#or from my interpretation of its better parts

[a-d-nox]

nox tests hypotheses: "saturn tells you what annoys you"

this is one of shawtyherbs hypotheses. this is how i feel this manifests for me in my chart and why i believe this hypothesis works. my saturn is located in my 3h, in taurus at 29°... let's take deep dive!

taurus saturn

a lack of discipline: i feel like i have a strong work ethic - i value hard work. i despised when i did group work in school and i was paired up with procrastinators or people who were unwilling to put in the necessary effort to achieve a good grade. it felt like every time i had my part done i would start getting anxious that the other person/people didn't. it felt like a manipulation - like we were playing chicken. if they didn't do it, would i do it for them? how long did they have to wait until i stepped in?

instability and unpredictability: sudden changes, chaotic environments, and erratic behavior can make me uncomfortable, anxious, and annoyed. i guess it's sort of like a trauma response from childhood except now i get irritable... everyone know my dislike for surprises.

wastefulness: i get easily irritated by wastefulness, whether it's wasting time, money, or resources. again maybe its from my childhood and having those experiences. but i am the type of person who arrives on time. if i buy something and don't like it i use it until it's gone, i eat it til its gone (even if its stale), or i use it til its paid itself off (if i buy a shirt and can't return it and it was $30, i am wearing it 30 times). it sounds strange - i know - but it is how i am...

superficiality: i really value authenticity. i feel like i am easily annoyed by superficial behavior, materialism without substance, and people who put on mask to fit in... like so what if you don't laugh at someone's shit joke, so what if i am happy with my hydroflask and want nothing to do with a stanley (it's all the same to me), and who cares if your true self is not everyone's favorite (you'll find your people a whole lot faster if you're your self).

resisting practicality: you know how much advice i have given throughout the years THAT WAS ASKED FOR and people did what they wanted anyway??? why even waste my time if you don't want outside perspective. or something its just kind advice to help with ease like hi you are using a stain on the deck, i recommend you wipe as you go so it dries quicker and you don't accidentally smear/smudge later. but nooooo.....

saturn at 29°

arrogance: you know it's okay to be wrong... it's not okay to pontificate about how you were right in some alternate scenario. just admit you were wrong in this situation and move on or better yet say nothing...

irresponsibility: when you say you are going to do something do it. if you are a leader then lead and know that you are responsible for anything you designate to someone you view as your subordinate (especially when you don't train them on what you want them to do for you). if you can't commit to having a task or being in charge than don't do it. someone is relying on you - it's 10 times worse when its yourself and you push goals to the side.

unfounded claims/criticisms: perhaps i am overly sensitive to criticism because i tend to take my work and my self a bit too seriously. but if you can't take yourself and what you do seriously, then who will? i take everything personally too. so when i get criticism and its said in a nasty way (at least how i interpret it) or there is a lack of explanation or no backing i will get annoyed. you bet my humor will be ill-tempered... you can't expect me to react well to a comment like "you're wrong". like wow okay so detailed, i'm glad you decided to write one word and a contraction to dismiss my 2k essay. like if you are going to criticize me or disprove me make it detailed and make it sound. and if i do something wrong its probably because no one told me how to do it in the first place (cough cough work) so don't snap at me, walk me through it.

lack of respect: now listen - i'm no angel, i was a teenager once - eyerolls and all. but now that i am a bit older (she said at 23) i am getting to the point where respect isn't freely given (unless its to build a good first impression) but instead its earned in a pre-existing relationship. i don't tolerate disrespect, no one is going to snap at me and tell me what to do. you do that and you will get the opposite reaction that you expect from me (speaking from real life situations). asserting dominance doesn't make you worthy of respect, it makes you a bully.

3h

superficial conversations: i said it why back when in one of my get to know me posts. i prefer deep, meaningful conversations and i find small talk / superficial chatter frustrating or pointless. like skip to the meat bruv - we don't have all this time for "hi how are you?" "good how are you?"

disorganization: a lack of structure, whether in communication, in a learning environments, or my daily routines, irritates me. i feel like it effects me most in the routine bit. weekends are my prime culprit because my schedule falls apart. during the week my meals and tasks are standardized, but on the weekend, i somehow manage to always get annoyed because i eat lunch late or what i had in my mind to do gets tossed aside...

gossip/rumors: i feel uncomfortable with gossip, i prefer facts and reliable knowledge. which i know facts seems shaky when i am posting the content i do... but generally facts over fiction in conversations. gossip and the like almost always gets me in trouble - i struggle with holding my tongue especially when i see someone regularly who has been gossiped about frequently. withholding information is a form of lying in my opinion - and lying makes me extremely uncomfortable.

impulsive decisions: i am trying to get better about this because i tend to carefully deliberate everything. but i don't like when others around me make impulsive decisions that effect me because it ruins the plan i already had in my mind. for example, last weekend i wanted to go to an all day fall festival with my mother (and yes i told her tuesday my plan) but last minute my mother's boyfriend-not-boyfriend said he needed her help with a project and it was going to be an all weekend thing. so friday night my plan went out the window. so quickly had to make a new plan consisting of paid readings, trader joe's, and shampooing my couch (fun stuff i know...).

a lack of respect for rules/boundaries: a disregard for social norms, etiquette, and established rules of communication annoys me so badly. like it is common courtesy (at least for how i was raised) to call or write in advance of stopping over at someone's house. my mother's boyfriend-not-boyfriend is the biggest perpetrator of this behavior. they aren't technically dating anymore so hello hi in my opinion he should be giving us a heads up if he will be stopping over. also switching gears when i say "no" or "i don't want to" i feel like a lot of people around me push me and test me to see if i will change my tune. i don't appreciate that in the slightest. i make clear boundaries in all the relationships i have (even here i have guidelines) - so yes, you bet i get frustrated when i vocalized or wrote my boundaries and yet they get ignored.

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[scorndotexe]

midnight mass should have been weirder and bolder and it would have been better for it

[vaugarde]

"oughhh you can't like carmine, she's abusive, she says 'its not like i hit him' in one scene so she's toxic and bad and you shouldn't portray her in a sympathetic light!!!" speaking as someone who genuinely has a toxic relationship with his older brother... shut up lmao

[suffarustuffaru]

I don’t speak Japanese so I’d LOVE to hear more about the differences between the English and Japanese Re:Zero fandoms

yeah sure its very interesting to me now that ive noticed it more lately :o !! though ok disclaimer - i dont speak japanese either hah so if anyone is seeing this and does speak japanese + is familiar with the japanese speaking side of this fandom please add info if youd like!! and of course ill be mainly speaking from the english side of things bc im more familiar with that yes (sorry anon again im not a japanese speaker T^TT so sorry if i tread on info you already know!!). but yeah im speaking from my own experiences given the Topic at hand. ive been in this fandom since... 2019?? which is so wild to me aljsdfljsd.

anyway so - i think the big difference is mainly that the english fandom and many english speaking people that engage with rezero are. to put it bluntly, misconception runs Rampant to a very Interesting degree. to the point where it seems like the english speaking side of the fandom is More. Aggressive. than the japanese fandom. not that the japanese speaking side of the fandom is perfect - also bc what fandom is ever perfect 100% of the time, tbh - but that the louder people in the english rezero fandom are. well its a Very low bar. Very low. and from what little ive seen and heard so far, the japanese fandom tends to understand rezero and its characters better than the english fandom. which ig makes sense bc you know, rezero is japanese media, and also im sure cultural differences come into play here as well (im not familiar enough on this to speak about it in depth but the cultural differences feel Pretty Clear even though i cant 100% put my finger on what they specifically are).

but also bc yeah. its not That hard to beat some of the english fandom when it comes to media comprehension. misreading rezero is unfortunately Extremely common, both in and out of the rezero community. its Everywhere - youtube, myanimelist, ao3, ff.net, reddit, twitter, various rezero discords - and from what ive experienced, rezero tumblr basically kind of feels like finding an oasis after crawling through the desert for days on end lajdslfjs. which is probs bc rezero tumblr is Smaller and also a lot of us seem to be lgbtq+ in some way or be allies, so you dodge a lot of the misogyny and homophobia that happens in other rezero english circles. its why you see a lot of openly queer rezero-related posts on here while its a bit more. barren. in other rezero english places yes. bc its more safe to post queer rezero things on rezero tumblr rather than rezero reddit for Sure.

im not sure how the japanese fandom is with that exactly but theres some interesting differences between whats popular in the english fandom vs the japanese fandom. i mean as an otto fan ive been noticing how hes more popular with the japanese fandom—and on top of that, ottosuba is Way More popular in the japanese fandom too. reinsuba and julisuba seem to usually be the most popular mlm subaru ships in both fandoms but ottosuba is like A Little Up There in the japanese fandom. not sure if its on the same level as a ship like reinsuba but ottosubas Definitely loved as a ship. from what little ive seen it also seems like ships like vichisha are more acknowledged by the japanese fandom? im not entirely sure on like—Complete differences regarding what the japanese fandom finds interesting that may differ from english fandom, so ill really have to look more into the japanese fandoms fanart and fanfic when i can bc im pretty curious too. in general though, it seems like the japanese fandom has a bit more variety…. you can find fanart on So Many characters in rezero (which already has a very Massive cast full of very fleshed out characters) there. not that you cant in the english fandom bc theres a Bit of variety too, but id more so contribute that a little more to the Big Cast and less to having actual variety in fancontent. and of course im not saying that the japanese fandom may be a bit barren in some areas of fancontent—bc inevitably when u have a big cast of characters, side character content is gonna be more sparse compared to the main characters, but to me it does feel like the english fandom lacks variety in comparison. (and also yeah. seems like the japanese fandom acknowledges gay ships more in general tbh.)

whats focused in fancontent makes it easy to tell what may be popular in a fandom in terms of how fans perceive the source material and what fandoms want to do with the source material, if that makes sense. and its very easy to tell that with the english fandom if you just hop on rezero ao3–or even better, rezero reddit given theres a fanfic ideas thread thats usually pinned right at the top of the site. again i havent looked at japanese fanfic for rezero yet (bc i dont know where to look oops ajdndn) but when it comes to the english fandom you can tell that theyre generally more focused on the female cast both in fanart and in fanfic bc. theyre women and many fans on say, reddit or various rezero discords, are cis straight men, so inevitably… well lets just say you can tell when a man makes content for this fandom o.o theres also the. very weird reaction fic trends and trends following popular fics in the fandom, the two biggest being the watching him die again and again react fic and re:forgotten, the former of which includes a harem plot with subaru and the main girls of rezero while the latter is one of those subaru gets tortured by his ooc friends and then he gets revenge on them fics. which i suppose says something about the english fandom too.

of course on ao3 its dominated mainly by english fics (of course not all fics on there for rezero are in english— big shoutout to all the non english fics on rezero ao3 ur doing great <3 — but the majority are in english). and while yeah ur occasionally gonna find stuff like queer content or side character content or rarepair content, its definitely not that big in amount and also comes with the risk of. Hate. if anyones reading this and remembers the lone star stuff. (if u dont know—lone star was a julius x emilia fic where they NTR subaru or some shit and then it got bombed with hate bc of the ship? yeah.) so yeah english fandom is very cis straight oriented, ironically with the nastiest people being the very people that rezero criticizes. though this is also my personal experience, i do know several people personally whove been in this fandom for a while or were here for a while and yeah english fandom isnt very welcoming at times???? and it seems like at the very least the japanese fandom is A Little Less Aggressive than the english fandom is.

otherwise. yeah im very very curious about more of the differences in popular content between the japanese vs english fandom. i mean the english fandom’s main focus on the female cast for. Interesting Reasons other than their actual character depth is… interesting. and the astreas being popular in general vs otto + ottosubas popularity fluctuating is also very interesting to me (but i have several guesses as to Why that is), among other things. yeah id love to know what else the japanese fandom likes about rezero and see more of their content. i also have to wonder if characters like emilia and subaru are hated less by the japanese fandom…. T^T well that and the english fandom and many english speaking people engaging in rezero have this interesting pattern of either hating subaru No Matter What, wanting subaru to Not Be Subaru (ie using him as a self insert almost or attempting to change him into virtually another character), or putting subaru on a pedestal and ignoring his flaws and mistakes and that he Can do wrong. like theres Really not a lot of nuance there. so i wonder if the japanese fandom is. A Little more chill when it comes to character opinions like this too.

[mtt-burger-emporium]

thinking about chara and the implications of the line "chara hated humanity. why, they never said..." like ok i KNOW something was happening at home. chara baby you didn't deserve that shit i'm so glad you fell down a thousand feet in a cave hole and right into the arms of people who would keep you fed roof over your head and would never raise their hand against you. "eradicate humanity" you're 10 years old how about eradicating your shitfucked surface fam by calling cps first

[vyibunni]

rewatching part 4 is really making me realize how much i missed these guys :')

[woolydemon]

for ppl that know my tf fan lore you would think I'd be ryu/kita pilled since I was blur/bee CEO but actually I was driven by my shock/bee instincts to be drawn to ake/kita instead <- none of these words are in the bible

[marsbotz]

i loveeee making playlists this is a little known fact about me. my playlists r like my babies

[yoshistory]

my former therapist told me "everything you are and become and will be is something learned; you cant be something if you didn't learn it somewhere. nothing is inherent about anyone, except for something genetic" and honestly it is still messing with me on some level

[libraford]

It is possible to interact with people whom share opposing views and no this is not about pineapple on pizza. In fact, it is imperative that you learn how to be civil with some people who you may find difficult to agree with.

At work, Youngin would often tell me that the guy that trained him (Ginger) was a misogynist. I had never met Ginger, and I had very little to say on this matter. But I would ask Youngin some questions about him because I like to know the other seasonal workers a little. I ask about Ginger- first words from Youngin's mouth 'he's a misogynist.'

I asked him why he thought that. (There are many misogynists at this location, as someone that is woman-shaped I see it often, I am comparing notes.)

"We were on our way to a location and a driver was going really slowly. When he got around her he said 'fucking women drivers.' Like he was going out of his way to prove that the driver was a woman."

The last month or so, Youngin worked exclusively with me because I knew that it was a matter of time before he said something that pissed off one of the guys. He was not going to get along with people here, it just wasn't happening.

When he left, everyone wanted to know what he was like to work with. And I finally got to have a conversation with Ginger.

"I'd like to ask you something a little strange- he said that on his first day there was an issue with a driver going slowly. Can you tell me about that?"

"Oh yeah! She was going super slow and when I got around her I said 'yup- little old lady driving.' And he was like 'what's that supposed to mean?' And I just kind of dropped it, but I hear he was saying I was a misogynist over it?"

So I give Youngin some grace because he's young, he's got a social bubble that's very liberal, he has not met very many people that weren't part of that kind of scene. But he often talked about how every person here has said something that pissed him off and he seemed really surprised that I (woman-shaped queer liberal) would be okay working with all these sexist homophobes.

And I give grace to Ginger because he had no reason to think that his words would be interpreted like that. What he was saying was normal to him. This is... somewhat the culture of landscaping jobs. And its not even close to the worst thing I've heard out of these dudes mouths. (Literally had one of the dudes comment that he would like to 'motorboat' one of the pedestrians.)

It was weird for Youngin to carry that with him for the whole two months that he worked here, over a very... small comment.

Every single person I've worked with here has said something that has given me pause and I tuck it away to rant about later and then I let it go. If it gets out of hand, I talk to one of the bosses about it. I know how to contact HR. I came into this place knowing that I was going to disagree politically with most of the people that I work with because I'm coming in to a culture that is fundamentally different from my own.

If I am being frank, I find the overt bigotry somewhat better than the corporate bullshit of 'we value your contributions, but won't be granting your accommodations request out of fairness to other workers' or the glass cliff or literally being fired for my sexual orientation but phrased with 'oh you just weren't a good fit for the culture here.' I at least know what I'm getting into when I come to work. I know what not to talk about. Last time I thought I was safe to talk about something queer with my boss she blindsided me with some transphobic garbage.

Its admirable to stick up for the marginalized people in your life, but part of changing minds is knowing the time and the place to comment. I think I've changed more minds at this warehouse by being a visibly out lesbian at work than I have by making carefully crafted speeches.

That is fine. It is fine to disagree. Sometimes you have to work with racists, homophobes, and assholes. That is part of being an adult. You talk about things like... sports or TV or weather or some cool bug you saw. Finding common ground with people who are different from you in many ways is an important part of socialization and it sucks to think you have anything in common with a jackass but look- you're spending 7-ish hours with these people and at some point some of them are going to say stupid shit. You are going to say stupid shit also. I have said my fair share of stupid shit. Deal with the fact that you're all stupid shits.

And for fuck's sake, wear your hardhat.

[drownedbycoffee]

THEY AREN'T THE FEARS ANYMORE!! THEY'RE DESIRES

(SPOILERS for TMA, and all of TMAGP episodes so far)

Okay, here me out

Tmagp1: Darla wants to hear Arthur's voice again. She even says: "I just couldn’t face the thought of the rest of my life never hearing him again, I had to try" and later on she even says: "But I had to know, so I went to the cemetery."

Tmagp1: RedCanary wants to know about the Magnus Institute. They want to know why it's listed under 'cleared' when there's no evidence of it. Hence why they go and explore it.

Tmagp2: Daria wants that absolute perfection. She wants to change who she is and get out of that dark place. When she talks about the thing that she felt was missing, she says, "... and that’s when I decide I need a tattoo. I had a couple already – just little things on my shin and my wrist – but I decided I needed something big. Something that really changed my look." She also mentions when talking about Ink5oul that "they just kept pressing me about my life, about why I wanted the ink" instead of asking what design she wanted. And when she got the tattoo she describes herself as now being, "Someone I wanted to know more about." Afterwards she even says how "For the first time ever [she] wanted to attempt a self-portrait. Something real and physical, [she] wanted to feel the brushes in my hands and the oil on [her] fingertips." I think a lot of her statement is about her desire and impulsive need for that perfection and that wholeness that she has been aspiring to for her whole life.

Tmagp3: Samuel wants to stay hidden. He wants and he "need[s] to get up, get out of here for treatment." He wants to get better and most of his delirious thoughts are the things that he wants, or feels like he needs. E.g. "I so much want to see it [the sun] again. This night seems endless. I want to be warm again. I am terribly afraid. Thank god for Maddie. I need to treat her better."; "I just need to rest."; "I need to be careful or we’ll drift apart." And then obviously as the narrative continues, Samuel wants to grow and 'put down roots'.

Tmagp4: The narrator wants to be revered and accepted into the Royal Court Orchestra of the Palatinate. He wants to show off and impress. The violin "was a creature with needs and purpose of its own. The needs were simple enough. Blood. Flesh." It has these needs and desires.

So far, I'm interpreting it to be that everything so far can be interpreted as a desire of sorts, varying in the strength and intensity of it. Obviously, fear is still a big part of it all, because if you want something so badly, aren't you afraid of it being stolen from you? Of it being out of your grasp? Of it being unachievable or impossible in some capacity? Of it being a lie?

Even Sam wants to find out more. He wants to know the why and the reason for things. Gwen wants Lena's job. Collin wants to fix all these bugs and keep Freddie running. Alice wants to just get on with it because she found out that wanting to know the 'why' of things is dangerous.

I think that somehow when the Web took all the Fears into a different universe, they morphed into something else. Or they changed to fit what was the most prevalent thing in that universe, because after all, everyone wants something, even if it's something small and inconsequential. Life and aspects of it has always been characterised by that desire for something. Like people wanting food, shelter, safety, love, warmth, happiness, etc. And I think since the Web was so intwined with Jon and Martin, it absorbed some of their emotions when it found its way into this new world, because after all Jon and Martin wanted to stop Jonah/Elias, to stop the apocalypse, to destroy the Panopticon, to be safe, and they wanted each other. I think the wanting and fear of things are really entwined in it all, though this could be absolute bullshit haha

[bbyseok]

at first sight? — GOJO SATORU

pairing: gojo satoru x gn!reader

word count: 10k (idek i was possessed)

banner by @/bbyseok , dividers by @/bunnysrph !!

a/n: um hi. its finally here ! thanks to all who liked the teaser, this is my first jjk/gojo fic ever but i really think everyone needs some comfort after jjk chap 261.. and fuck u gege !!

content: soulmate au, gender neutral reader, minimal use of they/them pronouns for reader but gender is not specified, sorcerer reader, nicknames ‘sweetheart’, ‘pretty’, ‘baby’, fluff, mild angst with a happy ending, slowburn??, several pov switches, suggestive/implied nsfw at the end but nothing explicit, brief swearing/explicit language, brief violence/injuries, alcohol consumption, reader gets mildly drunk but nothing else, implied satosugu as past soulmates: can be interpreted as either romantic or platonic, fic takes place after jjk 0 but before the show starts

analysis: this is a world filled not only with curses, but soulmates—in which you know someone is your soulmate when you first make eye contact with them. but for your case, things can get a bit complicated when someone is wearing a blindfold.

here, in this universe, you can tell that someone is your soulmate by simply looking at them. so with that, the saying of “love at first sight” is actually pretty accurate here. you see them for the very first time and barely know the person and yet, somehow, they’re the one you’re destined to be with.

with that, you’d think it’d be pretty common for two random people to run into each other while crossing the street or something and bam! suddenly you’ve found the supposed love of your life!

and you? well, for you, that hasn’t happened yet.

to be fair, it’s not like you’re actively trying to look for your soulmate. handling curses as a jujutsu sorcerer is difficult enough. (maybe you’ll run into them one day after saving them from a curse or something. how romantic!)

it’s better to leave it up to fate. it’s fate who decided your pairing anyway, right?

your transfer to jujutsu tech had been fairly smooth. after being stationed in kyoto for a while, tokyo was a nice change of pace.

coincidentally, you had been out of the country during the incident known as the night parade of a hundred demons. a scary event that proved the threat of curse users to be formidable.

because of that, your decision to transfer to tokyo seemed like the right thing to do. and so far, it’s been decent.

it’s a nice change of scenery. the students are aspiring; while maki and megumi aren’t the friendliest, they’re warming up to you. toge and panda are gradually improving.

nanami’s pessimistic outlook on jujutsu society and shoko’s overall unenthusiastic demeanor are certainly interesting for the most part, but your coworkers are pleasant to be around.

well. except for one.

gojo satoru knows that you are his soulmate. he has indeed known this fact right from the very start, ever since your first meeting.

even with his blindfold on, he could see your own eyes before him. his six eyes can see everything. the thing is.. he didn’t know he could have another soulmate.

his situation with geto suguru is something he doesn’t talk about with anyone. maybe shoko at times, but even then, it’s rare. it’s not that he doesn’t want to, but it’s pretty hard to talk about.

after suguru defected, gojo could still obviously feel their bond. even though they were no longer together as the strongest duo, did it really matter when their souls were still connected to one another? it was a factor that played in avoiding (and perhaps meeting up with) each other as the years went by.

satoru felt their bond die that day after the events with okkotsu and rika. and it had frightened him. that lingering presence of the bond was no longer there.

so imagine his surprise when he sees you.

a new sorcerer in kyoto, now transferred to tokyo. normally, gojo doesn’t seek out the new recruits, but yaga had dragged him over regardless. besides, he might as well get to know his possible assistant teacher that would be helping him out with the new first years.

“i guess i can check out some new faces,” he relented with a sigh, adjusting his blindfold and looking to the side as yaga’s steps slowed as they approached you.

gojo rolled his eyes–not that you’d see it anyway–as yaga introduced you with your name and your sorcerer grade. he stopped to stand next to the principal.

you extended your hand to offer a handshake, and gojo finally turned his head.

that feeling as his gaze fell upon yours beneath the blindfold was familiar—frighteningly so—and unfamiliar at the same time. as if he could breathe for the first time in ages. your eyes are unaware, but they’re so revealing to him.

satoru stuttered in his movements, reluctantly taking your hand. the skin that touched yours felt like it was on fire. he briefly held on to see if you felt it too.

but you simply smiled up at him.

“it’s nice to meet you, gojo,” you said, blissfully unaware of the revelation currently dawning on the man before you and the turmoil it brought as he abruptly retracted his arm back.

gojo stiffened. he merely offered a curt nod before turning on heel and walking away briskly. he could faintly hear yaga protest about his sudden departure before apologizing to you hastily. satoru shook his head.

how was this be possible? how could the universe give him two soulmates? he didn’t even know that was a thing that could happen. he wondered if there had been a similar occurrence before.

gojo couldn’t help but feel nauseous. was this the world playing some sort of sick, cruel joke on him? or was it perhaps giving him a second chance?

and truthfully, it wasn’t like gojo even wanted another soulmate. not after what he had been through with suguru. he hadn’t given it much thought.

was it really worth it?

what if he couldn’t protect you too?

so satoru had decided on one thing that day: the blindfold stays on. concealing his eyes from the world not only for him, but for your sake too. he was certain in his choice; he would never tell you the truth.

as far as you were concerned, you haven’t met your soulmate yet.

and never will.

your first meeting with gojo wasn’t exactly unpleasant, but it wasn’t something you could describe as good either. you’ve been left with the impression that he’s cocky and indifferent.

and that he doesn’t like you.

it’s been around.. two? three weeks? it’s been a while since your encounter with the white-haired sorcerer, and you’ve only seen a few glimpses of him here and there on campus.

okay, he doesn’t display any outright mean or ill intention towards you. on the very rare times the two of you do interact, he is obviously curt and clipped. seems like he’s deemed you worthy of the only either nods or one word responses.

you’ve yet to actually participate in a lesson or mission with gojo, but you prefer it that way. providing individual training and advice for the upcoming second years has been going great. at this point, you’re sure it’d only be awkward.

besides, the strongest sorcerer alive doesn’t necessarily need assistance in dealing with curses after all. that much is understandable.

you’re currently in the teachers’ lounge room with nanami. even though he isn’t actually a teacher, he pays visits sometimes. he’s good company anyway.

“it’s nice to hear that you’re settling in well,” the blonde says with a nod. he loosens his necktie absentmindedly as he adjusts the newspaper in his lap. “especially with that gojo around. he can be a pain in the ass sometimes.”

you frown at the mention of the sorcerer, crossing your arms. you’re seated across from nanami, watching him idly look through the newspaper.

“oh, well, actually, he isn’t too much trouble. for me, at least,” you reply, brows furrowing, “he barely talks to me.” (in fact, he seems to avoid you like you’re carrying the plague or something.)

nanami looks up, raising a brow. “huh. you should be grateful then.” he then hums, “but maybe that’ll change once there’s actually new first year students to teach. you both are assigned to them after all.”

you lean back in your seat, your shoulders committing to a halfhearted shrug. “maybe. it’s not like i never did anything bad to him though..”

nanami sighs gruffly. “don’t think about it too much.” before he can continue, there’s the sound of footsteps. nanami brings his newspaper back up, muttering, “speak of the devil.”

“nanamiiii!” gojo’s voice sounds from around the corner. it almost startles you how lively he sounds. you realize you’ve never actually heard or seen how he acts without you around.

nanami doesn’t respond, rolling his eyes.

gojo strolls in enthusiastically, blindfold on. “heyy, nanami, we should-” he cuts off when he presumably sees you, falling quiet and stopping short.

you blink, a bit hurt. does he dislike you that much? but you don’t let it show, resorting to greeting him politely like you usually do when you occasionally pass each other.

“good afternoon, gojo,” you muse, offering a little wave.

nanami notices his reaction too, but doesn’t comment on it. he continues to ignore the sorcerer’s presence in fact, eyes still roaming over the newspaper.

gojo clears his throat and resumes his pace. “afternoon,” he responds, focusing his attention back on nanami. he reaches the two of you, giving you no further acknowledgment.

you don’t care if he can see you looking at him, you opt to stare at the black blindfold covering his face. you have a hunch that he can see, or at least feel, you staring at him.

“can i borrow you for a sec, nanami?”

nanami emits an exasperated sigh, but stands nonetheless to follow gojo out of the room for some discussion not meant for your ears apparently, leaving you alone with your thoughts.

do you make gojo uncomfortable? you don’t know what you could’ve possibly done so though. from what you’ve heard from the others, he can be rather eccentric and overbearing.

does he just not like you? perhaps he views you as inferior, too below his level and power to actually converse with you. while it seems a bit of a stretch, you’re sure it’s not out of the possibility also based on what you’ve heard about him from others.

your frown returns. before you can dwell on it any longer, nanami comes back into the room. “well, i certainly see what you mean from what you said about gojo earlier,” he announces.

his words do nothing to falter your frown. “right.” you then shrug once more, “it’s okay. it’s just a bit.. strange.” you then shake your head, trying to be a bit optimistic. “but also like you said earlier, that might change! who knows?”

who knows, indeed.

megumi tucks the cursed tools inside their designated box and closes the lid. he moves on to the next one right as gojo enters the shed, beaming a smile.

“hey, megumi. you almost done wrapping up things here?” satoru asks, undoing his blindfold naturally. there’s a pair of glasses in his hand ready for use.

the teen nods. they had used a few cursed tools during training session today, and the storage did need a bit of tidying up. “almost done.”

satoru makes a noise of approval as he places his glasses on. “great! do you need help setting up your dorm room?” he looks excited at the idea, still grinning.

meanwhile, megumi looks disinterested at his offer. “no thanks. i think it’ll be easy enough. it’s not like i’m decorating it anyway.”

“oh, boo.” but gojo doesn’t insist on it any further. he actually falls strangely quiet, which causes megumi to glance at him curiously.

his teacher looks.. distraught. it’s hard to actually tell, but he seems to be looking at the floor, maybe lost in thought. before megumi can say anything, gojo’s expression changes and he starts talking again.

“you’re, uh, with the new teacher for tomorrow,” gojo then informs. he shoves his hands into his pockets and kicks at the floor absentmindedly. (he’s fidgeting. subtly.) “it’ll just be you two, i think, on a small mission. so they can get used to actually working with students on field. it’ll be good for the both of you.”

megumi nods. he tilts his head afterward. “you can say their name, you know. it won’t kill you,” he says a bit pointedly, “and they’re not technically new anymore. it has been a few weeks now since they’ve joined the school.”

“right, right.” megumi’s face scrunches up as gojo’s hand comes down to ruffle his hair gently. (a habit that has not died since his younger days.) “whatever you say, megumi.”

despite your minimal interactions and his rather closed off demeanor, megumi is actually one of your favorite students. (and yeah, maybe you shouldn’t have favorites, but oh well.)

your mission with megumi, or rather, the mission you’ve been assigned to supervise the student on, is rather simple.

there’s been reports of a low grade curse roaming the premises of a supermarket neighboring a nearby cemetery, so megumi is to obviously exorcise it under your watch. the area has been closed off with a small veil. megumi had decided to check the parking lot first for any lingering traces, so here you are.

“i think we’re good here,” the teenager confirms as his demon dogs return to his feet, seemingly in the clear. you nod and let him lead the way towards the inside of the store.

as the two of you begin to walk down each aisle with one of the demon dogs trailing behind, megumi says your name in an inquisitive tone. “what do you think of gojo-sensei?”

the sudden question has you blinking in surprise. your eyes scan megumi as you both continue to trek down the aisle. “what makes you ask?”

“no reason.” he doesn’t meet your gaze.

you bite down on your lip in contemplation. you’re not sure what brings this question to mind for him, but you’re willing to indulge him for now. “well.. i think he’s.. alright.” you pause. “as a sorcerer, i admire his strength. though, i think a lot of people think that obviously.”

“and as a person?” megumi presses, turning to investigate the next aisle. he still doesn’t glance over to you, still preoccupied with searching for the curse.

(hell, for a teenager, he sure is perceptive.)

you choose your words carefully, thinking it over with a brief pause.

“i’ll admit, i don’t think i know him well enough to be sure. as a person, i think he’s.. self-centered and rude. sometimes, i see him act very carefree in a way. he’s.. obscure, i guess.” you clear your throat and reiterate, “but again, i don’t really... know him.”

you can see megumi go over your words silently. the quiet continues. the conversation seems to be dying, but it doesn’t matter when monstrous gurgling sounds up ahead.

a curse appears in front of you, the shelving of the aisles toppling over as it gargles some unintelligible roar. megumi doesn’t hesitate, using his technique to summon his demon dogs once more to swiftly engage in combat.

the fight is easily handled in three minutes top. (they weren’t kidding when they said it’d be easy.)

after the commotion has settled, you allow megumi to do one more check up around the store just in case. just as you are prepared to exit and bring down the veil, you decide it’s your turn to ask him now.

“and what about you, megumi?” you inquire lightly, giving one of the demon dogs a few head pats for their good work. “what exactly do you think of gojo?”

megumi hums.

“i agree with most of what you said actually,” he answers honestly, causing you to chuckle in amusement. the teenager tilts his head and finally looks at you. “but i also think he’s kind when he wants to be.”

his frontward honesty surprises you once more. this kid sure is something. you believe his words; he has no reason to lie to you, especially about gojo of all things. still, you poke at him teasingly, “really now?”

you don’t really expect him to answer, but then megumi says in a mumble so quiet that you nearly miss it.

“well, he did sort of raise me after all.”

“i just don’t think he likes me, shoko,” you puff out a sigh, watching as she puffs out smoke. “i’ve seen the way he is around other people, and he’s not like that with me.”

she’s on break right now, so you thought you could talk to her about a certain blindfolded sorcerer who’s been plaguing your thoughts.

it’s interesting to hear about the different sides of gojo satoru from your peers. from nanami, you’ve learned that he’s pretentious and troublesome. from megumi, that he can be caring in his own way. and shoko?

“he’s crazy.” the doctor waves her cigarette at you with a shrug of her shoulders. “but it beats me on why he doesn’t particularly like you.”

you groan, slouching in one of the chairs set up in the infirmary. “maybe i should’ve stayed in kyoto,” you mumble. it’s more of a joke than anything; your.. weird terms with gojo isn’t enough to actually deter you.

but shoko puts the cigarette back to her lips and tilts her head. “want me to ask him about it?”

you straighten your posture abruptly and look at her. “what? you don’t have to. he might think i asked you to or something.”

she shrugs again. “your call.”

your brows furrow. “maybe we just got off on the wrong foot somehow. even though all i did was shake his hand.” you snort. “maybe i can get him something to break the ice. what does he like?”

shoko doesn’t even hesitate. “sweets. he likes his sweets.”

oh. oh, okay! you blink and nod. who would’ve thought? the strongest sorcerer in the world likes sweets. “i can handle sweets.”

you, in fact, cannot handle sweets.

why are there so many? you’re at a local bakery staring at the rows and rows of pastries they have on display, looking as if you’re trying the decipher the world’s hardest math problem.

shoko never specified what kind of sweets he liked during your conversation with her a couple days ago. cake? ice cream? cookies? you might as well buy the whole damn store at this point with your luck. the last thing you want is to buy him something he won’t actually eat.

“oh, fuck it,” you mutter and finally decide on a small piece of cake. it happens to be your favorite kind of cake, but oh well. if he doesn’t like it, he doesn’t like it! it’s the thought that matters anyway, right?

as you exit the shop with your newly acquired dessert, you try to devise a way to give it to him. do you just.. hand it to him? or maybe it’ll be better to leave it in his office. or have shoko give it to him!

ughh, who knew how hard it’d be to give a man a cake? okay, okay. you’ll simply give it to him in person since he’ll know it’s directly from you. problem solved.

well, actually, problem is not solved. how are you supposed to give the cake to gojo in person when you have absolutely no clue where he is right now? after returning to the school, he’s no where to be found, so you eventually turn to yaga for help.

“he’s on a mission where??”

you stare at yaga with wide eyes as he names some city so far away you’re pretty sure you wouldn’t be able to find an affordable ride to get you there in a reasonable amount of time.

“oh, alright,” you say, feeling a little disappointed. the cake suddenly feels a little too big and heavy in your hands.

the principal’s gaze flickers down to your little intended treat for his former student. “these kinds of missions are no trouble for satoru. i’m sure he’ll be back soon, so you can leave that in his office.”

you brighten up at that and nod. “thank you, yaga.” you then dismiss yourself with a polite bow after he informs you where gojo’s office is exactly, and you start to make your way there.

it’s only a few minutes until you get there. you open the door and catch sight of a desk. it looks rather plain, which is understandable since it doesn’t seem like he uses this space often. (though, there is a chair that looks more expensive than your entire rent.)

either way, you walk inside and set the container down on the desk with a small sigh. hopefully the gesture is appreciated! if he really does have a sweet tooth like shoko says, you’re not sure why he’d turn it down. again, you can only hope.

you sigh again and turn to leave when the sound of the door creaking open sounds again. you freeze in place when it swings out fully, revealing the very man you were thinking about.

(yaga was not kidding when he said that gojo finishes his missions pretty fast.)

gojo perks up at the sight of you in his office, and even with his blindfold on, you can tell he’s got a surprised look on his face. “can i help you.. or do you have a reason on why you’re snooping around in my office?” he inquires, walking in.

while not evidently hostile, his appearance and words suddenly have you anxious. “oh, well, i-’’ you want to mentally smack yourself for fumbling over your words. “i’m sorry for intruding. i, uh, just wanted to leave you a little something.”

it’s only then does gojo look past you and makes a small noise. you can’t really decipher it, but you watch as he walks by you to open the small packaging to see the slice of cake meant for him.

and when he makes a small noise again, you can tell it’s one of delight. “you got me.. cake?” he asks, looking to you again questioningly.

“i did,” you clarify with a small nod, summoning a small smile and rubbing the back of your neck a bit sheepishly, “i didn’t know what kind of sweet you would like, so i just ended up choosing my favorite cake. um, i really hope you don’t mind the flavor, but if you don’t you really don’t have to eat it so-”

“kikufuku.”

you stare at him, confused. “what?”

“kikufuku,” satoru reiterates, and it’s his turn to smile. (it nearly catches you off guard because although very small, it’s pretty.) “s’my favorite. or.. one of my favorite sweets. crepes are good too.”

his newfound friendliness has you smiling a bit more evidently, pleased that this interaction is your most pleasant one with him so far in the weeks you’ve been here. “oh, okay,” you chuckle, “noted.”

gojo opens the container and unwraps the plastic fork that had came with it. he takes a bite of the cake and hums in approval. “can see why it’s your favorite. it’s not bad.”

your face lightens up at that. “oh, i’m glad.”

he hums, popping another slice of cake into his mouth. “any particular reason on why you’ve decided to give me cake, if i may ask?”

you falter once more, now nervous in telling that you’re hoping to.. resolve this one-sided tension with you. ultimately, you decide to be straightforward, inhaling deeply and looking at him. (well, his blindfold.)

“well, i’m not an idiot, gojo. you haven’t exactly been.. friendly to me. i’m not trying to win you over or anything, but if we’re going to work together with the first year students, consider this a gift for a truce. or um, a peace offering so we can act somewhat decent with each other.”

the white-haired sorcerer falls silent at your confrontation. you’re half expecting him to brush you off and walk out of the room entirely. especially since he seems to have stiffen up (similarly to the way when you first met, you had noticed).

he seems to contemplate for a bit. you don’t know where he’s looking at; the floor, the cake in his hands, you? it’s suddenly nerve-wracking.

“you’re right,” he finally speaks up, “i.. i’m sorry for my previous behavior towards you. can we start over?” he places the cake aside and walks back over to you to hold out his hand.

“gojo satoru.”

your eyes flicker to his blindfold to his hand, then back to where his eyes are hidden underneath. the rumored powerful and breaktaking six eyes concealed from your ever so curious sight.

against your better judgment, you repeat your name and take his hand.

“it’s nice to meet you, gojo.”

your new relationship with gojo is steadily becoming better. he’s no longer curt with you, and actually engages in conversations even with no other people around.

though, you can’t help but feel like he’d avoiding looking at you for some reason. which is pretty far off since you can’t technically see where he’s looking, but it’s a hunch you have nonetheless.

but hey, it’s progress, progress that you’re somewhat happy about.

like now, as satoru leans over your shoulder to peer at the clipboard in your hands. you’ve just finished wrapping up a lesson with the soon-to-be second years out on the field.

“ooh, what’s on the agenda for tomorrow, teach?” he pries.

“assistant teach,” you remind him teasingly, going over the contents of the clipboard. “more sparring. oh, and the registration for that new first year.”

“the one from the countryside?” gojo hums.

you nod. “yep. a.. kugasaki nobara. we won’t actually get to meet her, but arrangements for her arrival are getting finalized.”

“oh, boo. s’just more paperwork,” the sorcerer beside you whines, kicking at the grass.

“at least megumi isn’t the only one now,” you point out and finally turn to him.

just as you expected, satoru glances away to look at panda and toge finishing up. you squint at him narrowly but don’t comment on it.

“that’s true. not like that kid cares anyway, but it’ll be good for him,” gojo agrees airily, shoving his hands into his pockets.

you eye him. “hey, gojo?”

“yeah?” his head remains turned to the students. (further proving your point! you feel like you’re collecting evidence here; the gojo satoru cannot look at you in the eye!)

you hesitate. “wanna grab some kikufuku?”

he perks up at that. (like a puppy, really. it almost makes you laugh.) “mm, whatever happened to not trying to win me over with sweets?” he teases.

you laugh at that then, shaking your head in soft denial. “no- that’s not what i-”

“well, you did said kikufuku.." satoru interrupts you with a dramatic sigh and heave of his shoulders, “so how could i ever possibly resist?”

satoru doesn’t dare to look down at you.

“care to join me?”

but you smile up at him cheekily, and he hates the way the sunlight is hitting your features just right. it looks like the color of your eyes is glistening.

you’re just.. lying down on the grass of one of the training fields, admiring the drifting formations of white clouds on the blue canvas that is the sky.

satoru keeps telling himself that shouldn’t be doing this. his first mistake was accepting your cake. allowing himself to get closer to you. but when you look at him like that, he feels like he can do anything. which is odd, becaues really, he can do anything. it goes without saying as his status as the strongest.

but with you, it’s starting to feel a bit different.

when he doesn’t give you an immediate answer, you tilt your head and continue to blink up at him. “you can see the sky even with your blindfold on, right?”

he snorts. “yeah, i can.”

you pat the space on the grass next to you welcomingly, a beckoning that he just can’t resist again. “well, come on and join me,” you persist.

he hesitates, shifting his weight on his legs for a moment. against his better judgement, he joins you. it’s surprisingly comfortable, he finds, as he kicks out his legs and sighs.

it’s a comfortable silence that it’s almost startling. how easy it is just to be around you. (which is the exact reason why he had been avoiding you in the start, in fear of slipping up around you. he still might.)

“you get headaches, right? if you don’t cover your eyes.”

he chuckles at your question. “yeah.” it’s a half truth, half lie. he does get headaches, but for another reason now. you can’t get out of his head. (he’s got a suspicious feeling it’s because the soulmate bond is incomplete. but again, that’s just a theory of his.)

“‘m’sorry. that sucks.” you pout subconscously, still looking up at the sky to admire it.

he scoffs fondly, clapsing his hands over his stomach. “it’s no biggie. you think headaches can take down gojo satoru?”

“hey now, tough guy. they can take down me sometimes.”

(he’d fight off headaches from you if he could.) his heart is thudding against his ribcage, warning him. but he doesn’t heed the warning, and continues to lay down with you on the grass.

it’s a nice feeling. he doesn’t feel like the greatest sorcerer in the world with his colleague. it feels like he’s just satoru, pointing out the different shapes and animals you can spot in the sky with his soulmate.

“hey, that one looks like you!”

“hah?!”

“i’m guessing you and gojo-sensei are getting along now,” megumi bluntly comments.

it catches you off guard slightly, and you can’t help but laugh. (of course he had noticed how the both of you interacted from the beginning.) “oh, uh, yeah.”

and as you watch satoru go down the steps of the stairs to head over to you both whilst waving an arm with much more enthusiam than needed, you can’t help but smile.

“yeah, we are.”

this is a mistake. he shouldn’t be doing this.

but satoru can’t help but be so selfish, selfish in indulging in your looks, in your scarce touches. when you had confronted him with your peace offering as you had so called it, he had given in.

and now he’s spending more time with you. be it after lessons with the students, on random days where you have nothing to do, during weekends when there’s no authorities to bother him—he can’t help it.

was it the bond wanting to be complete? you were still unaware of his true identity, of what he could possibly mean to you, so why does he feel like he needs to be so close? he gets antsy at times when you’re not in his sight. it’s starting to affect him.

the soulmate bond, or lack of it—that has to be the only explanation for it. because he knows that you’re his soulmate, he’s subconsciously drawn to you and your presence. (it’s definitely not because he likes the way you smile, or laugh, or-)

fuck.

after a relatively tough mission, you’re obviously sent to see shoko. you’re not fatally harmed, maybe a scratch here and there. and okay, maybe a gash on your shoulder..

it had been enough to sort of knock you off your feet, but you’re fine. totally. exorcising a semi grade two curse at 1 a.m. in the morning was no biggie at this point.

once she’s finished tending to your wound, she dusts off her hands and places them on her hips. “you’re all set.”

you smile gratefully. “thanks, sho. can always count you to patch me up.”

she snorts. “well, it is my job.”

gojo suddenly appears right next to the table and you yelp, startled by his teleportation. shoko, on the other hand, looks unfazed, as if she’s used to this.

“gojo!” you blink, your voice taking a scolding tone soon after, “geez, you scared me! what’re you still doing awake??”

the blindfolded man falters, looking apologetic. “sorry. heard you got back from your mission.” he sounds worried, but before he can voice his concern, shoko rolls her eyes.

“they’ll be fine,” she says.

gojo’s shoulders finally drop down and he plays off his previous display of concern with a laugh. “ahaha, yeahhh, i knew that,” he scoffs with a wave of his hand, “i can’t bless you two with my presence?”

shoko gives him a displeased look before she turns around to tidy up her tools. you chuckle at her annoyance. “thanks for checking up on me, satoru,” you say sincerely. your eyes go over his appearance; he’s dressed more casually: a pair of dark slacks and shirt that expose his collarbones. not that you’re.. particularly looking.

but his shoulders seem tense again at your words and he hums quietly. (huh, strange. at least he’s not refusing to look at you anymore, you think.)

“well, i say this calls for a little celebration,” satoru suddenly purrs in delight, waving his hands in the air.

“celebration? for me getting kinda beat up?” you blow a raspberry at him, only for him to blow one at you right back. even though you had done it first, you can’t help but giggle at his childish antics.

he grins at that, then shakes his head. “heyy, i heard you beat up a semi grade two curse!” he says, “i think that does call for a celebration, does it not?”

you stare at him, unsure on whether he’s joking or not. wait, how did he even know that? well, maybe he had gone through the mission reports and assignments. still, you’re surprised that he knows. “you can wipe those out in less than a minute, gojo,” you point out with a raised brow, “don’t try and humor me.”

his grin lessens. “well, yeah, s’kinda easy for me, but i think that goes without saying. you’re telling me don’t wanna celebrate an accomplishment of yours?”

you look to shoko who is almost finished with cleaning up. she just shrugs. you look back to satoru and shrug yourself whilst rolling your eyes. “alright, we can celebrate.”

gojo fist bumps the air. and here you are again, giggling at him.

eventually, when he leads you out of the infirmary and to the teachers’ lounge. he digs through one of the fridges and hands you a bottle of what seems to be alcohol.

“i didn’t even know this was allowed here,” you mumble, settling down on what of the high chairs near the counter. you wiggle in your seat to get comfortable as gojo takes the one next to you.

you offer it to him but he shakes his head, nose scrunching up a little. “i don’t drink.”

“wasn’t this your idea?” you blink. “suit yourself, more for me.” you shrug and open the bottle to pour yourself a glass. and another. and another. and then another.

(you don’t know what particularly drives you to keep drinking as you talk with him, but perhaps it’s the way you know that satoru’s eyes are lingering just underneath the blindfold. you can practically feel his stare.)

and gojo watches you gradually drink yourself to being mildly drunk.

“okay, no more for you,” he laughs as he takes the bottle away from you and holding it above your head when you try to reach for it.

“awh, man.” you pout and rest your head on your arms on the table, looking at him the best you can. “you meanie. you got me drunk on purpose. give it back.”

he snickers, amused and endeared by your drunk antics as he pushes the bottle aside. “sorry. you’ll thank me later, pretty.”

pretty. he’s never called you that before. you wanna hear him say it again. (amongst some other things.)

“pretty.. you’re pretty. i bet your eyes are pretty too,” you say into your sleeve, your other hand reaching out to his blindfold, “everyone else says they’re v’ry pretty.”

he leans back to avoid your hand, heart pounding in his chest a little too loud for his liking. he wonders if you can hear it. “sure. i guess they are,” he says softly with a small chuckle.

“i wonder who my soulmate is,” you then mumble out. maybe it’s the alcohol, maybe it’s your incoherent slurring, but you sound.. sad.

before he can dwell on it, you’re slurring out another question that has come to your head.

“d’you have a soulmate?”

satoru’s eyes widen under the blindfold. he knows that you’re drunk. that you’re just saying things. but your hazy eyes stare up at him with a glint that makes his heart lurch.

and you won’t remember a thing in the morning, right?

before he can answer, you’re out like a light.

you wake up in the morning with a splitting headache.

with a groan, you sit up in what seems to be a bed that seems way to be to be your own, legs kicking the sheets that had been draped over you in alarm.

you have no idea where you are, but there’s a glass of water along with some painkillers on the nightstand beside you, which you down gratefully. there’s also the smell of food coming from outside the room.

you can piece two and two together that you’re probably in the home of someone you know.. your brain racks for information of what had happened last night but it’s only causing it to ache even more.

gojo.

you shake your head and make your way to what seems to be the bathroom to tidy yourself up. you notice that your’re still clad in your clothes of last night, so gojo had done the courtesy of tucking you in.

after you’re done, you take a deep breath and head outside.

you navigate your way down the hallway and follow the smell of food. as you turn the corner, you catch the sight of satoru in the kitchen. not that you doubted that the greatest sorcerer could cook, but for some reason, he looks so domestic.

he’s simply wearing sweats and a loose fitting shirt, your back turned to you as he tends to the stove, but the mere sight of it has your heart leaping into your throat. you have a feeling that it’s a sight meant for you, for you to see.

you don’t no how long you stand there, but suddenly a laugh rings through the kitchen from satoru teasingly. “take a picture, sweetheart, it’ll last longer.”

you yelp, embarrassed. (sweetheart? you try not to think about it, but you hate the way it makes your heart leap again. he’s just.. messing with you.) “erm.. sorry. good morning, gojo.” you approach the kitchen and take a seat at the counter.

when he finally turns to you, he’s not wearing his usual black blindfold, but instead what seems to be white bandages. you haven’t seen it on him before, but you don’t comment on it though.

he says good morning back before serving you some food, which you thank him for gratefully. “thank you for the painkillers too. i didn’t do anything embarrassing last night, did i?” you inquire, half jokingly.

you try to remember what had happened last night, but your memories are still a bit hazy. all you can recall is talking with him about things and staring at him. (you’re not going to tell him that though.)

“nah,” he waves off, “just told me your darkest secrets, s'all.”

you straighten up. “what?”

“kidding, kidding!” he snickers.

you groan and drag your plate to you. “i didn’t know you could cook.”

satoru looks mildly offended, emitting a dramatic gasp as he waves the spatula at you in a petulant manner. “hey now, i’m no expert. but i can at least make some sort of breakfast.”

(he totally did not look up a tutorial on how to cook for you. definitely not. but he’s a natural at everything, so at least his naturally gifted skill is in his favor this time.)

“thank you, gojo.” a smile tugs at the edges of your mouth.

“satoru.”

“what?”

“c’mon, you’re literally eating breakfast in my kitchen,” he laughs, sliding a mug of coffee (probably with extra cream and sugar because it’s gojo) towards you across the counter. “satoru’s fine.”

you test the name on your tongue, paying little attention to the way it makes the man before you stiffen up as you grab the coffee. “satoru.. thanks, satoru.” you think you can get used to saying that.

(he does too.)

satoru turns away back to the stove. “you’re welcome.”

“hey satoru, what did you say what you wanted again? i’m thinking bubble tea but i dunno..”

he likes the way his name sounds from you.

“uh, satoru? satoru? helloo, earth to gojo satoru? satoru!”

oh.

fuck, he hadn’t realized he had spaced out. gojo lifts his head in a sudden motion, making a surprised noise. he smiles sheepishly. “what’s up?”

“you feeling alright, satoru?” you tilt your head.

keep saying his name.

“awhh, i’m feeling more than alright, sweetheart.” he shoots you a grin, liking the way your eyes reflect the café lights, giving it a warm hue. “i’ll have whatever you’re having.”

“you seem to be in a good mood lately,” megumi points out. ijichi, in the front see, looks at the two of them through the rear view in silent agreement.

(a lot of people have noticed actually.)

gojo pauses, halfway through unwrapping the plastic of a popsicle. it’s the same one he used to consume during his youth, but his taste really hasn’t changed after all this time. “oh?”

the teenager eyes him narrowly. “yeah.”

gojo merely hums and pops the icy treat into his mouth.

“heh, i guess i am.”

you can hear gojo and shoko’s voices coming from the infirmary, causing you to smile absentmindedly. you didn’t think you’d be enjoying their company this much in the recent months—especially satoru’s.

(strangely, it feels so natural to be around him, you can’t help but wonder if he feels the same. you try to write it off as spending so much time together for a while now, but you can’t lie when you say he doesn’t make the stomach churn with butterflies.)

you turn the corner and announce your presence to the two with a smile and wave. you catch sight of them when they glance over to you, noticing something different.

shoko is wearing her usual white coat with a cigarette in hand, but she’s got her hair tied up in a rare bun to keep any strands from her face.

but that’s not what’s different as your gaze strays to the man next to her, the familiar frame of gojo catching you a bit off guard.

he’s wearing his glasses.

you’ve never seen him wear anything but his blindfold.

how does he look even more breathtaking than without it? you can’t see his eyes still, no—it’s a deep, deep shade of blue that still blocks his gaze from anyone else. but it’s a more casual look, seeing as his hair isn’t being help up and a few strands fall down and you can see his sharp facial features a bit more and-

and then he’s gone.

you audibly make a sound of confusion and hurt, because one moment he’s there and the next he’s no where to be seen. he had vanished without a single world.

he’s fucking avoiding you again; the realization of it makes your throat close up. after all you had been through with satoru.

“what the fuck was that?”

shoko stares at the space gojo had just been standing, just as lost as you.

there’s a distance between the two of you again. it’s painstakingly familiar to when you had first met gojo and he had kept himself strictly professional with you.

and you don’t know why.

it’s back to the cold shoulder from him; you’re seeing him less and less around campus, and those times where you did hang out off duty are practically a thing of the past now.

satoru is going to be the death of you one day, you’re sure of it.

and you and satoru aren’t even.. a thing.

then again, you’re not even sure what you are. you’re friends, yes, that’s much more than clear, but why does it feel so much more intimate than that despite the fact that the two of you have never even done anything?

however.. a part of you knows that you want more. more of those days lying in the grass with him, more of those mornings eating breakfast with him in his home, more of those afternoon café runs, more of everything with satoru.

is that why does it hurts so much now that he’s pushed you away again?

satoru is praying that you’re not in there with shoko as he approaches the infirmary a week later. she had called him over, and though he could’ve easily refused, he found himself obliging anyway.

“hey, what was that the other day?”

shoko is blunt and straight to the point once he arrived, striking him with a petulant and expectant gaze with her tired eyes.

gojo blinks innocently, tilting his head at shoko. “what was what?”

shoko then rolls her eyes. “you know what i’m talking about. what was that. you just- walked out like they we’re going to kill you or something.”

that’s the thing. you just might.

the white-haired man frowns and continues to feign innocence. he’s starting to wonder why he bothered coming here. “i have no idea what you’re talking about.”

his avoidance causes shoko to frown as well and she crosses her arms. “you’re doing the same thing that you did with them when they first joined here.”

when he doesn’t say anything, she continues, “avoiding them, pushing them away. i thought you didn’t have any problems with them. at this point, make up your mind because you’re just toying with their feelings and it’s not going to-”

“we’re soulmates,” satoru blurts out.

shoko is cut off, staring at him all wide-eyed for once. “you’re kidding.”

satoru falters. “i’m not. s’why i always wear the blindfold. and that’s why i.. i ran that night. just my glasses was too risky.”

what if he had angled his head the wrong way, what if you saw his eyes, what if you finally realized that you were fated to be together at the whims of the universe? he couldn’t do that to you.

“how long have you-”

“since we first met. i.. i could see it because of six eyes,” he explains, running a hand through his hair. “i don’t know why. i didn’t think i could have another one after-”

the two fall quiet at the mention of suguru, a heavy feeling hanging in the air between them.

“what are you going to do?” shoko asks quietly.

satoru sounds wrecked. “..i don’t know.”

“well.” shoko smushes her cigarette against the surface of the metal table. “you better do something before it’s too late.”

unfortunately, the higher ups have also noticed.

(the push and pull that has been going on between the pride of the gojo clan and a random transferred sorcerer from kyoto. nothing goes unseen by their tight hold on jujutsu society.)

and you are none the wiser when you’re an assigned a mission late so at night, at a secluded edge of tokyo. you would’ve questioned it, but after looking over the details, it seems easy enough since it was a low level curse.

ijichi drops you off near the location and bids you luck. the night is dark, with the shape of the moon only peaking out every now and then due to the clouds to offer minimum light, and then the veil is coming up.

it’s fine though, as you start walking to get this over with. the faster, the better.

what the fuck? the cursed energy here is much stronger than you had anticipated, almost as if it’s suffocating. now uneasy, you continue your search with more caution.

a low growl sounds from somewhere behind you, and you turn on heel to brace yourself in case the curse decides to catch you off guard with an unexpected attack.

your heart drops.

it’s a grade one curse.

something’s not right.

satoru can feel it. he can sense it in the air. something is lingering, a presence that makes even him feel uneasy, and he doesn’t know why. nothing makes him feel uneasy. but it’s a gut feeling, it’s the bond tugging and tugging and-

you.

something’s not right.

and then gojo is teleporting and finding ijichi in record time, giving the poor man a scare. gojo’s voice is on edge and leaves no room for argument as he demands the assistant director where he had driven you minutes prior. the veil still stands, undisturbed.

fuck, fuck, fuck- shoko was right. he should’ve done something before it was too late, because now it might actually be too late as he steps through the veil.

it’s too quiet for his liking, but the lingering silence only lasts for a few heartbeats before he hears you scream.

you’re going to die.

you don’t want to think that, but you’re definitely not going to make it out of this unscathed as you dodge the curse’s scarily accurate attacks, as if it knows where you’re going to move and land.

the curse screeches out something ugly, and you’re too stunned to react in time as one of its malformed limbs swings down with a speed that you can’t comprehend.

your throat cries for help even as the air out of your lungs, but then there’s the sudden brilliant flash of red that blinds your vision.

satoru?

you can’t see and your body aches everywhere while the sounds of the curse fade out. it’s replaced by the sound of someone speaking frantically. it is satoru as he crouches down at you, hands coming to lift you up gently. his infinity is off. “hey, hey it’s me,” he voices, “it’s me, sweetheart.”

satoru, it’s satoru. satoru is here.

you emit a sigh of relief, cloudy vision gradually focusing. you try and focus it on satoru, tracing over his features repeatedly, trying to engrave it into your memory.

“shit. those damn higher ups,” gojo grits his teeth into an angered scowl. the higher ups? were they behind this? you don’t know, but you know that you’ve ever seen him this furious before. “i am going to rip those old geezers apart limb from li-”

“satoru, we need to head back.”

he looks dazed, tufts of snowy hair now hanging a bit loosely over his blindfold compared to when it’s normally pushed upright. he even sounds dazed, the great gojo satoru, when he says, “yeah. yeah, okay.”

he’s holding on to you tight and suddenly everything seems to get blurry for less than a second before you blink. you realize he’s teleported you both not to the school, not to shoko’s infirmary, but to his penthouse.

the interior is at least familiar: white walls, a little messy, a couple of decorations, and—

“my place,” he clarifies, as if he had read your thoughts. he sets you down on his couch, uncaring if you’re staining the color of the cushions. but he doesn’t let go, hands still cradling your form so tight that you don’t know if you’re still shaking or that he is.

“are you okay?” you utter out weakly and scan him for any injuries while clutching at his arms, which is ridiculous because he’s untouchable. but you’re not in the right mind right now, and you have a feeling he isn’t either.

“i should be the one asking you that,” he retorts, and you also have the feeling he’s doing the same thing with you with the help of his six eyes.

“i’m alright,” you try to reassure him with a small shake of your head. it only aids you in wincing, but the pain is the last thing on your mind. especially with him here. “it’s fine.”

“it’s not fine,” he argues, his hold tightening even more on you, if that was even possible. is that a slight tremor in his voice? “you almost died.”

“and why do you care?” it’s not a malicious question from you. it’s more of confusion, of genuine. after all you’ve been through with satoru, you’re not sure where he stands. what he feels.

he seems startled by your question, like he can’t believe you could ask such a thing. “of course i care! why-”

you clench your fists in your lap, eyes tracing over his face repeatedly. “i don’t know what you want anymore from me, satoru! you’re not- you’re not telling me the truth.”

“i didn’t want to hurt you,” he tells you hoarsely. god, you wish you could see what he’s thinking. what’s going on in that head of his.

“you did hurt me.”

gojo trembles. “i know.”

“you seem to know a lot of things.” your voice sounds tired. your hand goes to rest on his chest, where you can faintly feel his heartbeat underneath. (oh, to be the only one who can touch gojo satoru like this.) “what are you hiding from me?”

“i can’t hide anything from you.” he draws a slow intake of breath. he then whispers,

“but how am i supposed to tell you that we’re soulmates?”

your heart skips a beat.

gojo satoru is your soulmate?

astonished, you now stare at him with wide eyes. “why- why didn’t you tell me??” you ask, voice cracking. to think, all this time, your soulmate had been right there, right beside you, right in front of you.

then it all clicks. his off-standish behavior, his reluctant interactions, his avoidance. his blindfold. he didn’t want you to see his eyes.

he’s known all this time somehow—and oh, oh. his six eyes. your lips part in realization as you stare hard, as if you could see his damned eyes beneath the cloth that hides you from the truth.

“i thought that if you knew that we were soulmates, you’d-” satoru shakes his head. “something always happens to the people i love.” he hesitates, “you still have a chance. you can find someone else.”

“what if i don’t want someone else??” you say out softly in protest, gripping the lapels of his uniform.

gojo shakes his head again. despite this, he doesn’t let you go. like he can’t, like he doesn’t want to. “we’re not bonded yet,” he says your name shakily, “please.”

still gripping the collar of his uniform, you tug him closer to you desperately. it’s so clear, so obvious that he wanted this.

“satoru, have you thought about what i wanted?” you breathe out, feeling tears well up in your eyes, “that maybe, there’s a chance that i want to take the risk? that i want to be bonded to you?”

your eyes flicker down to his lips momentarily. “that i want you too?”

satoru’s breath stutters.

“you haven’t seen my eyes.”

you cup satoru’s face in your hands, swiping your thumb under the space where his eye is hidden with a fierce tenderness that makes him listen.

“satoru, i didn’t need to see your eyes to fall in love with you.”

your confession has him stilling.

(all the times he had stiffened up in your presence, he had been falling for you, bit by bit. you know that now.)

his hand comes to cover yours, the one that’s still resting on his cheek, fingers smoothing over your knuckles. and then his hand continues to go up, up, up, and-

he tugs the blindfold up and over his head, revealing his eyes to you at last.

his eyes are gorgeous, a blue that seems to spill into your vision and take over your senses. a blue that you can get lost in, a blue that reminds you of the summer sky, a blue that tethers your soul to his, and you both can feel it.

the bond between you is so electrifying that you nearly forget how to breathe.

and then satoru is surging forward, closer, even closer, until your breath is his and you forget how to breathe for a whole different reason entirely.

he’s kissing you.

he kisses you like you might disappear right before him, his head angling into yours to capture your lips with a force that makes your world spin.

and you return it tenfold, one hand still cradling his face while the other sneaks to dig its fingers into his undercut, and he’s making a noise into your mouth with fervor.

you’re all too aware of his heat against you, the frantic touches he’s now giving into as he draws you closer. the surface of the sofa dissipates into nothingness and then-

suddenly he’s teleporting you both again—or maybe he’s kissing you dizzy. but you realize you’re now in space that’s not overly familiar with you, but you can tell it’s most likely his bedroom based off of the feel of the lush satin sheets underneath you.

less than an hour ago you were fighting for your life, and now you’re fighting for your life on gojo satoru’s bed.

“satoru, s’toru, wait-” you’re gasping for air, for something as he engulfs you with his presence. he’s everywhere all at once, and it feels as if the bond is intensifying everything he’s doing to you.

“nuh uh. think we’ve both waited long enough for this, baby,” he gasps against your lips, like it’s impossible to be separated from you again, “don’t know how much i wanted this, wanted you. drove me crazy.”

his words makes your head all fuzzy. you don’t even know if it’s the bond anymore, or just the way he makes you feel. maybe even both. your lungs feeling like they’re burning, but even then, you manage to get out,

“you have me, ‘toru, you have me.”

“yeah?” when he pulls back, it’s not even a few inches, his nose brushing against yours. his alluring eyes glimmer in the darkness of the room, and you’re almost so mad that you feel like kissing him again because he’s kept them from you for so long.

your hands hook over his neck again. when your fingers run over his undercut again, you can actually feel him shiver, causing you to giggle in delight. “yeah, ‘toru.”

“yeah, pretty,” he sighs out and he’s losing himself in everything that is you once more so willingly. your eyes, your very being, compels him to give you everything, so he does. “y’have me too. all of me.”

his confession rings through your ears before he’s kissing you again, kissing you breathless. it’s a blur on what happens next; feverish touches and passionate symphonies, but one thing’s for sure,

the magnetic glow of his eyes in the dark of that night is something that you’ll never forget.

as your stir amongst the tousled bedsheets, you can feel the warmth of a certain someone creeping over you, like a cozy cat searching for cuddles.

your eyes peer open to meet the blurry sight of the ceiling, along with the sight of messy white hair tickling your chin.

“good morning to you, sweetheart,” a voice says cheekily, followed by cascading kisses down your jawline, prompting you to giggle softly.

you watch sunlight spill over into the bedroom, engulfing the man above you in an angelic glow as he finally pulls back to look down at you.

so maybe you didn’t fall in love at first sight with gojo satoru.

that’s okay.

cause as you stare up into your soulmate’s pretty ceruleans in the morning light, you think you can fall in love with him like this a little more.

BONUS!

“you owe me.”

nanami drags a hand over his face as he digs into his pocket for his wallet. “this is the first and last time i make a bet with you,” he grumbles.

shoko merely smirks. “you have such little faith in gojo.”

“bet or not, can we go back to before they were together?” nanami looks like he’s close to investing in a pair of one of gojo’s glasses that can block any normal person’s vision.

satoru is clinging onto you like a sloth.

“babyyyyy,” your boyfriend whines, resting his chin on your shoulder with his arms wrapped around your torso. you can’t help but giggle, endeared by his clinginess. (he had claimed it was to make up for the way he had acted in the past and for lost time.)

he’s like another part of you now. not that you mind. being his soulmate is everything and more—from the tender touches to the passionate ones, to the talks of everything: to the mundane to the serious. after all, your soul is his, and his soul is yours.

(and then his hands are sneaking off to places they shouldn’t be.)

“‘toru, not here!”

nanami heaves out another sigh as his hand comes to pinch the bridge of his nose. “is it too late to quit being a sorcerer again?”

TAGLIST : @spn-obession , @deepestartisanhumanoidshark , @scarasw1f3 , @kalopsia-flaneur , @90s-belladonna , @peachipeachy , @chrystinaamanda , @kalulakunundrum , @hunnyheavenn , @dekusdante , @dontmindmelove , @cherries-lostgirls , @rv19 , @etherealstarlightqueen

+ a/n: this fic ended up being way no longer than i expected omg.. but thanks to all who asked to be on the taglist !! some didnt work so im sorry about that </3

like this fic? feel free to go ahead and check out my other works here! -> masterlist

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[moonastro]

Juno persona chart

venus in the houses

what is a juno persona chart? looking into juno persona chart gives more detailed insight of how the relationship and marriage overall of you and your spouse will be like. it also describes them in a sense as well. The Greek Goddess Juno is described to rule over love and marriage and hence why the asteroid is looked into for that theme.

venus represents beauty, aesthetics and values. within the juno persona chart, venus signifies the love within the marriage, relationship style and the beauty that comes along in the marriage.

reminder: this is my interpretation from observations and first hand experiences, so don't take this to heart.

**also this can also be used for signs as well, for example if venus in persona chart is in sagittarius, read what applies to the 9th house as it may resonate as well.

venus in 1st house: lots of embodying of one another. quite literal the definition of worshiping your partner. this placements loves their partners independence, courage and fiery aura. this placement is very protective and encouraging of their partner, they act as if they are their soldier, their guard. are quick to act upon when their spouse needs attention of any kind, are always willing to put their partner first. this placement may love how their partner matches their vibe very well but keeping their identity and staying true to themselves at the same time. they lovee their partner body, yes the appearance may play a big part here also and loving how their spouse looks and presents themselves but its more how they do it and not what they see at that moment if that makes sense.

spouse can have natal venus in aries, 1st house, fire sign or fire house.

venus in 2nd house: this placements way of showing love to their spouse can be by cooking a home cooked meal, buying tiny meaningful gifts to them also. can also be by organising a comfort space for their loved one after they are having a bad day or had a hard day at work. the aesthetic of the marriage is very chill, the couple have a comforting aura towards each other, they can be each others comfort space. income is valued amongst themselves and money matters a lot to this placement. this placement may spoil their spouse and may have a mindset of its only acceptable if i spend lots of money on the person that i love in order to show that i truly love them. this placement may value objects and may have a collection of some sort that they keep, perhaps its crystals, books, scarfs, earrings etc etc whatever it is it is very special to this placement and it is very appreciated when others acknowledge their love for objects and even better when someone adds to their collection.

spouse can have natal venus in taurus, 2nd house, earth sign or earth house.

venus in 3rd house: love is very much shown by hobbies and words. lots of words of affirmation 'you look beautiful today', 'i love you' and so on. lots of strolls through the neighbourhood and doing things and spending time within the neighbourhood. for example the couple could easily just go out on a walk around their neighbourhood and go on a creative venture. sharing love through buying latest technologies and sharing some technical skills to each other, it may be internet influenced approaches as well like going online shopping or buying majority of house items from online. the couples may value the arts of writing and their relationship with ones siblings, perhaps this placement has a solid connection with their siblings and may be a big part of their life and perhaps the other also has good relations with their spouses siblings and so forth.

spouse may have natal venus in gemini, 3rd house, air sign or air house.

venus in 4th house: love between the couple is caring, sensitive and very protective. this placement tends to be very protective of their spouse and almost to the point of they'll do anything for them. literally if their spouse gets upset they get upset and want to fix it. nothing is more important to them than them being happy. the couple value their family traditions and most likely will pass it on onto their kids and will make sure to teach their kids the importance of their homeland and heritage. this placement may love how invested their partner is about their ancestry and is always wanting to find themselves. the couple may connect by relating to they way they were brought up and may agree on many things. this placement may have good relations with their family and therefore may appreciate their spouse doing the same. the aesthetic of their home is very important for this placement, it provides not only comfort but a chance for them to create special memories that they'll remember forever and pass it on for generations to come.

spouse may have natal venus in cancer, 4th house, water sign or water house.

venus in 5th house: this placement may love how fun, independent, well spoken and creative their spouse is. the love between the couple are seen by many, they are not afraid to show their love to each other in public and are proud to show off their partner to other people. the aesthetics in this relationship may be part of an entertainment business, lots of creativity in this marriage, arts, singing, dancing, writing, anything that requires to be creative is valued among each party and may be a very important part of their identity and who they are. this placement enjoys pleasure so expect them to get their way and no other, this placement will do anything in order for them to feel satisfactory and the same goes with their partner, they may want only the best for their partner and will go all out for them to make sure they are happy and satisfied. this placement may enjoy intimacy like no other, being intimate in their eyes is art itself, it connects both parties and this placement may find it beautiful how the whole thing plays out.

spouse may have natal venus in leo, 5th house, fire sign or fire house.

venus in 6th house: this couples way of showing love is definitely through acts of service, this placement is ready to literally do anything for their spouse just to show how much they love them. taking care of their spouse is how they express their love for them for example if they are sick in bed or, if they are back from a long day in work and so forth. this placement may romanticise their lifestyle and put in as much effort into it in order to satisfy their needs and their partners. this also may refer to loving their other half's flaws and insecurities, being in love for who they are and not what they are, not caring what may be wrong with them as others may put it. this placement may provide and show love by factoring lots of labour for their partner also which quite literally can mean that they may perform services for their spouse whether its doing what they ask, going out of their way to do extra work for instance when it may not necessarily be needed.

spouse may have natal venus in virgo, 6th house, earth sign or earth house.

venus in 7th house: the love shared between the couple is romantic, everlasting type of love, the love you see of an long lasting marriage of an elderly couple. the couple may express their love through physical touch like holding hands, hugging, holding onto your arm and so on and anything that requires skin to skin contact. i feel this placement also loves to keep their peace and keep everything within the relationship fair. the aesthetic of the relationship may be very peaceful and full of luxurious items in the home, so the home can be very organised and every single item is picked out precisely to the tee. they love to go out shopping for the tiny luxurious things such as perfume testing or going to shop for artistic supplies. this placement loves when their partner goes all out for them and drops everything for them, the definition of having their full attention.

spouse may have natal venus in libra, 7th house, air sign or air house.

venus in 8th house: love can be shared in secret, i feel like with this placement they show love to each other privately so the public may not see that side of the marriage. the sign its in can tell how the couple may express it privately, so for example in aquarius, there may be lots on and off moments. the couple may get along when it comes to shared money so they may get along more when one one gets a bonus at their work, or if they got extra money and so on. this couple may not be seen in public together either, whether its due to each others work schedule or their routines, most of the time they keep it low. may appreciate when their partner trusts them especially when they open up about their trauma and difficulties in life.

spouse may have natal venus in scorpio, 8th house, water sign or water house.

venus in 9th house: love is shown through interest in topics in what their spouse has to say, for example if they have learned a new thing and they share it with their spouse and this placement is in full attention mode in order to show their full interest in what their other half has to say. this placement reminds me of 'did you know this' and 'did you know that' sort of thing, always sharing what they know to their spouse. this couple may value their higher education and are proud of their success in that field. this placement has a special spot for journeys and if their spouse takes them on a journey they will take that as in that they love them. they love it whenever what they say or teach to their spouse how they use that knowledge and share it with other people, this placement appreciates it and its a sign in their eyes that their partner believes and trusts them.

spouse may have natal venus in sagittarius, 9th house, fire sign or fire house.

venus in 10th house: the couple show their love by working hard and proving themselves to beyond expectations over and over again just to prove how much their spouse means to them. reputation has a lot of value, so this placement will spend lots of money to make sure their partner looks the best and feels the best. they may love it when they are exposed to others and them seeing the love that they have for each other. the couple appreciates the maturity of one another in professional situations, they know when to draw the line when it comes to professional titles. this placement loves and is proud of their partners career choices, they find it very motivating. this couple may like to show off lots, their luxury, their home, their cars, anything that may require competition, they like being on top as it shows their validity as respectful human beings.

spouse may have natal venus in capricorn, 10th house, earth sign or earth house.

venus in 11th house: the love between the two is known amongst social groups, everyone knows them as the couple. this couple may be role models and may be know online (the sign in which venus is in can tell you why, for example if in cancer the internet may view how caring one is for each other and how protective and family oriented they are and so forth). this placement may love how their partner is independent, how different they are from other people so they may feel like they hit the jackpot with their spouse. the relationship may be filled with lots of unconventional things and find beauty in those areas in their lives such as roles that are not usually done in a traditional way, they have their own way of finding the glam and beauty in their marriage, different from the stereotype couples.

spouse may have natal venus in aquarius, 11th house, air sign or air house.

venus in 12th house: the couples way of showing love to each other is dreamy and can make the other nearly read ones mind and make their desires of the way they want to be loved come true which makes it feel like their dreams have came true. but on the other hand there is lots of creativity in this marriage, lots of ethereal aesthetic and lots of desires to make their partners dream come true, so with this placements there is most likely going to be lots of travel surprises such as them buying a ticket and saying to their spouse 'yeah, we are going to this place in two days so get ready' but it might be a dream destination for their spouse. others may view this relationship to be a dream come true, there may be lots of illusions for other people that this marriage is perfect. this placement may love how creative, imaginative and out of this world their spouse is, perhaps their spouse is someone they have always dreamed off and they are the perfect representation of their perfect one.

spouse may have natal venus in pisces, 12th house, water sign or water house.

thank you so much for your time, i hope you have a good day like always>

[ozzgin]

Is it just me or can I imagine a yandere with a darling who’s immune system and possibly everything about them just screams weak and pathetic, BUT their darling is actually very strong mentally and has and will create the most fucked up, batshit crazy inventions from what used to be harmless to something that can help them escape and possibly destroy everything in its path.

But at the end of the day, they become sleepy koalas who hug whoever is near them and fall asleep :)

This could be a request or rant, whatever you can think of! I just wanted to see how different yandere writers would interpret this small imagination of mine <3

But as always, stay safe and take care! everyone needs a break some time to time~

Sorry, but the moment I read the Darling's description, I instantly thought of Dr. Finkelstein from Nightmare Before Christmas. You know, Sally's inventor. 😭 So let me quickly write this down while I'm in my Shelley vibes, because I like the idea a lot. With a little twist, if you don't mind. :)

Yandere! Monster x Inventor! Reader

A frail inventor, and their affectionate rag doll that has been carefully stitched together for the purpose of a caregiver. An artificial existence, trapped within the confines of your lonely tower. Or so you might think.

Content: gender neutral reader, monster romance, obsessive behavior

"I ought to be thy Adam, but I am rather the fallen angel..." [Frankenstein]

You dangle an old, rusty bell for a good minute before leaning back in your chair. The barely audible chimes are quickly swallowed by the loud, mechanical groans of the gears and engines occupying most of this room. No matter, his ears are good. You picked them yourself. And surely enough, within moments, the door to your laboratory opens and someone cautiously walks in.

A tall, slender man. Or rather, something meant to resemble a man. The skin is a clumsy patchwork of blues and grays - you're no talented seamster, sadly - gathering together the body parts in what feels like a parodic attempt at mimicking God and his image. You gaze at the creature approaching you with a tray of tea and sweets. Scarcely your best work, if you must adhere to honesty. Regardless of the quality of your labor at the time of creation, you are proud of the result. How could you not be? You know this man better than you know yourself. Every organ, every artificial nerve cord, every blemish and stitch of his body was placed according to your intentions. A masterfully detailed project that took you years to complete; not an easy feat considering the lamentable state of your health.

"Here's your deadly nightshade tea." The man places a small, porcelain cup on the desk. "Do let me know when I should take you to bed, (Y/N)." You wave your hand dismissively and stretch out your limbs. "Not yet. I am almost finished", you respond, returning to the mound of metal scraps and pipes before you. "Can I ask what you're making?" The pale creature lowers himself to your level, a curious smile plastered on his face. "It's a mechanical heart", you reveal boastfully. "Like the one I have?" You run your hand through the creature's hair affectionately. "Almost. I'm testing out a different way to build the valves, for a more efficient pumping cycle." You continue to explain the intricacies of your novel mechanism, occasionally sipping on your tea. "Who knows, you might have a sibling in the near future."

The man's smile drops in an instant, and his sunken eyes widen at your statement. "What? Am I- am I not enough?" You glance at the creature as he becomes increasingly frantic. "Don't speak nonsense. If it comes out alright, I'll upgrade your own parts as well. I'm a disciple of scientific virtue, of continuous improvement." Nonsense? Vile treachery! You might've chiseled the brain that throbs within the walls of his skull, but his mind is his alone, and you seem to lack a fundamental understanding of his feelings and thoughts. His ardent confessions of love are met with mockingly pitiful grins, in the way a parent soothes a needy child. Even now, your eyes reflect nothing more than sympathy towards his protest. A childish tantrum is what you're most likely thinking. You've no time for emotional bagatelles. He can read you like an open book.

You simply won't understand. There is no place for a stranger in the life he's crafted with his very own hands: you, and him, and the evening tea with a side of butterscotch biscuits, and the bedtime talks, and the stripped branches of the decaying tree that rap at the windows on stormy nights. You might be the Inventor, but he is not just a mere, humble servant, a rag doll to be tossed around or toyed with. As you will soon discover, after all.

You awaken in the midst of night with your temples burning from a much too familiar headache. Although it's not just the pain that has disturbed your slumber. You can hear rattles and thuds coming from the upstairs laboratory. An intruder? Oh, your creations! The sound of glass breaking and metal scraping sends you into spiraling despair. You fumble to reach the nightstand, patting the surface in search for the bell and keys. You shake the handle in a panic, unable to find anything else in the darkness.

The chaotic rustle abruptly stops, followed by descending footsteps. You hold your breath as the chamber door opens, but it's none other than your creature. "Another flare-up? Shall I bring you some medicine?" the man asks with monotonous courtesy. "What have you been doing? What's all that noise?" you demand, agitated, but upon lifting yourself off the mattress you discover your legs are numb and uncooperative. The man hurries to your bed with a worried frown, and you hear the familiar clatter of the keychain coming from one of his pockets. "Have you taken my keys? Cease this foolishness at once!" Indifferent to your reproach, he places a firm hold on your shoulders and forces you back down, tucking you in effortlessly.

"You must forgive my impertinence." he says in a pleading tone. "I do not wish to impede the works of your genius. As your partner, however, it is my duty to prevent you from making mistakes." You furrow your eyebrows at his words. "What mistakes? My invention was flawless!", you argue fervently. "Indeed it was, but not its purpose. What need have you for another being?" It is the creature's turn for a passionate speech. He stands up with a confidence you don't recognize and continues: "You should know by now that I am fit to perform any role. That of your servant, your caregiver, your lover, or anything else you may desire. You can resume your tinkering starting tomorrow, but such blasphemies to our bond as the one today will not be tolerated." He straightens his vest and reaches for the door handle. "I will prepare some tea to help you rest."

Inconceivable. Your own creation, built with your own hands...Has something escaped your attention? His dialogue is deranged, tainted by madness. "Have I done something wrong?" you mumble to yourself, deep in contemplation. "Nonsense." the creature turns to face you briefly. "It was you who created me after all. Everything is perfectly splendid."

[abyssalzones]

can you tell us about your interpretation of the better world universe!!!! especially curious how stan/mystery trio works into it

hell yesssss I definitely can. ABW is maybe my favorite niche gf thing and probably the only "AU" I care about but that may be due to the fact that it's an AU that exists in the canon and we know so little about it. so it has an established foundation that you're left to fill in the details with yourself... it's like a poke bowl to me. you can put anything in there

and since I felt like it here's a bonus pic of them living their best lives pestering ford

[explanation-y stuff under ze cut because I got very longwinded]

as for specifics of how I see everything working out, there's a few key points that establish why things happened differently from canon, the most important being:

Stan agrees to hide journal #3 somewhere

Ford reunites with fiddleford and they begin working together again

both of these are already confirmed in canon, the first being the most obvious "schism" between timelines. literally everything in ABW is the way it is because stan made a different decision. kind of crazy in terms of its implications: I feel like that moment in the basement is a really good example of how stan gets so few opportunities to shape her own life (while ford is in the picture...) because of her role as the 'black sheep' twin. it's not exactly a premeditated decision to push ford into the portal, it's her acting on feelings that have been bubbling unaddressed under the surface for 10-something years at that point, and only then does she have any sort of power over the "narrative" of both her life and the story itself, something that from her pov has been ford's story. and in the canon timeline, she says no.

so like, what the hell made her say yes in ABW's timeline? this question kind of haunts me because I feel like it has to be entirely dependent on what the inside of stan's head looked like at the time. it's possible something influenced her, but overall I think it's more interesting if ford did and said all the exact same things up until this point and it really was entirely dependent on stan's decision internally.

so stan says yes, goes on a big trip to the other side of the world somehow, and buries journal 3 somewhere probably never to be found again. yay! but, uh, going on a trip like ford was suggesting would... take weeks. that would leave ford alone again. and not to have my established thoughts informed by new material or anything but bill did give him 72 hours.

so, next order of business: how in the fuck would ford convince fiddleford to rejoin him??? I'm unsure between journal 3 and tbob's information how ford may have tried to reach out to him but it seems like fiddleford was pretty adamant about staying away from that guy, out of guilt or fear of bill/the portal or both. I don't think logically it would just be a matter of ford calling him enough times or finding out where he lives- and I think that's kind of getting away from the point of why ABW is the way it is too. if stan is suddenly making decisions that are influencing ford's life, I think it would be similarly interesting if fiddleford also possessed some unique autonomy in this scenario.

aka I think ford got fucked up badly (possibly involving losing an eye) and fiddleford found him half-dead while trying to burn his house down. [mabel voice] romance!

to clarify: I don't think fiddleford is obligated to take care of ford. a major part of him leaving the project was finally making the decision to leave a situation that was hurting him, that he'd been staying in entirely because he still cared about ford and felt on some level he could still help him (which gets broken with "I don't need you!") and I think that's a very reasonable decision on his part. but I also do have to think about all the times ford has been "the hero" in situations where fiddleford ends up hurt and helpless because of something traumatizing. I think it'd be fascinating to see that reversed and have fiddleford actively making the difficult, messy decision to take care of that guy even when they're on miserable terms. and so begins like a solid week of these two desperately trying to look out for eachother in a nightmare scenario where one of them probably needs to go to a hospital + keeps getting possessed off and on and the other is going through the worst addiction/withdrawal cycle of his life irt the memory gun. yay! (part of the reason this even works To Me also is heavily informed by the lack of secrets: if fiddleford is actively dressing that guy's wounds he can't really keep it all to himself anymore. crushingly intimate perhaps...)

stan gets back eventually. such is the context of this pic

from there it's a nebulous grab-bag of things I think could happen up to the foundation of the institute.

how do all three of these incredibly fucked up individuals get along? well they don't but then they do.

how do they get bill out of ford's head without performing amateur brain surgery? idk. my best guess is a fiddleford and stan bonding trip into ford's mindscape that potentially helps answer the first question. possibly utilizing the memory gun. shrugs.

what's up with that one picture you drew of parallel fidds holding the memory gun up to ford's head? well. okay that one might or might not be something that actually happened but the idea was just that ford is coping badly with a few specific things and I liked the idea of fiddleford "holding onto" something for him to remember and work through later when he's ready to deal with it, it's an interesting reversal of how he's normally more of a memory sink.

from the point in canon about them stabilizing the portal so that bill can't use it to get into their dimension anymore onward, I think it just becomes a matter of them living the lives they could've always had in canon without realizing it. hence "a better world." some cool tidbits I like to think about:

stan gets to transition much earlier (late 1990's perhaps?) and probably starts going by "lee" instead

she's also the institute's CMO and is mostly in it for going on business trips abroad with ford. and the money. obviously.

the institute probably also legitimately changes the world on a sociopolitical scale outside of just interdimensional travel since their research renders them uniquely untouchable and all three of them are trans (I'm cartoon logic-ing a little bit here just let me have this one)

ford is the eccentric bill nye esque face of the company, fiddleford is the backbone. that isn't to say ford doesn't do anything as I think he'd always moreso be in it for the science than the fame (though it is nice to be more than comfortable financially) but it's an open secret fiddleford keeps tabs on literally everything, he's still very security-oriented.

the northwest family now has a more prominent ongoing rivalry with the pines family that could be very funny to think about. they've taken all the LOGGING JOBS with their damn SCIENCE

part of the reason I thought ford should lose an eye is because I think having him wear an eyepatch would be a neat way to parallel stan's "role" as mr. mystery visually! stan wears an eyepatch for no legitimate reason to keep up appearances as a schlocky tourist trap host, but it also alludes to her being more than she seems under the surface. ford's eyepatch does sort of have a legitimate reason to exist, but he also could just wear his glass eye and it would probably be less "conspicuous." he chooses the eyepatch instead because it's part of his image as Stanford Pines, Founder of Oddology, and because it keeps him safe. there's also a little residual scarring there from damage to his eyelid/tarsal plate which could easily represent him hiding the more "damaged" aspects of himself under his successes. ouch.

I'm unsure if ford and stan would ever feel comfortable getting back in touch with their parents. I know a lot of people go that route with fan material but I don't think they should have to. I think they're much happier now having healed the rift between them on their own and getting to live successful lives for themselves, rather than to prove something to their father.

that being said I do think fiddleford gets in touch with emma-may and his son again and they end up on better terms with time and a Lot of effort. tate's family is now composed of his father, mother, "uncle" ford (in the ye olde gay closeted sense of referring to your dad's partner as an uncle), and auntie lee, and I like to think they go out on trips to the lake together often :]

also ford and fiddleford tie the knot unofficially (in the eyes of the government anyway) in 1990. owed to stan somehow getting "ordained" as a rabbi. don't ask me how.

the pines twins start visiting the institute from a younger age than they do irt visiting stan in the show-- but they're only permitted to come along on heavily-supervised interdimensional excursions once they turn 12. cue antics!

anyway, hopefully this extremely longwinded and loosely structured mess helped answer your question. I like ABW sooo so so much you guys