Look, here's the thing, and the last thing I'll say on it:
Pearl was never confirmed to be a lesbian. Not once.
"but she was repulsed by-"
Greg Universe (who she actively disliked at the time) and Bill Dewey.
These are the only two men we see her react to.
Greg Universe and Bill Dewey.
The only women we see her openly attracted to are Rose Quartz and a woman who looks very much like her.
I get it. People think I don't, but I do. It's easy to assume things are canon because we don't have all the information. And it's hard to see contradictions to what we thought was our comfort canon. But we all have to take a step back, take a deep breath, and remind ourselves that we can still have these headcanons, they can still be comforting. Rebecca was a closeted bisexual for a lot of the show's run. She very much related to Pearl. It's likely Pearl was always bi and we just didn't see it. And that's not the end of the world.
We still have the lesbian wedding. We still have Garnet, Rhodonite, Lemon Jade, Bismuth. Blue and Yellow. Pink Pearl, Yelp and Blip. The heaven and earth beetles. Spinel! I know how you guys love Spinel. THERE WAS A LESBIAN WEDDING ON SCREEN THAT WAS A HUGE PART OF THE PLOT. The lesbians are not starved because Pearl might be attracted to a man.
CAN PEOPLE BE DISAPPOINTED? Yes! Absolutely! But people also need to stop acting like Rebecca Sugar personally strangled their pet to death. She drew some art of her own characters that didn't even make it into the show. You can still look at the show and say 'Okay, she's still portrayed in a way that I believe is lesbian in the show'. You can still hold onto that. It's okay.
We just need to stop attacking the opposite sides of this. It's okay that she might be bisexual, it's okay that people prefer her as a lesbian and might be disappointed. It's NOT okay to start up with "your side is completely homo/biphobic". It's toxic and it needs to stop. We do not need to go to war over sketches someone made of their OCS.
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So I finished Birds of Prey (1996 - 2009).
Highs:
known unrepentant homophobe Chuck Dixon accidentally wrote a pretty incredible bi sapphic story during his tenure on Birds of Prey, although much of the queering does come from the artists working on the books. We all know the “call me Barbara” moment – apparently, after the audience reaction to that, Dixon started leaving notes for artists like “be careful and make sure the audience doesn’t misinterpret this scene” lol.
imo, the realization of Helena Bertinelli’s arc happens in the Birds of Prey. She is finally removed from an environment where she needs and is actively craving Batman’s approval, and she ends up thriving, infiltrating the mob and earning the “good work” from Bruce. Personally, I would’ve preferred if her character moved completely away from Bruce’s opinions of her, and it kind of does, but Gail SImone does close that arc off by giving it to her.
Gail Simone uses the series as a who’s who of women in DC, showcasing a number of minor and often underrated women, from returning classic characters like Ice to giving Zinda Blake / Lady Blackhawk a second chance at comics relevance (Lady Blackhawk’s best story in the Birds of Prey, imo, happens under Tony Bedard, concluding the character’s arc from her 1950s roots).
Infinity, introduced very late in Bedard’s time on the team, is a severely underrated nonstarter superhero and it is criminal she never went anywhere. Weird ambiguously Australian ghost girl? Hello??
Barbara as a character who learns to accept her disability. A lot of people, including Dixon and Simone, tend to point out that Barbara learns to be a superhero in spite of her disability, but that’s not the interesting part imo. I think the more interesting story here is that they almost accidentally cobbled together a very genuine character arc of Barbara initially being insecure and doubtful that she’ll be perceived as an equal, as romantically desirable, as a real leader in the superhero world, all this stuff, due to the chair. What we end up seeing is her growth into someone who realizes she’s accepted within the bubble of people who are relevant to her, and that the bigotry of people who aren’t can be made irrelevant simply by building one’s life without them. Her disability isn’t written as saccharine inspiration porn (I think it actually veers too far in the other direction at times; at its worst, it’s a point of grimdark melodrama lol) and it isn’t something she “overcomes” in the classic superhero sense of getting a magical wheelchair or psychic powers, and imo in the superhero genre that’s rare and valuable. The execution isn’t perfect but for me it’s very close.
Lows:
Chuck Dixon makes Barbara and Power Girl do an accidental war crime lmao. dw, both DC editorial and the fanbase ignore this and the less said about it the better.
Dixon really likes James Bond, Indiana Jones (surprising because Indie keeps beating up his friends) and other travel-adventure stories, so throughout his run Black Canary keeps ending up in exotic locations… and judging the people there, before doing some insane “World Policing.” The racism is uhhhhhhh
Simone ties the Birds into the wider DC universe and it does, frustratingly, hit a point where you need to be either really up-to-date with other books or cracking open google to know who a lot of characters even are. This is kind of just how DC works in the mid-2000s, frustratingly. She’s also forced to work with a lot of off-screen deaths, like Ted Kord’s death should be an enormous thing for Barbara, but we have deadlines to keep and we can’t be certain people have been keeping up with Jaime Reyes, so gogogogo
Misfit and Black Alice. They never worked for me. I hate Misfit’s whole archetype of zany comics fan who acquires powers. Making her Jason Todd-adjacent by giving her the sad homeless backstory did not sell me on her and felt like a cheap attempt to make a nonstarter character function. Black Alice’s whole thing devolves into a “stay on your meds, emo kids” PSA. Just very clumsy 30-somethings-writing-teens material.
the last arc, set in DC Silicon Valley, kind of sucks. The Calculator isn’t an interesting villain to me. The chemistry between characters after Dinah leaves never feels right.
it all ends with Barbara believing she's lost her edge, writing a signed note, peacing out, and dumping her adopted homeless kid friend on Helena after getting her ass kicked by the Joker. The last page: Ganthet lamenting that she's in a wheelchair, "to be continued in Oracle: The Cure." oy.
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