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I may be late to this, but I feel like it says a lot about how analog horror is covered at least on Youtube when Angel Hare, which is one of the most hopeful and wholesome analog "horror" series' I've seen, has videos talking about it that look like this:
Like, yeah it has dark elements, but it's not this horrifying dark show that corrupts children. Jonah wasn't manipulated into becoming a serial killer by Gabby, that's a fandom AU not what actually happens.
I may just be overreacting over something minor, but it annoys me that a genuinely fresh and kind take on the "dark children's show" trope where a guardian angel protects a child from their abusive father and comforts them through a TV show is treated almost exactly the same as Generic Spooky Face Jumpscare Tapes #57. It's all about the dark elements that accompany the story, and not the story itself.
Angel Hare actually tells a coherent and complete story about children's entertainment and escapism, which just so happens to have dark elements to it while still being a comforting series. At least acknowledge the story being told, not just the disturbing elements of it for the love of Angel Gabby.
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i always feel bad when i see how the point of a lot of saiki's personality traits flew right over the heads of a lot of fans due to him being an unreliable narrator and a tsundere lol.. so a lot of things he says are immediately proved to be untrue and often just him putting up a front, but some people dont pick up on it..
like i see a lot of "haha saiki would never want to watch a romance movie" guys there is an entire chapter (170) dedicated to him being like "i much prefer mysteries to romance stories.." and then immediately becoming absolutely enamored with a romance story.. he was lying, guys, LMAO
less specific ones include:
"i hate children, they annoy me" *goes out of his way to help kids, comfort them, be kind to them, etc.*
"i only use my powers for self gain/my own convenience." "anyway my mama told me to never use my powers selfishly so i always use them to help people and i try my best not to use them for personal gain<3"
"those guys are so annoying, i would never hang out with them willingly." "yeah it took them about two sentences to convince me to go with them. their thoughts seemed like they really wanted me to go, so i did. i didnt want them to be upset. not that i care about them or anything."
(sorry i post about this kind of thing a lot, i just giggle a lot at how the entire manga is so easily misinterpreted and thousands of people have watched the show but didnt pick up on the main characters most defining character traits and frequent bits.. i think there needs to be a masterlist or something disproving all the extremely common misconceptions about saiki k lol)
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I think my issue with the various interpretations of Mori's evilness is that there's this idea that Mori went out of his way to purposefully and deliberately target both of Dazai's friends in Dark Era to teach Dazai a lesson, and not that Dark Era is a tragedy where the cards aligned a bit too well for Mori to resist the "logical" solution served to him on a silver platter and everyone (including him) lost something that day (not that he'll acknowledge it)
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me, a person with severe labru brainworm disease, somehow noticing this panel of an annoyed kabru covered in monster slime waking up a confused and alarmed laios for the first time: yeah, sure, i'll ship that
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astarion, the man who was dying and offered eternal life, but had no idea that it meant becoming a slave to a sadistic master.
astarion, the man who had his freedom and bodily autonomy ripped away from him.
astarion, the man who was forced to befriend, seduce and sleep with people to lure them back to his master, resulting in severe sexual trauma and the struggle to form any sort of intimate relationship.
astarion, the man who was horribly punished whenever he refused his master’s orders (one punishment being sealed away in a dusty tomb, starving, for an entire year. he scratched his hands raw trying to carve his way out).
astarion, the man who was forced to eat rats.
astarion, the man who hasn’t even been able to see his own face since he turned.
astarion, the man who had his body mutilated as cazador carved scars onto his back, which he later found out was to bind him to a ritual.
astarion, the man who is so severely traumatised that he admitted he doesn’t know how to say “no” or ask for help (and he feels guilty when he does).
astarion, the man who waited two centuries to be helped and freed from torture, but no one came.
astarion, the man who was always treated like a monster when all he wanted was to be treated like a person.
astarion, the man who came up to you in the middle of the night just to thank you for defending him and allowing him to make his own decisions.
astarion, the man who said that no one ever looked out for him or showed him kindness, and that you’re the only one. “other people don’t have a heart like you. you’re you. no one is like that.”
astarion, the man who broke the cycle of power and terror that started centuries ago thanks to the love, care and compassion that you showed him when no one else did.
astarion, the man who confessed that he loves you and feels safe with you; something he has never felt with anyone before.
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succession | 1.01 "celebration"
you know, i know that you've read a lot of books about business management and this and that, but you know what? sometimes, it is a big dick competition.
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i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?
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ok tell me some basic gen 5 facts
victini was designed with the intention of appealing to female players
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yk when i think about it, especially when im watching the anime with people who havent read the manga, the reason a lot of people who only watch the anime and didnt read the manga misinterpreted saikis character so badly is definitely in part because of how damn fast paced the anime is 😭
like that little smile and eye shine frame is there for not even half a second in the anime, so its easier to miss it and assume that he really did only finish those workbooks to get coffee jelly ☠️ its much more clear if you get a good look at how he reacts here that hes just a silly little tsundere and a fucking liar
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I've been reading Exodus lately and I've just gotten to the portions where God gives the first commands to the people via Moses (twice), and then goes on to give detailed instructions about the tabernacle and how it should be built, and I'm just... we think art is unimportant?? we think things only mean as much as their functionality?? we so easily fall into the trap of believing that beauty means nothing, that it's cheap and only worth whatever mindless distraction it brings, that it's barely more than a cheap sensual thrill, that buildings should just be practical and plain and cheap, that everything should be functional but ultimately disposable, that paintings and dresses and mugs and curtains and carpets are just pretty but have no real value, that beauty is fleeting and vain and therefore shouldn't be thought about too much, if even looked for at all... we fall into these traps so easily, and we forget that there are chapters upon chapters of painstakingly detailed plans to build one portable worship tent, and those plans have been handed down through thousands of years of human history, because beauty and art and skill in craft is important
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i can't stress enough that outside of this one moment in rogue protocol when murderbot wants to kill a human for betraying its sort-of clients but settles for the next best thing of menacingly hovering a drone in her face for 26 seconds while she's frozen in place by her armor, for the rest of the first four books mb is really only using drones for security purposes and doesn't have the time or inclination to be performing close-range facial analysis:
in ASR it doesn't seem to be all that familiar with drones outside of maybe using them to set a perimeter. it exhibits several other uses of drones as events escalate, but they're all related to protecting itself and its humans and getting intel on EvilSurvey. at no point does it mention watching a human with a drone; it's all "using drones to draw fire" this and "sending drones flying off in the wrong direction as a diversion tactic" that. et cetera.
it has no access to drones whatsoever in AC from what i can tell.
in RP it uses Ship's drones to record conversations between wilken and gerth, but it's not a participant in those conversations and it doesn't even watch them in real time. it also forgoes getting a good look at their weapons via drone because it thinks they would notice. later it takes control of a station drone to watch (from afar) their first meeting with don abene & co., but miki notices the drone and almost catches mb because of it, which freaks it out. then it hacks the combatbots' drones, but other than the aforementioned 26-second intimidation of wilken, it's too busy doing actual security work to use them to look at people.
in ES it accesses drones many times, including to observe its humans, but it only seems to actually control a drone to look at something one time, and only in order to zoom in on a suit logo. so at no point could it conceivably be directing a drone to get up in somebody's face, since it's just piggybacking on drones as they go about their normal business.
it does use cameras to watch people in the first four books, but in a much less obvious way: either it's using fixed cameras that are built into habitats/hoppers/whatever, or it's accessing mobile cameras (suit cams, station drones) but not controlling where those cameras go or what they're pointing at.
it's interesting, because while drones can be startling or intrusive, on the flip side, cameras that don't move don't draw attention to themselves and thus may make it easier to forget you're being watched (plus you have no way of knowing if that particular camera is being monitored at that moment or if it's just recording for later analysis). so in a way, having a drone in your face actively signals to you that mb is paying attention to you. it's making mb's gaze visible in a way it might not otherwise be. this changes the dynamic from "passive surveillance for datamining and threat assessment purposes" to "person actively choosing to pay attention to you in real time". one of these is covert and the other isn't; one of these holds the possibility of interaction and exchange and the other doesn't. maybe it puts a drone in your face to show you it cares.
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