Clockwork would openly admit that he couldn’t see Danny’s timelines. Not since the moment he stepped into that portal and became something more. A child of Infinity, of the very Realms itself.
But he’ll also admit that it always meant that the child surprised him all the time. This just happened to be a startling surprise, and an admittedly amusing one, even if Danny was openly complaining about the situation.
“It’s not fair! You have to be able to fix this, right? Right?!” the ghostling, quite literally now, practically yanked at his cloak. “Clockwork, I was going to graduate, I can’t be two! Please, you’re the master of Time, you can fix this right!?”
No, no he could not, seeing as young Daniel was in fact, immune to timeline machinations, doubly so for his own. To the ghostling’s open distress, which he did his best to soothe. What he could do instead, was stop time in his home dimension, and instead let him age back up again.
Which the young halfa wasn’t happy about, but it was the best thing they had, so Clockwork supposed he had a ghostling now. A tiny adorable ghostling who kept pouting each time his much younger body had any sort of effect on his behavior.
He’d never exactly had a ghostling before, nevermind one who was part human, but he would admit he honestly was enjoying it. Most time was spent alone, something he hadn’t realized until Danny ended up crashing into his unlife.
Honestly he would openly admit that he absolutely adored his little ghostling. Who was now around four, at least physically, and had gotten into the adorable habit of curling up in the pendulum in his chest. Which was honestly the safest spot in Long Now, he’d admit.
The singular issue however, with this habit, was that when someone attempted to summon him, they got his ghostling as well. And well, normally he could very much control himself for these summonings that happened every few hundred or so years, but well. There was a reason why even the Observants had stopped popping in the moment they realized he had a ghostling.
Nesting ghosts do not mess around should they feel one is messing with their very vulnerable child, and really it’s not his fault the mortal cultists woke up and startled Danny. Perhaps deleting them from the timeline was a bit too far, if the other mortals rapid paling was to go by, but oh well.
arthur and john's relationship is built on codependence and working together because there's no other choice, but it's also a lot about arthur projecting onto john. arthur considers himself a failure as a person, but now he has a chance to prove that someone evil can actively choose to be better. he believes that if john can be saved, so can he. if john can be redeemed, so can he. that's why he tries, at every possible turn, to push john to be better. that's also why, whenever john takes a few steps back in progress, it has such an intense effect on arthur. because he wants to save john.
because if he can save john, he'll finally have proven to himself that he can be saved too.
I miiiight color this properly but have a funky soul design i did for fun :}
[close up + a small text about the guy below and then some]
While it is mainly just for fun & not my main design for Soul, i think Soul's form would change throughout Cacophony a fair amount. There's still some things it cant change but depending on its view on himself, Heart & Mind, or Whole would alter how his apperance looks. Not necessarily a bad thing either, just a form on how he feels or views himself. Kinda like when you make a persona i guess? He just swaps a lot between them.
Also smaller thing being that it's "tail" can change as well! More obvious being the relation to the instrumental album cover but also it can changed into other things as well. An Umbrella for Spring and a Storm, a gavel for parts of Mucka Blucka, TSE & The Bidding, or it being one of those bid cards youd hold up to bid your amount [also during The Bidding]. Can also change to the trident during TSE & The Bidding too, the red guitar in Two Wuv as well. Just generally whatever he want/feels like!
Hellooo i saw that you were asking for asks (that sounds funny) and I wanna know some of your hcs on Kevin and Allison being besties/ kevjean relationship
This is my chance to finally share some Allison/Kevin hcs so I'm gonna seize this opportunity with both hands and give you this total MESS of a brain dump
- Allison is the only fox that doesn't make fun of Kevin's eating habits. Kevin KNOWS his relationship with food is fucked up because of the nest and Allison knows it too, so she refuses to make bets or make fun of the way that he eats. Kevin only realised because she once tried to quietly tell Nicky to knock it off when he was pushing Kevin to have dessert or making fun of what he'd decided to have instead.
- Kevin also knows not to talk about the numbers or macros in front of her, too. They have a weird unspoken mutual respect RE: food and they both appreciate each others efforts on that front without ever actually mentioning it. they also have a gesture for each other that's code for "i want a snack do you have anything" and they'll throw each other protein bars if they're out/on a long bus journey etc.
- they are the BEST drinking buddies. Whenever the team starts drinking/partying/clubbing more together post-TKM, they are literally CHILDREN when they're drunk together. Kevin gets tired of the monsters being boring when they go out and there's only so much dancing he can do with just Nicky and Aaron alone. So Allison pulls him up to the bar one night to do a tequila shot, and they literally have the most unexpectedly fun night ever. Kevin loosens up a whole lot without the threat of Riko etc post tkm, and when I tell you he is such a fun drunk. now he doesn't really drink THAT much during the season but off-season? oh he's a party animal. I could write thousands of words about him and Allison getting drunk together and becoming literal best friends as soon as they have a drop of alcohol in their systems but here's some things I think they've done drunk
stole a shopping cart and sat in it as they pushed each other down the road in it (and fallen out of it and laughed so fucking hard) ((but were bruised up as fuck the next day because of it)
he's sat her on his shoulders - while dan sits on matt's - as the two girls try to push the other one off
he's really easily convinced to do things by her. another shot? sure. and another shot IMMEDIATELY after that? alrighty! karaoke? well, okay. jockeyback? stealing traffic cones? pulling pranks and fucking with the other foxes? acting like actual teenagers? okidokie!
she's probably the only person in the world who has successfully convinced kevin day to sing
he holds back her hair if she has to puke
she convinced him to let her do his makeup once. full glam. like a serious look, fully beat, full coverage look. there's a picture out there somewhere of it that she saves for blackmail.
fucked. make out sometimes. strip poker. they dance together :)
he never lets her walk alone anywhere when she's drunk. if she can't find one of the girls to accompany her to the bathroom at a party she'll take him.
she's taught him full dance routines
she was joking that there's no way the raven warmups could be that different to theirs, and bet him that she'd be able to do them without breaking a sweat (he won)
they've both ugly drunk cried in front of each other (but they never talk about that sober)
she's pretty light so he's bench pressed her before
- They know each others drink orders/favourite shots
- if Allison is out, say she's with her friends and not with the foxes, and she has to wait alone for a taxi or walk somewhere alone, she'll call him and he'll stay on the phone with her until she's safe
- They make fun of each other and bully each other like there's no tomorrow (affectionate). the whole "Allison hates Kevin" thing WAS true for a while, but once they get closer, she just pretends to hate him. he's like an annoying brother to her
- Allison is really easily frightened, and Kevin thinks it's funny to scare her. she's never safe walking around a corner or into a room if Kevin is there and in a good mood.
- they're not BEST FRIENDS. like they're not in each others pocket all the time and laughing and joking ALL THE TIME but she can read him like a book. she knows when he's having an off day, or thinking about something too much.
- She also knows when he's being serious and when not to joke around. She knows when he doesn't want cheering up or to joke about something and knows when to back off. The same with him - he knows when she's having a mood that requires being cheered up, or a mood that requires him to leave her the fuck alone.
- He's a big reason why she puts a whole lot more of herself into Exy post tkm. She's always been invested, but once they talk more, and they consider each other friends, she listens to him talking about Exy and it really clicks for her. his dedication. and also how fucking talented he really is. She doesn't do the night training with him but they'll occasionally go to the gym together or start practice a half an hour early to run some basic raven drills.
- They're iconic when they get together to do press after games. they bounce off each other like nothing else. they're just so funny. and he's also like andy murray in that he will ALWAYS defend her, dan, and renee's talent if interviewers start to focus more on him instead of the girls. he'll step in if an interviewer says something shitty or misogynistic. she LOVES directing objectifying and misogynistic questions his way.
- She calls him a bitch and makes fun of him for being a nepo baby. He calls her an asshole and makes fun of her for being a rich kid.
- Have gone to banquets as each others date.
that's just a few random thoughts off the top of my head but yes. Allison and Kevin. Literally the only Two Pretty Best Friends ever to exist.
actually, one thought real quick: I think it’s so interesting that Mary and Anne were basically literally Calico Jack but doubled, and somehow perhaps even more chaotic…and just like with Jack, the contrast was a catalyst that ultimately brought Stede and Ed closer together as a unit. something about that lifestyle that really makes not only their love but also their compatibility clear, even when Ed is too afraid and vulnerable to admit it.
love how this time around, Ed and Stede left together. Ed knows who he wants to be with now—finally knows he can have real, by-definition friends whose prerogatives aren’t just obliterating armoires and making everyone around them as uncomfortable as humanly possible (and that he can finally close the door on that part of himself too).
ending this thought with “Do you see me now?” vs. “I love everything about you.” because Ed’s also finally learning that at the end of the day, the people he wants to be around the most are those he can be content to just breathe the same air with—and that he is loved unconditionally, this wildfire of a past on full display and Stede’s love still unequivocally remaining.
h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work
unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion
Seeing Silver cry about how much he hates himself and how he thinks Lilia and Malleus and Sebek shouldn’t love him is so fucking sad he doesn’t deserve any of this
"it didnt matter to you that i had nothing outside of the life that we shared" takes up valuable real estate in my mind. not even from a fic, dick just said that shit canonically to bruces face and its keeping me awake at night!! like i couldnt even come up with a more devastating line if i tried, this fucked up bastard i swear...
Anyone else find it weird that Alastor, the Radio Demon, made a television commercial even though it’s been stated that he doesn't like modern technology?
I’ll say this: it would’ve been a nice opportunity to see him do the same commercial (as a radio broadcast) inside his station. Him being an old-timey or into radio seemed to be a part of his character and what contributes to his rivalry with Vox.
ok. migi & dali opening. i am going to talk about it now.
throughout the opening we see so many Things. the entire series up until the second to last episode, i hadn't paid that close attention to it because god that song is a banger and honestly i was more focused on the music than the animation, despite being captivated by it every episode. but that episode for some reason. i paid more attention that time and had some Realizations.
one question i've had every single time the opening has played has been "why does one of them take the cherry pie and the other does not?" throughout the opening the two of them are seen doing the same things, effectively mirroring each other, which makes sense considering it was most of the plot for the first few episodes, so i really didn't think about it too much. but with that pattern established, it's extremely strange when, at the end, one of them strays from the shared course of action to take one of the slices of cherry pie that's sitting on the chairs.
another thing i noticed when i actually paid attention was that the one in the shadows in all their activities is always dali.
and if that's not enough, we have this shot of migi and dali as sun and moon respectively, and i think we all have enough media literacy to understand the implications of that.
then we have this shot of them, showing migi floating higher and dali sinking lower.
all of these screenshots to say that the opening animation tells us exactly what the series, or at least the part that the anime currently covers, is about at its core. we see it in the series time and time again as these two try to make their way through the world.
migi is portrayed in the series as somewhat childish, frequently to a fault - generally more hopeful in what he believes, which shows in his actions and the way he interacts with others in a genuine way. dali is severe and bitter, much more driven by the idea of getting revenge for their mother, seemingly just for the sake of it at this point, and being willing to do it at any cost because he doesn't value anything other than his brother.
migi sees the good in things and, while still helping dali with their shared goal, is genuinely enjoying his life with this family and in this town. dali, on the other hand, is dedicating everything he has to their goal, not caring or bothering to invest any part of himself into anything else. (this is portrayed also by migi being in the light, enjoying the activities he's doing, and dali being in the shadows, spending all his time trying to solve their mystery.)
this conflict of priority between them results in the fight they have in episode 9. a showdown between hope and despair, over a bike in a river, all as a result of migi's off-comment about wanting to eat cherry pie again.
and now the bike. they state this explicitly in the dialogue, but it's the first gift migi has ever gotten. so when dali throws it in, he does not hesitate even a little bit to jump in and get it. the bike is meaningless to dali - just another thing to toss and discard for the sake of moving forward. he gives up on everything so easily because he never bothered getting attached in the first place. he's so quickly ready to abandon anything and everything aside from migi. there's no way that he can be happy like that and migi knows that. migi is all he has and they both know that.
the jealousy he expresses is just jealousy that migi is able to find happiness and value in things other than him while he's unable to do the same, as a result of his bitterness and his fixation on finding their mother's killer. he's jealous that migi is growing closer to other people and making connections that are important enough to him that he's not willing to just throw them away with the toss of a bike.
so he takes his brother down. he forces his head underwater, and asks if he's still thinking about that cherry pie (THIS LINE IS SO FUCKING GOOD!!!!!!!!!!!). he tries to drag migi down with him into his own despair, tries to convince migi that his beloved cherry pie isn't really all that important. that it's not worth as much as migi's acting like it is.
he tries to literally beat the hope out of migi. he is so desperate to be hopeless that he beats the shit out of his brother over and over about it.
but, of course, that would never be enough to stop him.
and we're back to the cherry pie. dali finally caves and agrees to go back and try to sort things out, not because it's what he thinks is best for their safety, but because it's what migi wants for his happiness. he realizes that he'll only continue to hurt migi if he pushes his own cynicism on him and forces him to leave everything behind, since he had the guts to get attached. even though dali doesn't really understand the value of the cherry pie, he sees how much it matters to his brother. he sees his resolve to experience those small moments of happiness again.
the cherry pie is taken from migi's side of the shot.
throughout the entire story, migi has been the one to see the value in the simple things, like taking walks with the dog, having friends to hang out with and do wacky bird shit with, riding a bike, and eating cherry pie together. he is not afraid to experience joy and is willing to fight for it, for both him and his brother, even if his brother doesn't see the value in it quite yet.
migi will see the good in things. he will have hope for the future. and he will take the cherry pie.