#park ji yong

[seamayweed]

Woo Do-hwan & Park Seo-joon in The Divine Fury (2019)

[ID in ALT]

[tachineko]

Semantic Error (2022) Ep. 6 // The New Employee (2023) Ep. 3

[scenesandscreens]

Decision to Leave (2022)

Director - Park Chan-wook, Cinematography - Kim Ji-yong

"The moment you said you loved me, your love is over. The moment your love ends, my love begins."

[gaymer-hag-stan]

On the 6th of April, thirteen years ago, KARA released their third Japanese single, "Jet Coaster Love".

The title track is a catchy, upbeat track with elements of pop and electronic dance music. The lyrics depict a playful and flirtatious narrative, likening the experience of falling in love to the precision and excitement of riding a "jet (roller) coaster".

[randomrichards]

SYMPATHY FOR MR. VENGEANCE:

Desperate deaf man

Kidnaps ex-bosses’ daughter

Causes many deaths

[binging-asian-dramas]

Never Twice. 8.5

Story: 8

Acting: 10

Chemistry: 10

Comparable to: Beautiful Love, Wonderful Life, (kdrama) ;Homemade Love Story (kdrama)

It’s a family story drama with 72 episodes (32min long). Is it worthwhile watching. Absolutely. It’s hella melodramatic though, so keep that in mind going in. You have a corrupt family, a somewhat vengeful widow, a suicidal couple, a golfer, two adults nearing their 50s who act like they’re in their 20s and a cute older couple. It can get a bit bonkers at times especially towards the later half, the ending had me rolling my eyes on how everyone ended up in one big happy family. And I mean EVERYONE. It’s still a really nice drama even with its ups and downs especially with the main leads who had a beautiful storyline that was written brilliantly for them. I mean the chemistry between the two. *chefs kiss*

[theinfinitedivides]

k so just found out they're all married? like this is their ceremony they're signing the documents? congratulations to the polycule ig can i get you any rings or something like that any honeymoon funds

[speakingparts]

DECISION TO LEAVE

헤어질 결심

Park Chan-Wook, 2022

[supercalifragipopculturevomit]

CINEMATOGRAPHY SPOTLIGHT:

Decision to Leave (2022) Director Park Chan-wook Cinematographer Kim Ji-yong Starring Tang Wei and Park Hae-il

Went on with most of my life not knowing—or wondering—what it must be like to look through a dead person's milky bloodshot eye. After this film, however, I can no longer purge this image from my mind.

[g-division]

expensive friends👑

[sunnymimis]

TONEGAWA x OGBAEM MAFIA 🐍 Kozo and Tae-yong belong to @burukaji! The others belong to me!

[aylatheallpowerful]

The Cinematography of Monstrous

[survivalistghost]

fuck true beauty this is the best love triangle

[gaymer-hag-stan]

Happy 17th anniversary to KARA!

On the 29th of March, seventeen years ago, Seungyeon, Nicole, Gyuri and Sunghee stepped on stage for the first time as KARA. It wouldn't be long until Hara and Jiyoung would join the group after Sunghee's departure, and Youngji would complete the group a few years later.

KARA gained popularity for their catchy songs, synchronized choreography, and charismatic performances. The group achieved significant success both domestically and internationally.

[passionforfiction]

Arthdal Chronicles

The first season of this fantasy story hits close to home. It depicts the cruelty and greed of villages that have the resources, food and technology to take advantage of others. The story doesn't waist time, the first episode starts with the Arthdal leaders asking the Neanthals to become part of their power. The Arthdal are afraid of the peaceful but strong Neanthals and pretend to negotiate, knowing they are not interested. And what do they do? The Arthdal leaders trick their own people and kill the Neanthals in order to take their lands. Asa Hon learns this when she is in the middle of the attack, and in order to safe Neanthal children, she leaves with a child and Ragaz, with whom she later has children with.

Arthdal continues to annihilate weaker villages, taking them as slaves for hard labor. It is Tagon, an Itgu in hiding, that makes all this possible for Arthdal. And even though he is loved by the village as a hero, his father and other leaders are trying to find ways of killing him, including making Mihol's daughter, Teaelha, into a spy. Even though Tagon is cruel, there is an innocence to his longing to be loved and accepted by the people. His relationship with Teaelha is of a love stronger than their ties to their families and interests. And even though we don't like what he does, some times we do wish him success in his endeavors and fight against the Arthdal leaders for power.

But it is the story of the Wahan Tribe that reminds us that Tagon and all Arthdal are cruel and greedy people that have no respect for others. This is a peaceful tribe in a far away land. They are more like Neanthals in their believes but they are also prejudice against Itgus like Eunseom, whose mother leaves him there before she dies. Eunseom's only true friend is Tanya, the daughter of the priestess and scientist of the village.

It is almost impossible to reach the place but Tagon and the Arthdal leaders find the way to reach the land, it takes them 10 years to reach it and less time to destroy it and take its people as prisoners and slaves. Here we see the struggle of these people who get separated, sold into slavery and fight with each other and their enslavers in order to survive. But it also shows the Wahan people mesmerized by the innovations and way of life in this civilized village.

Tanya ties Eunseom to her by naming him her dream and he will do anything to save her, but destiny takes them into two different paths. These two characters are also very naive, their innocence and sense of justice is what makes others follow them. They both want to forge a world where everyone is equal, no prejudice against people that are different, everyone on equal standing.

Tanya's relationship with Saya is a sad one at best. She is using Saya while Saya genuinely likes her. And even though, at some point she sees him as a friend and cares about him, she still uses his affection towards her. But she is not the only one using Saya, so is Tagon who separated him from his mother when he was a child and Teaelha who became his caregiver for Tagon. Still, Saya is not stupid and he knows how to play the game.

This first half ends with the downfall of the rule of the Arthdal leaders: Daekan, White Mountain, and Hae tribes; giving way to Tagon's rule under the name of Aramun; which damages the relationship he had with Teaelha. Tanya is now the high priest while Eunseom becomes a god for the Ago tribe and starts unifying weak tribes to end fights among them and focus on fighting against their common oppressor.

The second season starts 8 years after the final events of the first one. And the fighting is no longer centered on colonialism, but on taking down a threatening force that is not letting them continue with their expansion of territories. I have heard of people wondering why the change of actors for critical characters. I wouldn't have minded seeing the same actors since they are excellent ones and we got used to them. But I didn't mind the changes, I think that these new actors, brought some darkness to the characters that had been innocent and naive in the first season. They have learned to play the game and they are using what they have learned for their gain.

Tagon and Teaelha are no longer the close couple they had been, but they still love each other and have a son that unites them. Theirs is a tragic and powerful love story, tainted by the struggle for power.

In this half, we see Tagon's fall, and the rise of the ideology that drove Tanya and Eunseom into battle. But we are left with an open ending that promises more blood and restlessness. Saya wants Arthdal for his own since he can't have Tanya's love; and Teaelha wants to take Arthdal back as she promised Tagon; while Eunseom struggles to make Arthdal the land he and Tanya had envisioned.

It is the bloody story of a civilization in this fantasy world that reflects the truth about the history of our world so full of tyranny, blood and inequality.

It is not a story with clear lines and we will switch sides as their goals become twisted, but so is the story of rulers in the past and the present. This is a fantasy story, but it also criticizes what makes a country a country - it's bloody history of greedy men.

[petitemaman2021]

Decision to Leave (2022), dir. Park Chan-wook

Cinematographer: Ji-yong Kim