities of an angel. She represents the life he always longed; the love he never received; the praise he deserved yet was never offered. "Heaven" in a sense - Erik spent his whole living in hiding, living in the shadows, taking cover in the dark, without any real opportunity to show his talents an his face. Much like Sleep - a being that lives in shadows, in obscurity. An untangible being who has no face, but manifests itself through their vessels. A being who's "eyes like fire" hide behind a literal mask.
Let's look at some of the lyrics from "Music of The Night" (the Phantom to Christine):
Nighttime sharpens, heightens each sensation
Darkness stirs and wakes imagination
Silently the senses abandon their defensens
Slowly, gently night unfurls its splendor
Like I previously wrote, we know how important and symbolic the night-time is to Sleep Token. The night is when God and Worshipper, Apparition and Human, can finally reunite and be with each like lovers. It is also when Sleep's influence and power seems to be heightned. The night represents divine bliss, the moment where, for a moment, Vessel and Sleep are somewhat equals (in the sense that they can at last look at each other face to face). The night is tender, vulnerable, safe. The night comes down like heaven.
Close your eyes and surrender to your darkest dreams
Purge your thoughts of the life you knew before
Close your eyes, let your spirit start to soar
And you'll live as you've never lived before
Softly, deftly music shall caress you
Hear it, feel it secretly possess you
Open up your mind, let your fantasies unwind
In this darkness which you know you can not fight
The darkness of the music of the night
If this doesn't scream "Fields of Elation" and "Calcutta" to you, I don't know what it does. I just really love the idea that Sleep is the one who sings their music to Vessel, that they are directly responsible for Vessel's success and "glory". If we take the supernatural aspect into account, we can see this as the moment Vessel truly surrenders to Sleep and becomes "one" with him - he becomes literally possessed by them, thus gaining his title as Vessel.
Leave all thoughts of the life you knew before
Let your soul take you where you long to be
Only then can you belong to me
Isn't this so seductive? So sensual? So manipulative? Hmm, mmh. Delicious. I love toxic vibes by sexy masked singers. The rest of the song is incredibly sensual, almost like Sleep's version of "Give", "Sugar" and "Hypnosis", or the conversation that led to them. There is however one verse that I want to highlight:
You alone can make my song take flight
Help me make the music of the night
In the musical, this is Erik basically confessing how actually powerless he is. As much of an intelectual and musical genius that he is, his talents mean nothing if he cannot show himself and share his music with the world. He needs Christine perhaps even more than she needs him.
However, in the ST lore, I want to refer to all those instances Vessel mentions Sleep's place is, or was, in heaven. Songs like "TNDNBTG" "Levitate", "Blood Sport", "Euclid", etc etc. Could be interesting to think that Sleep had once belonged to a place like heaven (making them an actual angel), but for some reason has been cast away (from Eden? Ooh this is good). And Vessel's worship, love, and devotion somehow helps them get there again? Or maybe heaven is just a metaphorical place to the state of mind they're both in while in love. Not sure, but there's something there right?
So if your wings won't find you heaven I will bring it down like an ancient bygone
Just to cement this point, here's this verse from "Stranger Than You Dreamt It" (the song directly after this one, also from the Phantom to Christine):
This loathsome gargoyle [referring to himsef]
Who burns in hell, but secretly yearns for heaven
Secretly, secretly
But Christine
Fear can turn to love
You'll learn to see, to find the man behind the monster
This repulsive carcass
Who seems a beast but secretly dreams of beauty
You see what I mean? This powerful, scary deity, who is both seductive and frightening, is not quite so omnipotent as they sometimes look. They too have a weakness, they too want to find (or go back to) beauty and glory; true divinity. Maybe it's because of this flaw, of this desire, that Vessel and Sleep find some sort of comfort and understanding in each other. For Vessel it may mean to become free of his mortal pains, of his torments. Or to atone for whatever his "sins" are. For Sleep, could mean a chance to regain their long lost glory - or perhaps just a convenient opportunity for a power-hungry, sadistic being to feed and have fun. There's a lot of room for interpretation, and if I go there I will never finish this "sHOrT bLuRb" (lmao).
So let's do a time skip and jump to (my personal favourite) "Point Of No Return". At this time in the story, the Phantom is fully unhighed and murdery, and Christine and her boring, wet-rag of a fiancé Raoul (he's so boringgg; who wouldn't want to be with a wet-cat masked goth man who plays music and does magic tricks?? anyways-) are now trying to capture/face him. Not gonna explain the whole plot (because let's face it, if you've read this far, then surely you're as much as a POTO weirdo as me), but basically Christine is still somewhat conflicted and allured by Erik, even though she knows how Not Nice he is, and is terribly afraid of him and what he might do to Raoul.
(side note from one horny yearning op: this whole scene in the 2004 movie is soft-core porn to me: Emmy is SERVING, Gerard is looking Fine in that sluty suit; Raoul is on the verge of tears because he knows he could never be HIM; THAT EMBRACE??? Ai Dios mio, I totally did not just rewatch this scene over and over, no sir)
[Erik to Christine]
You have come here
In pursuit of your deepest urge
In pursuit of that wish which till now has been silent
(...)
In your mind you've already succumbed to me
Dropped all defenses, completely succumbed to me
(...)
Past the point of no return
No backward glances
Our games of make-believe are at an end
Past all thought of if or when
No use resisting
Abandon thought and let the dream descend
This to me is pretty much Chokehold and The Summoning from Sleep's perspective. It's them luring Vessel once more, knowing how entwined in each other they are; knowing Vessel is too week to resist.
[Christine to Erik]
You have brought me
To that moment where words run dry
To that moment where speech disappears into silence
(...)
I have come here
Hardly knowing the reason why
In my mind I've already imagined our bodies entwining, defenseless and silent
(...)
Our passion play has now at last begun
Past all thought of right or wrong
One final question
How long should we two wait before we're one?
When will the blood begin to race?
The sleeping bud bursts into bloom?
When will the flames at last consume us?
[Emmy EATS this line on the movie - she's a queen]
I couldn't help but put here most of her verse, because really, this is pretty much ST's whole discography. The man is constantly yearning, and aching, and feeling defeated. Tell me that this doesn't remind you of "The Offering" or "High Water". Tell me those last lines are literally just "Vore".
[Erik and Christine in unison]
Past the point of no return
The final threshold
The bridge is crossed, so stand and watch it burn
We've passed the point of no return
Nothing to add. Let's just apreciate how beautiful and raw these lines are. Seriously, if you haven't heard or seen the musical, or if you just know the title song, do yourself a favour and listen to "Point of No Return". The composers went HARD with this one.
[Erik to Christine]
Say you'll share with me
One love, one lifetime
Lead me, save me from my solitude
Say you want me with you here, beside you
Anywhere you go, let me go, too (...)
After this beautiful love confession (suck it Raoul), which ironically is much more fitting to Vessel towards Sleep then the reverse, Erik kidnaps Christine and takes her to his underground chambers. This is where POTO and ST differ the most. Christine is once again forcibly taken and deceived by the Phantom, and wonders if she is there to feed his "lust for the flesh". The Phantom, while someone who was terribly mistreated and misunderstood, is very much a villain (especially book! Erik, the musical does soften him quite a bit), while Christine remains the "pure, kind heroine" until the very end.
In ST however, there really is no "evil" one - Vessel and Sleep are both flawed, both corrupt, both toxic. They are consumed in and by each other, hurting each other and themselves in the process. He is never really forced to do anything - coerced perhaps, but it really depends on how you choose to interpret - all of the pain and suffering he endures seems to be by his own volition, often welcomed as a desperate attempt of connection. Of course it's much more nuanced than that, but in comparison to POTO, and to simplify things, he is not exactly a damzel in distress (he is, however, a babygirl).
While the Phantom recognises his shortcomings and ultimately lets Christine and Raoul go, we know that Vessel is the one who is trying to set himself free from Sleep's clutches. He doesn't seem to want to go (Rain and Euclid are very clear in this), and yet he knows how damaging it is, and that he must. Because Sleep is no guardian angel, no shelter, nor do they wish to give him up (The Apparition is the most obvious reference, but I'd argue that the whole of TMBTE is that final moment of taking action and leaving; of change).
The story ends with Erik feeling remorseful and sad about his actions, touched by her choice to show him kindness despite his horrible treatment, and the love and devotion Christine and Raoul have for each other - willing to die or live a life in the shadows for the other to escape.
In ST, as far as we can see, the only one who feels remorseful is Vessel. After all, why would a God ever show regret or remorse? For me, Sleep seems to be imensly arrogant and fickle, a true sadist who thrives and feeds off Vessel's pain (and he is not innocent either). Vessel is still very much a human, no matter how corrupted or entangled with Sleep he might be. Sleep, unlike the Phantom - a man of flesh, bone, and sadness - is no human. I'm very curious to see how ST's next album will fit into this narrative, seeing as the trilogy has a very final, or at the very least decisive, tone to it.
If you've actually read all of this, please know that I apologise for any incoherences and mistakes, and that I am eternally grateful for having someone out there who is as passionate about the Phantom Of The Opera as I am. I'm always elated to talk Phantom Matters™. 🖤🥀🎭
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